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4 episodes with Gavin Bryars
2 episodes with Gavin Bryars
2 episodes with Gavin Bryars
2 episodes with Gavin Bryars
2 episodes with Gavin Bryars
3 episodes with Gavin Bryars
3 episodes with Gavin Bryars
3 episodes with Gavin Bryars
2 episodes with Gavin Bryars
durée : 00:10:11 - Gavin Bryars : After the Requiem - Dans cet enregistrement de 1991, le compositeur et contrebassiste britannique Gavin Bryars s'est entouré des musiciens Bill Frisell, Kate Musker, Tony Hinnigan, Alexander Balanescu, Roger Heaton, Dave Smith, Martin Allen, Simon Limbrick, Evan Parker, Stan Sulzmann, Ray Warleigh et Julian Argüelles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:10:11 - Gavin Bryars : After the Requiem - Dans cet enregistrement de 1991, le compositeur et contrebassiste britannique Gavin Bryars s'est entouré des musiciens Bill Frisell, Kate Musker, Tony Hinnigan, Alexander Balanescu, Roger Heaton, Dave Smith, Martin Allen, Simon Limbrick, Evan Parker, Stan Sulzmann, Ray Warleigh et Julian Argüelles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:10:11 - Gavin Bryars : After the Requiem - Dans cet enregistrement de 1991, le compositeur et contrebassiste britannique Gavin Bryars s'est entouré des musiciens Bill Frisell, Kate Musker, Tony Hinnigan, Alexander Balanescu, Roger Heaton, Dave Smith, Martin Allen, Simon Limbrick, Evan Parker, Stan Sulzmann, Ray Warleigh et Julian Argüelles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Interpreten:Benedict Kloeckner, Kai SchumacherLabel: Berlin ClassicsEAN: 885470041162Der estnischeKomponist Arvo Pärt gehört unbestritten zu den bedeutendsten Tonsetzern unsererZeit. Vor wenigen Tagen hat er seinen 90. Geburtstag gefeiert und auch unsereCD der Woche steht in engem Zusammenhang mit seiner Musik, auch wenn „nur“ einStück tatsächlich von Pärt stammt. Mehr über die CD Fratres mit BenedictKloeckner und Kai Schumacher verrät Ihnen wieder Michael Gmasz.1977, am Beginn der Entwicklung seines TintinnabuliStils, hat Arvo Pärt sein Werk Fratres komponiert. Heute gehört es neben FürAlina und Spiegel im Spiegel, ebenfalls in dieser Zeit entstanden, zu den beliebtestenund meistgespielten Werken aus seiner Feder. Cellist Benedict Kloeckner und PianistKai Schumacher haben dieses Werk nicht nur als Titel ihrer neuen CD gewählt,sondern nehmen Fratres auch als Ausgangspunkt für ein spannendes Programm mit „PärtsBrüdern und Schwestern“ im musikalischen Geiste. Auch bei den Werken von PhilipGlass, Christopher Cerrone, Gavin Bryars, Valentin Silvestrov, Olivier Messiaen,Franz Liszt, Sophia Jani und Kai Schumacher selbst steht der Klang und dieReduktion auf das Wesentliche im Mittelpunkt.Vermeintlich simple Linien, die durch Transformation undVariation zum Leben erweckt werden, prägen den Hauptteil der Musik auf dieserCD. Mein persönliches Highlight nebst A Line von Kai Schumacher selbst, ist ThePleasure at being the cause des 1984 geborenen Christopher Cerrone. Auch erscheint sich das „Tintinnabulische“ Pärts als Vorlage genommen zu haben undsetzt seine Töne einem Glockenspiel gleich. Die Musik auf dieser CD fasziniertmich auf mehreren Ebenen – Sie hat etwas absolut Beruhigendes und gleichzeitig Aufwühlendes,ist mal düster und im nächsten Moment gleich wieder erhellend, wirkt einfach imSpiel und ist doch hoch virtuos. Wunderschön auch, wie sich Franz Liszts SanctaDorothea in der Bearbeitung von Kai Schumacher zu den zeitgenössischen Werkengesellt, und doch einen harmonischen und atmosphärischen Kontrast bietet. EinAlbum, das zum uneingeschränkten Zuhören einlädt, mit Struktur, Idee undperfekter Dramaturgie. (mg)
