Podcasts about kerrang

Rock Around The Blogille rakas Deep Purple keikkaili tällä viikolla Suomessa, Espoossa ja Tampereella. Sami Ruokangas ja Reidar Palmgren arvioivat tuoreeltaan klassikon kuntoa, uraa ja suhdettaan bändiin, jonka näkivät lavalla ensimmäistä kertaa lähes 40 vuotta sitten. Jakson soittolista: https://open.spotify.com/playlist/4wIkXXOy1x8XtnlLUEcctM?si=7e9057269ecf44da Menossa ja meiningissä ovat mukana Black Sabbath, Simon McBride, Uriah Heep, Bob Ezrin, Steve Morse, Ian Gillan, Roger Glover, Ian Paice, Led Zeppelin, Keskisen Kyläkauppa, Don Airey, Ozzy Osbourne, Whitesnake, Ritchie Blackmore, Tommy Bolin, Pertti Kurikan Nimipäivät, Yngwie Malmsteen, Don Airey Band, Gary Moore, Dixie Dregs, Kansas, Billy Cobham, Classic Rock, Rory Gallagher, Sweden Rock, Guns N´Roses, Alice Cooper, Ghost, Rainbow, Jon Lord, Jethro Tull, Ian Anderson, Dave Brubeck, David Coverdale, Katrina and the Waves, Ossi Runne, Grateful Dead, Allman Brothers Band, Montreux Jazz Festival, Lemmy, Jimmy Page, Mick Box, Geoff Barton, NWOBHM, Kerrang, The Doors, Dream Theater, Chick Corea, Kummeli, Jeff Healey, Howlin' Wolf, Bobby ”Blue” Bland, Gregg Allman, Helloween, Glenn Hughes ja Joe Satriani. Seuraa meitä somessa ja anna palautetta: www.facebook.com/RockAroundTheBlogFinland www.instagram.com/samiruokangas

In episode 88, Carl Bryan, one of Colin's other cohosts from the Shipwrecked & Comatose Red Dwarf podcast joins us for a third time to talk about Kerrang Hometapng Volume 3 - Come Out & Play compiled by Dexter Holland from The Offspring which was released in July 2003.The cd's full tracklisting is -1 – Rancid - Roots Radical2 - Refused - The Shape Of Punk To Come3 - AFI - Ever And A Day4 - Rufio - Science Fiction5 - The Donnas - It's On The Rocks6 - The Jon Spencer Blues Explosion - Bellbottoms7 - Minor Threat - Screaming At A Wall8 - NOFX - Bob9 - Black Flag - Jealous Again10 - NWA - Straight Outta Compton11 - The Vandals - I've Got An Ape Drape12 - Cypress Hill - Hits From The Bong13 - Don't Look Down - Wake Me14 - The Descendents - Myage (Live)15 - Dead Kennedys - Chemical Warfare16 - Pennywise - Open Door17 - Black Sabbath - Sweet Leaf (Live)18 - Dwarves - Everybodys Girl19 - TSOL - Abolish Government20 - The Damned - SMash It Up (Part 2)Follow Carl on Instagram & find his impressively silly videos at https://www.instagram.com/announcercarl/Listen to Carl's Red Dwarf podcast Shipwrecked & Comatose (also featuring Colin, and our other previous guests Matt Latham, Kurt North, & Mark Adams) at https://pod.link/1514570118Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/3557916-Various-Hometaping-Vol-3-Come-Out-And-PlayHosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Dig Podcasts network along with We Dig Music & Pick A Disc.Tiktok - https://www.tiktok.com/@freewiththismonthsissueTwitter – https://twitter.com/thismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes & podcasts at www.wedigpodcasts.com 

This week on the BBC Introducing in Oxfordshire & Berkshire podcast, Dave introduces you to Isabella Richardson, who mixes country, folk and indie-pop, as we play her music for the first time. Lauren catches up with South Arcade as they get ready for Download festival and Kerrang's K! Pit show, plus Alex hears how SISTRA's debut album launch party went at Dream Bags Jaguar Shoes in Hackney!Here's this week's track list: • Henry Grace - Rust Beth Thornton - Bones Jody Prewett - Truthseeker Dani Sylvia - If You Don't Love Me Anymore RUDI - Fighting Fires (feat. Lucca Mae) Chris Kinsey - M40 Rules (feat. Shya) - As Soon As I Get Home [Tipped by Jaguar at BBC Radio 1 Dance] South Arcade - DEADMEAT Louise Gains & The Delta Kills - Everything Hurts Emmeline - Wild Horses, Running Free Lisa Kahn - HEALING Chima Anya - Brain Fog BLISSFOOL - watch me dance (feat. India Raine) Isabella Richardson - Waiting Room Danny Griffiths - Lightweight Champion [Tipped by Jess Iszatt at BBC Radio 1] Nate Simpson - See you again RIA - Fallin' Meadowsuite - Rhythm of the Moon SISTRA - In Two GIGSY - Dial Tone LMNL - Little Boy Lost Eliza Beth - Hot Like Ibiza PallBear - Indignance Then Apathy LULU - Needy • If you're making music in Oxfordshire and Berkshire, send us your tunes with the BBC Introducing Uploader: https://www.bbc.co.uk/introducing/uploader

Queensryche toi kultakautenaan upean progressiivisen hevimusiikkinsa aiheiksi yhteiskunnallisia kysymyksiä ja ihmismielen syvimpiä virtauksia. Älykkömetallin pioneerit ovat nyt Rock Around The Blogin tarkastelussa, eli Reidar Palmgren ja Sami Ruokangas pohtivat amerikkalaisbändi Queensrychen merkitystä itselleen ja rockmusiikin historialle. Hienon musiikin äärellä mieleen tulee monenlaista muistoa ja ajatusta, munakellosta Joey Tempestin virnistelevään naamaan. Kuuntele, viihdy ja sivisty. Jakson soittolista: https://open.spotify.com/playlist/2seKi2OhKoqpdoSJQ6f5t8?si=5781c5223196439f Meningeissä ovat mukana Led Zeppelin, Deep Purple, Black Sabbath, Dio, Kerrang, Iron Maiden, WASP, Ritchie Blackmore, Adrian Smith, Geoff Tate, Bruce Dickinson, Rob Halford, Ian Gillan, Helloween, Michael Kiske, Andi Deris, Nirvana, Manowar, Twisted Sister, Hear 'n Aid, Judas Priest, Motörhead, Jimi Hendrix, Dream Theater, Chris DeGarmo, Marmorivideo, Ronnie James Dio, Anne Rice, Brad Pitt, Tom Cruise, Type O Negative, Popeda, KISS, Duran Duran, Yes, Genesis, Europe, Bon Jovi, Blue Öyster Cult, Black Sabbath, Scott Rockenfield, Michael Wilton ja Eddie Jackson. Seuraa meitä somessa ja anna palautetta: www.facebook.com/RockAroundTheBlogFinland www.instagram.com/samiruokangas

Taking the same heady nostalgia approach from the last COMP episode on Disney songs in a different direction... Which 2002 alt rock classics will make the ultimate compilation?!Listen to the full ultimate compilation (so far) here: https://open.spotify.com/playlist/1wv4z1EZzDpD3VqYqhZH07?si=8428ab14ecd444cf

Interview by Kris PetersA band who transcend genre and have transfixed fans across the globe since emerging in 2003, ENTER SHIKARI weave an unforgettable blend of post hardcore rock and electronic wizardry, while also flying the flag for meaningful lyricism that spans politics, climate change and the very gamut of the human experience.During their remarkable and celebrated career, Enter Shikari have received several accolades in the form of gongs from NME, Kerrang!, Rock Sound, Heavy Music Awards and more. They have played a whopping 3000+ live shows around the world including three headline arena tours in the UK, supported the likes of The Prodigy and Linkin Park and played festivals such as Glastonbury, Reading & Leeds, Download and Slam Dunk where they also headlined in 2023.And now it's Australia's turn, as Enter Shikari ready for their first headline tour of this country since 2022 on the back of dropping their most recent album, Lose Your Self, as a well kept secret with no singles, no promotion. Nothing. A band who have never been afraid to shun convention, Enter Shikari remain as fresh and relevant today as when they first burst onto the scene in 2003. HEAVY took the opportunity to chat with frontman Rou Reynolds ahead of the tour, starting by asking if he is packed and ready to fly. "Getting there," he laughed. "We're all very excited to get back to Australia. It's one of our favourite places to play."Australian fans got to see Enter Shikari live earlier last year as part of Knotfest 2025, so we ask Rou what has changed with the band since that tour."Oh, blimey," he countered. "We finished up our record and released that. That was a long, arduous process (smiles). All sorts of life stuff has been going on… It's been all change really. But at the same time it doesn't feel like that long ago we were in Australia but that's an example of how quickly time seems to ebb away at the moment (laughs)."Talk turns to last months unconventional release of Enter Shikari's new album Lose Your Self, which was granted no advance publicity or convential single release schedule and was instead set forth on the world to little fanfare and much surprise. We ask Rou about the thought process behind such a potentially risky move."I think once we finished the album we really saw it as a body of work; as one entity," he replied, choosing his words carefully. "And that was kind of a shock really, because the album was recorded in such a disjointed way over a long period of time. There was a worry that it wouldn't come together as one solid body of work but it did, quite effortlessly. At that point we were trying to think how did we want to release this and we basically just thought it would be a credit to the art of it if we just released it. How do we want people to approach this album? How do we want them to absorb it? And I think the traditional way of releasing three or four singles before a reord just didn't excite us. I think just dropping a record in people's laps forces them to take it in as an album. The focus then becomes not about the hype or trying to make a really successful album. It actually becomes about how do people react to the album? How do people indulge in it and make it their own when they take one body of work and immerse themselves in it. That's really exciting to us."In the full interview Rou talks more about the tour and what we can expect, running us through an Enter Shikari live show and the synergy between the band and the crowd that creates a welcoming and comfortable experience.We spoke more about Lose Your Self and the surprise release, including the changes in approach and pressure the band experienced by not having to meet pre-album obligations and expectations. Rou talked about the darkness inherent in the album material and how it represents Enter Shikari moving forward and much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

