Podcasts about Paul Bley

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Paul Motian recordings from the 1960s featuring Pharaoh Sanders, Paul Bley, Joe Castro, David Izenzon and more. Readings from the archive.Set List: https://jazzcloset.blogspot.com/2025/01/1960s-classics-and-innovators-part-2.htmlPhoto: Sam Motian (Paul's wife), Paul Motian, Joe Castro in Hawaii 1965  courtesy James Castro Collection

A selection of Paul Motian recordings from the 1960s with Paul Bley, Gary Peacock, Bill Evans, Mose Allison and more. With readings from Motian's unpublished autobiography.Set List: https://jazzcloset.blogspot.com/2025/01/1960s-classics-and-innovators-030419.htmlPhoto: Paul Motian recording with Paul Bley 1964 photo ©Len Dobbin

Esta semana, en el penúltimo capítulo de la temporada de Rebelión Sónica, destacamos la reedición 2023 de “A.R.C.”, el álbum que en 1971 unió a tres grandes figuras del jazz contemporáneo: Chick Corea, Dave Holland y Barry Altschul. Reeditado por el prestigioso sello ECM el 25 de agosto del año pasado, “A.R.C.” -la sigla de Affinity, Reality and Communication-, es la la innovadora colaboración del maestro del teclado Chick Corea, el bajista Dave Holland y el baterista Barry Altschul, luego de que los dos primeros fueron parte de la banda de Miles Davis a fines de los 60 y principios de los 70 Según el texto de promoción: “Mientras el mundo estaba sediento de nuevas fronteras sonoras, Corea resumió acertadamente el espíritu de la época: la atmósfera parecía cargada de deseo de nuevos sonidos y nuevas formas. ¿El resultado? Un álbum de profundo significado que encarna este mismo espíritu, acertadamente de Afinidad, Realidad y Comunicación”. El texto agrega más adelante, que “los dedos de Corea bailan sobre las teclas con una destreza incomparable, su química con Holland quedó muy claramente grabada en su viaje musical compartido. Completando este triunvirato estaba Barry Altschul, cuyas dotes de batería habían sido perfeccionadas con el grupo de Paul Bley. Juntos se embarcaron en una aventura auditiva que dejaría huella en los anales de la historia del jazz moderno”. “A.R.C.” fue restaurado por ECM Records, marcando el comienzo de una nueva era de reediciones de alta resolución. Las reediciones conservan meticulosamente las cintas maestras estéreo analógicas y la transferencia del álbum fue realizada por el ingeniero de masterización Christoph Stickel. “Sin eliminar el ruido ni hacer alteraciones intrusivas, el aura sonora original se captura con una claridad excepcional de 96 kHz/24 bits”. En la parte final del programa, mostramos el paso del Corea acústico y avant-garde y su inserción definitiva en el mundo del jazz rock en Return To Forever, específicamente con material de su tercer álbum de 1973, “Hymn of the Seventh Galaxy”. Semana a semana, pueden escuchar Rebelión Sónica en radio Rockaxis los miércoles a las 10 y 20 horas, como siempre, con la conducción y curatoría de Héctor Aravena.

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The great John Scofield returns to the podcast – and this time he brought his guitar! I absolutely love talking with Sco. To get ask him about his time with Paul Bley, Miles Davis, Elvin Jones and Jaco still is like a dream come true for me. And when he then takes out his guitar … Continue reading John Scofield 2

The Jazz Session No.360 from RaidersBroadcast.com as aired in April 2024, featuring the very tasteful 1994 album “Knysna Blue” from Abdullah Ibrahim. TRACK LISTING: The Lost Pearl - Yazz Ahmed; Visa Fran Utanmyra - Jan Johansson; Miss Annabelle Lee - Bert Firman's Rhythmic Eight; At the Jazz Band Ball - Bix Beiderbecke; Three #1 - Abdullah Ibrahim; Cape Town - Abdullah Ibrahim; Montara - Blue Lab Beats; Serenity - James Taylor Quartet; Unknown Soldier - Weather Report; El Mar - George Benson; Where Flamingos Fly - The Gil Evans Orchestra ; See You at the Fair - Ben Webster; Disco Ears - Redman, Mehldau, McBride, Blade; Pick It Up - Yaatri; You Can't Stop Me Now - Abdullah Ibrahim; Peace - Abdullah Ibrahim; Royal Garden Blues - Benny Carter & his Swing Quartet; The Chase - Dexter Gordon & Wardell Gray; Vampira - Jaco Pastorius, w. Pat Metheny, Bruce Ditmas, Paul Bley; Hello Jeff - Stanley Clarke.