durée : 00:04:48 - Une voix des rues : "Jesus' Blood Never Failed me Yet" de Gavin Bryars - par : Max Dozolme - Demain, le compositeur et contrebassiste anglais Gavin Bryars fêtera ses 78 ans ! Cet anniversaire a donné envie à Max Dozolme de la très belle histoire de cette oeuvre intriguante et profondément humaine… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Kate Molleson meets Gavin Bryars, the celebrated and much-loved composer whose kaleidoscopic career defies categorisation. As an inveterate collaborator, Bryars has worked alongside figures as diverse as Brian Eno, Tom Waites, the Hilliard Ensemble, Mainz Opera and Faroese singer-songwriter, Eivør Pálsdottír. He has collected a lifetime's-worth of amazing stories along the way, and Kate invites Gavin to share some of the many surprising twists and turns in his journey from experimental outsider to concert hall favourite.Music Featured: Jesus' Blood Never Failed Me Yet The Stopping Train Crookesmoor The Sinking of the Titanic My First Homage White's SS Medea: Prelude to Act 5 Les Fiançailles On Photography String Quartet No 2 Glorious Hill Cadman Requiem Epilogue from Wonderlawn Adnan Songbook: Song IV Epilogue from ‘G' Biped Morte à spento quel sol ch' abagliar suolmi (Second Book of Madrigals) Double Bass Concerto "Farewell to St. Petersburg" A Man in a Room, Gambling (2, ‘3 Card Trick') The Fifth Century, (VI, His Omnipresence Is Our Field Of Joys) Ciascun ke fede sente (Lauda 37) Tróndur í Gøtu (V, Shall I Abandon) A Native HillPresented by Kate Molleson Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Gavin Bryars https://www.bbc.co.uk/programmes/m002djt7 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
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On this episode of Songs of Our Lives, it's Martha Skye Murphy! Her debut album, “Um” - released last year on AD 93 - has etched itself into my bones in the last couple months. We get into all of that and the weirdness of the holidays before going long on early Spice Girls memories, Gavin Bryars' all-time turn, being in awe of Scott Walker, Langley Children's Choir perfection, Bill Callahan, Patti Smith, Bonnie ‘Prince' Billy + more!Listen to all of Martha's picks HERE“Um”Tour DatesMartha Skye Murphy's InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel GardenSong ListSpice Girls “Wannabe”Low “Do You Know How to Waltz”Opus III “It's A Fine Day”Gavin Bryars “Jesus' Blood Never Failed Me Yet”Kelis “Bossy”Scott Walker “Patriot (a single)”Nine Inch Nails “La Mer”Bill Callahan “Angela”Serge Gainsbourg ft. Jane Birkin “Je t'aime… Moi non plus”Patti Smith “Dancing Barefoot”Bonnie ‘Prince' Billy “I See A Darkness”
Welcome to a special episode recorded guerilla style at the Ivors Classical Awards 2024! You may have heard our previous two pods with Ivors Special Award winners, Roxanna Panufnik and Gavin Bryars - this is a very different beast…Featuring special guest presenter James Flannery who steps into Seb's shoes and makes his podcasting debut, this is a rampage around the BFI with odd snippets of chat and composers a plenty.You might catch journalist Stephen Pritchard, composers Duncan McLeod and Roxanna Panufnik, violinist Tasmin Little and friends of the pod Lizzie Ball and Hattie Butterworth amongst others. Brace yourselves, buckle up and enjoy this weird and wonderful evening at the Ivors! Stephen Pritchard's excellent article for Bachtrack featuring Seb & Verity; https://bachtrack.com/feature-freelance-life-orchestra-pit-seb-philpott-verity-simmons-november-2024You can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.
