POPULARITY
31 episodes with Karol Szymanowski
6 episodes with Karol Szymanowski
2 episodes with Karol Szymanowski
2 episodes with Karol Szymanowski
2 episodes with Karol Szymanowski
2 episodes with Karol Szymanowski
2 episodes with Karol Szymanowski
2 episodes with Karol Szymanowski
3 episodes with Karol Szymanowski
durée : 00:18:33 - Disques de légende du mardi 03 juin 2025 - En avril 1995, Thomas Zehetmair proposait deux magnifiques découvertes qui malheureusement le sont restées : les concertos pour violon de Karol Szymanowski.
durée : 00:18:33 - Disques de légende du mardi 03 juin 2025 - En avril 1995, Thomas Zehetmair proposait deux magnifiques découvertes qui malheureusement le sont restées : les concertos pour violon de Karol Szymanowski.
Karol Szymanowski (1882-1937) - Stabat Mater, Op. 531. Stała Matka bolejąca (Stabat mater dolorosa): 0:002. I któż widział tak cierpiącą (Quis est homo qui non fleret) [7:49]3. Matko Źródło Wszechmiłości (O, Eia, Mater, fons amoris) [10:54]4. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere) [15:49]5. Panno słodka racz mozołem (Virgo virginum praeclara) [19:38]6. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire) [22:53] The Polish National Radio Symphony OrchestraThe Polish National Philharmonic ChorusKarol Stryja, conductor
Stanowił swoiste miasto w mieście, mógł służyć jako podręcznik historii Polski w pigułce. Był tu marszałek Piłsudski, generał Sikorski, a także artyści jak Karol Szymanowski czy Loda Halama. Mowa o Szpitalu Ujazdowskim.
Violinist Elizabeth Chang speaks to Mary Claire Murphy about her unique album Sonatas and Myths, featuring seminal works by early 20th century composers Bela Bartok, Karol Szymanowski, and Ernst von Dohnanyi.
durée : 01:28:38 - En pistes ! du vendredi 09 février 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce vendredi matin, Emilie et Rodolphe vous invitent à parcourir les œuvres de Louis Spohr, Claude Debussy, Ludwig van Beethoven, mais également celles de Xavier Montsalvatge, Villa Lobos, Karol Szymanowski et George Jeffreys. En pistes !
durée : 00:11:58 - Szymanowski: Mythes, musique pour violon et piano - Sueye Park, Roland Pöntinen - La violoniste Sueye Park et le pianiste Roland Pontinen nous font voyager à travers la musique luxuriante, impressionniste, exotique, voire chargée d'érotisme, du compositeur polonais Karol Szymanowski
durée : 01:27:36 - En pistes ! du mercredi 29 novembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce mercredi matin, Emilie et Rodolphe vous ont concocté un programme mêlant la musique de Rameau, de Ravel, de Corelli, mais aussi celle de Graun, Myaskovsky, en passant par les œuvres de Chausson, Paul Puget et Cécile Chaminade. En pistes !
Soprano Katharine Dain and pianist Sam Armstrong reflect on the recording of their latest ravishing duo album Forget This Night, featuring the music of Lili Boulanger, Karol Szymanowski, and Grażyna Bacewicz.
Hoe accepteer je verlies? Prachtig in muziek gevangen door Karol Szymanowski en ook door Grazyna Bacewicz, in twee van de liederen op de Hollandse Nieuwe van deze week, Forget this night van sopraan Katharine Dain en pianist Sam Armstrong. Beide liederen op een (verschillende) vertaling van een gedicht van Tagore. Verliezen en niet terugkijken - dat is wat pianiste Maria Nemtsova doet op haar CD Past Perfect: het verleden is voorgoed voorbij. Op de vlucht slaan zoals altijd, ook nu, ontelbaren moeten - daaraan droeg Max Richter zijn 'Exiles' op. En dan is er de overprikkeldheid van de moderne tijd, ook op het nieuwe album van PEAX. En de wonderlijke klank van analoge elektronica op de plaat die Het Concreet maakte. Maar om te beginnen: laat het stoppen. O cessate. Hoor maar, en stop niet.
durée : 00:24:59 - Karol Szymanowski, Symphonie n°3 " Le Chant de la Nuit " - par : Anne-Charlotte Rémond - En 1928, le compositeur polonais Karol Szymanowski assiste enfin à la création de sa 3ème symphonie avec son effectif complet (ténor, chœur et orchestre). Dans Musicopolis, Anne-Charlotte Rémond déroule l'histoire de cette œuvre, de sa composition à sa création ! - réalisé par : Claire Lagarde
We're back yet again with a new composer bio and music analysis! We hope you enjoy it! Be sure to like and share with a friend! Music: https://imslp.org/wiki/Category:Szymanowski,_Karol https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
Synopsis Any composer who sets out to write a violin concerto knows that his or her new work will be measured against the famous concertos of the past. But in the fall of 1936, when the Hungarian composer Bela Bartok decided to write a violin concerto, he asked his publisher to send him some recent work of his contemporaries. After seeing what Karol Szymanowski, Kurt Weill, and Alban Berg had accomplished in the form, Bartok set to work, with much input from his violinist friend, Zoltan Szekely, for whom the new concerto was being written. Bartok was in America when Szekely premiered his Concerto with the Amsterdam Concertgebouw Orchestra, conducted by Willem Mengelberg. It was only in America, some years later, in 1943, that Bartok first heard his Concerto at a New York Philharmonic concert. He wrote, "I was most happy that there is nothing WRONG with the scoring. Nothing needs to be changed, even though orchestral accompaniment of the violin is a very delicate business." If Bartok was happy with the scoring, he wasn't very pleased with one New York music critic, who wrote that he didn't think the new work would ever displace the great violin concertos of Beethoven, Mendelssohn, or Brahms. "How is it possible to write such an idiotic thing," commented Bartok. "What fool fit for a madhouse would want to displace these works with his own?" Music Played in Today's Program Béla Bartók (1881 - 1945) Violin Concerto No. 1 Kyung-Wha Chung, violin; Chicago Symphony; Sir Georg Solti, conductor. London 411 804
This week I have been tantalizing my followers with the promise of a tall, dark, handsome singer who was born on January 1. I shall keep you in suspense no longer: he is the great Polish baritone Andrzej Hiolski, born in Lvov in New Year's Day 1922 and died in Krakow on 26 February 2000. I have known of Hiolski for years because of his association with the works of the late Krzysztof Penderecki, but I began digging deeper into his legacy a few years ago and was absolutely stunned at what I found: a singer with a near-perfect technique with a powerful voice with a slightly burred timbre characterized by both beauty, range, and subtlety of expression. I have been collecting his recordings for a few years now and have featured him at every possible opportunity on the podcast, including twice already in the current season. But this episode is devoted entirely to him and it may well serve, strange as it may seem for an artist who is so revered and treasured in his native country, as an introduction for many of my listeners to one of the great baritone voices of the twentieth century. The episode features recordings and performances, many of them exceedingly rare, ranging over more than 50 years, and includes music by Verdi, Wagner, Schubert, Mahler, Bach, Leoncavallo, Mozart, Tosti, Rossini, Tchaikovsky, and Giordano, but also a generous helping of music by Hiolski's compatriots, including Karol Szymanowski, Frédéric Chopin, Augustyn Bloch, Mieczysław Karłowicz, Stanisław Moniuszko, Tadeusz Baird, Tadeusz Szeligowski, as well as, of course, Penderecki. Guest vocalists include the supercharged Greek-American mezzo Tatiana Troyanos and the delectable Polish soprano Alina Bolechowska, as well as the venerable Polish bass Adamo Didur, an early mentor of Hiolski's. who now joins company with Jorma Hynninen and Gérard Souzay in the triumvirate of my favorite baritones of all time! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
Dass sich Starpianist Krystian Zimmerman für seinen wenig bekannten Landsmann Karol Szymanowski stark macht, ist ein Statement. Zimermans Querschnitt durch Szymanowskis Klavierwerk ist grandios.
