Podcasts about Bruford

In this throwback episode from the early days of the Rich Redmond Show, Rich and Jim dive deep into the world of all things Chris McHugh! Chris's incredible career spans contemporary Christian music, country, and beyond. From Nashville's early days to modern recording techniques, this episode offers an intimate look at a legendary session drummer's life, challenges, and evolution.   Timed Highlights: [0:00-15:00] Nashville's Musical Roots: Chris discusses arriving in Nashville in 1985 and his early days with WhiteHeart   [15:00-30:00] Session Musician Life: Insights into recording techniques, working with artists like Keith Urban, and the challenges of studio work   [30:00-45:00] Drumming Influences: Chris shares his musical heroes, including Bruford, Bonham, and Phil Collins   [45:00-60:00] Personal Growth: Reflections on life changes, reinventing his drumming style, and working with coach Dave Elitch   [60:00-75:00] Future Plans: Discussing current projects, family life, and the ongoing evolution of a professional musician   A must-listen for musicians, music fans, and anyone interested in the behind-the-scenes world of professional drumming.   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jmvos.com   The Rich Redmond Show is produced by It's Your Show dot Co www.itsyourshow.co

"Does my crush love me? I really need to know.""Do you think we're living in the most advanced civilization that has ever inhabited Earth?""King Crimson was at their peak with Wetton, David Cross and Bruford, but Taylor Swift is a billionaire. STEFAN - have you heard Mozart's newly discovered 'A Very Little Night Music'?""What's your opinion of Jordan Peterson's work?""Is statism collapsing?""Is your book available in hardcover?""What's your favorite heavy metal band?""is the traditional Catholicism the most based thing on the Earth?""What happened to your YouTube channel?""Do you think these problems with NAP can be resolved?"The Non-Aggression Principle (NAP), is a libertarian ethical stance that argues that aggression—defined as the initiation of force or fraud against another person's property or person—is inherently immoral. While the principle has intuitive appeal, it faces significant philosophical, practical, and ethical challenges that undermine its universality and application."1. Ambiguity in Defining "Aggression""Subjectivity of Aggression: The NAP relies on a clear definition of "aggression," yet many actions can be interpreted as aggressive or non-aggressive depending on perspective. For instance:"If someone refuses to vaccinate during a pandemic, is that an act of aggression by endangering others' health, or is forcing them to vaccinate aggression?"Pollution from a factory might harm others, but is it aggression if the harm is indirect and unintended?"This ambiguity makes it difficult to apply the NAP consistently."2. Lack of a Mechanism for Collective Action"Addressing Collective Problems:"The NAP is highly individualistic and struggles to address issues that require collective solutions, such as environmental protection, public health, or infrastructure."For example:"Climate change results from aggregate actions that harm others, yet enforcing emissions reductions could be seen as an initiation of force against individuals or corporations."Public goods like roads, education, and defense require taxation, which the NAP might label as aggression, leaving no clear path to fund or manage such necessities."3. Assumes Absolute Property Rights"Property Rights Are Not Universally Agreed Upon: The NAP assumes that property rights are fundamental and self-evident, yet property systems are human constructs that vary across cultures and contexts."For example:"Indigenous communities often view land as communal rather than private, making the enforcement of private property rights in such contexts potentially aggressive."Historical Injustice: Many property holdings result from historical aggression (e.g., colonization, slavery). The NAP offers no clear guidance on addressing these injustices because enforcing reparations could violate the principle."4. Fails to Account for Power Imbalances"Inequality and Coercion:"The NAP does not account for systemic power imbalances that can lead to de facto coercion without overt aggression."For example:"A worker "choosing" between starvation and accepting exploitative labor conditions may not face physical aggression, but their choices are constrained by economic coercion."Corporate monopolies can dominate markets and restrict freedom without violating the NAP, yet they create conditions of harm or dependency."5. Incompatibility with Emergency Situations"Moral Exceptions: The NAP struggles with situations where initiating force might be morally justified or necessary to prevent greater harm."For example:"Breaking into a cabin to survive in a blizzard technically violates the NAP but might be considered ethically justifiable."Preventive action, such as disarming someone threatening violence, could be seen as aggression under the NAP, even if it avoids greater harm."6. Over-Simplification of Ethics"Moral Complexity: Ethical decision-making often involves balancing competing values, such as individual rights, collective welfare, and justice. The NAP reduces morality to a single principle, ignoring the complexity of real-world dilemmas."Utilitarian Concerns: Following the NAP rigidly could lead to suboptimal outcomes, such as allowing preventable suffering or harm if addressing it would require "aggression.""7. Practical Limitations"Enforcement Dilemmas: Even within a system governed by the NAP, enforcing the principle requires some authority to define and address aggression. For instance:"Resolving disputes over property boundaries or contractual breaches might involve coercive mechanisms, contradicting the NAP."A purely voluntary system lacks a practical means of ensuring compliance or protecting vulnerable individuals from exploitation or harm."8. Historical and Theoretical Criticism"Historical Evidence: Societies that have operated on principles akin to the NAP (e.g., laissez-faire capitalism) have often resulted in significant inequality, exploitation, and harm, suggesting that the principle is insufficient for creating equitable or stable societies."Philosophical Counterarguments: Thinkers like Karl Marx or John Rawls argue that focusing solely on individual rights and property ignores the broader social and structural forces that shape human relationships and justice."While the Non-Aggression Principle provides a simple and appealing ethical framework, its oversimplification of complex moral and social issues renders it problematic in practice. It fails to account for ambiguous definitions of aggression, systemic power imbalances, collective action needs, and situations where initiating force might prevent greater harm. Ultimately, the NAP's rigid adherence to individual rights and property neglects the interconnected and nuanced realities of human society.""when next bitcoin roundtable?"GET MY NEW BOOK 'PEACEFUL PARENTING', THE INTERACTIVE PEACEFUL PARENTING AI, AND AUDIOBOOK!https://peacefulparenting.com/Join the PREMIUM philosophy community on the web for free!Also get the Truth About the French Revolution, multiple interactive multi-lingual philosophy AIs trained on thousands of hours of my material, as well as targeted AIs for Real-Time Relationships, BitCoin, Peaceful Parenting, and Call-Ins. Don't miss the private livestreams, premium call in shows, the 22 Part History of Philosophers series and much more!See you soon!https://freedomain.locals.com/support/promo/UPB2022

In Production: Tales from Topographic OceansListening guide YesBooks.com Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week, Mark and I considered what makes 1989's Anderson Bruford Wakeman Howe a great Yes album. You might now be shouting at your podcatcher, “It isn't a Yes album,” and we address that question as part of our discussion. If you remain unconvinced - or if you are convinced - or you are undecided, please do add your comments to the show notes below. IsABWH a Yes album? Is it a good album? Is it a good Yes album? Let us know if you agree with us! https://youtu.be/FhpRHBkmgP4?si=-zhR4xND1ccornEZ ABWH on film There are only 100 of these packs available, so buy yours now! (Opens in a new window) Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeMark Slater Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert

References Guerra, DJ. 2024. unpublished Sarasate, P.de, 1881. The Carmen Fantasy, Op. 25. https://youtu.be/sYh0fnhKJEo?si=uRDSfFyNgI2o_fNs Anderson,Squire, Bruford,Wakeman. 1971."Heart of the Sunrise" Yes, [Fragile,lp.] https://youtu.be/0vNcgL9Fi4w?si=szH6TVaeyHy_vc2D --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Join us as we celebrate the 35th anniversary of the Anderson Bruford Wakeman Howe album titled...Anderson Bruford Wakeman Howe! What are your favorites from this album? Any memories of the band? --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Here is the playlist for the 06/17 episode of the Seventh House. Enjoy!Peter Gabriel- D.I.Y.Big Big Train- AliveBig Big Train- Master James of St. GeorgeBrother Ape- Let the Right One InRiverside- Feel Like FallingVon Hertzen Brothers- Northern LightsIZZ- We Are the 3rdIZZ- BrethrenIZZ- Soak Up the SunlightHasse Froberg and Musical Companion- Someone Else's FaultRush- The Big MoneySimon Godfrey- The Big InsideMandoki Soulmates- The Big QuitFish- Big WedgeLonely Robot- False LightsFrancis Dunnery- Calling All the HeroesAnderson, Bruford, Wakeman and Howe- Brother of Mine (the tradition continues...)Enigmatic Sound Machine- Enigmatic Sound MachineO.S.I.- Microburst AlertBjork- Big Time SensualityLuna Rossa- Scream at the SkyKingfisher Sky- Big FishTori Amos- SparkCairo- Deja VuTears for Fears- Broken/Head Over Heels

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week Mark and I attempted to choose 3 Peter Banks era Yes songs each. As you'll hear, we turned out to be thinking along similar lines but it was still a very enjoyable experience listening to the earliest days of the band and discussing what made Yes unique even at that stage. Yesterdays label This topic was partly in response to a tweet or X post or whatever they are now called from Phil (Primarily_Prog) @primarily_prog who posted a photo of Time and a Word and said - Continuing tonight with perhaps the most undervalued album in the Yes discography.I seldom hear it mentioned, yet the interplay between Banks, Bruford, Squire and Kaye is quite something.And Jon's voice to top it off … pic.twitter.com/tiO0ZlZQ5E— Phil (Primarily_Prog) (@primarily_prog) April 21, 2024 What was special about the Peter Banks era? What are our favourite songs from way back then? What can we learn about how Yes music developed? Let us know if you agree with us! Peter Banks from his Mabel Greer's Toyshop days, pre-Yes Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRome Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

New music from the likes of Vijay Iyer and Ernesto Cervini plus a classic from Bruford and a sax/tabla duo . .

 Jim Bruford talks about his ownership interest along with his role at NZB. Learn more about your ad choices. Visit megaphone.fm/adchoices

Meet Jon Bruford who's the co-host of The Gambling Files Podcast. He's nearly 20 years into the iGaming space as a content editor. He's got a lot of content insights that would be useful for any affiliate.

We conclude the Crimson break period discussing Wetton and Bruford's various projects together and apart like UK, Bruford, Uriah Heep, Roxy Music, Genesis, Roy Harper and more!email: framebyframepod@gmail.com

A teeny tiny intro as it's just Bruford this episode [0:00 – 2:38]. Pretty sure he mentions our excellent sponsor overlords though, Optimove and Clarion Gaming. WE LOVE THEM. Jon is then joined by Jon Bourke, CEO of Encompass Digital and Value Privacy, here to discuss the monetization of first-party data and the power of personalization in the iGaming industry. The Bourkemeister also introduces a brand-new buzzword to the podcast: psychographics! Jon explains the concept of psychographics and how it can be used to influence behaviour and encourage brand engagement. Bourke emphasizes the importance of creative messaging in attracting and retaining customers, and the need for granular data analysis to effectively target audiences. He also discusses the limitations of personalization and the importance of surprise and chemistry in customer interactions. Bourke highlights the potential for expanding the addressable audience and acquiring new players through data-driven marketing strategies [2:39 – 59:48]. There's a lot to unpick here… But fundamentally, data-driven businesses can acquire entirely new players quickly and elegantly, and it will leave you wondering just how much autonomy we have as humans when it really boils down to it. This podcast is presented by Optimove, which is used by 56% of the EGR Power50 to personalize player experiences. Visit Optimove here for more info, not least because it helps to support independent podcasts like ours. Go on, click it! Find out! It's awesome.  

This week's guest is THE Bill Bruford. Bill is a legendary drummer whose illustrious career spans over five decades, marked by pioneering contributions to progressive rock, jazz fusion, and beyond. Emerging onto the music scene in the late 1960s, Bruford gained prominence as the drummer for progressive rock icons Yes, where his intricate rhythms and dynamic playing style helped define the band's sound. His tenure with Yes produced several critically acclaimed albums, including "Close to the Edge" and "Fragile," solidifying his reputation as one of the foremost drummers of his generation. In addition to his work with Yes, Bruford became a founding member of the seminal progressive rock band King Crimson, where his innovative drumming continued to captivate audiences and influence generations of musicians. Over the years, Bruford's musical journey evolved, leading him to explore jazz fusion with his own band, Earthworks, and delve into experimental projects that pushed the boundaries of musical expression. A prolific recording artist, respected educator, and insightful author, Bill Bruford's multifaceted career is a testament to his unwavering dedication to pushing the limits of creativity and leaving an indelible mark on the world of music. Check out "Bill Bruford: Inspirations" playlist HERE BILL'S BIG FAT FIVE - Album - Drums Unlimited Artist - Max Roach Release Year - 1966 Key Track(s) - For Big Sid Drummer - Max Roach - Album - Live Sesh and Extra Songs Artist - Louis Cole Release Year - 2019 Key Track(s) - F it Up - Live Sesh Drummer - Louis Cole - Album - Caravan Artist - Art Blakey & Jazz Messenger Release Year - 1963 Key Track(s) - Caravan Drummer - Art Blakey - Album - Blackstar Artist - David Bowie Release Year - 2016 Key Track(s) - Blackstar Drummer - Mark Guiliana - Album - Fresh Cream Artist - Cream Release Year - 1966 Key Track(s) - I Feel Free Drummer - Ginger Baker - HONORABLE MENTION: - Artist: John Taverner Track: The Lamb Release Year: 1982 For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok.

Here is the playlist for the 02/06 episode of the Seventh House. Enjoy!Tracy Chapman- Fast CarStanley Snail- Siberian KhatruRPWL- SilencedFish on Friday- In the Key of SilenceHats Off, Gentlemen, it's Adequate- Silence is a StatementEmerson, Lake and Palmer- Karn Evil 9- First Impression- Parts I and IICelestial Teapot- NacreousMarjana Semkina- Still LifeGleb Kolyadin- Apparatusiamthemorning- The BellSqueaky Feet- ProgressDepeche Mode- Enjoy the SilenceSimon Collins- Living in SilenceSylvan- The Colors ChangedMarbin- Escape from Hippie MountainAl Stewart- On the BorderTom Bowness- BorderlineAnderson, Bruford, Wakeman and Howe- Brother of MineElectric Light Orchestra- Across the BorderJoni Mitchell- Both Sides NowTony Banks- The BorderMarillion- Fantastic Place

