Podcast appearances and mentions of misha mengelberg

Enjoy a playlist featuring large ensembles of various shapes and sounds, the music and spirit of Misha Mengelberg and the versatility of Silke Eberhard. The playlist features Jasper Blom; Artchipel Orchestra; ICP Orchestra; Potsa Lotsa XL; Silke Eberhard Trio; Hans Lüdemann's TransEuropeExpress Ensemble, Rita Marcotulli. Detailed playlist at https://spinitron.com/RFB/pl/20685056/Mondo-Jazz [from "White Stripes" onwards] Happy listening! Photo credit: Rüdiger Kusserow

Seguimos analizando la escena del jazz en Países Bajos esta vez bajo la óptica de la sala Bimhuis y su discográfica. Escuchamos a Ella Zirina, Alistair Payne, Sanem Kalfa, Bernard van Rossum, Nausyqa, Chris Muller, Kit Downes, Paul Termos & Misha Mengelberg, Loek Dikker y el Trio Janssen Glerum Janssen.Temas que suenan en el programa:01 2022 Ella Zirina - Intertwined 04 Waiting for Something That Will Never Happen - David Macchione Eloi Pascual Nogue (4' 44'')02 2024 Alistair Payne - This Thread Walks 05 Perfectly - Tongo Eisen-Martin José Soares Floris Kappeyne Tijs Klaassen Sun-Mi Hong (5' 17'')03 2022 Sanem Kalfa - REFLEX Miraculous Layers 05 Boslukta - Kamucan Yalçin Marta Warelis Fuensanta Sun-Mi Hong (4' 08'')04 2019 Bernard van Rossum Quartet - Trampoline 01 Trampoline - Xavi Torres Marco Zenini Joan Terol (3' 25'')05 2022 Nausyqa - Live Keep an Eye - Third Theme - Miguel Valente Antonio Moreno Antonio Todisco Jelle Willems Richard Nacinelli Pedro Nobre (4' 02'')06 2022 Chris Muller Big Band - Live Amsterdam Blue Note - Brainfreeze (5' 41'')07 2024 Kit Downes Dr. Snap 01 Children with Pitchforks - Ketija Ringa Karahona Ben van Gelder Robin Fincker Percy Pursglove Reinier Baas Petter Eldh Sun-Mi Hong James Maddren Veslemøy Narvesen (5' 21'')08 2002 Paul Termos & Misha Mengelberg - Paul Termos Sessions Volume I 06 Trapeze (5' 49'')09 2024 Loek Dikker Waterland Sextet - Live Bimhuis - Leo van Oostrom Jan Menú Loek Boudesteijn Lucien Matheeuwsen Pierre Courbois (4' 58'')10 2012 Trio Janssen Glerum Janssen - One Bar - Guus Janssen Ernst Glerum Wim Janssen (5' 35'')Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.

MISHA MENGELBERG FOUR IN ONE New York, September 26, 2000Hypochristmutreefuzz, Reef, Monk's moodDave Douglas (tp) Misha Mengelberg (p) Brad Jones (b) Han Bennink (d) RON MILES OLD MAIN CHAPEL Boulder, CO Jun 2011Mr. Kevin, I Will Be FreeRon Miles (t) Bill Frisell (g) Brian Blade (dr) PAUL MOTIAN TRIO DANCE Ludwigsburg, Germany, September, 1977Waltz song, Kalypso, PreludeCharles Brackeen (sop,ts) David Izenzon (b) Paul Motian (d,perc) Continue reading Puro Jazz 24 Mayo 2024 at PuroJazz.

MISHA MENGELBERG FOUR IN ONE New York, September 26, 2000Hypochristmutreefuzz, Reef, Monk's moodDave Douglas (tp) Misha Mengelberg (p) Brad Jones (b) Han Bennink (d) RON MILES OLD MAIN CHAPEL Boulder, CO Jun 2011Mr. Kevin, I Will Be FreeRon Miles (t) Bill Frisell (g) Brian Blade (dr) PAUL MOTIAN TRIO DANCE Ludwigsburg, Germany, September, 1977Waltz song, Kalypso, PreludeCharles Brackeen (sop,ts) David Izenzon (b) Paul Motian (d,perc) Continue reading Puro Jazz 24 Mayo 2024 at PuroJazz.

