Podcast appearances and mentions of Michael Gordon

In this episode of Earth Station Who, the crew takes a trip through Doctor Who history, discussing the possible return of companions from the classic and modern eras of the show. From Susan Foreman to Donna Noble and beyond, we rank each companion's likelihood of reappearing in the Whoniverse, whether through cameos, specials, or full story arcs. Join us as we dive into Doctor Who lore, speculate on future returns, and celebrate the characters who have traveled in the TARDIS from the show's beginning to the present day. When I Say Read, Read Volume 1 1963-1979: One Fella's Journey Through Doctor Who https://www.amazon.com/When-Say-Read-1963-1979-Journey/dp/B0DZ2Q1DGP/ref=sr11 When I Say Read, Read Volume 2 1979-2025: One Fella's Journey Through Doctor Who https://www.amazon.com/When-Say-Read-1979-2025-Journey/dp/B0FG2YKBJN/ref=sr14 Eventually Supertrain podcast: https://eventuallysupertrain.blogspot.com Time Stamp 0:00 Show Opening 05:10 Old Series Companions 1:10:45 New Series Companions 1:47:15 Show Close If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #DoctorWhoCompanions #Whoniverse #TARDISCrew #ClassicDoctorWho #ModernDoctorWho #DoctorWhoPodcast #EarthStationWho #TimeTravelTV #SciFiLegends #ReturnToDoctorWho #DonnaNoble #SusanForeman #CompanionComeback #BBCDoctorWho Special Guests: Ciarán Moffatt and Daniel Budnik.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On tonight's edition of Obbligato on APEX Express, which focuses on AAPI artists, musicians, and composers in the classical music world, host Isabel Li is joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. Featured Music: Sonatrinas: https://richardan.bandcamp.com/album/sonatrinas i got the electroshock blues: https://rasprecords.bandcamp.com/album/i-got-the-electroshock-blues   RICHARD AN (b.1995) is a performer and composer, born and raised in Los Angeles. Richard plays new music – usually with House on Fire – co-founded the tiny backpack new music series, and has performed with Monday Evening Concerts' Echoi Ensemble, Piano Spheres, The Industry and on Bang on a Can's LOUD Weekend. Richard plays piano and percussion, and has been known to sing, conduct, and teach. Richard's music has been performed by the Los Angeles Philharmonic Orchestra, Calder Quartet, HOCKET, C3LA, and more. His music has been released on CMNTX Records. Richard has a BM in Composition from USC and an MFA from CalArts. He is on faculty at the Pasadena Waldorf School, Glendale Community College and Harvard-Westlake. He plays taiko and tabla, and makes YouTube videos. Learn more about Richard's work on his website: https://richardanmusic.com/ Richard's social media: https://www.instagram.com/richardanmusic/ If you are in LA and want hear Richard's work, he's playing with House on Fire at the Sierra Madre Playhouse on August 17! https://www.sierramadreplayhouse.org/event/richardan2025   Transcript Opening: [00:00:00] APEX Express. Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express. 00:00:46 Isabel Li Good evening and welcome back to a new episode of Apex Express on KPFA, 94.1 FM. We are bringing you an Asian and Asian American view from the Bay and around the world. I'm your host, Isabel Li, and tonight is a new edition of Obbligato, which explores AAPI identities and classical music. Tonight I'm joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. 00:01:41 Isabel Li Welcome to the show. Welcome to APEX Express, Richard. My first question for you is how do you identify and what communities would you say that you're a part of? 00:01:50 Richard An My name is Richard An I use he/him pronouns and I'm a second generation Korean American. My parents are both Korean. My dad came from Busan, which is a large city in South Korea, and my mom was born in Seoul and then moved to South America and then made her way up to Los Angeles where they met. And as for identity, like, I think Korean American would be the most accurate one. This is and I think an ever evolving part of first of all my identity and the way that it intersects with my practice and also I think that's the case with many Asian American artists, I mean artists from immigrant families, you know, the the matter of your identity, especially if you feel more distanced from it for one reason or another, is like an unsolved question for everyone like there is no one answer. That works for people and that's a thing that me people like myself I think will be exploring for our entire lives. When I introduce myself to people, I say that I'm a classical musician. And at the very core of it, that is true. That's not a lie. And I am, you know, a part of the classical music community in Los Angeles. But as time goes on, I have noticed and realized. That I tend to align myself more with like the avant-garde and experimental contemporary music communities of Los Angeles, which has certainly an overlap with the classical community, both in practice and historically, but yeah, I I would say those are the sort of two biggest ones, classical musicians and experimental avant-garde, contemporary musicians, whatever label you want to use for that. 00:03:47 Isabel Li Yeah. Some of our listeners might not know what avant-garde music entails. Can you — how would you describe avant-garde music to someone who might not be as familiar with this particular movement? 00:03:57 Richard An Yeah. So avant-garde music, a sort of flippant and joking way to to talk about it is ugly music or music. You know, my dad, for example, wouldn't like, but I think. It's music that either interfaces with elements or confronts facets or issues in music that aren't typical of other kinds of music. The music that you might hear that is labeled of on guard might be noisy or dissonant or uncomfortable, or any kind of, you know, adjectives that are synonyms for noisy or ugly, but I have come to love that kind of music, you know 1. Because of the the kind of questions that they might ask about our perceptions of music and two, because I guess one way to put it is that to be a classical musician, you need to be in a practice room for many hours a day for many years and go to what is unfortunately a college, which is usually very expensive and I guess for lack of a better term, paywalled for like you need to have the kind of resources that allow you to attend a four year undergrad and then a two year masters and then a three-year doctorate. But avant-garde music, contemporary music, experimental music doesn't necessitate that kind of thing. Often those musicians do have a background that gives them some amount of, you know, virtuosity or facility in an instrument. But like some of the best experimental musicians. Alive and some of the best ones that I know have no, like extensive training in a particular instrument and some may not have a degree in music at all. And that's one thing that I in like that separates it from classical music is that. 00:05:44 Richard An Classical music can be, unfortunately a little bit exclusionary. I don't think by any one specific design, but the fact that you need so many hours and very specific instructions from a mentor that necessitate that kind of relationship. But experimental music, I think does a little bit better job of diversifying or making it feel more equitable. 00:06:12 Isabel Li That's a great point, actually. One of my questions following up with that was what do you think is possible with this genre, which you kind of mentioned earlier with perhaps how this genre makes classical music a little bit more equitable for those who are interested in this field. In your experience, composing, what do you think makes the genre special, and how do you go about it? 00:06:35 Richard An One thing that I've noticed about being involved in the sort of contemporary experimental avant-garde music sphere is that it makes me a better listener, and I think other people who attend these concerts will agree. Like for example a large part of this kind of music is drone or repetition or, you know, like long spans of unchanging sound. And if the the sound that is being produced at face value is not changing, well then what do you notice about it? What do you grab on to and one of the most, I think, gratifying experiences is listening deeper and realizing that, ohh, even though you know for example this piano playing two notes for 30 minutes might not like the instructions will say to do the same thing for 30 minutes, but your experience as a human being will certainly change over those 30 minutes, even if the the notes are not like you will notice the slight fluctuations in the way that someone is playing, you will notice the beating patterns in the pitches on an instrument that may not be perfectly in tune, you will note other ambient sounds, you will note like you will notice so much more about the world when you are confronted with the kind of music that you know. You can say it forces you to listen to these sounds but also invites you to listen to these things. And I think that's really, really special. That's not to say that that can't happen with other kinds of music. Or even with classical music. Surely you know there are many, many ways to listen to everything. But I've noticed this within myself. When I listen to long, repetitive drone based music that it really opens my ears and makes me a more active participant as a listener. 00:08:30 Isabel Li It's a great point actually. Part of my work– because I studied music, history and theory in college– was how music can engage various listeners to participate. Have you composed anything that perhaps engages the listener in this more of a participatory setting? 