Bill Bruford spent a working life as an internationally-known musician with Yes, King Crimson, Bruford, and Earthworks before stepping out of practice to investigate aspects of creativity in popular music performance. Having earned his PhD from the University of Surrey in 2016, he now writes and lectures on the topic, travelling extensively to multiple European and North American institutions. His latest book Uncharted: Creativity and the Expert Drummer, University of Michigan Press (2018),  guides the reader through the many dimensions of creative performance, and offers fresh insights into in-the-moment interactional processes in music.  Bill lives in the Surrey Hills in the UK with his wife, Carolyn. His life's work as a musician is well documented on CD and DVD at Summerfold and Winterfold Records and at www.billbruford.com . He was inducted into the Rock and Roll Hall of Fame as a member of the group ‘Yes' in 2017. Bill Bruford spent a working life as an internationally-known musician with Yes, King Crimson, Bruford, and Earthworks before stepping out of practice to investigate aspects of creativity in popular music performance. Having earned his PhD from the University of Surrey in 2016, he now writes and lectures on the topic, travelling extensively to multiple European and North American institutions. His latest book Uncharted: Creativity and the Expert Drummer, University of Michigan Press (2018),  guides the reader through the many dimensions of creative performance, and offers fresh insights into in-the-moment interactional processes in music.  Bill lives in the Surrey Hills in the UK with his wife, Carolyn. His life's work as a musician is well documented on CD and DVD at Summerfold and Winterfold Records and at www.billbruford.com . He was inducted into the Rock and Roll Hall of Fame as a member of the group ‘Yes' in 2017. YouTube Facebook https://billbruford.com        

Jeff Berlin is known among bass players as one of the elite.  His one-of-a-kind tone, jaw dropping techniques and highly advanced harmonic approaches to the bass puts him near the top.  In addition to his 12 solo albums, you'll find him on recordings and live performances with Anderson/Bruford/Wakeman/Howe, Allan Holdsworth, Bruford, David Sancious, Janis Ian and dozens more.  Multi award-winning program director Ray White caught up with Jeff in November of 2022 to talk about his start in the music business, his early years playing progressive rock, and his latest album Jack Songs - featuring a "who's who" of rock musicians paying homage to the legendary Jack Bruce.  Peter Gabriel, former frontman for Genesis, who's in the Rock and Roll Hall of Fame, is our "showcase artist."  His latest album is I/O.  The best in progressive rock...we've got 'em on the CAT!  

Eric and Nick flip, climb, and slash their way through Run Saber for SNES! We discuss and review this action platformer and ponder the origins of the villainous Dr. Bruford's name.

Steven talks about the (mostly) London Philharmonic Orchestra album Symphonic Music of Yes (1993), which features Anderson, Bruford, Howe, and more! --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller The hugely knowledgeable Sid Smith joined us again this week to chat about the context of Tales from Topographic Oceans. Sid wrote the sleeve notes for the Steven Wilson remix of Tales which was released by Panegyric in 2016. He also wrote the remarkable book, 'In the Court of King Crimson - An Observation over Fifty Years', so we were delighted to be able to ask him about the relationship between Crimson main man, Robert Fripp, and Bill Bruford. Why did Fripp want Bruford? Why did Yes decide to push the boundaries even further with Tales? How influential was the album? Let us know if you agree with us! Sid in his happy place Buy Sid's brilliant book - you really should Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Alan Begg Michael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø Pettersen Become a Patron! Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I'll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. Spirit of Unicorn Music are delighted to announce a brand new album from District 97, Stay For The Ending. Featuring 10 brand new tracks, the album is the culmination of everything this Chicago-based prog rock ensemble has worked towards during their last 15 years. Formed in Autumn 2006, the band draws influences from a diverse array of musical styles, from heavy metal to avant-garde jazz. This broad appreciation of musical genres has continued to inform the band's latest work and sees them further develop their sound and songwriting to ambitious new levels: upping their game in the areas of composition, performance, arrangement, production and sonics. A friend of the band, BILL BRUFORD (KING CRIMSON, YES, GONG, BRUFORD) agrees. In response to hearing the new album, he said, “Quality, expertise and passion – ‘Stay For The Ending' is a massive piece, of which District '97 should feel justly proud.” The Autumn sees the band undertake a number of live shows in the US and Europe, including playing The Bedford in Balham, South London on Sunday 10th September.  SCHANG continues “I can't wait for the music world at large to hear it both on record and on stage.” The album can be pre-ordered from Cherry Red Records here: https://www.cherryred.co.uk/product/district-97-stay-for-the-ending-cd/ PLEASE WELCOME DRUMMER/COMPOSER AND FOUNDER OF DISTRICT97 JONATHAN SCHANG AND LEAD SINGER LESLIE HUNT TO INTERVIEWING THE LEGENDS… PREORDER  THE NEW ALBUM  BY  DISTRICT 97 entitled STAY FOR THE ENDING The album can be pre-ordered  from Cherry Red Records  at https://www.cherryred.co.uk/product/district-97-stay-for-the-ending-cd/ “‘Stay for the Ending' by District 97 is a brilliant album by a profound American Progressive Rock Group. Leslie Hunt's stunning vocals are haunting and enchanting, which magnify the essence of the group. The band's intricate musical styles are mind-blowing, performing frequent changes in tempo reminiscent to some of the methods used by Brit legends Gentle Giant.” Their musical styles are forthright and awe-inspiring! …By music journalist Ray Shasho   FOR MORE INFORMATION ABOUT DISTRICT 97 VISIT www.district97.net official website https://www.facebook.com/District97/ Facebook https://twitter.com/District97 twitter https://www.youtube.com/user/D97Music YouTube https://www.instagram.com/district.97/?hl=en Instagram https://open.spotify.com/artist/3NAglwfZgBGcdvm7QUuhSC Spotify http://district97.bandcamp.com/ (Exclusive Music Available for Download) Bandcamp https://www.lesliehuntmusic.com/ Leslie Hunt music   DISTRICT 97 TOUR 2023 08/18/2023– Martyrs', Chicago, Illinois, USA 09/2/2023– 2 Days + 1 Festival, Veruno, Italy 09/07/2023 – Das Rind, Russelsheim, Germany 09/08/-09/09/2023– Steve Rothery Band Weekend, Poppodium Boerderij, Zoetemeer, Netherlands 09/10/2023 A SUNDAY IN SEPTEMBER 2023 FESTIVAL London, UK 09/09/2023 Steve Rothery Band Weekend @ De Boerderij Zoetermeer, NL 09/08/2023 Steve Rothery Band Weekend @ De Boerderij Zoetermeer, NL 09/07/2023 Das Rind Russelsheim, DE 09/02/2023 2 Days Prog + 1 Festival Veruno, IT 08/18/2023 Martyrs' Chicago, IL 03/30/2023 Martyrs' w/Consider the Source Chicago, IL 03/10/2023 Arcada Theater w/The Winery Dogs St. Charles, IL 03/09/2023 Pabst Theater w/The Winery Dogs Milwaukee, WI 10/13/2022 Mahall's Lakewood, OH   DISTRICT97 DISCOGRAPHY 2010: Hybrid Child 2010: Live at CalProg (CD-R, Download) 2012: Trouble with Machines 2012: Live at WFPK FM (CD-R, Download) 2012: Live at Rites of Spring (Download) 2014: One More Red Night (Live with John Wetton) 2015: Inside Vaults 2019: Septennial Return to ROSfest 2019: screens 2020: Two of a Kind: A Tribute to Bill Bruford & Allan Holdsworth 2021: Screenplay (Live) 2022: Many New Things 2023: Stay for the Ending   Support us on PayPal!

