Performing in public places for gratuities
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Reese & Megan chat with participating instructor Karen Nielsen on the USDF Riding Seminar hosted at Megan's farm. Then, it's all about the North American Young Champions! Alicia Berger on her winning the U25 division and Grace Christianson on being the 1st Champion in the inaugural Children's division.GUESTS AND LINKS DRESSAGE EPISODE 777:Co-Hosts: Reese Koffler-Stanfield and Megan McIssac | Instagram | FacebookGuest: Mandy Endfinger - Facebook | InstagramGuest: Christina Morin- Graham Guest: Sienna Busking - Facebook | InstagramBook Club: 33 Strength and Fitness Workouts for Horses by Jec BallouDressage Radio Show: Website|FacebookPlease visit our sponsors, who make all this possible: Kentucky Performance Products, Chewy, and Horse Radio Network!TIMESTAMPS: 08:05 - Mandy Interview28:45 - Christina Interview 49:25 - Sienna Interview
Reese & Megan chat with participating instructor Karen Nielsen on the USDF Riding Seminar hosted at Megan's farm. Then, it's all about the North American Young Champions! Alicia Berger on her winning the U25 division and Grace Christianson on being the 1st Champion in the inaugural Children's division.GUESTS AND LINKS DRESSAGE EPISODE 777:Co-Hosts: Reese Koffler-Stanfield and Megan McIssac | Instagram | FacebookGuest: Mandy Endfinger - Facebook | InstagramGuest: Christina Morin- Graham Guest: Sienna Busking - Facebook | InstagramBook Club: 33 Strength and Fitness Workouts for Horses by Jec BallouDressage Radio Show: Website|FacebookPlease visit our sponsors, who make all this possible: Kentucky Performance Products, Chewy, and Horse Radio Network!TIMESTAMPS: 08:05 - Mandy Interview28:45 - Christina Interview 49:25 - Sienna Interview
"Long before American Idol and Americas Got Talent, there was Star Search. It was pretty schmaltzy but looking back, some of the biggest singers, actors and comedians got their big break on Star Search. We have grabbed as many examples as we could."
This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal. Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California. Cary Baker's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal. Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California. Cary Baker's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal. Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California. Cary Baker's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal. Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California. Cary Baker's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
"Here is a game to play. Name as many two minute songs as you can following these rules. Only one song per group and you cannot name just punk songs. We then go one step farther and change the game to as many one minute songs as you can."
"A band named The Velvet Sundown had a hit a short while ago. The concern was that the band and the music were all fake. They were both fully AI generated. It is easier than you think. We have the story and some examples of when I did the same thing for an audience just to prove how easy it is to do."
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What happens when the raw energy of Black Flag collides with the timeless spirit of Bill Monroe? That's exactly the question Water Tower has been answering since 2005. Founded in Portland and now thriving in Los Angeles, the band has built a reputation for their fearless DIY approach and genre-bending sound that seamlessly blends bluegrass, old-time, and punk rock. In this episode, Kenny Feinstein (lead vocals, guitar, fiddle, mandolin) and Tommy Drinkard (banjo, vocals) share how their unique musical DNA fuses tradition with rebellion, the impact of their move from Portland to LA, and how the band has evolved through different lineups and stages. They also reflect on their collaborations with icons like Ron Reyes of Black Flag and Nick Hexum of 311, their journey from street performances to viral videos, and what it's like adapting their sound for radically different crowds—from the Vans Warped Tour to the Telluride Bluegrass Festival. Along the way, they reveal the passion and persistence that continue to drive Water Tower as they carve out their own path in modern music. If you love music that breaks rules while honoring its roots, this conversation is for you.
"This is a fun parlor game. Name a band, a song by that band and then an album from that band that are all named exactly the same. Here is an example. Bad Company by Bad Company on the album Bad Company. There are many that are close but a true Trilogy is all three exactly the same."
"The Rock School show is now a part of the Library of Congress through their American Archive of Public Broadcasting. I know. I can barely believe it myself. Here is the story of the Library of Congress and how this all came to be. Check the calendar. It is not April and I am not fooling."