The Vibraphone is an instrument in the metallophone family with a colorful history of American invention and competition. Metallophones evolved from the wooden marimba. The predecessor of the vibraphone called the steel marimba, was invented by the J.C. DEAGAN company in Chicago around 1916. The first "vibraphone" was introduced in 1924 by LEEDY Manufacturing in Indianapolis. It was based on the Deagan steel marimba, and featured a vibrato effect created by a motor-driven fan inside the resonator tubes below each note. Not to be outdone, three years later the Deagan Company introduced an improved vibraphone, with better sounding tuned aluminum bars, and a damper mechanism operated by a foot pedal. It was an immediate success and became the model for all subsequent vibraphones. By the 1930's the instrument was well-established in the burgeoning jazz scene at the hands of virtuoso players like Lionel Hampton. In addition to jazz, the vibraphone became part of the standard classical orchestra percussion section, and the standard college-level percussion performance curriculum. In the 1970's this led to use of vibraphones and marimbas in contemporary Minimalist music by Philip Glass and Steve Reich, and later in New Classical and Ambient. That's where we're going on this transmission of Hearts of Space, called VIBRAPHONICS. Music is by GARY BURTON & CHICK COREA, PETER GARLAND, JASPON TREUTING, HANG MASSIVE, MICHAEL JON FINK, OLIVIÉR ALARY, OCEAN MOON, and GARY BURTON & PAUL BLEY. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Número 09.2024 de La Montaña Rusa que abrimos con el estupendo Dancing Together, nuevo trabajo del guitarrista Rami Atassi, publicado en 2023. Descubriremos juntos la música del pianista Dahveed Behroozi, a través de Echos, publicado en 2021. Nuestro Clásico de la Semana fue el gran Jimmy Giuffre junto a sus 3, en este inolvidable e icónico 1961, que recoge los álbumes Thesis y Fusion, publicados ese mismo año, junto a Paul Bley y Steve Swallow. Seguir leyendo La Montaña Rusa 09.2024. Rami Atassi. Davheed Behroozi. The Jimmy Giuffre 3. Mark Wade. Bévort 3. Luca Pincini & Gilda Butta. en La Montaña Rusa Radio Jazz.

J.S. Bach Wachet auf, Ruft Uns Die Stimme(Choral) Zion hört die Wächter  https://imslp.eu/files/imglnks/euimg/7/78/IMSLP512157-PMLP149924-bachNBAI,27wachetauf,ruftunsdiestimmeBWV140.pdf https://open.spotify.com/track/67RCAdg0xL3XYVmCCQHW5b?si=5a4cb7b4b1854431 Paul Bley Gary Peacock:  Long Ago and Far Away https://open.spotify.com/track/6f4FQOR7xJt2bZxYlNdcV4?si=e0b4bc4798db4107 Allman Brothers Band, Live at Fillmore EastStatesboro Blues https://open.spotify.com/track/1BnfAYVesByA18sA9EAGiI?si=a51fc58fa0ba4048 Lars Danielsson, Liberetto https://open.spotify.com/album/4UpKHVFOMxH6z3DvOcRkPP?si=vvwDctJsTxarUA5eisoYFA

durée : 00:59:14 - Harlem droit devant - par : Nathalie Piolé -

Pianist Paul Bley and his recordings with Paul Motian are featured in this show made shortly after Bley's death. With readings from the Paul Motian Archive and Bley's autobiography "Stopping Time".Set List: https://jazzcloset.blogspot.com/2023/11/paul-bley-010816.htmlImage: Paul Bley abt. 1990 On tour with Paul Motian photo: Paul Motian ©Paul Motian Archive

