Podcasts about Akashic Books

In this week's episode we are joined by Regina Brooks!Ms. Regina Brooks is the founder and CEO of Serendipity Literary Agency in New York, New York. Her agency is the largest African American owned agency in the country and has represented and established a diverse base of award-winning clients in adult and young adult fiction, nonfiction, and children's literature. Her authors have appeared in USA Today, the New York Times, and the Washington Post as well as on Oprah, ABC, NBC, CBS, CNN, FOX, MSBNC, TV One, BET, and a host of others. In 2015, Publishers Weekly nominated Regina Brooks as a PW Star Watch Finalist, and she was honored with a Stevie Award in Business. Writer's Digest Magazine named Serendipity Literary Agency as one of the top 25 literary agencies. She is currently the President of the Association of American Literary Agents (AALA) and co-chair of its Communications Committee, co-producer of the U.S. Book Show, a founding member and board member of Literary Agents of Change (LAOC), and a board member of the Association of Writers & Writing Programs (AWP). Formerly, she held senior editorial positions at John Wiley and Sons (where she was not only the youngest but also the first African American editor in their college division) and McGraw-Hill.Prior to her publishing career, she worked as an aerospace engineer and made history as the first African American woman to receive a Bachelor of Science degree in Aerospace Engineering from The Ohio State University. She is a graduate of The School of the Arts High School in Rochester, NY.She is the author of Essence Magazine's quick pick children's book, Never Finished, Never Done (Scholastic), Writing Great Books for Young Adults: Everything You Need to Know, from Crafting the Idea to Getting Published, 2e (Sourcebooks), and You Should Really Write a Book: How to Write, Sell, and Market Your Memoir and is a well-received blogger for the Huffington Post. Brooks is also on the faculty of the Harvard University publishing program, Western Connecticut MFA low residency programs, and Writer's Digest University and teaches annually at more than twenty worldwide conferences. She has been highlighted in several national and international magazines and periodicals, including Publishers Weekly, Forbes, Media Bistro, Writers and Poets, Essence Magazine, Ebony, Jet, Women on Writing, Writer's Digest Magazine, The Writer, The Network Journal, and Rolling Out.She was named Woman of the Year by The National Association of Professional Women, A New York Urban League Rising Star Award winner, and a finalist for the StevieTM Award for Women Entrepreneurs. Regina Brooks is featured in books such as Guide to Literary Agents and the NAACP-nominated Down to Business: The First 10 Steps for Women Entrepreneurs, How to Build a Platform, and Bill Duke's Dark Girls. She is also listed in International Who's Who under the categories of Professional Management, Technology, Entrepreneurs, and Engineering. In 2010, Brooks partnered with Marie Brown of Marie Brown and Associates and Marva Allen of Hue Man Bookstore to launch a new publishing imprint with Johnny Temple's Akashic Books called Open Lens.Further, Possibiliteas is the brainchild of the literary agent and tea enthusiast, Regina Brooks, who believed that tea—the world's oldest performance-enhancing beverage—could have a beneficial effect on her clients—writers, artists, and other creative professionals who were looking for fuel for their creative fire.She is a pilot and cofounder of Brooklyn Aviation as well as a member of New York Women in Film and Television.Ms. Brooks is the founder and Co-Executive Director of Y.B. Literary Foundation, Inc., a not-for-profit organization designed to kindle a passion for literature within high school students and an appreciation for the possibilities and opportunities that reading can provide.When Regina's not agenting, she's gardening, fishing, and flying her own plane (always in a dress).Buy her latest book here: https://bookshop.org/a/19191/9781402293528Check out her website here: www.serendipitylit.comFollow Serendipity Lit on IG here: www.instagram.com/serendipitylit/Support the show

