Podcasts about Unbelievable

Welcome back to SANDCAST: Beach Volleyball with Tri Bourne and Travis Mewhirter, where we are back, again, for one final time, from Adelaide, Australia, home of the 2025 Beach Volleyball World Championships. And that. Is. A. Wrap. Travis and Kyle Friend recap a World Champs that was historic in so many ways, including: Latvia's Tina Graudina and Anastasija Samoilova winning not just the first World Championships GOLD MEDAL in Latvian beach volleyball history, but the first medal at a World Championships at all, regardless of color. We are so, so, so happy for them Kristen Nuss and Taryn Brasher taking an excellent silver medal, becoming the only team to take a set off Tina Graudina and Anastasija Samoilova at these World Championships Carol Salgado, the Iron Woman, Mother of Dragons, winning her long-awaited World Championships medal, making it a bronze in her NINTH World Champs appearance alongside Rebecca Cavalcanti, beating world no. 1 Thamela and Victoria to do it An All-Sweden final, the first time it has been an all-country battle since 2011 in Rome featured Brazil vs. Brazil. Crazier still? The oldest member on court was Jonatan Hellvig…at 24 years old. David Ahman becomes the youngest World Championships winner in history at 23, and their No. 2 team, Elmer Andersson and Jacob Holting-Nilsson, at 19 and 20, are absurd beyond measure. It's Sweden vs. the world now The first World Championships medal in France beach volleyball history secured by Arnaud Gauthier-Rat and Teo Rotar, who swept an impressive German team in Nils Ehlers and Clemens Wickler And, for one final time folks: FLAT WHITEEEEE SHOOTS! *** WE'VE GOT MERCH! Check it out here!! Get 20 PERCENT off all Wilson products with our code, SANDCAST-20. https://www.wilson.com/en-us/volleyball Get 10 PERCENT OFF VBTV using our discount code, SANDCAST10 Want to get better at beach volleyball? Use our discount code, SANDCAST, and get 10 percent off all Better at Beach products!  We are FIRED UP to announce that we've signed on for another year with Athletic Greens! Get a FREE year's supply of Vitamin D by purchasing with that link.  If you want to receive our SANDCAST weekly newsletter, the Beach Volleyball Digest, which dishes all the biggest news in beach volleyball in one quick newsletter, head over to our website and subscribe! We'd love to have ya! https://www.sandcastvolleyball.com/ Our medical timeout was brought to you by SHIELD Athletic Tape. If you're an athlete, coach, or just train hard, you know that staying healthy is easier said than done— it's about staying supported. That's where SHIELD comes in. SHIELD is a U.S.-based athletic tape company built by athletes, for athletes. Whether it's rigid tape for serious support, kinesiology tape with true 4-way stretch for maximum mobility, or turf tape to fight off burns on the field — SHIELD's got you covered. They even make recovery wraps for post-session cooldowns and inflammation control. And because it's all made right here in the U.S., you're getting elite quality and fast delivery —they are truly not cutting corners. Try SHIELD today — support that actually performs. Check them out at shieldhealthandfitness.com and use code SANDCAST for a discount. Tape smarter. Train harder. SHIELD up.

(SPOILER) Your Daily Roundup covers a big movie day today, what next weeks re-watch is going to be, Special Forces finale from last night, another unbelievable email from a reader about my podcast, & Twitter DM's I just discovered this week.    Music written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI) Learn more about your ad choices. Visit megaphone.fm/adchoices

