POPULARITY
9 episodes with Jaki Byard
10 episodes with Jaki Byard
6 episodes with Jaki Byard
4 episodes with Jaki Byard
2 episodes with Jaki Byard
5 episodes with Jaki Byard
2 episodes with Jaki Byard
3 episodes with Jaki Byard
3 episodes with Jaki Byard
Trombonist from rural Massachusetts talks about his early musical leanings and lessons learned from Jaki Byard.
OUT TO LUNCH Englewood Cliffs, NJ, February 25, 1964Hat and beard (2), Gazzelloni (3)Freddie Hubbard (tp) Eric Dolphy (as-1,b-cl-2,fl-3) Bobby Hutcherson (vib) Richard Davis (b) Tony Williams (d) CHARLES MINGUS SEXTET – “CORNELL UNIVERSITY” Ithaca, NY, March 18, 1964Jitterbug Waltz, A.T.F.W.Johnny Coles (tp) Eric Dolphy (as,b-cl,fl) Clifford Jordan (ts) Jaki Byard (p) Charles Mingus (b) Dannie Richmond (d) LAST DATE Hilversum, The Netherlands, June 2, 1964Hypochristmutreefuzz (1)Eric Dolphy (fl-3,as-2,b-cl-1) Misha Mengelberg (p) Jacques Schols (b) Han Bennink (d) UNREALIZED TAPES Paris, June 11, 1964SpringtimeDonald Byrd (tp) Eric Dolphy (as,b-cl) Nathan Davis (ts) Jacques “Jack” Dieval (p) Jacques Hess (b) Franco Manzecchi (d) Jacky Bambou (perc-1) Continue reading Puro Jazz 03 mayo, 2024 at PuroJazz.
OUT TO LUNCH Englewood Cliffs, NJ, February 25, 1964Hat and beard (2), Gazzelloni (3)Freddie Hubbard (tp) Eric Dolphy (as-1,b-cl-2,fl-3) Bobby Hutcherson (vib) Richard Davis (b) Tony Williams (d) CHARLES MINGUS SEXTET – “CORNELL UNIVERSITY” Ithaca, NY, March 18, 1964Jitterbug Waltz, A.T.F.W.Johnny Coles (tp) Eric Dolphy (as,b-cl,fl) Clifford Jordan (ts) Jaki Byard (p) Charles Mingus (b) Dannie Richmond (d) LAST DATE Hilversum, The Netherlands, June 2, 1964Hypochristmutreefuzz (1)Eric Dolphy (fl-3,as-2,b-cl-1) Misha Mengelberg (p) Jacques Schols (b) Han Bennink (d) UNREALIZED TAPES Paris, June 11, 1964SpringtimeDonald Byrd (tp) Eric Dolphy (as,b-cl) Nathan Davis (ts) Jacques “Jack” Dieval (p) Jacques Hess (b) Franco Manzecchi (d) Jacky Bambou (perc-1) Continue reading Puro Jazz 03 mayo, 2024 at PuroJazz.
This classic album is tonight's Jazz Feature recorded 64 years ago on April 1, 1960 at Rudy Van Gelder's Studio for Prestige/New Jazz Records. It was Eric's first album under his name and leadership. Dolphy, who was from Los Angeles had moved to New York and after working in L.A. for many years came to New York as a member of drummer Chico Hamilton's Quintet. After leaving Hamilton and settling in the big city, Eric began working with Charles Mingus in early 1960 and recorded this album with his room mate, trumpeter Freddie Hubbard. Eric wisely selected veteran drummer Roy Haynes and a strong bassist named George Tucker plus piano giant Jaki Byard who he met in the Mingus band. They formed a very cohesive band for this date and it sounds like a working band. The date is a classic and marked the real beginning of Eric's short but eventful career. His unique compositions are heard here as well as his alto saxophone, bass clarinet and flute. Eric sadly died at age 36 in Germany from undiagnosed diabetes. "Outward Bound" stands as a great early milestone to Eric's life and music. It's tonight's Jazz Feature.
We tend to think of the subjects of Deep Focus as conjurers, as master architects, as grand statesmen, as sonic sculptors, as Renaissance men and women. But what about when they're the guy down the street? Or the dad of your elementary school friend? How does that change the perspective? Cornetist Graham Haynes grew up down the block from the magnificent Jaki Byard, one of the all-time great pianist/arranger/educators and one of the most engaging characters ever on the bandstand. Stories? Graham's got stories! Join host Mitch Goldman on Deep Focus this Monday (March 3) from 6pm to 9pm NYC-time on WKCR 89.9FM. WKCR HD-1 and wkcr.org
We tend to think of the subjects of Deep Focus as conjurers, as master architects, as grand statesmen, as sonic sculptors, as Renaissance men and women. But what about when they're the guy down the street? Or the dad of your elementary school friend? How does that change the perspective? Cornetist Graham Haynes grew up down the block from the magnificent Jaki Byard, one of the all-time great pianist/arranger/educators and one of the most engaging characters ever on the bandstand. Stories? Graham's got stories! Join host Mitch Goldman on Deep Focus this Monday (March 3) from 6pm to 9pm NYC-time on WKCR 89.9FM. WKCR HD-1 and wkcr.org
We tend to think of the subjects of Deep Focus as conjurers, as master architects, as grand statesmen, as sonic sculptors, as Renaissance men and women. But what about when they're the guy down the street? Or the dad of your elementary school friend? How does that change the perspective? Cornetist Graham Haynes grew up down the block from the magnificent Jaki Byard, one of the all-time great pianist/arranger/educators and one of the most engaging characters ever on the bandstand. Stories? Graham's got stories! Join host Mitch Goldman on Deep Focus this Monday (March 3) from 6pm to 9pm NYC-time on WKCR 89.9FM. WKCR HD-1 and wkcr.org
BOOKER LITTLE - OUT FRONT - New York, April 4, 1961 - New York, April 4, 1961 We Speak, Strength and sanity (1), Man of Words Booker Little (tp) Julian Priester (tb) Eric Dolphy (as-1,b-cl-2,fl-3) Don Friedman (p) Ron Carter (b) Max Roach (d,tymp,vib) SIMÓN WILLSON GAZMURI - GOOD COMPANY - Astoria, NY, September 6, 2022 No more X, Snacks, Calma Jacob Shulman (ts) Isaac Wilson (p) Simon Willson (b,comp) Jonas Esser (d) RAHSAAN ROLAND KIRK - RIP, RIG AND PANIC - Englewood Cliffs, N.J., January 13, 1965 No tonic Pres, Once in a while, From Bechet, Byas and Fats, Rip, rig and panic Rahsaan Roland Kirk (ts,manzello) Jaki Byard (p) Richard Davis (b) Elvin Jones (d)
THIS WEEK's BIRDS: from Cabo Verde: Antonio Sanches; Tchiss Lopes; Bana; post-bop from Larry Young; Jaki Byard; new archival release of Infinite Sound; from Mali Ami Koïta; vocal work from Cory Smythe; Tembang Sunda from Likungan Seni Malati Ida; Gamelan "Gong Kebyar" from Bali; Sundanese pop from Detty Kurnia; Ahmed Hamza and Ali Riahi (from Tunisia); Jason Stein, Raleigh Dailey & Tim Daisy; new music from Aly Eissa et al.; much more!!!! Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. 24/7 at via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18007278/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
Steven Soderbergh (Producer) is a writer, director, producer, cinematographer, and editor. He most recently directed this year's Magic Mike's Last Dance, as well as the forthcoming HBO Max limited series “Full Circle.” He earned the Academy Award in 2000 for directing Traffic, the same year he was nominated for Erin Brockovich; and an Emmy Award for Outstanding Directing for his 2013 HBO film “Behind the Candelabra.” Soderbergh earlier received an Academy Award nomination for Best Original Screenplay for sex, lies, and videotape, his feature film directorial debut. That film also won the Palme d'Or at the 1989 Cannes Film Festival. Soderbergh has also worked as a theatrical director, creating and directing the play Tot Mom at the Sydney Theatre Company in December 2009; as well as directing the world premiere of Scott Z. Burns' play The Library at New York's Public Theater in April 2014. Emma Sheanshang (Playwright) is a playwright and screenwriter from New York City. Her first play, Every Girl Gets Her Man, was performed at the Soho Playhouse.Greetings from Tim Buckley, a film she co-wrote with director Dan Algrant, starring Penn Badgley and Imogen Poots, premiered at the Toronto Film Festival. Dan Algrant (Director) is a film director and writer. His films include Greetings from Tim Buckley (Focus World/Tribeca), which premiered at the Toronto International Film Festival, Naked in New York (Fine Line Features) and People I Know starring Al Pacino (Miramax Films). Dan has also directed HBO's Emmy winning “Sex and the City” and award-winning short films including Some Film Chopping Wood. He directed the documentary Anything for Jazz about piano legend Jaki Byard, executive produced How to Grow a Band about prodigy mandolinist Chris Thile and the Punch Brothers and acted in Steven Soderbergh's The Girlfriend Experience and Let Them All Talk with Meryl Streep, Candace Bergen and Lucas Hedges. Current directing projects include the film Little Rootie Tootie, executive produced by Whoopi Goldberg; and Cathedrals, a documentary spanning nearly fifty years of the lives of two young men living in the Cathedral Housing projects in Boston, MA. Learn more about your ad choices. Visit podcastchoices.com/adchoices
THIS WEEK's BIRDS: Amadou Balaké (from the last record); Ronald Shannon Jackson's Decoding Society; Taureg song from Teita Lebid; Frank Mimita (Vintage Angolan pop); from Greece: Trionfas, Greek Fusion Orchestra, Christos Nikolopoulos & Yiorgos Saris; acoustic Mahavishnu; vintage George Sams; vintage Paul Motion; vintage Roland Kirk (pre-Rahsaan); ecstatic Baluchi music from Abdorahman Surizehi, Morâd Salazehiu; Shirley Scott & George Coleman, live at the Left Bank (newly rediscovered); Sory Kandia Kouyaté; Shundu Wembadio; poems from Anne Waldman; Jaki Byard w. Jon Farrell; much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17393481/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
Robert Silverman was born in New Haven, Connecticut. and has been playing jazz piano, trumpet, singing and composing for about 50 years. Mr. Silverman was first mentored by the great Jackie McLean in Hartford, and then moved on to study at the New England Conservatory in Boston where he was fortunate to work with George Russell, Jaki Byard, Fred Hersch, Jimmy Guiffre, Ran Blake and many others and graduated from the Jazz Studies Department in 1984. He moved to New York where he did graduate work with Jimmy Heath at Queens College and has been the recipient of many awards including two Meet the Composer Grants and a Brio award in 2013 for Best Jazz Composer for his CD Fractured time and 3 Grants during the Pandemic including New York Foundation for Arts and the Louis Armstrong Foundation. Mr. Silverman has released 15 CDs in NYC, and works with the elderly population and Alzheimer patients in the Bronx. He is on the Staff of 92nd St Y, and will soon be teaching at the Duke Ellington School in NYC.
