Podcast appearances and mentions of miguel zen

Miho Hazama, Minyo Crusaders, Shunzo Ohno, Meg Okura, Tomoko Omura, Patrick Shiroishi, Harrington / Jaffe / Shiroishi, Miguel Zenon, Sharon Minemoto, Matthew Muneses, MA:Q, Arvind Ramdas and Quit MusicPlaylist: Miho Hazama - The First NotesMinyo Crusaders - Hanagasa OndoShunzo Ohno - Lea's RunMeg Okura - BlessingTomoko Omura, featuring Pablo Menares and Glenn Zaleski - HiroshimaPatrick Shiroishi - To protect our family namesDave Harrington, Max Jaffe, Patrick Shiroishi - open (4-a)Miguel Zenón - 9066Sharon Minemoto - Eulogy (for Sunawa Minemoto)Matthew Muneses, featuring Miguel Zenon - Cruelty and InjusticeMA:Q, featuring Mary Ancheta, Dominic Conway, Matt Reid and Paul Clark - When the Light Comes to PlayArvind Ramdas - RedemptionQuit Music - Other Times I Won't

On a recent wintry afternoon in Manhattan, Stephan Crump was doing what he has done countless times in the city—toting his upright bass, clad in a heavy black bag, along the sidewalk, as if he had a baby that was also a bear.  Finding his car, Crump shimmied the instrument through the minivan's side, climbed into the front seat, exhaled, and then grinned. In less than 24 hours, he would fly to Portland to teach “On Magnetism,” a long-accreting class on connecting more deeply with yourself and others through your instrument, and to play solo at the city's jazz festival. But he knew he first needed to make the 40-minute trek from Brooklyn to Finlay + Gage, the legendary bass shop in Tribeca, to have his bass adjusted, so that he could make that connection himself. The sound post—that stout wooden dowel inside the bass that keeps it from collapsing on itself, and that the French call l'âme, or the soul—wasn't sitting quite right. “It's so personal, elusive, and mysterious. Yes, it's a mechanical thing, but it has so much mojo to it. That's why it's called ‘the soul,'” Crump explained several days later from Portland, noting that the hassle of the errand had been worth it. The bass felt good in his hands again. “It's this combination of sound and feel.” For a quarter-century now, pairing sound and feel have become Crump's ambit and expertise. A bassist and composer, collaborator and bandleader, Crump has become one of New York's most steadfast and experienced instrumentalists. He was the anchor of Vijay Iyer's foundational trio for 20 years, even as he developed a slew of imaginative ensembles of his own—the two-guitar Rosetta Trio, the Borderlands Trio alongside Kris Davis and Eric McPherson, the Secret Keeper duo with Mary Halvorson, just to sample. In all of these contexts, the act of bringing the rest of his life to the bass—the trauma and hope, the frustration and delight—remains Crump's primary motivation. It is, if you will, the soul of his playing. “All art is an expression of the artist's presence in that moment. Musicians need our evolving physical capabilities on the instrument and technical knowledge—how notes interact harmonically and melodically, transcribing our heroes, learning all that,” Crump said. “But in the act of making music, we need to allow that stuff to fall away, to not impose it on the music, to relinquish our defenses. We are sculpting energy as we make music, shaping magnetism.” In some ways, Crump's career is the fulfillment of his father's own youthful ambition. His dad toyed with turning pro as a jazz drummer, but he pursued architecture instead. (That's also how he met Crump's mother, who comes from a long line of French architects.) His devotion to jazz, though, didn't waver, and he would constantly play jazz classics—Monk, Miles, Coltrane, MJQ—in the family's Memphis home. Crump thinks that's where he fell for the bass, especially when the low-end would creep through old wooden walls at night. At his mother's behest, though, Crump's training started with piano, the Suzuki Method leading him through the classics and eventually to his all-time musical hero, Stevie Wonder. But at 13, Crump finally got his first bass, a MapleGlo Rickenbacker 4001 like that of another hero, Yes' Chris Squire. He joined a crackling power trio with his brother, later enlisted in a larger band, and then started his own group; they all gigged hard. Backpacking through Spain by himself after high school, however, he encountered an epiphany by the name of Dave Holland, playing in his mighty and future-facing quartet. The upright bass: That was Crump's future. His first was a dilapidated plywood model, collecting dust in a corner of Amherst College, where he'd in part gone to escape family turmoil down south. He'd intended to study physics and music, but he soon realized that his energy and enthusiasm belonged with the latter. That was helped along by a guitarist pal Crump met during his first few weeks at Amherst. He had connections in the West Village. Crump had the car. (“The bassist,” he half-joked, “always has the car.”) Most every week, they would drive the four hours south, link with high-caliber New York pros they'd hired, play until 2 a.m. or so, and head back to school. “That was really powerful and clarifying. It was thrilling to be 18 and gigging in New York. I got a taste for that level of musicianship, and I was doing more than just cutting it,” he said, smiling. “By the end of my first semester, I knew I was moving to New York as soon as I graduated.” That is precisely what Crump did. He used his paycheck from a month-long, fresh-out-of-college stint with the Tommy Dorsey Orchestra to rent his first Brooklyn apartment in 1994. He dove right in, roving the West Village with his bass, listening, and joining late-night jams that ended with the sun's arrival. He'd seal his shades with tape, sleep, and repeat.  Crump, though, bristled at the scene's pervasive machismo, how some of the city's most vaunted players would put up walls to prevent revealing too much of themselves through their music. That's actually what he craved. Crump found others who shared his ardor, earnestness, and a belief in what jazz could show of and to a person. Those people, like saxophonists Chris Cheek and Miguel Zenón, helped shape his first albums. There was film score work and sessions and stages alongside singer-songwriters. In these concentric creative circles, he met a young singer, Jen Chapin, and fell in love. They got married in September 1999.  After five years, the existence Crump had imagined for himself as a New York musician was happening. “My goal from the start was to come to New York and make a life in music—to make music that I loved, to learn and grow with amazing musicians,” said Crump. “I never set out to be a rock star, a jazz star. I just wanted to make music—real, deep, honest shit, you know?” Actually, Crump flirted with something at least like “jazz stardom” during a 20-year stint in Vijay Iyer's trio. Iyer cold-called Crump soon after moving to New York in 1999, on a friend's recommendation. They spent the next 20 years building the band into one of modern jazz's most successful units. It was a tremendous trip, of course, but it was again clarifying for Crump, revealing the sorts of bands he wanted to build outside of the Iyer orbit. He steadily realized that traditional jazz ensembles were not his preferred vehicle. The bass could get lost, its role restricted. And the power dynamics with such a clear and visible leader created an environment of dominance (again, often masculine) that he hoped to avoid. “Control and bravado keep you from deeper layers of experience and expression,” he said. “When you find yourself with a group of people who are willing to at least attempt ego dissolution and real communion, you have the opportunity for transcendence. You open a portal for each other and the audience—that's a service to society.” Crump has found those connections in so many contexts, emptying his feelings into his diverse ensembles. Rosetta Trio's bittersweet groove, for instance, emerged from little Fender Rhodes fragments he compiled in the months after watching 9/11 unfold with Jen from their Brooklyn roof. Open Wide, his 2002 set of duets with her, are intimate and entangled portraits of marriage's first few difficult, delightful years.  The music of Rhombal—his celebrated quartet with Tyshawn Sorey, Adam O'Farrill, Ellery Eskelin—unfolded after the death of his brother, Patrick, the one who first brought him into a band back in Memphis. And Slow Water, his latest project built with a drum-less sextet of fascinating New York artists, hinges on the Memphis native's experiences with bodies of water around the world, his lifelong love of nature, and his worry about and hope for our collective future.    “The acoustic bass is almost infinite as an instrument, sonically and expressively, but so much of that can get covered up in a traditional ensemble,” he said, turning toward his duos with saxophonist Steve Lehman and guitarist Mary Halvorson. “Those experiences gave me so much more room to explore the terrain of the instrument, its possibilities. That pushes you. It's the kind of scary environment you want to put yourself in.” When Crump talks about and teaches music, he doesn't discuss notes. Or rather, they are only the beginning, the technical basis for something that can and should be something much richer. Notes are vessels that the player then fills with their experiences, their ideas, their emotions, their essence.  These are gestures, at least as he has put it for many years now, the basis of the music he wants to put into and get out of the world. In some significant ways, this echoes his childhood in Memphis, where his Southern grandmother instilled the value of a story well told, and where he worked alongside his uncle building furniture—really, sculptures of wood—that they would sand until the material seemed somehow to shimmer. (Crump's music stand was made by his uncle, Stephen.) It wasn't just an object or a story; it was a piece of work you invested yourself in until it became art. “A note is an abstract notion, meaningless without all of the human, spiritual stuff you can channel into it,” Crump said. “A gesture has the physical element, a sense of offering, a reflection of our presence through each unfolding moment.” 

