Podcast appearances and mentions of Roxanna Panufnik

Welcome to a special episode recorded guerilla style at the Ivors Classical Awards 2024! You may have heard our previous two pods with Ivors Special Award winners, Roxanna Panufnik and Gavin Bryars - this is a very different beast…Featuring special guest presenter James Flannery who steps into Seb's shoes and makes his podcasting debut, this is a rampage around the BFI with odd snippets of chat and composers a plenty.You might catch journalist Stephen Pritchard, composers Duncan McLeod and Roxanna Panufnik, violinist Tasmin Little and friends of the pod Lizzie Ball and Hattie Butterworth amongst others. Brace yourselves, buckle up and enjoy this weird and wonderful evening at the Ivors! Stephen Pritchard's excellent article for Bachtrack featuring Seb & Verity; https://bachtrack.com/feature-freelance-life-orchestra-pit-seb-philpott-verity-simmons-november-2024You can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Roxanna Panufnik wins Outstanding Wins Collection at the Ivors Classical 2024. In this episode she shares a personal selection of works plus a candid reflection on the experience of hearing the premiere of her Coronational Sactus at the King's Big Do last year.

In the second of our Ivors classical awards special episodes we chat to world renowned and celebrated composer Roxanna Panufnik.As we air this interview, Roxanna has just been presented with the Ivors special award for ‘outstanding works collection'…And outstanding it truly is! She is particularly recognized for her choral works, including Faithful Journey - A Mass for Poland, Four Choral Seasons, and Coronation Sanctus for the coronation of King Charles the Third.Roxanna has a great passion for world music and her Four World Seasons was written for violinist Tasmin Little - who also happened to present her with her award this week.Roxanna has done much groundbreaking work in writing music that builds bridges between faiths. Her violin concerto Abraham incorporates Christian, Islamic and Jewish chant.We chatted to Roxanna about collecting her first Ivor (unbelievably!), composing for the King, the emotions of reworking some of her father‘s Polish folk songs, and the sensitivity required in composing interfaith music.Roxanna also talks about how she accidentally discovered Catholicism and gives us an insight into her compositional process. We are hugely grateful to Roxanna for sparing some time on an extremely busy week and for being such a joyous guest!To read more about Roxanna, visit https://roxannapanufnik.com/Listen to her Coronation Sanctus here; https://m.youtube.com/watch?v=ap54z0xsms0For more on the Ivors Classical Awards 2024 visit https://ivorsacademy.com/awards/the-ivors-classical-awards/Big thanks to Premier for setting up the interview.You can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.comAnything you'd like to share with us? Any Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.

A passionate advocate for the bassoon, Amy Harman is much sought after as a soloist, chamber musician, teacher and communicator.   Amy was a professor at the Royal Academy of Music from 2013 to 2024 and gives masterclasses and coaches internationally. She was appointed professor of bassoon at the Robert Schumann Hochshule Düsseldorf in 2024, the first woman to hold such a position in Germany.  Aged 23 Amy was appointed solo bassoon of the Philharmonia Orchestra. Sought after as guest principal with leading orchestras in Europe including Paavo Järvi's EFO and the Mahler Chamber Orchestra, she is currently principal of Aurora Orchestra. She was selected by YCAT in 2014. Solo highlights include premiering Roxanna Panufnik's concerto for bassoon & string orchestra with the Royal Northern Sinfonia, Strauss's Concertino with the English Chamber Orchestra, Mozart's Concerto at the Festival Suoni dal Golfo in Lerici and appearing as a flying soloist at the world premiere of Stockhausen's Mittwoch aus Licht. Amy was the first bassoonist to perform a live broadcast solo recital for BBC radio 3. She performs recitals regularly in UK and Germany with her collaborator Tom Poster. Summary: Amy Harman shares her journey to becoming a bassoonist, including her early musical inspirations and her transition from playing the cello to the bassoon. She discusses her experiences with the Aurora Orchestra and their memorized performances, as shares some practice tips for listeners. Amy also talks about the importance of the Young Classical Artist Trust in shaping her career and the significance of being the first female bassoon professor in Germany, at the Robert Schumann Hochschule in Dusseldörf. In this conversation, Amy discusses the challenges facing the arts industry, particularly in the UK, and offers words of encouragement to young musicians. She emphasizes the importance of creating art and suggests pursuing a portfolio career, and shares her experience of balancing a busy career with being a mother of three. She also mentions upcoming projects she's excited about, including a performance of Elizabeth MacConkey's concertino and various chamber music festivals. Chapters   00:00 Introduction and Amy's Musical Background 07:24 Memorized Performances with the Aurora Orchestra 24:38 The Power of a Portfolio Career 30:35 Finding Inspiration in Different Genres 38:42 The Art of Memorizing Music ************************************ Find out more about Amy here. Amy's Instagram Host: Jo Anne Sukumaran, find out more here. Legends of Reed is sponsored by Barton Cane, enjoy free shipping with coupon code" legendsofreed", on their website. Opening credits: Concert recording of Amy Harman with Castalian Quartet - Cantator and Amanda (2011), by Roxanna Panufnik - courtesy of Young Classical Artist's Trust.Photo credit: Kaupo Kikas