RAHSAAN ROLAND KIRK “RIP, RIG AND PANIC” – Englewood Cliffs, N.J., January 13, 1965 No tonic Pres, From Bechet, Byas and Fats, Once in a while Rahsaan Roland Kirk (ts,fl,stritch,manzello,siren,castanets,oboe) Jaki Byard (p) Richard Davis (b) Elvin Jones (d) TAMIR HENDELMAN “PLAYGROUND” – Los Angeles? March 20 & 21, 2008 […]
JAKI BYARD “OUT FRONT!” – Englewood Cliffs, NJ, May 21 & 28, 1964 Out front (rw,be out,*), European episode (1), After the lights go down low (1) Richard Williams (tp-1) Booker Ervin (ts-1) Jaki Byard (p) Bob Cranshaw (b) Walter Perkins (d) STEVE LACY “EVIDENCE” – Englewood Cliffs, NJ, November […]
Bob Mover is a virtuosic saxophonist who performed with Chet Baker, Charles Mingus, Lee Konitz and countless others over a long career. Visit https://www.bobmoverjazz.com/ to sign up for Bob Mover's weekly online masterclass sessions every Saturday. List of names mentioned: Charlie Parker, Roland Kirk, Bill Evans, Roy Eldridge, Richie Kamuca, Ira Sullivan, Walter Piston, Gerry Mulligan, Chet Baker, Stan Getz, Zoot Sims, Wynton Kelly, Kenny Dorham, Sonny Rollins, Lee Konitz, Jaki Byard, Al Cohn, Phil Woods, Bud Powell, Thelonius Monk, Jimmy Lyons, Cecil Taylor, Saul Frompkin, Don Byas, Coleman Hawkins, Art Tatum, Bud Powell, Hank Jones, Al Haig, Dodo Marmarosa, Joe Albany, Albert Dailey, Kenny Barron, Warne Marsh, Lennie Tristano, Lester Young, Count Basie, Jerry Coker, Allen Rock, Duffy Jackson, Bill Pierce, Mark Colby, Melton Mustafa, Ramblerny Music camp, Roger Rosenberg, Mike Brecker, Randy Brecker, Eddie Cleanhead Vinson, Shelly Manne, Brooks Kerr, Tony Castellano, Mulgrew Miller, Walter Davis Junior, John Bennett, Bernie Senensky, Cory Weeds, Sam Noto, Isaac Raz, Antoine Drye, Steve Kenyon, Emily Mover, Danny Kaye
SAM RIVERS “FUCHSIA SWING SONG” – Englewood Cliffs, N.J., December 11, 1964 Fuchsia swing song, Cyclic episode, Beatrice, Luminous monolith, Downstairs Sam Rivers (ts) Jaki Byard (p) Ron Carter (b) Tony Williams (d) JOSHUA REDMAN /BRAD MEHLDAU / CHRISTIAN MCBRIDE / BRIAN BLADE “LONGGONE” – New York, 2022 Long […]
JAKI BYARD – “HI FLY” – Englewood Cliffs, NJ, January 30, 1962 Hi fly, Tillie Butterball, Excerpts from Yamecraw, Blues in the closet Jaki Byard (p,as-1) Ron Carter (bPete La Roca (d) STEVE DAVIS – “BLUESTHETIC” – New York, February 8, 2022 Encouragement, Faraway dream (gk out), Maybe so […]
"Amarcord" Jaki Byard (y otros) Amarcord Nino Rota (Hannibal Records, 1982) Jaki Byard. El tema es una composición de Nino Rota. ¿Sabías que? Jaki Byard nació el 15 de junio de 1922. En https://www.tomajazz.com/web/?p=64081 repasamos su biografía. © Pachi Tapiz, 2022
Hoy los invito a degustar unas presentaciones en vivo de Albert Ayler en Nueva York. Pero no todo el Free Jazz, hay un homenaje de Norah Jones a The Beatles, el Soul / Funk de Darondo y Chick Corea, entre otros. Dale play!
Un brillante musicista, sassofonista e flautista, scomparso giovane in piena attività (nel 1986 a 49 anni) e oggi un po' dimenticato: Joe Farrell, nome d'arte di Joseph Carl Firrantello, lo ricordiamo anche ma non solo per la feconda collaborazione con Chick Corea, nei Return to Forever ma anche in altre formazioni del grande pianista.Ha lavorato nella prima parte di carriera con Mingus, Jaki Byard, Maynard Ferguson, Thad Jones. Ascoltato in seguito accanto a musicisti del calibro Elvin Jones, Aretha Franklin, George Benson, Lalo Schifrin e moltissimi altri, nonché richiesto sideman in ambito pop da star quali Santana, James Brown, Bee Gees. Nella sua sterminata discografia spiccano una quindicina di album a suo nome, molti dei quali pubblicati dalla CTI.
Un brillante musicista, sassofonista e flautista, scomparso giovane in piena attività (nel 1986 a 49 anni) e oggi un po' dimenticato: Joe Farrell, nome d'arte di Joseph Carl Firrantello, lo ricordiamo anche ma non solo per la feconda collaborazione con Chick Corea, nei Return to Forever ma anche in altre formazioni del grande pianista.Ha lavorato nella prima parte di carriera con Mingus, Jaki Byard, Maynard Ferguson, Thad Jones. Ascoltato in seguito accanto a musicisti del calibro Elvin Jones, Aretha Franklin, George Benson, Lalo Schifrin e moltissimi altri, nonché richiesto sideman in ambito pop da star quali Santana, James Brown, Bee Gees. Nella sua sterminata discografia spiccano una quindicina di album a suo nome, molti dei quali pubblicati dalla CTI.
Un brillante musicista, sassofonista e flautista, scomparso giovane in piena attività (nel 1986 a 49 anni) e oggi un po' dimenticato: Joe Farrell, nome d'arte di Joseph Carl Firrantello, lo ricordiamo anche ma non solo per la feconda collaborazione con Chick Corea, nei Return to Forever ma anche in altre formazioni del grande pianista.Ha lavorato nella prima parte di carriera con Mingus, Jaki Byard, Maynard Ferguson, Thad Jones. Ascoltato in seguito accanto a musicisti del calibro Elvin Jones, Aretha Franklin, George Benson, Lalo Schifrin e moltissimi altri, nonché richiesto sideman in ambito pop da star quali Santana, James Brown, Bee Gees. Nella sua sterminata discografia spiccano una quindicina di album a suo nome, molti dei quali pubblicati dalla CTI.
Un brillante musicista, sassofonista e flautista, scomparso giovane in piena attività (nel 1986 a 49 anni) e oggi un po' dimenticato: Joe Farrell, nome d'arte di Joseph Carl Firrantello, lo ricordiamo anche ma non solo per la feconda collaborazione con Chick Corea, nei Return to Forever ma anche in altre formazioni del grande pianista.Ha lavorato nella prima parte di carriera con Mingus, Jaki Byard, Maynard Ferguson, Thad Jones. Ascoltato in seguito accanto a musicisti del calibro Elvin Jones, Aretha Franklin, George Benson, Lalo Schifrin e moltissimi altri, nonché richiesto sideman in ambito pop da star quali Santana, James Brown, Bee Gees. Nella sua sterminata discografia spiccano una quindicina di album a suo nome, molti dei quali pubblicati dalla CTI.
Un brillante musicista, sassofonista e flautista, scomparso giovane in piena attività (nel 1986 a 49 anni) e oggi un po' dimenticato: Joe Farrell, nome d'arte di Joseph Carl Firrantello, lo ricordiamo anche ma non solo per la feconda collaborazione con Chick Corea, nei Return to Forever ma anche in altre formazioni del grande pianista.Ha lavorato nella prima parte di carriera con Mingus, Jaki Byard, Maynard Ferguson, Thad Jones. Ascoltato in seguito accanto a musicisti del calibro Elvin Jones, Aretha Franklin, George Benson, Lalo Schifrin e moltissimi altri, nonché richiesto sideman in ambito pop da star quali Santana, James Brown, Bee Gees. Nella sua sterminata discografia spiccano una quindicina di album a suo nome, molti dei quali pubblicati dalla CTI.