Der polnische Pianist Krystian Zimerman macht sich rar auf den Konzertpodien, zumindest in Europa. Im vergangenen Juni entstand seine jüngste CD: ein Querschnitt durch das Klavierschaffen seines Landsmanns Karol Szymanowski, von den frühesten Versuchen bis zum radikalen Spätwerk. SWR2-Musikkritikerin fühlt sich „verwöhnt mit Tastenkunst vom Feinsten“.
Der polnische Pianist lässt sich von niemandem reinreden, auch nicht in seine Stückauswahl. Der neueste Beleg: sein aktuelles Album.
„Secret Love Letters“, das ist der Titel des neuen Albums der georgischen Geigerin Lisa Batiashvili, das am 19. August bei der Deutschen Grammophon erschienen ist. Zum ersten Mal ist damit eine Aufnahme zusammen mit einem amerikanischen Ensemble entstanden, dem Philadelphia Orchestra unter der Leitung von Yannick Nézet-Séguin. Es ist eine CD, die von der Liebe erzählt, von verbotener Liebe oder auch von vergangener Liebe. Herzstück der Produktion ist das erste Violinkonzert von Karol Szymanowski, außerdem finden sich Werke von Ernest Chausson, César Franck und Claude Debussy auf dem Album. Die Star-Geigerin spricht über ihr neues Album „Secret Love Letters“, über die von ihr gegründete Lisa Batiashvili Foundation und über ihr Heimatland Georgien. Auch wird Lisa Batiashvili über die Stimmung in der Kulturbranche nach zwei Jahren Pandemie sprechen. Fürchtet sie, jetzt vor dem neuen Saisonbeginn, Auftritte im Konzertsaal vor nur mager besetzten Rängen? Oder steuert sie ihr innerer Kompass zuversichtlich durch die fragile allgemeine Lage? Mit Lisa Batiashvili beteiligt sich NDR Kultur à la carte an dem NDR Themenschwerpunkt „Neustart Kultur – ohne Publikum?“.
Benjamin Garcia's first collection, THROWN IN THE THROAT, won the National Poetry Series and the Eugene Paul Nassar Poetry Prize, in addition to being a finalist for the Kate Tufts Discovery Award. He works as a sexual health and harm reduction educator in New York's Finger Lakes region, where he received the Jill Gonzalez Health Educator Award recognizing contributions to HIV treatment and prevention. A CantoMundo and Lambda Literary fellow, he serves as core faculty at Alma College's low-residency MFA program. His poems and essays have recently appeared or are forthcoming in: AGNI, American Poetry Review, Kenyon Review, and New England Review. His video poem “Ode to the Peacok” is available for viewing at the Broad Museum's website as part of El Poder de la Poesia: Latinx Voices in Response to HIV/AIDS. Copyright © 2018 by Benjamin Francis. This poem first appeared in Nimrod International. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Aerik Francis is a Queer Black & Latinx poet based in Denver, Colorado, USA. Aerik is the author of the recently published chapbook BODYELECTRONIC (Trouble Department 2022). Selected by Dorothy Chan as the winner of the 2022 chapbook contest, Aerik's second chapbook MISEDUCATION is forthcoming from New Delta Review in 2023. Aerik is the recipient of poetry fellowships from Canto Mundo and The Watering Hole, as well as a poetry reader for Underblong poetry journal and an event coordinator for Slam Nuba. Aerik's work can be found on their website phaentompoet.com. Copyright © 2021 by Aerik Francis. This poem first appeared in HAD. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Madeleine Cravens is a 2022-2024 Stegner Fellow at Stanford University. She received her M.F.A from Columbia University, where she was a recipient of the Max Ritvo Poetry Fellowship. She was the first-place winner of Narrative Magazine's 2021 Poetry Contest and 2020 30 Below Contest, a semifinalist for the 92 Street Y's 2021 Discovery Prize, and a finalist for the 2022 James Hearst Poetry Prize. Copyright © 2022 by Madeleine Cravens. This poem is originally published on Queer Poem-a-Day. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Julian Gewirtz is the author of YOUR FACE MY FLAG (Copper Canyon Press, forthcoming October 2022 (https://www.coppercanyonpress.org/books/your-face-my-flag-by-julian-gewirtz). His poems have appeared in the Best American Poetry, Boston Review, Lambda Literary, The Nation, The New Republic, PEN America, Ploughshares, The Yale Review, and elsewhere. He is also the author of two books on the history of modern China, Never Turn Back: China and the Forbidden History of the 1980s and Unlikely Partners (“a gripping read” –The Economist). He co-edited an issue of Logic Magazine on China and technology and has written essays and reviews for publications including the New York Times, The Guardian, Harper's, Foreign Affairs, Prac Crit, and Parnassus: Poetry in Review. Copyright © Julian Gewirtz, 2014. A version of this poem was originally published in Conjunctions. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Jim Whiteside is the author of a chapbook, Writing Your Name on the Glass (Bull City Press, 2019) and is a former Wallace Stegner Fellow at Stanford University. His poems have appeared in The New York Times, POETRY, Ploughshares, Boston Review, and Best New Poets 2020. The recipient of scholarships from the Bread Loaf Writers' Conference and Sewanee Writers' Conference, he earned his MFA from The University of North Carolina at Greensboro. He works as a copywriter and lives in Brooklyn, New York. Copyright © Jim Whiteside 2021. Originally published in Black Warrior Review, Fall/Winter 2021, No. 48.1 Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Emily Martin is a writer and teacher from Brooklyn. Her most recent work is in Tagvverk and Blazing Stadium, and the rest of her work is here: myemilymartin.com. Copyright © 2022 by Emily Martin. Originally published on Queer Poem-a-Day. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Stephen Ira is a writer and performer. Favorite appearances, in various roles, include Poetry (Chicago), Fence, tagvverk, the Poetry Project Newsletter, La Mama Etc, the Sundance Film Festival, and the Philly Trans Wellness Conference. Copyright © 2022 by Stephen Ira. Originally published in Chasers (New Michigan Press, 2022). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Richard Blanco is the fifth presidential inaugural poet in U.S. history—the youngest, first Latino, immigrant, and gay person to serve in such a role. Born in Madrid to Cuban exile parents and raised in Miami, the negotiation of cultural identity and place characterize his body of work. He is the author of the poetry collections Looking for the Gulf Motel, Directions to the Beach of the Dead, and City of a Hundred Fires; the poetry chapbooks Matters of the Sea, One Today, and Boston Strong; a children's book of his inaugural poem, “One Today,” illustrated by Dav Pilkey; and Boundaries, a collaboration with photographer Jacob Hessler. His latest book of poems, How to Love a Country (Beacon Press, 2019), both interrogates the American narrative, past and present, and celebrates the still unkept promise of its ideals. He has also authored the memoirs The Prince of Los Cocuyos: A Miami Childhood and For All of Us, One Today: An Inaugural Poet's Journey. Blanco's many honors include the Agnes Lynch Starrett Poetry Prize from the University of Pittsburgh Press, the PEN/Beyond Margins Award, the Paterson Poetry Prize, a Lambda Literary Award, and two Maine Literary Awards. He has been a Woodrow Wilson Visiting Fellow and received honorary doctorates from Macalester College, Colby College, and the University of Rhode Island. He has been featured on CBS Sunday Morning and NPR's Fresh Air. The Academy of American Poets named him its first Education Ambassador in 2015. Blanco has continued to write occasional poems for organizations and events such as the re-opening of the U.S. embassy in Havana. He lives with his partner in Bethel, ME. Copyright © 2020 by Richard Blanco. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Aurielle Marie is an award-winning poet, essayist, and cultural strategist. They are a Black queer storyteller, a political organizer, and child of the Deep South by way of Atlanta. Their poetry debut, Gumbo Ya Ya, won the 2020 Cave Canem prize and is a Lambda Literary Award finalist. Copyright © Aurielle Marie 2020. A version was originally published in their collection Gumbo Ya Ya (University of Pittsburg Press, 2020). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Krakowska Skałka to klasztor, kościół, wyższe seminarium duchowne oraz Krypta Zasłużonych, zwana Panteonem Narodowym, gdzie spoczywają wybitni twórcy polskiej kultury. Dokładnie 22 czerwca przypada 550. rocznica fundacji tamtejszego klasztoru paulinów, dokonanej przez kanonika Jana Długosza. – Stała tutaj romańska świątynia dedykowana świętemu Michałowi Archaniołowi. I właśnie w tej świątyni, w czasie sprawowania mszy świętej, w pierwszy piątek po Wielkanocy, biskup Stanisław został zabity. Jego ciało zostało wywleczone z kościoła, porąbane i wrzucone tutaj do sadzawki – opowiada przeor krakowskiego klasztoru ojciec Mariusz Tabulski. Paulini zostali sprowadzeni na Skałkę z Jasnej Góry w roku 1472 przez kanonika Jana Długosza, aby zaopiekować się podupadającym sanktuarium. Od tego czasu ich misja w tym miejscu jest nieprzerwana, mimo wojen, niewoli, prześladowań, powstań czy zaborów. Spoczywają tu m.in. Czesław Miłosz, Jan Długosz, Wincenty Pol, Stanisław Wyspiański, Karol Szymanowski, Jacek Malczewski i Adam Asnyk.
Ari Banias is the author of A SYMMETRY (2021), winner of the 2021 Publishing Triangle Award for Trans & Gender Variant Literature, and ANYBODY (2016), both from W.W. Norton. His poems have appeared in Bæst, Hyperallergic, The Nation, The New Republic, Triple Canopy, The Yale Review, and elsewhere. He lives in Chicago. Copyright © Ari Banias. Published in BathHouse Journal, and then in their collection A Symmetry (W. W. Norton, 2021). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Emilia Phillips is the author of four books of poetry, including Embouchure (University of Akron Press, 2021). They teach in the MFA in Writing Program at UNC Greensboro. Copyright © 2021 by Emilia Phillips. Originally published in Copper Nickel, Fall 2021. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Noa/h Fields is a Chicago-based writer and curator. She works at the Poetry Foundation and is a 2022 fellow at Zoeglossia and Disability Lead. Her writing has appeared in Anomaly, Tripwire, Zoeglossia, and Sixty Inches from Center. Copyright © 2018 by Noa/h Fields. Originally published in With, a micro-chapbook (Ghost City Press, 2018). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Cameron Awkward-Rich is the author of two collections of poetry—Sympathetic Little Monster (Ricochet Editions, 2016) and Dispatch (Persea Books, 2019)—as well as The Terrible We: Thinking with Trans Maladjustment, forthcoming from Duke University Press. His writing has appeared, in various forms, in Poetry, American Poetry Review, Transgender Studies Quarterly, Signs, and elsewhere, and has been supported by fellowships from Cave Canem, the Lannan Foundation, and the ACLS. Presently, he lives in Greenfield Massachusetts and is an assistant professor in Women, Gender, Sexuality Studies at the University of Massachusetts Amherst. Copyright © 2019 by Cameron Awkward-Rich. Originally published in Dispatch (Persea Books, 2019). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
C. Russell Price is originally from Glade Spring, Virginia, but now lives in Chicago. They are a Lambda Fellow in Poetry, a Ragdale Fellow, a Windy City Times 30 Under 30 honoree, an essayist, and a poet. They are the author of a chapbook, Tonight, We Fuck the Trailer Park Out of Each Other. Their work has appeared in the Boston Review, Court Green, DIAGRAM, Iron Horse Literary Review, Lambda Literary, Nimrod International, PANK, and elsewhere. Their full length collection oh, you thought this was a date?!: Apocalypse Poems will be published by Northwestern University this month. Copyright © 2022 by C. Russell Price. This poem is published in oh, you thought this was a date?!: Apocalypse Poems (2022, Northwestern University Press). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
22 czerwca Klasztor Ojców Paulinów na Skałce w Krakowie będzie uroczyście obchodził 550-lecie istnienia. W tym właśnie dniu przypada rocznica podpisania umowy fundacyjnej. Jubileusz potrwa do końca września tego roku. Fundacji Klasztoru na Skałce dokonał kanonik królewski Jan Długosz, a potwierdził ją na Wawelu król Kazimierz Jagiellończyk. Na Skałkę - do legendarnego miejsca męczeństwa biskupa św. Stanisława - pielgrzymuje cała Polska. Znajduje się tutaj również Panteon Narodowy. W Krypcie Zasłużonych, zlokalizowanej w podziemiach bazyliki, spoczywają m.in. Stanisław Wyspiański, Adam Asnyk, Karol Szymanowski, Czesław Miłosz. Przy Klasztorze na Skałce mieści się od XVII w. Paulińskie Kolegium Teologiczne - dziś Wyższe Seminarium Duchowne Zakonu Paulinów - skąd posyłani są na cały świat paulińscy kapłani misjonarze. Zakon jest dziś obecny w 17 krajach na czterech kontynentach.
