Podcast appearances and mentions of Fred Hersch

El cantante estadounidense Kurt Elling grabó el pasado mes de agosto, con el pianista Sullivan Fortner, un disco titulado 'Wildflowers vol. 1' que contiene canciones como 'Paper doll', 'A memory of enchantment' o 'A wish (Valentine)' de Fred Hersch y Norma Winstone -con la voz de Cécile McLorin Salvant- y, en septiembre, a dúo con el pianista Joey Calderazzo, 'Wildflowers vol. 2' con temas como 'It´s only a paper moon', de Harold Arlen y Yip Harburg, o 'Current affairs' de Joe Zawinul. Del disco 'Rio fantasia' del trío del baterista Duduka da Fonseca los cortes 'Navegar', del pianista David Feldman, y 'Soccer ball' de Toninho Horta. La cantante y compositora brasileña Ilessi firma un disco sobre la diáspora africana, 'Atlántico negro', con canciones como 'Oxum (Ora ie ie ie) Oxum (Oxum boi le ô)' o 'Cativeiro de Iaiá'/'E vem o nego paturi'. Despide el percusionista Fabio Bergamini con 'Akshara'. Escuchar audio

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Hace 50 años que se grabó en Johannesburgo este disco del grupo sudafricano Themba ahora reeditado y del que suenan los cortes 'Themba themba' y 'Fana fana'. Del disco brasileño de la pianista canadiense Rosnes, 'Crossing paths', 'Pra dizer adeus' de Edu Lobo -con la voz del propio Edu-, 'Essa mulher' de Joyce Moreno y Ana Terra -con la voz de Joyce-, 'Trilhos urbano' de Caetano Veloso y 'Amor até o fim' de Gilberto Gil. Y Kurt Elling, el cantante de Chicago, acompañado por el pianista Sullivan Fortner en 'Ana Maria', de Wayne Shorter, y por el pianista Joey Calderazzo en 'Lost in the stars' de Kurt Weill y Maxwell Anderson y 'Stars (Endless stars)' de Fred Hersch y Norma Winstone. Abren la sesión Carlos Malta y Pife Muderno con 'Lero lero' de su disco 'Edu pife' dedicado a Edu Lobo.Escuchar audio

Fern Lindzon is a Canadian multi-style pianist, vocalist, composer and improvisor. She recently released a great album with her newjazz trio project Tryptique with Colleen Allen and George Koller ,and we're featuring music from that album as well as some of her other work, including her Juno-nominated album Two Kites. We talked about her mother, the artist Rose Lindzon, many mentors and influences including Don Thompson, Alan Bern and Marilyn Lerner, and several of Fern's projects including creating silent film music, Klezmer with the Sisters of Sheynville, and her new project of learning the expressive electronic instrument the Haken Continuum. In fact, what really struck me about talking to Fern was her thirst to continuously expand her knowledge, skills, and creativity. Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to mywebsite.Fern Lindzon websiteCould youbuy me a coffeeto support this series? Thanks! Another way to support this podcast and channel is to ordermy merchandise. Sign up formy newsletter to get access to information about upcoming guests! Some other episodes I've linked directly to this one, which I think may interest you: Colleen Allen Matt Zimbel Polina Shepherd Marilyn LernerKellylee EvansKait DuntonTimestamps:(00:00) Intro (03:08)Fern's mother the artist Rose Lindzon(07:02) Tryptique, decision to focus on piano playing(12:29) studying jazz with Don Thompson, Fred Hersch(17:04) excerpt of Eucalyptus from Tryptique(18:45) creativity prompts, silent film music(22:28) clip from the Windmills of Your Mind from album Like a Circle in a Spiral(23:52) Tryptique, Bach chorale inspiration(25:37) clip from Do Look from Tryptique(26:53) Las Meninas project, Canarios, inspiration from visual art, Gaspar Sanz (29:50) clip from Canarios from Tryptique (30:39) how to get support for projects, Marilyn Lerner(32:46) Doug Wilde(34:19)clip from Wondering from Tryptique(35:24)silent films, musical evolution and education(42:24) Klezmer, Sisters of Sheynville, Alan Bern(45:49) other episodes you'll like and different ways to support this series(46:42) Tryptique, George Koller(48:10) clip from Compassion Blues from Tryptique(50:23) Toronto jazz scene(54:27) Two Kites album(57:00) clip from Two Kites(57:59)singing, lyrics(1:04:19) To See Through Infant Eyes from Moments Like These(1:08:38)A Circle in a Spiral, Peter Bragg photographer(01:11:22) teaching, Fern's childhood, listening parties(01:16:45) Haken continuum

Lange unterbewertet, ist es Fred Hersch gelungen, sich in die Riege der ganz Großen einzureihen. Die Autobiografie des Pianisten, der sich als einer der ersten Jazz-Musiker zu seiner Homosexualität bekannt hat, trägt den vielsagenden Titel Good Things Happen Slowly. Von Karsten Mützelfeldt.