This week's show is a Deep Focus unlike any other. It's actually more like one of those sports movies in which The Kid gets to go into the championship game with his big league hero. The hero, in this case, is none other than Jaki Byard (the subject of Deep Focus episodes with both Graham Haynes and with Jason Moran and Alicia Hall Moran) and the part of The Kid is played by drummer Roy Weinberger. Jaki Byard booked a date at SUNY-Binghamton in 1981 and asked the students to provide half of a band for him to play with. The students didn't have to think too hard about whom to call; Roy and his brother, alto saxophonist Bob Weinberger, were pretty much the heaviest cats in town. Was being big fish in that little pond enough to get them through the raging river of a performance with Jaki Byard? Tune in to find out. We have documentary evidence! This one is truly fascinating. #WKCR #DeepFocus #MitchGoldman #JakiByard #RoyWeinberger #JazzRadio #JazzInterview #JazzPodcast Photo credit: Jaki Byard By Source, Fair use en.wikipedia.org-w-index.php-curid=50315026
This week's show is a Deep Focus unlike any other. It's actually more like one of those sports movies in which The Kid gets to go into the championship game with his big league hero. The hero, in this case, is none other than Jaki Byard (the subject of Deep Focus episodes with both Graham Haynes and with Jason Moran and Alicia Hall Moran) and the part of The Kid is played by drummer Roy Weinberger. Jaki Byard booked a date at SUNY-Binghamton in 1981 and asked the students to provide half of a band for him to play with. The students didn't have to think too hard about whom to call; Roy and his brother, alto saxophonist Bob Weinberger, were pretty much the heaviest cats in town. Was being big fish in that little pond enough to get them through the raging river of a performance with Jaki Byard? Tune in to find out. We have documentary evidence! This one is truly fascinating. #WKCR #DeepFocus #MitchGoldman #JakiByard #RoyWeinberger #JazzRadio #JazzInterview #JazzPodcast Photo credit: Jaki Byard By Source, Fair use en.wikipedia.org-w-index.php-curid=50315026
This week's show is a Deep Focus unlike any other. It's actually more like one of those sports movies in which The Kid gets to go into the championship game with his big league hero. The hero, in this case, is none other than Jaki Byard (the subject of Deep Focus episodes with both Graham Haynes and with Jason Moran and Alicia Hall Moran) and the part of The Kid is played by drummer Roy Weinberger. Jaki Byard booked a date at SUNY-Binghamton in 1981 and asked the students to provide half of a band for him to play with. The students didn't have to think too hard about whom to call; Roy and his brother, alto saxophonist Bob Weinberger, were pretty much the heaviest cats in town. Was being big fish in that little pond enough to get them through the raging river of a performance with Jaki Byard? Tune in to find out. We have documentary evidence! This one is truly fascinating. #WKCR #DeepFocus #MitchGoldman #JakiByard #RoyWeinberger #JazzRadio #JazzInterview #JazzPodcast Photo credit: Jaki Byard By Source, Fair use en.wikipedia.org-w-index.php-curid=50315026
This week's show is a Deep Focus unlike any other. It's actually more like one of those sports movies in which The Kid gets to go into the championship game with his big league hero. The hero, in this case, is none other than Jaki Byard (the subject of Deep Focus episodes with both Graham Haynes and with Jason Moran and Alicia Hall Moran) and the part of The Kid is played by drummer Roy Weinberger. Jaki Byard booked a date at SUNY-Binghamton in 1981 and asked the students to provide half of a band for him to play with. The students didn't have to think too hard about whom to call; Roy and his brother, alto saxophonist Bob Weinberger, were pretty much the heaviest cats in town. Was being big fish in that little pond enough to get them through the raging river of a performance with Jaki Byard? Tune in to find out. We have documentary evidence! This one is truly fascinating. #WKCR #DeepFocus #MitchGoldman #JakiByard #RoyWeinberger #JazzRadio #JazzInterview #JazzPodcast Photo credit: Jaki Byard By Source, Fair use en.wikipedia.org-w-index.php-curid=50315026
This week's show is a Deep Focus unlike any other. It's actually more like one of those sports movies in which The Kid gets to go into the championship game with his big league hero. The hero, in this case, is none other than Jaki Byard (the subject of Deep Focus episodes with both Graham Haynes and with Jason Moran and Alicia Hall Moran) and the part of The Kid is played by drummer Roy Weinberger. Jaki Byard booked a date at SUNY-Binghamton in 1981 and asked the students to provide half of a band for him to play with. The students didn't have to think too hard about whom to call; Roy and his brother, alto saxophonist Bob Weinberger, were pretty much the heaviest cats in town. Was being big fish in that little pond enough to get them through the raging river of a performance with Jaki Byard? Tune in to find out. We have documentary evidence! This one is truly fascinating. #WKCR #DeepFocus #MitchGoldman #JakiByard #RoyWeinberger #JazzRadio #JazzInterview #JazzPodcast Photo credit: Jaki Byard By Source, Fair use en.wikipedia.org-w-index.php-curid=50315026
This week's show is a Deep Focus unlike any other. It's actually more like one of those sports movies in which The Kid gets to go into the championship game with his big league hero. The hero, in this case, is none other than Jaki Byard (the subject of Deep Focus episodes with both Graham Haynes and with Jason Moran and Alicia Hall Moran) and the part of The Kid is played by drummer Roy Weinberger. Jaki Byard booked a date at SUNY-Binghamton in 1981 and asked the students to provide half of a band for him to play with. The students didn't have to think too hard about whom to call; Roy and his brother, alto saxophonist Bob Weinberger, were pretty much the heaviest cats in town. Was being big fish in that little pond enough to get them through the raging river of a performance with Jaki Byard? Tune in to find out. We have documentary evidence! This one is truly fascinating. #WKCR #DeepFocus #MitchGoldman #JakiByard #RoyWeinberger #JazzRadio #JazzInterview #JazzPodcast Photo credit: Jaki Byard By Source, Fair use en.wikipedia.org-w-index.php-curid=50315026
DAVID WITHAM is a wonderful pianist, composer, producer, and arranger. We've worked together a bunch in my Trio Pianissimo, as well as Jeff Gauthier's Goatette. We cover Dave's musical history, his studies with Jaki Byard, his work with George Benson and Barbra Streisand, and his longtime involvement with Cryptogramophone Records, among lots of other cool stuff.