Robyn Hitchcock's second memoir, Stranded in the Future (Akashic Books, 2026), explores the formation of his seminal 1970s band the Soft Boys, and the obsessions that fueled his early creative output. Stranded in the Future is a kind of dystopian self-portrait. It's about obsession, and obsessive behavior. Spanning from 1968 to 1978, it takes in the mythology surrounding Pink Floyd's Syd Barrett (though it doesn't name him) and hinges on Robyn Hitchcock's teenage girlfriend (she isn't named either). The book explores the way that Hitchcock, in his own head, linked these two figures to each other, although they never actually met. On the way, the story mines the incremental hangover of the 1970s as Hitchcock begins to play live, teaches himself to write songs, and eventually forms the Soft Boys. There's a side order of trolleybuses too! Hitchcock's beautiful prose will resonate far beyond the fans of his music, and build on the literary following he established with his first book, 1967: How I Got There and Why I Never Left. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Robyn Hitchcock's second memoir, Stranded in the Future (Akashic Books, 2026), explores the formation of his seminal 1970s band the Soft Boys, and the obsessions that fueled his early creative output. Stranded in the Future is a kind of dystopian self-portrait. It's about obsession, and obsessive behavior. Spanning from 1968 to 1978, it takes in the mythology surrounding Pink Floyd's Syd Barrett (though it doesn't name him) and hinges on Robyn Hitchcock's teenage girlfriend (she isn't named either). The book explores the way that Hitchcock, in his own head, linked these two figures to each other, although they never actually met. On the way, the story mines the incremental hangover of the 1970s as Hitchcock begins to play live, teaches himself to write songs, and eventually forms the Soft Boys. There's a side order of trolleybuses too! Hitchcock's beautiful prose will resonate far beyond the fans of his music, and build on the literary following he established with his first book, 1967: How I Got There and Why I Never Left. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Robyn Hitchcock's second memoir, Stranded in the Future (Akashic Books, 2026), explores the formation of his seminal 1970s band the Soft Boys, and the obsessions that fueled his early creative output. Stranded in the Future is a kind of dystopian self-portrait. It's about obsession, and obsessive behavior. Spanning from 1968 to 1978, it takes in the mythology surrounding Pink Floyd's Syd Barrett (though it doesn't name him) and hinges on Robyn Hitchcock's teenage girlfriend (she isn't named either). The book explores the way that Hitchcock, in his own head, linked these two figures to each other, although they never actually met. On the way, the story mines the incremental hangover of the 1970s as Hitchcock begins to play live, teaches himself to write songs, and eventually forms the Soft Boys. There's a side order of trolleybuses too! Hitchcock's beautiful prose will resonate far beyond the fans of his music, and build on the literary following he established with his first book, 1967: How I Got There and Why I Never Left. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Robyn Hitchcock's second memoir, Stranded in the Future (Akashic Books, 2026), explores the formation of his seminal 1970s band the Soft Boys, and the obsessions that fueled his early creative output. Stranded in the Future is a kind of dystopian self-portrait. It's about obsession, and obsessive behavior. Spanning from 1968 to 1978, it takes in the mythology surrounding Pink Floyd's Syd Barrett (though it doesn't name him) and hinges on Robyn Hitchcock's teenage girlfriend (she isn't named either). The book explores the way that Hitchcock, in his own head, linked these two figures to each other, although they never actually met. On the way, the story mines the incremental hangover of the 1970s as Hitchcock begins to play live, teaches himself to write songs, and eventually forms the Soft Boys. There's a side order of trolleybuses too! Hitchcock's beautiful prose will resonate far beyond the fans of his music, and build on the literary following he established with his first book, 1967: How I Got There and Why I Never Left.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tune in to this interview with Meryl Branch-McTiernan about her new book What You Should Worry About (Akashic Books, 2026). It's January of 2020 and thirty-seven-year-old Layla Moody is trying to worm her way into a party at the Sundance Film Festival. When she's not picking up other people's abandoned drinks or skinny-dipping in the hot tub, she's trying to gain access to someone who can jump-start her stymied career as a Hollywood television writer. After a run-in with one of her creative heroines, she lands an opportunity to get her show produced. The only catch is, she has to return to New York, which she's been avoiding since her father's death. But soon all is thwarted when COVID-19 shuts down the entertainment industry and any opportunity to propel her life forward. While quarantining alone in her parents' apartment in Queens, Layla wrestles with the ghost of an ex-boyfriend who disappeared unexpectedly, the grief of processing the loss of her father, and the notion that she just might be the one responsible for her current state of solitude. Finally, in spite of warnings and stay-at-home orders, Layla throws caution to the wind and joins a share house on Fire Island where she spent summers in her twenties. By returning to the house and its eclectic denizens, she is reintroduced to the comfort and annoying tendencies of other people, and begins to grasp how to find family on her own terms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tune in to this interview with Meryl Branch-McTiernan about her new book What You Should Worry About (Akashic Books, 2026). It's January of 2020 and thirty-seven-year-old Layla Moody is trying to worm her way into a party at the Sundance Film Festival. When she's not picking up other people's abandoned drinks or skinny-dipping in the hot tub, she's trying to gain access to someone who can jump-start her stymied career as a Hollywood television writer. After a run-in with one of her creative heroines, she lands an opportunity to get her show produced. The only catch is, she has to return to New York, which she's been avoiding since her father's death. But soon all is thwarted when COVID-19 shuts down the entertainment industry and any opportunity to propel her life forward. While quarantining alone in her parents' apartment in Queens, Layla wrestles with the ghost of an ex-boyfriend who disappeared unexpectedly, the grief of processing the loss of her father, and the notion that she just might be the one responsible for her current state of solitude. Finally, in spite of warnings and stay-at-home orders, Layla throws caution to the wind and joins a share house on Fire Island where she spent summers in her twenties. By returning to the house and its eclectic denizens, she is reintroduced to the comfort and annoying tendencies of other people, and begins to grasp how to find family on her own terms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