Esta semana tenemos varias joyas en nuestro programa, como “The Complete Obscure Records Collection” una colección única que contiene los lanzamientos de debut de Gavin Bryars, Michael Nyman, John Adams, David Toop, Max Eastley, Harold Budd, Christopher Hobbs, Jan Steele y Simon Jeffes / The Penguin Café Orchestra, además de importantes obras de John Cage, Tom Phillips y John White, sin mencionar el seminal "Discreet Music" de Brian Eno, que escucharemos en Atmósfera. Además sonarán los trabajos de Gianmaria Aprile, J. WLSN, Kin Leonn, Zöj, Manongo Mujica, Jay Cluss o Darth Athena.Escuchar audio
In the first of two special episodes with esteemed and newly decorated composers, we sit down with Gavin Bryars, a composer who has led the way in innovation over a long and distinguished career. On Tuesday 12th November he received the Innovation Award in association with the Musicians Union at the Ivors Composers Awards, and we were lucky to get a chance to talk to him about this just a few days before.We discuss his early days of art college, double bass and free jazz, his early iconic pieces The Sinking Of The Titanic and Jesus' Blood Never Failed Me Yet and his creative relationship with Brian Eno. Over his career he has written five operas, twenty ballets and a long list of instrumental, orchestral and vocal works.He has collaborated with many non-classical musicians over the years, including Tom Waits, Father John Misty, Charlie Haden, Bill Frisell, Natalie Merchant, Iarla O'Lionaird, Gavin Friday, Bertrand Belin and Mocke, and with many visual artists such as Bruce McLean, David Ward, Tim Head, James Hugonin, Bill Woodrow, Will Alsop, the Quay brothers, Juan Muñoz and Massimo Bartolini.He divides his time between a Leicestershire village and Vancouver Island, and we discuss his approach to writing in various locations, and in particular the importance of just the right pencil for the job. There really is a lot of time spent talking about this particular pencil.Gavin talks about the formative time he had working as the house bassist as Greasbrough Working Men's Club, performing in the backing band for Bob Monkhouse, Dusty Springfield and many others. The documentary he mentions is available to watch here: MEMORIES OF GREASBROUGH WORKING MEN'S CLUBFor more on Gavin Bryars, visit www.gavinbryars.comFor more on the Ivors Classical Awards 2024 visit https://ivorsacademy.com/awards/the-ivors-classical-awards/Big thanks to Premier for setting up the interview.You can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.
breve comentário aos textos bíblicos lidos em comunidade | Domingo XXVIII do Tempo Comum B | Lisboa, 13 de Outubro de 2024. Sabedoria 7,7-11; Hebreus 4,12-13 e Marcos 10,17-30. Instagram © Gavin Bryars, Jesus' Blood Has Never Failed Me Yet (Universal International Music B. V., 1993) – Tramp With Orchestra (String Quartet) [excerto] | artigo de Alfredo Teixeira © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro
breve comentário aos textos bíblicos lidos em comunidade | Domingo XXVII do Tempo Comum B | Lisboa, 6 de Outubro de 2024. Génesis 2,18-24; Hebreus 2,9-11 e Marcos 10,2-16. Instagram © Gavin Bryars, Jesus' Blood Has Never Failed Me Yet (Universal International Music B. V., 1993) – Tramp With Orchestra (String Quartet) [excerto] | artigo de Alfredo Teixeira © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro
Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: · Éclat, Sound & Language, 1996 · Fig: Goan Atom 2, Salt, 2005 · Middling English, John Hansard Gallery, 2010 · Meddle English: New and Selected Texts, Nightboat Books, 2011 · Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: · Éclat, Sound & Language, 1996 · Fig: Goan Atom 2, Salt, 2005 · Middling English, John Hansard Gallery, 2010 · Meddle English: New and Selected Texts, Nightboat Books, 2011 · Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: · Éclat, Sound & Language, 1996 · Fig: Goan Atom 2, Salt, 2005 · Middling English, John Hansard Gallery, 2010 · Meddle English: New and Selected Texts, Nightboat Books, 2011 · Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: · Éclat, Sound & Language, 1996 · Fig: Goan Atom 2, Salt, 2005 · Middling English, John Hansard Gallery, 2010 · Meddle English: New and Selected Texts, Nightboat Books, 2011 · Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
"The original recording has two distinct sections; the first features a violinist practicing whilst the second has more emphasis on people walking and talking. "I took a short section of the violin from the first part and slowed it down a little. I repeated this phrase whilst adding in other instruments as it repeats. The second half of the original recording is played over the music at roughly the half way point of the piece. In the same way that the instruments are introduced they fade slowly (at different speeds) through the second part of the piece leaving the solo violinist to continue their practice alone at the end. Because of the way the process works no two repeats are identical. "The title is a reference to Gavin Bryars (whom I studied composition with) both in the way that this piece shares a similar process with "Jesus' Blood Never Failed Me Yet" and to an early piece of his called "My First Homage"." Ponte Raspi, Venice reimagined by Simon Belshaw.