Why This Episode Matters:In a world where producers feel pressured to push out endless content, Chris Mazuera offers an alternative: slow down, be patient, and build with intention. His philosophy proves that creativity and longevity come from balance, not burnout.Support ProducerHeadIf ProducerHead has given you clarity, inspiration, or just a spark in your process, consider a premium subscription (only $6/month, even less annually). For less than the cost of a plug-in, you can help sustain the show, grow the community, and keep the core content free for every producer who needs it.Who is Chris Mazuera:Chris Mazuera is a Brooklyn-based producer and artist blending hip-hop, jazz, psychedelic, and Latin influences. Moving to New York at 19, he delved into music production crafting beats and developed his signature sound. In 2018, he released his debut album Monstera, a project that wove together his guitar-driven beginnings with his evolving love for jazz and hip-hop.What We Dive Into:* Why patience is a superpower for producers* The role of health and lifestyle in creativity* The importance of community and collaboration* Chris's influences and gear choices* How to build longevity in musicThree Key Takeaways:* Patience Creates Longevity – True creativity takes time. Don't rush the process.* Your Studio Is Not a Vacuum – Your creative output is a mirror. What is it showing you?* Community Inspires Growth – Collaboration keeps you accountable and pushes your creativity further.Before You Go:Take one action from Chris's approach: before your next session, pause and reset. Go for a walk and take a stretch. Insert some space into your process and observe its impact on what you make and how you feel.Like what you hear? Consider a premium subscription (and help keep ProducerHead free for the producer community).Chapters:0:00 - Intro and show opening1:36 - Intuition vs. methodical approaches3:45 - Learning to trust musical instincts6:41 - Commitment vs. flexibility in art8:41 - Formal training vs. self-taught13:09 - "Theory kills creativity" is b******t21:48 - Busking lessons in NYC subways23:59 - The 10,000 hours concept31:17 - Dealing with creative burnout34:04 - Collaboration principles38:53 - What he wishes he knew earlier40:27 - The Beatles discussion43:43 - Serving the song over technique46:12 - Quick Hits!59:01 - Best advice: "No Plan B"1:02:52 - Unreleased music and process1:08:09 - Final thoughts and outroConnect with Chris Mazuera:* Instagram: @chrismazuera* Website: chrismazuera.com* Spotify: Chris Mazuera* Apple Music: Chris MazueraConnect with Toru:* Website: torubeat.com* Instagram: @torubeat* YouTube: @torubeat* Spotify: Toru* Apple Music: ToruCredits:This episode was co-produced, engineered and edited by Matthew Diaz. From ProducerHead, this is Toru, and in a way, so are you. Peace. Get full access to ProducerHead at producerhead.substack.com/subscribe
Kutlwano Yika is a musician who turned the the streets of Johannesburg into his personal stage and sharing his story through TikTok. He recently posted about Cape Town’s bylaws being overly strict when it comes to public performances, and popped in to chat to Lester Kiewit about his mission to help make Cape Town more vibrant when it comes to buskers. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.
"Naming a band can be quite difficult. The list of bands we will discuss today went back into history to grab a name or an event to come up with a moniker. You know a good many of them. "
Crockett grew up poor and got his start in music busking for tips on the street and in the subway. He's since played the Hollywood Bowl and been nominated for a Grammy. The country/roots musician talks with Terry Gross and plays songs from his new album, Dollar a Day. John Powers reviews The Diary of Lies, a new mystery novel about a reporter. TV critic David Bianculli reviews the new series Alien: Earth, a TV prequel to the film Alien.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Crockett grew up poor and got his start in music busking for tips on the street and in the subway. He's since played the Hollywood Bowl and been nominated for a Grammy. The country/roots musician talks with Terry Gross and plays songs from his new album, Dollar a Day. John Powers reviews The Diary of Lies, a new mystery novel about a reporter. TV critic David Bianculli reviews the new series Alien: Earth, a TV prequel to the film Alien.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
From busking on Melbourne's Bourke Street to playing festivals around the world, Tanya George has built an entire career on being the instrument. We get into her obsession with honing vocal ability, the wild magic of vocal looping, trusting your own style, turning nerves into performance fuel, and shutting out the noise from people who don't get it. Tanya also talks about her powerful new single Unjust Things and gives us a sneak peek into her upcoming album Contrast. @tanyageorgemusic
Happy Holidays! We are still here in your heads though! A pod holiday? Lip based ick Hot knees Built on lies! Jemma on a chatshow Chat sheriff! Snacking us out Early lunch 10.30 apple Scott's school holidays Coat storage Moaning drawers Ikea day out Excited by organisation Lego blame Cinema sleep Blood pressure Jemma Meeting about death Worth more dead Cheese dreams Holiday stresses Dolls suitcase! Busking songs Jet 2 Holidays bwtbpod@gmail.com Join our Patreon for exclusive episodes and early access here! https://www.patreon.com/bwtbpod A 'Keep It Light Media' Production Sales, advertising, and general enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
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"The K Pop band EXO claimed that one of their concerts in South Korea sold out in less than two seconds. It sounds impossible because you are not being told the entire story. It is a badge of honor for bands to sell out quickly. Other than EXO, who did legitimately sell out the fastest. We will tell you our pick."
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Often an actor will start a band once her or she is famous. However many actors start as musicians. Some saw great success. We have some surprising names this week."
Songwriter, storyteller, and stellar vocalist Max McNown is here this week to share with me his compelling, poignant and triumphant personal story. What inspires Max and his legion of fans is his honest and grounded attitude, rooted in the personal health struggle of his brother, Brock, who had battled cancer for several years — a winning battle — and now joins Max on tour full-time. Max shares with me his story of having only picked up a guitar just a few years ago, when he found himself busking on the San Clemente, CA pier, telling his stories and inspiring listeners. Fast forward another year, and he's gaining tens of millions of streams, is #1 on Billboard's Emerging Artist Chart, and is selling out his first headlining tour in just a few hours. Max talks to me about how he realized the time was right for him to leave home — and his brother — to pursue his dreams,. And we talk about how Brock in turn, was given strength and inspiration by Max's determination and ultimately, his success. It's a truly heartwarming story of personal triumph for both brothers.
"Rock and Roll really came into its own in the 1950s and once it did someone was always proclaiming it bad for the youth in one way or another. These were generally called Moral Panics. Here is the history and some examples of a few of the most popular Moral Panics."
✦ Can you name a feeling? Dashill Smith and the musicians and vocalists that join him at TenATL certainly think so. City Lights Collective co-host Jon Goode recently went to visit TenATL in East Atlanta to learn more. ✦ In honor of MLB All-Star Week, Truist Park isn’t the only place in Cobb County to see baseball this summer. A new exhibition at the Marietta Cobb Museum of Art features the work of artist Mike Schacht—a prolific painter of baseball legends. ✦ Known to soap opera fans as the hold no prisoners mob by Sonny Corinthos on General Hospital, actor Maurice Bernard has earned several daytime Emmy awards and the attention of millions of fans. However, in recent years, he has stepped into the role of a lifetime: mental health advocate. Diagnosed with bipolar disorder, Bernard has used several platforms, including his podcast, State of Mind, to raise awareness about living with mental illness. He'll share his candid experiences at the Punchline on July 24th with his one-man show, Maurice Bernard: Live on Stage. ✦ Artist, illustrator and educator Faith Ringgold showed us our world through the eyes of young children in every medium you can think of –books, paintings, drawings, sculptures, even quilts. Trained and extensively honored in the fine art and academic circles of New York City, Faith Ringgold nevertheless focused her work on the children who remained her lifelong muse, working as an art teacher in New York City public schools for decades. Now, the High Museum is presenting the most comprehensive exhibition to date of Faith Ringgold’s art from her children’s books, including never-before-seen pieces. ✦ Municipal Support for the Arts ✦ They play on street corners, beneath overpasses, and in MARTA stations — creating the soundtracks of Atlanta’s daily hustle. But who are these street performers, and what drives them? WABE arts reporter Summer Evans explores the city’s vibrant busking scene and learns how it compares to other musical cities.See omnystudio.com/listener for privacy information.
"Here is the second show where we play songs you might not know were covers. Often the cover version of a song becomes a bigger hit. And even if you did know the hit was a cover you may not know the original. We will play you a few."
"This is the first of a two show set. Often people are shocked to hear that a hit song is a cover. We have put together a long list of hit songs that are covers and we will play the original to you can hear where the hit you know came from."
New Yorkers shocked the country last week when they picked a Democratic Socialist TikTok star as the Democratic Party's nominee for mayor. So could a Zohran Mamdani-type phenomenon happen here? Our politics contributor Deep Singh Badhesha joins producer Paul Karolyi and host Bree Davies to talk about how our local politics are different. Plus, a food influencer shared a traumatizing and seemingly racist experience at Morning Story in DTC and our wins and fails of the week. Come see us live at the Colfax Indie Bash on July 10! We'll be on stage with Mayor Mike Johnston on the patio at Champagne Tiger, and tickets are FREE. All you need to do is RSVP and come out for some good food, great people, and a live podcast with the mayor. RSVP here. UPDATE: After we recorded this episode, the owners of Morning Story released another statement with more details about the incident with @UnfocusedFoodie. Bree talked about UMS's big announcement, Bar Bar's wall, and Bruce Brown's return to the Nuggets. Paul mentioned this Colorado Sun story about budding local entrepreneurs, 9News' recent interview with DOTI director Amy Ford, the NYT's interview with Trump's border czar Tom Homan, and the sword of Damocles. Deep discussed the Boulder attack victim who passed this week and his personal restaurant guide to Denver. What do you think about a Zohran Mamdani-style candidate emerging in Denver? Could it happen here? Who might that be? We want to hear from you! Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Watch the Friday show on YouTube: youtube.com/@citycastdenver Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm/Denver Learn more about the sponsors of this July 2nd episode: City & County Denver Tech Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices
It's been said that the mark of a great city is how it promotes the arts. Thinking specifically about busking or street performing, some cities actively encourage musicians to perform in parks, streets, and other outdoor surrounds. THAT is a town devoted to the arts. Welcome to episode 186 of Love that Album. Cary Baker is a native of Chicago who has had a great career in music publicity and has worked with some of the most well known bands in the US during his stint at IRS and Capitol records. However, his passion has always been with those musicians who performed on street corners or at markets. He's written a great new book called Down On The Corner: Adventures in Busking and Street Music. He tells a bit about his own origins with buskers and how that led to much of the work that followed. Many famous artists started out as buskers before gaining popularity in the more conventional spheres of the music loving world. The vast majority of busking musicians, however, continue to perform for years on city streets, with that being the means to an end. Cary's book is American-centric with a little bit of a look “across the pond” as Americans call it, but it's still a fascinating look at the stories behind musicians you know and many you don't. Cary joins me to tell some of the stories from the book as well as his own origins at Maxwell Street Market in Chicago.. We had a great conversation. This could have gone for a couple of hours, but time didn't allow for it, but I really love what's there, and hope you do too. This is the documentary that we discuss in the show: https://www.youtube.com/watch?v=EQJyYJuoVn8 Check out Cary's website at https://www.carybaker.com/ If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... Love That Album is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum You can download the show by searching for Love That Album on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
It's been said that the mark of a great city is how it promotes the arts. Thinking specifically about busking or street performing, some cities actively encourage musicians to perform in parks, streets, and other outdoor surrounds. THAT is a town devoted to the arts. Welcome to episode 186 of Love that Album. Cary Baker is a native of Chicago who has had a great career in music publicity and has worked with some of the most well known bands in the US during his stint at IRS and Capitol records. However, his passion has always been with those musicians who performed on street corners or at markets. He's written a great new book called Down On The Corner: Adventures in Busking and Street Music. He tells a bit about his own origins with buskers and how that led to much of the work that followed. Many famous artists started out as buskers before gaining popularity in the more conventional spheres of the music loving world. The vast majority of busking musicians, however, continue to perform for years on city streets, with that being the means to an end. Cary's book is American-centric with a little bit of a look “across the pond” as Americans call it, but it's still a fascinating look at the stories behind musicians you know and many you don't. Cary joins me to tell some of the stories from the book as well as his own origins at Maxwell Street Market in Chicago.. We had a great conversation. This could have gone for a couple of hours, but time didn't allow for it, but I really love what's there, and hope you do too. This is the documentary that we discuss in the show: https://www.youtube.com/watch?v=EQJyYJuoVn8 Check out Cary's website at https://www.carybaker.com/ If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... Love That Album is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum You can download the show by searching for Love That Album on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
"In July of 1962, the Rolling Stones play their first gig in the Marquee Club. The Marquee Club was one of the main venues for 1960s British rock. This week we will discuss the rather interesting history of the Marquee Club."
"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."
"Back in 1973 Muhammad Ali knocks out George Foreman in what was called The Rumble in the Jungle. This victory inspires Johnny Wakelin to write the song Black Superman. He gets a hit with it. So what other songs are written for or about athletes. We have a list."
"Last week we spoke of Dockery Farms which the birthplace of The Blues. As all music does it was expanded and taken to different places by the musicians who played it. Here is a run down and description of the most popular forms of The Blues."
"Back in March of 1979 the movie The China Syndrome came out. Weeks later the Three Mile Island nuclear disaster occurred. This lead to musicians setting up MUSE and holding the NO Nukes concerts, albums and film. We have the entire story including the first time Bruce Springsteen was recorded live."
"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."
Hosts Jim DeRogatis and Greg Kot talk with author Cary Baker about the musical tradition of street performance, also known as busking. The hosts also review the solo album from TV On The Radio lead singer Tunde Adebimpe and hear feedback from listeners on recent episodes.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Arvella Gray, "John Henry," I Blueskvarter Chicago 1964, Volume Two, Jefferson, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tunde Adebimpe, "Magnetic," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Ate The Moon," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Pinstack," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Drop," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Blue," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Somebody New," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "ILY," Thee Black Boltz, Sub Pop, 2025Tracy Chapman, "Stand By Me (Live At The Late Show With David Letterman)," Greatest Hits, Elektra, 2015Moondog, "Nocturne Suite Part 1," On The Streets of New York, Mississippi, 2019Cortelia Clark, "Bye, Bye, Love," Blues in the Street, RCA, 1966George Coleman, "Innocent Little Doggy," Bongo Joe, Arhoolie, 1969Fantastic Negrito, "Nobody Makes Money," Fantastic Negrito EP, Blackball Universe, 2014Violent Femmes, "Blister In The Sun," Violent Femmes, Slash, 1983Ted Hawkins, "Strange Conversation," The Next Hundred Years, Geffen, 1994Mary Lou Lord, "St. Swithin's Day," Real, Deep Music, 1993Lucinda Williams, "Ramblin' On My Mind," Ramblin' on My Mind, Folkways, 1979Dom Flemons, "Charmin Betsy," Black Cowboys, Smithsonian Folkways, 2018Emmylou Harris, "Crescent City," Cowgirl's Prayer, Asylum, 1993Stan Rogers, "Barrett's Privateers," Fogarty's Cove, Barn Swallow, 1977Tsunami, "In A Name," Deep End, Simple Machines, 1992See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
"If you have an extra 12495 dollars lying around then you can be a roadie for Gene Simmons on his solo tour. We will discuss what you must do and if the money is worth it. We will also talk about the average monies paid to real roadies."
Welcome to Tuesday.I've had more than a few listeners ask me about ActBlue in the wake of D'ump ordering the DoJ to investigate the online fundraising platform used by Democrats and progressive organizations. Today we'll check in with Josh Nelson, CEO of Civic Shout, an advertising platform for progressive causes, who'll set the record straight.Then, a break from news and politics for a musical diversion. I'm joined by Cary Baker, author of "Down on the Corner: Adventures in Busking & Street Music," an old friendly acquaintence from my days in music radio. He tells a lot of great stories about street musicians aka buskers that are fascinating and fun to hear. I know it's not news and it's not politics, but that's a good thing because these breaks are a necessary diversion from the real (opposite) world we're stuck in right now!
"First you need to know there are no swear words in this show. It was this week back in the 60s when the FBI released a letter stating that there were no curse words in the song Louie Louie. But people keep looking. This is a list of songs that were banned or otherwise maligned because someone was sure the singer was cursing. But there was no curse word. It is a long list."
The most petty and ill informed podcat available. Amy Macdonald guest presents this week's show with Tam. They're joined in the studio by Tide Lines. Tears for souvenirs, Busking, the Terracing Teaser and the Ballet XI
Jackie sits down with Kristen Doute, the undisputed star of The Valley, to discuss how the cast has changed, her daughter's nursery decor, and busking (busking??).Thanks for supporting my sponsors!Addyi: Check out the FDA-approved treatment for certain pre-menopausal women who are bothered by low libido and want their sex drive back at www.Addyi.comgoPure: For a limited time, get 25% off goPure with code Bible at checkout at www.gopurebeauty.comSKIMS: Check out the SKIMS Ultimate Bra Collection and more at www.skims.com/bible #skimspartnerHungryroot: For a limited time get 40% off your first box, plus a free item in every box for life at www.Hungryroot.com/bitchbibleGDefy Shoes: Use the code BITCH for 30% off orders over $120 at www.gdefy.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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