OUT TO LUNCH Englewood Cliffs, NJ, February 25, 1964Hat and beard (2), Gazzelloni (3)Freddie Hubbard (tp) Eric Dolphy (as-1,b-cl-2,fl-3) Bobby Hutcherson (vib) Richard Davis (b) Tony Williams (d) CHARLES MINGUS SEXTET – “CORNELL UNIVERSITY” Ithaca, NY, March 18, 1964Jitterbug Waltz, A.T.F.W.Johnny Coles (tp) Eric Dolphy (as,b-cl,fl) Clifford Jordan (ts) Jaki Byard (p) Charles Mingus (b) Dannie Richmond (d) LAST DATE Hilversum, The Netherlands, June 2, 1964Hypochristmutreefuzz (1)Eric Dolphy (fl-3,as-2,b-cl-1) Misha Mengelberg (p) Jacques Schols (b) Han Bennink (d) UNREALIZED TAPES Paris, June 11, 1964SpringtimeDonald Byrd (tp) Eric Dolphy (as,b-cl) Nathan Davis (ts) Jacques “Jack” Dieval (p) Jacques Hess (b) Franco Manzecchi (d) Jacky Bambou (perc-1) Continue reading Puro Jazz 03 mayo, 2024 at PuroJazz.

OUT TO LUNCH Englewood Cliffs, NJ, February 25, 1964Hat and beard (2), Gazzelloni (3)Freddie Hubbard (tp) Eric Dolphy (as-1,b-cl-2,fl-3) Bobby Hutcherson (vib) Richard Davis (b) Tony Williams (d) CHARLES MINGUS SEXTET – “CORNELL UNIVERSITY” Ithaca, NY, March 18, 1964Jitterbug Waltz, A.T.F.W.Johnny Coles (tp) Eric Dolphy (as,b-cl,fl) Clifford Jordan (ts) Jaki Byard (p) Charles Mingus (b) Dannie Richmond (d) LAST DATE Hilversum, The Netherlands, June 2, 1964Hypochristmutreefuzz (1)Eric Dolphy (fl-3,as-2,b-cl-1) Misha Mengelberg (p) Jacques Schols (b) Han Bennink (d) UNREALIZED TAPES Paris, June 11, 1964SpringtimeDonald Byrd (tp) Eric Dolphy (as,b-cl) Nathan Davis (ts) Jacques “Jack” Dieval (p) Jacques Hess (b) Franco Manzecchi (d) Jacky Bambou (perc-1) Continue reading Puro Jazz 03 mayo, 2024 at PuroJazz.

Kun je de wereld veranderen met muziek? Joris en Guido trekken op onderzoek uit. Ze duiken in de historie van klassiek muzikaal protest, van het 17de-eeuwse geuzenlied tot de provocaties van de zwarte Amerikaanse queer-componist Julius Eastman. De kracht van klassiek verandert de mens. En ook de maatschappij? Gedraaide muziek: * repetitiefragment uit Reconstructie (1969), een opera van het collectief Louis Andriessen, Reinbert de Leeuw, Misha Mengelberg, Peter Schat, Jan van Vlijmen, Hugo Claus en Harry Mulisch * Alweer geen deegh de kuyp is leegh, Camerata Trajectina * Joseph Haydn, deel vier (Finale) uit: Symfonie nr. 45 in f-klein, Il Giardino Armonico o.l.v. Giovanni Antonini * Jean Sibelius, Finlandia, Minnesota Orchestra, YL Male Voice Choir o.l.v. Osmo Vänskä * Ethel Smyth, The March of the Women, Chorus of the Plymouth Music Series * Kurt Weill, Die Mortitat von Mackie Messer, uit: Die Dreigroschenoper, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg * Julius Eastman, Evil Nigger, Wild-Up