00:08:47 Richard An Yeah. So I guess in order the some of the stuff that I've done to engage the audience, I guess both literally, and maybe more figuratively is, I wrote a piece last year for the Dog Star festival, which is a a contemporary and experimental music festival that is actually happening right now, at the time of this recording. It's a multi week long festival that focuses on music of this type that was founded by people in the sort of CalArts music world. But I wrote a piece for that last year for three melodicas, which are these basically toy instruments that look like keyboards, but you blow into them and you blowing air through these makes the sound happen. It's basically like if you cross a harmonica and a piano together. But I I wrote a piece for three of these, playing essentially the same notes. And because these instruments are pretty cheap, and they're often considered toys or, you know, instruments for children, they're not tuned to the exact way that, like a piano or a vibraphone or an expensive instrument might be. But I wanted to use that for my advantage. For example, if I play an F# on one melodica the same F# on another melodica will not be exactly the same and playing those two pitches together will produce what's known as a a beat or beat frequency. Which is, you know, a complicated, you know, mathematic physics thing, but basically 2 notes that are really, really close, but not quite together will create a kind of third rhythm because the the pitches are so close. Like, for example, if if I play an A at 4:40 and another A at 441, you will notice that difference of 1 Hertz inside of your ears. And that's a really cool phenomenon that happens explicitly because you were there listening to the piece. They don't happen necessarily, you know, like in, in recorded formats like, it's a very difficult thing to capture unless you are in the room with these instruments. And the fact that we had this audience of, let's say, 40 people meant that all forty of these people were experiencing these beat frequencies and another really cool factor of this is depending on where you are located in the room. With the way that the beats will sound in your ears are different and purely by the fact of acoustics like a wave bouncing off of the wall over on your left, will feel really different if you are closer or further from that wall. So not only do the audiences ears themselves, you know, invite these this this participation, but the pure physicality of each listener means that they will have a very slightly different experience of what the piece is, and again like this will happen in any concert. If you're at a classical show, if you're at a rock show if, if you're further from the stage, if you're further to the left or right, you will get a slightly different position in the stereo field that the musicians are playing in, but pieces like what I wrote and many others that exist emphasize this kind of like acoustic phenomena. That is really, really fascinating to listen to. 00:12:23 Isabel Li That's fascinating. And to get a sense of Richard's work, we'll be hearing coming up next. The short excerpt from his album Sonatrinas. This is the duo excerpt performed by Wells Leng, Katie Aikam, Kevin Good and composer Richard An himself. [COMP MUSIC: Sonatrinas (Excerpt: Duo)] 00:17:38 Richard An And so the back story for this piece is this was written for one of my recitals at CalArts. I was planning on playing this piece by Michael Gordon called Sonatra, which is a really, really beautiful and difficult piece for solo piano that I gave myself as an assignment, which I was not able to do with the amount of time. And, you know, like I just didn't give myself enough time to do this thing, so I still had this program of several pieces written with the idea of having this Michael Gordon Sonatra in the middle, but now that that sort of middle part was gone, there was a bunch of pieces about a piece that didn't exist. So in order to fill that hole, I wrote this piece called Sonatrinas which is a cheeky nod to the Michael Gordon Sonatra, but also to the fact that each part of this is kind of a diminutive Sonata form. Everything has a sort of ABA– here's some idea. Here's a different idea, and now we go back to that first idea. Every single part of this has a little bit of that in it. 00:18:51 Isabel Li Yeah, that's fascinating. Even the name itself reminds me of Sonata form in classical music, where it's kind of like an ABA section. As you sort of talked about earlier. And it's really cool that you're adapting this in a more avant-garde context. This is a reminder you're listening to Apex Express. Today we are interviewing composer and musician Richard An. 00:19:12 Isabel Li I think the general question that I have next is can you tell me a bit about what drew you to music and how you got your start in music, how you got introduced to it and what things have inspired you over the years? 00:19:24 Richard An Yeah. So a real quick sort of, I guess, history of my involvement with music is that I started piano lessons when I was pretty young, either three or four years old. I continued that until I was 12 or 13. I decided I really wanted to become a musician. I started taking composition lessons with this composer, AJ McCaffrey, who is really responsible for a lot of what I know and my successes, if you can call it that. He got me into a lot of the music that I am into now and set the foundation for what I would study and what I would write he was one of the instructors for this program called the LA Phil Composer Fellowship program, which back when I was a participant from 2011 to 2013, was a program hosted by the Los Angeles Philharmonic that took 4 high school age students every two years. And you know, they they taught us, you know, everything. How a young composer needs to know how instruments work, how to write a score, how to talk to musicians, how to do everything that a that a composer needs to learn how to do and at the end of this program, after the two years the young composers write a piece for the at the LA Philharmonic. So I was extremely lucky that by the age of 17 I was able to write a piece for orchestra and get that played and not just any orchestra, with the Los Angeles Philharmonic, you know, undisputedly one of the best orchestras in the world. Right. And then after that I I went to USC for my undergrad and then went to CalArts for my masters. And then here we are now. And that those are sort of the like, you know if someone writes a biography about me, that's what we'll be, you know, involved in the thing. But I really started to develop my love for music in my freshman and sophomore year. In high school I I started to get into more and more modern composers. I started to get into more and more noisy things and a lot of this coincided actually with the passing of my mother. She died when I was 14 and you know that in any human the death of a parent will cause you to reevaluate and rethink aspects of your life. Things that you thought were certainties will not be there anymore. So for me, I stopped taking piano lessons and I sort of went headfirst into composition and which is why my degrees are specifically in composition and not piano. Had my mother's passing not happened, you know, who knows what I would be doing now? Maybe I'm not a composer at all. Maybe I'm not into avant-garde music at all, but because things happen the way that they did, I suddenly took a quick turn into avant-garde music and my involvement there only grew more and more and more. Until you know where I am today, I'm almost 30 years old, so I've been listening to and a participant of this music for maybe 15 years or so and I'm quite happy. 00:22:43 Isabel Li That's awesome to hear. 00:22:45 Isabel Li And perhaps a testament to Richard one's very versatile compositional style and avant-garde music coming up next are three pieces from his album i got the electroshock blues. There are five pieces in the album in total, but we will be hearing three of them. The first one called “feeling, scared today,” the second one, “pink pill,” and the fifth one, “la la.” [COMP MUSIC: i got the electroshock blues: 1. “feeling, scared today”, 2. “pink pill”, 3. “la la”.] 00:36:41 Richard An Earlier last year, I released a collection of live recordings under the title of I got the Electroshock Blues. Electroshock Blues is a song by the band Eels I encountered at a pivotal moment in my life. This was right around the time that my mother passed and this record and this song is heavily centered in grief. The main musician in the Eels, Mark Oliver Everett, was dealing with the passing of multiple family members and people who were close to him so it hit me in just the right way at just the right time. And because of that, this song specifically has stayed with me for many, many years. I found myself coming back to the contents of this song as I was composing and all the pieces on this album, of which there are 5 heavily take material from this song, whether that's words, chords, the melody. I really, you know, take it apart, dissect it and use those as ingredients in the pieces that I have written here and all of these are live recordings except for the first piece which was recorded in my studio. I just sort of overdubbed the parts myself, and there are credits in the liner notes for this album, but I just want to say that. The first piece which is called “feeling, scared today,” was originally written for the Hockett piano duo, which is a duo comprised of Thomas Kotcheff and Sarah Gibson. Sarah Gibson was a really close friend of mine who passed away last year and now this piece which in some way came out of a feeling of grief now has renewed meaning and another facet or aspect of this piece is centered in grief now. Because this was dedicated to Thomas and Sarah. Yeah. So these pieces are all derived from this one song. 00:38:57 Isabel Li That's a beautiful response. Thank you so much. Kind of following along your background and how you got to where you are. How do you think your identity has informed your work as a composer and musician? And this could be– you can interpret this in any way that you wish. 00:39:11 Richard An Yeah, this is a really interesting question. The question of how my identity interfaces with my music. In my art, particularly because no person's answer is quite the same, and I don't necessarily have this figured out either. So for a little bit of I guess for a little bit of context on me, I'm second generation Korean American, but I've never been to Korea and I never went to Korean school. My parents never really emphasize that part of my education. You could call it assimilation. You can call it whatever, but I think they valued other aspects of my growth than my explicit tie to Koreanness or, you know my specific identity as a Korean or Korean American, and because of that, I've always felt a little bit awkwardly distanced from that part of my identity, which is something that I will never be completely rid of. So in in a world and the field where whiteness is sort of the default part you know, particularly because you know, classical music does come from Europe, you know, for hundreds of years, like all of the development in this particular kind of music did happen in a place where everyone was white. So because of that background of where I come from and where my musical activity comes from, whiteness has been the default and still feels like it is. So me looking the way that I do as, an obvious not white person, as a person of color will always have a little bit of an outsider status to the thing. And with that comes the question of what are you bringing to classical music? What do you bring to the kind of music that you're creating? Like for example, the most I think the most well known East Asian composers are people like Toru Takemitsu or Tan Dun, people who will interface with their Asianness, in many different ways, but that often involves bringing, for example, a Japanese scale into your classical composition, or bringing a Japanese instrument into your classical composition. Those are, you know, examples of of of pieces by Toru Takemitsu, and other, you know, very successful. Asian American composers now may do similarly. Texu Kim is maybe someone who can also give insight into this, but nothing about me feels explicitly Korean, maybe besides the way that I look. And besides, the way that I grew up a little bit like I've never been to Korea. What right does that give me as a Korean, to for example, use a Korean instrument or use a Korean scale? I've never studied that music. I've never studied that culture. I in in some arguments I would be guilty of cultural appropriation, because I, you know, have not done the work to study and to properly represent. And for example, like Pansori, if I were to use that in any of my music. 