durée : 00:59:59 - En pistes, contemporains ! du dimanche 11 février 2024 - par : Emilie Munera - Direction le Brésil en début d'émission avec des choros réinventés. Nous découvrions également le concerto pour violon de Roxanna Panufnik, Les Quatre Saisons du Monde. Nouvelle version de cette oeuvre qui en quatre mouvements nous mène en Albanie, au Tibet, au Japon et en Inde. - réalisé par : Fanny Constans

It's Cacophony… at the Women's Football World Cup! A glorious celebration of music from around the world, all written by women, and chosen specially for Cacophony by leading female musicians. We shift the focus to England, with Roxanna Panufnik's choice of rich and satisfying pieces from a line up of stellar composers.   Listening time: podcast 20mins, music playlist 23 mins The complete music is available in the YouTube playlist.   You can discover more about Roxanna Panufnik on her website: https://roxannapanufnik.com What do you think? Leave a comment or easy voice-message at Cacophonyonline.com   If you can, please consider making a donation to support Cacophony at Ko-fi.com. If you'd like particularly to support female composers, or sponsor England - leave an appropriate message!  Please share the podcast with everyone you think would enjoy this... Any contributions, shares and support most gratefully received! Come back for more next time.   Thanks for listening!   Cacophony/ Women's World Cup of Classical Music logo created by Vanessa and Emmie Thomas.

Synopsis At Westminster Abbey on today's date in 1998 a haunting new setting of the Latin mass written by the British composer Roxanna Panufnik received its premiere performance. Roxanna Panufnik was born in London in 1968, and if her family name sounds familiar, it's because her father was Andrzej Panufnik, one of the greatest Polish composers of the 20th century. Roxanna's interest in music began early: “I was three years old ... when I said ‘Mummy, I want a violin with a stick to make it sing!' I started violin, piano and flute. But I only wanted to make up my own music. When I was 12, [the composer] Oliver Knussen, visiting my parents, told me I should write down my improvisations. It all went from there.” And in response to questions about having a famous composer as her father, she says: “My father had enormous integrity, always teaching me to be myself... Early in my career I was very sensitive to being compared to him and a few stray remarks about nepotism dented my confidence. However, I plodded on and now I'm thrilled to be regularly programmed alongside him and I'm so proud of where and who I came from.” Music Played in Today's Program Roxanna Panufnik (b. 1968) Westminster Mass Westminster Cathedral Choir; James O'Donnell, conductor. Teldec 28069

- Podejmuję tę próbę od 30 lat, tym bardziej że mam teraz podwójne obywatelstwo. Wciąż jednak przegrywam. Mam nadzieję, że już niedługo ktoś wymyśli jakieś oprogramowanie, które za pomocą wkładanego do ucha USB pozwoli zainstalować w mózgu podstawy nowego języka - mówiła w Dwójce Roxanna Panufnik, polsko-brytyjska kompozytorka, której utwór zabrzmiał podczas niedawnej koronacji Karola III.

