Podcast appearances and mentions of annette peacock

Adelantada a su tiempo, visionaria, inclasificable y libre, pionera de la música electrónica y alquimista de la fusión entre jazz, rock y poesia surreal... En este episodio escucharemos la música de Annette Peacock, la auténtica diva oculta de la vanguardia musical del siglo XX, musa inalcanzable de David Bowie e inspiración subterránea de Salvador Dalí. Su carrera discográfica, errática pero fascinante, cautivó por igual a músicos de jazz como sus ex maridos Gary Peacock y Paul Bley, y a luminarias del rock progresivo como el poderoso batería Bill Bruford o el torrencial guitarrista Allan Holdsworth. Interpretaron su enigmáticas composiciones estrellas del calibre de Pat Metheny, Jaco Pastorius, Al Kooper o Mick Ronson. Bautizó uno de sus últimos discos como “El corazón de una acróbata”, acertado título, perfectamente descriptivo de la carrera musical de una funambulista que caminó siempre por el alambre entre la belleza y el riesgo, entre la placidez y el peligro.

Blind Mango kicks off the show with a sensational version of a seasonal standard. Female singers & players feature highly this afternoon — with a stunning trio of pieces from Nina Simone, then the delightfulness of vocalist Annette Peacock, & then the keys of Joanne Brackeen. A Roy Ayers's deep-dig makes an appearance courtesy of Jubt, & a bunch of short-distance, track dedications (&  long distance shout-outs) are sent out to show listeners, & Jazz Show Fam overseas. Miss Dom pops in to host this week's Vinyl Guide, & for some extra B.V.s (lol).  The pair get excited ahead of visiting Navajo trumpeter Delbert Anderson — playing later that arvo in the Spiegeltent with his Quartet as part of the Auckland Arts Festival Indigenous Music Series. 

The Jazz Session No.373 from RaidersBroadcast.com as aired in Jul 2024, featuring the classic 1986 album “Journey to the Urge Within” from Courtney Pine. TRACK LISTING: Symbiosis - Billy Cobham; Back to the Beginning - Bill Bruford, w. Annette Peacock; Brilliant Corners - Thelonius Monk; Margot - Keith Jarrett ; I Believe - Courtney Pine;Peace - Courtney Pine; Hot and Anxious - Fletcher Henderson; Lady Be Good - Lester Young; Chasing Sakura: Impermanence - Seonaid Aitken Ensemble; Shadow Work - John Pope Quintet; Rocky Mount - Stan Tracey Octet; Alone Together - Miles Davis; Saratoga Swing - The Chris Barber Jazz & Blues Band; West End Blues - Louis Armstrong & His Hot Five; When, Where, How and Why - Courtney Pine; Seen - Courtney Pine; Your Gold Teeth II - Steely Dan; Downtown - Tom Waits; Serenade to Sweden - Dizzy Gillespie & His Orchestra; Lazy Bird - John Coltrane.

Blind Mango Chutney presents another surprising smorgasbord of scintillating sounds from the world of jazz - from Wellington saxophonist Oscar Laven soon to play in Auckland to Japanese pianist Hiromi to electronic experimentalists Jon Hassell and Annette Peacock. Special guest saxophonist Ben McNicoll comes in to give us an update on a new venue for the Creative Jazz Club winter series.

Episodio 6.14 de Las Cosas Que Hay Que Escuchar, en el cual nos relajamos un poco, solo un poco, de la vorágine de la realidad que nos rodea mientras escuchamos la música de Big Mama Thornton, Betty Davis, Annette Peacock, Camille Yarbrough, Beck, Bobbie Gentry, Kate Bush, Dean & Britta, Franco Battiato, Gi Pegnotti, Leonard Cohen, Emiliana Torrini e Il Quadro di Troisi Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 2 de junio de 2024 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 3 de junio de 2024 en Radio Asamblea FM 94.1, CABA, y el 4 y el 8 de junio en Radio de la Calle, FM 87.9, Bahía Blanca

Die US-amerikanische Sängerin, Komponistin und Keyboarderin Annette Peacock gehört zu den Pionierinnen elektronischer Musik der 1960er Jahre. Schon früh experimentiert sie grenzüberschreitend mit Jazz, Rock, Pop und Synthesizer. Und ungewöhnlich für diese Zeit ist auch ihre musikalische Handschrift: ähnlich wie später im Hip-Hop setzt sie weniger auf Melodien, denn auf Sprechgesang. Das zeigt auch der Song „Solar System“ aus dem Jahr 1979, mit dem Musikerin Annette Peacock auf die zunehmende Umweltzerstörung, auf die Plünderung des Planeten Erde und den damit zusammenhängenden materiellen Wohlstand hinweist. Für den Mannheimer Popexperten Udo Dahmen gehört Annette Peacock zu den frühen Revolutionärinnen, denen es gelang, ihren Fuß in eine männerdominierte Jazzszene zu setzen. Doch zu seinem Bedauern blieb der vielseitigen Musikerin der große, auch kommerzielle Erfolg versagt.

Episodio 5.41 de Las Cosas Que Hay Que Escuchar, en el cual celebramos nuestras 200 emisiones consecutivas junto a The Boomtown Rats, Suburban Lawns, Ginebras, That Dog, Animal Collective, Jane Siberry, Ataca Paca, Janis Joplin, Annette Peacock, Norma Tanega, Frank Zappa and the Mothers of Invention, The Residents, The Mighty Boosh y Altered Images. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 10 de diciembre de 2023 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 11 de diciembre de 2023 en Radio Asamblea FM 94.1, CABA, y el 12 y 16 de diciembre de 2023 en Radio de la Calle, FM 87.9, Bahía Blanca

Marilyn Crispell is a an amazing pianist. She truly has her own voice in our music as a premiere figure in the Jazz "Avant Garde". Through her long association with legendary saxophonist/pianist/composer Anthony Braxton, and her own career as a leader, she has produced some of the most powerful and original music out there. My own favorites are her ECM recordings with Gary Peacock and Paul Motian, including a wonderful collection of compositions by Annette Peacock, entitled, "Nothing ever was, anyway". More about this inside the interview! Marilyn is also in demand as a teacher. She is frequently invited to participate in workshops all over the world. I am honored to have her as a guest. Please enjoy! MarilynCrispell.comI am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music

Episodio 5.03 de Las Cosas Que Hay Que Escuchar, en el cual nos ilusionamos en vano por la llegada de la lluvia junto a 50 Foot Wave, Bow Wow Wow, Estrella Negra, Alonso Arreola, Deerhoof, The Wolfgang Press, Franco Battiato, De Boca En Boca, Bessie Smith, Annette Peacock, Bobbie Gentry, Crystal Beth, Cibo Matto, Forest For The Trees y Die Katapult, Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 19 de marzo de 2023 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 20 y 21 de marzo de 2023 en Radio Libre, 96.3, Santa Teresita, el 22 de marzo de 2023 en Radio Asamblea FM 94.1, CABA, y el 21 y 25 de marzo de 2023 en Radio de la Calle, FM 87.9, Bahía Blanca

durée : 00:54:02 - Paul Bley - par : Alex Dutilh - La seconde muse de Paul Bley, Annette Peacock, allait lui confier une série de compositions envoûtantes. Le pianiste les reprend avec deux trios successifs, en 1966 dans les albums “Ramblin'” et “Blood”, et en 1968 dans “Mr. Joy”. Florilège remastérisé chez ezz-thetics.

durée : 00:54:02 - Paul Bley - par : Alex Dutilh - La seconde muse de Paul Bley, Annette Peacock, allait lui confier une série de compositions envoûtantes. Le pianiste les reprend avec deux trios successifs, en 1966 dans les albums “Ramblin'” et “Blood”, et en 1968 dans “Mr. Joy”. Florilège remastérisé chez ezz-thetics.