00:42:46 Richard An But then the the the difficult question is well, then who does have the right? Does being Korean give me all the license that I need to incorporate aspects of my identity? And if I am not Korean, does that, does that bar my access to that kind of music forever? Another way of looking at this is, I've studied North Indian Classical Hindustani music for a while. I've played tabla and and studied that music at CalArts and I really, really love playing tabla. It's it doesn't make its way into my composition so much, but it is certainly a big part of my musicianship and who I am and, like, but am I barred from using ideas or aspects of that music and culture and my music because simply for the fact that I am not Indian? Many musicians would say no. Of course you've done your homework, you've done your research. You're doing due diligence. You're you're representing it properly. And many people who study this music will say music cannot go forward if it's not like the innervated and continued and studied by people like me who are not explicitly South Asian or Indian. That's an example of the flip side of this of me using or representing the music from a culture that I am not a part of, but again, am I really Korean? I've never been there. I wasn't born there. I speak the language conversationally. But this is an extremely long winded way of saying that I feel a tenuous connection to my Korean this my Korean American identity that hasn't been solved, that isn't solved and probably will never be completely solved. But I think that's exciting. I think that's an evolving aspect of my music and will continue to be that way as long as I continue to be involved in music and as as long as I continue to write. 00:45:05 Isabel Li Yeah, absolutely. That's a wonderful response. Actually. I was, as I was studying different types of world music and learning how people kind of borrow from different cultures. There is this always, this kind of question like ohh, like which types of musical elements from which cultures can I incorporate and obviously the aspects of personal identity definitely play into that a little bit. And part of my senior thesis in college was studying AAPI artists in classical music, and specifically that there are a lot of Asian-identifying musicians in the classical music world. But as you kind of mentioned earlier, I think classical music is very much still like grounded in whiteness and has this kind of air of elitism to it just because of its roots. How do you think this kind of identity intersects with the classical music world? And forgive me if you've already kind of talked about it before, but it's an interesting juxtaposition between like, for example, musicians who identify as AAPI or Asian in this kind of genre that is very– it's very associated with whiteness. Could you kind of talk about the dynamics of how these two aspects of like culture kind of interplay with one another? 00:46:26 Richard An Yeah, absolutely. So, you know, there are ways that I personally feel like I intersect with classical music with reference to my identity, and that also plays with the sort of cultural expectations, like there are stereotypes of Asian musicians, of Asian classical musicians. But there are not necessarily the same the same kind of stereotypes with white classical musicians. A very dominant like stereotype that you'll run into is the young Asian prodigy who practices 10 hours a day and may therefore be labeled as mechanical or unfeeling or, you know, are involved in in this a lot. So much so to the fact to the to the point where to excel an Asian American classical musician or as an Asian classical musician, in general, seems to always carry that stereotype. Like you know, Seong-Jin Cho's success as a pianist may not necessarily be attributed to his musicianship or his skill as a pianist. Because he is an Asian person, an Asian guy. Like how much of his success is because of the perceived tiger mom-ness that he might have existed under? How much of it is attributed to the same type of stereotypes that are labeled like that that label the five year old pianist on YouTube that that is clearly better than I am? Like some of these stereotypes help and some of these don't, but the I think it's undeniable that they exist in a way that doesn't in a way that doesn't carry for white people in the classical music sphere. And I think part of that is that classical music is still rooted in its Eurological identity. I think I'm using that correctly. That's an idea from George Lewis. Eurological versus Afrological. The context that I'm using Eurological right now is specifically in reference to George Lewis, who is a composer, trombonist, and musicologist who, I think coined the two terms to differentiate the roots of different styles of music, and you know, I haven't read enough to confidently say, but classical music is Eurological by example and like jazz would be Afrological by an example and the contexts in which they develop and exist and grew up are fundamentally different, which is what makes them different from each other. And again like this needs a little bit more research on my part. 00:49:23 Richard An Yeah, and because the classical music is so rooted in this thing, I don't believe that the stereotypes that exist for Asian classical musicians exist for white people. And I think that is something that will naturally dissipate with time, like after another 100 years of Asians, and, you know, people of color in, you know, every country in the world, with their continued involvement and innova otypes will disappear like this. You know, it may require certain concerted efforts from certain people, but I do believe that after a while these things will not exist. They'll sort of equalize right in the same way. That the divisions that we make between a Russian pianist and a French pianist and a German pianist, though you know people still do study those things like those aren't really dividing lines quite as strong as an Asian composer or an Indian composer might be. 00:50:27 Isabel Li Thank you for that perspective. I think it's, I think these are conversations that people don't kind of bring up as much in the classical music world and it's great that, you know, we're kind of thinking about these and probably possibly like opening some conversations up to our listeners hopefully. And so my next kind of pivot here is as you know with our current administration, Trump has canceled millions of dollars in National Endowment of the Arts grants, and it's been affecting arts organizations all over the nation. And I was kind of wondering, have you been affected by these cuts to arts programs and what kinds of advice would give upcoming musicians or composers in this era? 00:51:07 Richard An Yeah, that's a yeah, that's a big thing. And like, you know, changing day by day, right. So the Trump administration's effects on my life as a musician is simultaneously huge and also not really that much. So in one way these grant cuts have not affected my personal musical life because I haven't ever received a government grant for any of my arts making. So in one way like my life is the same, but in many, many, many other ways it has changed. Like I am involved with and I work with concert series and organizations and nonprofits that do rely on NEA funding and other government arts based funding. And if they have less money to fund their next season, that means certain projects have to be cut. That means certain musicians have to be paid less. That means certain programs have to change, especially if these funding cuts are aimed towards DEI or quote and quote, woke programming like that is, you know this that will by design disproportionately affect people of color in this field, which already you know, like is in a Eurocentric urological tradition like this is already something that people of color don't have a head start in if the funding cuts are aimed at certain types of programming that will disadvantage already disadvantaged groups of people, well then I don't know, that's even–we're starting even later than other people might be, and you know, like, if a musicians, if a person's reaction to this is despair, I think that's reasonable. I think that is an absolutely, like that's an appropriate reaction to what is fundamentally an attack on your voice as an artist. But I I have for as long as I can, you know, I have always worked under the impression that I will have to do the thing myself, and that's in the piece of advice that I give for a lot of people. You shouldn't necessarily wait for this ensemble to come pick you to play or or to to, you know, commission you to write a piece if you want to write the piece, you should do it and figure out how to put it on yourself. If you want to perform you know music by a certain composer, you should do it and then figure out how to do it yourself. That certainly comes from a place of privilege, like I can do this because I have enough work as a musician to be able to pay for the the passion projects it comes from a place of privilege, because I live in Los Angeles and the resources and musicians and other people who I would like to collaborate with live here, so you know, completely acknowledging and understanding that I I do believe that it's better to ask for forgiveness than to ask for permission. I think if you're a young musician and are feeling some despair about these funding cuts and you know the many, many, many other transgressions against humanity by this current administration. 00:54:38 Richard An I recommend you just go out and do it yourself. You find your people, you find your community, you pull favors, you work long nights and you do it and the reward will firstly be the good you're putting out into the world and then the the art you're making. But also this will be paid in kind by the community you're building, the musicians you're working with. And the the connections you make like you know I I have, I am currently conducting this interview from a studio space that I am renting out in Pasadena that I have built over the last two years that I do all of my rehearsals and my performances in, and that I, you know, host rehearsals and performances for other people, and this cannot happen and could not have happened without the goodwill and help and contribution from other people. When I say go out and do it yourself, I'm not saying that you as a human being are alone. I'm saying you don't need to wait for institutional approval or permission to go out and do these things. Get your friends and do them themselves. And my optimistic belief is that the support and the work will follow. 00:55:53 Isabel Li Richard, thank you so much for sharing your perspectives and your voice on this show today. And thank you to our many listeners of KPFA on tonight's episode of Obbligato on Apex Express. Which focuses on the AAPI community of the classical music world. There were some inspirational words on arts and arts making by Richard An musician and composer based in Los Angeles. 00:56:18 Isabel Li Please check our website kpfa.org to find out more about Richard An and his work as well as the state of the arts during this period of funding cuts. 00:56:29 Isabel Li We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world, your voices and your art are important. 00:56:41 Isabel Li APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by Isabel Li. Have a great evening. The post APEX Express – 8.7.25 – Obbligato with Richard An appeared first on KPFA.