The Jazz Session No.337 from RaidersBroadcast.com as aired in November 2023, featuring the very stylish 1959 album “The Complete Pacific Jazz Sessions, from the master arranger and band-leader Gil Evans. TRACK LISTING: I'm Going Straight to the Top - Tom Waits; Swingin' Down the Lane - Frank Sinatra; Bad Asteroid - The Aristocrats; Zoot Allures - Frank Zappa; Straight No Chaser - Gil Evans; Manteca - Gil Evans; The Impetus (To Be and Do Better) - Joel Ross; Like Someone in Love - Stan Getz; Oliloqui Valley [alt. take, ft. Freddie Hubbard] - Herbie Hancock; Donkey  - Jaco Pastorius, w. Metheny, Bruce Ditmas, Paul Bley; Well, Get It - Tommy Dorsey; Bu's Delight - Art Blakey and the Jazz Messengers; Cry Me a River - Julie London; Penthouse Serenade (When We're Alone) - Sarah Vaughan; St.Louis Blues - Gil Evans; Bird Feathers - Gil Evans; Liminality  - Let Spin; Aja, ft. Steve Gadd, Wayne Shorter - Steely Dan; Serenity - James Taylor Quartet; Burning Spear - Jimmy Smith.

JIMMY GIUFFRE / PAUL BLEY / STEVE SWALLOW - CONVERSATIONS WITH A GOOSE  - Milan, Italy, May 27, 1993 Conversations with a goose, Calls in the night, Jungle critters Jimmy Giuffre (cl,sop) Paul Bley (p) Steve Swallow (el-b) CLAUDIA ACUÑA - DUO  - New York, August 12 & 13, 2021 Medianoche (2), Eclipse de luna (3), Verdad amarga (7), Yo (1) Claudia Acuna (vcl,perc-1) acc by Kenny Barron (p-2) Carolina Calvache (p-4) Fred Hersch (p-5) Arturo O'Farrill (p-8) Russell Malone (g-7) Regina Carter (vln-6) Christian McBride (b-3) MISHA MENGELBERG - CHANGE OF SEASON  - Milan, Italy, July 2 & 3, 1984 House party starting, The happenings, Change of season George Lewis (tb) Steve Lacy (sop) Misha Mengelberg (p) Arjen Gorter (b) Han Bennink (d)

Artistically ambitious, a rare woman in a male dominated scene, taking the road less travelled, or even the road never travelled, and with her feet well on the ground business-wise side to ensure her artistic independence, Carla Bley played a key role in giving today's music scene the shape we know. This week we concentrate on some of her signature compositions, focusing on her Church side, her Big Band side, her catchy side, her electric side, and some of the musicians that embraced her work early on. The playlist features Conjure, Kip Hanrahan; Orrin Evans; Howard Tate; Masabumi Kikuchi, Gil Evans; Espoo Big Band; George Russell; Jimmy Giuffre, Paul Bley, Steve Swallow; Jaco Pastorius, Pat Metheny, Paul Bley, Bruce Ditmas; and John McLaughlin. Detailed playlist at https://spinitron.com/RFB/pl/18060273/Mondo-Jazz [from "The Wardrobe Master of Paradise" onwards]

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“Tis Autumn! There have been some wonderful jazz, big band, broadway, and even ‘folk’ oriented tunes written about the Fall season. In this episode I play a version of ten of my favourites. They range from Paul Bley to Frank Sinatra—and I even throw in something by early Joni Mitchell. You’ll also hear Woody Herman,…Continue reading Episode 247: Favourite Autumn Songs

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Pianist Pandelis Karayorgis has spent nearly 40 years here in the U.S. developing a distinctive voice that extends from the foundations built by such heroes as Thelonious Monk and Paul Bley. While much of his work has emerged from the creative scene centered in greater Boston, he also has long-standing connections in Chicago—which include noted instigator Dave Rempis who has assisted here in assembling a brand new group of bold improvisors. 

hat ART Series : Episode #15Playlist: ROVA - Flamingo HorizonsSteve Lacy, Maarten Altena - High / Offhand / Low / OrderJimmy Giuffre, Paul Bley, Steve Swallow - Flight / EmphasisChristy Doran - Spirale