Megan Fernandes is a poet living in NYC. Copyright © 2015 by Megan Fernandes. This poem received commendation by Don Paterson in the annual Edwin Morgan International Poetry Competition and was published in Fernandes' first collection The Kingdom and After (2015, Tightrope Books). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Spencer Reece is the author of The Clerk's Tale and The Road to Emmaus, long-listed for the National Book Award. In 2017 he edited, Counting Time Like People Count Stars: Poetry by the Girls of Our Little Roses. The Secret Gospel of Mark: A Poet's Memoir and All The Beauty Still Left: A Poet's Painted Book of Hours arrived in 2021. He has worked as an Episcopal priest in Honduras, Spain, and New York City. Copyright © 2022 by Spencer Reece. Originally published on Queer Poem-a-Day, June 2022. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Christian Gullette is a National Poetry Series finalist and his poems have appeared or are forthcoming in The American Poetry Review, The Yale Review, Kenyon Review, New England Review, Northwest Review, Los Angeles Review, and other journals. He is a 2022 Discovery / 92Y Contest semi-finalist. He serves as the editor-in-chief of The Cortland Review. His website is christiangullette.com. Copyright © 2021 by Christian Gullette. Originally published in Northwest Review, Fall 2021. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Jenny George is the author of The Dream of Reason (Copper Canyon Press, 2018). She is also a winner of the “Discovery”/Boston Review Poetry Prize and a recipient of fellowships from The Bread Loaf Writers' Conference, Lannan Foundation, the MacDowell Colony, and Yaddo. Her poems have appeared in The New York Times, Ploughshares, Kenyon Review, Narrative, Granta, Iowa Review, FIELD, Los Angeles Review of Books, and elsewhere. Jenny lives in Santa Fe, New Mexico, where she works in social justice philanthropy. Copyright © 2019 by Jenny George, originally published in the Massachusetts Review. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Makshya Tolbert is a poet, cook, and potter who just found her way back to Virginia. Her recent poems and essays have been published in Interim, Narrative Magazine, Emergence Magazine, Tupelo Quarterly, Art Papers, The Night Heron Barks, For the Culture, Earth in Color, Odd Apples, and with poetry forthcoming in RHINO. Makshya is currently based in Charlottesville, Virginia, where she is a second-year MFA student walking the grounds of the University of Virginia. Makshya serves on the Charlottesville Tree Commission and is a 2022-23 Lead to Life Curatorial Fellow. In her free time, she is elsewhere— what Eddie S. Glaude, Jr. calls 'that physical or metaphorical place that affords the space to breathe.' Copyright © 2022 by Makshya Tolbert, originally published on Queer Poem-a-Day, 2022 at the Deerfield Public Library. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
K. Iver is a nonbinary trans poet from Mississippi. Their work has appeared in Boston Review, Gulf Coast, The Adroit, TriQuarterly, and elsewhere. They are the 2021-2022 Ronald Wallace Poetry Fellow for the Wisconsin Institute for Creative Writing. They have a Ph.D. in Poetry at Florida State University. Copyright © 2022 by K. Iver. Originally published in The Adroit Journal, April 2022. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Tory Adkisson is the author of The Flesh Between Us (SIU Press, 2021), winner of the Crab Orchard Series Open Book Competition. His poems have appeared widely in journals such as Third Coast, Crazyhorse, Adroit Journal, Boston Review, Quarterly West, and elsewhere. He lives in Oakland and teaches writing at UC Berkeley. Copyright © 2021 by Tory Adkisson. Originally published in the New Orleans Review, and then in his book The Flesh Between Us (South Illinois University Press, 2021). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Shangyang Fang grew up in Chengdu, China, and writes both in English and Chinese. A graduate from Michener Center for Writers, he is a Wallace Stegner Fellow at Stanford University. His works appeared in The Nation, Ploughshares, The Yale Review, Forward Book of Poetry Anthology, The Best American Poetry, and Pushcart Prize Anthology. He is the author of the poetry collection, Burying the Mountain (Copper Canyon Press, 2021). Copyright © 2021 by Shangyang Fang. “Argument of Situations” is from his book Burying the Mountain. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Ellen Bass's most recent collection, Indigo, was published by Copper Canyon Press in 2020. Her other poetry books include Like a Beggar, The Human Line, and Mules of Love. Her poems appear frequently in The New Yorker, American Poetry Review, and many other journals. Among her awards are Fellowships from the Guggenheim Foundation, The NEA, and The California Arts Council, The Lambda Literary Award, and four Pushcart Prizes. She co-edited the first major anthology of women's poetry, No More Masks! (Doubleday, 1973), and her nonfiction books include the groundbreaking The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988) and Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth (1996). A Chancellor of the Academy of American Poets, Bass founded poetry workshops at Salinas Valley State Prison and the Santa Cruz, California jails, and teaches in the MFA writing program at Pacific University. Ellenbass.com Twitter: @PoetEllenBass Facebook: @PoetEllenBass Instagram: @poetellenbass “The Morning After” was published in her collection, Like a Beggar (Copper Canyon Press, 2014). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Jacques J. Rancourt is the author of two poetry collections, Brocken Spectre (Alice James Books, 2021) and Novena (Pleiades Press, 2017), as well as a chapbook, In the Time of PrEP (Beloit Poetry Journal, 2018). Raised in Maine, he lives in San Francisco. www.jacquesrancourt.com Twitter @jj_rancourt Instagram: @jj_rancourt “Love in the Time of PrEP” originally appeared in Brocken Spectre (Alice James Books) 2021. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Stefania Gomez is a queer writer, teacher, and audio artist from Chicago's South Side who received her MFA in poetry at Washington University in St. Louis in 2022. Currently teaching at the Poetry Foundation in Chicago, she has received fellowships from the Dirt Palace, Sewanee Writers Workshop, and the International Quilt Museum. Her work has appeared in the Academy of American Poets Poem-A-Day series, The Missouri Review, The Offing, and Cosmonauts Avenue. Instagram: @stefaniagomez_nopeanuts Twitter: @stefaniahgomez “At the New York City AIDS Memorial” originally was published in the American Academy of Poets Poem-a-Day, 2022. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