This week's episode is about the music of bassist Richard Davis. Davis came up in the Chicago jazz scene, and studied classical music intensively, and went on to play on some of the most interesting, progressive albums of the post bebop era in the 1960's. it features phenomenal performances from his time playing with Eric Dolphy, Andrew Hill, Jaki Byard and others.Questions? Comments? Request? email me at WNPMPod@gmail.com
The culture of jazz is clearly built around the music but the culture only exists because of enlightened cats who were reared in the presence of greatness. Artistic greatness and in a humanitarian sense as well. My guest is one of the cats I speak off. He took advantage of his early childhood connections and used his native gifts to help explain transcendent music. Music that was played By Bird and Wade Legge John Coltrane and my guests babysitter Papa Jo Jones. It's was an accessible community of artistic purists like Jaki Byard who could play a tune in all twelve keys and make his students do that on the piano until they fell apart. My guest has been a bridge to a new age. Conveying messages as a radio host and coming of age during the advent of free form radio, individual sound seekers and being surrounded by the original masters like Dizzy and Louie and The Duke. There's two types of music - good and bad and my guest has pontificated and promoted jazz. But what does that term really mean? Has a slang term become so intellectualized that it no longer swings? My guest has channelled that swing feel throughout his career as an impresario. Could have been the Basie band with John Heard or watching the real time fusing of Afro Bop with Machito and Latin music with Tito. The music survives today in part because of contributions of my guest who plays Charlie Parker records every morning on Columbia's WKCR @ Columbia University. Phil Schaap welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
Jason Moran joins host Robin D.G. Kelley for a journey through Garner's album One World Concert. From his early days studying with Jaki Byard at the Manhattan School of Music, to his work on Geri Allen's tribute to Concert By The Sea, there are few artists in the world with a better understanding of Garner's unique artistry. On this special episode, Moran lays out a path for future Garner scholars to follow and steps behind the piano to unravel the complex harmony in one of Garner's previously unreleased introductions. Listen to the album: https://www.errollgarner.com/oneworldconcert-ors Check out the full Octave Remastered Series: https://www.errollgarner.com/ Learn more about Erroll Garner Uncovered: errollgarner.com/podcast Follow Erroll Garner on Facebook: http://www.facebook.com/officialerrollgarner/ Instagram: http://instagram.com/errollgarnerofficial Twitter: https://twitter.com/errollgarner YouTube: https://www.youtube.com/channel/UC960_Jq0MdN_RuLbTGfR1HA Find out more about our guest Jason Moran http://www.jasonmoran.com/ --- Send in a voice message: https://anchor.fm/erroll-garner/message
Don’t Give Me No Sugar Cubes When I started touring, Bill Cosby took over my room above the Gaslight. I was at The Village Gate opening up for Coleman Hawkins doing standup. Bob Dylan said, “You gotta come to the Gaslight.” He kicked Cosby out of the room to give it back to me. Cosby thought anytime I would offer him a drink it was filled with LSD. He was certain that everything that I touched turned into LSD. Who else thought that was Jose Feliciano. “Don’t give me no sugar cubes,” he used to say. The Golden Lion Once I got to New York, I established a gig at The Golden Lion in Hartford, Connecticut doing jazz and poetry. It was a hit; it was huge. Every Monday for years, Beatniks would line up around the block. I brought in people like Don Ellis, Jaki Byard, and Jimmy Giuffre. We got paid: that’s how I got these guys to come out. Every Monday was a payday. We would leave New York City and drive to Hartford and do it. I’m just a hippie poet in an altered space. “Space is the place,” said Sun Ra. --- Support this podcast: https://anchor.fm/jake-feinberg/support
Jacques Coursil est né en 1938 à Paris, de parents martiniquais nés à Fort-de-France. Il a fait ses études musicales et universitaires à Paris. En 1958-1961, Jacques Coursil voyage en Afrique de l'Ouest, pendant la période de décolonisation. Il séjourne longuement à Dakar où il est accueilli dans l'entourage de Léopold Sédar Senghor. À son retour en France, il enseigne la littérature et poursuit sa formation musicale. En 1965, Malcolm X vient d'être assassiné. Coursil part pour les États-Unis où il restera dix ans. Il débarque à New York dans l'agitation des Civil Rights, l'avènement du free jazz, des happenings en art, des projets et des mouvements hippies. Pendant cette décennie, il va avoir l'occasion de côtoyer et de travailler avec les plus grands musiciens américains tant de la scène jazz que celle de la musique contemporaine. Il va devenir l'élève du pianiste Jaki Byard, et surtout celui du trompettiste Bill Dixon avec lequel il part finalement en tournée pour jouer en duo. Il étudie également l'harmonie et la composition sous la direction du compositeur Noel Da Costa, et participera avec lui à de nombreux concerts en musique contemporaine. À cette époque, sa technique instrumentale est très solide et son imagination fuse tous azimuts.Pendant ses années new-yorkaises dominées par la musique, la littérature, les arts et l'agitation politique, Jacques Coursil va découvrir quelque chose d'autre qui, selon lui, est tout aussi passionnant : la linguistique et la logique mathématique. Il va se détacher petit à petit de la scène musicale, enseigner de nouveau et retourner à l'université. Rentré en France, il décide de se consacrer à une carrière universitaire, ce qui l'amène à soutenir deux thèses, l'une en Lettres (1977) et l'autre en Sciences (1992). Il enseignera en alternance la littérature et la linguistique théorique, d'abord en France, puis en Martinique, aux États-Unis à l'Université de Cornell, et enfin à l'Université de Californie à Irvine. Ce cursus fait de lui une des voix les plus écoutées sur le corpus de Ferdinand de Saussure ou sur les théories générales de linguistique moderne, comme l'atteste la portée de ses articles et de son livre La Fonction Muette du Langage, paru chez Ibis Rouge en 2000.Durant cette époque d'activités littéraires et scientifiques, la pratique de la musique ressemble pour Jacques Coursil à une rivière souterraine (ou à un laboratoire d'alchimiste). Il travaille en secret le souffle continu, les articulations, les "coups de langue" sans relâche jusqu'à ce que cette trompette qu'il aime se mette à chanter, à danser et à parler : obsession de clarté et d'émotion du timbre. Il y a du Clark Terry, du Jimmy Owens, du Hugh Masekela dans cette démarche : sans doute, les trompettistes de jazz, Jacques Coursil les aime-t-il et les admire-t-il tous.[Universal] Son dernier album On A Trail Of Tears est sorti chez Universal. → Une interview de Jacques Coursil sur Rfimusique. Les choix musicaux de Jacques Coursil Jacques Coursil Nunna Daul Sunyi Thelonius Monk Blue Jacques Coursil Archipel du grand chaos Les îles Miles Davis Bag’s groove Jacques Coursil Franz Fanon
If you are looking for new ways to think about and hear this music, pay attention to what Jason Moran and Alicia Hall Moran are doing, both separately and together. Consider how Jason looks at the physical culture around the music's past and present, as he did in his show at the Whitney Museum last year; check out Alicia's take on her personal and family history in her theatrical stage shows; explore the topics that they engage with in their sweeping multi-disciplinary performances. Jason and Alicia came by the studio in March of last year in anticipation of their sold-out performance at Carnegie Hall, Two Wings. Their inspired (and inspiring) topics for Deep Focus? Jaki Byard for Jason and Nina Simone for Alicia. The WKCR archives yielded treasures for both, and Jason and Alicia's insights made the riches even more abundant. #DeepFocus #JasonMoran #AliciaHallMoran #JakiByard #NinaSimone #MitchGoldman #Jazz #JazzRadio #JazzInterview #JazzPodcast
If you are looking for new ways to think about and hear this music, pay attention to what Jason Moran and Alicia Hall Moran are doing, both separately and together. Consider how Jason looks at the physical culture around the music's past and present, as he did in his show at the Whitney Museum last year; check out Alicia's take on her personal and family history in her theatrical stage shows; explore the topics that they engage with in their sweeping multi-disciplinary performances. Jason and Alicia came by the studio in March of last year in anticipation of their sold-out performance at Carnegie Hall, Two Wings. Their inspired (and inspiring) topics for Deep Focus? Jaki Byard for Jason and Nina Simone for Alicia. The WKCR archives yielded treasures for both, and Jason and Alicia's insights made the riches even more abundant. #DeepFocus #JasonMoran #AliciaHallMoran #JakiByard #NinaSimone #MitchGoldman #Jazz #JazzRadio #JazzInterview #JazzPodcast
If you are looking for new ways to think about and hear this music, pay attention to what Jason Moran and Alicia Hall Moran are doing, both separately and together. Consider how Jason looks at the physical culture around the music's past and present, as he did in his show at the Whitney Museum last year; check out Alicia's take on her personal and family history in her theatrical stage shows; explore the topics that they engage with in their sweeping multi-disciplinary performances. Jason and Alicia came by the studio in March of last year in anticipation of their sold-out performance at Carnegie Hall, Two Wings. Their inspired (and inspiring) topics for Deep Focus? Jaki Byard for Jason and Nina Simone for Alicia. The WKCR archives yielded treasures for both, and Jason and Alicia's insights made the riches even more abundant. #DeepFocus #JasonMoran #AliciaHallMoran #JakiByard #NinaSimone #MitchGoldman #Jazz #JazzRadio #JazzInterview #JazzPodcast
If you are looking for new ways to think about and hear this music, pay attention to what Jason Moran and Alicia Hall Moran are doing, both separately and together. Consider how Jason looks at the physical culture around the music's past and present, as he did in his show at the Whitney Museum last year; check out Alicia's take on her personal and family history in her theatrical stage shows; explore the topics that they engage with in their sweeping multi-disciplinary performances. Jason and Alicia came by the studio in March of last year in anticipation of their sold-out performance at Carnegie Hall, Two Wings. Their inspired (and inspiring) topics for Deep Focus? Jaki Byard for Jason and Nina Simone for Alicia. The WKCR archives yielded treasures for both, and Jason and Alicia's insights made the riches even more abundant. #DeepFocus #JasonMoran #AliciaHallMoran #JakiByard #NinaSimone #MitchGoldman #Jazz #JazzRadio #JazzInterview #JazzPodcast
If you are looking for new ways to think about and hear this music, pay attention to what Jason Moran and Alicia Hall Moran are doing, both separately and together. Consider how Jason looks at the physical culture around the music's past and present, as he did in his show at the Whitney Museum last year; check out Alicia's take on her personal and family history in her theatrical stage shows; explore the topics that they engage with in their sweeping multi-disciplinary performances. Jason and Alicia came by the studio in March of last year in anticipation of their sold-out performance at Carnegie Hall, Two Wings. Their inspired (and inspiring) topics for Deep Focus? Jaki Byard for Jason and Nina Simone for Alicia. The WKCR archives yielded treasures for both, and Jason and Alicia's insights made the riches even more abundant. #DeepFocus #JasonMoran #AliciaHallMoran #JakiByard #NinaSimone #MitchGoldman #Jazz #JazzRadio #JazzInterview #JazzPodcast
If you are looking for new ways to think about and hear this music, pay attention to what Jason Moran and Alicia Hall Moran are doing, both separately and together. Consider how Jason looks at the physical culture around the music's past and present, as he did in his show at the Whitney Museum last year; check out Alicia's take on her personal and family history in her theatrical stage shows; explore the topics that they engage with in their sweeping multi-disciplinary performances. Jason and Alicia came by the studio in March of last year in anticipation of their sold-out performance at Carnegie Hall, Two Wings. Their inspired (and inspiring) topics for Deep Focus? Jaki Byard for Jason and Nina Simone for Alicia. The WKCR archives yielded treasures for both, and Jason and Alicia's insights made the riches even more abundant. #DeepFocus #JasonMoran #AliciaHallMoran #JakiByard #NinaSimone #MitchGoldman #Jazz #JazzRadio #JazzInterview #JazzPodcast
For quite some time half a century ago only two schools in this country had jazz programs. One was N. Texas State and the other was the Berkeley School of Music in Boston. My guest today is one of the earliest alumni's of a school that has produced the likes of Alan Broadbent, Ernie Watts, Gene Perla and Dick Berk and TOSHIKO Akiyoshi. When my guest went there it was a brotherhood of 300 men and woman who studied under the masters like Herb Pomeroy, Ray Santizzi, Alan Dawson and Jaki Byard and had opportunities to play live and get loose at venues like The Jazz Workshop, Lennie's on the Turnpike and Latin Salsa Dance Halls. In fact even if you didn't go to Berklee you could still sit in on lectures and jams. My guest today is a guitar player who is prolific in melodic sequencing and ferocious output. He plays the electric guitar, mandolin and piano strumming his way to sublimation with Jack Dejohnette, Billy Cobham, Colin Walcott and George Marsh, Joe Beck, Tom Knific, Dave Holland Jan Hammer and Johnny Hammond Smith. He plays music without regard to barriers. His generation makes music that feels good because they understand the balance between mathematics and soul. They also played live for weeks at a time at the same venue performing complex Gil Evans tunes developing their own sound and individuality that created their identities. Still blazing new trails with his axe, JAbercrombie --- Support this podcast: https://anchor.fm/jake-feinberg/support
La sua attività di produttore è stata amplissima e variegata: lavorò fra gli altri con Lou Reed e Marianne Faithful, e nelle prima metà degli ottanta fu coordinatore musicale del popolarissimo programma televisivo Saturday Night Live. Ma la fama internazionale di Hal Willner - mancato il 7 aprile scorso per complicazioni da coronavirus - è legata in particolare ad alcuni memorabili album-tributo che Willner allesti' a partire dal principio degli ottanta. All'epoca la compresenza in uno stesso album di artisti appartenenti ad ambiti musicali diversi era tutt'altro che scontata. Nell'81 Willner, venticinquenne, realizzò Amarcord Nino Rota, un omaggio all'autore delle musiche dei film di Fellini: la genialità di Willner stava tanto nell'assortimento di musicisti coinvolti, quanto nella sorpresa che riusciva ad ingenerare nell'ascoltatore proponendogli la musica del grande compositore rivisitata da artisti la cui associazione col mondo musicale di Rota e dei film di Fellini era in molti casi tutt'altro che ovvia: chi si sarebbe aspettato di trovare Rota interpretato da Deborah Harry, la cantante dei Blondie, figura di culto della new wave anni settanta, e da Muhal Richard Abrams, guru dell'avanguardia chicagoana? Oltre a loro Jaki Byard, Bill Frisell, Carla Bley (in uno strepitoso Otto e mezzo), e Steve Lacy (in un magico Roma in solo al soprano).
