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47 episodes with Ken Vandermark
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5 episodes with Ken Vandermark
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"Fed Up With Your Job" by Stereolab from Fed Up With Your Job; "The Year of the Rabbit" by Tim Barnes featuring Alan Licht, Tara Jane O'Neil, Ken Vandermark from Lost Words; "Milestones" by GIFT from Illuminator; "Ashes That Made the Shape of My Dreams" by metra.vestlud from Ashes That Made the Shape of My Dreams; "Synesthesia" by Edapollo from Foreign Family Collective, Vol 3; "Prelude for the Hollow" by Endon from Fall of Spring; "All I Have" by Fawning from Illusions of Control; "12 C" by Whatever the Weather from Whatever the Weather II; "Secret City" by Kieran Hebden and William Tyler from 41 Longfield Street Late '80s; "A New Dream" by Daniel Davies from Soeurs De Glisse OST; "Lodestone" by Ex Easter Island Head from Norther.
Chad Taylor is so busy as leader, co-leader and special guest on countless new albums in 2025, that he--literally--seems to be here, and there, and everywhere (pretty much like Ted Lasso's Roy Kent!). Here is a quick guide to enjoy his ubiquitousness! The playlist also features Chicago Underground Duo; David Lord; Mats Gustaffson, Ken Vandermark, Tomeka Reid; Sylvain Kassap, Steve Swell, Benjamin Duboc. Detailed playlist at https://spinitron.com/RFB/pl/21241959/Mondo-Jazz (from "Broken Horse" onwards). Happy listening!
KEITH TIPPETT GROUP – DEDICATED TO YOU, BUT YOU WEREN'T LISTENING London, September, 1970This is what happens, Five after dawn, Black horseMark Charig (cnt) Nick Evans (tb) Elton Dean (as,saxello) Keith Tippett (p,el-p) Gary Boyle (g) Roy Babbington (b,el-b) Neville Whitehead (b) Robert Wyatt, Bryan Spring, Phil Howard (d) Tony Utah (cga,cowbell) PAUL MOTIAN TRIO – DANCE Ludwigsburg, Germany, September, 1977Waltz song, Dance, KalypsoCharles Brackeen (sop,ts) David Izenzon (b) Paul Motian (d,perc y comp.) TRANSATLANTIC FIVE – TRANSITIONS Loft, Cologne, Germany, August 27, 2022Transition I, Transition II, En attenteNate Wooley (tp) Ken Vandermark (ts,cl) Christopher Dell (vib) Christian Ramond (b) Klaus Kugel (d) Continue reading Puro Jazz 22 diciembre 2023 at PuroJazz.
This week we focus on three fascinating releases which celebrate the genius and legacy of Don Cherry, after starting with a tribute to Led Zeppelin, Emma Rawicz's new project, one of the best piano trios I've heard in a long time, lead by a drummer, and new music by Michael Formanek. The playlist features Francesco Bearzatti; Emma Rawicz; Vinnie Sperrazza, Ethan Iverson, Michael Formanek; Peter Broetzmann, Majid Bekkas, Hamid Drake [pictured]; Kahil El'Zabar, Ethnic Heritage Ensemble, Dwight Trible, David Ornette Cherry; Jamie Breiwick; and Ken Vandermark. Detailed playlist at https://spinitron.com/RFB/pl/17298446/Mondo-Jazz (up to "Guinea"). Happy listening! Photo credit: Luciano Rossetti.
In this September 2017 conversation with Ken Vandermark, Ballake Sissoko & Nicole Mitchell discuss early experiences with music, improvising across musical traditions, and working in different languages. Note that Ballake Sissoko works with a French translator throughout the conversation.
Ken and I have a mind opening discussion about music and his work incorporating extended techniques in musical improvisation. The discussion I had with Ken inspired me to learn more about avant-garde jazz and you will not want to miss this episode!!!!
In this August 2020 conversation with Ken Vandermark, Magda Mayas talks about her early musical influences from her family and seeing Cecil Taylor, shares her experience being a student of Misha Mengelberg, and discusses her techniques working with a prepared piano.
In this October 2015 conversation with Ken Vandermark, Terrie Ex and Andy Moor discuss the several social, political and creative scenes in Amsterdam that shaped them, the longevity of The EX, and shines light on the bureaucracy of international artists to be in the United States to share their music.
In this March 2021 conversation with Ken Vandermark, Jim O'Rourke talks about 1980s and '90s Chicago music, the impact of studying on creativity, and his move to Japan. This episode features a playlist assembled by Jim.
When Ken Vandermark was last here with (air quotes) Laul Pytton, in March of 2020, although he didn't know it he was days away from a canceled tour and an 18 month hiatus from the road. He returns triumphantly now with the full trio that was supposed to perform on that date—as his touring schedule ramps up to approach its pre-pandemic pace.