An den Rändern des Jazz und aus dem Dschungel der Neuveröffentlichungen || Heute eine Nachlese des 2024er Jahrgangs, ganz subjektiv, ziemlich gechillt und mit einer kleinen Prise Zimt gewürzt: Adam Baldych: Portraits | Jansen/Jormin/Steinmetz: The Pilgrimage | Hildegunn Oiseth Quartet: Garden on the roof | Tomasz Stanko Quartet: September Night | Fred Hersch: Silent, listening | Ches Smith: Laugh ash | Aubrey Logan: Christmas | Christoph Stiefel: Full tree | Michael Wollny & Joachim Kühn: Duo (Sendung vom 26.12.)

El pianista estadounidense Fred Hersch con la WDR Big Band en el disco 'Begin again' ('Havana', 'Pastorale', The Orb), el pianista británico Bill Laurance también con la WDR Big band en 'Live at Philarmonie ('Golden hour', 'The good things', 'The rush'), el pianista cubano Omar Sosa con la NDR Big Band en 'es. sensual' ('Cha cha du Nord', 'My three notes') y Jazz at Lincoln Center Orchestra en 'The music of Wayne' ('Yes or no').Escuchar audio

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

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Mit seinen Soloauftritten füllt der US-Pianist Fred Hersch die renommiertesten Konzertsäle der Welt und begeistert Jazz- und Klassikfans gleichermassen. Sein Leben auf Tournee ist aber nicht ohne grosse Strapazen – insbesondere deshalb, weil er sich in den frühen 80ern mit HIV angesteckt hat Langzeitüberlebende aus der frühen AIDS-Krise sind heutzutage rar. Fred Hersch aber hat überlebt und kann von den Leiden und Ängsten berichten, welche HIV-Infizierte in den 80ern und 90ern durchlebten. Davon auch, wie damals gesellschaftlich mit dem Thema HIV/AIDS umgegangen wurde und Nahtoderfahrungen seine Kreativität beeinflussten. Dank der modernen Medizin kann Fred Hersch heute ein erfolgreiches Künstlerleben führen. Mit seinem Coming-out Mitte der 90er wurde er aber zudem zum Sprachrohr vieler Betroffener und schliesslich zu einem angesehenen AIDS-Aktivisten. Im Podcast zu hören sind: * Fred Hersch, Pianist und AIDS-Aktivist * Beate Schappach, Theater- und Literaturwissenschaftlerin und Autorin des Buches «Aids in Literatur, Theater und Film» Erstsendung: 14.5.2024 Bei Fragen, Anregungen oder Themenvorschlägen schreibt uns: kontext@srf.ch Mehr zum Kontext Podcast: https://srf.ch/audio/kontext

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Último programa del curso. Selección variada de jazz internacional con Fred Hersch, Eric Surmenian, Gerald Cannon, Cosmic Express Quintet y John Zorn para presentar a las cinco propuestas del Festival Huesca es Jazz: Pablo Rodríguez & Humberto Ríos, Martín Meléndez, Eva Fernández, Álex Conde y Jazz for Kids.Temas que suenan en el programa:01 2024 Fred Hersch - Silent, Listening (4' 44'')02 2024 Eric Surmenian - Itsas Behea / Marée Basse 07 Zeruarekin Jolasten (3' 04'')03 2022 Gerald Cannon - Love At Dizzy's Club - The Music of Elvin & McCoy 08 Inception - Eddie Henderson Sherman Irby Joe Lovano Steve Turre Dave Kikoski Lenny White (5' 06'')04 2020 Cosmic Express Quintet - Isolation 19 (Live) - Benjamin Löfgren Isak Ingvarsson Ima Baeza Bilgin Olle Lannér Risenfors Johan Förnell (5' 40'')05 2023 John Zorn Chaos Magick - Parrhesiastes 02 The Evental Devalorization of the Perhaps - John Medeski Brian Marsella Matt Hollenberg Kenny Grohowski (9' 17'')06 2019 Pablo Rodríguez & Humberto Ríos Conversaciones 01 Transoceánica (5' 17'')07 2022 Martín Meléndez - I have a dream - Big Afro - Lucía Fumero Gabriel González (3' 10'')08 2022 Eva Fernández - ¿Cómo llamar a esto? - Josep Munar (3' 38'')09 2023 Álex Conde - Barrio del Carmen - Pablo Martín Caminero Michael Olivera (6' 01'')10 2024 Jazz for Kids - IV Festival de Jazz de Barbastro 07 Take the A train (2' 04'')Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.