JIMMY GIUFFRE / PAUL BLEY / STEVE SWALLOW - CONVERSATIONS WITH A GOOSE  - Milan, Italy, May 27, 1993 Conversations with a goose, Calls in the night, Jungle critters Jimmy Giuffre (cl,sop) Paul Bley (p) Steve Swallow (el-b) CLAUDIA ACUÑA - DUO  - New York, August 12 & 13, 2021 Medianoche (2), Eclipse de luna (3), Verdad amarga (7), Yo (1) Claudia Acuna (vcl,perc-1) acc by Kenny Barron (p-2) Carolina Calvache (p-4) Fred Hersch (p-5) Arturo O'Farrill (p-8) Russell Malone (g-7) Regina Carter (vln-6) Christian McBride (b-3) MISHA MENGELBERG - CHANGE OF SEASON  - Milan, Italy, July 2 & 3, 1984 House party starting, The happenings, Change of season George Lewis (tb) Steve Lacy (sop) Misha Mengelberg (p) Arjen Gorter (b) Han Bennink (d)

The theme this episode is  - got ya! - there isn't a theme.  What we do have are two mildly historical piano-led recordings by musicians who couldn't be more different if they tried, and two new releases by musicians also pulling in different directions.  Get a large group together and go for eclecticism?  Or just multi-track yourself and add a duet partner to the mix?  You, dear listeners, can pick the approach you like.  Chucho Valdez – LIVE AT VILLAGE VANGUARD; Misha Mengelberg – NO IDEA; Ben Wendel – ALL ONE;   Mehmet Ali Sanlikol - TURKISH HIPSTER .

Benjamin maakt twee weken lang zijn podcast vanuit Zuid-Korea, waar hij samen met de Zuid-Koreaanse Sun-Mi Hong, de Schotse trompettist Allistair Payne, Koreaanse pianist Youngwoo Lee en bassist Ernst Glerum de muziek van de Nederlandse pianist en componist Misha Mengelberg gaat spelen. In deze tweede aflevering duikt hij volop in de Koreaanse jazz.

Benjamin maakt twee weken lang zijn podcast vanuit Zuid-Korea, waar hij samen met de Zuid-Koreaanse Sun-Mi Hong, de Schotse trompettist Allistair Payne, Koreaanse pianist Youngwoo Lee en bassist Ernst Glerum de muziek van de Nederlandse pianist en componist Misha Mengelberg gaat spelen. In deze aflevering muziek van dit bonte gezelschap. En in de volgende aflevering duikt hij volop in de Koreaanse jazz.

  MISHA MENGELBERG “WHO’S BRIDGE” – New York, February 11 & 12, 1994 Who’s bridge, Rollo III, Almost, almost Misha Mengelberg (p) Brad Jones (b) Joey Baron (d)             CALEB WHEELER CURTIS “HEATMAP” – Astoria, NY, July 20, 2021 Trembling, Heatmap, Splinters Caleb Wheeler Curtis (as,sop,comp) Orrin Evans (p) Eric […]

In this August 2020 conversation with Ken Vandermark, Magda Mayas talks about her early musical influences from her family and seeing Cecil Taylor, shares her experience being a student of Misha Mengelberg, and discusses her techniques working with a prepared piano.

We sit down with jazz legend Brodie West to unpack some of his early jobs, his music education and even a phone call from his father. What a career in music, from studying noise (and jazz) at the Amsterdam Music Conservatory with Misha Mengelberg, to musical encounters with percussionist Han Bennink as well as The Ex -- Brodie has led such a rich musical life to date. He still seems to be living for that one musical moment, putting out so much incredible music along the way, from Ways (with Evan Cartwright), to Eucalyptus and his own quintet. Dig in to this piss-powered episode, and we'd apologize for the audio quality if the conversation wasn't so stunning. "Sometimes, a great boss has to make you cry..."

In this October 2017 conversation with Tim Daisy, Michael Vatcher reflects on the narrative elements of solo performance, moving to Amsterdam in the 1980s, and playing chess with Anthony Braxton and Misha Mengelberg.  Note: this episode includes a discussion of suicide.