CM Burroughs is Associate Professor of Creative Writing at Columbia College Chicago and author of The Vital System (Tupelo, 2012) and Master Suffering (Tupelo, 2021,) which was longlisted for the National Book Award, Lambda Book Award, and the LA Times Book Award. Burroughs' poetry has appeared in journals and anthologies including Poetry, Ploughshares, Cave Canem's Gathering Ground, and Best American Experimental Writing. “To Be Saved” was published in her book Master Suffering (Tupelo, 2021). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Poet and anthropologist Nomi Stone is the author of three books, most recently the poetry collection Kill Class (Tupelo, 2019), finalist for the Julie Suk Award, and the ethnography Pinelandia: An Anthropology and Field Poetics of War and Empire, finalist for the Atelier award (University of California Press, 2022). Her poems recently appear in The Atlantic, POETRY Magazine, American Poetry Review, Best American Poetry, The Nation, The New Republic, and elsewhere. A section from her third collection of poetry in progress, You Could Build a World This Way, was recently a finalist for the Bull City Press's Chapbook Prize, and a semi-finalist for the Tomaz Salamun Prize and the Chad Walsh Chapbook Prize. She has a PhD in Anthropology from Columbia, an MFA in Poetry from Warren Wilson, and is currently an Assistant Professor of Poetry at the University of Texas, Dallas. Instagram: @nomistone; Twitter: @Nomi_Stone “The Baby Inside My Baby” originally was published on The Rumpus, 2022 Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Gabriel Ojeda-Sagué is a poet and writer living in Chicago. He is most recently the author of Madness (Nightboat Books, 2022) and Losing Miami (The Accomplices, 2019), which was nominated for the Lambda Literary Award in Gay Poetry. He is also co-editor of An Excess of Quiet: Selected Sketches by Gustavo Ojeda, 1979-1989. He is currently a PhD student in English at the University of Chicago where he works in the study of sexuality. ojedasague.com Twitter: @hadeejasouffle Instagram: @hadeejasouffle “Obsessions” is from Madness (Nightboat Books, 2022). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Joshua Jennifer Espinoza is a trans woman poet. Her work has been featured in Poetry Magazine, the American Poetry Review, Southeast Review, The Rumpus, Poem-a-day at poets.org, and elsewhere. She is the author of I'm Alive / It Hurts / I Love It (Big Lucks 2019) and THERE SHOULD BE FLOWERS (The Accomplices 2016). She holds an MFA in poetry from UC Riverside and currently teaches creative writing. Jennifer lives in California with her wife, poet/essayist Eileen Elizabeth, and their dog and cat. Her third full-length collection I Don't Want to Be Understood is forthcoming from Alice James Books in 2024. Joshuajenniferespinoza.com Twitter: @sadqueer4life Instagram: @sadqueer4life “Birthday Suits” was originally published in Poetry Magazine, April 2019. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Donika Kelly is the author of The Renunciations (Graywolf), winner of the Anisfield-Wolf book award in poetry, and Bestiary (Graywolf), the winner of the 2015 Cave Canem Poetry Prize, a Hurston/Wright Legacy Award for Poetry and the Kate Tufts Discovery Award. Kelly's poetry has been a finalist for the National Book Critics Circle Award, the Publishing Triangle Awards, the Lambda Literary Awards, and longlisted for the National Book Award. A Cave Canem graduate fellow and member of the collective Poets at the End of the World, she has also received a Lannan Residency Fellowship, and a summer workshop fellowship from the Fine Arts Work Center. She earned an MFA from the University of Texas at Austin and a PhD in English from Vanderbilt University. Her poems have been published in The New Yorker, The Atlantic, The Paris Review, and elsewhere. Donika lives in Iowa City with her wife, the nonfiction writer Melissa Febos, and is an assistant professor in the English Department at the University of Iowa, where she teaches creative writing. donikakelly.com Twitter: @officialdonika “Self Portrait as a Body, a Sea” was originally published in the Sewanee Review, 2017. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.
Karol Szymanowski (1882-1937) – Strijkkwartet nr.1, opus 37 (1917) Lento assai – Allegro moderato, 2. Andantino semplice, in modo d'una canzone – Adagio dolcissimo – Lento assai molto espressivo, 3. Vivace – Scherzando alle Burlesca – Vivace ma non troppo Uitvoerenden: Carmina Quartet Karol Szymanowski (1882-1937) – Strijkkwartet nr.2, opus 56 (1927) Moderato, dolce e […]
We are so excited to launch the second year of our special Pride Month podcast series Queer Poem-a-Day. Exclusive to the Deerfield Public Library Podcast, Queer Poem-a-Day is the first daily poetry podcast to focus exclusively on the LGBTQIA+ community. Once again we are thrilled to feature many award-winning, leading, and emerging poets—as well as several poets with Chicagoland connections—and provide this unique snapshot of LGBTQIA+ poetry today. An archive of our first year (June 2021) is available on our website. Every day of June 2022, you can read and hear a poem on our website, deerfieldlibrary.org/queerpoemaday, or subscribe to the Deerfield Public Library Podcast on Apple Podcasts, Spotify, or anywhere you listen to podcasts. You can also follow along on social media with the hashtag #queerpoemaday and find books and ebooks by our participating poets in our Library's catalog. Additionally, we're hosting several related programs, listed below. Queer Poem-a-Day is founded and co-directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. This year we received generous support from both the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. To kickoff season two of our series, Lisa and I had a short conversation reflecting on the success and excitement of our 2021 run, which attracted many new listeners and was featured on Chicago Public Radio WBEZ and PEN America and in curriculums at Stanford University, Boston University, and Illinois public schools. We also discuss our series as a public library program against a climate of newly introduced, specifically anti-trans, and broadly anti-LGBTQIA+ laws and book bans throughout the country. To reflect a different year, our music has changed as well: our Chicago-based pianist, Daniel Baer, aptly chose the first movement, Schéhérazade, from Masques, Op. 34 by composer Karol Szymanowski. Listen to our short kickoff podcast intro below and subscribe now to get the poems on the podcast feed starting June 1. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Related Programs: Adult Programs Classics Book Discussion: Selected Poems by Federico García Lorca, Thursday, June 16, 7:00pm R Hybrid: In Person & Virtual The Book and the Body: Queer Poetry in Public Spaces, Thursday, June 30, 7:00pm R Virtual Teen Program Workshop: Poetry is Who I Am, Wednesday, June 15, 5:00-6:15pm R Virtual Queer Poem-a-Day is presented with generous support from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.
- Karol Szymanowski przyznał, że ma poczucie, iż takiej symfonii nikt przed nim w Polsce nie napisał. Pod dyrekcją Fitelberga rozpoczął się triumfalny pochód II Symfonii przez Berlin, Wiedeń, Lipsk, Drezno. To była dekada życia pełnej II Symfonii i jej wielkiego światowego sukcesu, podkreślano maestrię formy tego utworu - mówiła na antenie Dwójki Teresa Chylińska, najwybitniejsza badaczka życia i twórczości kompozytora.
29 marca 1937 roku w Lozannie zmarł Karol Szymanowski. Kompozytor, pianista, pedagog i krytyk muzyczny. Artysta, określany jako ojciec polskiej muzyki XX w., uznawany przez znawców obok Fryderyka Chopina za jednego z najwybitniejszych polskich kompozytorów, urodził się wsi Tymoszówka na Ukrainie.
1983. aastal salvestatud plaadil kõlab pianist Marie-Catherine Girod esituses valik Karol Szymanowski teoseid klaverile.
- To jest rzecz, której nigdy nie zapomnę, gdy w PWM-ie pracujący krótko, ale jakże owocnie, Tadeusz Strumiłło powiedział: "musimy podzielić między siebie klasyków. Mamy Moniuszkę, Chopina, Karłowicza, Szymanowskiego. To kto bierze Szymanowskiego?". Padło na mnie i od tego się zaczęło - mówiła w Dwójce Teresa Chylińska, autorka m.in. książki "Karol Szymanowski. Romans, którego nie było? Między Tymoszówką i Wierzbówką".