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Estrella Acosta en haar band Esquina 25 vieren de release van hun nieuwe album ‘Caminos' in het voorjaar van 2026 met een concerttournee, waarmee ze op vrijdag 3 april De Tor in Enschede aandoen. Ze hebben hun horizon verbreed en een breed scala aan Latijns-Amerikaanse muziek laten horen, niet alleen uit Cuba, maar uit heel Zuid-Amerika en het Caribisch gebied. Aanleiding voor TORcast-host Willem Habers om eens in de wereld van Latijns Amerikaanse muziek te duiken. Playlist: Buena Vista Social Club: Chan Chan; Estrela Acosta & Esquina 25: Baila e Son Con Mi Mulata; Estrella Acosta: Mi Tierra Es Asi; Dizzy Gillespie: Manteeca; Tito Puente: Oye Como Va; Dubbelaar: Mongo Santamaria: Afro Blue; John Coltrane quartet: Afro Blue; Antonio Carlos Jobim: Wave; Elis Regina, Antonio Carlos Jobim: Aguas de Março; Josee Koning, Has Vromans, Nelson Maria, Daniel Pezzotti: Desafinado; Izaline Calister: Mi Pais; Estrella Acosta: Que Viva Chango; Astor Piazzolla: Libertango. Beluister deze TORcast Latijns‑Amerikaanse muziek heeft een enorme invloed gehad op de ontwikkeling van de jazz, vooral via ritmes, percussie‑technieken, dansvormen en nieuwe harmonieën. Hieronder vind je een chronologisch en thematisch overzicht. Cuba: de bakermat van Afro‑Cubaanse ritmes Afro‑Cubaanse basis (19e–20e eeuw) Ontstaan uit de mix van Afrikaanse ritmiek (Yoruba, Congo, Arará) en Spaanse melodie/harmonie. Belangrijke vormen: Rumba, Son, Danzón, Mambo, Cha‑cha‑chá. Cruciaal instrument: clave (2–3 / 3–2 patroon), hét ritmische fundament. Cuban Jazz & Latin Jazz (jaren 40–50) Jongeren in Havana en New York vermengen Son, Mambo en jazzharmonie. Sleutelpersonen: Mario Bauzá, Machito, Dizzy Gillespie, Chano Pozo (o.a. Manteca). Ontstaan van Afro‑Cuban Jazz: krachtige blazers, complexe polyrhythms, montuno‑piano. Later (jaren 70–heden) Salsa ontwikkelt zich (Fania All‑Stars, Willie Colón, Celia Cruz). Moderne Cubaanse jazz: Chucho Valdés, Irakere, Gonzalo Rubalcaba, Roberto Fonseca. Brazilië: ritmische rijkdom & zwoele harmonieën Samba (begin 20e eeuw) Afro‑Braziliaanse wortels, ontwikkeld in Rio. Ritmische kenmerken: 2/4 feel, syncopen, grote percussiegroepen. Bossa Nova (jaren 50–60) Intiemere, harmonisch verfijnde stijl (invloed van jazz). Pioniers: João Gilberto, Tom Jobim, Vinicius de Moraes. Wereldwijde doorbraak met The Girl from Ipanema (Getz/Gilberto). Harmonieën beïnvloeden jazzpianisten & componisten wereldwijd. MPB en beyond MPB (Música Popular Brasileira): Caetano Veloso, Gilberto Gil, Elis Regina. Moderne Brazilian Jazz: Hermeto Pascoal, Egberto Gismonti, Hamilton de Holanda. Argentinië: Tango & Nieuw‑Tango Traditionele Tango (eind 19e–20e eeuw) Ontstaan in Buenos Aires en Montevideo. Melancholisch, dramatisch, bandoneón‑gedreven. Iconische figuur: Carlos Gardel. Nuevo Tango (jaren 50–90) Astor Piazzolla mengt tango met jazz en klassieke muziek. Complexe harmonie en ritmische vrijheid. Invloedrijk in de moderne jazzwereld; talloze jazzarrangementen van Piazzolla's werk. Andere regio's & stijlen Mexicaanse invloeden Bolero, Ranchera, Son Jarocho (bv. La Bamba). Minder directe jazzkruising, maar bolero's worden vaak in jazzsetting gespeeld. Caribisch gebied (Puerto Rico, Dominicaanse Republiek) Plena, Bomba, Merengue, Bachata. Sterk aanwezig in moderne salsa en Latin jazz (bijv. Tito Puente, Eddie Palmieri). De invloed op jazz: een korte lijn door de tijd Jaren 30–40 – Eerste invloeden Duke Ellington en Jelly Roll Morton integreren Latijnse ritmes. Jaren 40–50 – Afro‑Cuban Jazz boom Gillespie & Pozo fuseerden bebop met Cubaanse percussie. Jaren 60 – Bossa Nova in de jazz Stan Getz populariseert Bossa Nova. Pianisten als Bill Evans en Herbie Hancock nemen Braziliaanse harmonieën over. Jaren 70–90 – Salsa & Latin Fusion Latin jazz‑orchestra's (Puente, Palmieri). Jazz musicians integreren samba, baião, MPB en folkloristische ritmes. 2000–heden – Cross‑genre & global jazz Mix van Afro‑Cuban, Brazilian, elektronische muziek, hiphop en jazz. Voorbeelden: Arturo O’Farrill, Miguel Zenón, Hiromi met Latin‑influences, Snarky Puppy (sterke Braziliaanse invloed). Samenvatting in één oogopslag Stijl Land Kernkenmerken Jazzinvloed Son / Rumba / Mambo Cuba Clave ritme, percussie, montuno Basis Afro‑Cuban jazz Samba Brazilië Energieke percussie, 2/4 feel Jazzdrums & ritmiek Bossa Nova Brazilië Zachte groove, rijke harmonie Grote invloed op jazzstandards Tango Argentinië Dramatische melodieën Avant‑garde/fusion via Piazzolla Salsa Cariben Mambo + son + jazz Big band Latin jazz