In this episode, I sit down with David Grubbs. We discuss his early years, his time in seminal bands such as Squirrel Bait, Bastro, and Gastr del Sol, as well as his extensive solo and collaborative catalog. We also discuss his work as an author and professor. Playlist: Gastr Del Sol - The Harp Factory On Lake Street (title track from CD on Table of the Elements) Gastr Del Sol - Dictionary of Handwriting (from Mirror Repair LP on Drag City) Bastro - Shot Me A Deer (from 7" on Homestead) Squirrel Bait - Kid Dynamite (from Skag Heaven LP on Homestead) David Grubbs - interview Gastr Del Sol - Dry Bones In The Valley (from Upgrade & Afterlife CD on Drag City) David Grubbs - Banana Cabbage (from Banana Cabbage, Potato Lettuce, Onion Orange CD on Table of the Elements) David Grubbs - The Bonsai Waterfall (from Prismrose LP on Blue Chopsticks) David Grubbs and Ryley Walker - The Madman From Massachusetts In An Empty Bar (from A Tap On The Shoulder LP on Husky Pants) The Underflow - I'll Try Anything Twice (from s/t CD on Corbett vs. Dempsey) Gastr del Sol – The Wrong Soundings (from Crookt, Crackt, Or Fly LP on Drag City) Books: Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (2014) Now that the audience is assembled (2018) The Voice in the Headphones (2020) Other band references: Circle X - https://www.discogs.com/artist... The Endtables - https://www.discogs.com/artist... The Babylon Dance Band - https://www.discogs.com/artist... Happy Cadavers - https://www.discogs.com/artist... Maurice - https://www.discogs.com/artist... Malignant Growth - https://www.discogs.com/artist... Codeine - https://www.discogs.com/artist... Bitch Magnet - https://www.discogs.com/artist... This Heat - https://www.discogs.com/artist... John Fahey - https://www.discogs.com/artist... Tony Conrad - https://www.discogs.com/artist... Red Krayola / Mayo Thompson - https://www.discogs.com/artist... Ake Hodell - https://www.discogs.com/artist/184431-Åke-Hodell Ryley Walker - https://www.discogs.com/artist... Mats Gustafsson - https://www.discogs.com/artist... Ken Vandermark - https://www.discogs.com/artist... Labels: Drag City - https://www.dragcity.com Blue Chopsticks - https://www.dragcity.com/products?filter_label=BC Husky Pants - https://huskypantsrecords.band... Videos: Gastr del Sol - The Wrong Soundings (1995/09/23) Gastr del Sol - Dictionary Of Handwriting (1995/09/23) Gastr del Sol - Ursus Arctos Wonderfilis (1995/09/23)
10e émission de la 52e session... Cette semaine, du gros free jazz! En musique: Marion Brown Quartet sur l'album Marion Brown Quartet (ESP-Disk, 1965); Jimmy Lyons sur l'album Other Afternoons (BYG, 1970); Charles Tyler sur l'album Saga of the Outlaws (Nessa, 1978); Ken Vandermark sur l'album Momentum 5: Stammer (triptych) (Catalytic-Sound, 2021); Chris Abrahams, Clayton Thomas, Miles Thomas sur l'album Words Fails (Hospital Hill, 2021); Lisa Ullén, Elsa Bergman, Anna Lund sur l'album Space (Relative Pitch, 2022); Bernard Falaise sur l'album G(o) Sol(o) (Ambiances Magnétiques, 2022)...
In this 2016 duo performance and conversation with Ken Vandermark, Christof Kurzmann discusses making music about the second Iraq war, using the laptop in improvised music, and working as a concert organizer.
In this April 2017 conversation with Ken Vandermark, Ingebrigt Håker Flaten talks about his upbringing and schooling before becoming a musician, discusses the techniques and practices that inspire him, and his personal relationships with different cultures between Norway, Chicago and Austin.
“Blues for Sunnyland" Von Freeman: Live At The Dakota (Premonition Records, 2001) Von Freeman, Bobby Peterson, Terry Burns, Phil Hey. El tema es una composición de Von Freeman. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? Aunque el disco se grabó en 1996, se publicó en el año 2001. Von Freeman nació en 1923, de modo que en la fecha de la grabación contaba con 72 años. Nació en Chicago. Su padre, además de policía, fue amigo de Louis Armstrong: el trompetista vivió en su casa cuando llegó por primera vez a Chicago. Además de saxofonista, en algunas grabaciones se le puede escuchar tocar el piano. Aunque comenzó a grabar en 1954, no grabó a su nombre hasta 1972 (con casi 50 años), contando para ello con el apoyo de Rahsaan Roland Kirk. Se le considera el padre de la escuela de tenores de Chicago. Ken Vandermark le ha dedicado alguna de sus composiciones. Su hermano fue el guitarrista George Freeman. Su hijo es el también saxofonista Chico Freeman. Llegó a grabar con ambos músicos. Faltan cinco, todavía, pero ya va faltando menos para que falten menos... En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=59713 Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
In this March 2016 conversation with Ken Vandermark, Fred Lonberg-Holm looks back to his origins of how he came to build his signature cello sound, being called the “anti-cellist”, and discusses his thoughts between art as a job and art as a hobby.
In this September 2016 conversation with Ken Vandermark, William Parker looks back at the beginning and formation of The New York Loft Scene, his musical journey from the 70s, 80s, 90s into the new millenium, and gives advice on proper technique vs. individuality.