Synopsis Dealing with the death of loved ones is never easy, but sometimes music can help – especially if music plays a role in the lives of both the departed and survivors. And some survivors find both meaning and consolation in commissioning a work of new music to honor the memory of those they have lost.On today's date in 2007, the Choral Arts Society of Philadelphia gave the premiere of such a memorial work, entitled Love Abide. The work was commissioned by Paul Rowley, who for years had driven his wife Miriam to weekly Choral Society of Philadelphia rehearsals, where she sang alto, always, said her husband, “beaming with excitement.”  After her sudden death in 2003, Rowley asked the society's artistic director to choose a composer to write a tribute to his wife. Rowley had a text in mind for the lyrics and wanted an alto solo and a female composer. The commission went to the British composer Roxanna Panufnik and the selected text was the 13th chapter of 1 Corinthians, which includes the lines: “Love bears all things, believes all things, hopes all thinks, endures all things …  faith, hope, and love abide, these three; but the greatest of these is love.” Music Played in Today's Program Roxanna Panufnik (b. 1968) – Love Abide (London Oratory School Choir; London Mozart Players; Lee Ward, cond.) Signum 564

In an extended conversation with Tom Service, the American composer John Adams, who's turned 75 this year, discusses his life in music, the importance of his legacy, and focuses on his new opera 'Antony and Cleopatra'. It was premiered this week, with a libretto adapted by the composer from Shakespeare, Virgil, and the Egyptian book of the dead and it's Adams' very first stage work inspired by characters from Ancient history. Sir Nicholas Kenyon, who was at the premiere of Adams' new piece in San Francisco, reviews the opera for us. And J.S. Bach's mysteriously unfinished ‘Little Organ Book' is finally completed with the composition of 118 new pieces by contemporary composers - we visit a church in Chelsea to hear from one of the contributors, Roxanna Panufnik, as well as from organist William Whitehead, who conceived the project and who leads its premiere in London later this month.

What's it like to be asked to compose a new piece for the Proms? I don't know, but Roxanna Panufnik absolutely does, having had her commission 'Songs of Darkness, Dreams of Light ' played at the Last Night in 2018. We chatted about her Polish heritage, how her work draws on complementary religious traditions and I tested out on her my exciting new concept for a game show 'I Wrote It'. And Harry the Piano rounds things off with his jazzy take on Handel. See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/rainer-herschs-proms-in-the-pub.

The new album of compositions by Roxanna Panufnik performed by the Saconni Quartet features a surprising range of subject material; letters written home during the First World War, Ashkenazi Jewish cantorial chant, Aung San Suu Kyi’s musings on Burma, a celebration of Poland’s EU presidency, a 14th century love story and the heartbeat of a Bulgarian dancing bear. We talk to her about the stories behind Heartfelt. Following their residency at Cern, the European Laboratory for Particle Physics in Geneva, the Brighton-based artist duo Semiconductor have created a multisensory installation Halo, showing as part of the Brighton Festival. Ruth Jarman and Joe Gerhardt discuss their immersive artwork of sound and light, which takes the form of an intricate mechanical structure containing a 360-degree projection of scientific data and 380 resonating taut piano wires. Eileen Agar: Angel of Anarchy is a major retrospective of the Cubist and Surrealist artist (1899-1991) at the Whitechapel Gallery in London. Louisa Buck joins us to discuss the show and gives us her own selection of exhibitions across the UK that she’s looking forward to, which can finally now open. Presenter: Tom Sutcliffe Producer: Oliver Jones Studio Manager: John Boland Main image: Albie the bear, whose recorded heartbeat was used on one of Heartfelt's tracks. Image credit: Jordan jones/Wild Place Project,

Ben Goldscheider's new album, 'Legacy', pays tribute to the great horn player Dennis Brain, whose centenary we mark this year. Featuring music by two composers Brain worked with – Benjamin Britten and Sir Malcolm Arnold – plus works by Francis Poulenc and Sir Peter Maxwell Davies written in his memory, and two new commissions by Huw Watkins and Roxanna Panufnik, the album is available today on Three Worlds Records. Editor Martin Cullingford talks to Ben Goldscheider about the release. Gramophone Podcasts are published in association with Wigmore Hall.