The sluggish job market is another bump in our road to economic recovery, according to some recent predictions. The unemployment rate's sitting at 5.2 percent - its highest point in five years. In late 2021, it was just 3.2 percent. Westpac senior economist, Michael Gordon, says it shows our economic slowdown's ongoing. He says it's not too surprising, given the Reserve Bank's moves to control inflation. "I think we're getting towards the end - we have seen economic activity picking up, but it's just not coming through in terms of businesses needing to hire just yet." LISTEN ABOVESee omnystudio.com/listener for privacy information.

The sluggish job market is another bump in our road to economic recovery, according to some recent predictions. The unemployment rate's sitting at 5.2 percent - its highest point in five years. In late 2021, it was just 3.2 percent. Westpac senior economist, Michael Gordon, says it shows our economic slowdown's ongoing. He says it's not too surprising, given the Reserve Bank's moves to control inflation. "I think we're getting towards the end - we have seen economic activity picking up, but it's just not coming through in terms of businesses needing to hire just yet." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Figures, due out this morning, are expected to show unemployment's hit a nine-year high. Stats NZ is releasing its latest unemployment update at 10.45am. Economists expect the rate to have reached 5.3% in the June quarter, up from 5.1% for the March quarter. Westpac Senior Economist Michael Gordon told Ryan Bridge they expect the peak unemployment rate to be around 5.3% or slightly higher. He says that the labour market tends to be one of the more lagging parts of the economic cycle. LISTEN ABOVE See omnystudio.com/listener for privacy information.

On this episode of The Earth Station Who podcast, the crew is joined by Doctor Who author and commentator Matthew Kresal to take a fresh look at the newly restored and colorized version of the classic Second Doctor story, The War Games. With enhanced visuals and a shortened runtime, this reimagined version of the iconic 10-part Doctor Who serial offers a modern perspective on a pivotal chapter in Time Lord history. We discuss Patrick Troughton's legendary performance, the creative choices behind the restoration and edits, and how the BBC is reintroducing classic stories to new audiences. A must-listen for fans of classic Doctor Who, Second Doctor adventures, and BBC restoration projects. Tampa Bay Comic Con https://tampabaycomicconvention.com/ Time Stamp 0:00 Show Opening / News 07:04 The Whovian Geek Seat w/ Matthew Kresal 22:28 The War Games In Colour 1:02:29 Show Close If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #TheWarGames #SecondDoctor #PatrickTroughton #ClassicDoctorWho #ColorizedDoctorWho #BBCRestoration #DoctorWhoPodcast #EarthStationWho #TimeLords #SciFiTV #DoctorWhoHistory #MatthewKresal #RestoredDoctorWho #WhovianContent Special Guest: Matthew Kresal .

Tampa federal prosecutor Michael Gordon was fired last month.  There are questions about why he was fired, and concerns about what happens now to the case he was leading, involving  fraud and  Clearwater businessman Leo Govoni. Govoni's accused of stealing millions of dollars of medical trust fund money. Tampa Bay Times reporter Christopher O'Donnell has been covering the Leo Govoni case extensively. He shares the reaction from people who've watched money for their disabled loved ones vanish.Deadly floods swept through an area of Central Texas known as flash flood alley over the July 4th holiday weekend. Rolling hills, limestone rock formations and winding rivers make the area prone to flash floods during rainstorms.  The stories of terrified campers trying to evacuate in the dark may be eerily familiar to people in Tampa Bay who experienced last year's hurricanes. But what about the flash flood risk here? We ask  Florida Public Radio Emergency Network meteorologist Megan Borowski  what causes flash floods and what you should do to protect yourself when there's a flood risk. Fifty years ago, Jaws burst onto movie screens, and cinema has never been the same. It may be a great thriller, but half a century later, shark scientists are still pushing back against the myth of the rogue shark. Meet Florida Aquarium animal care specialist Eric Hovland. He's been swimming with-  and studying-  sharks for years- and still has more to learn. 