The spirit of the masters, the roots of each music tradition, are like ghosts that accompany a musician's creative process, with more or less awareness based on the musician's disposition, a premise directly explored by Michael Wollny in his latest album, and indirectly explored by every other musician featured on this show, which spotlights Annette Peacock, both a musician ahead of her times and a muse to many. The playlist features Camilla George; Michael Wollny; Christina Galisatus; Robin Holcomb; Annette Peacock; Paul Bley; Gary Peacock, Franz Koglmann; Nels Cline; Frank Kimbrough; Marilyn Crispell, Paul Motian. Detailed playlist at https://spinitron.com/RFB/pl/16716001/Mondo-Jazz (up to "Blood"). Happy listening!

Un programa de música para gente que le gusta la música. Ep.15: La incertidumbre. Annette Peacock, Lucio Balduini, Marvin Pontiac, Booker T Jones, Irreversible Entanglements, Lakecia Benjamin, Marco Sanguinetti, Father John Misty, y más, más y más!!

El inminente tercer álbum de Drugdealer estuvo a punto de entrar en la legendaria categoría de lost albums porque, directamente, estuvo muy cerca a no existir jamás. Al líder de la formación, Michael Collins, no le gustaba su propia voz y, asaltado por la frustración y la inseguridad, estuvo a punto de tirar la toalla hasta que la vocalista Annette Peacock le aconsejó, en un encuentro fortuito, que probara a cantar más alto. Subiendo algún semitono, inspirándose en Phil Lynnot y Nick Lowe, deambulando por los bares y clubs nocturnos de Los Ángeles y buscando el amor en todos y cada uno de los lugares equivocados... Collins encontró su propia voz.El brillante (y casi no ejecutado) trabajo de Drugdealer es una de las novedades recomendadas en esta edición de Future Beats con la que inauguramos la temporada 2022 / 2023. Además Alex García Amat te cuenta cómo Santigold se reinventó su futuro con su regreso y te invita a escuchar la relectura de Bob Dylan de Valerie June, el soul funk gótico de Early James, la inspiradísima neo tropicalia indie de autor a cargo de Tim Bernardes y mucho más: Makaya McCraven, Jonathan Jeremiah, Minino Garay, Conjunto Primitivo o Al-Qasar... Esta es la música que nos conmueve.

Elektroninė muzika, kaip tiltas tarp epochų - dar viena garso kelionė į praeitį: meniškasis Attilio „Art“ Mineo ir kaip skambėjo ateitis 1962-ais; tikrasis „Plastiko amžius“ 1980-aisiais; unikalus balsas bei „Moog“ sintezatorius - Annette Peacock, Rytų atgarsiai - vokiečių multiinstrumentininkas Deuter, o taip pat Estijos elektroninės muzikos pradžia.Ved. Lukas Devita

The Jazz Session No.254 from RaidersBroadcast.com as aired in April 2022, featuring a guest interview with the musician/pianist, singer, and songwriter Tremaine Dawkins, as well as a few of her musical choices. TRACK LISTING: ; This Time the Dream's On Me - Gerry Mulligan, ft. Annie Ross; Henrietta Our Hero - Kamasi Washington, ft. Patrice Quinn; Brigas Nunca Mais - Paula Morelenbaum; Mas Que Nada - Sergio Mendes & Brasil '66, ft. Lani Hall ; Spontaneous Combustion - Tremaine Dawkins; Joni Mitchell - Help Me ; Mercy Mercy Me (The Ecology) - Marvin Gaye; 500 Miles High - Chick Corea, w. Return to Forever, ft. Flora Purim; Rose Rouge - St.Germain, ft. Marlene Shaw; Wieczerza (The Supper) - Chlopcy Kontra Basia; La Paresse - Magali Lange; Watermelon Man (Under the Sun) - Poppy Ajudha; Big Bad Bill is Sweet William Now - The Cable Street Rag Band, ft. Louisa Jones; Back to the Beginning - Bill Bruford, ft. Annette Peacock; Riddoem - Yaatri, ft. Beth Hetherington; Day Dreaming - Aretha Franklin; Sunrise - Norah Jones ; Snow - Polar Bear, ft. Julia Biel; Waiting - Archipelago, ft. Faye McCalman; Liberation Song - Gil Scott - Heron; Nervous Breakdown - Carleen Anderson.

Episodio 4.6 de Las Cosas Que Hay Que Escuchar, en el que las canciones conocidas tienen un aspecto diferente con Aerolineas Federales, Add N to (X), The Humans, Jane Siberry, Petra Haden, Fraticórnicos, Björk, Ataca Paca, Annette Peacock, Tanya Donelly, Dean & Britta, Frankie Goes To Hollywood, Hugh Laurie y The Residents haciendo covers de esas canciones que las sabemos todos. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/lascosasquehay Programa emitido originalmente el 10 de abril de 2022 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 11 y 12 de abril de 2022 en Radio Libre, 96.3, Santa Teresita, el 13 de abril de 2022 en Radio Asamblea FM 94.1, CABA, y el 16 de abril de 2022 en Radio de la Calle, FM 87.9, Bahía Blanca

Episodio 4.5 de Las Cosas Que Hay Que Escuchar, en el que tus tímpanos se hacen una orgía con temas de The Linda Lindas, Cardiacs, Deerhoof, Bas Jan, The Humans, Supersister, Randy Newman, De Boca En Boca, Annette Peacock, Big Mama Thornton, Ally Venable, The Boomtown Rats, Eels y Stereo Total. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/lascosasquehay Programa emitido originalmente el 3 de abril de 2022 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 4 y 5 de abril de 2022 en Radio Libre, 96.3, Santa Teresita, el 6 de abril de 2022 en Radio Asamblea FM 94.1, CABA, y el 9 de abril de 2022 en Radio de la Calle, FM 87.9, Bahía Blanca