WHEN THE HOWELL FAMILY MOVES INTO A HOUSE on Heckler Lane, it causes quite a stir around the small town of Sunny Cove, Pennsylvania. Elise Howell, a well-known cardio surgeon, has returned home after fifteen years to fill her recently deceased mother's position at Sunny Cove General Hospital. In a town this size, it's big news. But it's Elise's new husband, Artie, who has the whole town talking. Artie Howell is a man who always seems to be wearing a smile. He's an accomplished crime fiction writer, a soccer dad to their young son Nicky, and he volunteers his weekends teaching creative writing to youths in the local detention center. When they first arrived at Heckler Lane, the Howells had seemed like a wholesome American family. Then came the murders. A nun turning up missing from the Convent of St. Mary becomes the first in a string of unexplained tragedies that have befallen the town. Tragedies that all seem to be tied to scenes from Artie's novels. The writer now finds himself as the prime suspect in an investigation that threatens to not only tear apart his family, but the entire town of Sunny Cove. James talks with the prolific writer! Akashic Books! Out everywhere!

When Artie Howell moves with his wife back to her sleepy hometown, he must protect their son Nicky from the skeletons coming out of the closets from both of their pasts in House of the Rising Sun (Akashic Books, 2026) When the Howell family moves into a house on Heckler Lane, it causes quite a stir around the small town of Sunny Cove, Pennsylvania. Elise Howell, a well-known cardio surgeon, has returned home after fifteen years to fill her recently deceased mother's position at Sunny Cove General Hospital. In a town this size, it's big news. But it's Elise's new husband, Artie, who has the whole town talking. Artie Howell is a man who always seems to be wearing a smile. He's an accomplished crime fiction writer, a soccer dad to their young son Nicky, and he volunteers his weekends teaching creative writing to youths in the local detention center. When they first arrived at Heckler Lane, the Howells had seemed like a wholesome American family. Then came the murders. A nun turning up missing from the Convent of St. Mary becomes the first in a string of unexplained tragedies that have befallen the town. Tragedies that all seem to be tied to scenes from Artie's novels. The writer now finds himself as the prime suspect in an investigation that threatens to not only tear apart his family, but the entire town of Sunny Cove.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Artie Howell moves with his wife back to her sleepy hometown, he must protect their son Nicky from the skeletons coming out of the closets from both of their pasts in House of the Rising Sun (Akashic Books, 2026) When the Howell family moves into a house on Heckler Lane, it causes quite a stir around the small town of Sunny Cove, Pennsylvania. Elise Howell, a well-known cardio surgeon, has returned home after fifteen years to fill her recently deceased mother's position at Sunny Cove General Hospital. In a town this size, it's big news. But it's Elise's new husband, Artie, who has the whole town talking. Artie Howell is a man who always seems to be wearing a smile. He's an accomplished crime fiction writer, a soccer dad to their young son Nicky, and he volunteers his weekends teaching creative writing to youths in the local detention center. When they first arrived at Heckler Lane, the Howells had seemed like a wholesome American family. Then came the murders. A nun turning up missing from the Convent of St. Mary becomes the first in a string of unexplained tragedies that have befallen the town. Tragedies that all seem to be tied to scenes from Artie's novels. The writer now finds himself as the prime suspect in an investigation that threatens to not only tear apart his family, but the entire town of Sunny Cove.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