Con Ch.Baker & P.Bley, Roger Mas, Brussels Jazz Orchestra & Camille Bertault, Anat Cohen, Charles Lloyd y Julia Duggan entre otras. "Transparent" es la última entrega como líder hasta la fecha del sensacional pianista Roger Mas. Lo firma a cuarteto y quinteto junto a Jaume Llombart, Bori Albero, Jorge Rossy y Santi de la Rubia y protagoniza nuestro tiempo de estrenos de factura estatal. En capítulo internacional marchamos hasta Bélgica para presentar la nueva grabación de una de las big bands de referencia del continente europeo: la "Brussels Jazz Orchestra". La cantante parisina Camillle Bertault es la estrella viral invitada para la ocasión. Y como los terceros jueves de mes son para nuestros "Monográficos", en esta ocasión y aunque no podamos dedicar el espacio por entero, damos cuenta de alguno de los premios y premiados en los galardones que anualmente otorga la "Jazz Journalist Association" de USA. El "Estándar" de la semana es "Diane", de Rape & Pollack que escuchamos en grabación de Chet Baker y Paul Bley y "I'm confessin", en grabación de la cantante "extremeña" J.Duggan a propósito de la presentación y puesta en marcha de su proyecto a cuarteto, el "Favorito". Ahora Jazz, Ed. 2211. Con Javier del Barco.

In studio Fabio Barbieri. Musiche: Beatles, Jefferson Airplane, Jimi Hendrix Experience, Procol Harum, Neil Young and Crazy Horse, Byrds, Jackson Browne, Carla Bley, Steve Swallow and Andy Sheppard, Tord Gustavssen Quartet, Paul Bley. Lettura: Niccolò Ammaniti.

In studio Fabio Barbieri. Musiche: MC5, Blue Cheer, Blondie, Smiths, Colin Newman, Bush Tetras, Talking Heads, Cocteau Twins, Peter Erskine, Palle Danielsson & John Taylor, Vijay Iyer Trio, Paul Bley, Gary Peacock & Paul Motian, Steve Swallow. Letture: Susan Cain.

Bienvenidos amantes de la música, hoy nos convoca un pianista de sonido muy elegante y a la vez un compositor radical y creativo, Ahmad Jamal. Fallecido hace unos días a los 92 años ha tenido una carrera muy exitosa y productiva con más de 60 discos a su haber. Ya desde pequeño llamó la atención de Art Tatum quien destacó su "gran futuro" en el instrumento. Seguidor de la estructura de trío de Nat King Cole, potenció el formato haciendo dialogar a la sección rítmica con el pianista y no simplemente acompañando. Ese punto fue una gran inspiración para una generación de pianistas, como Bill Evans, Paul Bley o Keith Jarret quienes explotaron eso en sus tríos. Fue del gusto de Miles Davis al punto que este le pedía a su pianista Red Garland, que hiciera acordes como Jamal. "Si estás buscando arte placentero y a la vez un estatus radical, Ahmad Jamal es la persona". Eso dijo un crítico del New York Times acerca de él. John Hammond el productor de Benny Goodman lo reclutó para el sello Okeh y Epic, de donde escucharemos un selección de grabaciones de sus primeros tríos. Que lo disfruten! Los temas son: 1. Ahmad's Blues 2. Love for Sale 3. Autumm Leaves 4. Poinciana *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

"Free jazz" as presented in a dozen films collected and presented by the Criterion Channel incorporate unusual ways of telling unusual musical stories, including portraits of Alice Coltrane and Milford Graves; Cecil Taylor, Bill Dixon, Archie Shepp and Paul Bley in Imagine the Sound, and evocative experimental films such as Dream City and Promises: Through Congress. Panelists Kevin Whitehead (author of Play The Way You Feel: The Essential Guide to Jazz Stories on Film, jazz critic on Fresh Air with Terry Gross), Gretchen Carlson (author of Improvising the Score: Rethinking Modern Film Music Through Jazz), and Don Palmer (arts journalist, former grant officer for New York State Council on the Arts) discuss these films and others with host Howard Mandel, JJA president, in the second of a two-part podcast.