Sinfonautas 55 (54+1 para los amigos) 2 son Multitud con Aiming for Enrike - Bill Laurance And Michael League (Snarky Puppy) - Pil & Bue - eMolecule (Simon Collins & Kelly Nordstrom) – Zombi - Patrick Moraz And Bill Bruford - Crown Lands En este episodio la Sinfoprise es piloteada el Doctor Jefe “Pajares” (Pedro Enrique Esteban Almagro) y el Subteniente “Lajarains” (Ángel Gómez Lajarín) que nos presentan un programa único con el título “2 son multitud” (Trabajos protagonizados por duetos artísticos). Escuchamos los siguientes proyectos: Aiming for Enrike - Bill Laurance And Michael League (Snarky Puppy) - Pil & Bue - eMolecule (Simon Collins & Kelly Nordstrom) – Zombi - Patrick Moraz And Bill Bruford - Crown Lands Busca tu programa y/o reproductor preferido en https://linktr.ee/sinfonautas y sobre todo, diviértete como lo hacemos nosotros, disfrútalo. Gracias por seguirnos. :) Sinopsis: 1-9-7-3 es un planeta acogedor que nos da mucho de lo que necesitamos, pero entre actos le damos al magín y buscamos nuevas aventuras que compartir. El Subteniente “Lajarains” y el Doctor Jefe “Pajares” se unen para enseñar los sueños de los artistas para los que el dos es un todo. A esta cifra se llega en un suspiro y hay gente empeñada en demostrar que con tan poco se puede hacer mucho arte. Dos son multitud, poner el oído de las dos orejas y disfrutad. Os animamos a que comentéis vuestras impresiones utilizando la página de facebook: https://www.facebook.com/sinfonautaspodcast/, o el grupo de música ecléctica: https://www.facebook.com/groups/circleproject.progcircle/ . También podéis mandar un mensaje de voz al número de móvil de WhatsApp : +34 611 60 59 73. Se reproducirá vuestro mensaje en un programa posterior. Etiquetas: #Sinfonautas55 #AimingforEnrike #BillLaurance #Michael League #SnarkyPuppy #PilAndBue #eMolecule #SimonCollins #KellyNordstrom #Zombi #PatrickMoraz #BillBruford #CrownLands #Sinfonautas #Sinfonautaspodcasteclectico #Sinfonautaspodcast #progcircle #PedroEnriqueEstebanAlmagro #AngelGomezLajarin #SubtenienteLajarains #DoctorJefePajares

John and Scotto review the first and only album by a prog supergroup that was almost Yes, Anderson Bruford Wakeman Howe.Stream Downloadhttp://www.podtrac.com/pts/redirect.mp3/archive.org/download/thehearingabwh/thehearingabwh.mp3 Anderson Bruford Wakeman Howe on Spotifyhttps://open.spotify.com/album/2DTCREtVpOKsen2yXiS4iw?si=HN-yzBBDRsCmOw4jbywBDwAnderson Bruford Wakeman Howe on YouTubehttps://www.youtube.com/playlist?list=OLAK5uy_kpgOvZmoj4ybrrEegEEIZNe3JKt90Umio A Brief History of the Concept Albumhttps://youtu.be/JOuWl2wuRB8 John’s music on YouTubehttps://www.youtube.com/johnhmaloneyJohn’s music on Bandcamphttps://johnhmaloney.bandcamp.com/John’s music on Spotifyhttps://open.spotify.com/artist/74nsH2oiAAgU5DsiKyFiCp?si=pIyvo5eSROG7raEdsrpDIw PlaylistsJohn’s Best of The Hearing … Continue reading "The Hearing – Anderson Bruford Wakeman Howe by Anderson Bruford Wakeman Howe"

Here is the playlist for the 04/24 episode of the Seventh House. enjoy!Living Colour- What's Your Favorite Color?Deep Purple- Highway StarDilemma- PseudocomaphobiaAlan Parsons Project- PsychobabbleAmerica- Ventura HighwayTom Cochrane- Life is a HighwayFish on Friday- Murderous Highland HighwayGoGo Penguin- SaturnineRodrigo Y Gabriela- In Between Thoughts... a New WorldExploring Birdsong- PyreAqanesuss- Soar in the SkyAnderson, Bruford, Wakeman and Howe- Order of the UniverseJon and Vangelis- I'll Find My Way HomeAnubis- HomeMagenta- Morning SunlightRay Wilson- Calvin and HobbesDave Kerzner- Feels Like HomeThe Far Meadow- Foreign LandBruce Hornsby and the Range- The Valley roadEarth, Wind and Fire- Close to Home (Interlude)Allan Holdsworth- Road GamesPat Metheny Group- Last Train HomeUmphrey's McGee- End of the RoadLevel 42- The Way Back HomeKevin Gilbert- The Way Back HomeSupertramp- Take the Long Way Home

Herein we present the third and likely final installment of our Bad-Ass Fusion Decapitations series. We repeat two bands previously featured on other episodes (Kraan, King Crimson) and bring you eight more missives from the deepest cosmos. Watch that noggin of yours -- the headhunters are abound tonight! Note I: As noted within the episode, here's that link to “Study the Greats”: https://www.youtube.com/watch?v=fIXBu_uoCQk Note II: As this is likely the final installment of Bad-Ass Fusion Decapitations, here are the first two, in case you missed them or want a refresher course: Part 1: https://radicalresearch.org/episode-5-ten-bad-ass-fusion-decapitations-mahavishnu-orchestra-return-to-forever-colosseum-area/ Part 2: https://radicalresearch.org/episode-73-bad-ass-fusion-decapitations-part-2/ Note III: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books, many of them recently restocked: http://radicalresearch.org/shop/ Music cited in order of appearance: Al Di Meola, “Flight Over Rio” (Elegant Gypsy, 1977) Bruford, “Beelzebub” (Feels Good to Me, 1978) Ian Carr, “Remadione” (Belladonna, 1972) Ain Soph, “Crossfire” (A Story of Mysterious Forest, 1980) Transit Express, “Disparition” (Opus Progressif, 1976) Herbie Hancock, “Palm Grease” (Thrust, 1974) Kraan, “Rund Um Die Uhr” (Wiederhoren, 1977) King Crimson, “Neurotica” (November 22, 2017, Ann Arbor, Michigan) Mats/Morgan Band, “Min Hast” (Live, 2001, recorded 1999) Soft Machine, “Hazard Profile, Part Five” (Bundles, 1975) Episode 96 preview: Disillusion, “Don't Go Any Further” (Gloria, 2006) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

Rock Icon Jon Anderson - Lead singer of YES - Visits Monstrosity! Jon Anderson stops to talk with David Race on "Monstrosity". The conversation ranges from YES albums and songs - to aliens who visited Jon backstage at a concert!  Then David Race has a detailed conversation about paranormal technology with Gary Galka, the tech wizard behind all the spirit communications heard on the TV show "Ghost Adventures". Never miss an episode of "Monstrosity with David Race". Simply subscribe for free in whatever podcast platform you listen to the show on! Also share the show with your friends on social media, they will thank you for doing so! You can learn more about Monstrosity, see merch, join the shows Patreon, contact the show, and find links to all of our social media, at MonstrosityPodcast.com     

Hacemos un recorrido musical guiándonos por la obra de un artista gráfico que ha diseñado algunas de las mejores portadas de la historia del rock. Sus portadas las han utilizado grupos del entorno del rock progresivo, pero también del hard rock, del jazz, del folk-rock, power pop… Hoy vamos a poner música a las imágenes de Roger Dean a través de sus portadas diseñadas para: THE GUN Yellow Cab Man Gun ATOMIC ROOSTER - Devil´s Answer - In Hearing Of Atomic Rooster RARE EARTH - I Just want To Celebrate - One World PATTO - Hows Your Father - Hold Your Fire OSIBISA - Move On - Woyaya URIAH HEEP - Sweet Lorraine - The Magician´s Birthday GENTLE GIANT - The Advent Of Panurge - Octopus MAGNA CARTA - Wish It Was - Lord Of The Ages GREENSLADE - Temple Song - Greenslade YES - Sound Chaser (single) - Relayer STEVE HOWE – Pennants - The Steve Howe Album ANDERSON, BRUFORD, WAKEMAN, HOWE - She Gives Me Love & Who Was The First A/B/W/H MATTHEW SWEET - Back To You - Blue Sky On Mars YES – Roundbout - Yes Songs Live