The Podcast That Rocked for 4/15/26. Nine Inch Nails (and other heavy music groups) owned Coachella, 2026 Rock Hall inductees are fine, more.Discussion Topics:Nine Inch Nails/Nine Inch Noise dominated Coachella2026 Rock Hall inductees are fine, including IRON MAIDENTurnstile step it up and return to the stageEvanescence announce new album Sanctuary; release new song Taylor Momsen still feeling the spider bite on tourKK Downing still loved by Judas Priest Rock The Country is having trouble selling tickets and that's hilariousUpcoming albums/tours/more. SONG OF THE WEEK: Evanescence “Who Will You Follow” https://www.youtube.com/watch?v=MoNhLJKLAyQ“Coachella have unveiled several official videos of the first proper Nine Inch Noize set. Performing at the festival's Sahara Stage on Saturday, April 11, the band – Trent Reznor and Atticus Ross, plus Alex Ridha aka Boys Noize – made their official debut following months of playing together on NIN's stunning Peel It Back Tour. Their 11-song setlist featured an appearance by Trent Reznor's wife (and How To Destroy Angels singer) Mariqueen Maandig Reznor, and consisted of nine NIN tracks, one from How To Destroy Angels, plus a cover of Soft Cell's Memorabilia. As well as playing again very soon at the second weekend of Coachella, Nine Inch Noize will also be dropping their debut self-titled album this Friday, April 17 via Interscope.” (Kerrang)

In episode 86 Comedian, TV & Radio Presenter, & bloke off Tiktok answering questions about the UK Stand Up Comedy scene, Matt Richardson joins us to talk about Kerrang's Best of 2005 cd from November 2005.The cd's full tracklisting is -1 – Nine Inch Nails - The Hand That Feeds2 - Him - Rip Out The Wings Of A Butterfly3 - Team Sleep - Our Ride To The Rectory4 - Fall Out Boy - Sophomore Slump Or Comeback Of The Year5 - Blink 182 - The Rock Show6 - Green Day - St Jimmy (VH1 Storytellers Version)7 - Alkaline Trio - Time To Waste8 - Funeral For A Friend - All The Rage (Original Demo)9 - Trivium - A Gunshot To The Head Of Trepidation (Edit)10 - Bullet For My Valentine - The Poison11 - Rammstein - Benzin12 - Every Time I Die - Kill The Music13 - Arch Enemy - My Apocalypse14 - Avenged Sevenfold - Bat Country15 - Coheed And Cambria - Welcome Home (Single Edit)You can find Matt's website at https://www.mattrichardsoncomedy.co.uk/ where you can find his tour dates, links to his youtube, tiktok, & other social media pages, and details about his podcast "I Am Prime Minister". Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/2430170-Various-Best-Of-2005Host - Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Dig Podcasts network along with We Dig Music & Pick A Disc.Tiktok - https://www.tiktok.com/@freewiththismonthsissueTwitter – https://twitter.com/thismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes & podcasts at www.wedigpodcasts.com 

Rush on tulossa Suomeen keväällä 2027. Minkälaista kritiikkiä Rush kohtasi Suomessa 70- ja 80-lukujen taitteessa? Useita kertoja Rushin livenä nähnyt pitkän linjan fani Matti Ruotsala ja Rushin tavannut Sami Ruokangas puhuvat bändistä. Mikä Rush on levybändinä ja livebändinä ja mikä sen asema on rockmusiikin historiassa? Jakson soittolista: https://open.spotify.com/playlist/2rsjuAhsBECRJxVI7R931c?si=373c4d06283a453a Menossa ovat mukana Iron Maiden, Smith / Kotzen, Adrian Smith, Richie Kotzen, Winery Dogs, Poison, Mr. Big, Live Nation, Ticketmaster, Sam Dunn, Scott McFadyen, Banger Films, Alice Cooper, Judas Prtiest, Tom Morello, Rob Halford, Geddy Lee, Alex Lifeson, KISS, Gene Simmons, UFO, AC/DC, Saxon, Diamond Head, Soundi, Rainbow, Blue Öyster Cult, Thin Lizzy, Black Sabbath, Jorma-Veikko Sappinen, Yardbirds, Cream, Gröna Lund, Tapio Korjus, Neil Peart, Juho Juntunen, Heviä ja progea, Metallica, U2, Metal Hammer, Kerrang, The Police, Sting, MTV, Blue Cheer, Steppenwolf, Led Zeppelin, Greta Van Fleet, Kingdom Come, Uriah Heep, Deep Purple, Genesis, Dream Theater, Jimi Hendrix, Robert Plant, Kirk Hammett, Taylor Hawkins, Jack Black, Triumph, Ozzy Osbourne, Mötley Crüe, Van Halen, Anika Nilles, ZZ Top, Pantera, Jeff Beck, Roger Waters, Pink Floyd, Beatles, Globen, Rolling Stones, Rickenbacker, Andy Summers, Eddie Van Halen, Sammy Hagar, System of a Down, Bruce Dickinson, US Festival, Scorpions ja Quiet Riot. www.facebook.com/RockAroundTheBlogFinland www.instagram.com/samiruokangas

In Part 2, we pick up where we left off in Part 1. We're talking about Mission bars, and I share a story about the backroom at Delirium. Rae brings up similar stories of her own at places like Thee Parkside, and we agree that Parkside owner Malia Spanyol is the best. Rae shares a story that confirms it. She looks back on the years before she got her SSN grateful that Kerrang! allowed her to work. She says and I agree—those jobs don't really exist anymore. The industry itself was misogynistic, but there was also a freedom to the job. They flew her to shows all over the place. And they paid her enough to live in San Francisco. After Rae recounts a couple of specific incidents of mistreatment she got, we go on a sidebar about the music industry specifically and entertainment industry more generally and how riddled with misogyny they are. Rae managed to get out of music journalism, but it took some time and effort. She says that when folks ask her to write about music nowadays, she recoils. Then we talk about Rae's new book. I share how it all came to me, and that originally it was supposed to be a bonus episode where we talked "only" about Unsung Heroines. After reading the book, I decided it needed to be a feature about this incredible woman who herself should possibly be in her own book. Rae says that if she'd stayed in the UK, the history she'd know and would hear about constantly would revolve around royals and their lives and their wars. So she dropped history. But upon moving to San Francisco, she became curious about everything she saw and heard and read. It felt natural that at some point, she'd spend her curiosity and mental energies writing some sort of history or another. We go on a sidebar here about Emperor Norton and what a troublesome character he was. She was working at KQED writing about pop culture. After about a year, she found herself, as she puts it, "being insufferable in bars to strangers about the fact that women had been written out of history." Writing about history would be a new hat for Rae at KQED, but in 2018, she persuaded her editors to let her write five essays for Women's History Month. The series was a hit. In 2019, her department, Pop Culture, folded and she moved into KQED Arts. She'd written a couple more essays in the interim, but once in the Arts department, she really picked up the pace. In January 2020, Rae decided to turn the essays into a monthly series, upping the pace. The series had come to be known as "Rebel Girls," a Bikini Kill reference. But that March, all the libraries closed when COVID shutdown hit. She pivoted to library websites, but then I prompt Rae to shout out all the libraries she frequented to research her book. The SFPL History Center and the California Historical Society stand out. When I ask about women she researched who didn't make it into the book, she points out that the series, which again predates the book, includes essays about 55 women. City Lights Publishing, who put Unsung Heroines out, settled on 35 for their edition. They wanted a digestible book, and for teen readers, they felt they needed to remove women with … let's just say more risqué stories. I ask Rae to pick three of her favorite essay subjects, and while she's thinking it over, I offer some of my own. I start with Judy Heumann, the disability rights advocate who did so, so much to guarantee the rights of other disabled folks in our country. Rae mentions Judy, whom she'd been researching well before her unfortunate passing in 2023; Ruth Beckford, who figured big in Black Panther history; and Abby Fisher, a formerly enslaved woman who couldn't read or write but, with the help of others, published a cookbook. We take a slight detour as Rae begins to describe how they went about illustrating Abby Fisher and others, for whom there was no photographic or other visual reference. The Unsung Heroines publisher, City Lights, asked her about imagery, and when Rae told them that it's been difficult for her, she suggested illustrations. But City Lights doesn't do illustrated books and told Rae as much. Then City Lights' publisher struck up a conversation with another swimmer at the pool one day. That other swimmer was Adrienne Simms. Following that talk, the publisher found Adrienne's art, brought it to Rae, and the rest of history. Adrienne illustrated Unsung Heroines. I ask Rae not who her favorite heroines are, but of the 35, which one or ones she'd want to join us at Vesuvio that day we recorded. Without hesitation (in fact, I believe she says the name before I finish asking), Rae offers Pat Maginnis, an incredible champion and fighter for women's reproductive rights. Unsung Heroines is available wherever you get books (but please, don't use that one horrible fucking website). City Lights is one obvious choice, but most Bay Area independent bookstores should carry it. If not, ask them to order it for you. More people need to know about and read this book. Follow Rae on Instagram @rae_alexandra_writing. She's on Threads @rae_alexandra3. We end with final thoughts from Rae, specifically her feelings about all those ubiquitous dumb fucking AI billboards.