Lexington's Weaver is Park National Bank Athlete of the Month: https://www.richlandsource.com/2024/06/06/faith-over-fear-lexingtons-weaver-is-park-national-bank-athlete-of-the-month/ The Richland School of Academic Arts enrollment page: https://richlandschool.esvportal.com/Login.aspx  Today - We hear from recent athlete of the month, Lexington's Elyana Weaver, a recently-graduated middle-distance runner whose achievements have been nothing short of remarkable.Support the show: https://richlandsource.com/membersSee omnystudio.com/listener for privacy information.

JANE IRA BLOOM MIGHTY LIGHTS New York, November 17-18, 1982Lost in the stars (1), Mighty lights, I got rhythm but no melodyJane Ira Bloom (sop) Fred Hersch (p-1) Charlie Haden (b) Ed Blackwell (d) DAVID KIKOSKI INNER TRUST New York, December 19, 1997Some other blues, You don't know what love is, We seeDavid Kikoski (p) Ed Howard (b) Leon Parker (d JOHN LAKE ENSEMBLE & IN SITU Brooklyn – July 26, 2016, January 24, 2018, & October 28, 2021Spring Is HereJohn Lake (t/comp) Jordan Pettay (sa) – Jonathan Beshay (st) Robert Edwards (tbn) Jay Sawyer (dr) Brooklyn – July 26, 2016, January 24, 2018, & October 28, 2021Monk's Mood, NightwatchJohn Lake (t/comp) Steve Kortyka (sa) Sam Dillon (st) Nick Grinder (tbn) Chris Smith (dr) Continue reading Puro Jazz 20 de junio 2024 at PuroJazz.

NYC flutist, composer, Sunnyside Records artist, producer, and clinician, Jamie Baum, has toured the US and over 35 countries performing at major festivals, clubs, and concert halls including the Monterey, Madrid, Oeiras, Bermuda, Edinburgh, North Sea, Winter Jazzfest and London Jazz Festivals, Tampere Jazz Happening, Guimaraes Jazz Festival, Jazztopad, Bimhuis, Unterfahrt, Jazz Gallery, Jazz Standard, 55 Bar, Dizzy's, Blue Note, etc.. She's performed with artists as renowned and diverse as Randy Brecker, Roy Hargrove, Donald Brown, Tom Harrell, Paul Motion, Mick Goodrick and Kenny Barron to Dave Douglas, Fred Hersch, Leni Stern, Louis Cole, Jane Bunnett, David Binney, Ralph Alessi, Ben Monder, Anthony Braxton, Karaikudi Mani, V. M. Bhatt, Navin Chettri and Wadada Leo Smith. Though focusing primarily on jazz, she's been involved in several projects performing classical, new music, Brazilian and Latin music. Receiving critical praise for seven CD's as a leader, with most making several “Best CDs of the Year” lists and four stars from DownBeat, her recently-released What Times Are These received five stars in DownBeat. Inch By Inch (GM Recordings), by the cooperative band Yard Byard: The Jaki Byard Project (w/Jerome Harris, George Schuller), also received four stars from DownBeat. Jamie has appeared on over 40 recordings as a sidewoman including those by Dave Binney, George Colligan, Ursel Schlicht, Frank Carlberg, Patrizia Scascitelli, Taylor Haskins, Monika Herzig, Louise Rogers, Sarah McKenzie, Steve Lampert, Brian Landrus, Laura Andel, Judi Silvano, Shigeko Suzuki, James Hall, etc. Ms. Baum's many awards and grants for composing and touring include the 2022 Cafe Royale Recording Grant, 2021 South Arts Jazz Road Touring Grant, 2020 International Society of Jazz Arrangers & Composers (ISJAC) Covid Relief Commission, Foundation for Contemporary Arts 2020, 2020 Chamber Music America Jazz Presenter Consortium, 2018 USArtists International Touring Grant, 2017 New Music USA Project Grant, and a 2014 Guggenheim Foundation Fellowship. Baum was selected as a 2014-15 Norman Stevens Fellow/MacDowell resident and has since been awarded residencies again at MacDowell (2021), at UCross (2015), and at VCCA (2020). She won the '99 International Jazz Composers Alliance Award, 2010 CAP Award (American Music Center), the 2003 New Works: Creation and Presentation Award and the 2007 Encore Award, both components of the Doris Duke/CMA Jazz Ensembles Project. Ms. Baum has been in the DownBeat Critics Polls annually since 1998, making #1 “Rising Star Flutist” in '12, #2 “Flutist” in '19, and #3 “Flutist” in '20. She was named a "Major New International Talent” in 2015 lists by both “Musica Jazz” and “Jazzit” (Italy), was #2 “Flutist of the Year” in the 2018 Eleventh Annual International Critics Poll and tied for 4th place with Hubert Laws in the 2018 JazzTimes Critics Poll. Jamie was included in Huffington Post's "Twenty-five Great Jazz Flute Performances”, nominated by the Jazz Journalists Association for “Flutist of the Year“ fourteen times, and The Jamie Baum Septet+ was nominated in 2014 "Best Midsize Ensemble" - in the same list with only two other bands -The Wayne Shorter Quartet and Steve Coleman's Five Elements! Media attention for her recent CD, Bridges, and previously released, In This Life, brought features on WBGO's RADAR and NPR's All Things Considered, reviews in The New York Times, DownBeat, JazzTimes, All About Jazz, etc.. and two hour-long feature/retrospectives on major German and Czech public radio shows. Bridges was voted #4 in the 2018 JazzTimes Readers Poll for “Best New Release,” and In This Life was in the "Best CDs of 2013” lists including Boston Globe, iTunes, and Francis Davis' NPR Music Jazz Critics Poll. Recently, Baum was included in the JazzTimes 10: Essential Jazz Flute Albums (2019), 3 Questions for Today's Jazz Musicians by Lilian Dericq, Cricket Publishers (Paris), the “Woodshed” in DownBeat, January 2019, and was the flutist on “The Essence of the Blues -- Flute: 10 Great Etudes for Playing and Improvising, Book & CD”, (Jim Snidero “play-along” series, 2019). Through a highly competitive auditioning process, Jamie was chosen to tour for the DOS/Kennedy Center Jazz Ambassador program from '99 -'03 in South America and South Asia. The US State Department also sponsored later shorter tours, in addition to several isolated US Embassy-sponsored programs while Baum was on her tours in Europe and South Asia. Baum's two main active projects featuring her compositions include The Jamie Baum Septet+, together since 1999, and her Short Stories band marking five years by performing at the 2020 Winter Jazzfest. In addition, she co-leads Yard Byard: The Jaki Byard Project and is involved in several other projects either as co-leader or side-woman, including The Richie Beirach/Jamie Baum Duo and NYC Jazz Flutes. Baum has been on the faculty of the Manhattan School of Music Jazz Arts department at since 2006, on the adjunct faculty roster at the New School University since 2004, and taught at Berklee College of Music (2011-2013). Summer jazz programs Baum has taught composition, improv, and flute technique, and coached ensembles at including the Stanford Jazz Workshop Institute, Litchfield Jazz Camp, Maryland Jazz Camp, etc. A clinician for Altus Flutes/KHS America since 1993, they have sponsored her innovative, pioneering workshop "A Fear Free Approach to Improvisation for the Classically-Trained Musician” TM, "A Fear Free Approach to Composition for the Improvising Musician” TM and “Flute Technique for Doublers” at colleges, conservatories, festivals, flute clubs and “music and art” schools worldwide.  