In deze aflevering praat Co met bassiste en componiste Deborah Slijkhuis over haar debuutalbum Phrases of Freedom. Daarnaast hoor je live opnames van Misha Mengelberg en Piet Noordijk. Verder natuurlijk weer veel nieuwe muziek en vinyl.

In deze aflevering praat Co met bassiste en componiste Deborah Slijkhuis over haar debuutalbum Phrases of Freedom. Daarnaast hoor je live opnames van Misha Mengelberg en Piet Noordijk. Verder natuurlijk weer veel nieuwe muziek en vinyl.

Ter ere van de geboortedag van Misha Mengelberg draait Benjamin bijzondere stukken uit zijn oeuvre.

Angelica è una rassegna bolognese che da trent'anni in primavera propone un ampio cartellone dedicato a forme molto varie di avanguardia musicale. Già in passato Angelica ha pubblicato degli album, ma adesso la sua attività discografica sembra aver innestato un'altra marcia, con una nutrita serie di uscite e - forte di un archivio di registrazioni che testimonia della qualità della sua programmazione - con un livello molto alto delle proposte. Apriamo la puntata con un doppio cd prezioso per più di un motivo: At Angelica 2000 Bologna di Cecil Taylor, che documenta il solo dello straordinario pianista afroamericano nel 2000, ma anche la rara conversazione in pubblico alla quale Taylor si era concesso nella stessa occasione, di cui viene fornita la registrazione corredata di minuziosa trascrizione in inglese con traduzione in italiano. Passiamo in rassegna poi due album di due maestri afroamericani del post-free: il Duo (2018) del sassofonista Anthony Braxton con l'arpista Jacqueline Kerrod, e Splatter di Roscoe Mitchell, che presenta due esibizioni del 2017 di Mitchell, una delle quali con l'Orchestra del Teatro Comunale di Bologna; e due di due capiscuola della free music europea: Rituals of Transition del compianto Misha Mengelberg (piano solo in diverse occasioni nel nuovo millennio, fra cui Bologna 2002), e The Catch of A Ghost cointestato al sassofonista tedesco Peter Brotzmann, al marocchino Moukhtar Gania e al chicagoano Hamid Drake, e registrato ad Angelica nel 2019.

Meer dan vijftig jaar geleden richtte pianist en componist Misha Mengelberg een eigen ensemble op: Instant Composers Pool. Vanwege het jubileum is er nu een cd verschenen met werk van Mengelberg door ICP en Nieuw Amsterdams Peil. Hij is er zelf niet meer bij, hij overleed in 2017. Een hommage aan een van de meest recalcitrante figuren uit de Nederlandse muziek. Guus Janssen, die al een tijdje de positie inneemt van Mengelberg aan de vleugel schetst een portret. Hij maakte zelf kennis met het fenomeen tijdens een concert dat hij als 12-jarige bijwoonde. Hij zag met eigen ogen hoe de pianist onder de vleugel dook en daar een rotje afstak.

In deze uitzending hoor je delen uit het uitvoerige interview dat Aad van Nieuwkerk had met Aart Strootman. Over het bouwen van instrumenten, maar ook over zijn liefde voor de minimal music. En natuurlijk over de inspiratie voor 'Shambling Emerge': een YouTube-video met de legendarische jazzpianist Misha Mengelberg in een ontroerend duet met een peuter van een jaar of drie. Kijk zelf maar (klik hier om de video te zien) (op YouTube vind je de achtergrondinformatie bij de video). Zo informeel, ongeorganiseerd, diep gevoelig en de-ziel-rakend kan muziek zijn. Muziek van Anthony Fiumara, Aart Strootman, Michael Gordon en Nik Bärtsch.