Rae Alexandra has 35 stories to share with you, plus her own. In this Women's History Month episode, meet and get to know Rae. She recently published a book with City Lights Publishing called Unsung Heroines: 35 Women Who Changed the Bay Area. It's of course available at City Lights, but you can also find it at your local independent bookstore. I read the book and could not put it down. Only toward the end of the 35 essays did I start to recognize the women Rae features. I love history and I love learning and I have mixed feelings about the fact that there are so many rad women whose stories are untold. Thank you, Rae Alexandra, for shining on a light on these incredible women. These days, she's a staff writer at KQED. But Rae's story starts in Wales in the UK. She grew up in Cardiff, the capital of the country. (I learn in the conversation that Wales is a country. I also learn that "United Kingdom" and "Great Britain" are the same thing. Now, British vs. English we don't touch, for obvious reasons. But I digress …) Ed. note: I'll describe my conversation with Rae as two Gen Ex journalist types with ADHD (is that redundant?) doing their best to be linear. To me, the meanderings of our talk are totally normal. Rae says that Wales is delightful and has all the best castles, but that's because of the number times the country has been invaded and conquered. Close to where her mom lives today is a castle that boasts the world's largest crossbow. When I ask when Rae was born (1978), we discover that she's a horse as in Year of the Horse (aka 2026). Cool. Rae continued to call Cardiff home up through her college years. She didn't go to another school outside of Wales that had accepted her because she was attached to a group of skateboarders in her hometown. After she graduated, though, she moved to London. Music has been central for Rae as far back as she remembers (same). She shares stories of being maybe 5 and listening to the Top 40 with her cassette recorder ready to nab her favorite songs (same). According to Rae, the English look down on the Welsh, and have for some time, based on classist generalizations. Wales is where the UK mines most of its coal. London-types consider their neighbors to the southwest feral, and in some regards, the Welsh are, she says. In the Eighties, she remembers stories about IRA bombings appearing on the news nightly. Also, in Wales, miners went on strike and everyone knew about it. Rae says that Wales in the Eighties was essentially like listening to The Clash. We go on a sidebar about siblings, birth order, and what it means to be the youngest, which Rae and I both are. Growing up, she was close with both her older sisters. Today, one lives in Australia and the other lives in the London suburbs. Around age 10, Rae discovered metal. By 12, she decided that she would become a music journalist. In her teen years, she "snuck" her writing into local and college newspapers. The music journalism she consumed in those days included publications like Smash Hits, Kerrang!, NME, and Melody Maker. In fact, her first job out of college was at Kerrang! We go on a sidebar on the whole idea of living somewhere vs. visiting, and how they're so totally different on every level. I use Chicago, where I lived for a full six months in the Nineties, as my example. Rae offers up a stay in Brooklyn as hers. That job at Kerrang! is what brought Rae to London, another place she found impossible to live. I ask her to expound on what it was about the place, and she indulges me. She says that you have to be obscenely wealthy to live in Central London, so most folks are forced to the outskirts. But the jobs are in the middle of town, and so you end up spending around two or three hours a day commuting underground. It was/is also gray—the weather, the architecture—and the people in London were, as Rae describes it, hostile. When she goes into detail about the ways in which they were hostile, we agree that only you get to shit on your own hometown. People who aren't from there aren't allowed. It's a rule. Look it up. After a year working for the magazine in London, Rae met a guy from San Francisco. She'd been to The City and even spent significant time here working for Maximum Rock 'n' Roll. (At this point in the recording, I mistakenly call the BBQ place near Hayes and Divisadero until sometime in the early 2000s "Brothers." It was in fact called Brother in-law's. My apologies.) She moved in with that guy she met, lived with him for six months in London, and then it was time for him to come home to SF. He asked her if she wanted to join him and she accepted. She had already transitioned to freelance writing for the magazine, because office life didn't suit her, so work wasn't so much a problem. But upon arrival, she soon discovered how difficult it was to do anything without a Social Security number. That added an extra layer to moving here. But it wasn't the place itself or its people that made things hard. It was the system, so to speak. Also, while she was getting settled and learning how to survive in the US without an SSN, she started to see that the guy was, let's just say, not for her. She felt he'd been playing the long game when they lived together in London, but once back on his home turf, some of his sociopath tendencies emerged. It was 2002 and she lived in Bernal Heights on Cortland. She spent most of her time in the Mission, just down the hill. After a short time, the guy convinced her that they needed to get married, so they moved back to London. The marriage lasted three months, and Rae returned to her new home—San Francisco. When she came back, she experienced a stretch of housing instability. You could call it "couch surfing," but either way, it was dicey. Six months or so later, things settled. It was easier to live cheaply in the early 2000s, also. A $5 burrito could be a whole day's worth of food. And Rae had befriended enough bartenders that she rarely paid full-price for booze. She describes "The Blackout Triangle" of Killowatt, Delirium, and Dr. Bombay's. She also regularly visited Beauty Bar until that place went downhill. Check back this Thursday for Part 2 with Rae Alexandra. We recorded this episode at Vesuvio in North Beach in February 2026. Photography by Jeff Hunt

Theo Delaney's guest is writer Paul Rees the former editor of Kerrang and Q who now writes acclaimed books on music and sport including excellent biographies of Robert Plant, Elliott Smith and the trailblazing West Bromwich Albion trio of Cunningham, Regis and Watson. His latest book Raised On Radio is a comprehensive history of AOR music. A huge West Brom fan, among his chosen scorers are Bob Taylor, Zoltan Gera and the aforementioned Regis. @paul_rees_author@paulreesQ@LifeGoalsTD@theodelaney https://paul-rees-author.com/https://www.theodelaney.com/life-goals-links

When an Australian thrash band that never broke big in the U.S. gets compared to early Metallica, Slayer, and Maiden in the same breath, you know you've stumbled onto something special. This episode dives into Mortal Sin's 1986 debut Mayhemic Destruction—a ferocious, drum‑heavy, DIY thrash record from Sydney that plays like a missing puzzle piece in 80s metal history.Across the conversation, the hosts unpack how Mortal Sin emerged out of Australia's pub‑rock and Buffalo‑style heavy scene into a faster, more aggressive sound after drummer Wayne Campbell discovered Metallica through tape‑trading in 1984. They trace the band's rapid rise from self‑funded studio upstarts to landing a global deal, touring with Metallica, Megadeth, and Testament, and struggling with that classic “too big for pubs, too small for arenas” problem back home. Along the way, they dig into the band's revolving‑door lineup, eerie mystery around the original drummer's disappearance, and the evolution of Mortal Sin's sound across later records.Musically, the episode zeroes in on what makes Mayhemic Destruction such a compelling outlier in 80s thrash. The drums and low end dominate the mix in a way that completely inverts the American template, forcing listeners to dig for the guitars and exposing a strange, rewarding hybrid of thrash, New Wave of British Heavy Metal, power metal, Motörhead grit, and proto‑death‑metal experiments on the title track. There's plenty of love for the riffs, time‑changes, and dark modal choices in songs like “The Curse” and “Lebanon,” but also honest criticism of the limited, Hetfield‑ish vocal approach and the odd sequencing choices that bury some of the strongest material in the back half.If you're into 80s thrash metal, early Metallica, Slayer, Anthrax, Testament, NWOBHM, or obscure Australian metal bands that never quite got their due, this deep dive into Mortal Sin and Mayhemic Destruction is absolutely in your wheelhouse. It's a conversation about more than one album—it's about how geography, timing, and weird production decisions can turn a record into a cult artifact waiting to be rediscovered.Episode Highlights0:00 – Mayhem from Sydney – Setting up Mortal Sin, Mayhemic Destruction, and why this Australian thrash debut matters in the 80s metal landscape.5:05 – Battle jackets and logos – Gavin's origin story with Mortal Sin via patches, Kerrang! mags, and why some bands lived as imagery long before you ever heard a note.7:00 – Band history and lineup chaos – From Sydney origins and early rehearsals with Lino to global deals, tours with Metallica and Megadeth, and constant guitar player turnover.12:05 – DIY Mega Metal and Hetfield's stamp – Recording at 301 Studios, self‑releasing the album, mailing it out like a zine, and landing James Hetfield's 1986 endorsement.17:20 – “The Curse” – How the opening riffing, harmonics, and dissonant second‑guitar lines signal that Mortal Sin aren't just copying Bay Area thrash.22:30 – Drum mix from another planet – Why the massive, low‑end‑heavy drum sound flips the usual thrash hierarchy and changes how you hear the riffs and groove.24:50 – “Lebanon” – Dark, almost Slayer‑like scales, Dokken/Mr. Scary vibes, and how this track becomes a standout for mood and melody.25:30 – Thrash without a ballad – The near‑total absence of slow songs, the fake‑out intro of “Liar,” and what that says about the band's commitment to speed and aggression.30:15 – Honest strengths and weak spots – Praise for the riffs and rhythm section, plus a candid look at the limited vocals, buried mixes, and backward‑feeling sequencing.35:25 – Album art, demons, and Sydney in ruins – The Dungeons & Dragons‑style cover, nuked‑city imagery, and why this screamed “Tipper Gore nightmare” in the 80s.35:30 – “Mayhemic Destruction” (title track) – Proto‑death‑metal vocals and blast beats a year before Death's Scream Bloody Gore, and why burying it as the closer was a smart move.40:30 – Live vs. studio – What the 20th anniversary live tracks reveal about the band's true sound compared to the unique, drum‑heavy studio mix.[45:00 – Final verdict – Is Mayhemic Destruction a worthy album, a decent single, or a lost cult gem in the Australian thrash canon?Love uncovering 80s metal obscurities and lost thrash gems? Hit subscribe, leave us a review, and share this episode with a fellow metal nerd who still remembers drawing band logos on grocery‑bag book covers. Dive deeper into archives, polls, and bonus content at digmeoutpodcast.com and join the Union to vote on future episodes at dmounion.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Ozzy Osbournen ja Ronnie James Dion laulettua Black Sabbathin keulahahmoina, 1980-luvun alussa bändille koitti vaikea aikakausi. Sitä kutsutaan nimellä ”Lost Years”, hämärät vuodet. Laulajina nähtiin ja kuultiin monien käänteiden jälkeen Deep Purplesta tutut Ian Gillan ja Glenn Hughes, sekä aiemmin tuntematon Tony Martin. Ozzyn ja Dion varjoon jääneenä aikana tehtiin musiikkia, joka ei ole perinteistä Black Sabbathia. Silti se on erittäin kiinnostavaa ja laadukasta heviä ja hard rockia. Sami Ruokangas ja Reidar Palmgren käyvät läpi tätä aikaa, johon mahtuu erikoisia käänteitä ja hyviä tarinoita. Jakson soittolista: https://open.spotify.com/playlist/0LdKXmVbwjSm31s0Yd6aWh?si=cea99a00100c4c2a Ensimmäisessä osassa ovat mukana Tony Iommi, Ronnie James Dio, Dio, Ozzy Osbourne, Vinny Appice, Deep Purple, Ian Gillan, Geezer Butler, Bill Ward, Tony Martin, Firm, Paul Rodgers, Jimmy Page, Tony Franklin, Chris Slade, Led Zeppelin, Bad Company, Free, NWOBHM, Gillan, John McCoy, Mammoth, Nicky Moore, Electric Light Orchestra, Bev Bevan, Glenn Hughes, Ritchie Blackmore, Mick Box, Uriah Heep, Samson, Bruce Dickinson, Eddie Van Halen, Yngwie Malmsteen, Lita Ford, Dave “The Beast” Spitz, Dan Spitz, Anthrax, Eric Singer, Gary Moore, KISS, Polka Tulk Blues Band, Cream, Ten Years After, Eric Clapton, Jeff Beck Group, Spinal Tap, Stonehenge, Ron Keel, Keel, Gene Simmons, David Donato, Jeff, Fenholt, Jesus Christ Superstar, Geoff Nicholls, Tunnelin Levy, David Coverdale, Trapeze, Phli Lynott, Garry Sharpe-Young, John Sloman, UFO, Paul Chapman, Lobe Star, Michael Bolton, Cozy Powell, Don Arden, Patrick Meehan, Steve Marriott, Humble Pie, Rob Halford, Ray Gillen, Rondinelli, Rainbow, Bobby Rondinelli, Kerrang, Metal Hammer, Nirvana, Metallica, Sharon Osbourne, Bob Daisley, Lee Kerslake, Randy Rhoads, Blue Murder, John Sykes, Whitesnake, Adrian Vandenberg, Badlands, Jake E. Lee, Rock Candy, Ian Astbury, The Cult, Malcolm Dome, Hammersmith Odeon, Terry Chimes, The Clash, Andy McCoy, Queen, Little Steven, Michael Monroe, Neil Murray, Vow Wow, Michael Schenker Group, Laurence Cottle, Don Airey, Carl Sentance, The Police, Miles Copeland, Juha Ruokangas, Pink Floyd, Jukka Komppa, Iron Maiden, Keskisuomalainen, Andy Fraser, Micky Moody, Bernie Marsden, Freddie Mercury, Katrina and the Waves, Ossi Runne, Judas Priest, John Kalodner, Carmine Appice. Sibelius, Lauri Porra, Stratovarius, Ben Granfelt, Wishbone Ash, Thin Lizzy, Tommy Aldridge, Darren Wharton, Led Zeppelin, Robert Plant ja Jim Morrison. www.facebook.com/RockAroundTheBlogFinland www.instagram.com/samiruokangas