In this August 2018 conversation with Ken Vandermark, Luke Stewart talks about his bass and amplifier exploration, becoming a key musical organizer in D.C and his views on social justice and artistic sustainability within our collective arts communities.
Bob Koester, scomparso qualche mese fa a 89 anni, è stato il fondatore della Delmark Records, una delle più significative etichette discografiche americane.La triste circostanza ci dà lo spunto per ricordare, grazie alla sapiente guida di Riccardo Bertoncelli, la storia di questa label nata nel 1953 con base prima a St. Louis poi a Chicago, che ha documentato soprattutto - ma non solo - la frizzante scena del blues urbano e del jazz d'avanguardia della Windy City.Nel suo sterminato catalogo appaiono – tra i tanti – i nomi di Sleepy John Estes, Big Joe Williams, Arthur Crudup, Otis Rush, Luther Allison, Buddy Guy, Magic Sam. Più avanti quelli di Byther Smith, Michael Coleman, Little Arthur Duncan, Eddie C. Campbell.In ambito jazz hanno registrato per la label Donald Byrd, Bud Powell, Barney Bigard, Sonny Stitt, Ira Sullivan nonché moltissimi esponenti del jazz più avanzato quali Sun Ra, Archie Shepp, Art Ensemble of Chicago, Muhal Richard Abrams, Roscoe Mitchell, Anthony Braxton e in tempi più recenti Ken Vandermark, Rob Mazurek, Nicole Mitchell , l'Ethnic Heritage Ensemble.
Bob Koester, scomparso qualche mese fa a 89 anni, è stato il fondatore della Delmark Records, una delle più significative etichette discografiche americane.La triste circostanza ci dà lo spunto per ricordare, grazie alla sapiente guida di Riccardo Bertoncelli, la storia di questa label nata nel 1953 con base prima a St. Louis poi a Chicago, che ha documentato soprattutto - ma non solo - la frizzante scena del blues urbano e del jazz d'avanguardia della Windy City.Nel suo sterminato catalogo appaiono – tra i tanti – i nomi di Sleepy John Estes, Big Joe Williams, Arthur Crudup, Otis Rush, Luther Allison, Buddy Guy, Magic Sam. Più avanti quelli di Byther Smith, Michael Coleman, Little Arthur Duncan, Eddie C. Campbell.In ambito jazz hanno registrato per la label Donald Byrd, Bud Powell, Barney Bigard, Sonny Stitt, Ira Sullivan nonché moltissimi esponenti del jazz più avanzato quali Sun Ra, Archie Shepp, Art Ensemble of Chicago, Muhal Richard Abrams, Roscoe Mitchell, Anthony Braxton e in tempi più recenti Ken Vandermark, Rob Mazurek, Nicole Mitchell , l'Ethnic Heritage Ensemble.
Bob Koester, scomparso qualche mese fa a 89 anni, è stato il fondatore della Delmark Records, una delle più significative etichette discografiche americane.La triste circostanza ci dà lo spunto per ricordare, grazie alla sapiente guida di Riccardo Bertoncelli, la storia di questa label nata nel 1953 con base prima a St. Louis poi a Chicago, che ha documentato soprattutto - ma non solo - la frizzante scena del blues urbano e del jazz d'avanguardia della Windy City.Nel suo sterminato catalogo appaiono – tra i tanti – i nomi di Sleepy John Estes, Big Joe Williams, Arthur Crudup, Otis Rush, Luther Allison, Buddy Guy, Magic Sam. Più avanti quelli di Byther Smith, Michael Coleman, Little Arthur Duncan, Eddie C. Campbell.In ambito jazz hanno registrato per la label Donald Byrd, Bud Powell, Barney Bigard, Sonny Stitt, Ira Sullivan nonché moltissimi esponenti del jazz più avanzato quali Sun Ra, Archie Shepp, Art Ensemble of Chicago, Muhal Richard Abrams, Roscoe Mitchell, Anthony Braxton e in tempi più recenti Ken Vandermark, Rob Mazurek, Nicole Mitchell , l'Ethnic Heritage Ensemble.
Bob Koester, scomparso qualche mese fa a 89 anni, è stato il fondatore della Delmark Records, una delle più significative etichette discografiche americane.La triste circostanza ci dà lo spunto per ricordare, grazie alla sapiente guida di Riccardo Bertoncelli, la storia di questa label nata nel 1953 con base prima a St. Louis poi a Chicago, che ha documentato soprattutto - ma non solo - la frizzante scena del blues urbano e del jazz d'avanguardia della Windy City.Nel suo sterminato catalogo appaiono – tra i tanti – i nomi di Sleepy John Estes, Big Joe Williams, Arthur Crudup, Otis Rush, Luther Allison, Buddy Guy, Magic Sam. Più avanti quelli di Byther Smith, Michael Coleman, Little Arthur Duncan, Eddie C. Campbell.In ambito jazz hanno registrato per la label Donald Byrd, Bud Powell, Barney Bigard, Sonny Stitt, Ira Sullivan nonché moltissimi esponenti del jazz più avanzato quali Sun Ra, Archie Shepp, Art Ensemble of Chicago, Muhal Richard Abrams, Roscoe Mitchell, Anthony Braxton e in tempi più recenti Ken Vandermark, Rob Mazurek, Nicole Mitchell , l'Ethnic Heritage Ensemble.