Del guitarrista y compositor Pat Metheny a algunos nombres escogidos por Ted Gioia, como Howie Lee o Mei Semones. También Gregory Porter, Lauren Henderson con Mark Dover y Michael Thurber, Melody Gardot o Maro con Nasaya. Más Músicas Posibles.MoonDial                  Pat Metheny    MoonDialSoftly, as in a Morning Sunrise                    Fred Hersch    Silent, ListeningMantra of Manjushri 文殊菩萨心咒           Howie Lee      At The Drolma Wesel-Ling MonasteryTegami                       Mei Semones  KabutomushiMahal             Glass Beams   MahalThe World (Is Going Up In Flames) Gregory Porter           The World (Is Going Up In Flames) [BBC Series This Town]Ven Muerte               Lauren Henderson, Mark Dover, Michael Thurber   Alma OscuraOnce I Was Loved    +Samba Em Prelúdio con Philippe Powell    +La chanson des vieux amants           Melody Gardot           Sayonara Meu AmorSparrow con Angelique Kidjo +       Your Love con Meshell Ndegeocello y Brandee Younger             Lizz Wright   ShadowLifeline   Maro y Nasaya   LifelineEscuchar audio

Mit seinen Soloauftritten füllt der US-Pianist Fred Hersch die renommiertesten Konzertsäle der Welt und begeistert Jazz- und Klassikfans gleichermassen. Sein Leben auf Tournee ist aber nicht ohne grosse Strapazen – insbesondere deshalb, weil er sich in den frühen 80ern mit HIV angesteckt hat. Langzeitüberlebende aus der frühen AIDS-Krise sind heutzutage rar. Fred Hersch aber hat überlebt und kann von den Leiden und Ängsten berichten, welche HIV-Infizierte in den 80ern und 90ern durchlebten. Davon auch, wie damals gesellschaftlich mit dem Thema HIV/AIDS umgegangen wurde und Nahtoderfahrungen seine Kreativität beeinflussten. Dank der modernen Medizin kann Fred Hersch heute ein erfolgreiches Künstlerleben führen. Mit seinem Coming-out Mitte der 90er wurde er aber zudem zum Sprachrohr vieler Betroffener und schliesslich zu einem angesehenen AIDS-Aktivisten. Im Podcast zu hören sind: * Fred Hersch, Pianist und AIDS-Aktivist * Beate Schappach, Theater- und Literaturwissenschaftlerin und Autorin des Buches «Aids in Literatur, Theater und Film» Bei Fragen, Anregungen oder Themenvorschlägen schreibt uns: kontext@srf.ch Mehr zum Kontext Podcast: https://srf.ch/audio/kontext