This episode is a little different. It's still about music, but from a very particular perspective. My guest is author Daniel Rachel. He's written some fantastic books like Isle of Noise (about UK songwriters) and The Lost Album of The Beatles. His latest release may be his most controversial. It's called This Ain't Rock ‘n' Roll: Pop Music, The Swastika, & The Third Reich. In it, Daniel explores the fascination musicians have had with Nazi imagery, symbolism, and paraphernalia. There are some connections you've probably heard of, like Jimmy Page and Lemmy. But there are others that you might not be aware of, like The Human League and Nick Cave. Daniel and I talk through how the British, especially in the 60's and 70's, used symbols as a way of mocking Nazi-ism. We also talk about a seeming resurgence in the symbolism, particularly through artists like Kanye West.  The book gives facts and tells stories. But, importantly, it lets the readers draw their own conclusions. It was a fascinating read, especially if you like music & history. I recommend picking it up. It's available from Akashic Books at https://www.akashicbooks.com/catalog/this-aint-rock-n-roll-pop-music-the-swastika-and-the-third-reich/ Follow Daniel @danielrachelauthor on Instagram. Follow us @PerformanceAnx on socials. Grab merch at performanceanx.threadless.com. You can also send coffee funds to ko-fi.com/performanceanxiety. Now prepare for a history lesson with Daniel Rachel on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in 2012, Diverse Voices Book Review host Hopeton Hay conducted a short interview with Bernice L. McFadden on KAZI Book Review (the name of this show before it changed in 2021) shortly after Akashic Books published her novel GATHERING OF WATERS. It is a tale narrated by the town of Money, Mississippi—the site of the brutal murder of Emmett Till in 1955. This haunting story, according to Akashic Books, "mines the truth about Money, Mississippi, as well as the town's families and threads their history over decades. The bare-bones realism—both disturbing and riveting—combined with a magical realm in which ghosts have the final say, is reminiscent of Toni Morrison's BELOVED." I hope you enjoy it.Follow Diverse Voices Book Review on Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks.bsky.social

This is a rebroadcast of a conversation first aired live on KAZI 88.7 FM in April 2016, featuring Bernice L. McFadden, author of the 2016 award-winning novel, THE BOOK OF HARLAN. The interview—conducted by Diverse Voices Book Review host Hopeton Hay with the assistance of contributor Evelyn Martin‑Anderson—was later shared on the podcast in July 2019. DVBR is revisiting the discussion now to celebrate Akashic Books' release of a special 10th anniversary edition of the novel, which remains one of my personal favorites. In this wide‑ranging discussion, McFadden talks about the lyrical language that shapes her work, her deep engagement with family history, and the hidden histories she uncovers through fiction. She reflects on The Book of Harlan as a sweeping saga that moves from the American South to Harlem, Paris, and World War II–era Europe, exploring friendship, legacy, and the power of storytelling to “breathe life back into memory.”Bernice McFadden is the author of several novels, including Glorious and Gathering of Waters. A MacArthur Fellow, her work is widely praised for its historical depth, poetic prose, and exploration of African American life across generations.Follow Diverse Voices Book Review on Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks.bsky.social

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah  Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani's music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani's striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani's lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah  Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani's music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani's striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani's lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah  Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani's music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani's striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani's lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah  Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani's music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani's striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani's lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah  Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani's music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani's striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani's lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

City Lights and Akashic Books celebrate the publication of The Royal We – by Roddy Bottum, published by Akashic Books. You can purchase copies of The Royal We here: https://citylights.com/royal-we/ Originally held at City Lights and broadcast via Zoom on Thursday, November 20, 2025. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation: citylights.com/foundation