Bob Koester, scomparso qualche mese fa a 89 anni, è stato il fondatore della Delmark Records, una delle più significative etichette discografiche americane.La triste circostanza ci dà lo spunto per ricordare, grazie alla sapiente guida di Riccardo Bertoncelli, la storia di questa label nata nel 1953 con base prima a St. Louis poi a Chicago, che ha documentato soprattutto - ma non solo - la frizzante scena del blues urbano e del jazz d'avanguardia della Windy City.Nel suo sterminato catalogo appaiono – tra i tanti – i nomi di Sleepy John Estes, Big Joe Williams, Arthur Crudup, Otis Rush, Luther Allison, Buddy Guy, Magic Sam. Più avanti quelli di Byther Smith, Michael Coleman, Little Arthur Duncan, Eddie C. Campbell.In ambito jazz hanno registrato per la label Donald Byrd, Bud Powell, Barney Bigard, Sonny Stitt, Ira Sullivan nonché moltissimi esponenti del jazz più avanzato quali Sun Ra, Archie Shepp, Art Ensemble of Chicago, Muhal Richard Abrams, Roscoe Mitchell, Anthony Braxton e in tempi più recenti Ken Vandermark, Rob Mazurek, Nicole Mitchell , l'Ethnic Heritage Ensemble.
Ken Vandermark + @spirodon Mix For Radio AlHara @radioalhara. Track listing: (Artist, Track Title) 01. Elza Soares - A Mulher do Fim do Mundo. 02. @ttmasahiro - Dripping Rain. 03. @faditabbal - A Bridge. 04. Otis Rush - Double Trouble. 05. Funkadelic - You and Your Folks, Me and My Folks. 06. Issac Hayes - Ike's Mood. 07. Lee Perry - Waap You Waa. 08. The Scientist - Scientist At His Best. 09. Roots Radics & Jackie Mittoo - Dub A Dub. 10. Roots Manuva - Intal Visions. 11. @gaikasays - Seven Churches For St. Jude. 12. Michael Nyman - Fish Beach. 13. @maurice-louca - Benhayyi Al-Baghbaghan (Salute the Parrot). 14. Derek Bailey - N/Jz/Bm (Re-Mix). 15. @ttmasahiro - Torch Dance.
Rodrigo AmadoNomeado, pelo sétimo ano consecutivo, pela prestigiada El Intruso International Critics Poll como um dos cinco melhores saxofonistas tenor em actividade, ao lado de Evan Parker, Joe Lovano, Ken Vandermark, Jon Irabagon, Ivo Perelman, James Brandon Lewis, Chris Potter ou Ingrid Laubrock, Rodrigo Amado acaba de editar "Let The Free Be Men" (Trost), o terceiro álbum do quarteto que mantém com três das mais importantes figuras do jazz livre actual - Joe McPhee, Kent Kessler e Chris Corsano. Ainda este ano, editou também “The Field” (No Business), o sétimo álbum do seu celebrado Motion Trio, aqui com a participação do lendário pianista alemão Alexander von Schlippenbach. O ano de 2021 anuncia-se intenso, com a realização prevista de uma extensa tour Europeia dos Humanization Quartet e ainda inúmeros concertos um pouco por toda a Europa. Com o seu quarteto americano, à frente dos Motion Trio, com Miguel Mira e Gabriel Ferrandini, ou integrado nos Humanization Quartet, Amado realizou nos últimos anos inúmeras tournées na Europa e nos Estados Unidos, tendo passado por salas de referência como o Snug Harbor em New Orleans, Hideout em Chicago, The Stone em Nova Iorque, Bimhuis em Amsterdão, DOM em Moscovo, Jazz House em Copenhaga, Cafe Oto em Londres, Pardon To Tu em Varsóvia, De Singer em Antuérpia, Manufaktur em Estugarda ou a State Philharmony Hall em Oradea, vendo o seu trabalho aclamado em publicações internacionais de referência como a revista The Wire, ou os jornais El País e Folha de São Paulo. Com uma série de novas tours previstas para 2021 e 2022, Amado afirma-se, cada vez mais, como um dos mais destacados improvisadores Europeus. Como refere o crítico e escritor norte-americano Stuart Broomer nas liner notes que escreveu para "This Is Our Language", "Amado is an emerging master of a great tradition, more apparent with each new recording or performance." Amado desenvolve ainda intensa actividade como fotógrafo, tendo realizado inúmeras exposições individuais (Maus Hábitos, Porto; Museu da Electricidade, Fundação EDP, Lisboa; Museu da Imagem, Braga; Galeria Módulo, Lisboa; Quase Galeria, Porto; Kameraphoto, Lisboa) e colectivas. Editou em 2012 o livro “Um Certain Malaise” (Documenta), com imagens suas e textos de Gonçalo M Tavares. Links:https://www.rodrigoamado.com/https://rodrigoamado.bandcamp.com/https://www.culturgest.pt/pt/programacao/RodrigoAmado-JoeMcPhee-KentKessler-ChrisCorsano/https://www.publico.pt/2015/09/08/video/rodrigo-amado-joe-mcphee-kent-kessler-e-chris-corsano-20150908-132231https://www.rimasebatidas.pt/rodrigo-amado-toco-um-instrumento-que-tem-o-sopro-da-liberdade/https://www.fundacaoedp.pt/pt/noticias/un-certain-malaisehttps://www.publico.pt/2018/06/15/culturaipsilon/noticia/para-rodrigo-amado-e-tempo-de-ir-mais-fundo-nas-raizes-1834127https://jazz.pt/ponto-escuta/2018/06/08/rodrigo-amado-history-nothing-trost/ https://www.timeout.pt/lisboa/pt/musica/cinco-saxofonistas-de-jazz-portugueses-que-precisa-de-ouvirhttps://www.youtube.com/watch?v=uxCYGdxkamchttps://www.youtube.com/watch?v=3Rwf5qql4Ac Episódio gravado a 29.07.2021 http://www.appleton.ptMecenas Appleton:HCI / Colecção Maria e Armando CabralFinanciamento:República Portuguesa - Cultura / DGArtesApoio:Câmara Municipal de Lisboa
In this July 2020 conversation with Ken Vandermark, Tashi Dorji talks about moving from Bhutan to the United States, the similarities between punk rock and free improvisation, and his love for Bollywood and traditional monastic music. This interview was originally broadcast on Experimental Sound Studio's The Quarantine Concerts.