Nieuwe CD van de Instant Composers Pool samen met Nieuw Amsterdams Peil. 'De Hondemepper' is de titel van een van de stukken op de CD, een compositie van Misha Mengelberg. Muziek op het volkomen onoverzichtelijke kruispunt van jazz en modern klassiek, met een gezonde dosis humor en relativering. Ook een stukje van de vader van Misha Mengelberg: Karel Mengelberg (1902 - 1984), componist,dirigent, Chef-Tonmeister bij de Duitse radio in de jaren ‘20, directeur van een muziekschool, criticus bij Het Vrije Volk, en medewerker van muziekbladen als Mens en Melodie.

Herbie Nichols was a master of the piano which has inspired generations of musicians after his passing, despite the little commercial success that his albums obtained when first released. 2019 marks the centennial of his birth and to remedy the lack of retrospectives that his work should have, but hasn't, received this year, this week's edition of Mondo Jazz will be looking into the impact that his memorable compositions have had on a number of contemporary artists. This episode includes both compositions that Nichols was able to record himself, as well as others that he never managed to bring to a recording studio, but other musicians after him did. As a special bonus, also never released material by the Herbie Nichols Project, one of the bands that championed Nichols' music. The playlist also includes Paul Motian, Ted Nash, Dave Douglas, Heikki Sarmanto, Simon Nabatov, Duck Baker, Roswell Rudd, Misha Mengelberg, Steve Lacy, Pietro Tonolo, Flavio Boltro, Emmanuel Bex, Joe Chambers, Lucas Gillan, Ben Allison, Mal Waldron, Buell Neidlinger, Geri Allen, Charlie Haden, Paul Motian, The Mary Lou Williams Collective, Matt Wilson, Simon Nabatov. Detailed playlist available at https://spinitron.com/RFB/pl/9934856/Mondo-Jazz (up to Duck Baker)

A cura di Gigi Longo. Brani di Gil Evans, Charles Mingus, Herbie Nichols, Misha Mengelberg, Steve Lacy, George Lewis, Harjen Gorten, Han Bennink.

A cura di Gigi Longo. Brani di Gil Evans, Charles Mingus, Herbie Nichols, Misha Mengelberg, Steve Lacy, George Lewis, Harjen Gorten, Han Bennink. (seconda parte)

A cura di Gigi Longo. Brani di Gil Evans, Charles Mingus, Herbie Nichols, Misha Mengelberg, Steve Lacy, George Lewis, Harjen Gorten, Han Bennink. (seconda parte)

Nel '92 a Berlino Lacy suona in duo con Evan Parker e con Lol Coxhill, e con entrambi in trio, tutti e tre al sax soprano. La lunga intesa di Lacy con Mal Waldron si traduce fra l'altro nel '93 in un album, Let's Call This... Esteem, ricavato da un concerto in duo dello stesso anno al festival del jazz di Oxford: fra i brani naturalmente c'è, immancabile, Monk. Nella stessa formula del duo sax soprano/pianoforte, Lacy nel '96 ha su Monk un interlocutore straordinario in Misha Mengelberg, uno dei cinque pianisti con cui si confronta in duo nell'ambito del Workshop Freie Musik, una delle manifestazioni annuali di musica improvvisata organizzate a Berlino dalla etichetta tedesca Fmp, grande riferimento dell'improvvisazione radicale europea.

Nel ’92 a Berlino Lacy suona in duo con Evan Parker e con Lol Coxhill, e con entrambi in trio, tutti e tre al sax soprano. La lunga intesa di Lacy con Mal Waldron si traduce fra l'altro nel '93 in un album, Let's Call This... Esteem, ricavato da un concerto in duo dello stesso anno al festival del jazz di Oxford: fra i brani naturalmente c'è, immancabile, Monk. Nella stessa formula del duo sax soprano/pianoforte, Lacy nel '96 ha su Monk un interlocutore straordinario in Misha Mengelberg, uno dei cinque pianisti con cui si confronta in duo nell'ambito del Workshop Freie Musik, una delle manifestazioni annuali di musica improvvisata organizzate a Berlino dalla etichetta tedesca Fmp, grande riferimento dell'improvvisazione radicale europea.