Hacemos un recorrido musical guiándonos por la obra de un artista gráfico que ha diseñado algunas de las mejores portadas de la historia del rock. Sus portadas las han utilizado grupos del entorno del rock progresivo, pero también del hard rock, del jazz, del folk-rock, power pop… Hoy vamos a poner música a las imágenes de Roger Dean a través de sus portadas diseñadas para: THE GUN Yellow Cab Man Gun ATOMIC ROOSTER - Devil´s Answer - In Hearing Of Atomic Rooster RARE EARTH - I Just want To Celebrate - One World PATTO - Hows Your Father - Hold Your Fire OSIBISA - Move On - Woyaya URIAH HEEP - Sweet Lorraine - The Magician´s Birthday GENTLE GIANT - The Advent Of Panurge - Octopus MAGNA CARTA - Wish It Was - Lord Of The Ages GREENSLADE - Temple Song - Greenslade YES - Sound Chaser (single) - Relayer STEVE HOWE – Pennants - The Steve Howe Album ANDERSON, BRUFORD, WAKEMAN, HOWE - She Gives Me Love & Who Was The First A/B/W/H MATTHEW SWEET - Back To You - Blue Sky On Mars YES – Roundbout - Yes Songs Live

Jim joins Staffy to explain his role as an insurance advisor in the racing world! Learn more about your ad choices. Visit megaphone.fm/adchoices

The supergroup U.K. was founded by former King Crimson percussionist Bill Bruford (also a former founder of Yes) and bassist and vocalist John Wetton (also a former member of Uriah Heep, and Roxy Music).  After failing to reform King Crimson, each of the two brought in a musician they thought would work well in the group.  Wetton brought in Eddie Jobson, violinist and keyboardist from Frank Zappa's band.  Bruford brought in Allan Holdsworth on guitars (who had worked on Bruford's prior solo project.  Their self titled debut album was released in May, 1978.  Although a couple of songs were edited for single release, the album U.K. is best known as a prog rock masterpiece, and is cited as inspirational to many musicians who followed in the prog rock genre. After an extensive tour supporting the album, Wetton and Jobson had a falling out with Holdsworth and fired him.  Bill Bruford left at that time and was replaced by Terry Bozzio, another alumnus of Frank Zappa's band and a future founding member of Missing Persons.  John Wetton would go on in the days after U.K. to be the front man for Asia.Rob brings us the prog rock monster-piece.   In the Dead of NightThe track that leads off the album was one of two songs to be edited for release as a single.  On the album it is the first of three songs which form a continuous suite on the first album side.  The 7/4 time and the synthesizer - the Yamaha CS-80 had just been released - are prog rock hallmarks.  The electric violin is an unusual addition.By the Light of DayThis track is the second movement of the "In the Dead of Night" suite.  Rather than have a clear change in tracks, there is a slow transition via a "spacey" interlude into the new song of the suite.  "Black clouds moving gray skies to thunder.  Kinetic sunrise fever and flood.  Fire and water element anger horizon melting to blood."Presto Vivace and RepriseThis is the third movement of the "In the Dead of Night suite.  This is a much faster piece (as the term Vivace would suggest) before transitioning back into a reprise of "In the Dead of Night."Time to KillThe abrupt start to this song is due to the way the tracks drift into each other.  The concept is that of boredom, of being stuck in a place.  "Time to kill, going nowhere, killing time, staying where there's time to kill, going nowhere..." ENTERTAINMENT TRACK:That'll Be the Day by Buddy Holly (from the motion picture "The Buddy Holly Story") Gary Busey was nominated for the Oscar for his portrayal of early rocker Buddy Holly in this film.  Busey would sing and play for the part. STAFF PICKS:Goodbye Girl by David Gates Bruce leads off the staff picks with a soft rock solo from former Bread front man David Gates.  The song is from the Neil Simon movie "The Goodbye Girl," which would lead to Richard Dreyfuss becoming the youngest man to win an Oscar for Best Actor at the time.    Lay Down Sally by Eric Clapton  Brian presents a pop hit from Clapton's album Slowhand.  It went to number 3 on the Billboard Hot 100.  It was written by Clapton, George Terry (guitar), and Marcy Levy (who sings the female parts on the song).  It was written in the country blues style of J.J. Cale, and hit number 26 on the Hot Country Songs chart, Clapton's best showing on that chart as a crossover.Ain't It Fun by Dead BoysWayne features a song from Cleveland's own Dead Boys.  This song appears on their second studio album, "We Have Come for Your Children."  They were known as one of the rowdiest bands on the punk scene.  It hit number 8 on the Mainstream Rock charts, and is an ode to the punk rock lifestyle.With a Little Luck by WingsRob brings us Paul McCartney with a song recorded largely in the Virgin Islands on a yacht equipped with a 24-track mobile recording studio installed on it.  This single from the album "London Town" hit number 1 on the pop charts.   INSTRUMENTAL TRACK:Alaska by U.K. This instrumental lets us do some double dipping with the track that leads off side 2 of the U.K. album.

Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius Lrheath / CC BY-SA This week, Mark and I have been enjoying listening to Night After Night, the live album from UK in our quest to discover why Yes wanted Eddie Jobson. Hear our views in a few moments' time and add your own to the comments in the show notes for this week's episode. Did you see UK in either of their incarnations? What do you think of the 3-piece lineup without Bruford and Holdsworth but with Terry Bozzio? Did it work? Let us know. How does the 3-piece UK sound?Is the guitar missed?Is it all prog? Take a listen to the episode and then let us know what you think below! expose.org / CC BY-SA https://youtu.be/RGkFnMu7V0c https://youtu.be/YCKMQOwGBAU Facebook has just changed how pages work which means that I've had to establish a new place for us to post and discuss Yes-related happenings. It's a new group entitled, rather creatively, YMP Discussion Group. For the moment it's open to anyone to join but I'll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ If you haven't already done so, please sign up at tormatobook.com to the email newsletter. PRESALE IS UNDERWAY (for subscribers only)! If you sign up now, for free, you can have access to the newsletters you've missed. It really helps to know people are looking forward to reading the culmination of my decades of Tormato obsession. Not final artwork or title - just me messing about with one of Jeremy North's photos Become a Patron! YMP Patrons: Producers: Ken FullerJeffrey Crecelius andWayne Hall Patrons: Aaron SteelmanDave OwenMark James LangPaul TomeiJoost MaglevDavid HeydenPaul WilsonMartin KjellbergBob MartilottaLindMichael O'ConnorWilliam HayesBrian SullivanDavid PannellLobate ScarpMiguel FalcãoChris BandiniDavid WatkinsonNeal KaforeyRachel HadawayCraig EstenesDemMark 'Zarkol' BaggsPaul HailesDoug CurranRobert NasirFergus CubbageScott ColomboFred BarringerGary BettsGeoff BailieSimon BarrowGeoffrey MasonStephen LambeGuy R DeRomeSteve DillHenrik AntonssonSteve PerryHogne Bø PettersenSteve RodeDeclan LogueSteve ScottTodd DudleyJimJamie McQuinnSteven RoehrJohn ParryKeith HoisingtonAlan BeggTerence SadlerJohn HoldenBarry GorskyMichael HanderhanTim StannardJoseph CottrellJohn ThomsonJohn CowanTony HandleyRobertDavid Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from: archive.org

A (relatively) in-depth analysis of Bruford (the jazz-fusion band assembled and led by British drummer Bill Bruford) in (just under) fifteen minutes. Mathew is in discussion with Dr. Andrew Webber.