La sua attività di produttore è stata amplissima e variegata: lavorò fra gli altri con Lou Reed e Marianne Faithful, e nelle prima metà degli ottanta fu coordinatore musicale del popolarissimo programma televisivo Saturday Night Live. Ma la fama internazionale di Hal Willner - mancato il 7 aprile scorso per complicazioni da coronavirus - è legata in particolare ad alcuni memorabili album-tributo che Willner allesti' a partire dal principio degli ottanta. All'epoca la compresenza in uno stesso album di artisti appartenenti ad ambiti musicali diversi era tutt'altro che scontata. Nell'81 Willner, venticinquenne, realizzò Amarcord Nino Rota, un omaggio all'autore delle musiche dei film di Fellini: la genialità di Willner stava tanto nell'assortimento di musicisti coinvolti, quanto nella sorpresa che riusciva ad ingenerare nell'ascoltatore proponendogli la musica del grande compositore rivisitata da artisti la cui associazione col mondo musicale di Rota e dei film di Fellini era in molti casi tutt'altro che ovvia: chi si sarebbe aspettato di trovare Rota interpretato da Deborah Harry, la cantante dei Blondie, figura di culto della new wave anni settanta, e da Muhal Richard Abrams, guru dell'avanguardia chicagoana? Oltre a loro Jaki Byard, Bill Frisell, Carla Bley (in uno strepitoso Otto e mezzo), e Steve Lacy (in un magico Roma in solo al soprano).
La sua attività di produttore è stata amplissima e variegata: lavorò fra gli altri con Lou Reed e Marianne Faithful, e nelle prima metà degli ottanta fu coordinatore musicale del popolarissimo programma televisivo Saturday Night Live. Ma la fama internazionale di Hal Willner - mancato il 7 aprile scorso per complicazioni da coronavirus - è legata in particolare ad alcuni memorabili album-tributo che Willner allesti' a partire dal principio degli ottanta. All'epoca la compresenza in uno stesso album di artisti appartenenti ad ambiti musicali diversi era tutt'altro che scontata. Nell'81 Willner, venticinquenne, realizzò Amarcord Nino Rota, un omaggio all'autore delle musiche dei film di Fellini: la genialità di Willner stava tanto nell'assortimento di musicisti coinvolti, quanto nella sorpresa che riusciva ad ingenerare nell'ascoltatore proponendogli la musica del grande compositore rivisitata da artisti la cui associazione col mondo musicale di Rota e dei film di Fellini era in molti casi tutt'altro che ovvia: chi si sarebbe aspettato di trovare Rota interpretato da Deborah Harry, la cantante dei Blondie, figura di culto della new wave anni settanta, e da Muhal Richard Abrams, guru dell'avanguardia chicagoana? Oltre a loro Jaki Byard, Bill Frisell, Carla Bley (in uno strepitoso Otto e mezzo), e Steve Lacy (in un magico Roma in solo al soprano).
In honor of Black History Month, we are taking a look into the career highlights of African American artists and their contribution to the world of jazz and blues. Dick Stein tells the story of an impromptu performance critique by piano master Jaki Byard for a hopeless – and hapless – would be clarinetist.
STANDARD SEMANAL.- “more than you know”.-JAZZ RECUERDO ANIVERSARIO.- Rahssan Roland Kirk - Reeds and Deeds [1963].-JAZZ ACTUALIDAD .-4 WOMEN QUARTET .-UNA HISTORIA DE MUJERES EN EL JAZZ, .-EZEQUIEL CAMPOS de EUDE RADIO MADRID en su programa “EL BAUL DE MIS RECUERDO” a Patricia Krauss PROG.Nº 650.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “more than you know” JAZZ RECUERDO ANIVERSARIO.- Rahssan Roland Kirk - Reeds and Deeds [1963] Reeds & Deeds es un álbum del multi-instrumentista de jazz Roland Kirk . Fue lanzado originalmente en elsello Mercury en 1963 y presenta actuaciones de Kirk con Virgil Jones , Charles Greenlee , Harold Mabern , Abdullah Rafik , Walter Perkins , Tom McIntosh y Richard Davis con arreglos de Benny Golson Personnel[edit] • Roland Kirk: tenor saxophone, manzello, stritch, flute, siren • Virgil Jones: trumpet • Charles Greenlee: trombone (tracks 1-5) • Harold Mabern: piano • Abdullah Rafik: bass (tracks 1-5) • Walter Perkins: drums • Tom McIntosh: trombone (tracks 6-8) • Richard Davis: bass (tracks 6-8) • Benny Golson: arranger (tracks 6-8) . [2] Walter "Baby Sweets" Perkins (10 de febrero de 1932, Chicago, Illinois-14 de febrero de 2004, Queens, Nueva York) fue un baterista de jazz estadounidense. Formado en el importante mundo jazzístico de Chicago, entre 1956 y 1957 Perkins trabajó Ahmad Jamal,1 antes de formar la banda MJT+3, con Paul Serrano, Nicky Hill, Muhal Richard Abrams y Bob Cranshaw. En 1959, una nueva versión de la banda 1959, con Willie Thomas, Frank Strozier, Harold Mabern y Cranshaw grabó para Vee-Jay y continuaron a tocar en Chicago hasta 1962, cuando Perkins se fue a Nueva York. Tocó con Sonny Rollins en 1962 y acompañó a Carmen McRae en 1962-63, y en 1964 con Art Farmer y Teddy Wilson. También tocó con Rahsaan Roland Kirk, George Shearing, Gene Ammons, Charles Mingus, Billy Taylor, Booker Ervin, Jaki Byard, Lucky Thompson, Pat Martino, Sonny Stitt, Sonny Criss, Charles Earland. JAZZ ACTUALIDAD .-Esta semana vamos a tener La banda 4 WOMEN QUARTET presenta un concierto ÚNICO en El Teatro de Triana, con el que nos invita a hacer un recorrido por la historia del Jazz desde una perspectiva femenina, recordando los trabajos de mujeres compositoras, letristas, instrumentistas y cantantes, mostrando sus trabajos y aportaciones, algunos de ellos determinantes en el desarrollo del género. Lilian Hardin, Betty Carter, Nina Simone, Ann Ronell, Maria Schneider, son algunas de las protagonistas de UNA HISTORIA DE MUJERES EN EL JAZZ, y con ellas transitaremos estas músicas, desde el sonido de sus orígenes africanos, pasando por el Blues, el Hot Jazz, la era del Swing, el Bebop hasta llegar al Jazz Contemporáneo. Natalia Ruciero – voz y percusión Virginia Moreno – clarinete y voces Laura Domínguez – piano y voces Blanca Barranco – contrabajo y voces Fecha: El 16/02/2020 Lugar: El Teatro de Triana Horario: 20:00 hora Precio: De 10 € Para finalizar tendremos la entrevista que le realizó nuestro compañero EZEQUIEL CAMPOS de EUDE RADIO MADRID en su programa “EL BAUL DE MIS RECUERDO” a Patricia Krauss
A cura di Gigi Longo. Musiche di Nino Rota interpretate da Carlo Savina, Jaki Byard, Sharon Freeman, Muhal Richard Abrams, Michael Sahl and Chris Stein.