In this November 2015 conversation with Ken Vandermark, Sylvie Courvoisier discusses moving to New York from Switzerland in the late 1990s, the tradeoffs involved in working as a touring musician, and the challenge of finding decent pianos on tour.
In this March 2018 conversation with Ken Vandermark, Kris Davis talks about finding resources for improvisation in the classical tradition, learning by doing "$50 jazz gigs" in New York, and leaving space for other musicians. This episode is sponsored by Astral Spirits Records (http://astralspirits.bandcamp.com/ (astralspirits.bandcamp.com)): “The New Wave of Heavy Free Jazz since September 2014.”
In this August 2015 conversation with Ken Vandermark, Nate Wooley discusses growing up playing in a big band on the Oregon coast, developing a musical language within technical limitations, aesthetic differences between Chicago and New York music communities, and the challenges of interpreting music by Wynton Marsalis, Anthony Braxton, and Éliane Radigue. This episode is sponsored by Astral Spirits Records (http://astralspirits.bandcamp.com/ (astralspirits.bandcamp.com)): “The New Wave of Heavy Free Jazz since September 2014.”
In this July 2017 conversation with Ken Vandermark, Ikue Mori discusses the gender divide in the New York music scene of the 1970s, her gradual shift from drum set to drum machines to laptop, and her recent work with video. This episode is sponsored by Astral Spirits Records (http://astralspirits.bandcamp.com/ (astralspirits.bandcamp.com)): “The New Wave of Heavy Free Jazz since September 2014.”
In this July 2018 conversation with Ken Vandermark, Susan Alcorn discusses the unique qualities of the pedal steel guitar, the connections between country and experimental music, and her work with Astor Piazzolla and Pauline Oliveros. This episode is sponsored by Astral Spirits Records (http://astralspirits.bandcamp.com/ (astralspirits.bandcamp.com)): “The New Wave of Heavy Free Jazz since September 2014.”
The Interview: Biographer Colin Asher, discusses the legacy of one of the greatest unknown American writers, Nelson Algren, a pre-Beat Generation realist who also took the Underground Man to new heights in the 1930s thru the 1970s, writing from the working man and woman’s perspective in Chicago and elsewhere. Here, he discusses his definitive biography, Never A Lovely So Real (Norton).The Reading: Original compositions by Ken Vandermark with Nelson Algren reading The Man with the Golden Arm in the 1970s, unearthed by Mr. Asher.
In this November 2015 conversation with Ken Vandermark, Joe McPhee discusses his experiences with John Coltrane, Ornette Coleman, and Don Cherry, finding Clifford Thornton's trombone in a used music store, and the connections between poetry and music. This episode is sponsored by Astral Spirits Records (astralspirits.bandcamp.com): “The New Wave of Heavy Free Jazz since September 2014.”
Cumplimos veinte años y lo celebramos invitando a doce de nuestros creadores favoritos que presentan música en exclusiva para esta celebración. Un festín de músicas y músicos de los que escuchamos también momentos de sus primeras conversaciones en el programa. Escuchamos solos de los bateristas Lucía Martínez y Oriol Roca, de los pianistas Agustí Fernández, Jordina Millà y Marco Mezquida, del saxofonista y clarinetista Ken Vandermark, del trompetista Peter Evans, del contrabajista Baldo Martínez, del guitarrista Paolo Angeli y de las vocalistas Amirtha Kidambi y Joana Gomila, que en su caso trabaja mano a mano con la teclista Laia Vallès. Gracias a todos ellos, a nuestros colaboradores, a Fran Pontenpie (por sus increíbles portadas semanales) y a quienes nos habéis acompañado en uno u otro momento durante estos 20 años.