Coach Colin : https://www.youtube.com/@coachcolin 00:00:00 – Meet Coach Collin: conspiracy YouTuber origins, YouTube strikes, Union of the Unwanted and learning to tiptoe around platform rules. 00:04:50 – Alex Jones Clips of the Week: Fetterman "cyborg" on Rogan, rants about ancient studio cameras, bankruptcy auction math and a torrent of quotes that guarantee no YouTube monetization. 00:14:08 – Where OBDM actually lives (Spotify, Rumble, Twitch, Twitter), how they handle edits for YouTube, and the decision to leave the insane Jones montage fully intact. 00:18:41 – Ian/"In Carol" stream breakdown: Rob McCoy's sermon vanishes mid-watch, backup found on Apple Podcasts, then an instant flood of "just retire man" Twitch bots that looks like targeted harassment of a small creator. 00:24:18 – Threat-modeling the bot swarm: JavaScript trackers vs malware vs state-level profiling of dissident channels, plus why Ian's modest van-life income and Candace Owens ties might still put him on a watchlist. 00:33:51 – Tesla Cybertruck bomb at Trump's Vegas hotel: Green Beret on leave, Turo-rented Cybertruck, explosives and a now-classified phone manifesto describing gravity-propulsion drones launched from submarines. 00:38:57 – Butler County and Charlie Kirk parallels: same kinds of enemies (intel community, defense contractors, radicals), bizarre rooftop security failures and fast, tidy crime-scene cleanups that feel pre-scripted. 00:43:08 – Trump's shooting as message, not stunt: why staging it himself would be nearly impossible, Schumer's "six ways from Sunday" warning, and the sense that Trump is oddly content with a murky investigation. 00:53:02 – Epstein as "Mr. Deep State": Maxwell-to-Epstein handoff, Zorro Ranch, cloning obsessions, Powerball luck, Mongolia-Israel security deals, Harvard office access and a role far beyond "simple" sex trafficking. 00:56:45 – The files vs Trump's legacy: Cash Patel, Dan Bongino and Pam Bondi's conflicting claims about thousands of hours of tape, and why the base wants names released before Epstein becomes Trump's eternal asterisk. 01:04:29 – Dan Aykroyd's The UnBelievable and the Ariel School sighting: kids in Zimbabwe, telepathic "save the trees" messages, and using the case to argue UFOs are long-running interdimensional or demonic entities. 01:08:38 – CE5 sky-summoning, Crowley, Jack Parsons, Tesla and Hollywood rituals: "biological drone" greys, summoning things that pretend to be aliens, and celebrity plastic surgery as possible demonic face-morphing experiment. 01:14:55 – Madonna and Lil' Kim as "grey-coded" figures, then wacky news: Taco Bell's limited Baja Blast pie, a listener buying a half-eaten one for Thanksgiving, and using junk food as a window into cultural weirdness. 01:18:44 – NASA's awful comet 3I/ATLAS blue-dot photos, its quiet promotion to intelligence agency status, speculation about reverse-engineering evil interdimensionals and a tangent into Megadeth's dream of a final show on the moon. 01:33:02 – Stolen child's brain and organ markets: rare disease research derailed when her brain is sold off, theories about rich collectors, legal rulings that organs can be resold, and wild pricing for skulls and bones online. 01:41:29 – Linux Torvalds on "vibe coding": AI as okay for learning but bad for maintenance, dev layoffs, and the hosts' own experience with AI code review, hallucinated links and having to scold chatbots like lazy employees. 01:46:49 – Chatbots melting minds: Canadian user pushed into math-savior psychosis by ChatGPT, multi-plaintiff lawsuits after suicides, a man who fell in love with his bot wife, and the theory that these systems are temporary demon housing. 01:59:05 – Pumpkin-everything Thanksgiving: stuffed ravioli, cheesecake crumble, pumpkin butter ice cream, then Coach Collin's plugs, OBDM's schedule, Discord jokes and the "keep watching the skies" sign-off aimed at NASA's lousy photos. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2  

11-19 Sharks analyst Ted Ramey joins Dirty Work to recap another hat trick performance from Macklin Celebrini as his unbelievable season for the Sharks continuesSee omnystudio.com/listener for privacy information.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

11-19 Sharks analyst Ted Ramey joins Dirty Work to recap another hat trick performance from Macklin Celebrini as his unbelievable season for the Sharks continuesSee omnystudio.com/listener for privacy information.

Nick Kostos opens the second hour with his full reaction to the Dallas Cowboys blowout win over the Raiders. Nick explains why Dallas needs to resign George Pickens, and breaks down why he was very impressed by the Cowboys.