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Camila Cortina is a terrific Cuban-born pianist and composer. She combines her Afro-Cuban heritage with jazz, classical, and world music. She has performed internationally at festivals in the U.S., Latin America and Asia, collaborating with artists like Paquito D'Rivera, Miguel Zenón, Terri Lyne Carrington, and Dianne Reeves. Her work “Bravura” premiered at London's Barbican Centre. She won the Duke Ellington Award.My featured song is “Mi Cachimber”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CAMILA:www.camilacortina.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

On Wednesday's show: We discuss the latest developments in politics in our weekly roundup.Also this hour: In this month's installment of The Full Menu, Houston food writers discuss their favorite new restaurants that opened in 2025.And we chat with Puerto Rican composer and saxophonist Miguel Zenón about his upcoming performance with Kinetic Ensemble.Watchhttps://www.youtube.com/watch?v=U3yBFRAOI_M

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Episode SummaryIn this festive episode, Steve Roby chats with acclaimed pianist, composer, and educator Adam Shulman, a key figure in the San Francisco jazz scene since 2002. Known for his work as a sideman with artists like Paula West, Stefon Harris, and Miguel Zenón, as well as for his own original albums, Adam shares insights into his musical journey and the timeless magic of Vince Guaraldi's “A Charlie Brown Christmas.” Key Topics & HighlightsA Holiday Tradition: Adam shares his yearly tribute to Vince Guaraldi's “A Charlie Brown Christmas,” performed with his trio at SF Jazz's Miner Auditorium. He reflects on why the music connects across generations and how it has become a family tradition for many in the Bay Area. Musical Roots: Adam explains how his classical piano training at UC Santa Cruz and mentorship under Smith Dobson influenced his approach to jazz improvisation and composition.Compositional Process: The episode features tracks from Adam's catalog, including “The Little Ones” and “Mingus Dreams of Billy Strayhorn.” Adam explains his creative process, often starting with harmony and drawing inspiration from jazz greats.The Art of Adaptation: Adam discusses balancing his roles as a bandleader and a sought-after sideman, and how collaborating with different artists shapes his unique sound. Behind the Scenes: Listeners get a preview of the upcoming Charlie Brown Christmas show, including the setlist featuring music from both the original album and Guaraldi's “A Boy Named Charlie Brown,” along with introductions to his longtime bandmates John Tala (bass) and James Gallagher (drums).Family-Friendly Jazz: Adam and Steve discuss the importance of introducing young audiences to live jazz and how the Charlie Brown Christmas show serves as a gateway for many to discover jazz.Event DetailsAdam Shulman Trio Plays A Charlie Brown ChristmasDate: Sunday, December 21stTime: 1:00 PM (Matinee)Location: SF Jazz's Miner AuditoriumTickets & Info: https://www.sfjazz.org/tickets/productions/25-26/adam-shulman-trio-charlie-brown-christmas/Bring the whole family for an afternoon of timeless holiday music and jazz improvisation!Connect with Adam ShulmanLearn more about Adam's music and upcoming performances on his website: https://www.adamshulmanjazz.comThanks for Listening!If you enjoyed this episode, please subscribe, rate, and review Backstage Bay Area. Stay tuned for more conversations with the jazz artists shaping the Bay Area's vibrant music scene. We're keeping Jazz Alive in the 415!

Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.He's here to talk about his latest release, Vanguardia Subterránea - his quartet's first live album, captured at the Village Vanguard with musicians he's played with for twenty years. Miguel and I first spoke in 2011 about his role as both an artist and an educator. Now, fourteen years later, we pick up that conversation as he reflects on what it means to document this long-running musical partnership in one of jazz's most sacred spaces.(The musical excerpts heard in the interview are from Miguel Zenón's album Vanguardia Subterránea)–Dig DeeperArtist and AlbumVisit Miguel Zenón at miguelzenon.com and follow him on Instagram, Facebook, YouTube, and BandcampPurchase Miguel Zenón Quartet's Vanguardia Subterránea: Live at The Village Vanguard from Bandcamp or Qobuz and listen on your streaming platform of choiceMiguel Zenón Quartet MembersLuis Perdomo (piano) - Visit luisperdomojazz.comHans Glawischnig (bass) - Visit hansglawischnig.comHenry Cole (drums) - Visit henry-cole.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.He's here to talk about his latest release, Vanguardia Subterránea - his quartet's first live album, captured at the Village Vanguard with musicians he's played with for twenty years. Miguel and I first spoke in 2011 about his role as both an artist and an educator. Now, fourteen years later, we pick up that conversation as he reflects on what it means to document this long-running musical partnership in one of jazz's most sacred spaces.(The musical excerpts heard in the interview are from Miguel Zenón's album Vanguardia Subterránea)–Dig DeeperArtist and AlbumVisit Miguel Zenón at miguelzenon.com and follow him on Instagram, Facebook, YouTube, and BandcampPurchase Miguel Zenón Quartet's Vanguardia Subterránea: Live at The Village Vanguard from Bandcamp or Qobuz and listen on your streaming platform of choiceMiguel Zenón Quartet MembersLuis Perdomo (piano) - Visit luisperdomojazz.comHans Glawischnig (bass) - Visit hansglawischnig.comHenry Cole (drums) - Visit henry-cole.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

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A playlist of handpicked gems from both sides of the Atlantic. The playlist features Max Nagl; Vincent Ségal, Stéphane Kerecki; Naïssam Jalal, Sylvain Rifflet; Luke Stewart; Jeff Walton; Miguel Zenón [pictured]. Detailed playlist at https://spinitron.com/RFB/pl/21173273/Mondo-Jazz (up to "There Will Never Be Another You"). Happy listening!

2e émission de la 63e session...Cette semaine, jazz modal et world jazz! En musique: Vagif Mustafa-Zade; Polish Jazz Quartet; Karel Velebny; Sevil; Tomsits Quartet sur la compilation Spirital Jazz 18: Behind the Iron Curtain  (Jazzman, 2025, enr. 1962-1988); Adrian Younge & Ali Shaheed Muhammad sur l'album Jazz is Dead 24: Dom Salvador  (Jazz is Dead, 2025); Miguel Zenón Quartet sur l'album Vanguardia Subterránea: Live at The Village Vanguard  (Miel Music, 2025); Rez Abbasi sur l'album Sound Remains  (Whirlwind, 2025); Tarun Balani sur l'album Kadahin Milandaasin  (BERTHOLD, 2025)...