The Jazz Session No.245 from RaidersBroadcast.com as aired in Feb 2022, featuring the 1996 James Taylor Quartet album “A Few Useful Tips About Living Underground”, as well the new single “Spontaneous Combustion” from Tremaine Dawkins. TRACK LISTING: Solid - Sonny Rollins Quartet; Late Again - Barbara Thompson's Paraphernalia; You're My Thrill - Lena Horne, w. Charlie Barnet & His Orchestra; Come Ye - Nina Simone; Grass is Not Greener - James Taylor Quartet; Serenity - James Taylor Quartet; El Mar - George Benson; Four - On - Six - Wes Montgomery; Miss Interpret - Courtney Pine; Can You Dig It - Grover Washington; A Blind Man - Shintaro Quintet; Kaze - Takeo Moriyama; Spontaneous Combustion  - Tremaine Dawkins; Back to the Beginning - Bill Bruford, w. Annette Peacock; Staying Active - James Taylor Quartet; Nutrition - James Taylor Quartet; Bud Powell - Chick Corea/Gary Burton; Sure Thing - Bud Powell; Aganju - Bebel Gilberto; Rose Rouge - Jorja Smith.

in onda Alessandro Achilli. Musiche: Jaguar Jonze, Xtc, Sarah Vaughan, Annette Peacock, Zorn, Beresford, Ayers, Beefheart, Coxhill, Wyatt, Matching Mole, Antwoord, Magma, Juicy, Shirley Smart e Robert Mitchell, NoKillShelter con Mariah Priddy

in onda Alessandro Achilli. Musiche: Jaguar Jonze, Xtc, Sarah Vaughan, Annette Peacock, Zorn, Beresford, Ayers, Beefheart, Coxhill, Wyatt, Matching Mole, Antwoord, Magma, Juicy, Shirley Smart e Robert Mitchell, NoKillShelter con Mariah Priddy

The Jazz Session No.236 from RaidersBroadcast.com as aired in Dec 2021, featuring a host of jazz songs, in many different styles, from the 1930's to 2020. TRACK LISTING: You're My Thrill - Lena Horne, w. Charlie Barnet and his Orchestra; They Can't Take That Away From Me - Billie Holliday, w. Count Basie & His Orchestra; Nature Boy - George Benson; Same Feeling, Different Song - Average White Band; Now You Has Jazz - Bing Crosby & Louis Armstrong; Poor Little Rich Girl - Tony Bennett, w. the Count Basie Orchestra; Back to the Beginning - Bill Bruford, w. Annette Peacock; Deacon Blues - Steely Dan; The Continental - Pasadena Roof Orchestra; Young Woman's Blues - Beryl Bryden with Monty Sunshine's Jazz Band; Why Are We Sleeping - Soft Machine; Po - Jama People - Frank Zappa and Mothers of Invention; Illusion (Silly Apparition) - Skinny Palembe; Burn On - Archipelago; Sweet Lorraine - Nat King Cole; We'll Be Together Again - Frank Sinatra, w. Nelson Riddle Orchestra; Trouble in Mind - Nina Simone; Just Another Rhumba - Ella Fitzgerald, w. The Nelson Riddle Orchestra; Two Sleepy People - Geraldo & His Orchestra; This Is Always - Cab Calloway; Lonely Town - Charlie Haden, w. Shirley Horn; East of the Sun (and West of the Moon) - Diana Krall; The Girl from Ipanema - Stan Getz & Joao Gilberto; For What's It's Worth - Sergio Mendes & Brasil '66.

Bruford - Age Of Information (1980) I guess, if I'm going to call the Bowie band of 1975-1980 the best band of the decade, this group would come close to that. With the inimitable style of Jeff Berlin on bass and the wonderful Bill Bruford on drums, this album might have been the closest Prog came to the elusive jazz/pop hybrid bred into the bone for so many of the Prog hopefuls of the era.  Jan Hammer Group - Don't You Know (1977)  Can - I Want More (1976) Can was a sometimes impenetrable German Prog outfit. Their music in the early part of the decade wasn't something I could say I liked, even though I tried like heck. This was a single, which kinda makes sense. All Prog was catching a terminal disease at this juncture, but no one knew it.  Renaissance - Flight (1983) I messed this song up on my show, but this is not a bad record. Renaissance had some great moments in the '70s, and if you are interested, go find Scheherazade and Other Stories from 1975. Like Close to The Edge, it only has three songs, but I think that record is their apex by a mile, and I like the other albums. This was from their last "Golden Era", Time-Line album, although it had been a while since they could get a record company to pony up the do-re-mi for an orchestra.  Discogs: Renaissance was originally formed in London, UK, in 1969 by ex-Yardbirds vocalist Keith Relf and drummer Jim McCarty who wanted to explore a new sound blending elements of rock, folk, and classical music. Relf assumed the role of guitarist, and they were joined by bassist Louis Cennamo, keyboardist John Hawken, and vocalist Jane Relf. This lineup recorded the first self-titled album and most of the second album, Illusion (1971). A rapid series of personnel changes followed. Guitarist and composer Michael Dunford first appeared on Illusion. Before his departure from the band Hawken recruited new vocalist Annie Haslam. By 1972, when the Renaissance recorded their third album, Prologue, none of the original members remained though McCarty still wrote music for the band. By 1973 the lineup had stabilized with Haslam, Dunford, keyboardist John Tout, bassist and vocalist Jon Camp, and drummer Terry Sullivan. This lineup produced a string of relatively successful albums over the remainder of the decade. They had one Top 10 single in the U.K., "Northern Lights", from the album A Song For All Seasons (1978). By 1980 Sullivan and Tout departed leaving Haslam, Dunford, and Camp as the stable core of the group with various other musicians coming and going through the early and mid-1980s. The group released two albums, Camera Camera (1981) and Time-Line (1983) which were not well received by either fans or critics. Renaissance went into the studio to record a further album but found themselves without a label willing to release it. Material for this album as well as discarded tracks from the sessions for the previous three releases finally saw the light of day as Songs From Renaissance Days in 1997. [Ed: Which I gobbled up the day it came out, as there was no other domestic CD of this group available at the time.] Yes - The Revealing Science of God (1973) There are moments in this song that, to me, are just amazing, transcendent, and still cause chills maybe 40 years after the first time I heard them ("Getting over overhanging trees...") like almost all of Yes' epic side-long monsters. There's a reason Prog fans like me are filled with sadness that the people who made this magic for us cannot seem to just stop recreating or trying to recreate these moments with an ever-shifting group of lesser talents. The Beatles did it right. They just stopped, resisted the potentially lucrative urge to make themselves stand there again, together, and recreate sounds from which they had long ago moved past. I like this. There's a real fire that people might have forgotten these very young men possessed.  King Crimson - Thela Hun Jinjeet (1981) So this might be #3. Tony Levin played on some later Yes albums, as well as Peter Gabriel (he plays the Chapman Stick, a strapped upright instrument with both tenor and bass strings). He also played with Paul Simon and hundreds of others. Robert Fripp played with David Bowie on his Berlin Trilogy, and Bill Bruford was amazing in Yes, his own band, Bruford, and...Genesis during a tour! Bowie and...Adrian Belew!! Who is here after stints with Talking Heads, Zappa, Tom Tom Club....it goes on and on, but I really like anything Bill Bruford played on.  Bruford - Gothic 17 (1980) I've played stuff from Bruford's first record with Annette Peacock. This is in that funky, other-worldly combination of jazz and pop. I love Jeff Berlin's voice. I wish they had dome more records together. Go find "Joe Frazier" off this album. Whoo boy.  Gentle Giant - Interview (1976)  Genesis - One For The Vine (1977) Genesis at their peak. It's hard to believe it now, but this was composed solely by Tony Banks. The scope and drama, pathos, and virtuosity amaze me especially when one considers that he (and they) never created anything this beautiful again. Who was the best keyboard player in Prog? I think about it and Kerry Minnear comes to mind, as he really was the creative force in Gentle Giant. But neither he, Keith Emerson, Rick Wakeman, or any of the others, as good as they were, authored something as wonderful as this.  Rush - Jacob's Ladder (1980) I don't care what you say. This album is peak Rush. After years of album/tour/album/tour, "The Spirit of Radio" captured their amazing musicianship, their cool humor, and the fact that you could be groovy in 7/8. I think of this record as the end of the beginning, but not in a good way. I played this in a band once. We were terrible. I had a tiny Casio keyboard (it was all we could afford) and I couldn't play the last bit on bass with anything resembling speed. Our drummer was great.  Discogs: Rush's seventh studio album. The cover depicted the famous incorrect headline "Dewey Defeats Truman" on a newspaper in the bottom left corner. However, the Chicago Tribune (the paper that originally published the error) pressured the band to remove the headline. Some versions appear altered with either "Dewei Defeats Truman" or a blanked section. The billboards in the distance (mid-right) originally read "Coca-Cola." However, the cola company objected to the use of their logo and the cover was changed to display the band members names in a similar typestyle to the original logo. Trivia: The woman on the cover of this album is model Paula Turnbull. Contrary to rumor, the guy waving in the background on the cover is not one of the members of Rush, it's actually Hugh Syme, the art director of the album. UK - In The Dead of Night/By The Light Of Day/Presto Vivace and Reprise (1978) One of the first Prog supergroups, members of other big groups smooshed together. In this case, John Wetton of King Crimson, Roxy Music, Uriah Heep, Mogul Thrash, etc., Bill Bruford, the amazing Allan Holdsworth (Soft Machine, Gong) , and Eddie Jobson (Zappa, etc.) make a great album. Then Bill leaves, and Terry Bozzio (Zappa) records another record and a live album, and then...Asia.  Joe Simon - Before The Night Is Over (1977)  I don't consider The Moody Blues or Pink Floyd prog.   