Nel ’92 a Berlino Lacy suona in duo con Evan Parker e con Lol Coxhill, e con entrambi in trio, tutti e tre al sax soprano. La lunga intesa di Lacy con Mal Waldron si traduce fra l'altro nel '93 in un album, Let's Call This... Esteem, ricavato da un concerto in duo dello stesso anno al festival del jazz di Oxford: fra i brani naturalmente c'è, immancabile, Monk. Nella stessa formula del duo sax soprano/pianoforte, Lacy nel '96 ha su Monk un interlocutore straordinario in Misha Mengelberg, uno dei cinque pianisti con cui si confronta in duo nell'ambito del Workshop Freie Musik, una delle manifestazioni annuali di musica improvvisata organizzate a Berlino dalla etichetta tedesca Fmp, grande riferimento dell'improvvisazione radicale europea.

Prima e dopo la rimpatriata a New York con Roswell Rudd, nel '76 Steve Lacy si esibisce in Italia in duo e in trio con il batterista/percussionista Andrea Centazzo, che proprio per pubblicare la registrazione di un duo live con Lacy - per cui non trova interesse nelle case discografiche - dà vita alla propria etichetta Ictus. Nell'82 Lacy fa parte di un quintetto con cui Roswell Rudd riesce a coronare il sogno di incidere un album di musiche di Herbie Nichols e di Thelonious Monk con musicisti di livello e per un'etichetta non marginale: con loro ci sono Ken Carter al contrabbasso e due capiscuola dell'improvvisazione olandese, il pianista Misha Mengelberg e il batterista Han Bennink, che condividono la devozione di Rudd per Nichols e Monk. L'album, Regeneration, viene registrato a Milano per la Soul Note del produttore Giovanni Bonandrini (dall'82 all'85 Bonandrini viene proclamato "produttore dell'anno" dall'annuale referendum della rivista americana Down Beat).

Prima e dopo la rimpatriata a New York con Roswell Rudd, nel '76 Steve Lacy si esibisce in Italia in duo e in trio con il batterista/percussionista Andrea Centazzo, che proprio per pubblicare la registrazione di un duo live con Lacy - per cui non trova interesse nelle case discografiche - dà vita alla propria etichetta Ictus. Nell'82 Lacy fa parte di un quintetto con cui Roswell Rudd riesce a coronare il sogno di incidere un album di musiche di Herbie Nichols e di Thelonious Monk con musicisti di livello e per un'etichetta non marginale: con loro ci sono Ken Carter al contrabbasso e due capiscuola dell'improvvisazione olandese, il pianista Misha Mengelberg e il batterista Han Bennink, che condividono la devozione di Rudd per Nichols e Monk. L'album, Regeneration, viene registrato a Milano per la Soul Note del produttore Giovanni Bonandrini (dall'82 all'85 Bonandrini viene proclamato "produttore dell'anno" dall'annuale referendum della rivista americana Down Beat).

Prima e dopo la rimpatriata a New York con Roswell Rudd, nel '76 Steve Lacy si esibisce in Italia in duo e in trio con il batterista/percussionista Andrea Centazzo, che proprio per pubblicare la registrazione di un duo live con Lacy - per cui non trova interesse nelle case discografiche - dà vita alla propria etichetta Ictus. Nell'82 Lacy fa parte di un quintetto con cui Roswell Rudd riesce a coronare il sogno di incidere un album di musiche di Herbie Nichols e di Thelonious Monk con musicisti di livello e per un'etichetta non marginale: con loro ci sono Ken Carter al contrabbasso e due capiscuola dell'improvvisazione olandese, il pianista Misha Mengelberg e il batterista Han Bennink, che condividono la devozione di Rudd per Nichols e Monk. L'album, Regeneration, viene registrato a Milano per la Soul Note del produttore Giovanni Bonandrini (dall'82 all'85 Bonandrini viene proclamato "produttore dell'anno" dall'annuale referendum della rivista americana Down Beat).

a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)

a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)

Tom Klaassen licht een tipje van de sluier op van Het Weeshuis van het Holland Festival, waar afgelopen donderdag onder andere muziek van Misha Mengelberg werd gespeeld.