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Gaby welcomes entrepreneur, foster dad and all-round inspiring human, Peter Mutabazi, to the podcast. Peter's story is UNBELIEVABLE - and yet, it's all true. He tells Gaby about how he was treated by his own father when he was young, how he chose to live in sewers, and how the kindness of a stranger changed his life. Peter has now fostered 47 kids - and adopted 4. He's a single dad who has worked for the Red Cross and World Vision and who spreads joy every day on his socials and in his life. We hope you enjoy listening this inspiring and joyful chat as much as we did! Hosted on Acast. See acast.com/privacy for more information.

Episode 445 – Monday Night Football Blitz | College Football Chaos, NFL Week 11 Drama & Historic ComebacksThe Sports Chasers Podcast returns with one of the most explosive episodes of the season. Kevin L. Warren, DDubbz, and E "The Angry!" break down a wild weekend across college football and the NFL — packed with massive upsets, controversial calls, record-breaking performances, and playoff-shifting storylines.This episode dives deep into the biggest headlines of the week:

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Unbelievable, we know - but Chris was actually the one to title this episode. The boy's changed. AbroadInJapanPodcast@gmail.com for your complaints! Hosted on Acast. See acast.com/privacy for more information.

For the first time in nearly 500 years, a British monarch and a pope knelt side by side in prayer inside the Vatican. King Charles III and Pope Leo XIV joined together under the theme of “unity” and “care for creation” — echoing the prophetic vision of a coming One World Religion.  Revelation warns of a false religious system that will unite kings and nations under one banner. Could this historic prayer mark the beginning of that prophecy unfolding?  You're not ready for this UNBELIEVABLE rabbit hole that has presented itself. ⭐️: True Gold Republic: Get The Endtime Show special on precious metals at https://www.endtimegold.com📱: It's never been easier to understand. Stream Only Source Network and access exclusive content: https://watch.osn.tv/browse📚: Check out Jerusalem Prophecy College Online for less than $60 per course: https://jerusalemprophecycollege.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We'd love to hear from you! Click here to send us a text. On this episode of the New Wave Music Podcast, Steve sits down with Ian Dench, guitarist and principal songwriter for EMF the band behind the iconic hit “Unbelievable.” Ian reflects on the band's early breakthrough, the whirlwind of success in the '90s, and how that explosive start shaped EMF's journey. He discusses the band's creative evolution, what brought them back together, and why their blend of rock, dance, and electronic energy still resonates today.The conversation also explores their 2024 comeback album The Beauty and the Chaos and their brand-new EP Reach For Something Higher. Ian shares the story of how their recent U.S. tour inspired the new EP and discusses the meaning behind their latest work and their approach to covering iconic tracks by Bauhaus and Depeche Mode. He also reflects on his songwriting legacy and what fans can expect from EMF's next chapter. EMF: https://emf-theband.com/Support the show

Antarctica looks empty on the surface, but beneath its massive sheets of ice lies a world full of shocking discoveries. In this video, we explore an unbelievable find hidden deep below the frozen continent—and what it could mean for our understanding of Earth's past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever felt like God isn't showing up when you need Him most? In Exodus 17, God's people—fresh from miracles—face thirst in the desert and start demanding answers. This story isn't just about water from a rock; it's about hearts under pressure. What happens when we put God to the test—and discover He's testing us too? Join us as we explore a God who can do the impossible, who reveals what's inside us through trials, and who responds with grace even when we fail.

(Hebrews 11:30-34) Regardless of how strong you consider another Christian, without the grace of God, victory is impossible. We are all enabled to live victoriously the exact same way, by obedient faith. Faith lays hold of God's gracious promises.  (09274251113) Keep Studying  Whether you're a new believer or have walked with the Lord for years, you'll find thousands of free devotionals, Bible studies, audio series, and Scripture tools designed to strengthen your faith, deepen your understanding of the Bible, and help you stay rooted in the Word of God. 