Last week's podcast discussing the current state of music journalism ruffled some feathers, to put it mildly. So this week Gav and James invite former Kerrang! editor-in-chief Sam Coare on to address the fallout. “Round Two. Fight!”Buy your We Lost The Sea tickets: https://www.seetickets.com/tour/we-lost-the-seaAnd your pod merch: www.nomad-stores.com/collections/2-promoters-1-podWe go again, every Thursday morning.

How does a singing teacher land a vocal coaching job on a TV drama? In this episode, Alexa is joined by vocal coach, performer and returning guest - Candi Underwood, who shares her experience coaching Matt Smith for the Sky Atlantic adaptation of The Death of Bunny Munro, based on the novel by Nick Cave. They explore how the opportunity came about, what was required on set, and which skills singing teachers already have that translate directly into TV coaching work. Perfect listening for singing teachers curious about taking their work beyond the studio and onto screen.WHAT'S IN THIS PODCAST?  5:03 What is The Death of Bunny Munro?6:42 What was the production company looking for in a vocal coach?10:59 Preparing for the job16:01 Taking a history19:12 Surprising essential skills20:30 Working on technique23:39 Keeping it professional with high profile figures28:53 Top 3 skills singing teachers needs for a TV coaching role32:12 How to get your food in the doorAbout the presenter HERERELEVANT MENTIONS & LINKSSinging Teachers Talk - Ep31. Where to Start with Digital MarketingNick CaveMatt SmithThe Death of Bunny MunroFrank SinatraSinging Teachers Talk - Ep.198 Mastering Singing for Stage, Screen & the Music IndustrySinging Teachers Talk - Ep.242 Understanding Motor Learning: How It Can Help Us Give Better Singing Lessons - Eps. 155 & 156 Building Neurodiversity-Inclusive Voice StudiosSinging Teachers Talk - Ep.222 The Rise of AI: What It Means for Singers & TeachersSinging Teachers Talk - Ep.226 The Rise of AI: Practical Tools and Strategies For the Singing TeacherABOUT THE GUESTCandi Underwood is a professional performer, session singer, vocal coach and founder/leader of City of Stars, a group of intermediate musical theatre choirs across Sussex. With over 16 years of experience in the industry, she's been featured as both a singer and songwriter on BBC Radio 1, BBC Radio 6Music, Kerrang!, Metal Hammer, Radio X, Planet Rock and more, performed at nationwide festivals and featured in TV ads; all while building a successful coaching business dedicated to nurturing healthy, resilient voices and inspiring bold, fearless performances for singers and screamers alike. Most recently she collaborated with Nick Cave and Matt Smith on Sky TV's 'The Death of Bunny Munro', coaching the former through a singing scene, and featured in the Marks & Spencer Christmas Advert with her choir alongside Dawn French.WebsiteInstagram

In episode 84 Comedian, Author, Musician & Journalist Marc Burrows joins us to talk about Kerrang's Club Kerrang - The Future Sound Of Music from August 1997.The cd's full tracklisting is -1 – Symposium - Introduction2 - 3 Colours Red - My Own Gauge3 - ManBREAK - Kop Karma4 - Radish - The You In Me5 - LK - Chicken Bone6 - Acrimony - The Bud Song7 - The Driven - Loaded Mama F8 - Cable - From Here You Can See Yourself9 - Tampasm - Hard Core Romantic10 - Daytona - Conversationalist11 - Iron Monkey - Fink Dial12 - The Dawn - Feel Like Living13 - Groop Dogdrill - Oily Rag14 - (sic) - Pocket RocketYou can find Marc's website at https://www.marcburrows.co.uk/ where you can buy the books he's written (Big recommendation for The Story Of The Christmas No. 1: Mistletoe & Vinyl, which was one of Colin's favourite books of last year but he's also written excellent books on Nirvana, The Manic Street Preachers, Marc Bolan & David Bowie in the 60s, & Terry Pratchett) plus his tour dates (He's touring his Britpop stand up show from all over the UK from March through to May 2026. I'll see you in Birmingham!)Find Marc on Instagram at https://www.instagram.com/20thcenturymarcListen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/3067167-Various-Club-Kerrang-The-Future-Sound-Of-MusicHost - Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Dig Podcasts network along with We Dig Music & Pick A Disc.Tiktok - https://www.tiktok.com/@freewiththismonthsissueTwitter – https://twitter.com/thismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes & podcasts at www.wedigpodcasts.com 

This was the first set at the West Hampstead Arts Club last November when Luke Morley was our Special Guest. Willie happened to be there and Jon and I immediately got him up to chat during the first half. Golden era Kerrang! readers will remember Willie from Brit Rock sensations The Grip. But in the early 90s I also managed his then band Cat People. That's a Cat People track that opens and ends the pod. It's called 'Tough At The Top'. It was never released. After that he formed Honeycrack with CJ from the Wildhearts and after that he did a million other brilliant things. Check out his current outfit The Dowling Poole. Also his latest solo album The Simpleton. Hosted on Acast. See acast.com/privacy for more information.

It's the 5th annual Cranked & Ranked Holiday special! Featuring our top 5 "Christmas movies", the Cadbury Roses assorted chocolates ranked, and some Kerrang! magazine quizzes from 1988!

Keep Me Fed es el cuarto álbum de estudio de la banda mexicana de rock The Warning. Fue lanzado el 28 de junio de 2024, a través de Lava y Republic Records. El álbum fue elegido para la posición 19 en la lista "Los 50 mejores álbumes de 2024" de la revista Kerrang![12]​ y para la posición 11 en la lista "Los 24 mejores álbumes de 2024" de la revista Rock Sound.[13]​ El álbum fue incluido por la revista de rock francesa Hard Force en su lista de "TOP ALBUMS 2024".

Interview with Antonia Tricarico. Antonia Tricarico is an incredible photographer who is working on releasing a new book Be My Rebel. "Be My Rebel is a photography book born from my belief that powerful images can shift perceptions, raise awareness, and spark empathy. This project captures the raw intensity and emotion of protest—from the quiet determination of a young climate activist to the unstoppable unity of a crowd marching for women's rights." Antonia Tricarico on Be My Rebel.  Link to kickstarter!  Be My Rebel Book Kickstarter  Antonia Tricarico was born in Potenza, in Italy's Basilicata region. At 16, she joined the Feminist Collective of Potenza. After graduating from high school, she enrolled in the Law School at La Sapienza University in Rome and became active in the Women's Health Collective in Trastevere. She worked with Paolo Bedini's AZ Music agency, where for nearly a decade she helped bring renowned musicians to Italy. In the 1990s, she was involved in Rome's Rights to Housing movement and supported squatting public buildings with and for immigrants, for their right to housing. In 1997, after moving to the United States, she began pursuing photography more seriously. In the past years, she has worked as an archivist for Pulitzer Prize–winning Washington Post photographer Lucian Perkins and collaborated with independent labels such as Tolotta Records, Dischord Records, Kill Rock Stars, and Youth Action Research. Her photographs are represented in both private and public collections, including the National Museum of American History at the Smithsonian Institution, the permanent exhibition and special collections archive of the Martin Luther King Jr. Memorial Library in Washington, DC (Punk and Go-Go music archives), the Michelle Smith Performing Arts Library at the University of Maryland,the DC History Center, and the Library of Congress. Her work has been exhibited both nationally and internationally. She is the author of three books: • Frame of Mind: Punk Photos and Essay from Washington, DC, and Beyond, 1997–2017 (Akashic Books, 2019) • The Inner Ear of Don Zientara: A Half Century of Recording in One of America's Most Innovative Studios, Through the Voices of Musicians (Akashic Books, 2023) - Oltre l'Influenza-Italian Novel-Sensibili alle Foglie Publisher-Rome,Italy 2023 Her work has appeared in Photo Review, Guitar World, Kerrang, All Music, Razorcake, Chicago Reader, The Oregonian, The Quietus, The Echo, Exclaim!, Fretboard Journal, Washington City Paper, and Washingtonian.   Antonia Tricarico website.