Ken Vandermark is a Chicago based musician and organizer. He helped found Catalytic Sound, and they recently started their own streaming service. Jeff and Ken talk about that...and other stuff. http://catalyticsound.com --- Support this podcast: https://podcasters.spotify.com/pod/show/scratchmybrain/support
WISCONSIN MUSIC PODCASTEpisode 011: Professor Russ Johnson Trumpeter Russ Johnson, born in Racine, WI, is a recent Midwest [re]transplant after spending 23 years as an important member of New York City’s jazz community. He has 7 recordings as a leader or co-leader and performed on more than 75 recordings as a sideman. Russ has worked alongside many of the legendary figures in jazz including Lee Konitz, Steve Swallow, Bill Frisell, and Joe Lovano. In addition, he has recorded and/or performed with a long list of the most prominent musicians currently on the international jazz scene, including Myra Melford, Ken Vandermark, and Tony Malaby. Russ has performed in more than 40 countries across the globe. His groups have recently performed at the Chicago, Winter Jazz Fest (NYC) Hyde Park, (Chicago) and Bergamo, (Italy) jazz festivals. His most recent recordings, Meeting Point (Relay Recordings) and Still Out To Lunch! (Enja Records) received 4 1/2 & 4 stars respectively from Down Beat Magazine and appeared on many “Best Recordings of 2014/5” lists including Down Beat, the Chicago Tribune, Chicago Reader, NYC Jazz Record and Magnet magazine. Russ will be releasing a new recording by his “Headlands” Quartet in 2017. Russ is also active as an educator/clinician, having taught at colleges and universities across the U.S. and Europe. He currently serves as Director of Jazz Studies at the University of Wisconsin Parkside where he won the university wide “Stella Gray” Teaching Excellence award in 2016. https://www.russjohnsonmusic.net/https://www.facebook.com/russ.johnson1-----------------------------------------------------------www.WisconsinMusicPodcast.com/podcastSponsored by: ZTF Studio at www.ZTFstudio.comPodcast Song written by Nate Wycoff and has a recording studio at https://www.frequencyfarmrecordingstudio.com/Voice Over Intro by Dean BundySyndicated on www.cwHipHop.com with Jacob Haimer-----------------------------------------------------#WisconsinMusic #WisconsinMusician #ZTFStudio #podcasting #podcastlife
WISCONSIN MUSIC PODCASTEp 10.5 Russ JohnsonTEASER CLIPTrumpeter Russ Johnson is a recent Midwest transplant after spending 23 years as an important member of New York City’s jazz community. He has 7 recordings as a leader or co-leader and performed on more than 75 recordings as a sideman. Russ has worked alongside many of the legendary figures in jazz including Lee Konitz, Steve Swallow, Bill Frisell, and Joe Lovano. In addition, he has recorded and/or performed with a long list of the most prominent musicians currently on the international jazz scene, including Myra Melford, Ken Vandermark, and Tony Malaby. Russ has performed in more than 40 countries across the globe. His groups have recently performed at the Chicago, Winter Jazz Fest (NYC) Hyde Park, (Chicago) and Bergamo, (Italy) jazz festivals. His most recent recordings, Meeting Point (Relay Recordings) and Still Out To Lunch! (Enja Records) received 4 1/2 & 4 stars respectively from Down Beat Magazine and appeared on many “Best Recordings of 2014/5” lists including Down Beat, the Chicago Tribune, Chicago Reader, NYC Jazz Record and Magnet magazine. Russ will be releasing a new recording by his “Headlands” Quartet in 2017. Russ is also active as an educator/clinician, having taught at colleges and universities across the U.S. and Europe. He currently serves as Director of Jazz Studies at the University of Wisconsin Parkside where he won the university wide “Stella Gray” Teaching Excellence award in 2016. https://www.russjohnsonmusic.net/https://www.facebook.com/russ.johnson1-----------------------------------------------------------www.WisconsinMusicPodcast.com/podcastSponsored by: ZTF Studio at www.ZTFstudio.comPodcast Song written by Nate Wycoff and has a recording studio at https://www.frequencyfarmrecordingstudio.com/Voice Over Intro by Dean BundySyndicated on www.cwHipHop.com with Jacob Haimer-----------------------------------------------------#WisconsinMusic #WisconsinMusician #ZTFStudio #podcasting #podcastlife #podcasters #bhfyp #PodernFamily #Supportlocalmusic #Supportlocalmusicians
Pat McCartney has been a prominent figure in Chicago/New York theater. He joins CWMD to discuss his early days in Chicago theater, staying curious, and his struggles with alcohol and drugs that lead him living secluded in a cabin. We also explore the painful process of him turning his painful moments into his stage show Sinister Kid. Opening song, "Turn Your Head" by Ken Vandermark from his album Utility Hitter 21st Mobile ASCAPYou can find Pat here: https://www.patmccartney.com/Produced and Hosted by: Matt DwyerConsulting Producer: Dustin Marshall See acast.com/privacy for privacy and opt-out information.
Alt. Country singer songwriter Robbie Fulks CWMD to talk about living outside of pop culture, music labels and how he used to confuse fans by opening shows with "Emerson Lake and Palmer's, "Welcome Back My Friends." He also goes into the fascinating dynamics of recording. http://www.robbiefulks.com/Opening Song, "Turn Your Head, " by Ken Vandermark from the album Utility Hitter. 21st Mobile ASCAP.Hosted and Produced by Matt DwyerConsulting Producer: Dustin Marshall See acast.com/privacy for privacy and opt-out information.