Paul Motian's Random LPs & 2nd Hand StoriesJazz from Paul Motian's LP collection and readings from his writings @paulmotianarchiveAndrew Hill, Paul Bley, Albert Ayler and moreSet List: https://jazzcloset.blogspot.com/2023/01/paul-motians-random-lps-2nd-hand-stories.htmlPhoto: Andrew Hill LP cover courtesy Blue Note Records

Don Redman — a young man from Piedmont, West Virginia, who did much to create the sound that the world came to know as big band swing — composed “Gee, Baby, Ain't I Good To You?” just as The Roaring Twenties came to a close. In fact, the song's first studio recording, featuring Don performing with McKinney's Cotton Pickers, came out just one week after the 1929 stock market crash that started the Great Depression.The crash even inspired a revision of the song. Andy Razaf's original words reflected the consumer-driven culture of the ‘20s, using expensive gifts to illustrate the depth of the narrator's sentiments. “Bought you a fur coat for Christmas and a diamond ring,” said the initial lyrics, “a big Packard coupe and everything.” Ut-oh, Packard was bankrupted and went out of business. (“Big Cadillac car” took its place in the verse.)The mid-1920s had been good for Don Redman. He was responsible for integrating the rhythmic approach of Louis Armstrong's playing into his arrangements for Fletcher Henderson's Orchestra. In 1927 Redman was wooed away from Henderson to join McKinney's Cotton Pickers, the house band at the celebrated Greystone Ballroom in Detroit.It turned out the 1930s were darn good for Don as well. The trademark of his ever-more sophisticated band arrangements was the harmony he wrote to play under the group's solos. His brass and reed sections played off each other in a titillating call-and-response pattern; one section punctuated the figures of the other, while the melody moved around to different orchestral sections and soloists. So innovative was the Don Redman style that it was to be widely imitated in jazz arrangements for decades to come.Redmond remained active in music until his death in 1964 at age 64. And while he never again lived in West Virginia, he did not forget his home state, especially Harper Ferry's Storer College, from which he graduated in 1920. His most lasting musical contribution to the institution was his composition of the “Storer College Alma Mater,” which endured throughout the school's history.Back to the Song“Gee, Baby, Ain't I Good to You?” was the first song Don Redman wrote for McKinney's Cotton Pickers, but after its 1929 release, the tune went into cold storage.More than a decade passed before the next major jazz artist recorded the song, and it turned out to be yet another West Virginian. Saxophonist Chu Berry, a Wheeling, WV, native, recorded the song in 1941 on the flip side of his rendition of “Sunny Side of the Street.” (Sadly, it would be Berry's last recording before his untimely death from an automobile accident in northern Ohio later that year.)Two years later, Don's song finally made the big time when the great Nat King Cole turned “Gee, Baby, Ain't I Good To You?” into a hit, topping the 1943 R&B charts. Around the same time, Count Basie adopted the song as a favorite, using it to showcase vocalists, including Jimmy Rushing and Joe Williams.Though modernists like Dizzy Gillespie, Art Blakely and Paul Bley also recorded the tune over the years, it was among more traditional jazz players that “Gee, Baby, Ain't I Good To You?” remains a favorite.Our Take on the TuneLast week was our first outing on this great old jazz standard.When we started it, Veezy said she wasn't sure she was familiar with it. By the time we finished it, it sounded like she wrote it herself! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

JULIUS HEMPHILL “DOGON A.D.” – St. Louis, Missouri, February, 1972 Dogon A.D. Baikida Carroll (tp) ] Julius Hemphill (as,fl) Abdul Wadud (cello) Phillip Wilson (d)             PAUL BLEY “WITH GARY PEACOCK” – New York, April 13, 1963 Blues, Getting started, Long ago and far away Paul Bley (p) Gary Peacock […]

durée : 00:54:02 - Paul Bley - par : Alex Dutilh - La seconde muse de Paul Bley, Annette Peacock, allait lui confier une série de compositions envoûtantes. Le pianiste les reprend avec deux trios successifs, en 1966 dans les albums “Ramblin'” et “Blood”, et en 1968 dans “Mr. Joy”. Florilège remastérisé chez ezz-thetics.

durée : 00:54:02 - Paul Bley - par : Alex Dutilh - La seconde muse de Paul Bley, Annette Peacock, allait lui confier une série de compositions envoûtantes. Le pianiste les reprend avec deux trios successifs, en 1966 dans les albums “Ramblin'” et “Blood”, et en 1968 dans “Mr. Joy”. Florilège remastérisé chez ezz-thetics.