Het Weeshuis van de Nederlandse Muziek. Componisten Hans van Sweeden en Misha Mengelberg, de ene bijna vergeten, de andere alom gevierd.

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A special edition of the Spanish Jazz radio show Club de Jazz featuring a lengthy interview with Han Bennink. Drummer and multi-instrumentalist Han Bennink was born in Zaandam near Amsterdam in 1942. With fellow Dutch pioneers, pianist Misha Mengelberg and saxophonist Willem Breuker, he founded the musicians collective Instant Composers Pool in 1967. Bennink was playing a drums solo concert at Periferias Festival (Huesca - Spain, 27/10/2012) Hear the interview and the whole concert, originally broadcasted on November, 14th 2012. All rights reserved: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show Club de Jazz featuring a lengthy interview with Han Bennink. Drummer and multi-instrumentalist Han Bennink was born in Zaandam near Amsterdam in 1942. With fellow Dutch pioneers, pianist Misha Mengelberg and saxophonist Willem Breuker, he founded the musicians collective Instant Composers Pool in 1967. Bennink was playing a drums solo concert at Periferias Festival (Huesca - Spain, 27/10/2012) Hear the interview and the whole concert, originally broadcasted on November, 14th 2012. All rights reserved: http://www.elclubdejazz.com

Pianist Red Wierenga is a member of the Respect Sextet and the Respect Trio. He also plays accordion in the Claudia Quintet. In this interview, he talks about three new recordings: Respect 'n' You: Live At Greenwich House Music School by the Respect Sextet; Respect The Trio, We Says by the Respect Trio; and Figure, a duo project between Wierenga and guitarist Ryan Ferreira. He also talks about his forays into electronic music and instrument building; his work with the Claudia Quintet; and the influence on his music of Dutch pianist Misha Mengelberg. Learn more at respectsextet.bandcamp.com.

Pianist Red Wierenga is a member of the Respect Sextet and the Respect Trio. He also plays accordion in the Claudia Quintet. In this interview, he talks about three new recordings: Respect 'n' You: Live At Greenwich House Music School by the Respect Sextet; Respect The Trio, We Says by the Respect Trio; and Figure, a duo project between Wierenga and guitarist Ryan Ferreira. He also talks about his forays into electronic music and instrument building; his work with the Claudia Quintet; and the influence on his music of Dutch pianist Misha Mengelberg. Learn more at respectsextet.bandcamp.com.

El ICP (Instant Composers Pool) se fundó en 1987, y casi medio siglo después presenta una grabación sin uno de sus fundadores, Misha Mengelberg. En esta edición de 'Club de Jazz' del 2 de mayo de 2015 escuchamos "East of the sun", disco en el que la formación liderada por Han Bennink mantiene muy vivas las constantes creativas de este grupo. Nos aproximamos a la música del pianista Herbie Nichols (al que Mengelberg dedicó uno de sus trabajos) a través de sus propias grabaciones y del disco que le dedicó el pianista ruso Simon Nabatov. Precisamente a Nabatov dedicamos unos minutos a través de su disco sobre música de Nichols, pero también con la música de su quinteto, el dúo junto al trombonista Nils Wogram y como integrante del trío junto al baterista estadounidense Gerry Hemingway y al clarinetista turco Oguz Büyükberber. "desde mi cadiera" Jesús Moreno nos trae la música del Sputnik Trio del saxofonista Ricardo Tejero y la música del nuevo disco del pianista británico Alexander Hawkins. En el "Jazz Porteño", Alberto Varela nos cuela en el Café Vinilo de Buenos Aires para escuchar el guiño "coltraniano" del saxofonista Carlos Lastra. Toda la información y derechos: http://www.elclubdejazz.com