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Episode 6: A conversation Sara Gazarek►Sara Gazarek website: https://saragazarek.comBorn and raised in Seattle, WA, GRAMMY Award® winning jazz vocalist Sara Gazarek reigns as one of the most creative voices of her generation, and one “who may well turn out to be the next important jazz singer” (Los Angeles Times). Collaborating with jazz legends Fred Hersch, Billy Childs, Kurt Elling, and more, and with 6 critically-acclaimed albums under her belt at the age of 40, Gazarek often tours internationally as a soloist/band leader, and as a co-founder of the vocal collective, säje, whose debut album earned a GRAMMY Award® for Best Arrangement Instruments and Vocals. Sara is a 2023 Chamber Music of America New Jazz Works grant recipient, serves on the LA Chapter Board of Governors for the Recording Academy, and works as an Associate Professor of Jazz Voice at the Eastman School of Music (University of Rochester) where she is currently designing and leading their new jazz voice program. Sara's full length nonet project, an expansion of her critically celebrated EP Vanity, is set to release in Fall of 2024.Humanity is at the core of this artform, I am human, everyone is human. If I'm not embracing the spectrum of humanity, what am I doing with this genre that I've dedicated my life to?”~Sara Gazarek►Key Moments:0:00 - Introductions4:13 – Seattle, in the beginning… 5:48 – given permission to be myself/having respect for the music7:40 – feeling embarrassed about “things I didn't know”.10:30 – “Even if I don't know, I'm going to keep on going”. No imposter's syndrome13:25 – Launch of a career…18:18 – Merit as currency19:13 –“You can't control why people write good or bad reviews” ~John Clayton25:00 – “Everything I do, I throw 100% of myself into it”.25:37 – No barriers to creative expression29:19 – Being ok with what we can't control33:00 – säje37:50 – Values and Intentions in music making43:10 – Thirsty Ghost►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Editing: Max NierlichVideo and Audio Capture: Dudley MerriamGraphic Design: Marcus SassevilleAdditional Graphic Design: Izzi GuzmanRecorded in Miami, FL, April, 2023►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)#saragazarek #jazzvocal #sageSupport the Show.►CreditsHost and Producer: John DaversaVideo: Max NierlichAudio: Dudley MerriamMarcus Sasseville: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

durée : 01:01:05 - Club Jazzafip - Le Club vous plonge dans la programmation de la 23e édition du festival parisien qui se tiendra du 13 au 20 mai avec Stacey Kent, Kareen Guiock Thuram, Shani Diluka, Rémi Panossian Trio, Fred Hersch, Laurent Coulondre ou Émile Parisien.

Esperanza Spalding Interview Esperanza Spalding, a Portland-born jazz musician, rose to prominence with her versatile talent as a bassist, singer, and composer. Trained in classical music from childhood, she explored various genres, leading to groundbreaking albums like "Esperanza" and "Chamber Music Society." Her Grammy win for Best New Artist in 2011 propelled her to international recognition despite competition from mainstream pop acts. Spalding's commitment to artistic integrity is evident in her experimental projects, such as writing and recording an album in 77 hours and exploring spirituality through music on "Songwrights Apothecary Lab." Collaborations with renowned artists like Wayne Shorter and Fred Hersch further cement her status as a jazz luminary. Now, as she embarks on a tour, she continues to captivate audiences with her innovative compositions and virtuosic performances.

Featuring the brilliant Telecaster stylings of Jim Campilongo; epic large ensemble arrangements from clarinetist Mike McGinnis' upcoming release; the classic beauty of the Bill Mays Trio; new music from a solo release of one of the great living pianists, Fred Hersch; a cut from Erik's piano trio record ‘Decades'; downtown music legends Sex Mob; and finally, the queen… Nina Simone.

In the 34th episode of the ECM podcast we're joined by pianist Fred Hersch, whose solo-debut for ECM Records, "Silent, Listening", was recorded in Lugano, in 2023 and produced by Manfred Eicher. In the conversation, Fred talks about the close collaboration with Manfred Eicher, the serendipity of life and how special this album is to him.