London and Yorkshire raised this honourable musician evolved from early classical piano and drum lessons with the notorious Fanny Waterman and Jimmy Blades on to Jazz, Blues and Rock & Roll upon hearing John Coltrane, The Beatles, Cream and John Mayall and then guided by John Taverner who "taught" him to improvise by duetting on a full size/3 console church organ. The early 70's manifested his first band, Global Village Trucking Company which led to non-stop touring establishing them as one of the most sought after UK acts with their lifestyle documented by the BBC on ‘By Way of a Change'. As a session keyboardist he recorded and toured with the likes of Frank Zappa, Joan Armatrading, Lee "Scratch" Perry, Annette Peacock, Snowy White, Shusha, Paul Buckmaster and L. Shankar whilst also fronting his own bands. Joining a pool of Caribbean, Japanese and European musicians saw 80's virtuosic jazz/funk outfit The Breakfast Band formed with further tours and albums that gained fans in Japan and spawned club hits in London. A sabbatical from gigging had him drive his family on an 8 month trip in a converted Mercedes motor home to Israel, Egypt, Morocco and Europe absorbing music, culture and instruments inspiring him to document and record Tribal music from around the world. Settling in New Mexico he released traditional Native American songs on his own label, Tribal Music International and soon became Albuquerque University resident DJ with his own show, Global Tribal Music exploring links and origins of instruments and tribes. Based back in the UK, we welcome this global music maker.

Trigésima primera emisión de la Fase 3 de Las Cosas Que Hay Que Escuchar con temas de Yello, Plastics, Maxia ta Ixiar, Ne Zhdali, Sinead O’Brien, Mother Falcon, Annette Peacock, Silvia Pérez Cruz, Tronco, Yazoo, Silver Apples, Komputer y Karl Bartos. Además de todo el delirio habitual de Saurio y las voces que lo atormentan. Y si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/lascosasquehay Programa emitido originalmente el 3 de octubre de 2021 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 6 de octubre en Radio Asamblea FM 94.1 y el 9 de octubre en Radio de la Calle, FM 87.9 (Bahía Blanca)

Vigésima novena emisión de la Fase 3 de Las Cosas Que Hay Que Escuchar con temas de Messer fur Frau Muller, Messer Chups, Ginebras, Alaitz eta Maider, The Breeders, Altered Images, Annette Peacock, Miki González, Hugh Laurie, Franco Batiatto, Jill Sobule, Abigail Grush, Ne Zhdali y Bene Gesserit. Además de todo el delirio habitual de Saurio y las voces que lo atormentan. Y si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/lascosasquehay Programa emitido originalmente el 19 de septiembre de 2021 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 22 de septiembre en Radio Asamblea FM 94.1 y el 28 de septiembre en Radio de la Calle, FM 87.9 (Bahía Blanca)

a cura di Alessandro Achilli. Musiche: Carole King, Charlie Watts, Julie Driscoll, Annette Peacock, Meredith Monk, Candi Staton, Anja Garbarek, Lindsay Cooper, Karen Mantler, Phil Miller, Nostalgia77, Pink Shabab, Rotary Connection, Niobe ecc

a cura di Alessandro Achilli. Musiche: Carole King, Charlie Watts, Julie Driscoll, Annette Peacock, Meredith Monk, Candi Staton, Anja Garbarek, Lindsay Cooper, Karen Mantler, Phil Miller, Nostalgia77, Pink Shabab, Rotary Connection, Niobe ecc

Des Femmes et des Synthétiseurs, présenté par Flore Benguigui. Focus sur plusieurs femmes dont la carrière s'est construite autour des synthétiseurs : Wendy Carlos (Moog), Clara Rockmore (Thérémine), Annette Peacock. Invitée : la compositrice, musicienne, chercheuse et fondatrice de l'association Polyphones et de l'Open Women Orchestra, Christine Webster. Illustration : Sarah Fabre. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

On today's podcast the gang listens and discuss the 1979 release “X-DREAMS” by Annette Peacock.