The spirit of the masters, the roots of each music tradition, are like ghosts that accompany a musician's creative process, with more or less awareness based on the musician's disposition, a premise directly explored by Michael Wollny in his latest album, and indirectly explored by every other musician featured on this show, which spotlights Annette Peacock, both a musician ahead of her times and a muse to many. The playlist features Camilla George; Michael Wollny; Christina Galisatus; Robin Holcomb; Annette Peacock; Paul Bley; Gary Peacock, Franz Koglmann; Nels Cline; Frank Kimbrough; Marilyn Crispell, Paul Motian. Detailed playlist at https://spinitron.com/RFB/pl/16716001/Mondo-Jazz (up to "Blood"). Happy listening!

In questa puntata passiamo in rassegna quattro importanti libri usciti quest'anno. You Tourned The Tables On Me è la nuova edizione (editore seipersei), in formato più grande, di un classico di Roberto Masotti, il grande fotografo mancato nell'aprile scorso: un lavoro emblematico della trasversalità dell'approccio di Masotti alla scena musicale degli anni settanta. Curato da Markus Muller, Free Music Production: The Living Music (testi in inglese o tedesco), è un monumento alla Fmp, l'etichetta tedesca che è stata il principale riferimento discografico per l'improvvisazione radicale europea. Blues e femminismo nero (Edizioni Alegre) è un fondamentale e illuminante saggio di Angela Davis - autrice che non ha bisogno di presentazioni - sulle istanze protofemministe presenti nella produzione di Ma Rainey, Bessie Smith e Billie Holiday: una traduzione che si attendeva da anni. Come quella di Liberare il tempo di Paul Bley, pubblicato nella eccellente collana Chorus di Quodlibet: autobiografia molto stimolante e allo stesso tempo godibile per la vena di humour che la percorre di uno dei più grandi pianisti emersi nel jazz della seconda metà del novecento.

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durée : 00:59:23 - Confessions - par : Nathalie Piolé -

// ABOUT ANDY MILNE AND UNISON A fearless, versatile explorer as a pianist and composer, Andy Milne has been a distinct and respected voice at the heart of New York's creative jazz scene for almost 30 years, collaborating with dancers, visual artists, poets and musicians spanning jazz, classical, pop, folk, and world music. At the piano, he skillfully blends poetic gravitas with a playful sense of order. He has recorded and toured throughout the world with Ravi Coltrane, Ralph Alessi, Carlos Ward and Carla Cook, and has collaborated with a range of artists including Andrew Cyrille, Sekou Sundiata, Avery Brooks, Bruce Cockburn, Fred Hersch, Ben Monder, Dianne Reeves, Jen Shyu, Tyshawn Sorey and Jamie Baum. A former student of Oscar Peterson, Milne was at the center of the M-BASE Collective as a core member of saxophonist Steve Coleman's bands, as well as performing with Cassandra Wilson and Greg Osby. Milne composed and produced the scores for seven documentary films by acclaimed director William Shatner and has now released eleven recordings as a leader or co-leader. Milne is presently an assistant professor of music at the University of Michigan in their Department of Jazz & Contemporary Improvisation.  Originally from New Orleans, John Hébert, has been a highly sought-after New York bassist since the mid-1990s. A former student of Rufus Reid, he has collaborated extensively with pianists Fred Hersch and Andrew Hill, appearing on celebrated recordings from each pianist. He has also performed with Lee Konitz, Paul Bley, John Abercrombie, Kenny Wheeler, Paul Motian, Uri Caine, Bill Stewart, Mary Halvorson, Tomasz Stanko, David Liebman, and Toots Thielemans, among many others. An accomplished bandleader, Hébert's 2015 Sunnyside release Rambling Confessions — his quartet featuring Milne — received critical acclaim, including 4.5 stars from Downbeat. Over the past decade, he has been named multiple times as a “Rising Star Acoustic Bassist” in Downbeat's Critics Poll and has received multiple GRAMMY Award nominations. Hébert is a full-time professor of bass at Western Michigan University. Clarence Penn is one of the most in-demand jazz drummers in the world. A composer, bandleader, and prolific producer, he performs regularly with Maria Schneider, Dave Douglas and Uri Caine. Since 1991 when he arrived in New York City, Penn has placed his unique blend of mega-chops, keen intellect, and heady musicianship at the service of a staggering array of A-list artists including Ellis and Wynton Marsalis, Betty Carter, Stanley Clarke, Steps Ahead, Makoto Ozone and Michael Brecker. His impressive discography includes several hundred studio albums, including GRAMMY Award-winning recordings from Randy Brecker and Maria Schneider, representing a 360-degree spectrum of jazz expression. He has toured extensively throughout the United States, the Americas, Europe, Japan, and Southeast Asia, as well as composed music for films and commercials, and produced tracks for numerous singers in the pop and alternative arenas. #andymilne #junoawardwinner #jazz