In our new episode, Dazz chats with vocalist Caine Hemmingway of fast rising UK band Believe In Nothing. They discuss the complex DIY process of creating a record, the rise of the UK's south east metal scene and the band's insane trajectory into the Kerrang! and Metal Hammer charts. https://believeinnothing.bandcamp.com/We're also on Youtube - drop us a follow and subscribe for cool interviews and fun shows - https://www.youtube.com/@bangersmoshpodcast

In this episode of Behind The Mic we checked in with Neil Dowd from pop-punk band, Autumn Fires. Autumn Fires was started by lead singer Charlotte and her current partner, who also plays in the band, and are part of the new wave of pop-punk bands keeping the genre alive and kicking in the UK. In this episode we discuss Neil's music journey, how he joined the band, the band's latest EP and the massive breakthrough they had when they won iconic music outlet Kerrang's The Deal' competition. For industry issues, we discuss dealing with rejection and imposter syndrome. For Neil's mental health journey, we discuss his experience of school where he felt he had to fit into be a certain type of boy in order to survive and how the pop-punk environment was a place where he could fully be himself and not be judged. We also discuss the importance of self-advocacy, people-pleasing and how CBT therapy has helped him tackle his anxiety. As always, #itsokaytovent You can stream Autumn Fires on streaming platforms below: Spotify: https://open.spotify.com/artist/6pUrc8sCjFQ0JZVe9IQWfO?si=7Wj-AcILSoSOlRFC-w8kvQ YouTube: https://www.youtube.com/@autumnfiresuk You can follow the band on social media below: Instagram: https://www.instagram.com/autumnfiresuk/ Support Us: Patreon: www.patreon.com/venthelpuk PayPal: paypal.me/freddiec1994?country.x=GB&locale.x=en_GB Merchandise: www.redbubble.com/people/VentUK/shop Music: @patawawa - Strange: www.youtube.com/watch?v=d70wfeJSEvk

Today I'm joined by a truly incredible guest Luke Preece—an artist whose work you've probably seen even if you didn't realise it. He's a UK-based illustrator and art director, celebrated for blending the dark, powerful aesthetics of heavy metal with the imagination of science fiction and fantasy. Luke's art has been commissioned by some of the biggest names in music and entertainment—Metallica, Slipknot, Ozzy Osbourne, Judas Priest, Pearl Jam—as well as video game giants like Gears of War, DOOM, and Tony Hawk's Pro Skater. Described by Kerrang! as one of Britain's pre-eminent illustrators, he creates everything from limited-edition posters to album artwork and even custom guitars. His unique style—born from a love of comics, sci-fi, and metal—is instantly recognizable and loved by fans worldwide. It's an absolute honour to welcome to the podcast… Luke Preece.

Mammoth WVH – “I Really Wanna” (Official Video)

When Capitol Records' Next Quiet Riot Vanished Into Thin AirEver wonder what happens when a dream team of rock royalty assembles to create the perfect 80s metal album—only to watch it disappear during the mastering process? Icon's Night of the Crime is the Phoenix-born tragedy that sits at the very top of the “could have, should have been huge” list, featuring Eddie Kramer behind the boards, Ron Nevison on the mix, and Bob Halligan Jr. crafting radio-ready hooks that Kerrang! Magazine would later rank as the third greatest AOR album of all time.In this deep dive, the Dig Me Out crew unpacks one of metal's most fascinating “what if” stories—a Capitol Records release that had everything: sophisticated songwriting with clever half-time dynamics, dual guitar harmonies that rivaled the best AOR bands, and a powerhouse vocalist in Stephen Clifford who could hit impossible octaves while maintaining that essential metal grit. But just as the album was ready for its 1985 MTV conquest, Clifford walked away during mastering, taking Icon's shot at stardom with him and leaving behind a perfectly crafted 40-minute mystery.If you're fascinated by the intersection of professional songcraft and metal authenticity—think Def Leppard's Pyromania meets Journey's sophistication with the edge of early Quiet Riot—this episode reveals why geography, timing, and band chemistry matter as much as talent in the unforgiving world of 80s rock radio.Episode Highlights:0:00 – Tournament Results – How Icon beat Ozzy in a listener poll tie-breaker9:53 – The Eddie Kramer Factor – Why Jimi Hendrix's producer took on a Phoenix metal band12:17 – The Vanishing Singer – Stephen Clifford's mysterious exit during mastering18:05 – Sophisticated Metal Dynamics – Breaking down Icon's clever use of half-time and strategic pauses25:33 – AOR Meets Metal – How Icon straddled the line between commercial appeal and hard rock edge29:10 – Bob Halligan Jr.‘s Hooks – The song doctor's six co-writes that should have been hits38:00 – Perfect Timing Gone Wrong – Why 1985 was Icon's window between Pyromania and Hysteria52:00 – Phoenix Geography Problem – How being 400 miles from the Sunset Strip hurt Icon's chances1:00:34 – Final Ratings – Two “Worthy Albums” and one “Better EP” verdict on this lost classicReady to discover your next obsession in overlooked 80s metal perfection? Subscribe to Dig Me Out for more deep dives into the albums that deserved better, and join the Metal Union at digmeoutpodcast.com to vote on future episodes. Want bonus content and access to our Discord community? Check out dmounion.com for exclusive 70s, 80s, and 2000s rock episodes that keep the discovery going strong. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Outcast World goes live from Manchester Pride 2025 with Graeme Smith and Nick Charles right at the heart of the action hosting a podcast and radio show from the site on the afternoon of Graeme's stag doo in the city!As well as speaking to some modern Manchester queer icons and old school pop legends, we're essentially hosting the entire podcast outside on the street whilst getting ready to go "out out". For one of the last Big Pride's of the season we're headed back up North.Singer and Manchester broadcaster Jsky opens up about being refused entry to Village venues as a queer person of colour — for reasons still unknown — and reflects on the power of finally performing on the Pride stage in his home city.We also sit down with trans masculine legend and Kerrang! Radio host Paris Munro, who calls out companies for paying lip service to trans rights and questions the growing commercialisation of Pride, with festival-goers often forced to pay for multiple tickets.Graeme and Nick share their own emotional stories of queer awakenings in Manchester before revisiting the 90s classic Queer as Folk, the Russell T Davies series that put Canal Street on the map.And yes — we catch up with B*Witched on the phone from their dressing room (how 90s) Keavy from the band gets into the essential stuff like whether they ever imagined double denim would be their legacy. She also has an important take on Pride and its impertinence in the current climate It's Pride, politics, and pop all wrapped up in one very Manchester episode.

We present our review of Babymetal - Metal Forth and more!Babymetal's Metal Forth, released August 8th, 2025, on Capitol Records. It's officially their fourth canonical album — they set The Other One aside as a concept project — and it's the first full record to feature Momometal as a permanent member alongside Su-metal and Moametal.The title is a play on words: “Metal Forth” as in moving forward, and “Metal Forth” as in pushing beyond the genre itself. And that's exactly what they try to do. This record is built almost entirely on collaborations. Only three of the ten tracks are just Babymetal. Everywhere else you've got guests: Poppy, Spiritbox, Polyphia, Electric Callboy, Slaughter to Prevail, Bloodywood, even Tom Morello dropping in with that unmistakable guitar attack.Clocking in at just over 35 minutes, it's lean, polished, and loud. You get flashes of nu-metal, deathcore, alt-metal, even EDM crossover, all stitched together by Babymetal's trademark pop-metal energy. It's maximalist by design — a chaos of styles colliding with choreography and gloss.Critics were split but mostly positive. Clash called it “unrelentingly maximalist” and gave it a 7 out of 10. Blabbermouth went higher with an 8, praising it as their snappiest record to date. Kerrang! and Dork both landed at 4 out of 5, while NME and Sputnikmusic were less impressed, arguing that some collabs drowned out the band's core identity. Louder Sound described it as “a high-stakes experiment in what heavy music could become if it stopped worrying about authenticity and genre loyalty.”And that's the big takeaway: Metal Forth isn't about purity, it's about possibility. Babymetal has always been divisive, but here they lean into that division as a statement. The album says metal can be pop, it can be global, it can be hybridized beyond recognition — and still be metal. Love it or hate it, Metal Forth proves that Babymetal aren't just survivors of their own gimmick. They've turned into disruptors, forcing the genre to ask what comes next.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

On July 22, 2025, we lost Birmingham-born rock vocalist and cultural icon Ozzy Osbourne, rock's "prince of darkness," at the age of 76. His death, from complications due to Parkinson's Disease, ends a career spanning five decades, in which he pioneered an entire subgenre of heavy metal music, as frontman for Black Sabbath, before going on to an even bigger career as a solo artist, where he is credited for introducing the guitarist Randy Rhoads to the wider rock world, and for creating the wildly popular Ozzfest tours. Then, when he'd done it all, he and members of his family, Jack, Kelly, and his manager-wife Sharon, became pioneers of "reality TV" with the hit series, The Osbournes. On this very special episode, we hear two personal stories of how Ozzy's music and persona touched the lives of music industry professionals who were also, first and foremost, fans. Returning to our program, Jenn D'Eugenio (Women In Vinyl), made the journey to Birmingham for Ozzy's bittersweet Back To The Beginning farewell show, . She shares her first-hand descriptions of the event, plus two other fascinating Black Sabbath stories. Also returning is acclaimed music journalist Sylvie Simmons (Sounds, Kerrang!, and more), who took some time away from writing an Ozzy piece for Mojo magazine to share some personal anecdotes with Ozzy dating all the way back to his last days in Sabbath and how Sharon navigated his career back to the top. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Bands Across America: Indiana Michael Jackson – Bad (1987) & Guns N' Roses – Appetite for Destruction (1987)Our summer musical road trip hits Indiana, the Hoosier State, home to pop royalty and hard rock legends. This week, we spotlight two iconic albums from Indiana natives who changed the sound and shape of popular music: Michael Jackson and Guns N' Roses. We dive into the creative ambition, cultural impact, and lasting legacy of these genre-defining records.What's Inside- Michael Jackson's Pop Mastery: Explore the sharp-edged, hit-packed Bad, the follow-up to Thriller, featuring iconic singles, slick production, and MJ's relentless drive for reinvention. We break down the album's attitude, standout tracks, and the ways it both builds on and diverges from Jackson's earlier work.- Guns N' Roses' Hard Rock Revolution: Take a ride through the chaos and chemistry of Appetite for Destruction, the best-selling debut album in U.S. history. From the explosive “Welcome to the Jungle” to the anthemic “Sweet Child o' Mine,” we dissect how two Lafayette outsiders helped redefine rock for a new generation.- Our Takes: We break down each album's vibe, killer tracks, production quirks, and replay value—plus, which one best captures Indiana's musical spirit.- Deep Questions: Don gets philosophical about Indiana's cultural legacy and the meaning behind these albums.- Reflections: Why these records are essential listening for any road trip through the Midwest and beyond.Diggin'- The Monkees – The Birds, The Bees & The Monkees (1968): A fragmented but ambitious pop-psych classic, showcasing the band's creative range as they moved beyond their TV image.- Badflower – No Place Like Home (2025): LA rockers deliver a raw, emotionally charged album tackling grief, identity, and mental health, highlighted by the moving ballad “Paws.”- Sarah McLachlan – Better Broken (2025): The Canadian singer-songwriter returns with her most personal album in years, blending piano-driven ballads with subtle electronic textures.- Al Jardine – Islands in the Sun (2025): A sunny, harmony-rich collection from the Beach Boys legend, featuring guest spots from Neil Young and Flea.Podcast Shout-OutDon't miss Can I Pod With Madness?—a nostalgic journey through classic issues of Kerrang! and the wild world of '80s and '90s metal. Expect fun conversations about Iron Maiden, Mötley Crüe, KISS, and more, plus plenty of pop culture tangents. Find it wherever you get your podcasts.Join the Conversation!What's your favorite Indiana album? What are you spinning lately? Let us know on Instagram, Facebook, BlueSky, and Threads @albumnerds, or email us at podcast@albumnerds.com.Thanks for listening—see you on the road! Next stop: North Carolina