Episode 39   Bonus Tracks from the Archives   Playlist Steve Birchall, “Summer Memories” from Reality Gates (1973 Poseidon Electronic Music Studio). Self-produced and distributed. EMS VCS-3, Eventide Clockworks Instant Phaser, EMT Reverb, Cooper Time Cube delay, Steve Birchall. 10:37. Not used in episode 38, Before “New Age” Music. Paul Bley, “Improvisie” from Improvisie, 1971. ARP 2500 synthesizer and RMI electric piano, Paul Bley; Voice, Piano, Electric Piano, Annette Peacock; Percussion, Han Bennink. 13:52. Not used in episode 15, Electronic Jazz, Part 3: Early Synthesizer Jazz. John Cage, David Tudor, “Duet For Cymbal” from John Cage, David Tudor, Christian Wolff ‎– San Francisco Museum Of Art, January 16th, 1965. Historic concert of live electronic music recorded by KPFA Radio.at San Francisco Museum of Art. "Duet for cymbal" was performed on a single cymbal with contact microphones agitated by a wide gamut of objects. 9:34. Not used in episode 12, David Tudor: From piano to electronics. Walter De Maria, “Ocean Music,” 1968, privately released. 20:30. Not used in episode 13, Electronic Jazz, Part 1: Before the Synthesizer. Toshiro Mayuzumi, “Mandara” for electronic sounds and voices (1969, Philips). 10:21. Not used in episode 16, Vintage Electronic Music from Japan, Part 1. Jacqueline Nova, “Creación De La Tierra” from Bertola / Nova / Orellana–Tres Composiciones Electroacusticas (1976 Tacuabé). Tape composition, Jacqueline Nova. Creación de la tierra (composed 1972) realized in the Studio of fonologia de la Universidad nacionál de Buenos Aires. 18:22. Not used in episode 5, Seeing and Touching Sound—Music for Magnetic Tape. Eliane Radigue, “Triptych 1” from Triptych (1978 Important RE). ARP 2500 Synthesizer, Eliane Radigue. Recorded in the composer's studio in Paris. Commissioned by Douglas Dunn for choreography. Only this part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27, 1978. 17:33. Not used in episode 5, Seeing and Touching Sound—Music for Magnetic Tape. Miki Yui, “Whisper” from the album Small Sounds (1999 BMB). Electronics, Miki Yui. “Small sounds are to merge and fuse with your acoustic environment - please play in a transparent level; in different atmosphere.” Composed and recorded in Cologne, Germany. 3:12. Not used in episode 5, Seeing and Touching Sound—Music for Magnetic Tape. Madelyn Byrne, “Winter” from Lesbian American Composers (CRI 1998). Electro-acoustic composition by Madelyn Byrne. 7:37. Not used in episode 5, Seeing and Touching Sound—Music for Magnetic Tape. Barney Wilen, “Auto Jazz: The Tragic Destiny of Lorenzo Bandini,” part 1, 1968. 5:37. Not used in episode 13, Electronic Jazz, Part 1: Before the Synthesizer. Bass, Beb Guérin; Drums,Eddy Gaumont; Piano, François Tusques; Saxophone, Barney Wilen. Soundtrack of race cars recorded at the Grand Prix de Monaco, May 7, 1967 by Barney Wilen. Opening music: Ian Boddy, “Vox Lumina” from Aurora (2002 DiN). Composed, produced, played by Ian Boddy using: Software Instruments (Logic, Metasynth, Pluggo, Absynth, Reaktor, EVP88), Analogue synthesizers (VCS3, Roland 100M, Doepfer A100, Analogue Solutions, Analogue Systems), Sounds (Radio), Digital synthesizers (Roland JD990, Roland D550, Roland JP8000), Akai S6000 Digital Sampler. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes.  

FIRST SET: Dubster Diving & Thrift Store Factor TunesBetty Davis - “Hangin' Out” from The Columbia Years 1968-1969 [Light In The Attic, 2016]Veyrouz Mint Seymali - “The Li Aazeyt” from Music From Saharan WhatsApp 09 [Sahel Sounds, 2020]Y Pants - “Love's A Disease” from Beat It Down  [Neutral, 1982]Treasury Of Puppies - “Ljug Mig Ut” from Self-Titled [Forlag For Fri Musik, 2020]Shirley Collins & The Albion Country Band - “Claudy Banks” from No Roses [Pegasus, 1971](mic break)David Nance - “July Sunrise” from Staunch Honey [Trouble In Mind, 2020]Alton Ellis - “Darling It's True” from Daydreaming [Silver Camel, 1983]Jim Ford - “She Turns My Radio On” from The Sounds of Our Time compilation [Bear Family, 2007]The City - “I Wasn't Born To Follow” from Now That Everything's Been Said [Ode, 1968]Karen Beth - “Come December” from The Joys of Life [Decca, 1968] (mic break)Medium Medium - “Hungry, So Angry” from The Glitterhouse [Cherry Red, 1981]Derrick Harriott - “Solomon” from 14 Chartbuster Hits [Crystal, 1973]Hole Class - “Wrong Mirror” from Self-Titled [Meds, 2009]Hearts & Flowers - “Second-Hand Sundown Queen” from Of Horses, Kids, And Forgotten Women [Capitol, 1968]Butch Hancock - “Just One Thunderstorm” from West Texas Waltzes & Dust-blown Tractor Tunes [Rainlight Records, 1978]  SECOND SET: Never Wacky, Always Human - Interview & Live Music with Richard Youngs1. Interview2. "Mountains Into Outerspace" live performance3. "Collapsing Stars" live performance4. Interview continued5. "Retrace" live performance6. "I Wasn't Alone" live performance7. Interview continuedTHIRD SET: The Long Good Buy - Inherent Vibes (Recent Acquisitions Edition)Slapp Happy - “The Drum” from Slapp Happy or Slapp Happy - Acnalbasac Noom [Recommended/Our Swimmer, 1980/2020]Caetano Veloso - “The Empty Boat” from 2nd Self-Titled [Philips, 1969]Bitter Funeral Beer Band - “Chetu” from Live In Frankfurt ‘82 [Black Sweat, 2018]John Lee Hooker - “Walkin' The Boogie” from House Of The Blues [Chess/DOL, 1960/2017](mic break)Les Rallizes Denudes - “Untitled 2” from Oz Days Live 1973 [Alternative Fox, 2019]Brother Ahh/Robert Northern - “Enthusiasm” from Move Ever Onward [Divine/Manufactured, 1975/2016]Jan Dukes De Grey - “Mice And Rats In The Loft” from Mice And Rats In The Loft [Transatlantic/Trading Places, 1971/2020](mic break)Annette Peacock - “My Mama Never Taught Me How To Cook” from X-Dreams [Tomato, 1979]Effluvium - Suze (ft. Blood Tower) from Répétition Finale [Moonworshipper, 2020](mic break)Richard Youngs - “Soon It Will Be Fire” from Sapphie [Oblique/Jagjaguwar, 1998/2006] 

« Cherchez la femme » est un podcast mensuel imaginé par  Flore Benguigui (L'Impératrice) qui fait parler des femmes du monde de  la musique, dans tous les sens du terme : faire entendre la musique de  ces femmes trop souvent restées dans l'ombre, et donner la parole à  certaines d'entre elles par un entretien autour de leur place de femme  dans un milieu résolument masculin. Épisode 1 : Des femmes et des synthétiseurs 1/  Focus sur plusieurs femmes dont la carrière s'est construite autour des  synthétiseurs : Wendy Carlos (Moog), Clara Rockmore (Thérémine), Annette Peacock. 2/ Interview de Christine Webster,  compositrice, musicienne, chercheuse et fondatrice de l'association  Polyphones (qui crée un espace de visibilité pour les femmes dans  l'expérimentation sonore et musicale) et de l'Open Women Orchestra  (orchestre électronique expérimental exclusivement féminin).