Sohrab Habibion and Johnny Temple are here to discuss the book, Plenty for All: The Art of Rick Fröberg, how they each met and got to know Rick and how this book came to be, the role the late Rich Jacobs played in this project, how this book and the zine that's part of the deluxe edition might surprise Rick's fans, the story of Akashic Books and why Sohrab thought it was the perfect home for Rick's art, Rick's different names and a surprising umlaut, upcoming book and live music events that commemorate this book, whether we may hear unreleased music by Rick's bands like Hot Snakes and Obits someday soon, Fake Names and Savak updates, a by now unsurprising tangent about the Doors on this show, new Akashic titles, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Rick Froberg RememberedEp. #987: Tropical Fuck StormEp. #905: Duane Denison from The Jesus LizardEp. #878: Ted LeoEp. #848: SAVAKEp. #732: SoulsideEp. #383: Hot Snakes' Rick FrobergEp. #217: Do You Compute – The Story of Drive Like JehuEp. #214: Ani DiFrancoEp. #29: Sohrab Habibion of ObitsRick Froberg on Hot Snakes Reunion ShowsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life's work, mostly in chronological order. One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg's line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg's paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career. Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg's work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life's work, mostly in chronological order. One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg's line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg's paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career. Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg's work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life's work, mostly in chronological order. One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg's line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg's paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career. Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg's work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life's work, mostly in chronological order. One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg's line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg's paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career. Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg's work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Of all contest entries, Bush Bath is perhaps the embodiment of the 2025 festival contest theme, Remedies of Root. Penned by Brandon McIvor, it traces a man on a visit to Trinidad to see his dying mother, who abandoned him as a child. He delays the meeting, instead taking a symbolic "bush bath" in a forest pool to cleanse his pain. There, a recovered memory reveals his mother didn't save him from danger, but first let him go. As the story unfolds, McIvor's main character must decide whether to confront her with this painful truth or offer her peace. Brandon Mc Ivor was born and raised in Trinidad and Tobago and holds a BSc in English Literature from New York University. He currently teaches English in Ehime, Japan, while continuing to build a literary practice that explores the craft and circulation of storytelling. His work has appeared in The Caribbean Writer and in Akashic Books' flash fiction series, among other publications. He was also shortlisted for the Commonwealth Short Fiction Prize in 2020 for his work Finger, Spinster, Serial Killer. Both writer and marketer, Mc Ivor is deeply interested in the forms and voices through which stories are told, seeking to move audiences through fiction, poetry, and creative communication alike.

Interview with Antonia Tricarico. Antonia Tricarico is an incredible photographer who is working on releasing a new book Be My Rebel. "Be My Rebel is a photography book born from my belief that powerful images can shift perceptions, raise awareness, and spark empathy. This project captures the raw intensity and emotion of protest—from the quiet determination of a young climate activist to the unstoppable unity of a crowd marching for women's rights." Antonia Tricarico on Be My Rebel.  Link to kickstarter!  Be My Rebel Book Kickstarter  Antonia Tricarico was born in Potenza, in Italy's Basilicata region. At 16, she joined the Feminist Collective of Potenza. After graduating from high school, she enrolled in the Law School at La Sapienza University in Rome and became active in the Women's Health Collective in Trastevere. She worked with Paolo Bedini's AZ Music agency, where for nearly a decade she helped bring renowned musicians to Italy. In the 1990s, she was involved in Rome's Rights to Housing movement and supported squatting public buildings with and for immigrants, for their right to housing. In 1997, after moving to the United States, she began pursuing photography more seriously. In the past years, she has worked as an archivist for Pulitzer Prize–winning Washington Post photographer Lucian Perkins and collaborated with independent labels such as Tolotta Records, Dischord Records, Kill Rock Stars, and Youth Action Research. Her photographs are represented in both private and public collections, including the National Museum of American History at the Smithsonian Institution, the permanent exhibition and special collections archive of the Martin Luther King Jr. Memorial Library in Washington, DC (Punk and Go-Go music archives), the Michelle Smith Performing Arts Library at the University of Maryland,the DC History Center, and the Library of Congress. Her work has been exhibited both nationally and internationally. She is the author of three books: • Frame of Mind: Punk Photos and Essay from Washington, DC, and Beyond, 1997–2017 (Akashic Books, 2019) • The Inner Ear of Don Zientara: A Half Century of Recording in One of America's Most Innovative Studios, Through the Voices of Musicians (Akashic Books, 2023) - Oltre l'Influenza-Italian Novel-Sensibili alle Foglie Publisher-Rome,Italy 2023 Her work has appeared in Photo Review, Guitar World, Kerrang, All Music, Razorcake, Chicago Reader, The Oregonian, The Quietus, The Echo, Exclaim!, Fretboard Journal, Washington City Paper, and Washingtonian.   Antonia Tricarico website.