The Verona Quartet — Diffusion (Azica) Jump to giveaway form “I found a special bond. I felt as though I was meant to be the voice that glued everybody together, highly influential, but behind the scenes. I loved that. I even wrote my college entrance essay about wanting to play in a string quartet. Of course, at the time, I had no idea what that really meant,” said violist Abigail Rojansky of the Verona Quartet. That college entrance essay was for Oberlin College, where the Verona Quartet is now serving as quartet-in-residence. According to Rojansky, music is just one avenue for telling a meaningful story. Its name, the Verona Quartet, pays tribute to Shakespeare, another great storyteller. She is joined by cellist Jonathan Dormand to talk about the stories that make up their debut recording, Diffusion. Why is exploring folk traditions on this album important to you? Jonathan: “It's the end and the beginning of a period of time where you have national identities in a style of playing. “It's all about how you take from one culture, explore it and made it your own. That is what we've tried to do. We looked back to fantastic music and learned from its traditions. But, how do we make it our own and do we try to put our own stamp on it?” Why is Maurice Ravel's String Quartet considered a masterpiece? Abigail: “The piece is masterfully written, but in terms of form, its breaking with tradition while building upon history. He greatly respected and heard the Debussy quartet. Debussy only wrote one String Quartet, which Ravel loved, but he thought that there were aspects of it that could have been improved. “Ravel's String Quartet was also met with criticism, especially the last movement which people thought didn't have enough of a melody. It was too fast and in an uncomfortable rhythm. Now we look at it and say, ‘Oh, my goodness, this last movement is so spectacular.'“ Can you talk about how Karol Szymanowski creates his unique voice in his String Quartet No. 2? Jonathan: “It has this hyper-romanticism about it. I just don't know another composer that writes incredibly lyrical, but at the same time offers delicious harmonies. He has his own unique take on everything. I'm quite obsessed with his piece. “The second movement also blasts us out of our seats. I'm not going to lie. I was listening and went, ‘Whoa!' You can hear the power and the forcefulness in the music.” How does Leos Janacek's passion for unrequited love come through in his String Quartet No. 2? Abigail: “One energized idea will break and suddenly he'll say something completely different with an entirely different emotional character, subject, or mode of expression. He does that in this quartet and that's part of what makes it so incredibly dramatic. Suddenly, it goes black and then there's something completely different. Nobody else could write like that before him.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources The Verona Quartet — Diffusion (Amazon) The Verona Quartet (official site)
Playlist: Christos Hatzis, Manitoba Chamber Orchestra - Mirage?Karol Szymanowski, Clare Hammond - Variations on a Polish Folk ThemeMichael Jarrell, Orchestre National des Pays de la Loire - Le Ciel, tout a l'heure encore si limpide, soudain se troubleMary Finsterer, Sydney Symphony Orchestra - Lake Ice (Missed Tales No. 1)Erkki-Sven Tuur, Tallinn Chamber Orchestra - PsalmodyAnna Pidgorna, Maureen Batt, Erin Bardua - Mirror, Mirror
Zdaniem niektórych był wybitniejszym symfonikiem niż Karol Szymanowski, którego ten uważał za jednego ze swoich największych przeciwników. Jego dorobek w znacznej części uległ zniszczeniu podczas II wojny światowej. Zmarł w nędzy, w zasadzie zapomniany już za życia. O Eugeniuszu Morawskim, „kompozytorze wyklętym”, rozmawiam z Oskarem Łapetą, znawcą jego twórczości, muzykologiem i publicystą, autorem bloga Klasyczna Płytoteka. Wszystkie odcinki podcastu dostępne są na stronie www.szafamelomana.pl
durée : 00:14:03 - Le disque contemporain de la semaine du dimanche 07 mars 2021 - La pianiste britannique Clare Hammond joue les oeuvres de Karol Szymanowski, Helmut Lachenmann, Harrison Birtwistle, John Adams, Aaron Copland, Paul Hindemith etSofia Gubaïdulina, dans son disque "Variations" paru le 19 février 2021 sous le label Bis.
durée : 00:22:28 - La Discothèque idéale de France Musique : Le Stabat Mater de Karol Szymanowski, par Witold Rowicki - Composé en 1925-1926, Karol Szymanowski propose un Stabat Mater dans lequel la puissance du chœur exalte l'expression d'une foi naïve et brute, traversé par des couleurs, rythmes et mélodies, polonaises. Witold Rowicki en donne une version "inouïe d'ampleur et de sincérité".
Yule – Part I This week we hear anonymous works and works by Leonel Power, Josquin des Prez, Hans Leo Hassler, Heinrich Biber, Johann Sebastian Bach, Louis-Claude d’Acquin, Francesco Durante, Karol Szymanowski, Olivier Messiaen, Arvo Pärt, Sir John Tavener, and Sir James MacMillan. 174 Minutes – Week of November 30, 2020
durée : 00:25:05 - Szymanowski, Concerto pour violon n°2 - par : Anne-Charlotte Rémond - De concert avec le violoniste Paul Kochanski, le compositeur polonais Karol Szymanowski a crée 2 concertos pour violon. Retour sur le n° 2, typique de sa dernière période créatrice. - réalisé par : Philippe Petit
Un día como hoy, 6 de octubre: 1882, nacel el compositor Karol Szymanowski. 1886, nace el arquitecto Le Corbusier. 1660, fallece el escritor Paul Scarron. Una producción de Sala Prisma Podcast. 2020
Unter den Komponisten ist Karol Szymanowski ein wahres Chamäleon. In der Opulenz der Spätromantik sozialisiert, wandte er sich später teilweise der Atonalität zu. Seine Konzert-Ouvertüre op. 12 ist ein eher selten gespielter Schatz seines romantischen Frühwerks.