« Cherchez la femme » est un podcast mensuel imaginé par  Flore Benguigui (L'Impératrice) qui fait parler des femmes du monde de  la musique, dans tous les sens du terme : faire entendre la musique de  ces femmes trop souvent restées dans l’ombre, et donner la parole à  certaines d’entre elles par un entretien autour de leur place de femme  dans un milieu résolument masculin. Épisode 1 : Des femmes et des synthétiseurs 1/  Focus sur plusieurs femmes dont la carrière s’est construite autour des  synthétiseurs : Wendy Carlos (Moog), Clara Rockmore (Thérémine), Annette Peacock. 2/ Interview de Christine Webster,  compositrice, musicienne, chercheuse et fondatrice de l’association  Polyphones (qui crée un espace de visibilité pour les femmes dans  l’expérimentation sonore et musicale) et de l’Open Women Orchestra  (orchestre électronique expérimental exclusivement féminin).

A fantastic Friday show to finish the f-working f-week. Featuring fun tracks from Maryn E. Coote, Female Species, Annette Peacock and far more!

Today's episode features Alison Niedbalski and the band she leads "qualia." Alison's music is tagged on bandcamp as: experimental, jazz, progressive death soul, torch gospel, great American songbook, and new wave old fashioned. Some of the things we talked about: covering Captain Beefheart songs, the legacy of Carla Bley & Annette Peacock, the effect of trauma on the creative process, many friends, and we preview a track for her upcoming record "Beside." Check it out!Songs Featured, in order heard:Missed Me (to be released on forthcoming album 'Beside')Zig Zag WandererDropout Boogieida lupino's last standneeds (redistributed)the way we never wereTroublewww.qualia-is-real.com/

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Make 1, 2 by Arthur Russell on Sketches for World of Echo June 25 1984 Live At Experimental Intermedia (Audika) 3′30″ I by Ka Baird on Vivification Exercises (RVNG Intl.) 6′55″ Deep Sleep by B-52's on Mesopotamia (Warner Records) 10′20″ Rajavaman by Ariel Kalma on Ru De La Gaite 70s (self-released) 15′06″ Moon Dance by Sun Ra & His Myth Science Arkestra on Cosmic Tones for Mental Therapy (El Saturn Records) 21′40″ Pony by Annette Peacock on I'm the One (RCA) 30′10″ Om Shanti Om by Don Cherry on Om Shanti Om (Black Sweat Records) 37′10″ Nestor's Saga (The Tale of the Ancient) by John Surman & Jack DeJohnette on The Amazing Adventures of Simon Simon (ECM) 47′44″ Man Carrying Thing by Chris Corsano & Bill Orcutt on Made Out of Sound (Palilalia) 55′14″ Song to the Siren by Tim Buckley on The Dream Belongs to Me: Rare and Unreleased 1968-1973 (Manifesto Records) Check out the full archives on the website.

Bob and Mike play two songs each from Broadcast and Annette Peacock, plus songs from Woods, Bab L'Bluz, Counter Intuits, and Sand. Also, Mike talks about how to clean vinyl records with wood glue.

Episode 11 Vintage Drones and Beats Playlist Alan Sondheim, Day's Eye, from the album All 7-70* ‎– T'Other Little Tune (1968). For dilruba, trumpet, tabla, and Moog Modular Synthesizer. Eliane Radigue, Chry-ptus I (1971), excerpt, from the album Chry-ptus. Realized on the Buchla Synthesizer at Morton Subotnick's studio at New York University. Originally two tapes that were played simultaneously, with or without being synchronized. La Monte Young and Marian Zazeela. 31 VII 69 10:26 - 10:49 PM for sine wave drone, voice, and bowed gongs. From “the black album,” 1969. Numbered edition limited to 2800 copies, of which mine is number 661. Maggi Payne, White Night, from the album Crystal (1986). Eliane Radigue, Σ = a = b = a + b (1969), two 7” discs, we heard side a-4. Composed while she was living in Paris, just before coming to New York. “Sides A and B can be listened to separately or simultaneously, synchronously or asynchronously. Sides A and B of this disc can be combined indefinitely at any speed 78, 45, 33 or 16 turns.” 250 duplicates of this disc were made. I do not own this disc. Annette Peacock and Paul Bley, Dual Unity. From the album Dual Unity, 1972. For piano and vocal treatments with the Moog Synthesizer. Luc Ferrari, Cellule 75 (1975), excerpt, for piano, percussion and magnetic tape. Composed May - November 1975. Performed at Mills College. Recorded and Mixed by Maggi Payne. The Archive Mix in which I play two additional tracks at the same time, to see what happens. This time, however, I am playing three tracks. Two are different portions of Eliane Radigue's Vice Versa Etc., mix 1 from 1970. The third track is the ending of Cellule 75 by Luc Ferrari. Eliane Radigue, excerpt, Vice Versa Etc. Mix 1 (1970), from the opening of the mix. Eliane Radigue, excerpt, Vice Versa Etc. Mix 1 (1970), from the closing of the mix. Luc Ferrari, excerpt, Cellule 75 (1975), from the end of the piece. Read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (2020).  

GØTHAM_Files #11 para o Cabaret dAdA Produção e seleção de Rodrigo Gobbet #Tracklist Mr. Joy – Annette Peacock & Paul Bley Flashbacks – Annette Peacock Pony – Annette Peacock Real & Defined Androgens – Annette Peacock Solar System – Annette Peacock Survival – Annette Peacock Nothing Outside Us – Annette… Source

Pigs in shit, breezy French vibes, humorous absurdity. The Australian composer and multi-instrumentalist discusses three important albums.

a cura di Ale Achilli. Musiche: Meredith Monk, Cherry-Redman-Haden-Blackwell, Lask, Liberation Orchestra, Alfred Harth, Homburger-Guy, Roscoe Mitchell, Annette Peacock, Pessi-Wallumrød, Ildegarda, Goebbels, Berne, Surman, Mantler, Frisell

a cura di Ale Achilli. Musiche: Meredith Monk, Cherry-Redman-Haden-Blackwell, Lask, Liberation Orchestra, Alfred Harth, Homburger-Guy, Roscoe Mitchell, Annette Peacock, Pessi-Wallumrød, Ildegarda, Goebbels, Berne, Surman, Mantler, Frisell (seconda parte)

a cura di Ale Achilli. Musiche: Meredith Monk, Cherry-Redman-Haden-Blackwell, Lask, Liberation Orchestra, Alfred Harth, Homburger-Guy, Roscoe Mitchell, Annette Peacock, Pessi-Wallumrød, Ildegarda, Goebbels, Berne, Surman, Mantler, Frisell (seconda parte)