Der US-Amerikaner Fred Hersch ist seit Jahren einer der führenden Jazzpianisten weltweit. Sein lyrisches und deutlich vom Impressionismus geprägtes Spiel ist so einmalig wie seine narrative Kunst der Improvisation. Im vergangenen Jahr wurde er zum ersten Mal von ECM Records eingeladen, eine Solo-CD für das Label aufzunehmen. Auf dem Album interpretiert Fred Hersch sieben eigene Kompositionen, die in meditative und zeitgenössische Klangwelten entführen. Aber auch bekannte Jazzstandards sind zu hören. Eine reizvolle Mischung, die den 1955 in Ohio geborenen Pianisten Fred Hersch auf dem Höhepunkt seiner Meisterschaft zeigen. „Silent, Listening" ist ein sehr anspruchsvolles, aber bereicherndes Soloalbum mit viel Wagniskapital - meint unser Jazzkritiker Georg Waßmuth.

durée : 00:59:30 - Fred Hersch - par : Alex Dutilh - Parution de “Silent, Listening” de Fred Hersch en solo, chez ECM.

durée : 00:59:30 - Fred Hersch - par : Alex Dutilh - Parution de “Silent, Listening” de Fred Hersch en solo, chez ECM.

Natürliches Fließen zeichnet die Musik des 1955 geborenen Pianisten und Komponisten Fred Hersch aus. Nun hat er ein neues Album herausgebracht: "Silent, Listening" - mit einem bedeutungsvollen Komma zwischen beiden Wörtern. Roland Spiegel hat das Album angehört.

BETTY CARTER IT'S NOT ABOUT THE MELODY New York, 1992In the still of the night (1,4,8)Betty Carter (vcl) acc by Craig Handy (ts-10) Cyrus Chestnut (p-1) Mulgrew Miller (p-2) John Hicks (p-3) Ari Rowland (b-4) Christian McBride (b-5) Walter Booker (b-6) Clarence Penn (d-7) Lewis Nash (d-8) Jeff “Tain” Watts (d-9) JANE IRA BLOOM MIGHTY LIGHTS New York, November 17-18, 1982I got rhythm but no melodyJane Ira Bloom (sop) Fred Hersch (p-1) Charlie Haden (b) Ed Blackwell (d) GERI ALLEN IN THE YEAR OF THE DRAGON New York, March, 1989Oblivion, The InvisibleGeri Allen (p) Charlie Haden (b) Paul Motian (d) Juan Lazaro Mendolas (bamboo-fl-1) REGINA CARTER MOTOR CITY MOMENTS New York, April 19, 20, 21 & 25, 2000Don't git sassyMarcus Belgrave (tp) James Carter (b-cl,ts) Werner “Vana” Gierig (p) Regina Carter (vln) Darryl Hall (b) Alvester Garnett (d) ALICE COLTRANE PTAH, THE EL DAOUD Dix Hills, New York, January 26, 1970Mantra (1)Pharoah Sanders (ts-1,alto fl-2,bells) Joe Henderson (ts,fl) Alice Coltrane (p,harp-3) Ron Carter (b) Ben Riley (d) Chuck Stewart (bells) CARLA BLEY THE LOST CHORDS Live, Europe, October, 2003Tropical depressionAndy Sheppard (sop,ts) Carla Bley (p) Steve Swallow (el-b) Billy Drummond (d) MARIA SCHNEIDER CONCERT IN THE GARDEN New York, March 8-11, 2004Danca illusoria (1,2)Tony Kadleck, Greg Gisbert, Laurie Frink, Ingrid Jensen (tp,flhrn) Keith O'Quinn, Rock Ciccarone, Larry Farrell (tb) Pete McGuinness (tb-1) George Flynn (b-tb,contrabass-tb) Tim Ries (as,sop,cl,fl,alto-fl,b-fl) Charles Pillow (as,sop,cl,fl,alto-fl,oboe,eng-hrn) Rich Perry (ts,fl) Donny McCaslin (ts,sop,cl,fl) Andy Middleton (ts-2) Scott Robinson (bar,fl,cl,b-cl,contrabass-cl) Gary Versace (accor-3) Frank Kimbrough (p) Ben Monder (g) Jay Anderson (b) Clarence Penn (d) Jeff Ballard, Gonzalo Grau (cajon-4) Luciana Souza (vcl,pandeiro-5) Maria Schneider (comp,arr,dir) Continue reading Puro Jazz 07 marzo 2024 at PuroJazz.

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This week, Joe is featuring Pianist Fred Hersch from his 2012 Transdreamer LTD recording “Alive at the Vanguard.”