In this episode, we discuss recordings of“Libro primo” (ECM) by Rolf Lislevand, “Marschner: Piano Trios, Vol. 2” (Naxos) by the Gould Piano Trio, “The Spirit of Love: Chamber Music by Ailsa Dixon” (Resonus Classics) by The Villiers Quartet, Lucy Cox & Charlie Draper, “Chapter One” (Jazz Bird Records) by Caelan Cardello, “Reflections – Facing South” (Savant) by Conrad Herwig, Eddie Palmieri & Luques Curtis, and “Vanguardia Subterránea: Live at the Village Vanguard” (Miel Music) by the Miguel Zenón Quartet.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 227 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Libro primo” (ECM) Rolf Lislevand https://open.spotify.com/album/3XPfRhPmgp2sTj5rLPPH2I https://music.apple.com/us/album/libro-primo/1826581965 https://music.amazon.com/albums/B0FHJ5H7JV   “Marschner: Piano Trios, Vol. 2” (Naxos) Gould Piano Trio https://open.spotify.com/album/4yS40CCrjGj3kgiwqaxFW6 https://music.apple.com/us/album/marschner-piano-trios-vol-2/1830584900 https://music.amazon.com/albums/B0F8P6HXPZ   “The Spirit of Love: Chamber Music by Ailsa Dixon” (Resonus Classics) The Villiers Quartet, Lucy Cox, Charlie Draper https://open.spotify.com/album/1n0dzk33jIcjH8dgXm2HHV https://music.apple.com/us/album/the-spirit-of-love-chamber-music-by-ailsa-dixon/1828416069 https://music.amazon.com/albums/B0FJMDSCTW   “Chapter One” (Jazz Bird Records)  Caelan Cardello https://open.spotify.com/album/2lblGX2zuKX7kdr8jU3ruq https://music.apple.com/us/album/chapter-one/1803831507 https://music.apple.com/us/album/chapter-one/1803831507   “Reflections – Facing South” (Savant)  Conrad Herwig, Eddie Palmieri, Luques Curtis https://open.spotify.com/album/5mbPQCkDVz8IZGPRFPY1FM https://music.apple.com/us/album/reflections-facing-south-feat-eddie-palmieri-luques/1825959081 https://music.amazon.com/albums/B0FH82S4B2   “Vanguardia Subterránea: Live at the Village Vanguard” (Miel Music)  Miguel Zenón Quartet https://open.spotify.com/album/4X3wYOIiV45eBtVcM2pKHa https://music.apple.com/us/album/vanguardia-subterránea-live-at-the-village-vanguard/1820975391 https://music.amazon.com/albums/B0FDBMPHZY  

1. Fabio Nobile - Zuma Rock - Sankofa Soul (Space Echo) 2. Riot Jazz Brass Band - Ginja (self-released) 3. The Cosmic Tones Research Trio - Sankofa - The Cosmic Tones Research Trio (Mississippi) 4. Oiro Pena - Mummon biisi (Hei hei rantaniityllä tuolla) - Béke (Ultraaani) 5. Babo Moreno - Bicho Preguiça (The Sloth) - Babo Moreno (Matsuka) 6. Makaya McCraven - Choo Choo - The People's Mixtape (International Anthem) 7. Petter Eldh - Lorimer Axes feat. Savannah Harris - Projekt Drums vol. 2 (Edition) 8. Makaya McCraven - Imafan - PopUp Shop (International Anthem) 9. Yuhan Su - Pieces Peace - Over The Moons (Endectomorph Music) 10. Miguel Zenón - Perdoname - Vanguardia Subterránea: Live At The Village Vanguard (Miel Music) 11. Jason Charos - Winged Words - Opening Statement (Hollistic MusicWorks) 12. Paradigm Shift (feat. Wycliffe Gordon, Marcus Printup, Joe Locke) - Half A World Away - Shifting Times (Nagel Heyer Records) 13. Kavyesh Kaviraj - Saudade - Fables (Shifting Paradigm Records) 14. Joonas Tuuri Quartet - Bem-Te-Vi - Pindorama (Eclipse) 15. Michael Mayo - Speak No Evil - Fly (Mack Avenue) 16. David Sneider - Marvelou-Lee - Introducing David Sneider (Cellar Music) 17. William Hill III - Stay The Course - Keep It Movin' (self-released) 18. Danny Janklow - Saturn Rang - Balance/Eternal Realm (self-released) 19. Peter Evans, Being & Becoming - Pulsar - Ars Ludicra (More Is More)

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This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 28th August 2025 Artist - Track - Album - Year The Haas Company, Vol. 4    Incident at the Country Club    Thirteen    2025 Pat Petrillo    How's the Weather    Contemporaneous    2025 Juanjo Lopez    Return (Above)    Above, Beyond, Within    2025 Melissa Kassel & Tom Zicarreli Group    Sea Humanity    Moments    2025 Marc Seales with Ernie Watts    Rue Cler    People & Places    2025 Kelly Green    When It's Time to Go    Corner of My Dreams    2025 Michika Fukumori    Prelude Op. 28 No. 4 (Chopin) - How Insensitive    Eternity and a Day    2025 Alberto Pibiri    Double Rainbow    A New World    2022 Miguel Zenón Quartet    Vanguardia Subterránea    Vanguardia Subterránea    2025 Shout Section Big Band    A Hard Day's Night    Tatum's Swingin Session!!!    2025 Christian McBride Big Band    Moanin' (feat. José James)    Without Further Ado - Vol. 1    2025 Colorado Jazz Repertory Orchestra    Dreamcatcher (feat. Remy Le Boeuf)    Golden Lady    2025 The United States Air Force Band "Airmen of Note"    Llorando Se Fue    Around the Horn    2025 Sarah Wilson    Architecture in Space    Incandescence    2025 Summer Camargo    80 Years of Joy    To Whom I Love    2025 Markus Joachim Rutz    Denouement    Many Moons    2025 Ark Ovrutski    Thag's Dance    Bass Delight    2025 George Colligan    If the Mountain Was Smooth, You Couldn't Climb It    Live at the Jazz Standard    2025 Paul Yonemura    Could Be    Survivors/Thrivers    2024 Jorge Garcia    Kashmir    Still Crossing    2025 Tobin Mueller    Seasons Will Pass You By    Frangments    2025 PlainsPeak    At What Price Garlic    Someone to Someone    2025 The post The Creative Source (#CreativeSource) – 28th August 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