AJN editor-in-chief Shawn Kennedy speaks with authors Patricia Keresztes and Annette Peacock-Johnson about their article, which reviews established and newer type 2 diabetes medications, plus nursing implications for patient education and monitoring for adverse effects.

a cura di Alessandro Achilli. Musiche di Annette Peacock, Gilgamesh, Mezz Gacano & Self Standing Ovation Boskàuz Ensemble, Mike Westbrook & Lou Gare, Louis Moholo-Moholo's Five Blokes, Dave Gisler Trio, Igor' Stravinskij, Art Zoyd

a cura di Alessandro Achilli. Musiche di Annette Peacock, Gilgamesh, Mezz Gacano & Self Standing Ovation Boskàuz Ensemble, Mike Westbrook & Lou Gare, Louis Moholo-Moholo’s Five Blokes, Dave Gisler Trio, Igor’ Stravinskij, Art Zoyd (seconda parte)

a cura di Alessandro Achilli. Musiche di Annette Peacock, Gilgamesh, Mezz Gacano & Self Standing Ovation Boskàuz Ensemble, Mike Westbrook & Lou Gare, Louis Moholo-Moholo’s Five Blokes, Dave Gisler Trio, Igor’ Stravinskij, Art Zoyd (seconda parte)

a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)

a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)

a cura di Alessandro Achilli. Musiche: Fahey, Coxhill, Annette Peacock, Cream, Pink Floyd, Jefferson Airplane, Braxton-Abrams, Beresford-Bennink, Hughscore, Kahondo Style, Michael Mantler, Allegri Leprotti, Biota, Roots Magic, Remote Viewers

a cura di Alessandro Achilli. Musiche: Fahey, Coxhill, Annette Peacock, Cream, Pink Floyd, Jefferson Airplane, Braxton-Abrams, Beresford-Bennink, Hughscore, Kahondo Style, Michael Mantler, Allegri Leprotti, Biota, Roots Magic, Remote Viewers

a cura di Alessandro Achilli. Musiche: Fahey, Coxhill, Annette Peacock, Cream, Pink Floyd, Jefferson Airplane, Braxton-Abrams, Beresford-Bennink, Hughscore, Kahondo Style, Michael Mantler, Allegri Leprotti, Biota, Roots Magic, Remote Viewers

p-, and np-, funk. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Journey In Satchidananda by Alice Coltrane ft. Pharoah Sanders (-) 4′45″ Suite Equestria by Moondog on Elpmas (-) 14′26″ Moondog Monologue by Moondog (-) 24′00″ Street Hassle by Lou Reed on Street Hassle (-) 35′05″ New York is Killing Me by Gil Scott-Heron on I'm New Here (-) 42′27″ Space Song by Gil Scott-Heron on Live at The Town and Country Club, 1988 (-) 50′12″ Plastic Pattern People by Gil Scott-Heron on Small Talk at 125th and Lenox (-) 52′12″ Revolution Revised by Genaside II on Return of the Redline Evangelist (-) 56′00″ You Make Your Own Heaven and Hell by The Undisputed Truth (-) 58′39″ The Ghetto by Donny Hathaway (-) 66′00″ Whole Lotta Love by Ike and Tina Turner (-) 72′00″ Who Says a Funk Band Can't Play Rock by Funkadelic on One Nation Under a Groove (-) 79′15″ You and Your Folks, Me and My Folks by Funkadelic on Maggot Brain (Westbound) 83′11″ P-funk (Wants To Get Funked Up) by Parliament on Parliament (-) 91′19″ Supernatural Thing (pts 1 & 2) by Ben E King (-) 97′03″ Pony by Annette Peacock on I'm the One (-) 103′34″ Que Sera, Sera (Whatever Will Be, Will Be) by Sly and the Family Stone on The Best Of (-) 110′00″ La Vie En Rose by Grace Jones (-) 116′00″ Jazz (We got) by A Tribe Called Quest on The Low End Theory (-) Check out the full archives on the website.

p-, and np-, funk. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Journey In Satchidananda by Alice Coltrane ft. Pharoah Sanders 4′45″ Suite Equestria by Moondog on Elpmas 14′26″ Moondog Monologue by Moondog 24′00″ Street Hassle by Lou Reed on Street Hassle 35′05″ New York is Killing Me by Gil Scott-Heron on I'm New Here 42′27″ Space Song by Gil Scott-Heron on Live at The Town and Country Club, 1988 50′12″ Plastic Pattern People by Gil Scott-Heron on Small Talk at 125th and Lenox 52′12″ Revolution Revised by Genaside II on Return of the Redline Evangelist 56′00″ You Make Your Own Heaven and Hell by The Undisputed Truth 58′39″ The Ghetto by Donny Hathaway 66′00″ Whole Lotta Love by Ike and Tina Turner 72′00″ Who Says a Funk Band Can't Play Rock by Funkadelic on One Nation Under a Groove 79′15″ You and Your Folks, Me and My Folks by Funkadelic on Maggot Brain (Westbound) 83′11″ P-funk (Wants To Get Funked Up) by Parliament on Parliament 91′19″ Supernatural Thing (pts 1 & 2) by Ben E King 97′03″ Pony by Annette Peacock on I'm the One 103′34″ Que Sera, Sera (Whatever Will Be, Will Be) by Sly and the Family Stone on The Best Of 110′00″ La Vie En Rose by Grace Jones 116′00″ Jazz (We got) by A Tribe Called Quest on The Low End Theory

Recorded on 1st of April, 2017 at Le Mellotron, Paris. Tracks from Alice Coltrane, Charles Lloyd/Gabor Szabo, Maffy Falay & Sevda, Dadawah, Annette Peacock & more.

Mission encre noire Tome 18 Chapitre 227 Je tombe sur la quatrième de couverture de Cannibales de Régis Jauffret paru en 2016 aux éditions du Seuil: « Un sauvage roman d'amour». Sauvage avez-vous dit ? Féroce, méchant, tordu aurais-je pu ajouter pour décrire les échanges épistolaires entre l'amant, l'ex et la belle-mère. Le schéma classique du trio infernal et destructeur, et c'est peu dire, est en place. voici un roman choc, bravant l'apathie du discours ambiant. Dans une langue savoureuse, luxuriante et incendiaire, Régis Jauffret vient flatter nos plus bas instincts. Extrait: «Cette lettre ne vous est pas vraiment destinée. Son écriture fut pour moi une simple excursion dans la haine de vous, une occasion de purger ma vésicule d'un peu de sa bile. Je vous l'envoie pour vous montrer à quel point je me soucie comme d'une gigne de vous aimer. je vous prie à l'avenir de m'écrire sous la douche. Quand l'eau chaude les aura désagrégées, vous prierez la bonde d'avaler vos écritures avec votre crasse» Maude Veilleux publie en 2016 Prague aux éditions Hamac. L'auteure, dans un roman très court, se maintient en équilibre précaire entre un roman à achever et une vie sentimentale des plus chaotique. Tenant en joue la chair de sa vie intime, Maude Veilleux ne sourcille pas lorsqu'il s'agit d'écrire la Vie. Son alter ego met la sienne en jeu, à bout de souffle, alors que son couple ouvert se précipite vers l'impossible sauvetage d'un amour, troublé par l'arrivée d'un amant plus magnétique que les autres. La sexualité débridée, les expériences limites servent de matière vitale à l'écriture de ce livre, un carburant qui pourrait s'avérer fatal. Maude Veilleux repousse plus loin ses frontières dans un roman remarquable. Extrait: «Il y avait aussi des moments de panique. Je me demandais à qui appartenait mon corps. Je devais jouer de compromis pour arriver à accomoder tout le monde qui voulait me passer dessus ; mon amant, mon mari. La pression ne venait pas d'eux, mais de moi. Je devais les laisser faire ce qu'ils voulaient pour ne pas les perdre. Et pourquoi ne voulais-je tant pas les perdre? Qu'est-ce que ça foutait au final? J'avais peur de ne plus avoir personne. J'avais peur d'être seule. J'avais peur de ne jamais revivre les moments heurueux. Je les voulais, les deux, je les voulais de façon différente mais égale.» Deux biographies «musicales» pour finir, Clandestino de Peter Culshaw paru en 2016 aux éditions Castor Astral et Robert Wyatt, different every time de Marcus o'Dair chez Castor Astral également.   Agenda Culturel: du 21 au 25 septembre Pop Montréal (John Cale, Hayden et Annette Peacock)