Andy Siara screenwriter of the hit summer Indie film Palm Springs joins CWMD to talk about the evolution of the film, discovering his love for movies, his early days in the band the Henry Clay People, and shift from musician to TV/film writing.**SHOW NOTE**There is a slight technical issue with a faint buzzing in the sound. I didn't hear it during recording. Sorry I couldn't fix it.Show NotesPalm Springs can be screened on Hulu.Music: "Turn Your Head," by Ken Vandermark from the album Turn Your Head. (21st Mobile ASCAPHosted & Produced by Matt Dwyerthemattdwyer.com See acast.com/privacy for privacy and opt-out information.
Indigenous Artist & Activist Gregg Deal returns to discuss the recent development with the names of a certain Washington football team, the Native protests at Mount Rushmore, police violence against Native Americans and so much more. As before Gregg sheds light on issues that America has continuously overlooked.More Gregg Deal Here: http://greggdeal.com/Instagram & Twitter: @greggdealMatt Dwyer: themattdwyer.comInstagram @conversationswithdwyerOpening Song: "Turn Your Head" by Ken Vandermark from the album Utility Hitter (21st Mobile ASCAP) See acast.com/privacy for privacy and opt-out information.
Daniel Crook is an artist who gained world-wide attention for his work focusing on toxic masculinity. He joins CWMD to discuss his recent experiences protesting for the BLM movement, his life growing up pansexual in a violent and small environment and much more. It's a very intense conversations. Follow the leaders Daniel mentions in the interview here: @janayathefuture @osopepatrisse @docmellymel @kendrick38You can follow Daniel on IG at @danielcrookTheme Song: Turn Your Head by Ken Vandermark from the album Utility Hitter. 21st Mobile ASCAP.Produced by Matt Dwyer Consulting Producer: Dustin MarshallTech Shit: Matt DwyerBlack Lives MatterPower to the PeopleFight the PowerFuck Trump See acast.com/privacy for privacy and opt-out information.
Norma Jean Almodovar talks about her time working for the LA PD and the corruption she witnessed. She also discusses how she left working for the PD became to sex worker, activist and her bit for Lieutenant Governor California . Ms. Almodovar further shares about being harassed by LA police for the book she was writing and the time she spent in jail. Norma Jean is charming as fuck, hilarious insightful and filled with tales of corruption in LA Police Department. http://www.normajeanalmodovar.com/https://www.policeprostitutionandpolitics.com/Theme Song, "Turn Your Head," by Ken Vandermark from the album Utility Hitter. 21st Mobile Ascap.Consulting Producer: Dustin MarshallAll Tech Shit Was Done With Great Stress By Me, Matt Dwyer. Who else?Wife and Children Provided by random acts of drunkenness. See acast.com/privacy for privacy and opt-out information.
Alie Ward hosts one of the most popular science podcasts in the world Ologies. She joins CMWD to discuss battling anxiety, her journey from journalist, to actor, to painter to podcast hero. She also drops some science on Covid-19 and how to handle science deniers. It's a real honor to have Ms. Ward on the show. She's funny, warm, curious and damned funny. Listen to Ologies here: https://podcasts.apple.com/us/podcast/ologies-with-alie-ward/id1278815517SHOW NOTES:Theme Song: "Turn Your Head" by Ken Vandermark 21st Mobile Ascap. Consulting Producer: Dustin MarshallAll Technical Bullshit: Matt Dwyer See acast.com/privacy for privacy and opt-out information.
Ken Vandermark talks to us about his recording history, documentation as musical "postcards", rawness in performance, cross-pollination between the new music and avant-garde jazz scenes, issues of genre, capitalism, his work "Soigne Ta Droite", his relationship to visual arts and film, musical life in coronavirus times, and hopes for the future. To purchase "Soigne Ta Droite", go here: https://vandermark1.bandcamp.com/albu... And follow his Instagram! https://instagram.com/ken_vandermark "Fellow Travelers" is hosted by EDN'S own Michael Lewanski. http://www.michaellewanski.com Visit us at: https://www.dalniente.com/ And Join OUR PATREON! https://www.patreon.com/dalniente
Por Pachi Tapiz. "1.1" Tim Daisy - Ken Vandermark: Consequent Duos: Series 2A (Audiographic Records) Ken Vandermark, Tim Daisy © Pachi Tapiz, 2020 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html.