Donald Macleod explores the myriad influences on the life’s work of Karol Szymanowski. The reshaping of Europe at the end of the First World War had a defining effect on Polish composer Karol Szymanowski. As Europe was being reapportioned, the comfortable world he’d known up to that point disappeared for good. His family’s comfortable and cultured life disappeared, their assets wiped out by the October Revolution. From that point on, Szymanowski ceased to be a man of some privilege, able to compose in the relative seclusion of his family’s estate in what was then part of Ukraine. He needed to support himself and his mother and sisters but he found himself ill-equipped temperamentally to deal with this dramatic change in his lifestyle. He became increasingly weighed down by illness, quite probably tuberculosis. That, coupled with a chain-smoking habit and struggles with alcoholism, were to take their toll. He died in poverty at the age of just 54 in 1937. Across the week, Donald Macleod explores five distinct influences on Szymanowski’s music, starting with his formative years growing up in a family with a passion for the arts. As a young student, his studies in Warsaw led him towards the language of Richard Strauss and Max Reger, while his love of travel directed him towards impressionism, the ancient world and the Orient. Meeting Stravinsky in Paris and hearing the Ballets Russe was another turning point, as was in his later years in particular, his commitment to establishing a national musical voice for the newly formed country of Poland. Music featured: Study in G flat major, Op 4 No 2 The Swan, Op 7 L’île des sirènes (Métopes, Op 29) Violin Concerto No 1, Op 35 Songs of a Fairytale Princess, Op 31 Mazurka, Op 50 No 11 Desires; The infatuated east wind; Dance (Love Songs of Hafiz, Op 26) Concert Overture in E major, Op 12 Piano Sonata No 2 in A major, Op 21 (2nd movement) Symphony No 2 in B flat, Op 19 (1st movement) La fontaine d’Aréthuse (Mythes, Op 30) Sérénade de Don Juan (Masques, Op 34) Demeter, Op 37b String Quartet No 1 in C major, Op 37 (3rd movement) Symphony No 3, Op 27: The Song of the Night Study in B flat minor, Op 4 No 3 Penthesilea, Op 18 Thème varié 'Caprice No 24' (Three Paganini Caprices, Op 40) King Roger, Act 1 (excerpt) King Roger Act 2 (excerpt) Mazurkas, Op 50 Nos 1, 3, 6 Wanda, Op 46b No 5 Whip on the horse, Op 58 No 4 String Quartet No 2 (2nd movement) Harnasie, Op 55 (Tableau 1: In the mountain pasture) Symphony No 4, Op 60, 'Sinfonie concertante' (1st movement) Stabat Mater (excerpt) Mazurka, Op 62 No 1 Presented by Donald Macleod Produced by Johannah Smith for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Karol Szymanowski https://www.bbc.co.uk/programmes/m000dj02 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
durée : 00:09:53 - Disques de légende du mardi 31 décembre 2019 - Musique = Clapping de Steve Reich Voix = Coco Bonnier
Veckans program inför publik i Berwaldhallen i Stockholm. Panelen hyllar Jacob Mühlrad och Fanny Mendelssohn och hänförs av operaskisser som Mozart lade i byrålådan men som nu ges ut på skiva. Veckans skivor: FANNY OCH FELIX Musik av Fanny Hensel och Felix Mendelssohn Malin Broman, violin och viola Simon Crawford Phillips, piano Musica Vitae i Växjö dB Productions dBCD191 Betyg: 5 - en totalfemma! SZYMANOWSKI, ZEMLINSKY Violinkonsert av Karol Szymanowski och Lyrisk symfoni av Alexander von Zemlinsky Polska radions symfoniorkester Elina Vähälä, violin Alexander Liebreich, dirigent Accentus Music ACC 30470 Betyg: 4 TIME - JACOB MÜHLRAD Vokalmusik av Jacob Mühlrad Radiokören i Stockholm Fredrik Malmberg Ragnar Bohlin Deutsche Grammophon Betyg: 4 LIBERTA! Opera i tre scener av Wolfgang Amadeus Mozart m fl, sammanställd av konsertarior, övningsstycken, skisser och ofullbordade verk Pygmalion-ensemblen Raphael Pichon Harmonia Mundi HMM 90263839 Betyg: 4 Reportage: Så föddes Berwaldhallen För fyrtio år sedan fick Sveriges Radios symfoniorkester äntligen ett hem när Berwaldhallen invigdes. Men att för att ett nytt konserthus i Stockholm skulle bli verklighet krävdes både politiska kompromisser och duster med miljörörelsen. Musikrevyns Berit Nygren har dykt ner i Berwaldhallens historia och börjar mitt i en repetition av musik av Haydn, under konsertmästaren Malin Bromans ledning.
durée : 01:28:45 - A la rencontre de quelques compositeurs polonais (1840-1918) (3/3) - par : François-Xavier Szymczak - De la mort de Frédéric Chopin aux premières œuvres de Karol Szymanowski, la musique polonaise est certes restée dans l'ombre des répertoires allemands, autrichiens ou français, mais des compositeurs polonais de grand talent ont su donner à la postérité des œuvres dignes aujourd'hui de notre intérêt. - réalisé par : Céline Parfenoff
durée : 01:28:28 - A la rencontre de quelques compositeurs polonais (1840-1918) (1/3) - par : François-Xavier Szymczak - De la mort de Frédéric Chopin aux premières œuvres de Karol Szymanowski, la musique polonaise est certes restée dans l'ombre des répertoires allemands, autrichiens ou français, mais des compositeurs polonais de grand talent ont su donner à la postérité des œuvres dignes aujourd'hui de notre intérêt. - réalisé par : Céline Parfenoff
Sie haben ein feines Gespür für große Musik abseits ausgetretener Pfade, die Geigerin Marie Radauer-Plank und die Pianistin Henrike Brüggen, kurz, das Duo Brüggen-Plank. Bereits das erste, vor zwei Jahren erschienene und komplett Karol Szymanowski gewidmete Album der beiden jungen Musikerinnen hat das gezeigt. Nun ist das Duo noch weiter Richtung Osten gewandert, um sich mit gleicher Hingabe, wieder für das Label Genuin, Georges Enescu zu widmen, dem wohl größten rumänischen Komponisten überhaupt.
Dessutom om de etiska problemen kring könskorrigering, ett ingrepp som inte går att ändra och Drottning Roxanas aria som Elin Rombo framför live i studion. En oförklarlig explosion Ingemar Engström överläkare i barn - och ungdomspsykiatri och sakkunnig i Statens medicinsk-etiska råd. där man nu undersöker de etiska problemen kring de helt oåterkalleliga besluten kring könskorrigering och samlar in kunskap om explosionen av unga flickor de senaste åren, som vill korrigera sitt kön, som ingen kan förklara. Drottning Roxanas aria Hovsångerskan Elin Rombo är aktuell som drottning Roxana i Karol Szymanowski opera Kung Roger, där hon måste sjunga på polska. Elin sjunger live i studion hos Thomas och Louise. Är vi på väg mot ett nytt paradigmskifte i kärnkraftsfrågan? En kraftig utbyggnad av kärnkraften är det enda effektiva sättet att förhindra en klimatkatastrof. Det hävdar forskaren Staffan Qvist, doktor i tillämpad kärnfysik och författare, i den nya boken "Klimatnyckeln". Programledare: Thomas Nordegren Bisittare: Louise Epstein Producent: Ulrika Lindqvist