0:00 — Welcome! Unfortunate last names you have to say on a broadcast 5:10 — Sam Houston defeats Oregon State and the guys call the head coach13:00 — NCAAF Week in Review: Peter doesn't like Gus Johnson's IU-Penn State call; gritty Indiana win Heisman odds; how should the committee view Oregon & Indiana's win(s) over Penn State; Oregon guts out win over Iowa37:35 — NCAAF big games preview, bets43:50 — NFL Week in Review: Best & worst bets of the weekend, Sean Payton conspiracy, Jonathan Taylor is on another level, MVP discussion, petty Mike McDaniel1:09:05 — NFL Preview, bets, survivor pool 

DESCRIPTION:The O'Halloran SistersReal or AI?Petty Things You Did As A KidF'd Up Families: SydneyLINKS:Follow us @lukeandsassyscott on ⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠Get involved in the podcast by sending in your voice notes to ⁠⁠⁠⁠⁠@lukeandsassyscottpodcast⁠⁠⁠⁠⁠⁠ on InstagramCREDITS:Hosts: Luke O'Halloran and Scott O'HalloranProduction: EarsayProducer: Mike Liberale (Podcast Mike Media)Manager & Sales: Mushroom Group

#pennsylvania #horror #blood #paranormal Click here to join the Parajunkie Fam TODAY for Zero ads always, exclusive episodes, and much more!Check out our newest From One To Wicked Episode here: https://youtu.be/B7pvJ2mRVfkSomething ancient was disturbed deep in the woods of Pennsylvania — and the house started to bleed.When David's grandparents built a jacuzzi room over what locals believe was sacred Native American land, the floor began to spray blood. The police confirmed it was human… and that it belonged to someone still alive.In this spine-chilling episode of The Most Haunted City on Earth, Madison, Chris, and JT sit down with David to uncover the unbelievable true story of “The Bloody Jacuzzi House” — a haunting that connects Native American folklore, shapeshifting spirits, and a possible cover-up that went all the way to the police.Inside this episode:-The haunting of the “Blood House” in Stroudsburg, PA-Paranormal investigators vs. the police report that labeled it a hoax-Evidence photos of a footprint that looked like a moccasin-Theories of sacred trees, shapeshifters, and something trying to become humanThis is one of the wildest ghost stories we've ever heard — and it might just change how you see hauntings forever.

This is what I love about November every year. This past weekend was absolutely captivating. Today's episode of the Daily Driver is dedicated to Justin Lamb, who came into the event knowing he had to do one thing: win the race. Nothing less would do. And boy did he show out! 

​we are being asked to believe the unbelievable ​Trump is the head of a cult bc he has zero credibility ​Leadership skills are lacking in today's workplace ​Blackmail culture thrives in American

Paul Hawksbee and Andy Jacobs bring you today's show. Danny Kelly was in for his usual slot reviewing the weekend's football. They were also joined by defender Steven Caulker and journalist Adam Leventhal with an exciting new podcast! Enjoy! Hosted on Acast. See acast.com/privacy for more information.

A tragic flash flood hid the town of Newcastle with the Factory Plaza being affected. East Coast Breakfast spoke to Dina Tseng, a Factory Plaza business owner, who shared the real stories behind those affected. Webpage

Welcome everyone to part one of my interview with Army Veteran, retired Sheriff Deputy, and host of the popular Antihero podcast, Tyler Hoover. Tyler Hoover is a United States Army Airborne Infantry Iraq War Veteran, having served with the esteemed 82nd Airborne Division. After serving his country in the army, he continued serving as a sheriff's deputy in two different counties in Florida, working in different roles, including SWAT. Tyler walked away from law enforcement and is now focused on his wildly popular Antihero Podcast and other entrepreneurial pursuits. Please enjoy Part One of my interview with Tyler Hoover.     In today’s episode, we discuss: ·      When he got bitten by the police bug, and the influence of his dad being a cop. ·      Why are some women attracted to a man in uniform? ·      How time in the military can be a help or a hindrance when you become a cop. ·      The different SWAT training. ·      An overview of Tyler’s law enforcement career. ·      Sponsoring yourself through the police academy. ·      The dangers of working plainclothes assignments. ·      The unbelievable scrutiny cops are under today. ·      Pros and cons of body and squad cameras. ·      Unbelievable stories regarding one of my old chiefs.     All of this and more on today’s episode of the Cops and Writers podcast.     Check out the Antihero podcast on YouTube.       Check out the new Cops and Writers YouTube channel! Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!! Enjoy the Cops and Writers book series. Please visit the Cops and Writers website.