edicamos Rebelión Sónica al importante cantante, guitarrista, compositor, improvisador y productor estadounidense de origen brasileño, Arto Lindsay. En primer lugar lo escuchamos en su faceta más experimental con material del disco “Largest Afternoon”, que grabó junto al cuarteto integrado por él en guitarra, el baterista Phil Sudderberg y los vientistas Ken Vandermark y Joe McPhee. El álbum de improvisación libre, publicado el 23 de diciembre de 2019, fue grabado en una sesión en 09 de febrero de aquel año en el estudio Experimental Sound de Chicago. Luego, viajamos al pasado en la extensa obra del artista, para destacar dos de sus bandas de distintas épocas: Ambitious Lovers y DNA. En el primer caso, escucharemos música de “Lust” de 1991, tercer y último disco de la agrupación que unió funk, pop y bossa nova entre mediados de los 80 y principios de los 90. Finalmente retrocedemos diez años más al pasado, para sumergirnos en el sonido de DNA, una de las agrupaciones claves del No Wave, con material del EP de 1981, “A Taste Of DNA”. Proyecto de Lindsay junto a Ikue Mori y Robin Crutchfield –reemplazado por Tim Wright-, que definió el rock avant-garde underground estadounidense de fines de los 70 y principios de los 80.
edicamos Rebelión Sónica al importante cantante, guitarrista, compositor, improvisador y productor estadounidense de origen brasileño, Arto Lindsay. En primer lugar lo escuchamos en su faceta más experimental con material del disco “Largest Afternoon”, que grabó junto al cuarteto integrado por él en guitarra, el baterista Phil Sudderberg y los vientistas Ken Vandermark y Joe McPhee. El álbum de improvisación libre, publicado el 23 de diciembre de 2019, fue grabado en una sesión en 09 de febrero de aquel año en el estudio Experimental Sound de Chicago. Luego, viajamos al pasado en la extensa obra del artista, para destacar dos de sus bandas de distintas épocas: Ambitious Lovers y DNA. En el primer caso, escucharemos música de “Lust” de 1991, tercer y último disco de la agrupación que unió funk, pop y bossa nova entre mediados de los 80 y principios de los 90. Finalmente retrocedemos diez años más al pasado, para sumergirnos en el sonido de DNA, una de las agrupaciones claves del No Wave, con material del EP de 1981, “A Taste Of DNA”. Proyecto de Lindsay junto a Ikue Mori y Robin Crutchfield –reemplazado por Tim Wright-, que definió el rock avant-garde underground estadounidense de fines de los 70 y principios de los 80.
Weasel Walter (first name, last name) is a Brooklyn, New York based multi-instrumentalist, composer and improviser best known for leading the seminal punk-jazz/no-wave/brutal-prog band The Flying Luttenbachers between 1991 and 2007 on 16 full-length releases. Seamlessly uniting the intensity and abstraction of improvised music with the nihilist aesthetics of extreme rock forms, Walter is committed to violent momentum, idiomatic unpredictability and rapid articulation. During '90s, Mr. Walter was a catalyst in the Chicago music underground playing with improvised music luminaries such as Kevin Drumm, Ken Vandermark and Jim O'Rourke as well as many experimental rock bands centered around the Skin Graft record label such as the Flying Luttenbachers, Lake Of Dracula, and Bobby Conn. Relocating from Chicago to Oakland in 2003, Walter continued these paths, performing and recording with musicians like Evan Parker, Roscoe Mitchell, Marshall Allen, John Butcher, Henry Kaiser, William Winant, Peter Evans, Vinny Golia, Mary Halvorson, Joe Morris and Paul Flaherty as well as playing in prominent underground rock bands like XBXRX, Burmese, Lair of the Minotaur, and Erase Errata. Residing in New York City since 2009, he has performed with Elliott Sharp, Thurston Moore, Darius Jones, Ava Mendoza, Alex Ward, Steve Swell, John Blum, Steve Beresford, Mick Barr and many more, in addition to co-leading bands like Cellular Chaos and Behold The Arctopus. The Flying Luttenbachers has reformed in 2017 and Walter tours internationally as the guitar player of Lydia Lunch Retrovirus since 2012. He appears on more than 200 commercially released recordings. Currently, Weasel continues to lead the latest iteration of the Luttenbacher's, plays guitar in Lydia's band Retrovirus. When he is not touring, he also finds time to help engineer and produce The Lydian Spin. Beyond being a great musician, he is absolutely hilarious and an all around great guy. Check out his record label UgExplode. To delve deeper into the mind of Weasel Walter checkout out his bandcamp at Weaselwalter.bandcamp.com.
Por Pachi Tapiz. HDO 524 está dedicado a "Togo", la composición más conocida del gran baterista Ed Blackwell. Cuenta la anécdota que en un examen de final de la carrera de Filosofía, un avispado alumno ante la pregunta "¿Por qué?", contestó con un rotundo "¿Y por qué no?". En el programa suenan las versiones que Ed Blackwell grabó junto al grupo Old And New Dreams (Charlie Haden, Don Cherry, Dewey Redman y Blackwell) en las grabaciones Old And New Dreams y A Tribute To Blackwell. Además está la versión de Chris Potter que aparece en su disco en directo Follow The Red Line; Henri Texier Azur Quintet (a Texier le acompañaban Toni Rabeson, Bojan Z, Glenn Ferris y Sebastien Texier); Tiziano Tononi en Awake Nu. A Tribute to Don Cherry; finalmente el grupo de Ken Vandermark, Sound In Action Trio en el CD Gate. Tomajazz: © Pachi Tapiz, 2019 HDO 524 te gustara... si te gusta el jazz... si te gusta la inspiración africana en el jazz... si eres un consumidor compulsivo de canciones que te gustan... HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com.
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