V oddaji bomo poslušali posnetek koncerta iz cikla Dobimo se na Magistratu Glasbene mladine ljubljanske na katerem je nastopila violinistka Maja Horvat ob klavirski spremljavi Craiga Whita. Črt Sojar Voglar: Sonata za violino in klavir Claude Debussy, prir. Craig White: Trije preludiji Karol Szymanowski: Nokturno in Tarantela, op. 28 Maja Horvatje glasbeno pot začela s sedmimi leti v Glasbeni šoli Jesenice pri učitelju Bojanu Rističu, nadaljevala pa pri prof. Blanki Piotrovski. V tem času je sodelovala na številnih koncertih in prireditvah doma in v tujini. Maturirala je na Konservatoriju za glasbo in balet v Ljubljani pri prof. Volodji Balžalorskem. Od oktobra 2015 nadaljuje študij na Kraljevem glasbenem kolidžu v Londonu (Royal College of Music London) pri prof. Danielu Rowlandu in prof. Leonidu Kerblu. Udeležila se je številnih državnih in mednarodnih tekmovanj in osvojila tudi najvišje nagrade. Njen zadnji uspeh je tretje mesto in posebna nagrada na Mednarodnem glasbenem tekmovanju Karol Szymanowski. Udeležuje se mojstrskih tečajev, kjer sodeluje s priznanimi violinskimi pedagogi, kot so: Saewon Suh, Vasilij Meljnikov, Ivry Gitlis, Anton Martynov, Alina Ibragimova, Igor Ozim, Wonji Kim Ozim, Tatjana Balašova. Kot solistka je nastopila z Orkestrom Slovenske filharmonije in s Komornim orkestrom Slovenske filharmonije, s Komornim orkestrom Mendelssohn, Narodnim simfoničnim orkestrom poljskega radia, Simfoničnim orkestrom KGBL itd. Sodelovala je tudi na različnih festivalih v Sloveniji: na Festivalu Ljubljana, Festivalu Lent v Mariboru, Festivalu Soboški dnevi v Murski Soboti, Festivalu Tartini v Piranu, ter v tujini: Upingham Int. Music Festival Peterborough, Padova, Stift Internacional Music Festival, ChamberJam Dűsseldorf, Trecastagni International Music Festival. Na njeni študijski poti jo podpira Rotary klub Bled in Ustanova Gallus. Je prejemnica štipendije The Big Give Award na Royal College of Music ter prejemnica finančnih sredstev v projektu Mladi upi (Za
Panelen jublar åt violinisten Jennifer Pikes spel, tröttnar på fula horn och gläds åt en musikhistorisk exposé över brittiska kvinnliga 1900-talstonsättare. Möt också dirigenten Nathalie Stutzmann. Veckans skivor: BEETHOVEN BRAHMS MAXIM EMELYANYCHEV Ludwig van Beethovens tredje symfoni och Johannes Brahms Haydnvariationer Maxim Emelyanychev, dirigent Nizny Novgorod kammarorkester Aparte Music AP191 Betyg: 3 THIS DAY: A CENTURY OF BRITISH WOMENS RIGHT TO VOTE Musik av Rebecca Clarke, Judith Bingham, Imogen Holst, Elizabeth Maconchy, Roxanna Panufnik och Judith Weir Blossom Street, kör Hilary Campbell, dirigent Naxos 8.573991 Betyg: 3 THE POLISH VIOLIN PIKE/LIMONOV Musik av Karol Szymanowski, Moritz Moszkowski, Henryk Wieniawski och Mieczyslaw Karlowicz Jennifer Pike, violin Petr Limonov, piano Chandos CHAN 20082 Betyg: 5 FLORENCE BEATRICE PRICE: SYMPHONIES NO 1 & 4 Symfonier av Florence Price Fort Smith symfoniorkester John Jeter, dirigent Naxos 8.559827 Betyg: 3 Musikrevyn möter: Nathalie Stutzmann - "Ingenting var enkelt i början" Sedan några år tillbaka gästar den franska dirigenten Nathalie Stutzmann Kungliga filharmonikerna varje säsong. Hon började som sångsolist och vägen upp på dirigentpulten var en lång och besvärlig resa. Stundtals funderade hon på att ge upp, men dirigenten Simon Rattle stöttade och sade åt henne att hon var född att leda en orkester. Idag har jämställdheten förbättrats och kvinnliga dirigenter blir inte längre lika ifrågasatta, menar hon. Sofia Nyblom träffade Nathalie Stutzmann i Konserthuset i Stockholm.
The violinist Jennifer Pike tells James Jolly about her new album on Chandos called 'The Polish Violin', for which she's joined by the pianist Petr Limonov. It features music by Henryk Wieniawski, Karol Szymanowski, Moritz Moszkowski and Mieczysław Karłowicz.
This week, Richard Canning discusses six things which he thinks should be better known. Ronald Firbank www.nytimes.com/1973/07/22/archives/prancing-novelist-the-fixer-of-modern-camp-a-defence-of-fiction-in.html Nils Dardel http://dardel.info/famille/artistes/NilsDardel/NilsDardelE.php The Bathers https://peterross.scot/articles/the-bathers/ Karol Szymanowski http://www.roh.org.uk/people/karol-szymanowski The Comeback www.hbo.com/the-comeback Tigre https://turismo.buenosaires.gob.ar/en/article/visit-tigre-buenos-aires%E2%80%99-waterside-getaway This podcast is powered by ZenCast.fm
Kuulame plaati Franz Schuberti ja Karol Szymanowski loominguga, mille andis 2017. aastal Sony plaadifirmas välja karismaatiline prantsuse pianist Lucas Debargue.
Kuulame plaati Franz Schuberti ja Karol Szymanowski loominguga, mille andis 2017. aastal Sony plaadifirmas välja karismaatiline prantsuse pianist Lucas Debargue.
Am 6. März ist die Geigerin Julia Fischer zusammen mit der Pianistin Yulianna Avdeeva im Müncher Prinzregententheater unter anderen mit den "Mythen" von Karol Szymanowski zu hören. Über dessen Musik und Klangwelt spricht Julia Fischer im Interview mit Bernhard Neuhoff.
Karol Szymanowski - 135. a. sünnist (06.10.1882)
Karol Szymanowski - 135. a. sünnist (06.10.1882)
Dedicamos este programa a un compositor quizá más desconocido por los melómanos pero muy habitual en el repertorio de los músicos: Karol Szymanowski, que nació un 6 de octubre de 1882. Le conocemos un poco más a través de su música y sus anécdotas. Además, entrevistamos a dos amigos del programa, Hernán Milla y Carlos Cano (Veleta Roja), que vienen a presentan su nuevo trabajo: Por la Rivera de Paquito. Presentado por Mario Mora.
Dedicamos este programa a un compositor quizá más desconocido por los melómanos pero muy habitual en el repertorio de los músicos: Karol Szymanowski, que nació un 6 de octubre de 1882. Le conocemos un poco más a través de su música y sus anécdotas. Además, entrevistamos a dos amigos del programa, Hernán Milla y Carlos Cano (Veleta Roja), que vienen a presentan su nuevo trabajo: Por la Rivera de Paquito. Presentado por Mario Mora.
Claude Debussy: "Images", Bd. I und II; "Masques" | Karol Szymanowski: "Masques", op. 34 | Cathy Krier (Klavier)
Violinsonate, Mythen, Danse paysanne aus "Harnasie", La berceuse d'Aitacho Enia, Chant de Roxane aus "König Roger", Nocturne und Tarantella | Duo Brüggen-Plank: Marie Radauer-Plank (Violine); Henrike Brüggen (Klavier)
Karol Szymanowski: "Masques" op. 34 | Alexander Scriabin: "Masque" op. 63/1 | Claude Debussy: "Masques" | Franz Schubert: Drei Klavierstücke D. 946 | Franz Liszt: "Après une lecture de Dante" | Jiang Yi Lin (Klavier)
Ludwig van Beethoven: Klaviersonate Nr. 23 f-Moll op. 57 "Appassionata" | Frédéric Chopin: Klaviersonate Nr. 2 b-Moll op. 35 | Karol Szymanowski: "Masken" op. 34 | Josef Bulva (Klavier)
Violinist Magdalena Filipczak and Pianist Christopher Bagan perform music by Karol Szymanowski and Henryk Wieniawski. Debut concert featuring our new violin, commissioned for the 75th anniversary of The Banff Centre and created by instrument maker Samuel Zygmuntowicz. Recorded Friday December 02, 2011 in Rolston Recital Hall.
Donald Macleod explores the life and work of Karol Szymanowski
© 2020-2025 Ivy Podcast Discovery LLC