Tampa federal prosecutor Michael Gordon was fired last month.  There are questions about why he was fired, and concerns about what happens now to the case he was leading, involving  fraud and  Clearwater businessman Leo Govoni. Govoni's accused of stealing millions of dollars of medical trust fund money. Tampa Bay Times reporter Christopher O'Donnell has been covering the Leo Govoni case extensively. He shares the reaction from people who've watched money for their disabled loved ones vanish.Deadly floods swept through an area of Central Texas known as flash flood alley over the July 4th holiday weekend. Rolling hills, limestone rock formations and winding rivers make the area prone to flash floods during rainstorms.  The stories of terrified campers trying to evacuate in the dark may be eerily familiar to people in Tampa Bay who experienced last year's hurricanes. But what about the flash flood risk here? We ask  Florida Public Radio Emergency Network meteorologist Megan Borowski  what causes flash floods and what you should do to protect yourself when there's a flood risk. Fifty years ago, Jaws burst onto movie screens, and cinema has never been the same. It may be a great thriller, but half a century later, shark scientists are still pushing back against the myth of the rogue shark. Meet Florida Aquarium animal care specialist Eric Hovland. He's been swimming with-  and studying-  sharks for years- and still has more to learn. 

The Wedding of Sarah Jane: The 10th Doctor Returns in a Whoniverse Classic In this special episode of Earth Station Who, we travel back to The Sarah Jane Adventures for the beloved two-parter "The Wedding of Sarah Jane", featuring the triumphant return of David Tennant as the 10th Doctor. Join us as we unpack the emotional moments, sci-fi chaos, and character dynamics that make this story a true Whoniverse classic. Plus, friend of the show Steve Fowler steps into the Whovian Geek Seat for a fun and revealing challenge. Don't miss this celebration of Sarah Jane Smith, the 10th Doctor, and the legacy they share! Time Stamp 0:00 Show Opening / News 12:18 The Whovian Geek Seat w/ Steve Fowler 26:43 The Wedding of Sarah Jane Smith Review 58:47 Show Close If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com TheWeddingOfSarahJane #SarahJaneAdventures #DavidTennant #10thDoctor #DoctorWhoPodcast #WhovianGeekSeat #EarthStationWho #SarahJaneSmith #Whoniverse #TARDISTeam #ClassicWho #DoctorWhoFans #SciFiPodcast Special Guest: Steve Fowler.

Children naturally operate from a place of knowing, questioning everything else but rarely questioning what they know to be true. By honoring this innate wisdom, we empower them to maintain a strong connection to their intuition. This changes our role. We shift from authority figure to facilitator of self-discovery.The journey of reconnecting with intuition is a constant weaving and unweaving. It requires a willingness to let go of preconceived notions and embrace the unknown. By honoring and celebrating the innocence of children, we create space for them and ourselves to cultivate self-trust and intuitive awareness.Embracing innocence involves redefining education and creating space for joyfulness. It's about inviting children and adults alike to trust themselves and explore the world with curiosity and wonder. By doing so, we unlock new possibilities for learning, growth, and connection.This special episode of Compass Conversations includes all of the board members for the Intuitive Learning Foundation. As they share their experiences and wisdom, we get a glimpse into the awareness, consciousness and vision that is guiding ILF. Together we are creating a space where young people, and people with decades of experience, can come together to rediscover our true nature. Podcast Participants:Andrew Freeman - https://masterpath.coherenceeducation.org/Michael Gordon - https://michiganross.umich.edu/faculty-research/faculty/michael-gordonGreta Franklin Matos - https://quilaquina.com/Chloe Garrison - www.intuitivelearningfoundation.orgKerri Lake - www.generateharmony.com 

P.M. Edition for July 7. President Trump extended the deadline on so-called reciprocal tariffs to Aug. 1 while announcing 25% tariffs on goods from Japan and South Korea. Several more nations received similar notifications. Plus, heavy rain continues in Texas, where the death toll from the flash floods has risen to 90. And President Trump is meeting Israeli Prime Minister Benjamin Netanyahu at the White House. WSJ national security correspondent Michael Gordon discusses how a changed Middle East could be ripe for Trump's dealmaking diplomacy. Alex Ossola hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Earth Station Who, the crew is joined by friend of the show Kirby Bartlett-Sloan to explore the newly released animated restoration of the lost First Doctor adventure, "The Savages." They dive into the significance of this early Doctor Who story, the challenges of restoring missing episodes, and what the animation brings to the classic sci-fi tale. Plus, Kirby bravely takes his shot at the Whovian Geek Seat! A must-listen for Whovians and fans of the show's rich history. The 20MB Doctor Who Podcast https://the20mbdoctorwhopodcast.podbean.com/ If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #TheSavages #AnimatedRestoration #FirstDoctor #WilliamHartnell #LostEpisodes #ClassicWho #WhovianGeekSeat #KirbyBartlettSloan #EarthStationWho #DoctorWhoPodcast #DoctorWhoFans #TimeTravelTV #BBCDoctorWho #WhoviansUnite Special Guest: Kirby Bartlett-Sloan.

The Earth Station Who crew is joined by podcast friend Sean Whelan to look back at all the thrills, twists, and Time Lord turns of Doctor Who Season 15 (a.k.a. Season 2 of the new era). From standout episodes to character arcs, fan theories to finale fallout, we dive deep into what worked, what surprised us, and what we hope to see next. Plus, Sean bravely takes a shot at the legendary Whovian Geek Seat—will he survive the ultimate fan challenge? Don't miss this fun and thoughtful wrap-up of a game-changing season in the Whoniverse! Raging Bullets https://ragingbullets.com/ Is it Jaws? Movie Reviews https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #DoctorWhoSeason15 #DoctorWhoSeason2 #EarthStationWho #WhovianGeekSeat #15thDoctor #TimeLordTalk #DoctorWhoRecap #DoctorWhoPodcast #SeanWhelan #WhovianCommunity #TARDISTime #SciFiPodcast #DoctorWhoFans #SeasonWrapUp Special Guest: Sean Whelan .

The Earth Station Who crew is joined by longtime listener Elizabeth Laney to review the jaw-dropping season 15 finale of Doctor Who, “The Reality War.” Packed with shocking twists, universe-shifting revelations, and bold choices that will change the Doctor Who universe forever, this episode leaves no fan untouched. Join us as we break down the game-changing moments, character fates, and what it all means for the future of the Doctor! Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #TheRealityWar #DoctorWhoSeason15 #DoctorWhoFinale #15thDoctor #EarthStationWho #DoctorWhoPodcast #WhovianReview #TimeTravel #BBCDoctorWho #DoctorWhoTwists #TARDIS #TimeLord #WhovianCommunity #SciFiPodcast Special Guest: Elizabeth Laney.