Brocarde is the creator of an enchanting world where dark, haunting aesthetics meet passion-fuelled lyrics and design. Her latest single "Identity Theft" was produced by Chris Collier (Korn, Mick Mars). Brocarde is a dynamic storyteller who marries both music and fashion in an orchestral explosion, designed to make the ears and eyes bleed. A one-woman horror story, if centuries aligned, Brocarde could almost be the secret lovechild of Edgar Allan Poe and Sylvia Plath. In what could only be described as an effervescent melting pot, Brocarde's bubbling cauldron is peppered with hints of Little House on The Prairie, and seasoned with remnants of the Addams family values: she's an all-consuming artist who's not for the faint-hearted. Brocarde arrived on the music scene in 2019 presenting her debut single Last Supper. With its biblical relatability and an army of sinister pigs, the music video depicted a twisted fairy tale that whetted the appetite of her loyal supporters. She was hailed as "One to Watch" by Planet Rock Magazine, and secured airplay on Kerrang!, Planet Rock and BBC Introducing.  www.Instagram.com/brocarde website www.Brocarde.com  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell           

This week on the Roach Koach Podcast it's 9 years of the Koach! Lorin and Matt celebrate the ninth anniversary of Roach Koach with the masked men of Slipknot and discuss their 2014 release, .5: The Gray Chapter. Topics this episode include:-New masks-“We are kill gods”-The barrel work-Corey Taylor speaking with Kerrang! magazine-Dubious Doobies-David Good Morning-“Been up.”-Should Lorin produce Slipknot?-And Canon Talk, where Matt and Lorin decide if Slipknot deserve another spot in the Nu-Metal Canon.Take a listen!Exclusive episodes and more on the Roach Koach Patreon. New episodes of the Pact every month. Subscribe today! Rate and review Roach Koach on iTunes! We'd appreciate it! Questions about the show? Have album recommendations? Just want to say hi? We'd love to hear from you! Contact the show @RoachKoach on Twitter, Roach Koach on Facebook , Roach Koach on Instagram, or send an email to RoachKoachPodcast at Gmail. Follow the show on Youtube and TikTok! Find every episode of Roach Koach and order your Roach Koach T-shirt at Roach Koach dot com.

This week Dave returns as we dive into our bag of covermount CDs and unearth a real gem. If you were buying Kerrang! in August 2002, you might remember issue 918 with The Prodigy on the cover. What you definitely remember is the cover-mount CD that came with it - Hometaping Volume Two, curated by Amen's Casey Chaos. This wasn't your typical corporate compilation of radio-friendly metal and whatever major labels were pushing that month. This was a proper education in underground extremity, compiled by someone who'd been living in the trenches since he was photographed at Black Flag gigs in 1982. Casey wasn't messing about. He whittled down his selection from 60 songs, phoned Henry Rollins and Satyr personally for unreleased tracks, and designed the cover himself. The result was 26 tracks of whiplash-inducing genius that introduced countless metal and punk fans to bands they'd never have discovered otherwise. From Refused's "New Noise" and Iron Monkey's feral sludge to birthday party's pre-Bad Seeds insanity and proper OG punk from Discharge and X-Ray Specs, this was cultural education disguised as a free CD. The fact we're still dissecting every track choice 20+ years later proves Casey achieved something genuinely special - a compilation that worked as both a history lesson and a challenge to dig deeper into the underground. Episode Highlights [00:00:00] Welcome to the cave: Easter resurrections and new studio vibes [00:05:39] Casey Chaos biography: From skateboard prodigy to punk legend [00:18:00] Rollins Band gets the pub rock treatment (Chris ducks for cover) [00:24:00] The Kinison: When Oblong, Illinois meets post-hardcore [00:29:00] Murderdolls: Budget Misfits for the nu-metal generation [00:32:00] Discharge delivers the D-beat masterclass [00:43:00] Iron Monkey: Nottingham sludge at its most feral [00:37:00] Refused drops "New Noise" and changes everything [00:42:00] Turbonegro: Norwegian glam-punk that divides the room [00:43:00] Void: The DC hardcore deep cut that finally clicks [00:46:00] Immortal: When black metal meets the Tony Hawk soundtrack [00:51:00] X-Ray Specs: Polystyrene schools the youngsters [00:56:00] Zyklon: Emperor side-project with uncomfortable baggage [01:02:00] Cave In: The wrong track for the right band [01:04:00] Birthday Party: Nick Cave's mental early years get the respect they deserve [01:06:00] Nasum: Swedish grindcore brings back the brutality [01:07:00] The Distillers: Brody Dalle's voice cuts through everything [01:13:00] Eyehategod vs Iron Monkey: The great sludge debate [01:14:00] Division of Laura Lee: Sweden's most forgettable export [01:15:00] The Haunted: At The Gates members go full throttle [01:17:00] Mortiis: Norwegian dungeon synth gets the goth treatment [01:20:00] Gary Numan: The robot pioneer closes out the education [01:22:00] Highlights, lowlights, and wild cards: The final verdict

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on the Notorious Mass Effect podcast for an in-depth Segment breaking down Sleep Token's monumental achievements with Even In Arcadia. Explore their first-ever No. 1 album on Australia's ARIA Charts, topping the UK Official Albums and Vinyl Charts, and the title track's UK Singles Chart debut. Analytic Dreamz dives into critical acclaim from Metal Hammer (8/10) and Kerrang! (4/5), plus fan theories on hidden messages and a potential double-album. Stay tuned for insights on their Download Festival 2025 headline slot and sold-out US tour.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Seattle's Dead Bars, in the words of Razorcake, “make something impossible to duplicate look so simple and attainable.” For over a decade, the band—founded and led by John Maiello—has been delivering life-affirming hard rock, drawing comparisons to acts like Japandroids, White Reaper, and Fucked Up. Throughout this time, they've earned national acclaim while remaining a beloved institution. They're the band most likely to be seen sweating it out on stage any given night, delivering "emotional singalong anthems—perfect for screaming along after you've had a beer, or five," as Kerrang! puts it.Their third LP, All Dead Bars Go to Heaven, reaffirms that there is “arguably no better Seattle band,” according to The Seattle Times. With ten hook-laden heavy hitters—from the rousing opener “I Wanna Be a Ghost” to the anthemic closer “Be Me”—the album marks a new chapter: an introduction for the next generation ready to escape the grind, and a reminder to the previous one of their enduring power. The theme is heaven: a place of eternal reward for a life lived virtuously, regardless of the love or loss that once defined it. When the band cries “Dead Bars Forever,” they mean it. Thanks for listening!!! Please Follow us on Instagram @hiddentracks99Pre and Post roll music brought to you by @sleepcyclespa

Send us a textAs the metalcore world continues to thrive on its past and push forward into new territory, few bands walk that line more masterfully than August Burns Red. The Grammy-nominated heavyweights recently made a powerful appearance on The Barn's very own Vulgar Display of Podcast, where drummer Matt Greiner joined the conversation to dive into the band's legacy, relentless touring schedule, and their latest massive undertaking — a full re-recording of their iconic debut Thrill Seeker.And as fate would have it, the timing couldn't be better. ABR is set to join Trivium and Bullet For My Valentine on The Poisoned Ascendancy Tour 2025, which hits The Factory STL in St. Louis on Saturday, April 19. The tour celebrates the 20th anniversary of both Ascendancy and The Poison, with each band performing their breakout records in full. With Bleed From Within also on the bill, it's a stacked night of explosive metal — and ABR is bringing the heat.But the fire doesn't stop on stage. The band is marking 20 years of Thrill Seeker with a complete re-recording of the album, this time featuring longtime frontman Jake Luhrs on vocals — a longtime dream finally realized. The anniversary edition drops January 24 via ABR Records, packed with upgraded production from Carson Slovak and Grant McFarland, and features guest spots from Killswitch Engage's Adam Dutkiewicz and former ABR vocalist Josh McManness. Plus, the bonus track “Pride & Humility” gets a proper reimagining. Known for their tight musicianship, complex structures, and emotionally rich themes, August Burns Red has carved out a space uniquely their own — what Kerrang! once described as "thrillingly empathetic." Whether tearing up stages across the globe with Parkway Drive and Bring Me the Horizon, or dominating headlining tours celebrating albums like Constellations and Leveler, ABR has proven time and time again that they're built to last.