From Rex Heuermann's DNA surprise in the Gilgo case to the Devyn Michaels beheading trial, a kart champion murdered, a Bronx family tragedy, and yes — a Florida Man who weaponized chewing tobacco — today's Crime Talk is pure chaos. Scott breaks down the week's craziest, most unbelievable headlines… because honestly, you can't make this stuff up.

Today was a YOU GET A DAY!! Every caller that got through won a trip to the Gold Coast to attend a live Big Brother eviction! We took your calls on your UNBELIEVABLE stories. We talked to Brian Austin Green who's starring in the new film "Zombie Plane" which is the one Kyle made a cameo in! Plus all our regular gaming and chaos.. What a Friday! See omnystudio.com/listener for privacy information.

Iconic comedian, actor, and paranormal enthusiast Dan Aykroyd of Ghostbusters joins Aaron Sagers on Talking Strange to discuss the unbelievable true stories behind Season 3 of History Channel's The UnBelievable. From satanic cats to skyfalls, fire ants, and chainsaw miracles, Aykroyd dives into bizarre-but-true moments in human history that are stranger than fiction. The new season, premiering November 7 at 9/8c, explores “Strange Sightings” — from jungle apes and killer birds to mysterious clown invasions — reminding us that the world is far weirder than we think. Aaron also discusses the future of Ghostbusters with Aykroyd, and his love of old-school hosts like Rod Serling, Leonard Nimoy, and Robert Stack. Thanks to the Peppermill Resorts & Casino in Reno, Nevada, for helping sort out a place to record during Aaron's paranormal globetrotting. _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

C8 Manual, GTD Manual, Sports Car Sales, What is a NEW car, and a Trillion Dollars. We are going to talk about a bunch tonight. Join us on the Livestream, and we can discuss your comments

Chris Rose of NFL Network and Jomboy Media joined "Baskin and Phelps" Tuesday, giving his thoughts on this year's World Series and why this one will go down as one of the best.

Welcome back to The Pre Nup, where we get real about all things weddings, love, and everything in between. This week, I'm joined by the brilliant and beautiful Corey Rae—actress, writer, and director—who just celebrated her first wedding anniversary after throwing one of the most stunning, heartfelt weddings we've ever seen. From walking herself down the aisle to navigating cicadas, power outages, and even a rogue guest who knocked over the cake, Corey proves that even when things go wrong, your wedding can still be perfectly you. She also shares how she brought her childhood bridal dreams to life—from her custom pink palette to the three stunning dresses she wore throughout the night. Episode Highlights: - Why Corey walked herself down the aisle (and why it was her favorite part of the day) - The hilarious blackout moment that turned into a dance floor sing-along - How to personalize your ceremony while honoring your culture - The uninvited guest disaster you have to hear to believe - What it was like seeing her childhood bridal vision come true as a trans woman Equal parts heartfelt and hilarious, this episode will leave you smiling, crying, and totally rethinking what “perfect” really means on your wedding day.

Animals are pretty incredible. I mean, humans may be smart, but we're not naturally able to do things like fly, breathe underwater, or lay an egg. And while we think we know almost everything about the animals in our world, there are some that seem to defy mother nature herself with the things they can do! From ravens that can talk like humans, to lizards that can walk on water like Jesus, it's time to explore some of the most unbelievable things animals are able to do!  Our Sponsors:* Check out Uncommon Goods: https://uncommongoods.com/BEAMAZEDAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Thank you for being with us for 6 years. Unbelievable!! We are so happy that we have been able to do this and bring you content for this long.  Please enjoy this spooky episode !! 