A cura di Gigi Longo. Musiche di Nino Rota interpretate da Carlo Savina, Jaki Byard, Sharon Freeman, Muhal Richard Abrams, Michael Sahl and Chris Stein. (prima parte)
A cura di Gigi Longo. Musiche di Nino Rota interpretate da Carlo Savina, Jaki Byard, Sharon Freeman, Muhal Richard Abrams, Michael Sahl and Chris Stein. (prima parte)
I'm so happy to introduce my guest today, GRAMMY Award-winning Composer, Arranger, Keyboardist and Record Producer, Michael Abene! In a prolific career spanning decades, Abene has worked with the biggest names in music. He produced the Grammy winning projects “Digital Duke” featuring the Duke Ellington Orchestra and “The GRP All-Star Big Band-All Blues.” He also produced the Grammy nominated “The GRP All-Star Big Band” and “The GRP All-Star Big Band Live” and received nominations in the arranging category for all three big band recordings. Michael was also nominated for his arrangement of “America” from “Dave Grusin Presents West Side Story.” Some artists Michael has arranged, composed and/or produced for are Maynard Ferguson, Maceo Parker, Take 6, Billy Cobham, Eddie Daniels, Bireli Lagrene, Chick Corea, Buddy Rich, Dick Oatts, Dizzy Gillespie, The Mel Lewis Jazz Orchestra, Dave Taylor, Patti Austin, The Metropole Jazz Orchestra, The Carnegie Hall Jazz Band, New York Voices, Ronnie Cuber, UMO Jazz Orchestra (Helsinki), Jazz Big Band Graz and the BBC Big Band. In 2008, Abene arranged produced and conducted the music for singer Patti Austin's album “Avant Gershwin”, celebrating the music of George and Ira Gershwin and picked up his first GRAMMY award for best Jazz Vocal album. From 2004-2014, Abene was the chief composer and arranger for the WDR big band of Cologne, Germany. He is the author of the book “Jazz Composition and Arranging in the Digital Age”, a book co-authored with Richard Sussman and published by Oxford University Press. ----- 2:24 Family background 3:20 Do you have perfect or absolute pitch? 3:29 What records did you grow up listening to? 4:26 Self-teaching sight-reading 5:05 Band experiences as a youth 7:19 Did you have any mentors? 8:25 What sort of advice would they give to you? 9:22 Did you have a sound you wanted to copy or did you strive early on for an original sound? 11:04 Did you see a lot of live music growing up? 13:15 Did you visit NYC to watch the music scene there? 13:51 Describe a vivid musical experience that was formative to your development 15:22 On replacing Jaki Byard in the Maynard Ferguson Band 16:46 On not being happy with the recordings except for the “Blues Roar” 18:22 Was there a compulsion to be a modernist in the 60's? 19:59 How did you self teach yourself harmony? 21:16 Would you test out your arrangements on the piano? 22:39 On transposed scores 25:09 What is the Michael Abene arranging process? 27:08 How do you grapple with form? 28:39 On integrating great players into your arrangements 30:34 How do you determine if something swings? 31:39 On Drums and the Rhythm section 33:36 What are the common mistakes for new arrangers in the modern age? 36:27 How do you get a Big Band to get the flexibility of a small group like Bill Holman? 39:18 How have you grown as arranger vs 10-20 years ago? 40:37 What is your compositional process? 42:40 Odyssey for Brass 45:20 On Orchestration 46:48 PFP, a Piece for Paquito 48:54 How would you balance an arrangement and a virtuoso player? 51:10 Avant Gershwin 52:24 How long did it take to put all those arrangements together? 54:00 Top 3 Trumpet Players 54:27 Top 3 Saxophone Players 54:46 Top 3 Drummers 54:58 Top 3 Guitar Players 55:05 Top 3 Keyboard/Piano Players 55:34 Top 3 Big Bands 55:51 Top 3 Big Band Arrangers 55:59 Top 3 Classical Composers 56:12 Top 3 Jazz Composers 56:38 Who are some arrangers who are not popularly known but should be known 57:29 Favorite instrument or section to write for? 57:37 Biggest regret in music and proudest musical moment 57:58 If you could work with anyone in history, who would it be? 58:32 What 3 albums should new listeners of yours check out? 59:29 Best advice for a new arranger 1:00:31 Wrapping Up
Des clubs de New York où se fabriquait le free jazz dans les années 60 à sa découverte du poète haïtien Frank Etienne, Jacques Coursil égraine ses carnets de voyage. Son itinéraire nous fait croiser les routes de Jaki Byard, Bill Dixon ou Leonard Bernstein. Enregistrant dès 1966 en side man pour le label ESP aux côtés de Sunny Murray ou Frank Wright, il publiera ensuite deux albums dans la légendaire série « byg actuel » avec Arthur Jones, Burton Greene ou Anthony Braxton avant qu’une carrière universitaire ne l’éloigne des studios pendant près de 25 ans. IL fait son grand retour en 2005 sollicité par John Zorn et a enregistré depuis deux albums à la dimension poétique et historique ainsi qu’un duo avec Alan Silva. De passage à Paris où il peaufine un projet autour de l’oeuvre de Frank Etienne, Jacques Coursil, conteur de génie, s’est arrêté dans nos studios et avec lui nous avons construit ce documentaire qui sonne comme un véritable film audio. En seconde heure, nous allons à la découverte du superbe trio polonais RGG qui a récemment croisé le fer avec Trevor Watts et Evan Parker. On s’intéresse aussi au dernier album de James Brandon Lewis, saxophoniste très en vue actuellement. Un trio insolite a aussi retenu notre attention : Michael Bisio, Kirk Knuffke et Fred Lonberg-Holm et enfin nous terminons par deux rééditions aussi indispensables l’une que l’autre: l’un des premiers disques du batteur finlandais Edward Vesala et le fameux « Nova » de Steve Reid. Liste des titres en première heure : Jacques Coursil « Duke » de l’album « Way Haead » https://www.discogs.com/fr/master/view/35647 —« Last Fanfare » de l’album « Minimal Brass » http://www.tzadik.com/index.php?catalog=8016 -« Prologue, Paroles Mues » de l’album « Clameurs » https://www.universalmusic.fr/artiste/6387-jacques-coursil/disco#contentPart Titres de la deuxième heure Trevor Watts et RGG « Rafa 2 » de l’album « Rafa » https://sluchaj.bandcamp.com/album/rafa —James Brandon Lewis « Sir Real Denard » -James Brandon Lewis « Haden Is Beauty » de l’album « An Unruly Manifesto https://jamesbrandonlewis.bandcamp.com/releases -Michael Bisio, Kirk Knuffke, Fred Lonberg-Holm « sanctus » de l’album « Requiem For A New York Slice » https://ilusorecords.bandcamp.com/album/requiem-for-a-new-york-slice Steve Reid Featuring The Legendary Masters Brotherhood « Lions Of Juda » de l’album « Nova » https://soundsoftheuniverse.com/sjr/product/steve-reid-nova —Edward Vesala Trio « Joiku » de l’album « Nana » https://www.svartrecords.com/product/nana-2/
This was the startling debut recording by Eric Dolphy. It was his first under his name. Today is the 59th anniversary of the date as it was recorded on April 1,1960. Eric was from L.A. and had settled in New York and was soon playing a variety of gigs and had joined Charles Mingus' Jazz Workshop. Prestige (New Jazz) was on the search for new talent at this time and Eric was introduced to the label and given carte blanche to pick a band and record, This album was the result. Eric was a virtuoso and a fearless improviser on all his horns, the alto saxophone, the bass clarinet and the flute. Eric picked his room mate of the time, a young Freddie Hubbard to share the front line with him. Jaki Byard was on piano and newly arrived from Boston and his concept adds greatly to this album's success. George Tucker on bass was recommended to Eric by Mingus and on drums was none other than a perennial favorite, "Mr. Snap-Crackle"....Roy Haynes. Four of the six tunes are by Eric and they show his compositional talent. Eric's version of "On Green Dolphin Street" features his bass clarinet and the ballad, the obscure "Glad To Be Unhappy" spotlights his flute. As an added treat a short blues with Eric on flute and the rhythm section is added. It was never issued on the original CD and the vinyl. All in all a major debut for an artist whose life and creativity was cut short by illness at age 36. There will never be another Eric Dolphy. Outward Bound tonight!
In today's "Culture Watch," Richard Duckett and Craig Semon recap this year's Oscar Awards, and Richard and Victor Infante discuss Worcester jazz legend Jaki Byard, who is the subject of a recent book by Worcester musician Chet Williamson. Also, Craig outlines the hottest concerts in the region this month, and we play a little music by the Curtis Mayflower.