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week we're treated to the deep expertise, wisdom, and compassion of agent Regina Brooks. Regina has lots of experience shaping and selling memoirs to publishers. In this week's show, we talk about what makes a memoir saleable, but also about what Regina looks for when memoir projects cross her desk. We cover author platform, celebrity memoir, and advice for memoirists looking to get published. Regina even invites our listeners (when they're ready) to send her their proposals. A great and much-needed publishing interview, memoir-style. Also, in today's Book Trend Brooke and Grant take the space to apologize for a recent ad spot run on Memoir Nation that they did not and do not endorse. Regina Brooks is the founder and CEO of Serendipity Literary Agency in New York, the largest African American–owned agency in the US. She is the president of the Association of American Literary Agents (AALA) and coproducer of the People of Publishing Conference and a founding member of Literary Agents of Change (LAOC) and the Black Book Accelerator. Brooks is the author of Writing Great Books for Young Adults and You Should Really Write a Book: How to Write, Sell, and Market Your Memoir. Brooks is a copublisher with Open Lens, an imprint of Akashic Books. Brooks has been highlighted in The New York Times, USA Today, The Wall Street Journal, and elsewhere. When she's not agenting, she's gardening, fishing, and flying her own plane (always in a dress). Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we're treated to the deep expertise, wisdom, and compassion of agent Regina Brooks. Regina has lots of experience shaping and selling memoirs to publishers. In this week's show, we talk about what makes a memoir saleable, but also about what Regina looks for when memoir projects cross her desk. We cover author platform, celebrity memoir, and advice for memoirists looking to get published. Regina even invites our listeners (when they're ready) to send her their proposals. A great and much-needed publishing interview, memoir-style. Also, in today's Book Trend Brooke and Grant take the space to apologize for a recent ad spot run on Memoir Nation that they did not and do not endorse. Regina Brooks is the founder and CEO of Serendipity Literary Agency in New York, the largest African American–owned agency in the US. She is the president of the Association of American Literary Agents (AALA) and coproducer of the People of Publishing Conference and a founding member of Literary Agents of Change (LAOC) and the Black Book Accelerator. Brooks is the author of Writing Great Books for Young Adults and You Should Really Write a Book: How to Write, Sell, and Market Your Memoir. Brooks is a copublisher with Open Lens, an imprint of Akashic Books. Brooks has been highlighted in The New York Times, USA Today, The Wall Street Journal, and elsewhere. When she's not agenting, she's gardening, fishing, and flying her own plane (always in a dress). Learn more about your ad choices. Visit megaphone.fm/adchoices

The queens talk with David Duchovny about poetry, Lacanian psychotherapy, love, the future perfect, and the lost past. Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:David Duchovny's new book, About Time, is just out from Akashic Books. David was interviewed about the book on PBS--watch it here. You can catch some of David's music here. For more about the Aymara of the Andean highlands, check out this NPR story.Randall Jarrell's poem "The Woman at the Washington Zoo" ends, "You see what I am: change me, change me!" Read it here.Check out the Fail Better Podcast interviews with Aimee Mann, Melissa Febos, and Jack HalberstamFor more about Lacan's short therapy sessions, click here.  For more about the future perfect tense, read here. Christopher Walken talks here about his resentment of punctuation.David talked with writer Chris Carter about ellipsis and his writing of the character Fox Mulder here. If you'd like to check out Matthew McConaughey reading his poems, here's a link for you.