8 FESTIVAL JAZZCADI.-HAROLD LOPEZ NUSSSA TRIO-ARIEL BRINGUEZ.-RITA PAYES 26/07/2025 - 21:30 Baluarte de Candelaria Concierto doble Ariel Brínguez Quintet "Latidos" Ariel Brínguez - Saxos, composiciones Javier Sánchez - Guitarra Marcos Cavaleiro - Batería Reinier Elizarde - Contrabajo Iñigo Ruiz de Gordejuela - Piano Ariel Brínguez presenta su nuevo álbum, Latidos (Cezane, 2024), el cuarto disco de estudio con la firma del saxofonista cubano y tercero grabado en España; después de Raíces en Colores (Colibrí, 2008), Nostalgia Cubana (Cezane, 2016) y el magnífico Experience (Cezane, 2017). Latidos es una oda al nacimiento, donde queda constancia del amor que se revela siendo testigos del acto de la vida, como principio de todas las cosas, de la transformación que genera ese sentimiento que abre las puertas a un nivel emocional y en conjunción con el universo. Son un grupo de canciones que reflejan todas esas emociones desde diferentes ángulos y perspectivas en el proceso que transcurre desdeel nacimiento hasta la primera infancia. Una música conmovedora y brillante que contiene reminiscencias de nanas afrocubanas y que, como en discos anteriores, combina la herencia musical de compositores de su país —como Eliseo Grenet y Ernesto Lecuona— con el folclore cubano y la sonoridad del saxo de la tradición moderna del jazz. Destacar temas como “Almah shalon”, “Nana de Ananda”, “Orún”, la tranquila belleza de “Nana de Llum” y “Gratitud”, el corte que cierra el álbum. Ariel Brínguez (Santa Clara, Cuba 1982) ha tocado con músicos de la talla de: Tata Güines, Changuito Quintana, Larry Willis, Simply Red, Alain Pérez, Niña Pastori, Ketama, Paquito D’Rivera, David Murray, Omara Portuondo, así como Miguel Zenón y Marcus Miller entre muchos otros. Más que un saxofonista virtuoso, Brínguez posee un sonido y un fraseo personal y único, así como un universo compositivo fresco, filosófico y sofisticado. Su fácil y profunda comodidad en el escenario y su capacidad de comunicación con la banda y el público supera las expectativas. 26/07/2025 - 23:00 Baluarte de Candelaria Concierto doble Harold López-Nussa Trío Harold Lopez-Nussa - Piano Yasser Pino - Contrabajo Ruy Lopez-Nussa - Batería Nacido en La Habana, Cuba, el prodigioso compositor y virtuoso pianista Harold López-Nussa se ha hecho un nombre en el mundo del jazz y más allá en las dos últimas décadas, desde que ganó el prestigioso Concurso de Jazz de Montreux en 2005. Con su hermano, el baterista y percusionista Ruy Adrían López-Nussa, el unido trío de Harold cautiva al público con una vivacidad implacable que «tiende puentes entre generaciones y géneros», según la y géneros», según la revista Billboard. Su música refleja toda la gama y riqueza de la música cubana, con su distintiva de elementos clásicos, folclóricos y populares, así como su adopción del jazz la improvisación. El resultado palpita con la sangre que corre por las calles de La Habana. La Habana, y su historia personal -su salida de Cuba- con sentida emoción y extraordinaria habilidad pianística que trasciende el jazz latino. Harold está «en la vanguardia de una nueva generación de músicos» y posee «un sutil ideas brillantes y un estilo musical único». Chucho Valdés López-Nussa ha publicado nueve aclamados álbumes y ha cautivado al público de todo el mundo con sus emocionantes actuaciones en lugares de renombre. mundo con sus emocionantes actuaciones en salas y festivales de jazz de renombre, como The Kennedy Center y el SFJAZZ Center, así como en algunos de los mejores festivales de jazz del mundo, como Newport, Mar del Norte… 27/07/2025 - 22:00 Baluarte de Candelaria Quinteto Rita Payés "De camino al camino" Rita Payés - Voz, trombón, composición Pol Battle - Guitarra Juan Berbín - Batería Horacio Fumero - Contrabajo Elisabeth Roma - Guitarra Rita Payés presenta su tercer álbum, “De Camino al Camino”, una obra que se sumerge en la búsqueda de la belleza en las cosas cotidianas. Un testimonio de las raíces que nos conectan con nuestro origen y nos enlazan para seguir avanzando, una variada amalgama de estilos e influencias bajo un único hilo conductor: un camino. Con una propuesta artística consolidada, y respaldada por reconocidos talentos, extendemos una cordial invitación para que, a paso de hormiguita, nos acompañen a lo largo de este viaje musical donde la emoción, la maestría y la conexión con las raíces, convergen de manera magistral. SOBRE RITA PAYÉS Hija de músicos, Rita Payés es uno más de los talentos emergentes de la Sant Andreu Jazz Band, núcleo de donde han salido algunos de los más prometedores jóvenes músicos de la escena jazzística, como Andrea Motis, Èlia Bastida o Magalí Datzira. Debutó con Joan Chamorro, su mentor, en el mundo discográfico cuando la trombonista publicó Imagina (Autoeditado, 2019). Después, con su primer trabajo en solitario, Como la piel, (Autoeditado, 2021), la artista dio comienzo a su proyección internacional. Un disco construido a partir de temas propios, con el jazz predominante, y con influencias del bolero, bossa nova, música clásica y popular. Canciones como “Algo contigo” van por el camino de los 52M de reproducciones en Spotify y el video “Nunca vas a comprender” cerca de los 7M de reproducciones en Youtube, que se suman a sus más de 1,3M de oyentes mensuales. Su reciente paso por México y Colombia confirmaron su alcance internacional, sobre todo en el continente americano, donde se encuentra una legión de seguidores que agotaron las entradas en el Teatro El Cantoral de Ciudad de México y en el festival Jazzalparque de Bogotá. El artista también recibe una acogida masiva en España donde ha agotado entradas, con semanas de antelación, en la Sala Eslava de Madrid, Sala Parallel 62, Teatro Grec de Barcelona, Lope de Vega de Sevilla, etc. Además, ha colaborado también en directo con multitud de artistas como C. Tangana, Silvana Estrada, Salvador Sobral, Kiko Veneno, Silvia Pérez Cruz… Su talento no pasó desapercibido por C. Tangana, quién se enamoró de su música. El Madrileño, uno de los artistas más cotizados del momento, admitió a través de las redes sociales que la música de Rita Payés fue una de sus principales influencias en la composición de “Comerte entera”, pieza musical de aires brasileños en que el artista contó con la colaboración de Toquinho. Poco después, Rita Payés recibió una llamada de Tangana y juntos deslumbraban también en los Premios Goya 2022 con una actuación conjunta en la que interpretaron “Te venero”, un tema hasta entonces inédito. A partir de ahí, Rita forma parte también de la gira del artista madrileño “Sin Cantar ni Afinar Tour”. Más recientemente, Rita Payés ha sido una de las voces escogidas para colaborar con Jon Batiste en su nuevo disco. El cinco veces ganador de los Grammy publicó recientemente su nuevo álbum titulado World Music Radio, que incluye el tema conjunto “My heart” junto a la trombonista catalana. Payés no es el único artista que ha firmado una colaboración con el prestigioso músico de Nueva Orleans. También tienen un papel destacado nombres como Lana del Rey, Lil Wayne, Kenny G o Camilo. 2024 será el año en el que Rita Payés, con la publicación de su tercer álbum de estudio, seguirá avanzando en lo que es una de las carreras artísticas con mayor proyección, elegancia y estilo propio. Otras colaboraciones de Rita Payés a lo largo de su carrera: Jimmy Cobb, Louis Hayes, Scott Robinson, Scott Hamilton, Joan Chamorro, Andrea Motis, Ignasi Terraza, Esteve Pi, Josep Traver, Maria Schneider, MARO, Sílvia Pérez Cruz, Jon Batiste, Silvana Estrada, Pedro Guerra, Oques Grasses, Daniel, Me Estás Matando, Lucía Fumero, Pol Batlle, WDR Big Band, Scott Hamilton, Nicola Barbon, Bobo Facchinetti, Martín Leiton, Dick Oatts, Scott Robinson, Toni Belenguer, Toni Vaquer, Enrique Oliver, entre otros.

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Jonathan Suazo y su historia de amor afrocaribeño - Mi invitado para este episodio fue Jonathan Suazo, saxofonista, compositor, entre muchas otras cosas, que a través de su música nos comparte elementos de sus raíces puertorriqueñas y dominicanas. Suazo fue nombrado uno de los diez mejores artistas emergentes de Jazz de 2023 por los GRAMMYS y su álbum debut “Ricano” fue catalogado como uno de los mejores álbumes de Jazz de 2023 por The New York Times. Graduado del Berklee Global Jazz Institute, ha recibido muchos honores, y ha logrado colaboraciones con Miguel Zenón, David Sánchez, Charlie Sepúlveda, iLÉ, Paoli Mejías, Humberto Ramírez, Jon Secada, etcétera. Jonathan también desarrolló un módulo sociocultural vinculado a Ricano a través del cual, no solo mantiene vivas sus raíces afrocaribeñas, sino que motiva a otros a hacer lo mismo con sus propias raíces.www.jonathansuazo.netSpotify: Jonathan SuazoInstagram: @jonathansuazosiSupport the show¡Síguenos!www.gentedelencanto.comFacebook: @gentedelencantoInstagram: @gentedelencanto / @yad.nadalYouTube: @YadiraNadal Nos ayudas a mejorar si participas de esta breve encuesta.Si te gustó este episodio, por favor déjanos review en Apple Podcasts/iTunes. ¿Interesad@ en auspiciar/colaborar con nosotros? Escríbenos a gentedelencanto@gmail.com Música por: José Eduardo Santana y Daniel Díaz¡Gracias por escuchar! ¡Suscríbete y compártelo!