MIXOLOGIE, mardi, jeudi et samedi de 19h à 20h sur Art District Radio. Serge Mariani nous fait partager sa playlist Mixologie Vol. 31 Comme chaque été, si aucune pandémie ou autre drame d'envergure ne survient, les festivals de jazz reviennent rappeler à notre souvenir leur existence et partagent leur programmation plus ou moins en phase avec ce que nous attendons de cette musique et ce que nous entendons par là, je veux dire de ce côté d'une créativité originale et audacieuse, innovante même, pourquoi pas, qui emprunte à ce bon vieux jazz, un centenaire tout de même, tout ou partie de ses codes et figures de style. De Marc Ribot à Mark Priore en passant par BabX, Ricardo Izquierdo, Senem Diyici et Le Cri du Caire, nouvelle démonstration au fil des 11 titres de cette playlist, 31ème de la série. Bonne dégustation et bon festival !  1/ RICARDO IZQUIERDO / Adentro / album Kikun Pelu Mi wa (2023) /  06.00 2/ LE CRI DU CAIRE / Pearls for orphans / album Le Cri du Caire  (2022) / 05.10 3/ FARAJ SULEIMAN / Rama Village / album As Much As It takes  (2023) / 05.20 4/ SENEM DIYICI / Deniz Deniz / album Nara (2022) / 05.10 5/ BABX / Carnaval / album Une Maison Avec Un Piano Dedans  (2023) / 05.00 6/ MARC RIBOT / Crumbia / album Ceramic Dog (2023) / 04.30 7/ PHIL HAYNES / Things Lee / album No fast Food III Coda(s) (2023) /  05.40 8/ FREDDIE BRYANT / My Home Sings / album Upper West Side Love  Story (2023) / 06.20 9/ MARK PRIORE / Colors (for Fred Hersch) / album The Many Facets  of a Day (2023) / 04.10 10/ SUZANNE / Her Place / album Travel Blind (2023) / 05.15  11/ HAKAN TOKER / Şehir Hayatı / album Şehir Hayatı (City Life)  (2018) / 05.40

El maestro Fred Hersch destaca de él su "creatividad", también su "alegría, humor, valentía y maestría pianística". Jason Moran añade que es "un perfecto bailarín" al instrumento, y apunta a que su "futurismo" es "ancestral". Ambos fueron maestros de nuestro invitado.Conversamos con Sullivan Fortner, uno de los pianistas más originales del momento, colaborador habitual de Cécile McLorin Salvant, que presenta "Solo Game", un disco doble con dos caras muy contrastadas de su forma de entender la música.Hablamos con Fortner del proceso de creación del disco, de su relación con Hersch y Moran, del sentido del humor en la música y las inseguridades del pianista, entre otros temas.Suscríbete al podcast en www.patreon.com/clubdejazzradioTodos los derechos: www.elclubdejazz.com Suscríbete a Club de Jazz y no te pierdas ni un programa Hosted on Acast. See acast.com/privacy for more information.

You're an aspiring musician, and you want to learn from the best. But sometimes it becomes difficult, as the student in many aspects, has learned as much as the teacher in their hometown knows. But finding music instructors of the next level can be time consuming, and often quite expensive. Enter the online platform “Open Studio”. Created by entrepreneur and acclaimed jazz pianist Peter Martin, this web-based program affords you the opportunity and ability to learn from some of the best musicians in the world. At your pace, and within your level of expertise without fear of being overwhelmed.   In this episode, we discuss the Open Studio concept, how it's designed to work at one's own pace, and its benefits as a useful and versatile learning tool for creative musicians. We also chat with Peter's new jazz album project titled “Generation S”. Peter Martin is an acclaimed jazz pianist, composer, arranger, educator and entrepreneur. His touring career has taken him to six continents, and Brian has been invited to play the White House on several occasions. Peter Martin performed on and arranged Dianne Reeves' Grammy-winning release A Little Moonlight and appeared in George Clooney's 2005 film Good Night, and Good Luck, as well as being the featured pianist and an arranger on the Grammy-winning soundtrack. Peter has also performed, toured, and recorded with Wynton Marsalis, Chris Botti, Betty Carter, Christian McBride, and Joshua Redman, as well as the Berlin Philharmonic, Chicago Symphony Orchestra and the New York Philharmonic. Peter attended the Juilliard School of Music and has been on the faculties of Southern Illinois University-Edwardsville, Northwestern University, Tulane University, the University of New Orleans and New Orleans Center for Creative Arts. He has performed workshops and master classes at institutions worldwide, including Oberlin College, Duke University, the Carnegie Hall Professional Training Workshops, Steinway Piano Gallery, the Rotterdam Conservatory, and the Royal Scottish Academy of Music in Glasgow. In 2015, after launching an successful educational video podcast, 2-Minute Jazz, Martin founded a revolutionary jazz educational web platform, Open Studio, where students from over 120 countries are part of an active community and are continuing to learn from Martin, Dianne Reeves, Fred Hersch, Christian McBride, Greg Hutchinson, Romero Lubambo and other artists. www.openstudiojazz.com www.brianmartinmusic.com Creator and Executive Producer Emeritus: Tom Sabella Showrunner and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: bob@businesssideofmusic.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at bob@businesssideofmusic.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2024 Lotta Dogs Productions, LLC, All rights reserved.