The Royal We (Akashic Books, 2025) is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon. The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal tales of historical pinnacles like Kurt and Courtney, Guns N' Roses, and recaps of gold records and arena rock—but it's the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self-pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that's both captivating and inspirational. A remarkable portrayal of a creative individual in emergence, a gay man figuring out how to be a gay man, and a detailed look at the nuance of 1980s pre–tech boom San Francisco, The Royal We will be greatly appreciated by people who loved Kathleen Hanna's Rebel Girl, Patti Smith's Just Kids, Hua Hsu's Stay True, and other memoirs about the artist's life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Royal We (Akashic Books, 2025) is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon. The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal tales of historical pinnacles like Kurt and Courtney, Guns N' Roses, and recaps of gold records and arena rock—but it's the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self-pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that's both captivating and inspirational. A remarkable portrayal of a creative individual in emergence, a gay man figuring out how to be a gay man, and a detailed look at the nuance of 1980s pre–tech boom San Francisco, The Royal We will be greatly appreciated by people who loved Kathleen Hanna's Rebel Girl, Patti Smith's Just Kids, Hua Hsu's Stay True, and other memoirs about the artist's life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The Royal We (Akashic Books, 2025) is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon. The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal tales of historical pinnacles like Kurt and Courtney, Guns N' Roses, and recaps of gold records and arena rock—but it's the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self-pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that's both captivating and inspirational. A remarkable portrayal of a creative individual in emergence, a gay man figuring out how to be a gay man, and a detailed look at the nuance of 1980s pre–tech boom San Francisco, The Royal We will be greatly appreciated by people who loved Kathleen Hanna's Rebel Girl, Patti Smith's Just Kids, Hua Hsu's Stay True, and other memoirs about the artist's life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz's faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz's popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode, WIR Cynthia Amoah sits down with Ghanaian-American poets Claudia Owusu and Tasha Lomo for a layered conversation about language, place, and what it means to write and create from the in-between. Together, they explore how heritage shapes creative voice, the role of poetry as both resistance and refuge, and the ways they each build community through art—from spoken word albums to filmmaking to advocacy for Black women. Special thanks to fo/mo/deep for lending us their song, "Bourbon Neat" for the podcast! Find out about upcoming Bexley Public Library events at https://www.bexleylibrary.org Follow Bexley Public Library across platforms @bexleylibrary Host/Guest Bios Cynthia Amoah is a Ghanaian-American poet, national speaker, and teaching artist. She received her MFA from The New School, where she was cited for Excellence in Poetry. Cynthia has been featured on three TEDx stages, The Lincoln Theatre, and the United Nations Information Center in Accra, among others. She is currently serving as the 2025 Inaugural Writer-in-Residence at the Bexley Public Library and the 'Arts in the Parks' Coordinator with Ohio Department of Natural Resources. Her writing and performances often explore questions of identity, belonging, displacement, migration, and uprootedness. Cynthia's chapbook 'Handrails' was published by Akashic Books in Fall 2021. She resides in Columbus, OH with her family and facilitates workshops in poetry, positive thinking, confidence-building, and using our voice as instruments for strength and social change. Learn more at www.cynthiaamoah.com. Tasha Lomo is a Ghanaian American poet, writer, and community advocate. She currently serves as the Program Manager for The Giovanni Collective; a collective dedicated to the advancement of Black women writers and poets, and has performed her work across the central Ohio community. She has received training through the Lincoln Artist Incubation Program, the Wexner Center for the Arts, and Writerz and Scribez based in London, England. She uses her work as a platform to explore themes of identity, culture, and self actualization.  Claudia Owusu is a Ghana girl through and through. As a writer and filmmaker, her work divulges the nuance of Black girlhood through a personal and collective lens. Her writing has appeared or is forthcoming in Ninth Letter, Bellingham Review, Indianapolis Review, Vogue, Narrative Northwest, Akoroko, and Brittle Paper. Her films have screened internationally at Aesthetica, the New York African Film Festival, Urbanworld, and Blackstar Fest. She is the author of the chapbook, In These Bones I Am Shifting, by Akashic Books. Her documentary film in progress "This is the House: If I Don't See You, I Love You" is the winner of the 2025 Julia Reichart award. She holds an MFA in Creative Nonfiction from The Ohio State University.

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz's faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz's popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz's faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz's popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz's faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz's popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Alecia McKenzie is the author of A Million Aunties: A Novel out now on Akashic Books. We chat walking amongst the dead literary spirits of Paris, her start writing as […]

Send us a textHi, and welcome to The Bookshop Podcast! In this episode, I chat with Joyce Carol Oates about the 2024 republication of her novel Broke Heart Blues by Akashic Books. We explore how nostalgia and adolescent pressures shape her storytelling, with John Reddy Hart at the center—a character in Broke Heart Blues who encapsulates the dual nature of high school fame and the journey from family protector to solitary adult. Joyce lends her unique perspective, rooted in her rural upbringing and experience navigating more affluent circles, to reflect on how external perceptions often clash with self-view.Venture into the enigmatic isolations of celebrity life with insights into iconic figures like Marilyn Monroe and Elvis Presley. Joyce shares her reflections on how these stars were often imprisoned by their fame, becoming reflections of their public personas. We also discuss the intricacies of adapting Joyce's novel Blonde into a film, the interconnected worlds of friendship, fashion, the arts, and her friendship with Gloria Vanderbilt.I ask Joyce about teaching, an anchor amidst the creative whirlwind that emerges as a profound pillar of her life. She explains how teaching balances the uncertainties of writing with the gratifying structure of education. This episode celebrates a life committed to the arts, creativity, and the ever-evolving landscape of expression.Joyce Carol OatesPurchase in AustraliaBroke Heart BluesPurchase in the USBroke Heart BluesSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links