This week, we bring you a special treat, as Jarvis interviews the reclusive and gifted Chris Black, from High Spirits, Dawnbringer, Superchrist and others. You will hear about Chris's upbringing, his gateway to heavy metal, his thoughts on various subgenres, why all his albums list first names only, his impressions on various punk bands, how he goes about songwriting and the live performance, his thoughts on record labels, and so much more. It's a deep discussion between two deep people who are so heavily invested in our music. Check it out. Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by genre hopping but always heavy musician CODY FROST!Cody's journey takes root in the days of the Kerrang cover CD, which will have influenced many like minded folk into the heavier side of musical styles (they've come a long way since AD/DC on the cover!). This is the journey of Cody and a very real, human approach to acheiving goals and getting to an achievable level of success. Turns out it takes more than sending a message to the universe and simply receiving all you want without any work. Cody's been doing things their own way and making some awesome friends along the way including none other than Enter Shikari (to the point of guesting on their work), all the while being awesome at tattoo and digital art, and brushing up on music production. Super inspiring even if you're not in this area of the musical graph!• NOTE! Sound oddities from 11m38s to 17m31s - entirely unavoidable and efforts were made to salvage the audio - this was the most ear-friendly route, but apologies for that. It doesn't last long.PIP'S PATREON PAGE if you're of a supporting natureONLINEINSTAGRAMBLOODSUCKAANATOMYSPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Kerrang Top 100 Rock by Capital FM

Krusher JouleHis graphic design work can be found on albums by Ozzy Osbourne, Iron Maiden and Black Sabbath, among others. He's also done work for Motorhead, Hawkwind and the mighty Kerrang! Magazine (he designed the iconic logo). Steve “Krusher” Joule joins us to discuss his battles with Sharon Osbourne and Don Arden, how his work on “Diary of a Madman” was deemed satanic, why the gatefold to Iron Maiden's “Live After Death” nearly made his eyes glaze over and how Black Sabbath's “Born Again” went from a speed-fueled, lost-cause disaster to a shockingly approved, love/hate success. And to think it all started with Blondie?!

Parallel Worlds. Elliot Minor are back for the first time in a decade! Vocalist, Alex Davies, exclusively talks to us on Episode 314 of Sappenin' Podcast, about the bands surprise reunion, writing new music and touring plans for 2025. In this conversation, Alex opens up on the bands long and confusing hiatus, why now is the best time to test the waters, selling out KOKO London in 10mins, constant fan demand to reunite, how their self-titled debut album turned into a cult classic, 2008 hazy days, industry headaches, needing post-band therapy, exploring alternative musical projects, co-writing with other artists vs scoring films, emo nostalgia, the most random Kerrang! Magazine photoshoot, being covered in 'white yogurt' at Download Festival, early tours with McFly, remembering guitar solos, nerves, family live, spotlight adrenaline and more! Turn it up and join Sean and Morgan to find out Sappenin' this week!Follow us on Social Media:Twitter: @sappeninpodInstagram: @sappeninpodSpecial thank you to our Sappenin' Podcast Patreons:Join the Sappenin' Podcast Community: Patreon.com/Sappenin.Kylie Wheeler, Janelle Caston, Paul Hirschfield, Tony Michael, Scarlet Charlton, Dilly Grimwood, Mitch Perry, Nathan Crawshaw, Molly Molloy, James Bowerbank, Amee Louise, Kat Bessant, Kieran Lewis, Alexandra Pemblington, Jonathan Gutierrez, Jenni Robinson, Stuart McNaught, Jenni Munster, Louis Cook, Carl Pendlebury, James Mcnaught, Martina McManus, Jason Heredia, John&Emma, Danny Eaton, RahRah James, Sian Foynes, Evan, Ollie Amesbury, Dan Peregreen, Emily Perry, Kalila Keane, Adam Parslow, Josh Crisp, Vicki Henshaw, Laura Russell, Fraser Cummings, Sophie Ansell, Kyle Smith, Connor Lewins, Billy Hunter, Harry Radford, George Evans, Em Evans Roberts, Thomas O'Neill, Sinead O'Halloran, Kael Braham, Jade Austin, Charlie Wood, Aurora Winchester, Jordan Harris, James Page, Georgie Hopkinson, Helen Anyetta, John Wilson, Lisa Sullivan, Ayla Emo, Kelly Young, Jennifer Dean, Tj Ambler-Shattock, Chaz Howkins, Michael Snowden, Justine Baddeley, David Winchurch, Jim Farrell, Scott Evans, Andrew Simpson, Shaun Croucher, Lewis Sluman, Ellie Gowers, Luke Wardle, Grazyna McGroarty, Nathan Matheson, Matt Roberts, Joshua Lewis, Erin Howard,, Chris Harris, Lucy Neill, Amy Thomas, Jessie Hellier, Stevie Burke, Robert Pike, Anthony Matthews, Samantha Neville, Sarah Maher, Owen Davies, Bethan Downing, Jessica Tiernan, Danielle Oldershaw, Samantha Bowen, Ruby Price, Jule Ferl, Alice Wood, Billy Parmiter, Emma Musgrave, Rhian Friggens, Hannah Kenyon, Patrick Floyd, Hayley Taylor, Loz Sanchez, Cerys Andrews, Dan Johnson, Eva B, Emma Barber, Helen Macbeth, Melissa Mercury, Joshua Ryan, Cate Stevenson, Emily Moorhouse, Jacob Turner, Madeleine Inez, Robert Byrne, Christopher Goldring, Chris Lincoln, Beth Gayler, Lesley Dargie-Walker, Sabina Grosch, Tom Hylands, Andrew Keech, Kerry Beckett, Leanne Gerrard, Ieuan Wheeler, Hannah Rachael, Gemma Graham, Andy Wastell, Jay Smith, Nuala Clark, Liam Connolly, Lavender Martin, Lloyd Pinder, Ghostly Grimoire, Amy Hogg.Diolch and Thank You x Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week on HardLore features special guest Leah Massey, vocalist of the United Kingdom's absolute best and brightest new band: PEST CONTROL. The crossover band inspired by classics such as Anthrax and Suicidal Tendencies also draws from some of HardLore's cult favorites like the Crumbsuckers, and Leah walks us through her journey from young emo kid, to discovering hardcore in Leeds' vibrant hardcore scene, to taking the natural next step to singing for multiple bands. ...Now she's on the cover of Kerrang, they've played Outbreak Fest multiple times, and Metal Hammer called Pest Control "The UK's most exciting new band." We're proud to welcome Leah to the show to tell her story in this fantastic conversation. Join the HardLore Patreon to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes: https://patreon.com/hardlorepod HardLore Official Website/HardLore Records store: https://hardlorepod.com join the HARDLORE DISCORD: https://discord.gg/jA9rppggef Get 15% off MADD VINTAGE with code HARDLORE15! https://maddvintage.com/ Get 20% OFF @manscaped + Free Shipping with promo code HARDLORE at MANSCAPED.com! #ad #manscapedpod FOLLOW LEAH: INSTAGRAM | https://www.instagram.com/masterkilleah/ FOLLOW PEST CONTROL: INSTAGRAM | https://www.instagram.com/pestcontrolthrash/ TWITTER | https://www.twitter.com/pestcontrolthrash FOLLOW HARDLORE: INSTAGRAM | https://www.instagram.com/hardlorepod/ TWITTER | https://twitter.com/hardlorepod SPOTIFY | https://spoti.fi/3J1GIrp APPLE | https://apple.co/3IKBss2 FOLLOW COLIN: INSTAGRAM | https://www.instagram.com/colinyovng/ TWITTER | https://www.twitter.com/ColinYovng FOLLOW BO: INSTAGRAM | https://www.instagram.com/bosxe/ TWITTER | https://www.twitter.com/bosxe 00:00:00 - Start 00:00:53 - Introduction 00:03:40 - Cover of Kerrang 00:09:33 - Growing up in Leeds and discovering Hardcore 00:11:30 - Expansive knowledge of Lyrics 00:13:52 - From metalcore, to emo, to hardcore 00:18:52 - Grandma Helen and her... Tank? 00:21:09 - Then and Now with Hardcore in Leeds 00:26:31 - Band Before Pest Control 00:28:04 - Haters 00:30:28 - Reality TV Shows 00:36:06 - Pest Control 00:37:57 - Created during the pandemic 00:40:50 - Putting the Demo Together 00:43:17 - Guitar influences 00:45:54 - Starting to Tour 00:48:16 - Touring in the mainland and the UK 00:50:10 - Tales from Tour 00:52:39 - Writing after the demo 00:56:14 - First LP and Outbreak Fest 00:58:58 - Playing Outbreak again 01:03:28 - Touring the United States 01:05:13 - Pardon This Interuption 01:08:04 - Bingo grand prize 01:11:44 - Being in a childrens game show 01:15:46 - Year of the Pest 01:18:10 - What does P in PMC stand for? 01:24:03 - Upcoming tour with Harms Way 01:27:07 - Smallest City Played 01:29:31 - Pub Visits 01:30:35 - Favorite Pest Control Tour Ever 01:33:30 - How Many Sams do you know 01:34:27 - Expectations and Plans for pest Control 01:36:25 - Top 4 Hardcore Records 01:38:34 - Do you Believe In Ghosts? 01:45:58 - Difference between foods 01:48:10 - Homeland food or mainland food? 01:49:22 - Food in America 01:51:01 - Pest Controls Favorite Fast Food 01:52:21 - A big pet peeve 01:54:03 - Who Do You Do? 01:57:38 - Closing Remarks

In this episode, Scott sits with one of the best singers in rock and roll known for being the frontman of Alter Bridge, and Slash and the conspirators, and his amazing solo career...Kerrang magazine called him one of rocks finest vocalists! The incredible…Myles Kennedy!Myles major breakthrough came as the lead vocalist and guitarist for Alter Bridge, formed in 2004 with former members of Creed. And Since 2010, he has also served as the lead vocalist for Slash's and The Conspirators,He's got a new album The Art Of Letting Go , his third solo album scheduled for release on October 11th- This is Myles'  15th full length release of his career:In this interview, we'll dive into his career journey, his collaborations with rock icons like Slash and even a  Led Zeppelin story, and his upcoming solo album- Welcoming to Lipps Service … Myles Kennedy!  