On this Yesshift interview recorded October 11, 2022, we interviewed bassist Jeff Berlin! Yes fans may be familiar with his work with Patrick Moraz, Bruford, and ABWH. We touched on those aspects of his career and more, but we also talked a good deal about his recently released album Jack Songs, a tribute to Jack Bruce featuring an all star roster of musicians. You can get at album at https://www.jeffberlinmusicgroup.com/ or https://jeffberlin1.bandcamp.com/album/jack-songs Relevant Links: Jaffa Festival video: https://www.youtube.com/watch?v=bMVEVp9TCiQ --- Support this podcast: https://anchor.fm/yesshift/support

Matt Barrows tells Murph and Mac why he thinks both Spencer Bruford and Javon Kinlaw will be major contributors to the 49ers this season.See omnystudio.com/listener for privacy information.

Matt Barrows tells Murph and Mac why he thinks both Spencer Bruford and Javon Kinlaw will be major contributors to the 49ers this season.See omnystudio.com/listener for privacy information.

We continue our "First Solo Album Since Joining Yes" series with Bruford's Feels Good to Me! Released in 1978, we go over what we think of the jazziness of it and how different it is from other albums by Yes and its members around this time. You can also follow us via audio on all the podcast platforms listed on anchor.fm/Yesshift, or even watch us when we go live on facebook.com/Yesshift The next episode will be Tuesday, August 23, at 5:30pm PDT and cover Geoff Downes' first solo album The Light Program. You can also email us at yesshiftpodcast @ gmail . com Relevant Links: Old Grey Whistle Test video: https://www.youtube.com/watch?v=UrExNIyA3lk Rock Goes to College: https://www.youtube.com/watch?v=rkZ4ZqIn0zs&list=PLlWGlOC_EYqhd_KJlU-gsCQ_TSkVgYXLw Earthworks' Random Acts of Happiness reissue: https://www.cherryred.co.uk/product/bill-brufords-earthworks-random-acts-of-happiness-expanded-edition/ Miguelbass.com Kings of Hollywood playing "Instant Karma": https://www.facebook.com/sally.g.bower/videos/438914021593556https://www.facebook.com/sally.g.bower/videos/438914021593556 Seattle Theatre Group tribute to Alan White: https://www.facebook.com/photo/?fbid=631413255010031&set=a.221267039357990 --- Support this podcast: https://anchor.fm/yesshift/support

Welcome to Live From Progzilla Towers Edition 443. In this Top Ten edition we spoke with Ryo Okumoto and heard music by Bruford, Chick Corea & Return To Forever, Emerson, Lake & Palmer, Genesis, King Crimson, Pat Metheny Group, UK, Weather Report, Yes, K2, Spock's Beard & Ryo Okumoto.

I sometimes listen to old shows to see how I've progressed. In listening to this first edition in my “Shaking the Tree” series, I really liked the content, but feel the sound quality leaves a little to be desired. So I decided to remaster it, and in many cases used tracks from remastered versions of the albums. Since I had time, I also included a bonus track at the end. Sonically, the program is far superior to the program (although there was only so much I could do with the voice track). Anyway, without further ado, I present Shaking the Yes Family Tree (Remastered + Bonus Track), with music from The Buggles, Trevor Rabin, Refugee, Asia, Flash, Esquire, Levin-Torn-White, Badger, Bruford, and Chris Squire!

Here is the playlist for the 07/25 episode of the Seventh House. Enjoy!Mystery- Among the LivingFrost*- Day and AgeAlias Eye- MysteryMike Keneally and Beer for Dolphins- The Mystery MusicRobert Lamm- The Mystery of MoonlightTransatlantic- Mystery TrainIZZ- Own the MysteryReturn to Forever- No MysteryAnderson, Bruford, Wakeman and Howe- The Order of the Universe (the tradition continues...)Annie Lennox- Take Me to the RiverSantana- The RiverMeer- All at SeaBruce Hornsby and the Range- Across the RiverImogen Heap- Cycle SongSeal- Human BeingsJoni Mitchell- How Do You Stop?Seal- If I CouldKinga Glyk- Joy JoyRaze the Maze- Breaking BrokenDave Stewart and Barbara Gaskin- When the Warcry ComesPrince- One Day We Will All B FreeGolden Caves- Happy DreamsMystery- One Among the LivingNick D'Virgilio- Not My Time to Say GoodbyeChris Squire- Silently Falling

Programa dedicado a uno de los mejores baterías de la historia del rock: Bill Bruford. Hay baterías más grandilocuentes o más famosos, pero el estilo de Bruford es total, alterna lo simple y lo complejo; es fuerte y sutil cuando se le requiere, siempre se renueva y experimenta. Su periplo artístico nos permite rememorar algunas de las aventuras musicales más fascinantes del siglo XX Bill Bruford ha dejado tras de sí un legado de obras maestras que no podemos dejar de escuchar en este programa y que te lo resumimos con: BRUFORD - Joe Frazier YES - Heart Of The Sunrise YES - Siberian Khatru KING CRIMSON - The Great Deceiver ROY HARPER - Grown Ups Are Just Silly Children

Programa dedicado a uno de los mejores baterías de la historia del rock: Bill Bruford. Hay baterías más grandilocuentes o más famosos, pero el estilo de Bruford es total, alterna lo simple y lo complejo; es fuerte y sutil cuando se le requiere, siempre se renueva y experimenta. Su periplo artístico nos permite rememorar algunas de las aventuras musicales más fascinantes del siglo XX Bill Bruford ha dejado tras de sí un legado de obras maestras que no podemos dejar de escuchar en este programa y que te lo resumimos con: BRUFORD - Joe Frazier YES - Heart Of The Sunrise YES - Siberian Khatru KING CRIMSON - The Great Deceiver ROY HARPER - Grown Ups Are Just Silly Children CHRIS SQUIRE - Fish Out Of Water GENESIS - The Cinema Show U.K. - In The Dead Of Night BRUFORD - Beelzebub BRUFORD - Five G KING CRIMSON - Hearbeat KING CRIMSON - Waiting Man BILL BRUFORD EARTHWORKS - My Heart declares A Holiday BRUFORD/TOWNER/GOMEZ - Somersaults BRUFORD/LEVIN - Original Sin LEON ALVARADO - Strange Places BILL BRUFORD EARTHWORKS - With Friends Like These

Bill Bruford looks back over his time in Yes, King Crimson, Bruford and Earthworks projects in this career spanning podcast. Bill discusses Making A Song and Dance: A Complete Career Collection, a 6CD Boxset that charts his musical highlights. Further information billbruford.com Making a Song and Dance: A Complete-Career Collection Bill Bruford is Making a […] The post Bill Bruford appeared first on The Strange Brew  .