GEORGE RUSSELL  JAZZ IN THE SPACE AGE – New York, December 29, 1959 Dimensions, Waltz from outer space Jimmy Buffington, Paul Bley, Howard Collins out, Marky Markowitz (tp) Bob Brookmeyer (v-tb), Hal McKusick (as) Charlie Persip (d)             HANK MOBLEY ROLL CALL – Englewood Cliffs, NJ, November 13, 1960 My […]

durée : 00:54:24 - Open jazz - par : Alex Dutilh - Étudiant à Miami comme Jaco Pastorius, le tout jeune guitariste du Kansas est repéré par Paul Bley, puis par Gary Burton qui le fera déménager à Boston. À 20 ans, le voilà sur la piste d'envol… - réalisé par : Fabien Fleurat

Piano trios that show that, in the right hand, this formula has still a lot to say, musicians that walk down the trail blazed by Carla Bley and Paul Bley, chamber jazz and much more in this set. The playlist features Olga Reznichenko; Joona Toivanen; Louis Sclavis; Billy Drummond; Florian Arbenz, Tineke Postma, Joao Barradas; Lucian Ban; Álvaro Torres; Adam Larson; Chase Elodia. Detailed playlist at https://spinitron.com/RFB/pl/15983642/Mondo-Jazz (From "Restless Stone Stops Motion" onward). Happy listening!

durée : 00:54:24 - Le jazz sur France Musique - par : Alex Dutilh - Étudiant à Miami comme Jaco Pastorius, le tout jeune guitariste du Kansas est repéré par Paul Bley, puis par Gary Burton qui le fera déménager à Boston. À 20 ans, le voilà sur la piste d'envol… - réalisé par : Fabien Fleurat

durée : 00:59:45 - Banzzaï du mercredi 27 avril 2022 - par : Nathalie Piolé - Ce soir, dans les vagues, on criera, on rêvera, on aimera ! - réalisé par : Figaro Freslon Le Floc'h

Multi-instrumentalist Gebhard Ullmann grew up near Bonn, studied medicine and music in Hamburg starting in 1976, and moved to Berlin in 1983 to live as a professional musician. One year later, the 27-year-old was leading (and co-leading) his own bands, releasing his first albums in 1985. The next few years saw him working with Alexander Von Schlippenbach and Paul Bley (among many others) as well as touring the Middle East, East Africa, Australia, New Zealand, South East Asia, Turkey, Poland, Lithuania and Estonia.  In this episode, Gebhard shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

PAUL BLEY – FRAGMENTS – Oslo, Norway, January 15-17, 1986 Memories, Once around the park , Nothing ever was anyway John Surman (sop,bar,b-cl) Paul Bley (p) Bill Frisell (el-g) Paul Motian (d)           PATTY WATERS – AN EVENING IN HOUSTON – April 9, 2018 You’re my thrill, Lonely woman , I […]