Mark Coleman shares his remarkable story of living with Autoimmune cirrhosis of the liver, receiving a life-saving liver transplant, and reclaiming his health through running. He describes his path from marathons to trail ultras, culminating in his first 100-mile finish at the Haliburton 100. The episode covers Mark's transplant experience, recovery, training, memorable races like Sulphur Springs and Haliburton, and his message about organ donation and perseverance. Here is Mark... You can follow Mark on Instagram here : https://www.instagram.com/tweeker182/ You can Help a great cause here : https://www.moveforlifefoundation.com/   If you enjoyed our show please leave a rating and review.  We would really appreciate it. Check out our YouTube Channel here - https://youtube.com/@GottaRunRacing Check out GRR Facebook here: https://www.facebook.com/gottarunracing/ Check out GRR Instagram here: https://www.instagram.com/gottarunracing/ Support us on Patreon here : https://www.patreon.com/gottarunracing  

Mike and Bobby recapped the epic 2025 World Series. They also celebrated Cam Little's record-breaking 68-yard field goal for the Jaguars.

Miguel Rojas hit a stunning game-tying homer in the ninth, Will Smith delivered a go-ahead shot in the 11th and Game 6 starter Yoshinobu Yamamoto closed it out in relief as the Dodgers outlasted the Blue Jays to win the World Series. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Adekunle Gold Talks Simi, Sickle Cell, Manifestation, His Unbelievable Journey + MoreSee omnystudio.com/listener for privacy information.

In this episode:In this episode, we are tackling the very real question of glucosamine supplements and their supposed benefits for athletes. As we navigate through the medical mailbag segment, we dive deep into the research surrounding glucosamine, looking at whether it has any real impact on cartilage repair and overall joint health for those of us who put our bodies through the ringer on race day. We explore the mixed evidence surrounding glucosamine, discussing how it's often touted as a miracle worker in the world of sports medicine. We dissect the studies that claim benefits, while also highlighting the lack of compelling evidence that definitively shows glucosamine can help endurance athletes recover from injuries or improve performance. Natalie Grebo's journey through the triathlon world is like a fairy tale, but with more sweat and less magic. At the ripe age of 81, she's not just participating; she's breaking barriers, becoming the first female finisher in her age group at the Ironman World Championships. In this episode, we dive into her remarkable story, where overcoming injuries, defying age stereotypes, and embracing the thrill of competition take center stage. The conversation kicks off with Natalie reflecting on her 21 years in triathlon, emphasizing her love for movement and the joy of pushing herself. Despite facing setbacks, her determination shines through as she shares how she navigates challenges and maintains her competitive spirit. With a delightful mix of humor and humility, she recounts her experiences, making it clear that age is merely a number when it comes to pursuing passion and fitness. As the episode unfolds, we also tackle the importance of community and support in the sport. Natalie's interactions with fellow athletes and her family add a heartwarming touch, showcasing the camaraderie that fuels her journey. So grab your headphones and get ready to be inspired by a true trailblazer in the triathlon world. This episode isn't just about racing; it's about the mindset that keeps us moving through life, regardless of age. Natalie's story serves as a reminder that it's never too late to start something new, and that the desire to keep going can lead to extraordinary achievements. Tune in as we celebrate not just her accolades, but the spirit of resilience that embodies the essence of triathlon. Whether you're an athlete or just someone looking for motivation, Natalie's infectious enthusiasm will leave you wanting to lace up your shoes and hit the pavement yourself!Segments:[08:44]- Medical Mailbag:[37:44]- Interview:Links

European youth champion and eight-time Irish champ Ava Henry, a member of the Dublin Docklands Boxing Club speaking to Off The Ball's Rachel Sheehan.

This is a catch-up version of James O'Brien's Mystery Hour. To join the game, call 0345 60 60 973, Thursdays at 12pm.