Johannes Enders ist ein deutscher Saxofonist, Komponist, Produzent und Lehrer. Seit 2009 hat er eine Professur für Jazz-Saxofon an der Hochschule für Musik und Theater Felix Mendelssohn Bartholdy inne. Seine Karriere verlief steil, rasant und international. Sein Weg führte ihn über Musikstudien in München und Graz nach New York, in die Hauptstadt des Jazz, um dort zu studieren und mit Größen wie Chris Potter, Jaki Byard, Roy Hargrove, Jeff Tain Watts und unzähligen weiteren Spitzenmusikern zu spielen. Schließlich setzt er sich auch dort schnell durch und gewinnt die Silbertrophäe beim "American Music-Fest" in San Francisco (1990) und ist Finalist im legendären Thelonious Monk-Saxofon-Wettbewerb 1991, wo er neben Joshua Redman, Chris Potter und Eric Alexander spielte. Zurück in Deutschland etabliert er sich als eine der wichtigsten Jazzsaxofonisten Europas und wird beim Label ENJA unter Vertrag genommen. Hier gründete er eine Reihe von eigenen Projekten: Das Johannes Enders Quartett, die ZeitGeistMaschine, Endersroom, Endersdom sowie die spannenden Duoprojekte mit Günther Baby Sommer und Rainer Böhm. Die Liste seiner Preise und Auszeichnungen ist lang: 1989: 1. Preis beim ersten internationalen Jazzwettbewerb in Österreich 1990: Bester Solist beim 2. internationalen Jazzwettbewerb in Österreich 1991: Best Band - Silver Award - Musikfest Oakland 1991: Finale Thelonious Monk Wettbewerb 1998: Kulturförderpreis der Stadt München 2003: SWR Jazzpreis 2005: Weilheimer Kulturpreis 2007: Neuer Deutscher Jazzpreis 2012: Bester Solist Deutscher Musik 2012: Autorenpreis Echo Jazz
This is the third Jazz Feature on underrated and under recorded trumpeters. Boston born Joe Gordon started young and worked with Georgie Auld, locals Charlie Mariano, Jaki Byard and toured with Lionel Hampton. He was also first call when Charlie Parker played in Boston. Gordon moved to New York in 1954 and worked and recorded with Art Blakey and joined Dizzy Gillespie's big band and toured the Middle East and recorded with Dizzy. He also played with pianist Horace Silver then seemed to disappear. He emerged in L.A. in 1959 and became first call Jazz trumpeter and worked with Harold Land, Wes Montgomery and recorded with Thelonious Monk. Joe's real fame came when he joined drummer Shelly Mann'e Quintet and toured Europe and recorded many albums. Shelly's Quintet was one of the great groups in Jazz history. Tonight's album was done in 1961 and was only Joe's second under his name however it not only featured his crackling and fiery trumpet but 8 of his compositions He appears here with alto saxophonist Jimmy Woods making his recording debut. Dick Whittington is on piano, Jimmy Bond on bass and the swingin' Milt Turner on drums. "Lookin' Good!" was Joe's last recording as he died in a house fire in November of 1963 at age 35. Check out Joe Gordon tonight, you'll be glad you did!
This week's episode of WNPM is about Jaki Byard, a pianist who played in some of Charles Mingus' most creatively dense groups in the early 60s before launching his own career as a bandleader. He was an incredibly versatile and eclectic stylist, and recorded dozens of albums as a leader and sideman.
This episode of Out There features the music of Sun Ra, Roswell Rudd, Jaki Byard, and more, and also a couple of songs that didn't make it into the episodes about Eric Dolphy and Bobby Hutcherson
This episode of WNPM is an exploration of jazz ballads and features the music of Booker Little, Eric Dolphy, Charles Mingus, Jaki Byard, and many more.
One of the most original, prolific, and influential bassists in jazz history, Ron Carter has more than 2,200 albums to his credit, an accomplishment honored in the 2015 Guinness Book of World Records. He has recorded with music legends such as Miles Davis, Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, Bobby Timmons, Jaki Byard, Eric Dolphy, and Cannonball Adderley. From 1963 to 1968, Ron was a member of the classic and acclaimed Miles Davis Quintet. He was named "Outstanding Bassist of the Decade" by the Detroit News, "Jazz Bassist of the Year" by Downbeat magazine, and "MVP" by the National Academy of Recording Arts and Sciences. Ron has earned two Grammy awards, one in 1993 for Best Jazz Instrumental Group, and another in 1998 for “Call Sheet Blues” from the film “Round Midnight”. Lenny and Ron sat down in his Manhattan apartment to discuss all things music and life.
In this episode, I play and discuss a variety of avant garde jazz trios, from the more traditional piano/bass/drums trio work of Hampton Hawes, Jaki Byard, and Cecil Taylor, to more unusual combos like the Elvin Jones Trio, the Acoustic Guitar Trio, and more.
Episode 2 featuring Ornette Coleman, Miles Davis, Nels Cline Singers, Jaki Byard, John Coltrane and more!
The A-Z of Jazz Piano: this time - Pianists in the key of B The task of hunting down jazz piano from A to Z is really only just beginning, but B proved to be a most rich seam of artists, and the The Hot Box #9 show may be remarkable for who we had to leave out as much as for those we included. Hear The Bad Plus (yes, yes a bit of a B cheat) and Count Basie, Kenny Barron, Ray Bryant, Jaki Byard and Dave Brubeck amongst an hour long feast of pianists filed under the letter B. And of course, a celebration of the fine pianist from Dublin, Cian Boylan. The Hot Box is released on www.jazzireland.ie every 2 weeks and can be heard on-line around the world. Tell your jazz loving friends, and talk to us direct with comments and suggestions to donald@jazzireland.ie
This "best of" episode features composer, teacher, and bassist Ron Carter. Enjoy, and check out the original episode from 2016 here. About Ron Carter Ron Carter is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music's greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy. He later toured Europe with Cannonball Adderley. From 1963 to 1968, he was a member of the classic and acclaimed Miles Davis Quintet. He was named Outstanding Bassist of the Decade by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences. In 1993 Ron Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for Call 'Sheet Blues', an instrumental composition from the film 'Round Midnight. In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter has composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance. Carter shares his expertise in the series of books he authored, among which are Building Jazz Bass Lines and The Music of Ron Carter; the latter contains 130 of his published and recorded compositions. Carter earned a bachelor of music degree from the Eastman School in Rochester and a master's degree in double bass from the Manhattan School of Music in New York City. He has also received four honorary doctorates, from the New England Conservatory of Music and the Manhattan School of Music, and was the 2002 recipient of the prestigious Hutchinson Award from the Eastman School at the University of Rochester. Most recently he was honored by the French Minister of Culture with France's premier cultural award--the medallion and title of Commander of the Order of Arts and Letters, given to those who have distinguished themselves in the domain of artistic or literary creation and for their contribution to the spread of arts and letters in France and the world. Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus although, as a performer, he remains as active as ever. Contrabass Conversations is sponsored by: D’Addario Strings Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. The Upton Bass String Instrument Company Upton’s Bostonian was conceived at the 2009 International Society of Double Bassists convention at State College, Pennsylvania, while world-renowned jazz bassist and Professor of Jazz Studies at the University of North Texas, Lynn Seaton and Upton Bass String Instrument Co. President and Founder, Gary Upton Birkhamshaw were playing and discussing the various instruments Upton Bass had created for the convention. They started with a blank sheet of paper, and together began jotting down Lynn’s preferences and suggestion with each model. The result was a rough outline of what would become the UB Bostonian Concert Double Bass.
Kim Clarke is a native New Yorker. She is a bassist and composer. She is a parent, bassist, composer, bandleader, website developer, educator, and earring designer. Most known for her electric bass playing with Joseph Bowie's Defunkt, she toured with Joe Henderson and Joanne Brackeen. She performed locally with Art Blakey, Marylou Williams, Bertha Hope, Harold Ousley, Jimmy Heath, Jaki Byard, George Braith and Space Island, Rashied Ali, Junior Cooke, Steve Coleman and Five Elements, Teri Thornton, Lester Bowie, Andy Bey, Louis and Gerald Hayes, Lionel Hampton, Donald Byrd, Donald Blackman, Candido, Patato, Little Jimmy Scott, Dr. Billy Taylor, Olu Dara, Screamin Jay Hawkins, Philly Joe Jones, Marylou Williams, Sharon Freeman, and Geri Allen. She is the founder and producer of the LADY GOT CHOPS Women's History Month Music and Arts Festival, Inc. that has the mission of globally elevating Women's History Month through the promotion of women's contributions, artistic and otherwise, during the month of March. It is a grassroots institution providing free promotion to women artists and bookings in celebration of Women's History Month. Incorporated in December 2015, the festival became a 501(c)(3) not for profit corporation in 2017. In 2018, LADY GOT CHOPS will celebrate its 16th year. www.ladygotchops.com www.wijsf.org
Tom Reney offers an appreciation of piano legend Jaki Byard in this edition of Jazz Beat. Byard’s 95th birthday anniversary was June 22, and his legacy thrives both on records and through his well-known protégés Jason Moran, Larry Goldings, Marty Ehrlich, and Fred Hersch. Tom’s tribute includes personal recollections, details of Byard’s background in Worcester and Boston, and several musical samples.
This album is one of bassist/pianist/composer Charles Mingus' great musical triumphs. Mr. Mingus was finally able to put out a recording of all original music and had full control of the production. The cover, the notes, the editing and post-production and of course the music. It was everything he wanted and this album is arguably one of his very best. He was able to get this band into shape via a long engagement at New York's Village Vanguard. The music is a suite of basically four movements. The band consists of 12 pieces and the chief soloists are Jerome Richardson on baritone and soprano saxophones, Quentin "Butter" Jackson on trombone, Charlie Mariano on alto saxophone, Jaki Byard on piano Jay Berliner on guitar and Mingus on bass and piano. The music is dense and powerful and runs an incredible gamut of emotions from pristine beauty to angry chaos. As I stated this is one of Mr. Mingus' triumphs.......The Black Saint and The Sinner Lady.