At Westminster Abbey on today’s date in 1998 a haunting new setting of the Latin mass written by the British composer Roxanna Panufnik received its premiere performance. Roxanna Panufnik was born in London in 1968, and if her family name sounds familiar, it’s because her father was Andrzej Panufnik, one of the greatest Polish composers of the 20th century. Roxanna’s interest in music began early: “I was three years old ... when I said ‘Mummy, I want a violin with a stick to make it sing!’ I started violin, piano and flute. But I only wanted to make up my own music. When I was 12, [the composer] Oliver Knussen, visiting my parents, told me I should write down my improvisations. It all went from there.” And in response to questions about having a famous composer as her father, she says: “My father had enormous integrity, always teaching me to be myself... Early in my career I was very sensitive to being compared to him and a few stray remarks about nepotism dented my confidence. However, I plodded on and now I’m thrilled to be regularly programmed alongside him and I’m so proud of where and who I came from.”

At Westminster Abbey on today’s date in 1998 a haunting new setting of the Latin mass written by the British composer Roxanna Panufnik received its premiere performance. Roxanna Panufnik was born in London in 1968, and if her family name sounds familiar, it’s because her father was Andrzej Panufnik, one of the greatest Polish composers of the 20th century. Roxanna’s interest in music began early: “I was three years old ... when I said ‘Mummy, I want a violin with a stick to make it sing!’ I started violin, piano and flute. But I only wanted to make up my own music. When I was 12, [the composer] Oliver Knussen, visiting my parents, told me I should write down my improvisations. It all went from there.” And in response to questions about having a famous composer as her father, she says: “My father had enormous integrity, always teaching me to be myself... Early in my career I was very sensitive to being compared to him and a few stray remarks about nepotism dented my confidence. However, I plodded on and now I’m thrilled to be regularly programmed alongside him and I’m so proud of where and who I came from.”

Sean Rafferty is joined by pianist Bertrand Chamayou, and the composer Roxanna Panufnik. He also introduces a sextet from the Trondheim Soloists, voice of The Lion King Lebo M, and the saxophone and piano of the AKMI Duo.

Overlook the mis-pronunciation of the marvellous Roxanna Panufnik's name in the recorded introduction to this podcast.  The important stuff is what follows. Roxanna is warm, open, and generous in her contributions, at ease recalling her formative years as she is responding to my frequent 'ums' and 'ahs'.  Thanks for supporting the podcast. You really are special people. 

The votes have been counted and the results are in! In our May issue podcast, we celebrate the winners of the BBC Music Magazine Awards 2019 – including the wonderful Icelandic pianist Víkingur Ólafsson, whose album Johann Sebastian Bach has won Recording of the Year.Elsewhere in the news, we hear that the Hallé is launching a new conducting competition, the Royal Opera House joins other leading arts organisations to offer courses for female conductors and the Warner record label has announced its latest signing… an algorithm. See acast.com/privacy for privacy and opt-out information.

Panelen jublar åt violinisten Jennifer Pikes spel, tröttnar på fula horn och gläds åt en musikhistorisk exposé över brittiska kvinnliga 1900-talstonsättare. Möt också dirigenten Nathalie Stutzmann.   Veckans skivor: BEETHOVEN BRAHMS MAXIM EMELYANYCHEV Ludwig van Beethovens tredje symfoni och Johannes Brahms Haydnvariationer Maxim Emelyanychev, dirigent Nizny Novgorod kammarorkester Aparte Music AP191 Betyg: 3 THIS DAY: A CENTURY OF BRITISH WOMENS RIGHT TO VOTE Musik av Rebecca Clarke, Judith Bingham, Imogen Holst, Elizabeth Maconchy, Roxanna Panufnik och Judith Weir Blossom Street, kör Hilary Campbell, dirigent Naxos 8.573991 Betyg: 3 THE POLISH VIOLIN PIKE/LIMONOV Musik av Karol Szymanowski, Moritz Moszkowski, Henryk Wieniawski och Mieczyslaw Karlowicz Jennifer Pike, violin Petr Limonov, piano Chandos CHAN 20082 Betyg: 5 FLORENCE BEATRICE PRICE: SYMPHONIES NO 1 & 4 Symfonier av Florence Price Fort Smith symfoniorkester John Jeter, dirigent Naxos 8.559827 Betyg: 3 Musikrevyn möter: Nathalie Stutzmann - "Ingenting var enkelt i början" Sedan några år tillbaka gästar den franska dirigenten Nathalie Stutzmann Kungliga filharmonikerna varje säsong. Hon började som sångsolist och vägen upp på dirigentpulten var en lång och besvärlig resa. Stundtals funderade hon på att ge upp, men dirigenten Simon Rattle stöttade och sade åt henne att hon var född att leda en orkester. Idag har jämställdheten förbättrats och kvinnliga dirigenter blir inte längre lika ifrågasatta, menar hon. Sofia Nyblom träffade Nathalie Stutzmann i Konserthuset i Stockholm.