Donald Macleod and guest, Kevin Le Gendre follow the jazz adventures of Carla Bley One of the most original voices in jazz, composer, arranger, performer and band-leader Carla Bley has been determinedly pursuing her own musical path for more than sixty years. Her back catalogue of some fifty plus recordings tell the story of a musician who's responded in her own unique style to all the current trends, from free and experimental jazz in the 60s and 70s to 80s soul, blues and R&B. In later decades, she's written for and created big bands recalling the musical landscapes of Count Basie and the Duke and in the last 20 years, she's refined a distilled, intimate style for smaller chamber ensembles, in particular performing in a Trio with her life partner, bassist Steve Swallow and the British saxophonist Andy Sheppard. Little wonder then, her fellow musicians affectionately call Bley 'Countess Bleysie' and 'Bleythoven'. Featuring a selection of recordings suggested by Carla Bley, Donald Macleod and Kevin Le Gendre follow Bley's musical adventuring from her early days writing for Paul Bley and Gary Burton, to her latest album for the Carla Bley Trio, released in 2020. Music Featured: King Korn Carla Bley/Paul Bley: Ictus Donkey Ida Lupino Escalator Over the Hill (Hotel Overture; Why; Little pony soldier) Walking Batterie Woman Dreams so Real Blunt Object Silent Spring Reactionary Tango in 3 parts Song sung Long Útviklingssang Walking Batteriewoman (vers. for piano and bass) Wildlife (Horns; Paws without Claws; Sex with Birds) The Girl Who Cried Champagne Lawns The Girl Who Cried Champagne ( Part 1) Fleur Carnivore Strange Arrangement Who Will Rescue You? On The Stage In Cages Doctor Wrong Key Donkey And then one Day Vashkar Wildlife Presented by Donald Macleod Produced by Johannah Smith for BBC Cymru Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Carla Bley (b 1936) https://www.bbc.co.uk/programmes/m0011lmc And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

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6e émission de la 51e session... Cette semaine, free jazz et avant-jazz! En musique: Miyazawa Akira Quartet sur l'album Kiso  (Victor World Group, 1970); Matthew Shipp / Whit Dickey sur l'album Reels  (Burning Ambulance Music, 2021); Paul Bley sur l'album Touching  (Debut, 1965, rééd. Black Lion, 1994); Alvin Fielder / David Dove / Jason Jackson / Damon Smith sur l'album The Very Cup of Trembling  (Astral Spirits, 2021); Frank Rosaly, Marta Warelis, Aaron Lumley, John Dikeman sur l'album Sunday at De Ruimte  (Doek RAW, 2021); Dominic Lash Quartet sur l'album limulus  (spoonhunt, 2021); Konstrukt feat. Thurston Moore sur l'album Turkish Belly  (Karlrecords, 2021)...

6e émission de la 51e session... Cette semaine, free jazz et avant-jazz! En musique: Miyazawa Akira Quartet sur l'album Kiso  (Victor World Group, 1970); Matthew Shipp / Whit Dickey sur l'album Reels  (Burning Ambulance Music, 2021); Paul Bley sur l'album Touching  (Debut, 1965, rééd. Black Lion, 1994); Alvin Fielder / David Dove / Jason Jackson / Damon Smith sur l'album The Very Cup of Trembling  (Astral Spirits, 2021); Frank Rosaly, Marta Warelis, Aaron Lumley, John Dikeman sur l'album Sunday at De Ruimte  (Doek RAW, 2021); Dominic Lash Quartet sur l'album limulus  (spoonhunt, 2021); Konstrukt feat. Thurston Moore sur l'album Turkish Belly  (Karlrecords, 2021)...

Gli altri tre musicisti considerati sono tutti statunitensi. Bill Connors (1949) si è distinto per una musica che mescola a suo modo elementi acustici ed elettrici. Ha fatto parte dei Return to Forever, ha registrato per la ECM e lavorato con gente diversa quale Paul Bley, Jimmy Giuffre, Jan Garbarek, Stanley Clarke. Nel 2004, dopo lungo silenzio, ha pubblicato un nuovo album a suo nome.

It's birds of feather in this episode–Gary Peacock joins us to talk about a live date from 1999 featuring his long-time colleagues, the late great Paul Bley and Paul Motian. But first is Brandee Younger, one of the bright lights in today's music vanguard, and the hippest harpist since Dorothy Ashby and Alice Coltrane.  From leader, to side gigs, and mix tape compilations, it's an endless list that proves how in demand Younger is. She's paid her dues with the likes of Clark Terry, Jackie McLean, and Quincy Jones, and cut her teeth with John Legend, Makaya McCraven, and Postmodern Jukebox. Her Soul Awakening is a wake up call to anyone craving something from the celestial crossroads–its somewhere in-between hip-hop in the classical world, but with the backdrop of jazz. Taking cue from Ornette Coleman's "When The Blues Leave," Gary Peacock, Paul Bley, and Paul Motian's live date has finally seen the light of day 20 years later. As to be expected from this legendary trio of players, the music is brilliant with incisive swing that the three improvised with charm. Not to mention a subtlety that proves telepathy is possible–at least among musicians. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.