El ICP (Instant Composers Pool) se fundó en 1987, y casi medio siglo después presenta una grabación sin uno de sus fundadores, Misha Mengelberg. En esta edición de 'Club de Jazz' del 2 de mayo de 2015 escuchamos "East of the sun", disco en el que la formación liderada por Han Bennink mantiene muy vivas las constantes creativas de este grupo. Nos aproximamos a la música del pianista Herbie Nichols (al que Mengelberg dedicó uno de sus trabajos) a través de sus propias grabaciones y del disco que le dedicó el pianista ruso Simon Nabatov. Precisamente a Nabatov dedicamos unos minutos a través de su disco sobre música de Nichols, pero también con la música de su quinteto, el dúo junto al trombonista Nils Wogram y como integrante del trío junto al baterista estadounidense Gerry Hemingway y al clarinetista turco Oguz Büyükberber. "desde mi cadiera" Jesús Moreno nos trae la música del Sputnik Trio del saxofonista Ricardo Tejero y la música del nuevo disco del pianista británico Alexander Hawkins. En el "Jazz Porteño", Alberto Varela nos cuela en el Café Vinilo de Buenos Aires para escuchar el guiño "coltraniano" del saxofonista Carlos Lastra. Toda la información y derechos: http://www.elclubdejazz.com

Carlo Actis Dato y Baldo Martínez se reúnen de nuevo. Tras "Folklore imaginario" (publicado en 2005 en Leo Records) llega ahora "Sonidos de la tierra". En esta edición de "Club de Jazz" del 31 de octubre de 2012 escuchamos a esta extraña y fascinante pareja danzante así como las dos últimas criaturas discográficas del saxofonista portorriqueño Miguel Zenón: "Alma adentro" y el "Rayuela" que comparte con el pianista francés Laurent Coq. Con Jesús Moreno comentamos "desde mi cadiera" la reciente actuación en Huesca de Han Bennink, a quien escuchamos en una grabación sesentera del cuarteto de Misha Mengelberg. Los "Ritmos Latinos" de Anxo nos acercan el directo del proyecto afro-cubano de Chucho Valdés y Archie Shepp. Por su parte el "Tren Azul" de Luis Díaz García es clásico y jazzístico con Benny Goodman. Toda la información y derechos: http://www.elclubdejazz.com

Carlo Actis Dato y Baldo Martínez se reúnen de nuevo. Tras "Folklore imaginario" (publicado en 2005 en Leo Records) llega ahora "Sonidos de la tierra". En esta edición de "Club de Jazz" del 31 de octubre de 2012 escuchamos a esta extraña y fascinante pareja danzante así como las dos últimas criaturas discográficas del saxofonista portorriqueño Miguel Zenón: "Alma adentro" y el "Rayuela" que comparte con el pianista francés Laurent Coq. Con Jesús Moreno comentamos "desde mi cadiera" la reciente actuación en Huesca de Han Bennink, a quien escuchamos en una grabación sesentera del cuarteto de Misha Mengelberg. Los "Ritmos Latinos" de Anxo nos acercan el directo del proyecto afro-cubano de Chucho Valdés y Archie Shepp. Por su parte el "Tren Azul" de Luis Díaz García es clásico y jazzístico con Benny Goodman. Toda la información y derechos: http://www.elclubdejazz.com

Tengevolge van een telfout door Broekema met het draaiboek van de 169ste aflevering loopt de telling van de draaiboeken één achter. Gasten aan de telefoon: Misha Mengelberg, Herman Tomesen, CDA -wethouder Verkeer uit Doetinchem Met ondermeer en onder andere: 02.00 - Be Bop A Lula van Jerry Lee Lewis. ‘Hij maakt er echt moderne kunst van’. [...]

549 april 1985/214 februari 1986 Gasten: Toneelstichting Dram (studio), programmamakers Daan en Willem Ekkel (studio) en musicus Misha Mengelberg (telefoon) Met ondermeer en onder andere: Plafond- Kenide Koda en The Beatles- Honey Pie 6.30 Nieuwe Platen. John Fogerty- Eye of the zombie. 9.05 Bredduvang. P: “Jaap heeft een T-shirtje aan, dat is ook het [...]