In this episode of Earth Station Who, we delve into the surreal and satirical world of “Wish World”, the penultimate episode of Doctor Who Season 15. The Doctor and Belinda awaken in an idyllic suburban life, only to discover they're trapped in a fabricated reality crafted by the Rani, Conrad, and a mysterious wish-granting entity. As the illusion unravels, the Doctor confronts unsettling truths and faces the return of the formidable Time Lord, Omega. Joining us is author MacKenzie Flohr, who offers her insights on the episode's themes and bravely takes on the Whovian Geek Seat. We discuss the episode's commentary on societal norms, its connections to classic Doctor Who lore, and what it sets up for the upcoming season finale, "The Reality War". Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Mackenzie Flohr https://mackenzieflohr.com If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #WishWorld #EarthStationWho #WhovianGeekSeat #DoctorWhoPodcast #DoctorWho2025 #MacKenzieFlohr #TimeLordsReturn #TheRani #OmegaReturns #TARDISTalk #WhoviansUnite #SciFiPodcast #BBCDoctorWho #DoctorWhoReview Special Guest: Mackenzie Floh.

Tune in to this week's Earth Station Who as we dive into “The Interstellar Song Contest,” the latest cosmic adventure from Doctor Who!

The TARDIS lands once again! This week on Earth Station Who, we dive deep into the Doctor Who episode “The Story and The Engine” with special guests Producer Amy Lynn Best and Writer Mike Watt. Both join us to discuss the episode with us and take on the Whovian Geek Seat!

Is it really Ruby Sunday's lucky day?

The unemployment rate has come out better than anticipated. It remained unchanged at 5.1% in the three months ending March. The number of people in full-time work fell by 45 thousand, while the number in part time work grew by 25 thousand. Westpac Senior Economist Michael Gordon told Ryan Bridge that people are likely using reduced hours as an alternative to layoffs. He says it's likely one factor as to why the unemployment rate has risen, but not as high as some economists were forecasting. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Dive deep into the mysteries of Doctor Who Season 2, Episode 3, “The Well,” with the Earth Station Who crew! Join us as we explore the 15th Doctor's latest adventure, uncover its hidden layers, and discuss what this story means for the series' mythology. As a bonus, author Daniel Budnik takes his turn in the Whovian Geek Seat! Tune in for fan theories, behind-the-scenes insight, and plenty of geeky fun—your next stop in the TARDIS starts here. Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! When I Say Read, Read Volume 1 1963-1979: One Fella's Journey Through Doctor Who https://www.amazon.com/When-Say-Read-1963-1979-Journey/dp/B0DZ2Q1DGP/ref=sr11 If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #TheWell #EarthStationWho #15thDoctor #NcutiGatwa #WhovianGeekSeat #TARDIS #DoctorWhoPodcast #DanielBudnik #DoctorWhoReview #SciFiPodcast #TimeTravel #BBCDoctorWho #DoctorWhoSeason2 #GeekPodcast #ESONetwork Special Guest: Daniel Budnik.

Greg screens Michael Gordon's 1959 rom-com "Pillow Talk."

Step into the glow of Doctor Who Season 2, Episode 2 — “Lux” — as the Earth Station Who team unpacks the latest tale of the 15th Doctor! In this visually stunning and thematically rich episode, the Doctor faces a brilliant new challenge that dives deep into the nature of celebrity, surveillance, and the cost of truth in a light-drenched future. We explore how “Lux” balances classic Who energy with timely meta-commentary, while also expanding the emotional arc of our new Doctor. And as a bonus, guest-host Ciaran Moffatt takes his turn in the Whovian Geek Seat! Tune in for clever analysis, geeky fun, and our thoughts on where the season is headed next. Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #Lux #15thDoctor #NcutiGatwa #DoctorWhoPodcast #EarthStationWho #Whovian #SciFiPodcast #GeekSeat #DoctorWhoReview #BBCDoctorWho #TARDIS #TimeTravel #DoctorWhoSeason2 #NewWho Special Guest: Ciarán Moffatt.

The Earth Station Who crew is back and diving headfirst into the explosive premiere of Doctor Who Season 2, featuring Ncuti Gatwa as the 15th Doctor and the introduction of new companion Belinda Chandra in “The Robot Revolution.” Join Mike, Michael, Mary, and special guest-host Dave Chapman as they break down the action, themes, and big reveals from the latest episode. Plus, don't miss the bonus segment as Dave bravely enters the Whovian Geek Seat! A must-listen for longtime fans and new viewers alike. Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #15thDoctor #TheRobotRevolution #BelindaChandra #WhovianGeekSeat #DoctorWhoSeason2 #ESOPodcast #EarthStationWho #TimeLord #TARDIS #SciFiPodcast #DaveChapman #DoctorWhoFans #DoctorWhoReview #WhoviansUnite #GeekPodcast #NewDoctorWho #BBCDoctorWho #DoctorWho2025 Special Guest: Dave Chapman.

Join Newton One Advisors (Mark Singer and Steve Target) and Michael Gordon, Trusts and Estate Planning Attorney and Director at Gordon, Fournaris & Mammarella, for an insightful discussion on trust modernization. Discover the compelling reasons for considering trust updates and explore the common changes observed in this evolving landscape.

The Earth Station Who Podcast crew revisits the 9th Doctor adventure "Boom Town", diving into its themes, characters, and impact on the Doctor Who universe. Plus, as a special bonus, co-host Melanie Dean steps up to take her shot at the Doctor Who Geek Seat! Don't miss this exciting discussion filled with insights, laughs, and plenty of Whovian fun!

Interview with Michael Gordon, PhD

Confidence in the labour market is shrinking, according to new reports. The Westpac-McDermott Miller index shows employment confidence has reached its lowest level since mid-Covid - in September 2020. It fell in 4 out of 11 regions - including the biggest jobs market - Auckland. Westpac senior economist, Michael Gordon, says businesses are advertising fewer jobs. He explained some are just looking for more specialist roles and others are overstaffed after keeping workers through the downturn. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Join the Earth Station Who podcast as we dive into Amy's Choice, the mind-bending 11th Doctor adventure featuring Matt Smith, Karen Gillan, and Arthur Darvill. We explore the Dream Lord's mystery, Amy's pivotal decision, and the deeper themes of this Doctor Who classic. Tune in for Whovian insights, theories, and more! Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Who North America https://www.whona.com/ ESO Network Patreon https://patreon.com/esonetwork If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #AmysChoice #11thDoctor #MattSmith #KarenGillan #ArthurDarvill #DreamLord #TARDIS #SciFiPodcast #Whovian #TimeTravel #EarthStationWho #DoctorWhoPodcast #WhoviansUnite #BBCDoctorWho #DoctorWhoFans #Gallifrey #PodcastReview #DoctorWhoEpisode #DoctorWhoCommunity

Major bank economists are expecting gross domestic product to be back in the positive when the numbers are released on Thursday. Westpac senior economist Michael Gordon spoke to Corin Dann.

An economist is warning not to expect big growth in GDP figures out today. Data —due out from Stats NZ just before 11 this morning— is expected to show the economy has been pulled out of recession, but is still crawling to recovery. Economists are predicting growth of between 0.3 and 0.5%. Westpac senior economist Michael Gordon told Ryan Bridge he's predicting flat growth in the fourth quarter. He says there have been signs things are turning, but it's likely to have happened in the beginning of this year. LISTEN ABOVE See omnystudio.com/listener for privacy information.