To celebrate her 50th birthday, the composer Roxanna Panufnik discusses her new album Celestial Bird which showcases the variety of her work, from religious choral music to an adaptation of a poem by the Indian polymath Rabindranath Tagore, as well as two major new commissions, one of which - Songs of Darkness, Dreams of Light - will have its world premiere at the Last Night of the Proms on Saturday.Khaled Hosseini, author of The Kite Runner, discusses his new illustrated book which is a response to seeing the photo of Alan Kurdi, the three-year-old Syrian boy whose body washed up on the beach in Turkey in September 2015.As part of Front Row's Inspire season we'll be concentrating on dreams, and how they have provided inspiration for writers and artists over the centuries. The writer Matthew Sweet considers the influence of dreams on films and literature, neuro-scientist Prof Anil Seth gives us a clinical approach, and the artist Liliane Tomasko discusses the power of dreams and how she depicts them in her work.Presenter: Samira Ahmed Producer: Julian May.

Silver Birch – a newly-commissioned community opera about the toll war takes on soldiers and their families – will be premiering at High Wycombe's Garsington Opera festival this weekend (28-30 July). Ahead of that Judi Herman spoke to novelist and journalist Jessica Duchen, who has written the libretto for composer Roxanna Panufnik’s score. The performance features the poetry of Siegfried Sassoon and, in fact, Sassoon's great-nephew Stephen Bucknill is singing in the production. Also amid the 180-strong company, two are members of the armed forces and 50 of them are primary school children. Eight-year-old soloist Maia Greaves plays Chloe, the younger sister of the two soldiers at the heart of a story set in the present day, with echoes of the Great War provided by Sassoon’s poetry.

Tasmin Little and Roxanna Panufnik talk about Vivaldi's Four Seasons and a new piece exploring seasons throughout the world

Benedict Cumberbatch takes the lead role in Doctor Strange, the latest blockbuster from Marvel studios. He discusses playing one of their less well-known superheroes; the former surgeon who protects the earth with his two mystical objects - the Cloak of Levitation and Eye of Agamotto - and explains how his preparation for this physically demanding film coincided with his performing Hamlet on stage at the Barbican in London.Elena Ferrante, the author of the Neapolitan Quartet, has always insisted that nothing should come between a reader and her books, and regards public interest in her as an unnecessary distraction. Her new book - Frantumaglia: A Writer's Journey - is a collection of her correspondence and prompted a media storm when it was used as the justification for investigating and revealing her identity. Critic Alex Clark reviews Ferrante's latest literary offering.Violinist Tasmin Little has, for the first time, recorded Vivaldi's Four Seasons, along with a complementary contemporary piece, Four World Seasons by Roxanna Panufnik. In this new composition each season is evoked by a different country and its music, including autumn in Albania and summer in India. Musician and composer discuss their collaboration.One glance at the UK album charts reveals that alongside the Drakes, the Two Door Cinema Clubs and the Craig Davids, there is one musical category that refuses to go away. Writer Ben Wardle tries to fathom the enduring appeal of 'Middle of the Road' music. Presenter: Clemency Burton-Hill Producer: Angie Nehring.

Composer Roxanna Panufnik joins Rob in the studio today

Sara Mohr-Pietsch is in the London home and garden composing shed of Roxanna Panufnik. Roxanna talks to Sara about the reality of life as a working composer, the importance of natural wood in her studio, and about the piano which belonged to her father, the composer Andrezej Panufnik.

Roxanna Panufnik nominates Arvo Part's Cantus In Memoriam Benjamin Britten, "beautifully simple and spiritual" music that she feels a strong connection to; while Paul Griffiths tells of Part's early struggle to find his own voice in Soviet Estonia and subsequent breakthrough with a radical new style he called Tintinnabuli.