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Interview with Antonia Tricarico. Antonia Tricarico is an incredible photographer who is working on releasing a new book Be My Rebel. "Be My Rebel is a photography book born from my belief that powerful images can shift perceptions, raise awareness, and spark empathy. This project captures the raw intensity and emotion of protest—from the quiet determination of a young climate activist to the unstoppable unity of a crowd marching for women's rights." Antonia Tricarico on Be My Rebel. Link to kickstarter! Be My Rebel Book Kickstarter Antonia Tricarico was born in Potenza, in Italy's Basilicata region. At 16, she joined the Feminist Collective of Potenza. After graduating from high school, she enrolled in the Law School at La Sapienza University in Rome and became active in the Women's Health Collective in Trastevere. She worked with Paolo Bedini's AZ Music agency, where for nearly a decade she helped bring renowned musicians to Italy. In the 1990s, she was involved in Rome's Rights to Housing movement and supported squatting public buildings with and for immigrants, for their right to housing. In 1997, after moving to the United States, she began pursuing photography more seriously. In the past years, she has worked as an archivist for Pulitzer Prize–winning Washington Post photographer Lucian Perkins and collaborated with independent labels such as Tolotta Records, Dischord Records, Kill Rock Stars, and Youth Action Research. Her photographs are represented in both private and public collections, including the National Museum of American History at the Smithsonian Institution, the permanent exhibition and special collections archive of the Martin Luther King Jr. Memorial Library in Washington, DC (Punk and Go-Go music archives), the Michelle Smith Performing Arts Library at the University of Maryland,the DC History Center, and the Library of Congress. Her work has been exhibited both nationally and internationally. She is the author of three books: • Frame of Mind: Punk Photos and Essay from Washington, DC, and Beyond, 1997–2017 (Akashic Books, 2019) • The Inner Ear of Don Zientara: A Half Century of Recording in One of America's Most Innovative Studios, Through the Voices of Musicians (Akashic Books, 2023) - Oltre l'Influenza-Italian Novel-Sensibili alle Foglie Publisher-Rome,Italy 2023 Her work has appeared in Photo Review, Guitar World, Kerrang, All Music, Razorcake, Chicago Reader, The Oregonian, The Quietus, The Echo, Exclaim!, Fretboard Journal, Washington City Paper, and Washingtonian. Antonia Tricarico website.
Seattle four-piece APPALOOSA return September 4 with “Get It Together, Kid,” a bouncy, bittersweet blast of femme-led power pop. Rooted in punk grit and dressed in glam shimmer, the track showcases the band's knack for tight arrangements, melodic punch, and emotional clarity. Their past releases have drawn praise from underground staples like Maximum Rocknroll and Razorcake, and “Get It Together, Kid” captures the same raw charm with a sharper melodic edge. APPALOOSA began when singer and guitarist Erica Rose moved back to Seattle after six years in NYC's punk and indie scenes. Just as she was preparing to start a family, she also began writing the songs that would become APPALOOSA. “I was pregnant with twins and couldn't stop writing,” she says. “I knew exactly what I wanted this to be: melodic, loud, emotional, and real.” With Leif Anders on lead guitar, Kevin Voss on bass, and Ian Sides on drums, the group quickly locked in, combining raw energy with power pop precision and a garage-born sense of urgency. “Get It Together, Kid” started out as something completely different. “It was five minutes long at first, more of a ballad,” says Rose. “But once we started playing it together, it wanted to be fast. It wanted to move.” The final version clocks in under three minutes. It is catchy, kinetic, and lyrically rich, exploring the strange contradictions of growing up and trying to hold it all together. “It's about the ambiguity of being ‘mature,'” Rose says. “Whatever that means.” APPALOOSA ONLINE INSTAGRAM | SPOTIFY | BANDCAMP Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends
Act II: Death Drives a Stick
Icehouse? Who knew they had it in them?
We'll keep creating and we hope you'll keep listening.
#cavecheck
Revenge of the Village Idiots
A little of this, a little of that.
“Prevent This Tragedy”
Eat more garlic.
In a roundtable discussion, Razorcakers from four distinct points of L.A. County discuss the ongoing reverberations of the ICE raids in their neighborhoods.
Kurt Morris is a social worker, writer at Razorcake, maker of zines, and Propagandhi superfan from the northeastern USA.