A.M. Edition for Mar. 11. Tesla stock fell 15% on Monday in its worst trading day since 2020, as Elon Musk concedes his work in Washington is making it hard to focus on his business empire. Plus, global markets try to shake off yesterday's down day on Wall Street as fears about the U.S. economy mount. And WSJ national security correspondent Michael Gordon joins us from Saudi Arabia, where the U.S. and Ukraine are trying to mend ties and pave the way for peace talks with Russia, Luke Vargas hosts. Check out our special series on how China's trillion-dollar infrastructure plan is challenging the West. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Earth Station Who, the crew revisits the First Doctor's adventure in The Rescue, exploring its impact on Doctor Who history. Plus, as a special bonus, co-host Mary Ogle steps into the Doctor Who Geek Seat! Tune in for a fun and insightful discussion on classic Who and Whovian trivia. Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Tales of Hollywoodland Julian Schlossberg's Movie Talk Pensacon 2025 Promotion Watch-A-Thon of Rassilon If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com EarthStationWho #DoctorWho #TheRescue #FirstDoctor #WilliamHartnell #ClassicWho #TARDIS #DoctorWhoPodcast #Whovian #SciFiTV #TimeLord #Gallifrey #VickiDoctorWho #GeekSeat #MaryOgle #DoctorWhoFandom #RetroTV #BritishSciFi #SciFiPodcast #DoctorWhoReview

Flopcast episode 669! We always enjoy perusing the annual list of nominees for the Rock and Roll Hall of Fame, because it makes everybody angry. And this year we have a special guest: Michael Gordon, host of the Dragon Con Report, Earth Station Who, and BatChums podcasts! (Clearly Mike isn’t podcasting enough. So glad we […] The post Flopcast 669: Let’s Flop Again Like We Did Last Summer appeared first on The ESO Network.

We always enjoy perusing the annual list of nominees for the Rock and Roll Hall of Fame, because it makes everybody angry. And this year we have a special guest: Michael Gordon, host of the Dragon Con Report, Earth Station Who, and BatChums podcasts! (Clearly Mike isn't podcasting enough. So glad we could help with that.) The nominees include 70s rock (Bad Company), 80s pop (our girl Cyndi!), 90s grunge (Soundgarden), and lots more, including some long overdue legends (Joe Cocker, Mariah Carey) and some oddball surprises. (Phish? Really?) And we somehow get through the whole list without complaining about the Rock Hall's continued snubbing of Air Supply. But we have not forgotten. Follow Michael on Substack! And follow Michelle on Substack! And our regular links... The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Dragon Con Report!      

Join the Earth Station Who Podcast as we dive into the Titan Comics miniseries Missy, exploring the mischievous and brilliant Time Lady's adventures in the Doctor Who universe! We break down the story, artwork, and how this comic expands on one of the show's most iconic villains. Plus, we introduce an exciting new segment—The Whovian Geek Seat—where we put a special guest in the hot seat to answer fun, fan-favorite Doctor Who questions! Tune in for an action-packed episode filled with insights, humor, and a celebration of all things Doctor Who! Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Tales of Hollywoodland Julian Schlossberg's Movie Talk Pensacon 2025 Promotion Cosmic Pizza If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com EarthStationWho #DoctorWhoPodcast #MissyComicReview #TitanComics #DoctorWhoMissy #WhovianGeekSeat #DoctorWhoComics #MissyMaster #TimeLadyAdventures #DoctorWhoFandom #WhoviansUnite #DoctorWhoExpandedUniverse #ComicBookReview #SciFiPodcast #DoctorWhoVillains #MissyDoctorWho #GeekCulture #DoctorWhoFans #EarthStationWhoPodcast #WhovianDiscussion

Join the Earth Station Who crew as they dive into the thrilling world of Big Finish with their review of The Diary of River Song Vol. 9: New Recruit. This captivating audio box set features the iconic River Song crossing paths with the Third Doctor, Liz Shaw, and the Brigadier in exciting new adventures that blend mystery, action, and wit. With surprising alliances and compelling stories, Alex Kingston brings River to life in a series of encounters that expand the beloved Doctor Who universe. Plus, new co-host Melanie Dean takes her turn in the returning Geek Seat! Tune in for a thoughtful discussion of the plot, performances, and how these classic characters shine in this must-listen audio set. Whether you're a longtime River Song fan or a lover of the Third Doctor era, this episode has something for everyone! Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Tales of Hollywoodland Julian Schlossberg's Movie Talk Promotion Modern Musicology If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DiaryOfRiverSong #RiverSongAdventures #BigFinishAudio #DoctorWhoPodcast #EarthStationWho #ThirdDoctor #LizShaw #TheBrigadier #AlexKingston #DoctorWhoFandom #ClassicDoctorWho #BigFinishReview #RiverSongMeetsThirdDoctor #UNITAdventures #MelanieDeanGeekSeat #WhovianCommunity #UNIT #DoctorWho

Travel back to Renaissance Italy with the Earth Station Who Podcast as we review the classic Doctor Who story, "The Masque of Mandragora." Join Mike, Mike, and Mary as they explore the Fourth Doctor's battle with the Mandragora Helix, Sarah Jane's adventures in a historical setting, and the story's stunning mix of science fiction and period drama. Discover behind-the-scenes insights, memorable moments, and how this 1976 serial continues to captivate fans. Tune in for a lively discussion about one of the most intriguing tales in Doctor Who history! Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Tales of Hollywoodland Promotion Earth Station Trek If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWhoTheMasqueofMandragora #ClassicDoctorWhostoryreview #FourthDoctorTomBaker #SarahJaneSmithcompanion #MandragoraHelixplot #DoctorWhoRenaissanceItaly #HistoricalDoctorWhoepisodes #1976DoctorWhoserial #ClassicDoctorWhoadventures #DoctorWhopodcastreview #EarthStationWhoPodcast #DoctorWhoFourthDoctorera #BestDoctorWhoclassicepisodes #BehindthescenesDoctorWho #DoctorWhodiscussions

Get into the holiday spirit with the latest episode of the Earth Station Who Podcast! This week, we review the brand-new Doctor Who Christmas Special, "Joy to the World." Join us as we dive into the Doctor's festive adventure, exploring the heartwarming story, standout performances, and holiday surprises that make this episode a must-watch for Whovians. From timeless themes to a few unexpected twists, we break down everything that makes "Joy to the World" a gift to fans this season. Tune in for all the TARDIS talk, and don't forget to share your thoughts! Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Tales of Hollywoodland Promotion Monkeeing Around If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWhoChristmasSpecial2024 #JoytotheWorldepisodereview #EarthStationWhopodcast #DoctorWhoholidayspecial #DoctorWho15thDoctorChristmasSpecial #NcutiGatwaChristmasepisode #JoytotheWorldanalysis #DoctorWhofestiveepisode #Whovianpodcast2024 #DoctorWhoChristmas2024 #EarthStationWhoreview #DoctorWhofanpodcast #TARDISholidayadventures #BBCDoctorWhospecials #DoctorWhopodcastdiscussion #DoctorWho #EarthStationWho Special Guest: Dave Chapman.