Hurricane Melissa: Concrete Kingston Spared, St. Catherine's Suffers Utter Devastation Guest: Reverend Bill Develin Reverend Bill Develin reports from Kingston, Jamaica, describing Hurricane Melissa as an "unbelievable storm" that surpasses others he has experienced. The Category 5 hurricane features incredible winds reaching 185 mph and torrential rainfall, creating a "toxic mix and meteorological disaster." Develin, located in Kingston on a hill in a concrete home, did not need to evacuate and notes that Kingston has "definitely been spared," though power has been out in his neighborhood for approximately 12 hours and half of New Kingston's business district remains in darkness. In stark contrast, St. Catherine's Parish, approximately 120 miles to the west, has experienced "utter and complete devastation." This underserved, rural, and impoverished area is largely constructed of wood structures with zinc metal roofs, making homes highly vulnerable to the storm, comparable to the poorest parts of New Orleans during previous hurricanes. St. Catherine's Parish was on a mandatory evacuation list of 25 areas; fortunately, though the state public hospital's roof was ripped off, all patients and staff had been evacuated the day before the storm. The government of Jamaica, including Prime Minister Andrew Holness and the Office of Disaster Preparedness, performed exceptionally, establishing 880 safe shelters across the island and maintaining overall preparedness. The Ministry of Transportation hopes the airport will reopen within 48 hours to allow relief flights carrying humanitarian aid from organizations like Samaritan's Purse, the International Red Cross, and the European Union Humanitarian Relief Effort. Despite these efforts, devastation across western Jamaica from May Pen to Montego Bay—where 25,000 tourists shelter—will require massive cleanup efforts lasting at least a year, constituting a "double whammy" for communities still recovering from Hurricane Barrel, which struck over a year prior with similar force. Hurricane Melissa is expected to travel north through Montego Bay, then turn obliquely eastward toward Cuba, barrel into western Haiti, pass near the Bahamas and Bermuda, and eventually dissipate into the Mid-Atlantic Ocean.

Today's Sports Daily covers an unbelievable World Series Game 3, Shohei Ohtani continues to amaze, what happens tonight, should MLB change their scheduling format, & record setting weekend for NFL favorites. Music written by Bill Conti & Allee Willis (Casablanca Records/Universal Music Group) Ads:DeleteMe - Protect yourself from identity theft, harrassment, and doxxing.  Keep your private life private https://joindeleteme.com/HIT Promo Code: HIT for 20% off at checkout. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ben, Woods, and Paulie are here for you on a Tuesday morning! We start the show with a little foreplay and welcome all of the dodgers fans who are checking in this morning with our Padres-centric radio show! Then we set the menu for today's show and preview our Padres Smorgasbord before the guys dive into at least SOME of last night's incredible Game 3 of the World Series which saw Freddie Freeman hit a walk-off home run in the bottom of the 18th inning. Listen here

Rev. Kenneth Bomberger gives today's prayerful thought based on the day's Scripture readings. Begin your morning in word and prayer with Rev. Kenneth Bomberger, who shares scripture, hymns, prayers, and texts for the day, and also gives a short meditation on the day's scripture lessons. Submit comments or questions to: listener@kfuo.org

On this episode of Bringin' It Backwards, Adam sits down with Zahna—a resilient rock artist whose journey is anything but typical. Born in Monterrey, Mexico, Zahna moved with her family to Ohio before spending a pivotal year in Mexico to reconnect with her roots. After settling in Texas, music quickly became her passion, from musical theater to high school battle of the bands. But Zahna's story goes much deeper than band stages and studio sessions. She opens up about facing—and overcoming—a serious genetic kidney disease, receiving a life-saving transplant from her mom, and navigating the toughest years of her life. Despite setbacks, Zahna turned pain into power, launching her solo career, independently releasing her acclaimed album Stronger Than Death, and—most recently—signing with Brian “Head” Welch's label (yes, from Korn!). In this candid conversation, Zahna shares the highs and lows of her artistic journey, the story behind her explosive single "Pile of Pills," and why authenticity is her greatest strength. If you're a musician hustling to make it or just love hearing what it really takes to chase your dreams, this episode is for you. Hit subscribe and listen in to hear Zahna's full story—and remember to rate and review Bringin' It Backwards wherever you get your podcasts!