We had the pleasure of interviewing Capstan over Zoom video!To make a mosaic, tiny pieces interlock as a larger picture. In similar fashion, distinct elements coalesce as one in Capstan. The Florida quintet—Anthony Demario [vocals], Joe Mabry [guitar], Harrison Borman [guitar], Andrew “Boz” Bozymowski [bass, vocals], and Scott Fisher [drums]—merge metallic precision with pit-splitting hardcore grooves and the kind of hooks you can't shake. After amassing tens of millions of streams and earning acclaim from the likes of KERRANG! and many more, the group paint a definitive body of work on their aptly titled third full-length offering, The Mosaic [Fearless Records].  Since 2015, Capstan have progressed with each subsequent move. Following Seasonal Depression [2015] and  In The Wake of  Our Discord [2018], they made waves with their full-length debut, Restless Heart, Keep Running, in 2019. Among many standouts, “Stars Before The Sun” racked up over 5.1 million Spotify streams followed by “We'll Always Have Paris” with 2.5 million Spotify streams. 2021 saw them level up again with Separate. Right out of the gate, KERRANG! rated it “4-out-of-5 stars” and proclaimed, “This is Capstan at full strength and it's a second outing to be proud of.” They toured with the likes of Trash Boat, Doll Skin, Silverstein, and many more.  This time around, the boys opted to self-produce, engineer, and record what would become The Mosaic. At the same time, they collectively absorbed the spirit of a more optimistic season.As with any mosaic worth pondering, this one might just leave you uplifted.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #Capstan #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

In this episode of Seeing Them Live, host Charles welcomes Rudy Childs, an award-winning documentary filmmaker and rock photographer. Rudy shares insights into his career, highlighting his acclaimed documentaries on heavy metal music and his extensive photography work with iconic bands like Van Halen and Aerosmith. The conversation touches on Rudy's early concert experiences, notably his first Aerosmith concert at 15, which set the course for his unique approach to concert photography by sneaking cameras into shows to capture legendary moments.Rudy also discusses the highs and lows of his journey, including curious anecdotes such as impersonating a Kerrang magazine writer for a band interview and his encounter with Sharon Osbourne when she threw him out of Ozzy's dressing room. His passion for rock music is evident in his vivid recollections of concerts and the lengths he went to photograph and videotape these events, despite the challenges posed by his battles with drug use.Beyond photography, Rudy describes his venture into filmmaking, with documentaries like 'The Dogmatics' and 'Tension,' exploring bands that shaped the punk and metal scenes. He details his creative process and the enthusiasm with which he pursued these projects, despite personal setbacks. His work has been celebrated, winning several awards and being featured in numerous publications.Rudy concludes by sharing exciting updates and future plans, including a potential publication of his candid memoir 'Riff Raff and Rock and Roll,' which delves into his personal experiences with addiction and recovery. He also hints at a significant project involving a well-known band, showcasing his ongoing dedication to documenting the world of music.BANDS: Aerosmith, Alice Cooper, Black Sabbath, Blue Oyster Cult, Cheap Trick, Chicago White Sox, David Bowie's band, Tin Machine, Elton John, Flock of Seagulls, Foreigner, J Giles, Judas Priest, Madonna, Megadeth, Men at Work, Metallica, Michael Stanley band, Motley Crue, Nantucket, Ozzie Osbourne, Pink Floyd, Quiet Riot, Rick Derringer, Scorpions, Stray Cats, Ted Nugent, The Kinks, The Outlaws, Thin Lizzy, Tom Petty, Van HalenVENUES: Boston garden, Cape Cod Coliseum, Comiskey park, Four Seasons, Hammerjacks, Merriweather, Nassau Coliseum  PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

All of us have dreamed of going backstage after a killer concert to hangout with our favorite hard rock heroes. For more than 40 years, that's been Mick Wall's job. While writing for Kerrang!, Classic Rock, any number of newspapers and magazines around the world or working on one of his more than two dozen books, Mick Wall has met them all and seen it all. By 1988, you might say that Mick was a bit jaded - been there, done that, got the (free) t-shirt. But in April 1988 in Worcester, Mass while on assignment for the 200th episode of Kerrang!, Mick had the chance to not only witness David Lee Roth live but to hang with him one-on-one through the wee hours of the morning into the next afternoon. We crack up hearing stories about lobster dinners with dancing girls, Steve Vai, and large bags of....party favors. We dive into what a showman Dave was, what a party animal Dave was and what might have become of Dave had he been born in different eras. Mick's dry wit and attention to fun details makes this one of our most fun conversations in the four years of our podcast. Was Dave in real life like he was on MTV and those famous music videos? He was all that and then some! You're gonna love this story from Mick Wall! Join Mick Wall's Patreon: https://www.patreon.com/user?u=60531281 Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Myles Kennedy Interview | The Brett Allan Show | The Art of Letting Go Alterbridge and Slash As a prolific songwriter, powerhouse vocalist, and skilled guitar player, Myles Kennedy tunes into the rhythm of his surroundings and goes with the flow. Fronting Alter Bridge, his soaring vocals, open-hearted lyrics, and airtight riffs have fueled the group's global impact as a critically acclaimed, arena-filling force of nature over two decades-plus. On the microphone for Slash and The Conspirators, his towering range and magnetic stage presence has consistently stunned audiences since 2010. Becoming a celebrated collaborator, he's the rare presence just as comfortable on a track with Disturbed, Halestorm, and Sevendust as he is with Gov't Mule and Darryl “DMC” McDaniels. It's why he's generated over 1 billion cumulative streams, earned gold and platinum certifications worldwide, uplifted countless fans, and KERRANG! christened him “one of rock's finest vocalists.” It's also why he's carved out his own lane. With two solo efforts under his belt and sold-out headline tours in the rearview, a sense of keenly honed intuition guides his third full-length LP, The Art of Letting Go [Napalm Records]. “I've been going through a massive Bruce Lee kick, no pun intended,” he smiles. “His quote, ‘Be water, my friend', always stuck with me. On a grander scale, it represents the record. It's an exercise in removing prior restrictions and shattering the parameters I set up for myself as a solo artist. This is a rock record. In the past, I thought rock might be a little too close to the other projects. Instead, I just let go and embraced my essence as a singer, guitar player, and writer. This is who I am. This is my DNA. Instead of being apologetic and shying away from it, I'm letting go and being myself.” Connect with us on our website for more amazing conversations! www.brettallanshow.com Have you got some feedback? Let us know! openmicguest@gmail.com Follow us on social media! Facebook / thebrettallanshow Instagram / brettallanshow YouTube / @thebrettallanshow LinkedIn / brett-allan-009458168 Support the show! VENMO @-Brett-Allan-7 Cash App Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most expensive albums in history–#9 to be exact–Korn's fifth album that reportedly cost $4m to make was a sign of the changing times in nu-metal, a sounding of the death rattle for the genre. And given how much money Korn spent on this record, the death rattle actually sounds really, really good. Impeccably produced and with way more good songs on it than we remember, this is one of the rare nu-metal albums that actually improves its standing with a re-listen in 2024, unencumbered by the eminent collapse of nu-metal that turned many fans off back in 2002. And of course, Korn says a lot of stupid stuff around the time of its release, as a full-length Kerrang! piece makes the huge mistake of allowing the 4 non-Jonathan Davis members of Korn equal interview time to Jonathan Davis, and we learn more than we should. It's also time for our annual appraisal of the Miss Rocklahoma pageant and we talk about Andrew W.K. for some reason. If you want to hear us talk about a lot more stuff for no reason, head on over to our Patreon and donate to help support your fine hosts of the POD Kast. It's our fifth anniversary! No better time to donate. For just $4/month at patreon.com/thepodkast, you'll get access to our entire back catalogue of bonuses (over 140!) plus THREE new bonus episodes every month. Last month, Bryn Nieboer from the great band Stay Inside joined us to discuss Sleep's "Holy Mountain", a stoner-metal classic, and we have lots of other fun stuff like the POD Kast Lotto, an exclusive Discord, and more! You can even tell us what to review for an episode! Check it out.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En La Sesión Golfa de Extra-Órbita hoy os traemos una película que nos entusiasma, CASI FAMOSOS (Almost Famous – 2000) y que, no sólo vamos a analizar de principio a fin, sino que hablaremos de ese mundo de las estrellas del rock, el submundo de las groupies, la música en general y el rock en particular, en su momento (el que refleja la película), antes de ayer, ayer mismo y un poco de hoy. Antonio Runa se trae a Mario García, que además de ser miembro del equipo Loder es músico desde hace décadas y ha tocado en conciertos en todo el mundo y vivido, más o menos, toda esta fantasía de la fama, la pseudofama, el rock y todos sus demonios, con la perdición a la vuelta de la esquina. Y mientras Mario va a contar un montón de secretos y curiosidades desde la perspectiva del música, Antonio contará algunas otras anécdotas desde la visión del periodista musical, gracias a sus colaboraciones indirectas con revistas como Kerrang y Heavy Rock. Y que la película da para mucho, ya os lo decimos. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

We had the pleasure of interviewing The Wild Things over Zoom video!Fast-rising UK quartet The Wild Things have released “Drunk Again”, the lead single from their sophomore LP Afterglow, set for release later in 2024. Co-produced by Pete Townshend, “Drunk Again” is the perfect soundtrack to a night out at the local dive and further cements The Wild Things as one of rock's most exciting young acts.Anchored by a twangy lick from guitarist Rob Kendrick and vocalist Sydney Rae White's powerful voice, “Drunk Again” is the latest punchy offering from a group with seemingly endless potential. The forthcoming Afterglow record will be an immersive choose-your-own-adventure concept record that tells the story of the residents of the fictional town of Valentine amidst a paranormal phenomenon.Already a critical favorite (they have been profiled by Kerrang! who declared them “your favorite new band”, Clash who said they are “blazing a trail across London, with their snappy, infectious live show,” and Rolling Stone who praised “their hook-laden riffs, tight melodies, and White's stage presence”), “Drunk Again” demonstrates The Wild Things' voracious appetite for power chords, sing-along choruses, and the gripping storytelling of their creative heroes (Pete Townshend, Spielberg, etc). They may sound straight out of the 70s, but The Wild Things are turning their amps up to 11 for a whole new generation of rock and roll fans.Having honed their live show with high-profile opening gigs for The Who (their first-ever US show was at Madison Square Garden) and KISS, “Drunk Again” builds on the momentum of their recent Friends With Benefits EP (which featured KISS' Tommy Thayer). Recorded at Pete Townshend's London studio, the track notably features the legendary guitarist playing a Lowrey Berkshire Deluxe TBO-1 organ - the very same instrument that appears on “Baba O'Riley”. At the end of the sessions, Townshend gifted the organ to the band…a symbolic passing of the torch from one generation to the next.It's been a busy 2024 for The Wild Things, whose Friends With Benefits EP featured appearances by Townshend, KISS' Tommy Thayer, and drag legend Trixie Mattel. In true Rock n Roll fashion, the band celebrated the release by performing atop a bus traveling down Hollywood Boulevard in LA, before taking the stage at The Bourbon Room in Hollywood for a high-octane free performance in front of their adoring stateside fans.The Wild Things are Sydney Rae White, Rob Kendrick, Pete Wheeler, and Cam White.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #TheWildThings #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.