Dansette.
Pop open a coldy in your own backyard and enjoy.
Somehow, by the magic of horns, our spirits rise from the doldrums as we play some interesting, uplifting, and downright oddball songs situated inside of and next to punk.
Seattle's Dead Bars, in the words of Razorcake, “make something impossible to duplicate look so simple and attainable.” For over a decade, the band—founded and led by John Maiello—has been delivering life-affirming hard rock, drawing comparisons to acts like Japandroids, White Reaper, and Fucked Up. Throughout this time, they've earned national acclaim while remaining a beloved institution. They're the band most likely to be seen sweating it out on stage any given night, delivering "emotional singalong anthems—perfect for screaming along after you've had a beer, or five," as Kerrang! puts it.Their third LP, All Dead Bars Go to Heaven, reaffirms that there is “arguably no better Seattle band,” according to The Seattle Times. With ten hook-laden heavy hitters—from the rousing opener “I Wanna Be a Ghost” to the anthemic closer “Be Me”—the album marks a new chapter: an introduction for the next generation ready to escape the grind, and a reminder to the previous one of their enduring power. The theme is heaven: a place of eternal reward for a life lived virtuously, regardless of the love or loss that once defined it. When the band cries “Dead Bars Forever,” they mean it. Thanks for listening!!! Please Follow us on Instagram @hiddentracks99Pre and Post roll music brought to you by @sleepcyclespa
We also Misfits-up the PSA just for funzies.
There's a good variety of stuff here and a lot of bands from the Minneapolis area. Listen, laugh and learn.
All digitized direct from vinyl with snap, crackle and pop in full effect.
In this electrifying episode of Jack Dappa Blues, we sit down with the powerhouse that is Honeychild Coleman—a pioneering force in the world of punk, blues, and avant-garde music. A Louisville native and Brooklyn-based artist, Honeychild's journey has taken her from busking in the New York subway to collaborating with legends like The Slits, Mad Professor, and Greg Tate's Burnt Sugar Arkestra.As the frontwoman of blues-punk outfit The 1865, Coleman fuses raw energy with historical narratives, crafting sonic landscapes that echo the struggles and triumphs of Black American culture. Her music has graced films, documentaries, and television screens, all while staying true to her ethos of artistic resistance and community empowerment.In this candid conversation, Honeychild delves into the intersection of punk, blues, and Black identity, sharing how her lived experiences and sociocultural activism inform her art. From her early days in the underground NYC music scene to shaping spaces like Sistagrrl Riots, she continues to be a trailblazer for alternative Black voices in music.Join us as we explore the roots of rebellion, the power of storytelling through sound, and the unapologetic spirit of punk blues. This is an episode you won't want to miss!Honeychild Coleman (The 1865 / Bachslider / The Phensic) Brooklyn, NY Louisville, Kentucky native recording/visual artist, and Sistagrrl Riots founding member Honeychild Coleman has worked with The Slits, Mad Professor, afro-futurist shoegazers Apollo Heights (The Veldt), Badawi (Raz Mesinai), Death Comet Crew (with Rammellzee), and the late Greg Tate's Burnt Sugar Arkestra. Honeychild started her musical career during the hot summer of 1993 in the real underground – the New York City Subway system. Busking there, and eventually performing freestyle and improv weekly sets with DJs Olive (we™ /Liminal), Sasha Crnobrnja (Organic Grooves), Lloop (we™), Delmar (Jungle Sky), Fred Ones (Mike Ladd/Sonic Sum) and Badawi (Raz Mesinai) contributed to the unique niche that Coleman created within the New York City electronic scene of the mid-90's.She is featured in documentaries “Afropunk,” (James Spooner, USA), “Tina Turner:My Life. My Songs“ (Dir. Schyda Vasseghi, GERMANY), the MAKERS storytelling platform for trailblazing women (USA), "Fireflies" and "Getting My Name Up There" (Katarina Cibulka, AUSTRIA), Rock Chicks:I Am Not Female To You (Marita Stocker, GERMANY), and upcoming “Rude Girls” (Brigid Maher, USA). Coleman also made a cameo in Brooklyn film “Crooked” (Wordsound, USA) and has composed music in the Sundance awarded film "Pariah" (Dee Rees, Focus Features, USA) and indie short “P.R.” (Maria Paraskevopoulou, U.K./Greece). Coleman fronts Blues-Punk outfit The 1865 (Mass Appeal Records) on lead vocals and baritone guitar. The 1865's music is in the Hulu series “Woke!” (USA, 2021) and composed an original song for Showtime's “Everything's Gonna Be All White” (USA, 2022). Coleman's writing appears in RAZORCAKE ‘zine issue 138 and BLACK PUNK NOW! (Softskull Press,2023). Affiliations: Black Rock Coalition,Sistagrrl Riots, Underground Producers Alliance, Out Loud Louisville, Willie Mae Rock Camp, Human Impacts Institutehttps://www.instagram.com/hccoleman/https://www.instagram.com/the1865band/www.honeychildcoleman.comhttps://honeychildcoleman.bandcamp.com/https://shutitdowncomp.bandcamp.com/releaseshttps://the1865.bandcamp.com/album/dont-tread-on-we
All digitized direct from vinyl with snap, crackle and pop in full effect.