Bill Bruford joins Drum Talk TV's Dan Shinder and Dan's son Steven from their podcast Yesshift to talk about the new box set, Bill Bruford: Making a Song and Dance! Due April 29, you can pre-order it here: https://bit.ly/BillBruford-6CDBox Bill Bruford has had a prolific career in the worlds of prog rock and jazz. He was a founding member of Yes, later a member of both King Crimson and UK, and even led his own bands Bruford and Earthworks! Check out the conversation! --- Support this podcast: https://anchor.fm/yesshift/support

Fintan 'Fun Tool' Costello and Jon 'NO' Bruford are joined by the excellent Robin Fetterman and Amy McBride from the New York Council on Problem Gambling [0:00-41:23], and Dr Seamus Murphy, who talks about his academic opus The Casino and Society in Modern Britain [41:25-1:30:20]. The spectre of Big Marmalade also raises its head.

Fintan 'Fun Tool' Costello and Jon 'Bruford' Bruford are joined by the excellent Robin Fetterman and Amy McBride from the New York Council on Problem Gambling [0:00-2:30], and Dr Seamus Murphy, who talks about his academic opus The Casino and Society in Modern Britain [2:31-5:21].

Bruford - Age Of Information (1980) I guess, if I'm going to call the Bowie band of 1975-1980 the best band of the decade, this group would come close to that. With the inimitable style of Jeff Berlin on bass and the wonderful Bill Bruford on drums, this album might have been the closest Prog came to the elusive jazz/pop hybrid bred into the bone for so many of the Prog hopefuls of the era.  Jan Hammer Group - Don't You Know (1977)  Can - I Want More (1976) Can was a sometimes impenetrable German Prog outfit. Their music in the early part of the decade wasn't something I could say I liked, even though I tried like heck. This was a single, which kinda makes sense. All Prog was catching a terminal disease at this juncture, but no one knew it.  Renaissance - Flight (1983) I messed this song up on my show, but this is not a bad record. Renaissance had some great moments in the '70s, and if you are interested, go find Scheherazade and Other Stories from 1975. Like Close to The Edge, it only has three songs, but I think that record is their apex by a mile, and I like the other albums. This was from their last "Golden Era", Time-Line album, although it had been a while since they could get a record company to pony up the do-re-mi for an orchestra.  Discogs: Renaissance was originally formed in London, UK, in 1969 by ex-Yardbirds vocalist Keith Relf and drummer Jim McCarty who wanted to explore a new sound blending elements of rock, folk, and classical music. Relf assumed the role of guitarist, and they were joined by bassist Louis Cennamo, keyboardist John Hawken, and vocalist Jane Relf. This lineup recorded the first self-titled album and most of the second album, Illusion (1971). A rapid series of personnel changes followed. Guitarist and composer Michael Dunford first appeared on Illusion. Before his departure from the band Hawken recruited new vocalist Annie Haslam. By 1972, when the Renaissance recorded their third album, Prologue, none of the original members remained though McCarty still wrote music for the band. By 1973 the lineup had stabilized with Haslam, Dunford, keyboardist John Tout, bassist and vocalist Jon Camp, and drummer Terry Sullivan. This lineup produced a string of relatively successful albums over the remainder of the decade. They had one Top 10 single in the U.K., "Northern Lights", from the album A Song For All Seasons (1978). By 1980 Sullivan and Tout departed leaving Haslam, Dunford, and Camp as the stable core of the group with various other musicians coming and going through the early and mid-1980s. The group released two albums, Camera Camera (1981) and Time-Line (1983) which were not well received by either fans or critics. Renaissance went into the studio to record a further album but found themselves without a label willing to release it. Material for this album as well as discarded tracks from the sessions for the previous three releases finally saw the light of day as Songs From Renaissance Days in 1997. [Ed: Which I gobbled up the day it came out, as there was no other domestic CD of this group available at the time.] Yes - The Revealing Science of God (1973) There are moments in this song that, to me, are just amazing, transcendent, and still cause chills maybe 40 years after the first time I heard them ("Getting over overhanging trees...") like almost all of Yes' epic side-long monsters. There's a reason Prog fans like me are filled with sadness that the people who made this magic for us cannot seem to just stop recreating or trying to recreate these moments with an ever-shifting group of lesser talents. The Beatles did it right. They just stopped, resisted the potentially lucrative urge to make themselves stand there again, together, and recreate sounds from which they had long ago moved past. I like this. There's a real fire that people might have forgotten these very young men possessed.  King Crimson - Thela Hun Jinjeet (1981) So this might be #3. Tony Levin played on some later Yes albums, as well as Peter Gabriel (he plays the Chapman Stick, a strapped upright instrument with both tenor and bass strings). He also played with Paul Simon and hundreds of others. Robert Fripp played with David Bowie on his Berlin Trilogy, and Bill Bruford was amazing in Yes, his own band, Bruford, and...Genesis during a tour! Bowie and...Adrian Belew!! Who is here after stints with Talking Heads, Zappa, Tom Tom Club....it goes on and on, but I really like anything Bill Bruford played on.  Bruford - Gothic 17 (1980) I've played stuff from Bruford's first record with Annette Peacock. This is in that funky, other-worldly combination of jazz and pop. I love Jeff Berlin's voice. I wish they had dome more records together. Go find "Joe Frazier" off this album. Whoo boy.  Gentle Giant - Interview (1976)  Genesis - One For The Vine (1977) Genesis at their peak. It's hard to believe it now, but this was composed solely by Tony Banks. The scope and drama, pathos, and virtuosity amaze me especially when one considers that he (and they) never created anything this beautiful again. Who was the best keyboard player in Prog? I think about it and Kerry Minnear comes to mind, as he really was the creative force in Gentle Giant. But neither he, Keith Emerson, Rick Wakeman, or any of the others, as good as they were, authored something as wonderful as this.  Rush - Jacob's Ladder (1980) I don't care what you say. This album is peak Rush. After years of album/tour/album/tour, "The Spirit of Radio" captured their amazing musicianship, their cool humor, and the fact that you could be groovy in 7/8. I think of this record as the end of the beginning, but not in a good way. I played this in a band once. We were terrible. I had a tiny Casio keyboard (it was all we could afford) and I couldn't play the last bit on bass with anything resembling speed. Our drummer was great.  Discogs: Rush's seventh studio album. The cover depicted the famous incorrect headline "Dewey Defeats Truman" on a newspaper in the bottom left corner. However, the Chicago Tribune (the paper that originally published the error) pressured the band to remove the headline. Some versions appear altered with either "Dewei Defeats Truman" or a blanked section. The billboards in the distance (mid-right) originally read "Coca-Cola." However, the cola company objected to the use of their logo and the cover was changed to display the band members names in a similar typestyle to the original logo. Trivia: The woman on the cover of this album is model Paula Turnbull. Contrary to rumor, the guy waving in the background on the cover is not one of the members of Rush, it's actually Hugh Syme, the art director of the album. UK - In The Dead of Night/By The Light Of Day/Presto Vivace and Reprise (1978) One of the first Prog supergroups, members of other big groups smooshed together. In this case, John Wetton of King Crimson, Roxy Music, Uriah Heep, Mogul Thrash, etc., Bill Bruford, the amazing Allan Holdsworth (Soft Machine, Gong) , and Eddie Jobson (Zappa, etc.) make a great album. Then Bill leaves, and Terry Bozzio (Zappa) records another record and a live album, and then...Asia.  Joe Simon - Before The Night Is Over (1977)  I don't consider The Moody Blues or Pink Floyd prog.   