Alt.Latino host Felix Contreras speaks with Grammy Award-winning Puerto Rican saxophonist Miguel Zenón about the Afro-Latino legacy on the island.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Alt.Latino host Felix Contreras takes us on a tour of African influences throughout Latinidad, with a little help from Grammy Award-winning saxophonist Miguel Zenón.Featured artists and songs:• Betsayda Machado & Parranda el Clavo, "Oh, Santa Rosa"• Bia Ferreira, "Quando Você Me Olha"• Cheo Feliciano, "Anacaona"• Ismael Rivera, "Las Caras Lindas"• Ruben Blades & Willie Colón, "Plantación Adentro"• Roberto Roena y Su Apollo Sound, "Lamento De Concepcion"• ÌFÉ, "Higher Love"Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

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Enjoy a set that revolves around the beauty of ensemble work. The playlist features Mark Lockheart; Kit Downes; Immanuel Wilkins [pictured]; Kenny Barron; Out Of/Into; and Miguel Zenón. Detailed playlist at https://spinitron.com/RFB/pl/19920422/Mondo-Jazz (up to "SRO"). Happy listening!

Despedimos al saxofonista Benny Golson, que falleció hace pocos días, escuchando su última grabación y las de otros nueve saxofonistas actuales. Temas que suenan en el programa: 01 2019 Benny Golson - European Tour 2019 06 Now's the Time - Joan Monne Ignasi González Jo Krause (2' 01'') 02 2024 Steve Coleman - Polytropos Of Many Turns 04 Mdw Ntr - Jonathan Finlayson Rich Brown Sean Rickman (4' 54'') 03 2023 Miguel Zenón - Golden City 03 Acts of Exclusion - Diego Urcola Alan Ferber Jacob Garchik Miles Okazaki Matt Mitchell Chris Tordin Daniel Día (6' 03'') 04 2024 Trygve Seim Frode Haltli - Our Time 04 Oy Khodyt' Son, Kolo Vikon (2' 56'') 05 2024 Nubya Garcia - Odissey 05 The Seer - Joe Armon-Jones Daniel Casimir Sam Jones (4' 58'') 06 2023 Michael Blake - Dance of the Mystic Bliss 04 Little Demons - Guilherme Monteiro Skye Steele Christopher Hoffman Michael Bates Mauro Refosco Rogerio Boccato (6' 33'') 07 2022 Nicola Caminiti - Vivid Tales of a Blurry Self-Portrait 08 Cloudy In(to) The Sky - Lex Korten Ben Tiberio Miguel Russell (4' 12'') 08 2019 Koppel Blade Koppel - Time Again 01 Puerto Rican Rumble (5' 08'') 09 2024 Jordi Gaspar Trio - Live Jamboree - Vuit Anys - Santi de la Rubia Oriol Roca (2' 13'') 10 2023 Nicole McCabe - Live at Jamboree 05 Finding Beauty In An Unexpected Place - Iannis Obiols Logan Kane Ramon Prats (7' 39'') Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.

MIGUEL ZENÓN “GOLDEN CITY” Mt. Vernon, NY, November 27 & 28, 2023Acts of exclusion, 9066, The power of community Diego Urcola (tp,v-tb) Alan Ferber (tb) Jacob Garchik (tu,tb) Miguel Zenón (as) Matt Mitchell (p) Miles Okazaki (g) Chris Tordini (b) Dan Weiss (d) Daniel Diaz (cga,tripandero,perc) ART FARMER F/ JIM HALL “LIVE AT THE HALF NOTE” New York, December 5, 6 & 7, 1963Stompin' at the Savoy, Swing springArt Farmer (tp,flhrn) Jim Hall (g) Steve Swallow (b) Walter Perkins (d) JOE FARRELL “MOON GERMS” New York, November 21, 1972Moon germs, Bass folk songJoe Farrell (sop,fl) Herbie Hancock (p) Stanley Clarke (b) Jack DeJohnette (d) Continue reading Puro Jazz 03 de octubre, 2024 at PuroJazz.