HARMONICA SONGS—DO THEY COUNT AS HORNS? FOR ONE SECTION AND ONE SECTION ONLY, TODD SAYS YES.
A collection of songs from upcoming and classic bands
All digitized direct from vinyl with snap, crackle and pop in full effect.
Thirty-nine episodes in and we finally play The New York Dolls. Go us! We're on the ball.
In this pod we look back at those who passed this last year. It's the least we could do. Preserve the mark they made on this culture.
It'll be mostly cheery, we promise!
There are no online playlists here.
In this installment of the Rock is Lit Season 4 Reading Series, Michael T. Fournier shares an excerpt from his debut novel, ‘Hidden Wheel' (2011), and explores the musical influences behind the book, along with his experiences as a musician with the bands Dead Trend and Plaza. About ‘Hidden Wheel': When an art scene takes root in a pop-up colony called Freedom Springs, micro-visionary Ben Wilfork promotes the giant, autobiographical 600 square foot canvases of former chess prodigy and high end dominatrix Rhonda Barrett using his Hidden Wheel as a bridge to the future before pre-Datastrophe history completes itself. It's a book about the scams of the modern age—artistic self-promotion, corporate infiltration of hipsterdom—and it's hilarious. At the same time this is a philosophical literary work that dissects hipsterdom to get at the core of what it's all about. A must-read for art fans, punk fans, anyone who wants to know how the truly original ideas can get subsumed by the corporate machine—and how to save them. Told in an intriguing intersecting point of view style, this is a powerful short novel by an emerging talent. Bonus Content: Michael also offers an exclusive glimpse into his forthcoming novel, ‘The Impasse', sharing an excerpt that promises more of his signature mix of insight and edge. Don't miss this exciting episode as we dive into the intersection of art, music, and literature with one of the most original writers on the scene. Bio: Michael T. Fournier is the author of the forthcoming novel ‘The Impasse' (St. Rooster Books 2024). Previously, he wrote ‘Double Nickels on the Dime' (Continuum/Bloomsbury, 2007), ‘Hidden Wheel' (Three Rooms Press, 2011) and ‘Swing State' (Three Rooms Press, 2014). He graduated from the University of Maine's MA program, where he won the Steven Grady Award for fiction. Fournier has toured the United States extensively—twice through successful crowdfunded prerelease campaigns. His writing has appeared in ‘Razorcake'—America's only non-profit punk magazine—as well as ‘Pitchfork', ‘McSweeney's Internet Tendency', ‘Vice', ‘Electric Literature', ‘Oxford American', ‘Boston Globe', and more. Mike is the co-editor of ‘Zisk', the baseball zine for people who hate baseball zines. He's the drummer and main songwriter for Dead Trend, and plays bass in Plaza, Cape Cod's #1 band. MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Rock is Lit theme music [Guitar Instrumental Beat] Sad Rock [Free Use Music] Punch Deck—“I Can't Stop” Rites of Spring “Hidden Wheel” Dead Trend “Age of Consent” Super Team—No Copyright music/NCS/copyright free music/music for YouTube Plaza “Fat Half” Echo & The Bunnymen “The Killing Moon” The Cure “Pictures of You” Black Flag “Rise Above” [Guitar Instrumental Beat] Sad Rock [Free Use Music] Punch Deck—“I Can't Stop” Rock is Lit theme music LINKS: Leave a rating and comment for Rock is Lit on Goodpods: https://goodpods.com/podcasts/rock-is-lit-212451 Leave a rating and comment for Rock is Lit on Apple Podcasts: https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350 Michael T. Fournier's website: https://www.michaeltfournier.org/ Michael T. Fournier on Instagram: @xfournierx Michael T. Fournier on Facebook: @MichaelT.Fournier St. Rooster Books website: https://stroosterbooks.bigcartel.com/ Three Rooms Press website: https://threeroomspress.com/ Bloomsbury Books website: https://www.bloomsbury.com/us/ Dead Trend on Bandcamp: https://deadtrend.bandcamp.com/ Plaza on Bandcamp: https://plazacapecod.bandcamp.com/album/adult-panic Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/rockislit Christy Alexander Hallberg on Instagram, Twitter, YouTube: @ChristyHallberg Rock is Lit on Instagram: @rockislitpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
It's our happy place.