'Brazilian match' es un disco del compositor y cantante brasileño Luiz Millan con colaboraciones de músicos como Randy Brecker, David Sanborn o Mike Mainieri y las voces de Lisa Ono, Clémentine o New York Voices: 'Pacuíba', 'Full moon', 'Andar descalço', 'Morungaba' y 'Que os ventos limpem os tempos'. Del disco del percusionista brasileño Nanny Assis, 'Rovania', en el que participaron Ron Carter, Randy Brecker, Chico Pinheiro, Fred Hersch, Lakecia Benjamin... piezas como 'Manhã de carnaval', 'No agora', 'Nenhum' o 'Back to Bahia'. Del último disco de Pat Metheny 'Dream box' sus versiones de 'Never was love', 'I fall in love too easily' y 'Morning of the carnival'.Escuchar audio

Mary Jo Salter is the author of eight books of poetry including The Surveyors (2017) and, most recently Zoom Rooms: Poems (2022). She is also a lyricist whose song cycle “Rooms of Light: The Life of Photographs" was composed by Fred Hersch. Her children's book The Moon Comes Home appeared in 1989; her play Falling Bodies premiered in 2004. She is also a co-editor of The Norton Anthology of Poetry (4th edition, 1996; 5th edition, 2005; 6th edition, 2018). Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Prepare for an immersive journey into Sullivan Fortner's latest masterpiece, "Solo Game," alongside Adam and Peter. Witness the brilliance that has garnered acclaim from piano legends, who boldly proclaim it as the epitome of solo piano in this generation. Are you ready to experience the hype for yourself? Share your thoughts on whether it lives up to the acclaim.Links from the pod ↓Fred Hersch's courseSullivan Fortner's Solo GameHave a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

El pìanista argentino estadounidense Carlos Franzetti con 'In the wee small hours of the morning', 'Memories of you' y 'How deep is the ocean' en su disco 'In the wee small hours of the morning'. La cantante chilena Claudia Acuña con 'Júrame' -acompañada por el piano de Fred Hersch-, 'Verdad amarga' -con la guitarra de Russell Malone-, 'Eclipse de luna' -con el contrabajo de Christian McBride- y 'Crystal silence' en su disco 'Duo'. La cantante argentina Delfina Cheb con 'A una perla', 'Como dos extraños', 'Esquinas porteñas', 'Nada' y 'Siempre se vuelve a Buenos Aires' de su disco 'Buenos Aires' producido por Javier Limón. Para despedir, Astor Piazzolla en concierto en Viena a ediados de los 80 con 'Libertango' y 'Adiós nonino'.Escuchar audio

------------------------------- 10/23~10/31 招募訂閱制 創始VIP會員! 創始優惠只有一次 把握機會～ ------------------------------- 通勤學英語VIP訂閱方案：https://open.firstory.me/join/15minstoday VIP會員文章主題許願表單：https://forms.gle/xyHoPydBr6LLFL9q8 ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 主題投稿/意見回覆 : ask15mins@gmail.com 「社會人核心英語」有聲書課程連結：https://15minsengcafe.pse.is/554esm 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下有參考逐字稿～ 各播放器有不同字數限制，完整文稿可到官網搜尋 ------------------------------- 想要這集的VIP學習筆記 (內含主題討論逐字稿、常用慣用語片語及同義字、聽力小測驗)？ 加入VIP訂閱：https://open.firstory.me/join/15minstoday Summary: 討論文章: https://genius.com/Fred-hersch-and-esperanza-spalding-a-wish-lyrics This week we have a new co-host! The one-and-only Radio DJ and Jazz singer Shimin~ This week she will introduce to us one of the living Jazz legends - Fred Hersch. We'll be covering the lyrics to one of his signature hits - the Wish. Hope you will enjoy this episode with us as much as we enjoyed producing it!

Actor Clancy Brown has been working since the 1980s and has played some memorable villains over the years in movies, including Shawshank Redemption, Highlander and, coming out later this month, John Wick 4. But he may be best known as the voice of Mr. Krabs on the animated show Spongebob Squarepants.Kevin Whitehead revies the new jazz recording by Fred Hersch and Esperanza Spalding, and John Powers reviews the new novel Birnam Wood by Booker Prize-winner Eleanor Catton.

If millions of Americans have access to classified documents, can we really call them secrets? On this week's On the Media, a former Pentagon official explains how America's bloated classification system came to be. Plus, a look at the stories we tell about Baby Boomers, and how our country might change after they're gone. 1. Oona Hathaway [@oonahathaway], professor at Yale Law School and former special counsel at the Pentagon, on the complicated nature of classified documents. Listen. 2. Noah Smith [@VildeHaya], contributing reporter for The Washington Post, on how a video game led to leaks of military documents. Listen.  3. Philip Bump [@pbump], national columnist at The Washington Post, on his latest book 'The Aftermath: The Last Days of the Baby Boom and the Future of Power in America.' Listen.  4. Brian Lehrer [@BrianLehrer], host of WNYC's The Brian Lehrer Show, on the news events that defined generations. Listen.  Music: Passing Time by John RenbournAtlantic City by Randy NewmanEye Surgery by Thomas NewmanYoung at Heart by Brad MehldauYour Mother Should Know by Brad MehldauWhen I'm 64 by Fred Hersch