P.M. Edition for Dec. 23. In the Biden administration's last few weeks in office, officials are disclosing the intelligence in an effort to get Pakistan to stop the program, says Wall Street Journal national security correspondent Michael Gordon. And the House Ethics Committee releases an explosive report about sexual misconduct allegations against former representative Matt Gaetz. Plus, WSJ reporter Laura Cooper tells us how beverage companies are ramping up lobbying to keep sugary drinks eligible for purchase with food stamps. Alex Ossola hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's an expectation that weakness in the last economic quarter is behind the country's slump. Stats NZ reports gross domestic product dropped 1% in the September quarter. We're now in our deepest recession since the Covid-driven slump of 2020. Westpac Senior Economist Michael Gordon told Heather du Plessis-Allan that the grind the country has been experiencing throughout the year is now showing up a bit more fully than in the last GDP numbers. He says one thing that stood out was the recognition of the cutbacks in the public sector, which weren't being fully captured in the figures from three months ago. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Step into the world of Victorian London as the Earth Station Who Podcast reviews the Big Finish audio adventure Paternoster Gang: Trespassers Vol. 1. Join us as we delve into the thrilling tales of Madame Vastra, Jenny Flint, and Strax in this captivating series that blends mystery, humor, and heart. We explore the characters, the storytelling, and how the Paternoster Gang continues to expand the Doctor Who universe in exciting ways. Whether you're a longtime Whovian or new to the Big Finish audios, this episode is packed with insights and fun discussion. Tune in now and join the adventure! Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Tales of Hollywoodland Promotion Julian Schlossberg's Movie Talk If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #PaternosterGang #Traspassersvol1 #EarthStationWho #bigfinishreview

P.M. Edition for Dec. 9. Police have arrested a 26-year-old man in Pennsylvania on firearms charges tied to last week's killing of UnitedHealthcare CEO Brian Thompson. And as the U.S. scrambles to meet Syria's new political reality, WSJ national security correspondent Michael Gordon talks us through the options. Plus, Americans are driving older cars, but they are also deferring their maintenance, says WSJ global editor of Heard on the Street Spencer Jakab. Alex Ossola hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join the Earth Station Who Podcast as we travel back to the Fifth Doctor's era to review the classic Doctor Who episode, "Four to Doomsday." From Monarch's ambitious plans to cultural hijinks aboard a mysterious spaceship, we dive into the story's unique plot, characters, and its place in Doctor Who history. Discover what makes this episode stand out in Peter Davison's early tenure as the Doctor. Whether you're a long-time Whovian or a newcomer to the TARDIS, tune in for an engaging discussion filled with insights, trivia, and our take on this iconic adventure. Don't miss it! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Mary Ogle Arts Tales of Hollywoodland

Join the Earth Station Who Podcast as we take a deep dive into the exciting Tenth Doctor adventure, 'Smith & Jones'! This iconic story introduces the brilliant Martha Jones as the Doctor's new companion, kicking off a thrilling season of adventures. We discuss the Judoon's debut, the mystery of the plasmavore, and how this story sets the stage for Martha's unforgettable journey. Tune in as we explore the humor, heart, and action-packed moments that make this episode a fan favorite in modern Doctor Who history! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Mary Ogle Arts Tales of Hollywoodland Earth Station Who Promotion Monkeeing Around If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWho #10thDoctor #SmithandJones #EarthStationWho #doctorwhoreview Special Guest: Shannon Clute.

As U.S. officials warn that disinformation from Russia, China and Iran is reaching unprecedented levels, a key office in the State Department designed to counter these operations may shut its doors this year. WSJ's national security correspondent, Michael Gordon, joins host James Rundle to talk about why the Global Engagement Center, which works with U.S. intelligence agencies to counter propaganda, is facing a difficult road to reauthorization. Plus, companies looking to make lithium-ion batteries safer are facing headwinds. Sign up for the WSJ's free Technology newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Earth Station Who Podcast, we review the classic Ninth Doctor story 'The End of the World.' Join us as we explore this pivotal episode, where the Doctor, played by Christopher Eccleston, takes Rose on her first journey through time to witness the destruction of Earth five billion years in the future. We dive into the episode's themes, character development, the introduction of memorable characters like Lady Cassandra, and the significance of this adventure in shaping the dynamic between the Doctor and Rose. Whether you're a new fan or a longtime Whovian, our in-depth analysis offers fresh insights into one of the most iconic episodes of the modern Doctor Who era. Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! #DoctorWho #9thDoctor #TheEndofTheWorld #EarthStationWho #doctorwhoreview Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Tales of Hollywoodland Promotion Bat Chums If you would like to leave feedback or comment feel free to email us at feedback@earthstationwho.com

On Halloween of 1828, a woman by the name of Mary Docherty was killed and stuffed under the bed of William Burke. Mary was the last of many people to be ‘burked' - a sick and cruel practice that involved killing people, giving their body to local doctors for medical exploration, and earning rich payment in return. Grab a warm beverage and explore this gritty time in history. Tea of the Day: Hot Cinnamon SunsetTheme Music by Brad FrankSources:“Burke and Hare and investigation by Magnus Magnusson.” Living Legends - Burke and Hare, BBC posted by Culture Vulture Rises, https://www.youtube.com/watch?v=1dm3G2-i9h8“The untold story of serial killer William Burke's wife and her mysterious disappearance from Glasgow” https://www.glasgowlive.co.uk/news/history/glasgow-william-burke-hare-murder-22914222The Infamous Burke and Hare: Serial Killers and Resurrectionists of Nineteenth Century Edinburgh by R. Michael Gordon, Published by McFarland October 21st, 2009.“Merchants of Death.” Manchester Evening News, Mon, Jun 01, 1981, Page 28, https://www.newspapers.com/image/925332727/“Burke, the Murderer.” The Norwood News, Sat, Oct 17, 1868, Page 6, https://www.newspapers.com/image/805781999/“Horrible Murders in Edinburgh.” The Morning Chronicle, Mon, Dec 29, 1828, Page 3, https://www.newspapers.com/image/392115577/“Murderer Burke's mistress killed by mob, claims paper.” By Denise Glass, Page last updated at 1:48, Saturday, 23 January 2010, http://news.bbc.co.uk/2/hi/uk_news/scotland/tayside_and_central/8472759.stm“Burke and Hare but Hare and McDougal? Were the partners of infamous killers just as guilty?” August 1, 2022, 12:02 am, https://www.sundaypost.com/fp/burke-and-hare/

In this Earth Station Who Podcast episode, we dive into the classic Doctor Who story 'The Krotons,' featuring the Second Doctor, played by Patrick Troughton. Join the crew as Mike Gordon rejoins us as we review this fan-favorite serial from the 1968-1969 season, exploring its unique storyline, memorable moments, and the introduction of the mysterious Krotons. We'll discuss the plot, character dynamics, and the historical significance of this iconic episode in the Doctor Who universe. Whether you're a Whovian or a sci-fi enthusiast, our in-depth analysis of 'The Krotons' offers fresh insights into one of the more underrated adventures of the Second Doctor's era. Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Dragon Tail's Promotion 42Cast If you would like to leave feedback or comment feel free to email us at feedback@earthstationwho.com DoctorWho #2ndDoctor #TheKrotons #EarthStationWho #doctorwhoreview

P.M. Edition for Sept. 19. The attacks using booby-trapped Hezbollah devices was a tactical win for Israel. National security and foreign policy correspondent Michael Gordon discusses whether it was a strategic one as well. And U.S. home sales were down in August. The Journal's Nicole Friedman talks about why lower mortgage rates can't offset rising home prices. Plus, WSJ reporter Will Parker explains how property investors capitalize on the American Sunbelt's manufacturing boom. Tracie Hunte hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

P.M. Edition for May 31. The new policy will allow Kyiv to do limited targeting with American-supplied weapons inside Russia. National security correspondent Michael Gordon has the details. And a day after his criminal conviction, former President Donald Trump rails against what he calls “a rigged trial.” Plus, the rise of late debt payments in the U.S is slowing down. Pierre Bienaimé hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices