Performing in public places for gratuities
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"Naming a band can be quite difficult. The list of bands we will discuss today went back into history to grab a name or an event to come up with a moniker. You know a good many of them. "
Crockett grew up poor and got his start in music busking for tips on the street and in the subway. He's since played the Hollywood Bowl and been nominated for a Grammy. The country/roots musician talks with Terry Gross and plays songs from his new album, Dollar a Day. John Powers reviews The Diary of Lies, a new mystery novel about a reporter. TV critic David Bianculli reviews the new series Alien: Earth, a TV prequel to the film Alien.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Happy Holidays! We are still here in your heads though! A pod holiday? Lip based ick Hot knees Built on lies! Jemma on a chatshow Chat sheriff! Snacking us out Early lunch 10.30 apple Scott's school holidays Coat storage Moaning drawers Ikea day out Excited by organisation Lego blame Cinema sleep Blood pressure Jemma Meeting about death Worth more dead Cheese dreams Holiday stresses Dolls suitcase! Busking songs Jet 2 Holidays bwtbpod@gmail.com Join our Patreon for exclusive episodes and early access here! https://www.patreon.com/bwtbpod A 'Keep It Light Media' Production Sales, advertising, and general enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
See omnystudio.com/listener for privacy information.
"The K Pop band EXO claimed that one of their concerts in South Korea sold out in less than two seconds. It sounds impossible because you are not being told the entire story. It is a badge of honor for bands to sell out quickly. Other than EXO, who did legitimately sell out the fastest. We will tell you our pick."
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
What happens when precarious urban cultural laborers take data collection, laws, and policymaking into their own hands? Buskers have been part of our cities for hundreds of years, but they remain invisible to governments and in datasets. From nuisance to public art, this cultural practice can help us understand the politics of data collection, archives, regulatory frameworks, and urban planning. Busking also responds to underlying questions on the boundaries of the rights to the city, and who has a voice in shaping how our cities are planned and governed.A transnational exploration of street performance, Urban Music Governance examines the intricate limits of legality, data visibility, and resistance from the perspective of those working at the social and regulatory margins of society. Based on a decade of fieldwork in Rio de Janeiro and Montreal, this book offers a lively account of why such an often-overlooked practice matters today.By investigating the role of busking in contemporary society, Urban Music Governance presents an original interdisciplinary study that exposes how power dynamics in policymaking decide issues of access—and exclusion—around us, above and below ground. Jess Reia is an Assistant Professor of Data Science at the University of Virginia, USA, working on data justice, technology policy, and urban governance. Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Often an actor will start a band once her or she is famous. However many actors start as musicians. Some saw great success. We have some surprising names this week."
Songwriter, storyteller, and stellar vocalist Max McNown is here this week to share with me his compelling, poignant and triumphant personal story. What inspires Max and his legion of fans is his honest and grounded attitude, rooted in the personal health struggle of his brother, Brock, who had battled cancer for several years — a winning battle — and now joins Max on tour full-time. Max shares with me his story of having only picked up a guitar just a few years ago, when he found himself busking on the San Clemente, CA pier, telling his stories and inspiring listeners. Fast forward another year, and he's gaining tens of millions of streams, is #1 on Billboard's Emerging Artist Chart, and is selling out his first headlining tour in just a few hours. Max talks to me about how he realized the time was right for him to leave home — and his brother — to pursue his dreams,. And we talk about how Brock in turn, was given strength and inspiration by Max's determination and ultimately, his success. It's a truly heartwarming story of personal triumph for both brothers.
"Rock and Roll really came into its own in the 1950s and once it did someone was always proclaiming it bad for the youth in one way or another. These were generally called Moral Panics. Here is the history and some examples of a few of the most popular Moral Panics."
✦ Can you name a feeling? Dashill Smith and the musicians and vocalists that join him at TenATL certainly think so. City Lights Collective co-host Jon Goode recently went to visit TenATL in East Atlanta to learn more. ✦ In honor of MLB All-Star Week, Truist Park isn’t the only place in Cobb County to see baseball this summer. A new exhibition at the Marietta Cobb Museum of Art features the work of artist Mike Schacht—a prolific painter of baseball legends. ✦ Known to soap opera fans as the hold no prisoners mob by Sonny Corinthos on General Hospital, actor Maurice Bernard has earned several daytime Emmy awards and the attention of millions of fans. However, in recent years, he has stepped into the role of a lifetime: mental health advocate. Diagnosed with bipolar disorder, Bernard has used several platforms, including his podcast, State of Mind, to raise awareness about living with mental illness. He'll share his candid experiences at the Punchline on July 24th with his one-man show, Maurice Bernard: Live on Stage. ✦ Artist, illustrator and educator Faith Ringgold showed us our world through the eyes of young children in every medium you can think of –books, paintings, drawings, sculptures, even quilts. Trained and extensively honored in the fine art and academic circles of New York City, Faith Ringgold nevertheless focused her work on the children who remained her lifelong muse, working as an art teacher in New York City public schools for decades. Now, the High Museum is presenting the most comprehensive exhibition to date of Faith Ringgold’s art from her children’s books, including never-before-seen pieces. ✦ Municipal Support for the Arts ✦ They play on street corners, beneath overpasses, and in MARTA stations — creating the soundtracks of Atlanta’s daily hustle. But who are these street performers, and what drives them? WABE arts reporter Summer Evans explores the city’s vibrant busking scene and learns how it compares to other musical cities.See omnystudio.com/listener for privacy information.
"Here is the second show where we play songs you might not know were covers. Often the cover version of a song becomes a bigger hit. And even if you did know the hit was a cover you may not know the original. We will play you a few."
"This is the first of a two show set. Often people are shocked to hear that a hit song is a cover. We have put together a long list of hit songs that are covers and we will play the original to you can hear where the hit you know came from."
Time: ~35 min. It's Episode 64! This week we're talking about Instagram's new Spotify feature for Stories, plus a major court ruling that could reshape how AI interacts with copyrighted material—musicians, this one matters to you. I also dive into the local love happening in my town of Winchendon. You'll hear some amazing new tracks from indie artists around the world—not a single one from Phoenix or Boston this time! Plus, I've got your weekly music history rundown, a marketing tip that will make you rethink your ad budget, and a sweet dose of nostalgia with news about Steve from Blue's Clues. Let's get into it! LINKS: SIGN UP FOR THE NEWSLETTER! Get your merch! Thank you for supporting the show and indie artists Join the exclusive group on Facebook! Instagram improves sharing from Spotify Buskers in Quebec City can only sing in French Judge rules work under copyright can be used to train AI Steve from Blues Clues is starting a podcast! Radio and Podcast Ads drive store visits and purchases MUSIC: Improvement Movement - The Knife Sour Ops - Be My Secret Hyperstereo - Runners World News - Don't Want To Know Blake Rave - After Midnight Feedback: scenemomsays@gmail.com Submit Your Music: https://danicutler.com/podcast/submit-your-music/ All Things Dani
New Yorkers shocked the country last week when they picked a Democratic Socialist TikTok star as the Democratic Party's nominee for mayor. So could a Zohran Mamdani-type phenomenon happen here? Our politics contributor Deep Singh Badhesha joins producer Paul Karolyi and host Bree Davies to talk about how our local politics are different. Plus, a food influencer shared a traumatizing and seemingly racist experience at Morning Story in DTC and our wins and fails of the week. Come see us live at the Colfax Indie Bash on July 10! We'll be on stage with Mayor Mike Johnston on the patio at Champagne Tiger, and tickets are FREE. All you need to do is RSVP and come out for some good food, great people, and a live podcast with the mayor. RSVP here. UPDATE: After we recorded this episode, the owners of Morning Story released another statement with more details about the incident with @UnfocusedFoodie. Bree talked about UMS's big announcement, Bar Bar's wall, and Bruce Brown's return to the Nuggets. Paul mentioned this Colorado Sun story about budding local entrepreneurs, 9News' recent interview with DOTI director Amy Ford, the NYT's interview with Trump's border czar Tom Homan, and the sword of Damocles. Deep discussed the Boulder attack victim who passed this week and his personal restaurant guide to Denver. What do you think about a Zohran Mamdani-style candidate emerging in Denver? Could it happen here? Who might that be? We want to hear from you! Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Watch the Friday show on YouTube: youtube.com/@citycastdenver Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm/Denver Learn more about the sponsors of this July 2nd episode: City & County Denver Tech Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices
It's been said that the mark of a great city is how it promotes the arts. Thinking specifically about busking or street performing, some cities actively encourage musicians to perform in parks, streets, and other outdoor surrounds. THAT is a town devoted to the arts. Welcome to episode 186 of Love that Album. Cary Baker is a native of Chicago who has had a great career in music publicity and has worked with some of the most well known bands in the US during his stint at IRS and Capitol records. However, his passion has always been with those musicians who performed on street corners or at markets. He's written a great new book called Down On The Corner: Adventures in Busking and Street Music. He tells a bit about his own origins with buskers and how that led to much of the work that followed. Many famous artists started out as buskers before gaining popularity in the more conventional spheres of the music loving world. The vast majority of busking musicians, however, continue to perform for years on city streets, with that being the means to an end. Cary's book is American-centric with a little bit of a look “across the pond” as Americans call it, but it's still a fascinating look at the stories behind musicians you know and many you don't. Cary joins me to tell some of the stories from the book as well as his own origins at Maxwell Street Market in Chicago.. We had a great conversation. This could have gone for a couple of hours, but time didn't allow for it, but I really love what's there, and hope you do too. This is the documentary that we discuss in the show: https://www.youtube.com/watch?v=EQJyYJuoVn8 Check out Cary's website at https://www.carybaker.com/ If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... Love That Album is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum You can download the show by searching for Love That Album on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
It's been said that the mark of a great city is how it promotes the arts. Thinking specifically about busking or street performing, some cities actively encourage musicians to perform in parks, streets, and other outdoor surrounds. THAT is a town devoted to the arts. Welcome to episode 186 of Love that Album. Cary Baker is a native of Chicago who has had a great career in music publicity and has worked with some of the most well known bands in the US during his stint at IRS and Capitol records. However, his passion has always been with those musicians who performed on street corners or at markets. He's written a great new book called Down On The Corner: Adventures in Busking and Street Music. He tells a bit about his own origins with buskers and how that led to much of the work that followed. Many famous artists started out as buskers before gaining popularity in the more conventional spheres of the music loving world. The vast majority of busking musicians, however, continue to perform for years on city streets, with that being the means to an end. Cary's book is American-centric with a little bit of a look “across the pond” as Americans call it, but it's still a fascinating look at the stories behind musicians you know and many you don't. Cary joins me to tell some of the stories from the book as well as his own origins at Maxwell Street Market in Chicago.. We had a great conversation. This could have gone for a couple of hours, but time didn't allow for it, but I really love what's there, and hope you do too. This is the documentary that we discuss in the show: https://www.youtube.com/watch?v=EQJyYJuoVn8 Check out Cary's website at https://www.carybaker.com/ If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... Love That Album is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum You can download the show by searching for Love That Album on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
"In July of 1962, the Rolling Stones play their first gig in the Marquee Club. The Marquee Club was one of the main venues for 1960s British rock. This week we will discuss the rather interesting history of the Marquee Club."
Matty J chats with rising star Tehya Makani, a proud Yawuru, Wadjarri, Pitjanjarra and Wadjuk woman, about her lead role in the brand-new SBS and NITV series Warm Props — premiering the same night of this interview. Set and filmed in Broome, Warm Props is a raw, funny and powerful behind-the-scenes drama created by Jub Clerc and co-written/directed by Kimba Benjamin, both local legends. Tehya opens up about what it meant to film her debut TV role back home, how she landed the role of Charlie, and the deeply personal journey of reconnecting with culture, community, and country. They also talk about her work on the children's song Country Tells Us When through the Indigenous Literacy Foundation's Busking for Change project — a track being played across schools during Kullarri NAIDOC Week — and her ongoing musical and theatre projects, including touring with Big Name, No Blanket. Plus: advice for young creatives, funny moments from set, and what it's like acting in a film within a film.
"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."
"Back in 1973 Muhammad Ali knocks out George Foreman in what was called The Rumble in the Jungle. This victory inspires Johnny Wakelin to write the song Black Superman. He gets a hit with it. So what other songs are written for or about athletes. We have a list."
"Last week we spoke of Dockery Farms which the birthplace of The Blues. As all music does it was expanded and taken to different places by the musicians who played it. Here is a run down and description of the most popular forms of The Blues."
"Back in March of 1979 the movie The China Syndrome came out. Weeks later the Three Mile Island nuclear disaster occurred. This lead to musicians setting up MUSE and holding the NO Nukes concerts, albums and film. We have the entire story including the first time Bruce Springsteen was recorded live."
"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."
Hosts Jim DeRogatis and Greg Kot talk with author Cary Baker about the musical tradition of street performance, also known as busking. The hosts also review the solo album from TV On The Radio lead singer Tunde Adebimpe and hear feedback from listeners on recent episodes.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Arvella Gray, "John Henry," I Blueskvarter Chicago 1964, Volume Two, Jefferson, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tunde Adebimpe, "Magnetic," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Ate The Moon," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Pinstack," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Drop," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Blue," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Somebody New," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "ILY," Thee Black Boltz, Sub Pop, 2025Tracy Chapman, "Stand By Me (Live At The Late Show With David Letterman)," Greatest Hits, Elektra, 2015Moondog, "Nocturne Suite Part 1," On The Streets of New York, Mississippi, 2019Cortelia Clark, "Bye, Bye, Love," Blues in the Street, RCA, 1966George Coleman, "Innocent Little Doggy," Bongo Joe, Arhoolie, 1969Fantastic Negrito, "Nobody Makes Money," Fantastic Negrito EP, Blackball Universe, 2014Violent Femmes, "Blister In The Sun," Violent Femmes, Slash, 1983Ted Hawkins, "Strange Conversation," The Next Hundred Years, Geffen, 1994Mary Lou Lord, "St. Swithin's Day," Real, Deep Music, 1993Lucinda Williams, "Ramblin' On My Mind," Ramblin' on My Mind, Folkways, 1979Dom Flemons, "Charmin Betsy," Black Cowboys, Smithsonian Folkways, 2018Emmylou Harris, "Crescent City," Cowgirl's Prayer, Asylum, 1993Stan Rogers, "Barrett's Privateers," Fogarty's Cove, Barn Swallow, 1977Tsunami, "In A Name," Deep End, Simple Machines, 1992See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
"If you have an extra 12495 dollars lying around then you can be a roadie for Gene Simmons on his solo tour. We will discuss what you must do and if the money is worth it. We will also talk about the average monies paid to real roadies."
Welcome to Tuesday.I've had more than a few listeners ask me about ActBlue in the wake of D'ump ordering the DoJ to investigate the online fundraising platform used by Democrats and progressive organizations. Today we'll check in with Josh Nelson, CEO of Civic Shout, an advertising platform for progressive causes, who'll set the record straight.Then, a break from news and politics for a musical diversion. I'm joined by Cary Baker, author of "Down on the Corner: Adventures in Busking & Street Music," an old friendly acquaintence from my days in music radio. He tells a lot of great stories about street musicians aka buskers that are fascinating and fun to hear. I know it's not news and it's not politics, but that's a good thing because these breaks are a necessary diversion from the real (opposite) world we're stuck in right now!
See omnystudio.com/listener for privacy information.
See omnystudio.com/listener for privacy information.
"First you need to know there are no swear words in this show. It was this week back in the 60s when the FBI released a letter stating that there were no curse words in the song Louie Louie. But people keep looking. This is a list of songs that were banned or otherwise maligned because someone was sure the singer was cursing. But there was no curse word. It is a long list."
"This week back in 2007 Sammy Hagar sold an 80 percent stake in his Cabo Wabo tequila for $80 million. Since then it seems every musician or band has their own line of booze. Here is a good long list and where you can buy it."
The most petty and ill informed podcat available. Amy Macdonald guest presents this week's show with Tam. They're joined in the studio by Tide Lines. Tears for souvenirs, Busking, the Terracing Teaser and the Ballet XI
"We all know the stories of the Beatles, Doors, Dylan and Stones on Ed Sullivan. However, there are a few more good stories you might find interesting. They are not as big at the main stories, but interesting nonetheless."
Jackie sits down with Kristen Doute, the undisputed star of The Valley, to discuss how the cast has changed, her daughter's nursery decor, and busking (busking??).Thanks for supporting my sponsors!Addyi: Check out the FDA-approved treatment for certain pre-menopausal women who are bothered by low libido and want their sex drive back at www.Addyi.comgoPure: For a limited time, get 25% off goPure with code Bible at checkout at www.gopurebeauty.comSKIMS: Check out the SKIMS Ultimate Bra Collection and more at www.skims.com/bible #skimspartnerHungryroot: For a limited time get 40% off your first box, plus a free item in every box for life at www.Hungryroot.com/bitchbibleGDefy Shoes: Use the code BITCH for 30% off orders over $120 at www.gdefy.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
"A story about the Payola Hearings came up in a music history feed and it occurred to me that we have never done a show on Payola. It is a rather interesting story of companies acting in their own interest with the backing of the government. You may think Payola is bad but I believe I can change your mind."
"At the time of this recording, President Trump has paused the Tariffs but for China. Even so, the tariffs will have a marked effect on the cost of almost everything dealing with music including instruments to records to touring to streaming."
Caitlin, a busker, and her mother Alice were the victims of a hate incident in Wexford. Hilary and Máire live close to a wildfire break-out in Kerry. Barry is struggling to purchase prize bonds for his 3-month granddaughter. John explains how Pfizer transformed Ringaskiddy.
"Tool was just roundly booed off the stage at their own festival. Seems they promised two separate sets over two night and did not deliver. But it is not just them. You will not believe some other bands who were booed off stage as well."
"There are a lot of songs that have famous people in their titles. We wanted to know who some of the lesser known people named in titles are. The internet did not disappoint. We have a good long list."
"We hit a thread that listed some songs that were written for revenge. A single Google Search later and we had a good long list. And it is not just Taylor Swift."
"It seems that lately that are more plane crashes and close calls than we have had in a while. There are many stories of musicians dying in plane crashes but what we have here are stories of survival over multiple crashes and air mishaps."
In this electrifying episode of Jack Dappa Blues, we sit down with the powerhouse that is Honeychild Coleman—a pioneering force in the world of punk, blues, and avant-garde music. A Louisville native and Brooklyn-based artist, Honeychild's journey has taken her from busking in the New York subway to collaborating with legends like The Slits, Mad Professor, and Greg Tate's Burnt Sugar Arkestra.As the frontwoman of blues-punk outfit The 1865, Coleman fuses raw energy with historical narratives, crafting sonic landscapes that echo the struggles and triumphs of Black American culture. Her music has graced films, documentaries, and television screens, all while staying true to her ethos of artistic resistance and community empowerment.In this candid conversation, Honeychild delves into the intersection of punk, blues, and Black identity, sharing how her lived experiences and sociocultural activism inform her art. From her early days in the underground NYC music scene to shaping spaces like Sistagrrl Riots, she continues to be a trailblazer for alternative Black voices in music.Join us as we explore the roots of rebellion, the power of storytelling through sound, and the unapologetic spirit of punk blues. This is an episode you won't want to miss!Honeychild Coleman (The 1865 / Bachslider / The Phensic) Brooklyn, NY Louisville, Kentucky native recording/visual artist, and Sistagrrl Riots founding member Honeychild Coleman has worked with The Slits, Mad Professor, afro-futurist shoegazers Apollo Heights (The Veldt), Badawi (Raz Mesinai), Death Comet Crew (with Rammellzee), and the late Greg Tate's Burnt Sugar Arkestra. Honeychild started her musical career during the hot summer of 1993 in the real underground – the New York City Subway system. Busking there, and eventually performing freestyle and improv weekly sets with DJs Olive (we™ /Liminal), Sasha Crnobrnja (Organic Grooves), Lloop (we™), Delmar (Jungle Sky), Fred Ones (Mike Ladd/Sonic Sum) and Badawi (Raz Mesinai) contributed to the unique niche that Coleman created within the New York City electronic scene of the mid-90's.She is featured in documentaries “Afropunk,” (James Spooner, USA), “Tina Turner:My Life. My Songs“ (Dir. Schyda Vasseghi, GERMANY), the MAKERS storytelling platform for trailblazing women (USA), "Fireflies" and "Getting My Name Up There" (Katarina Cibulka, AUSTRIA), Rock Chicks:I Am Not Female To You (Marita Stocker, GERMANY), and upcoming “Rude Girls” (Brigid Maher, USA). Coleman also made a cameo in Brooklyn film “Crooked” (Wordsound, USA) and has composed music in the Sundance awarded film "Pariah" (Dee Rees, Focus Features, USA) and indie short “P.R.” (Maria Paraskevopoulou, U.K./Greece). Coleman fronts Blues-Punk outfit The 1865 (Mass Appeal Records) on lead vocals and baritone guitar. The 1865's music is in the Hulu series “Woke!” (USA, 2021) and composed an original song for Showtime's “Everything's Gonna Be All White” (USA, 2022). Coleman's writing appears in RAZORCAKE ‘zine issue 138 and BLACK PUNK NOW! (Softskull Press,2023). Affiliations: Black Rock Coalition,Sistagrrl Riots, Underground Producers Alliance, Out Loud Louisville, Willie Mae Rock Camp, Human Impacts Institutehttps://www.instagram.com/hccoleman/https://www.instagram.com/the1865band/www.honeychildcoleman.comhttps://honeychildcoleman.bandcamp.com/https://shutitdowncomp.bandcamp.com/releaseshttps://the1865.bandcamp.com/album/dont-tread-on-we