One is the loneliest number, but two is awesome. It's time for another show about duets, something Mike will never have with Joanna Newsom, because - well, stay tuned to find out. Charlie Haden – THE GOLDEN NUMBER; Jaki Byard/Tommy Flanagan – THE MAGIC OF TWO; Don Cherry / Ed Blackwell – EL CORAZON; Irene Schweizer / Han Bennink - IRENE SCHWEIZER & HAN BENNINK
Two great musicians here that were frequent musical partners on what was their last recorded appearance. It is also a fine way to celebrate the Birthday of pianist extraordinaire, Jaki Byard. Jaki would have been 93 today (June 15). Sadly he left us in 1999 the victim of a shooting. This great album also features the legendary Rahsaan Roland Kirk on a variety of horns, the tenor saxophone, the manzello (a straight alto saxophone), the clarinet and some small instruments. These two met when they were with Mingus in 1961 and formed a musical friendship. Two great surrealists of music. The album has Byard and Kirk backed by the great Richard Davis on bass and Alan Dawson on drums.The Jaki Byard Experience indeed! HAPPY BIRTHDAY Mr. Byard.
Jaki Byard was an American jazz multi-instrumentalist and composer who collaborated with many artists, significantly Charles Mingus. He incorporated a range of styles in his approach, from ragtime to bebop, and swing to stride. He spanned years of musical tradition, bringing history into one moment–an eternal now. In this edition of Liner Notes Rabbi Neil...
Jaki Byard was an American jazz multi-instrumentalist and composer who collaborated with many artists, significantly Charles Mingus. He incorporated a range of styles in his approach, from ragtime to bebop, and swing to stride. He spanned years of musical tradition, bringing history into one moment–an eternal now. In this edition of Liner Notes Rabbi Neil...
Jaki Byard was an American jazz multi-instrumentalist and composer who collaborated with many artists, significantly Charles Mingus. He incorporated a range of styles in his approach, from ragtime to bebop, and swing to stride. He spanned years of musical tradition, bringing history into one moment–an eternal now. In this edition of Liner Notes Rabbi Neil […]
The boys analyze music and over-analyze text in this very various episode. Ben Allison – THINK FREE; Jaki Byard – THE JAKI BYARD EXPERIENCE; Brandford Marsalis - FOUR MF'S PLAYING TUNES; Ike Quebec – BOSSA NOVA SOUL SAMBA.
Tonight The Jazz Show honours and celebrates the 91st Birthday of one of American's most individual and iconic geniuses of this music referred to as Jazz....the one and only Charles Mingus. Mingus was a wonderful pianist and a virtuoso bassist but one of this music's greatest composers. He ranks with Ellington and Monk at creating a huge body of work. Today Mingus' compositions are played by the Mingus Big Band and his legacy is in the hands of his widow, Susan Mingus. This album was recorded in early 1963 with an 11 piece orchestra that had played two long engagements at Bird and The Village Vanguard in New York. The music was the first album in Mingus' new contract with Impulse Records and the label spared no expense catering to Mingus' wishes in the production and most importantly in the post-production. Mingus had full control as to his musical vision and this album was one, at the time that Mingus felt was his best to date. It is a suite of 3 movements with the long 4th being an amalgam of the first three. It's called "The Black Saint and The Sinner Lady" and has some outstanding solos by Jerome richardson on soprano and baritone saxophone, Mingus on bass and piano, Jaki Byard on piano but most importantly Charlie Mariano on alto saxophone. Mariano tears and cries out with unbridled passion with some of his best playing ever. This is a challenging and dense work worthy of listening to and re-listening.Happy Birthday Charles Mingus!
A startling debut recording by a musician whose short life was musically very well documented. Born in Los Angeles but upon moving to New York in mid-1959 and leaving his employer, drummer Chico Hamilton, Eric joined Charles Mingus' bubbling cauldron of musical creativity, The Jazz Workshop. Through his membership in the Mingus organization, Eric was signed by Prestige (New Jazz) Records and made his debut record on April 1, 1960. To celebrate it's 53 anniversary, we hear it tonight. Eric is heard on alto saxophone, bass clarinet and flute and composed 4 of the 7 tunes on the set. His cohorts are the up and coming young trumpet player and Eric's roommate Freddie Hubbard. Boston's Jaki Byard is on piano and George Tucker (who studied with Mingus) on bass and the redoubtable Roy Haynes ("Mr. Snap-Crackle) on drums. Eric's debut is a fine document and signaled the beginning of a great career. Dolphy only lived until age 36, he died of undetected diabetes in Berlin on June 29, 1964."Outward Bound" was his real beginning.
One of the most unique and interesting musicians to ever visit our humble planet.Kirk began perfecting his mastery over three saxophones played at once, a concept that came to him in a dream. Kirk was sightless from a very young age so he lived in a world of sound.He played the tenor saxophone (his main horn) and the manzello (a soprano saxophone) and the stritch (an elongated alto saxophone) plus the flute and other instruments attached to his upper body. He was amazing sight to watch. At first he was dismissed as a gimmick but fans and critics soon found out that he was a major player.After moving to New York he was immediately signed to Mercury Records and recorded prolifically.He finished his career for Atlantic Records. He died at 42 of a stroke in 1977. Of all the albums that he made, this one called "Rip,Rig and Panic" stands as his masterpiece and we present it tonight as the Jazz Feature.Kirk performs with an all-star band that included the great Elvin Jones on drums, the wonderful Jaki Byard on piano and virtuoso Richard Davis on bass. Five originals by Kirk plus a great old standard called "Once In A While" and an original by Montreal pianist Milton Sealy called "Black Diamond" Kirk said this album is his concept of "expressing freedom" and it does.
Multi-instrumentalist, Eric Dolphy's recording debut under his own name was a startling reminder of some of the changes that were taking place in Jazz in the late 50's and early 60's. Eric Dolphy seemed to come out of nowhere and in his short life was like a comet that streaked across the Jazz horizon. Eric was born in Los Angeles on June 20,1928 and died as a result of diabetes in Berlin on June 29,1964 at 36. Although he played other instruments his main voices were the alto saxophone, the flute and the bass clarinet. He had an individual concept on all his horns but his concept was always unmistakably Eric Dolphy. "Outward Bound" was Dolphy's debut record and he picked a great band. 22 year old Freddie Hubbard shares the front line with Eric and pianist Jaki Byard makes a strong impression. The rhythm section with big-toned bassist George Tucker and the redoubtable Roy Haynes on drums provides the pulse. Dolphy's original compositions are unique and the whole album, although rooted in tradition points the way to the future of Jazz in a positive way. This album is one of the most impressive debuts in Modern Jazz history.
Huitième de la neuvième session. Cette semaine je reviens sur deux concerts présentés récemment à Montréal; Evan Parker trio et Powerhous Sound Musicalement, je propose un spécial piano solo avec une longue improvisation de Keith Jarrett dès le départ. Ensuite on plonge dans l'univers de Stefano Bollani avec des pièces de l'album Piano Solo (ECM, 2006). Puis, l'on reste sur le continent européen avec des pièces de l'album Twelve Tone Tales (Intakt, 2008) du pianiste Alexander von Schlippenbach. On termine l'émission en trio avec la musique de Jaki Byard sur l'album Sunshine of my Soul (Prestige/OJC, 1967).
Huitième de la neuvième session. Cette semaine je reviens sur deux concerts présentés récemment à Montréal; Evan Parker trio et Powerhous Sound Musicalement, je propose un spécial piano solo avec une longue improvisation de Keith Jarrett dès le départ. Ensuite on plonge dans l'univers de Stefano Bollani avec des pièces de l'album Piano Solo (ECM, 2006). Puis, l'on reste sur le continent européen avec des pièces de l'album Twelve Tone Tales (Intakt, 2008) du pianiste Alexander von Schlippenbach. On termine l'émission en trio avec la musique de Jaki Byard sur l'album Sunshine of my Soul (Prestige/OJC, 1967).
This was one of the most amazing bands that bassist/composer/innovator Charles Ningus ever led. The band consisted of Johnny Coles("Little Johnny 'C'')on trumpet, Eric Dolphy on alto saxophone, flute and bass clarinet, Clifford Jordan on tenor saxophone, Jaki Byard, piano and Dannie Richmond on drums. This concert recorded by The Student Society at Cornell has just been newly discovered and issued as a double CD on Blue Note. The music reflects Mingus in a positive and optimistic space and yet as always covers the many moods of Mingus from joy to anger. A monumental discovery!!!
Jason Crane interviews pianist Jason Moran at the 2007 Rochester International Jazz Festival. Moran came to play with two bands -- his own Bandwagon and Don Byron's Ivey Divey trio. Moran's most recent CD is Artist In Residence (Blue Note, 2006), an album composed mostly of Moran's commissioned works. Moran talks about philosopher Adrian Piper, pianist Jaki Byard, and his new commission to create a multimedia piece inspired by Thelonious Monk's 1959 Town Hall concert. Find out more at JasonMoran.com.
© 2020-2025 Ivy Podcast Discovery LLC