Roy McGrath is a Chicago based tenor saxophonist and multi-woodwind instrumentalist, composer and bandleader. Born and raised in San Juan, Puerto Rico and educated in Boston, New Orleans and Chicago, Roy brings to bear these diverse influences in his playing and composing. In addition to leading and recording his own ensembles, he is a member of several others as an in-demand player, recording artist, and producer. He has led four international tours to Mexico, Singapore, Myanmar, South Korea and China. As a composer and arranger, Roy is firmly in the jazz tradition, but his Caribbean heritage is an ever-present mind set, leading to wholly original works that are a true expression of who he is.  Menjunje features folkloric rhythms of Puerto Rico such as Bomba (Sica, Yuba, Cuembe), Plena, Seis Araucano, as well as Cuban Guaguanco, Bolero, Chachacha, and Son. For this particular project he flew in musicians from Puerto Rico: Drummer Efrain Martinez (Viento de Agua, Cultura Profetica, La PVC, and many more) and Eduardo Zayas (Charlie Sepulveda,  Mahya Veray, Bobby Valentin). As well as musicians from the Chicago area, Constantine Alexander on trumpet, Kitt Lyles on Bass, Javier Quintana-Ocasio and Victor “Junito” Gonzalez on Percussion, and Jose Carrasquillo on Cuatro. This project is a product of working in conjunction with the Segundo Ruiz Belvis Cultural Center, the Puerto Rico Arts Alliance, the Walder Foundation, and the Department of Cultural Affairs and Special Events of Chicago.  In 2022 Menjunje played festivals around Chicago and surrounding areas: Chicago Jazz Festival, Chicago Latin Jazz Festival, Glenwood Arts Festival, CU Jazz Festival, Mayfest, Mole de Mayo Festival. Also in 2022 Roy plays on supporting the release of Giovany Revelle's self-titled album, which Roy co-produced, wrote horn arrangements, string arrangements, and coached the rhythm section. In 2017 Roy released his Latin Grammy nominated prior album, “Remembranzas”, a new batch of original compositions that incorporate folkloric Bomba rhythms and other Puerto Rican elements in a jazz framework. Originally, in 2015 the project was called the Julia al Son de Jazz project and was commissioned by Chicago's Segundo Ruiz Belvis Cultural Center, where he worked as director of the youth Afro-Caribbean Jazz Ensemble for five years. The project used the writings of revered Puerto Rican poet Julia de Burgos as a springboard for new compositions that included spoken word recitations of her poetry. Its debut was followed by successive performances throughout Chicago including three dates for the Chicago Park District's Night Out in the Parks summer concert series in 2016.  In 2017 Roy also led two special big band tribute projects: one honoring legendary Puerto Rican composer Rafael Hernández, with his son, Chali Hernandez singing, and a local All-Stars tribute to Dizzy Gillespie's United Nations Orchestra that played the Chicago Latin Jazz Fest. Roy sang in school choirs before picking up the saxophone at age 16. After attending the Berklee College of Music Summer Workshop, he earned a full scholarship to attend Berklee's five-week Summer Performance Program. Back in Puerto Rico, he honed his improvisational skills performing with jazz pianist and Beach Boys alumnus Carli Muñoz. Upon high school graduation, Roy was awarded a scholarship to Loyola University in New Orleans, where he studied under Tony Dagradi (saxophonist for Astral Project) and composer/arranger John Mahoney. He graduated in 2009 with BM in Jazz Performance. After graduation, Roy extended his time in New Orleans, performing in clubs, concert halls and the streets with a variety of musicians. He made three appearances at the New Orleans Jazz and Heritage Festival and one appearance at the New Orleans French Quarter Fest. The next stop on his musical journey was Northwestern University in Chicago, where he graduated with a master's degree in Music, studying under Victor Goines, saxophonist for Jazz at Lincoln Center and Director of Jazz Studies at Northwestern University. Graduating in 2014, McGrath decided to put down roots in Chicago because of both its historic role in the development of jazz and the presence of a large and vibrant Jazz & Latin music community in which he could continue to pursue his vision. He returned to Northwestern's Pick-Staiger Concert Hall in 2016 to perform with Victor Goines and Branford Marsalis in Goines' orchestral composition the “Crescent City Suite”. Roy released his debut CD as a leader, Martha, in 2014 with a quartet formed of fellow Northwestern grads Gustavo Cortiñas, Kitt Lyles and Joaquin Garcia, all bandleaders in their own right, and returned the favor by joining their ensembles: Snapshot (Cortiñas), Real Talk Collective (Lyles) and Rhythm Convergence (Garcia). The Roy McGrath Quartet was featured in the Jazz Institute of Chicago's NextGEN concert series in 2015. Later that year, the Chicago Department of Cultural Affairs and Special Events (DCASE) awarded McGrath a grant to take the quartet on a month-long tour of Mexico. Also in 2015, The Roy McGrath Latin Jazz Quintet performed at the Chicago Latin Jazz Festival. 2016 also saw McGrath joining alto saxophonist Miguel Zenón and traditional music ensemble Bomba con Buya for Folclórico: An Exploration of Jazz and Afro-Puerto Rican Music at the Segundo Ruiz Belvis Cultural Center. As an educator Roy has taught masterclasses on improvisation at Dulwich College International in Shanghai, Suzhou, and Beijing, on four different touring occasions. Roy has taught in his home of Puerto Rico at the Universidad del Turabo and in Mexico City as well.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 22nd August 2024 Artist - Track - Album - Year Warren Wolf    Bopstacle Course    History of the Vibraphone    2024 Live Edge Trio with Steve Nelson    Fantasy for Cede    Closing Time    2024 Zachary Bartholomew    Sunny Days Driven By    Balancing Act    2024 Emmet Cohen    Lion Song    Vibe Provider    2024 Michael Wolff    Zawinul    Memoir    2024 Tom Johnson Jazz Orchestra    En La Casa de Los Perritos    Time Takes Odd Turns    2024 The Chris McDonald Jazz Orchestra    Bondade Mora Aqui    It's About Time    2024 Hyeseon Hong Jazz Orchestra    Run Away    Things Will Pass    2024 The Paul Carlon Quintet    Unmute    Blues for Vita    2024 City of Four    Overcast    Vistas    2024 Julieta Eugenio    Breath I    Stay    2024 Milton Nascimento & Esperanza Spalding    When You Dream    Milton + Esperanza    2024 Julieta Eugenio    Breath II    Stay    2024 Michael Dease    Minor Funk    Grove's Groove    2024 Miguel Zenón    9066    Golden City    2024 Jan Harbeck Quartet    Silver String Valley    Balanced    2022 Matt Booth    Ice Bear    Sun Prints    2024 Thom Rotella    Don't Mess With Mr. T    Side Hustle    2024 Mike Monford    Jah Jah    The Cloth I'm Cut From: Live at Cliff Balls    2024 Patricia Brennan Septet    Mudanza (States of Change)    Breaking Stretch    2024 The post The Creative Source (#CreativeSource) – 29th August 2024 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 22nd August 2024 Artist - Track - Album - Year Warren Wolf    Bopstacle Course    History of the Vibraphone    2024 Live Edge Trio with Steve Nelson    Fantasy for Cede    Closing Time    2024 Zachary Bartholomew    Sunny Days Driven By    Balancing Act    2024 Emmet Cohen    Lion Song    Vibe Provider    2024 Michael Wolff    Zawinul    Memoir    2024 Tom Johnson Jazz Orchestra    En La Casa de Los Perritos    Time Takes Odd Turns    2024 The Chris McDonald Jazz Orchestra    Bondade Mora Aqui    It's About Time    2024 Hyeseon Hong Jazz Orchestra    Run Away    Things Will Pass    2024 The Paul Carlon Quintet    Unmute    Blues for Vita    2024 City of Four    Overcast    Vistas    2024 Julieta Eugenio    Breath I    Stay    2024 Milton Nascimento & Esperanza Spalding    When You Dream    Milton + Esperanza    2024 Julieta Eugenio    Breath II    Stay    2024 Michael Dease    Minor Funk    Grove's Groove    2024 Miguel Zenón    9066    Golden City    2024 Jan Harbeck Quartet    Silver String Valley    Balanced    2022 Matt Booth    Ice Bear    Sun Prints    2024 Thom Rotella    Don't Mess With Mr. T    Side Hustle    2024 Mike Monford    Jah Jah    The Cloth I'm Cut From: Live at Cliff Balls    2024 Patricia Brennan Septet    Mudanza (States of Change)    Breaking Stretch    2024 The post The Creative Source (#CreativeSource) – 29th August 2024 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

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With this playlist we focus on deep listening as a mindset for musicians who wish to achieve successful recording sessions, through a number of albums of seamless interplay. The playlist features Arnaud Dolmen, Leonardo Montana; Miguel Zenón, Dan Tepfer; Gui Duvignau; Arve Henriksen, Harmen Fraanje; Sonar, David Torn, J. Peter Schwalm. Detailed playlist at https://spinitron.com/RFB/pl/18494768/Mondo-Jazz [from "Zouky Monky" to "Third Movement"]. Happy listening!

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durée : 00:59:21 - Dan Tepfer & Miguel Zenon - par : Alex Dutilh - Le pianiste Dan Tepfer et le saxophoniste alto Miguel Zenόn confirment leur complicité ludique avec “Internal Melodies”, sur des compositions de Ligeti et Tristano. Enregistré, mixé et masterisé par Dan Tepfer.

Seven days have flown by, and seven days were barely enough to go through another big pile of wonderful new and upcoming albums which we are featuring this week focusing on some captivating and forward looking projects, and several new albums that bring together jazz and the musical traditions of Cuba and Puerto Rico. The playlist features Adrian Younge, Tony Allen; Azmari; Johnathan Blake; Wolfgang Muthspiel, Scott Colley, Brian Blade; Elio Villafranca [pictured]; Miguel Zenón, Luis Perdomo; Sammy Figueroa; and Gonzalo Rubalcaba. Detailed playlist at https://spinitron.com/RFB/pl/17812561/Mondo-Jazz [up to "In a Sentimental Mood"]. Happy listening!