Today, the Spotlight shines On Cary Baker, author of Down on the Corner: Adventures in Busking and Street Music.The music you hear on street corners and subway platforms has its untold history, and at age 16, Cary Baker followed a slide guitar's haunting melody through Chicago's Maxwell Street Market to find himself face-to-face with bluesman Blind Arvella Gray. That chance encounter sparked a lifelong obsession.Cary's book, Down on the Corner, traces the heritage of street music across 100 years, from blues legends in the 1920s to modern-day buskers armed with QR codes. He's spoken with everyone from Lucinda Williams to Billy Bragg about their days playing for tips, revealing how many music careers began with nothing but an open guitar case.The streets have always been America's most democratic stage, where doo-wop harmonies, folk ballads, and raw blues first reached public ears. Cary's book captures this vital tradition in all its gritty, authentic glory.–Dig DeeperVisit Cary Baker at carybaker.comPurchase Down on the Corner: Adventures in Busking and Street Music from Jawbone Press, Bookshop, Powell's, Barnes & Noble, or Amazon.Dig into this episode's complete show notes at spotlightonpodcast.com–• Don't miss our free livestream event with Howie Singer and Bill Rosenblatt, authors of the book Key Changes: The Ten Times Technology Transformed the Music Industry. It happens this Tuesday, March 11, at 3 PM ET. Register here: is.gd/keychanges• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
"This is something we should keep a good eye on. In an effort to become a leading force in AI the government in the UK is strongly considering rewriting their copyright laws to allow all copyrighted material including music to be offered fully to all AI companies. I know it sounds fake but it is not."
This Week on Diving in Deep as Sara welcomes the incredible trio, Chapel Heart! Discovered on America's Got Talent, Danica, Devynn, and Trea are breaking barriers in country music and bringing their unique sound to the forefront.In this episode, they dive into their journey, from their roots in a large musical family to their experiences busking on the streets of New Orleans. Get ready for laughter, heartfelt stories, and a glimpse into their close-knit relationship as they share their experiences of growing up together and navigating the music industry. Plus, they treat Sara to a special performance of one of their most popular songs!Listen to Unbroke: (https://ffm.to/seunbroke)About Chapel Hart:Danica and Devynn Hart along with their cousin Trea Swindle, make up Chapel Hart, a band that mixes the sweet elements of southern country music and with the powerful sounds of gospel music. They have proven that they are truly a force to be reckoned with. These three ladies have been featured in publications such as People, Rolling Stone and Parade magazine to television appearances including the Huckabee Show, Tamron Hall and The Today Show. They have been named as one of CMT's Next Women of Country, Music Row's Next Big Thing, CMT's Listen Up Artist as well as Opry Next Stage Artists. These ladies have found a way to gift wrap their Mississippi roots & Louisiana spunk and share it with listeners around the world.LET'S BE SOCIAL:Follow Chapel Hart:Instagram – (@chapelhartband)Tiktok – (@chapelhartband)Twitter/X – (@chapelhartband)YouTube – (@chapelhart)Facebook – (@chapelhart)Website – chapelhart.comFollow Diving in Deep Podcast:Instagram –(@divingindeeppod)TikTok – (@divingindeeppod)Twitter – (@divingindeeppod)Facebook – (@divingindeeppod)Follow Sara Evans: Instagram – (@saraevansmusic)TikTok – (@saraevansmusic)Twitter – (@saraevansmusic)Facebook – (@saraevansmusic)Produced and Edited by: The Cast Collective (Nashville, TN)YouTube – ( @TheCastCollective )Instagram – (@TheCastCollective)Twitter – (@TheCastCollective)Directed by: Erin DuganEdited By: Sean Dugan, Corey Williams, & Michaela Dolphhttps://www.thecastcollective.com
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