Mal de muchos, epidemia, o consuelo de aquellos tontos que piensan que, si los demás están mal, ellos van a dejar de estar peor. Y lo malo es cuando, para reconfortarse y mitigar su dolor, tienen que inventarse descaradamente una realidad que no concuerda con los hechos, ni ahora, ni en el pasado. Min. 01 Seg. 48 - Intro Min. 09 Seg. 35 - Las mentiras de ayer y hoy Min. 16 Seg. 16 - El vigilante que miraba para otro lado Min. 22 Seg. 41 - Ignorante o/y embustero Min. 31 Seg. 33 - La autocrítica, esa gran desconocida Min. 36 Seg. 30 - Rehenes voluntarios y entusiastas Min. 42 Seg. 02 - La multiplicidad de las fuentes Min. 46 Seg. 45 - Orgulloso no se sabe de qué Min. 52 Seg. 58 - Despedida Anderson, Bruford, Wakeman & Howe (Yokohama 07/03/1990) Birthright Stership Troopers And You And I Brother Of Mine Heart Of The Sunrise Foo Fighters - These Days (Reading Festival 26/08/2012)

And now for something completely different. This mix is a collection of instrumental tunes from the progressive rock sub-genre known as The Canterbury Scene. According to Wikipedia:   The Canterbury scene (or Canterbury sound) was a musical scene centered around the city of Canterbury, Kent, England during the late 1960s and early 1970s. Associated with progressive rock, the term describes a loosely-defined, improvisational style that blended elements of jazz, rock, and psychedelia. The Canterbury scene is largely defined by a set of musicians and bands with intertwined members. "The real essence of 'Canterbury Sound' is the tension between complicated harmonies, extended improvisations, and the sincere desire to write catchy pop songs."  "In the very best Canterbury music...the musically silly and the musically serious are juxtaposed in an amusing and endearing way." The bands most often associated with this sound are Soft Machine, Caravan, Gong, Hatfield & the North, Egg, & National Health. And some of the artists include Robert Wyatt, Kevin Ayers, Allan Holdsworth, Steve Hillage, Phil Miller, Hugh Hopper, Richard Sinclair, Fred Frith and Dave Stewart. I am not a fan of Canterbury tunes that have vocals, which eliminates a lot of stuff by Caravan and some Soft Machine. So that's why this mix sticks with instrumental tracks. Listening to this set it's easy to hear the similarities between the bands. I discovered the Canterbury Scene when I was in college, listening to Bill Bruford(drummer for Yes & King Crimson) solo material. His keyboardist was Dave Stewart who played with Egg, Hatfield & The North, and National Health. I loved Bruford's solo stuff, especially "One of a Kind" so that lead me to listen to anything that Stewart was involved in. This mix opens and closes with two tracks featuring Dave Stewart and two of my favorites in the genre. I hope you enjoy this little diversion from the usual ambient mixes. It sure was fun digging up all these 1970s classics. Cheers!   T R A C K L I S T : 00:00    National Health - The Bryden 2-Step(For Amphibians)Part 1 (Of Queues And Cures 1978) 08:15    Matching Mole - Smoke Signal (Little Red Record 1972) 11:30    Cos - Nog Verder (Viva Boma 1976) 13:40    Supersister - Dreaming Wheelwhile (Present From Nancy 1970) 15:55    Gong - The Isle of Everywhere (you 1974) 23:39    Soft Machine - Song Of Aeolus (Softs 1976) 27:33    Quiet Sun - r.f.d. (Mainstream 1975) 30:37    Gong - Three Blind Mice (Expresso II 1978) 35:23    Egg - Part 2 (The Polite Force 1971) 40:00    Henry Cow - Solemn Music (Unrest 1974) 41:02    Quiet Sun - Trot (Mainstream 1975) 44:29    Caravan - Waffle(Chance of a Lifetime) (For Girls Who Grow Plump in the Night 1973) 47:58    Gilgamesh - We Are All / Someone Else's Food / Jamo And Other Boating Disasters - From The Holiday Of The Same Name (Gilgamesh 1975) 55:39    Steve Hillage - Meditation Of The Snake (Fish Rising 1975) 58:32    Bruford - The Sahara Of Snow Parts 1 & 2 (One Of A Kind 1979) 66:03    end

This episode we speak to a musical legend. Jon Anderson has been singing since the early 60's and he's still going strong. In addition to all the albums he's made with Yes, he's worked with Vangelis, John Paul Jones, Toto, Anderson, Bruford, Wakeman, and Howe, & more. His voice is one of the most unique in music, but he wasn't always comfortable with it. And when the sound of Yes changed in the 80's, he talks about how he adjusted. He gives us some great news about a couple of albums. Jon also talks about his new album, 1000 Hands, new single Go Screw Yourself AND his experience with interdimensional realities. Oh, and he also tries Mongolian throat singing for me.Follow him on social media. Pick up 1000 Hands in all the usual places. Follow us @PerformanceAnx. And if you like the shows we're giving you, consider treating us to a cup of coffee at ko-fi.com/performanceanxiety. I now present to you, Jon Anderson of Yes on Performance Anxiety.This show is a part of the Pantheon Podcast Network.

This episode we speak to a musical legend. Jon Anderson has been singing since the early 60's and he's still going strong. In addition to all the albums he's made with Yes, he's worked with Vangelis, John Paul Jones, Toto, Anderson, Bruford, Wakeman, and Howe, & more. His voice is one of the most unique in music, but he wasn't always comfortable with it. And when the sound of Yes changed in the 80's, he talks about how he adjusted. He gives us some great news about a couple of albums. Jon also talks about his new album, 1000 Hands, new single Go Screw Yourself AND his experience with interdimensional realities. Oh, and he also tries Mongolian throat singing for me.Follow him on social media. Pick up 1000 Hands in all the usual places. Follow us @PerformanceAnx. And if you like the shows we're giving you, consider treating us to a cup of coffee at ko-fi.com/performanceanxiety. I now present to you, Jon Anderson of Yes on Performance Anxiety.

I think many of us are the types of photographers that seek the single image. Most of my photo outings are with a single frame mindset - capture the shot. That one perfect frame that captures the essence of a place or a pristine moment in time. I certainly fall squarely into that camp. If I were a musician, my goal would be to write the next great power ballad. There is, however, another approach - a body of work. A set of images that stand together to tell a story. To continue the musical analogy, it's a visual medley, a photo essay. And a collection of images can tell a richer story than just the single image.In today's podcast, let's talk about presenting a series of photographs as a set. I also share a personal story of what led me to want to talk about this subject. The result is the six photos you see on the episode webpage. Brother of Mine (YouTube), by Anderson, Bruford, Wakeman, Howe (Amazon)Luminar AI from Skylum SoftwareUse offer code SDP10 at checkout to Save 10%My free Luminar tutorials are in my Luminar Learning CenterON1 Photo RAW 2021 from ON1Use offer code SDP20 at checkout and Save 20%My free ON1 Photo RAW tutorials are in my ON1 Learning CenterRate & ReviewIf you enjoyed this episode, please rate and review it on Apple Podcasts, Stitcher, or Podchaser.com. Fresh, current ratings help other photographers find out about the show.Supporters Of The Show - Thank You!Thanks to everyone that supports this show, through comments, reviews, and shares. Sharing this podcast with your photo friends and camera clubs is one of the many zero-cost ways you can support the show. If you wish to support the show financially, you can also make a one-time donation.Affiliate LinksProduct links in this post may contain affiliate tags. Depending on the purchase, Scott Davenport Photography may receive compensation if you purchase a product via one of those links. There is no additional cost to you. The use of affiliate links never influences the content or opinions of the episodes.