Mission encre noire Tome 18 Chapitre 227 Je tombe sur la quatrième de couverture de Cannibales de Régis Jauffret paru en 2016 aux éditions du Seuil: « Un sauvage roman d'amour». Sauvage avez-vous dit ? Féroce, méchant, tordu aurais-je pu ajouter pour décrire les échanges épistolaires entre l'amant, l'ex et la belle-mère. Le schéma classique du trio infernal et destructeur, et c'est peu dire, est en place. voici un roman choc, bravant l'apathie du discours ambiant. Dans une langue savoureuse, luxuriante et incendiaire, Régis Jauffret vient flatter nos plus bas instincts. Extrait: «Cette lettre ne vous est pas vraiment destinée. Son écriture fut pour moi une simple excursion dans la haine de vous, une occasion de purger ma vésicule d'un peu de sa bile. Je vous l'envoie pour vous montrer à quel point je me soucie comme d'une guigne de vous aimer. je vous prie à l'avenir de m'écrire sous la douche. Quand l'eau chaude les aura désagrégées, vous prierez la bonde d'avaler vos écritures avec votre crasse» Maude Veilleux publie en 2016 Prague aux éditions Hamac. L'auteure, dans un roman très court, se maintient en équilibre précaire entre un roman à achever et une vie sentimentale des plus chaotique. Tenant en joue la chair de sa vie intime, Maude Veilleux ne sourcille pas lorsqu'il s'agit d'écrire la Vie. Son alter ego met la sienne en jeu, à bout de souffle, alors que son couple ouvert se précipite vers l'impossible sauvetage d'un amour, troublé par l'arrivée d'un amant plus magnétique que les autres. La sexualité débridée, les expériences limites servent de matière vitale à l'écriture de ce livre, un carburant qui pourrait s'avérer fatal. Maude Veilleux repousse plus loin ses frontières dans un roman remarquable. Extrait: «Il y avait aussi des moments de panique. Je me demandais à qui appartenait mon corps. Je devais jouer de compromis pour arriver à accomoder tout le monde qui voulait me passer dessus ; mon amant, mon mari. La pression ne venait pas d'eux, mais de moi. Je devais les laisser faire ce qu'ils voulaient pour ne pas les perdre. Et pourquoi ne voulais-je tant pas les perdre? Qu'est-ce que ça foutait au final? J'avais peur de ne plus avoir personne. J'avais peur d'être seule. J'avais peur de ne jamais revivre les moments heureux. Je les voulais, les deux, je les voulais de façon différente mais égale.» Deux biographies «musicales» pour finir, Clandestino de Peter Culshaw paru en 2016 aux éditions Castor Astral et Robert Wyatt, different every time de Marcus o'Dair chez Castor Astral également.   Agenda Culturel: du 21 au 25 septembre Pop Montréal (John Cale, Hayden et Annette Peacock)

Mission encre noire Tome 18 Chapitre 227 Je tombe sur la quatrième de couverture de Cannibales de Régis Jauffret paru en 2016 aux éditions du Seuil: « Un sauvage roman d'amour». Sauvage avez-vous dit ? Féroce, méchant, tordu aurais-je pu ajouter pour décrire les échanges épistolaires entre l'amant, l'ex et la belle-mère. Le schéma classique du trio infernal et destructeur, et c'est peu dire, est en place. voici un roman choc, bravant l'apathie du discours ambiant. Dans une langue savoureuse, luxuriante et incendiaire, Régis Jauffret vient flatter nos plus bas instincts. Extrait: «Cette lettre ne vous est pas vraiment destinée. Son écriture fut pour moi une simple excursion dans la haine de vous, une occasion de purger ma vésicule d'un peu de sa bile. Je vous l'envoie pour vous montrer à quel point je me soucie comme d'une guigne de vous aimer. je vous prie à l'avenir de m'écrire sous la douche. Quand l'eau chaude les aura désagrégées, vous prierez la bonde d'avaler vos écritures avec votre crasse» Maude Veilleux publie en 2016 Prague aux éditions Hamac. L'auteure, dans un roman très court, se maintient en équilibre précaire entre un roman à achever et une vie sentimentale des plus chaotique. Tenant en joue la chair de sa vie intime, Maude Veilleux ne sourcille pas lorsqu'il s'agit d'écrire la Vie. Son alter ego met la sienne en jeu, à bout de souffle, alors que son couple ouvert se précipite vers l'impossible sauvetage d'un amour, troublé par l'arrivée d'un amant plus magnétique que les autres. La sexualité débridée, les expériences limites servent de matière vitale à l'écriture de ce livre, un carburant qui pourrait s'avérer fatal. Maude Veilleux repousse plus loin ses frontières dans un roman remarquable. Extrait: «Il y avait aussi des moments de panique. Je me demandais à qui appartenait mon corps. Je devais jouer de compromis pour arriver à accomoder tout le monde qui voulait me passer dessus ; mon amant, mon mari. La pression ne venait pas d'eux, mais de moi. Je devais les laisser faire ce qu'ils voulaient pour ne pas les perdre. Et pourquoi ne voulais-je tant pas les perdre? Qu'est-ce que ça foutait au final? J'avais peur de ne plus avoir personne. J'avais peur d'être seule. J'avais peur de ne jamais revivre les moments heureux. Je les voulais, les deux, je les voulais de façon différente mais égale.» Deux biographies «musicales» pour finir, Clandestino de Peter Culshaw paru en 2016 aux éditions Castor Astral et Robert Wyatt, different every time de Marcus o'Dair chez Castor Astral également.   Agenda Culturel: du 21 au 25 septembre Pop Montréal (John Cale, Hayden et Annette Peacock)

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