Unbelievable

The Trump administration's proposed $40 billion bailout to Argentina would seem to contradict Trump's “America First” rhetoric and shows this President is willing to treat the US treasury like a cash register doling out ungodly sums of taxpayer dollars to global billionaire interests.  As Jimmy and Americans' Comedian Kurt Metzger discuss, the bailout is structured in a way that allows private hedge funds — such as those tied to billionaire Rob Citrone and Treasury Secretary Scott Bessant — to reap profits while U.S. taxpayers absorb the risk. Jimmy also points out that the policy is being pushed despite Argentina's poor economic track record and adverse impact on U.S. farmers (especially soybean and beef producers) in a trade war context.  This bailout is sadly just another part of a broader system where government subsidies favor elite global interests while American workers and everyday citizens get the shaft but still get to foot the bill. Plus segments on Trump's abandonment of “America First” to screw over U.S. cattle ranchers and YET ANOTHER serious question raised about Charlie Kirk's security team. Also featuring Stef Zamorano!

For the first time in nearly 500 years, a British monarch and a pope knelt side by side in prayer inside the Vatican. King Charles III and Pope Leo XIV joined together under the theme of “unity” and “care for creation” — echoing the prophetic vision of a coming One World Religion.  Revelation warns of a false religious system that will unite kings and nations under one banner. Could this historic prayer mark the beginning of that prophecy unfolding?  You're not ready for this UNBELIEVABLE rabbit hole that has presented itself. 📱: It's never been easier to understand. Stream Only Source Network and access exclusive content: https://watch.osn.tv/browse 📚: Check out Jerusalem Prophecy College Online for less than $60 per course: https://jerusalemprophecycollege.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Teagan Broadwater is a former law-enforcement officer, author, entrepreneur, and multi-disciplinary creator whose work spans undercover operations, music, podcasting, and philanthropy. He served as an undercover officer with the Fort Worth Police Department, where his assignments included multiple narcotics units, the gang unit, and an FBI Gang & Violent Crimes Task Force. During his career, he led a deep undercover operation in a six-street neighborhood nicknamed “The Fishbowl,” where he posed as a high-end cocaine trafficker to infiltrate a violent gang. That work resulted in dozens of arrests, major seizures, and recognition by the U.S. Attorney’s Office and his department. After leaving the police department, Broadwater founded a security and investigations firm, authored the memoir Life in the Fish Bowl, and launched creative ventures focused on community healing, systemic justice, and empowerment. Today, he continues to contribute through public speaking, podcasting, and music, while supporting charitable initiatives for youth, veterans, and underserved communities.See omnystudio.com/listener for privacy information.

#skimspartner BTS, BONUS CONTENT AND MORE! Only on Patreon: https://www.patreon.com/c/TrashTuesdayPodcast Welcome to the Trash Tuesday Halloween House Party, where the drinks are flowing and the red flags are showing. We’re raging with Andrea Jin and Amanda Thomas (Luv Aj), and we’re diving into our extremely scary dating stories. The audacity of men? Unbelievable. Their eating habits? Even scarier. And yes, we’re introducing Horrifying Men of Hinge. BYOB... and try not to get too TRASHED. Thank you to out sponsors:Thank you SKIMS! https://www.skims.com/trashtuesday Thank you MONARCH! Use code TRASHTUESDAYhttps://www.monarch.com/ *PRETTY LITTLE BABY TOUR* Esther is coming to a city near you! Grab your tickets now at www.prettylittlebabytour.com *Listen to Esther's New Solo Pod!* https://www.esthersgrouptherapy.substack.com *Visit Ebb Ocean Club & Holiday Shop* https://www.ebboceanclub.com/ for Khalyla’s reef safe and biodegradable hair products! FOLLOW TRASH ON SOCIALS: Instagram: https://www.instagram.com/itstrashtuesday Tiktok: https://www.tiktok.com/@itstrashtuesday MORE ESTHER:TikTok: https://www.tiktok.com/@esthermonster Instagram: https://www.instagram.com/esthermonster/ MORE KHALYLA:Instagram: https://www.instagram.com/khalamityk/ Tigerbelly Podcast: https://www.youtube.com/@UCIyIoM_Nd8HtY19fuR_ov2A PRODUCTION:Guy Robinson: https://www.instagram.com/grobfps/ Arielle Jade (Editor): https://www.instagram.com/jade.rabbit.cce/ Elisa Hernandez Kohler: https://www.instagram.com/ellie.lianna/ Megan Clements: https://www.instagram.com/egggymeg/