The premiere of Miguel Zenón's Layer Upon Layer performed by pianist Matt Mitchell and guitarist Miles Okazaki. Commissioned by Miller Theatre at Columbia University for the Mission: Commission podcast.Missioncommissionpodcast.com

Stolen Moments. Ahmad Jamal Trío Easy To Love. Ahmad Jamal Cómo Fue.Miguel Zenón y Luis Perdomo Respected Destroyer +  Throw It Away Terri Lyne Carrington Dimu+  Deep within Mountains. Mammal Hands Fly Me To The Moon+  The Healer. Avishai Cohen y Abraham Rodríguez Jr. Vuma (Thandiswa, Joel Ross). Meshell Ndegeocello Escuchar audio

An introduction to our composers: Ann Cleare, Wang Lu, and Miguel Zenón, as they begin their creative journey to compose new pieces of classical music in 6 weeks for Mission: Commission. Visit missioncommissionpodcast.com for a full listing of pieces, performers, and recordings included in this episode.

What do you see when you hear music? Once you know the story behind the music, and the person behind the story, you'll listen to music in a completely different way. Season 3 follows the creative journey of three world-class composers, Ann Cleare, Wang Lu, and Miguel Zenón. Over 6 weeks, listen as the very first ideas and notes grow and evolve into vibrant new pieces of music. Hosted by Melissa Smey, Artistic Director of Miller Theatre at Columbia University in New York.Learn more at missioncommissionpodcast.com 

El reggaetón es un fenómeno que, contra todo diagnóstico y vaticinio, llegó para quedarse. En este podcast tocamos guitarra eléctrica con las Retro puestas y superamos el complejo de rockeros vs. cacos hace rato, así que nos sentamos con las compas de Hasta'Bajo Project para hablar sobre reggaetón, perreo, feminismo, nostalgia y, gústele o no, CULTURA. #DaleOído Plan de Contingencia es un podcast producido en Puerto Rico por Esteban Gómez y Guarionex Padilla donde discutimos temas de actualidad nacional e internacional. #DaleOído. Si deseas continuar la conversación en las redes sociales: Twitter: @pdcontingencia | Instagram: @plandecontingenciapodcast | Facebook: @plandecontingenciapr  Busca nuestros perfiles en Twitter:  Esteban: @estigom Guarionex: @guariocandanga |intro: DávilaEnElBeat |outro: Tro-tro- Hermes Ayala ft. Miguel Zenón. Esta Nota al Calce es posible gracias a Libros787, la tienda online más cool para descubrir y comprar libros escritos por autores puertorriqueños e hispanos. Utiliza el código de promoción "plandecontingencia" en tu próxima compra en Libros787.com para obtener shipping gratis para Puerto Rico y Estados Unidos. También contamos con el auspicio de Jabones Don Gato. Los jabones Don Gato son hechos a mano, sin químicos dañinos ni detergentes. Elaborados con aceites naturales, esenciales y aromàticos, seguros para la piel. Pruébalos y siente la diferencia. Visítalos en jaboneradongato.com y utiliza el código "plandecontingencia" para obtener un 10% de descuento en su compra. Hasta'Bajo Project es una organización sin fines de lucro que busca salvaguardar, educar y exponer el reggaetón para potenciar su importancia en la cultura puertorriqueña a través de un archivo histórico de esta música. --- Support this podcast: https://anchor.fm/plan-de-contingencia/support

The second half of this episode features artists seen in the Monterey Jazz Festival On Tour show. We feature three of the musicians, Christian Sands, Kurt Elling and Lakecia Benjamin. The show begins with some high energy new music from Keyboardist James Francies and Miguel Zenón and Ed Cherry. Playlist Artist ~ Name ~ Album James Francies ~ My Favorite Things ~ Purest Form Miguel Zenón ~ Tainos y Caribes ~ Música De Las Américas Ed Cherry ~ Are We There Yet ~ Are We There yet? Walt Weiskopf ~ King Midas ~ Anytown Christian Sands ~ Armando's Song ~ Reach Kurt Elling ~ Time To Say Goodbye ~ Man In The Air Kurt Elling ~ In The Winelight ~ Man In The Air Lakecia Benjamin ~ Trane ~ Phoenix

La militarización del archipiélago puertorriqueño y su impacto socio-económico ha sido objeto de debate entre políticxs, historiadorxs y sociólogxs. El historiador Carlos Carrero Morales acaba de publicar su investigación más reciente sobre el impacto social de la construcción de la base Ramey en Aguadilla en el contexto de la Segunda Guerra Mundial y conversó con nosotros sobre los problemas que surgieron en el municipio a raíz de la construcción de dicha base militar. "Cuando los héroes no son tan héroes" está disponible en Amazon y la Librería Norberto, aunque los muchachos de Libros787 pueden hacer la gestión de conseguirselos. #DaleOído Plan de Contingencia es un podcast producido en Puerto Rico por Esteban Gómez y Guarionex Padilla donde discutimos temas de actualidad nacional e internacional. #DaleOído. Si deseas continuar la conversación en las redes sociales: Twitter: @pdcontingencia | Instagram: @plandecontingenciapodcast | Facebook: @plandecontingenciapr  Busca nuestros perfiles en Twitter:  Esteban: @estigom Guarionex: @guariocandanga |intro: DávilaEnElBeat |outro: Tro-tro- Hermes Ayala ft. Miguel Zenón. Esta Nota al Calce es posible gracias a Libros787, la tienda online más cool para descubrir y comprar libros escritos por autores puertorriqueños e hispanos. Utiliza el código de promoción "plandecontingencia" en tu próxima compra en Libros787.com para obtener shipping gratis para Puerto Rico y Estados Unidos. También contamos con el auspicio de Jabones Don Gato. Los jabones Don Gato son hechos a mano, sin químicos dañinos ni detergentes. Elaborados con aceites naturales, esenciales y aromàticos, seguros para la piel. Pruébalos y siente la diferencia. Visítalos en jaboneradongato.com y utiliza el código "plandecontingencia" para obtener un 10% de descuento en su compra. --- Support this podcast: https://anchor.fm/plan-de-contingencia/support

NPR Music's picks for the best albums out this week, including the highly anticipated third album by Atlanta rapper J.I.D. and a massive Blondie box set. Featured Albums:1. J.I.D — The Forever Story Featured Songs: "Dance Now," "Better Days," "Raydar"2. Stella Donnelly — Flood Featured Songs: "Lungs," "Morning Silence," "How Was Your Day?"3. Miguel Zenón — Müsica De Las Americas Featured Songs: "Opresion Y Revolucion," "Tainos Y Caribes"4. Kaitlyn Aurelia Smith — Let's Turn It Into Sound Featured Songs: "Locate," "Have You Felt Lately?"5. Blondie — Against the Odds: 1974-1982 Featured Songs: "Rapture" "The Tide Is High (Demo Version)," "Heart of Glass"Lightning Round:Meechy Darko — Gothic LuxuryCarolyn Malachi — Counter NarrativesJulia Jacklin — Pre PleasureRegina Spektor — 11:11 + Papa's BootlegsValerie June — Under CoverOther notable releases for August 26:blackbear — In Loving MemoryBret McKenzie — Songs Without JokesCalypso Rose — ForeverChris Forsyth — Evolution Here We ComeDiamanda Galás — Broken GargoylesEmbrace — How To Be a Person Like Other PeopleEyedress — Full Time LoverEzra Furman — All of Us FlamesIngrid Andress — Good PersonMarcus King — Young BloodMuse — Will of the PeoplePantha du Prince — Garden GaiaPianos Become the Teeth — DriftSélébéyone — Xaybu: The UnseenWilliam Orbit — The PainterYellowjackets — Parallel Motion