Welcome to the Shitlist, where we play the absolute worst that's come out in the last several months. Some might say there's no such thing as bad music, as you can see, that obviously isn't true.-DarylTracklisting:Visual Learner, “Wrong Brain” Winter 2024 Demo (Self-released)Burnout Ostwest, “Kennst du eigentlich die Hamburger Schule?” Bremer Schule (Golden Press)Rixe, “Citadelle Rock” Tir Groupé (La Vida Es Un Mus)Gel, “Persona” Persona (Blue Grape)Scared Of Chaka, “Bated Breath” “Bated Breath” b/w “Nobody” (Slovenly)Cave Sex, “Haze Chaser” Self-titled 12” EP (Symphony Of Destruction)Natural Sway, “Ey You!” & The Squished Lilies (Just Because)Tearjerker, “Home” Self-titled (Little Rocket)Back Teeth, “Attention Deficit Reorder” Back Teeth EP (Little Rocket)Feminine Aggression, “What's Your Deal?” Restraint (Self-released)- - -SIKM, “We Won't Behave” Now I Must Comply (Beach Impediment)Wrong War, “Profit Net” from Split LP with Compulsion (Council)Chain Cult, “What We Leave Behind” Harm Reduction (La Vida Es Un Mus)Cœur À L'Index, “Parler De Toi” Adieu Minette (La Vida Es Un Mus)Guiding Light, “Stimmen” Guiding Light (Stucco)New Junk City, “Cleveland” Split with Rutterkin (Say-10)Rutterkin, “Metamorphoses” Split with New Junk City (Say-10)G2G, “Pop Song” The Gherkin (Lulus Sonic Disc Club)Tube Alloys, “Evil Angels” Evil Angels (La Vida Es Un Mus)Vaguess, “Shit Country” Only Sleeping LP (Erste Theke Tontraeger)
Zinester Talks Fanzines, Community Daryl Gussin is a writer and musician who has been awkwardly standing around at punk shows for the last twenty-something years. Thankfully at some point in his late teens, he decided to become a little more productive and has been working on zines, setting up shows, and playing in bands consecutively since then. He's been integrally involved in Razorcake fanzine for the last seventeen years. ABOUT THE AUTHOR & INTERVIEWER In 2006, Daryl Gussin became integrally involved in the Razorcake fanzine where he is currently the managing editor. His writing revolves around the honest, bittersweet, and ultimately triumphant aspects of counterculture and its flavorful inhabitants: The heartbreaks, the implosions, and the defiant victories. Community over commercialism, create and destroy. Interviewer Lindsay Anderson is a prolific zine maker and self-publisher based in Jacksonville, FL. Since 2013, Lindsay has developed a long-running zine project, she has helped to organize the annual Duval Comic and Zine Fest (DCAZ) and recently launched a new quarterly zine Mischief on the River. She's passionate about creating from existing resources and making space for others to develop and showcase their own works. READ Check out issues of Razorcake from the library: https://jaxpl.na4.iiivega.com/search?query=razorcake&searchType=everything&pageSize=10 DARYL RECOMMENDS “A quick list of contemporary LA poets I always enjoy seeing read”: Ingrid M. Calderón @ingrid_de_lamatepec Iván Salinas @el_ivanooo Jennifer Vierge Baptiste @wheresmsb --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net
Yerp, we're nerds.
Is it a time for greatness?
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