“We are there to be servants of our community. A lot of amateur choirs can become bowling leagues; they show up on Wednesday night, they have a great time, and that's the reason they do it. I think the trick is to satisfy the needs of our singers, develop them as artists and people, but also make the focus constantly about reaching out to our audience: how do I find pieces that are going to meet my singers where they are, challenge them pedagogically, and bring people to my concert and make it impactful?”Erick Lichte enjoys a diverse career as a conductor, composer, and record producer.As a founding member, singer, and Artistic Director of the male vocal ensemble Cantus, Lichte created and sustained one of only two full-time vocal ensembles in the United States. From 2000-2009, Lichte's programming and artistic direction were heard in over 60 concerts a year and he has collaborated with artists such as Bobby McFerrin, the Boston Pops, and Minnesota Orchestra.In January 2013, he began his tenure as Artistic Director of Vancouver, Canada's Chor Leoni Men's Choir. Since that time, he has grown the choir into one of the most active and popular amateur choirs in North America, performing over 35 concerts a year. His first recording with Chor Leoni, Wandering Heart, received a perfect five-star review from the UK's prestigious Choir and Organ Magazine. In the summer of 2018, he led Chor Leoni to multiple awards and Grand Prix appearances at both the Singapore and Bali International Choral Competitions. In 2020, his world premiere recording of When There Is Peace: an Armistice Oratorio was nominated for a JUNO Award.His work with Cantus and Chor Leoni garnered him both the 2009 and 2019 Margaret Hillis Award for Choral Excellence, the highest honour from the professional choral organization Chorus America. He is only the second conductor to have ever won this award with two ensembles.Lichte is an active proponent of new music and has commissioned over 300 new works from composers such as Lee Hoiby, Eriks Esenvalds, Gavin Bryars, Jocelyn Morlock, Steven Sametz, Edie Hill, Mary Ellen Childs, and Zachary Wadsworth among many others.As a record producer, Lichte has made over 30 albums. His recent release for Naxos of the choral music of Eriks Esenvalds spent multiple weeks as the number one classical album on the Billboard charts.He is also an active composer and arranger, especially known for co-creating All is Calm: The Christmas Truce of 1914 which has toured North America annually and been performed on three continents. The work's 2018 off-Broadway run in Greenwich Village garnered Lichte a Drama Desk Award for both his composing and his musical direction. In November 2020, a filmed version of this production will air across the United States distributed through PBS.To get in touch with Erick, you can reach out on Instagram (@ericklichte) or on Facebook (@erick.lichte). You can also check out Chor Leoni's YouTube page (@chorleoni).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonAudio clip: "Will Ye Go to Flanders" from All Is Calm
Esta semana, en una nueva sesión de Rebelión Sónica, tributamos al recientemente fallecido percusionista inglés, Tony Oxley. Figura fundamental del jazz y la música improvisada, Oxley murió a los 85 años el 26 de diciembre de 2023, luego de una larga enfermedad. Baterista que creó su propio lenguaje, su vasta obra quedó registrada en discos solistas y en múltiples colaboraciones y bandas que lideró o en las que participó. Entre ellas, Joseph Holbrooke Trio, junto al bajista Gavin Bryars y el guitarrista Derek Bailey, además de su trabajo con John McLaughlin, Evan Parker, Kenny Wheeler, Bill Dixon, John Surman y el pianista estadounidense Cecil Taylor, solo por nombrar algunos. Justamente, escucharemos material del álbum en vivo “Conversations with Tony Oxley” de Taylor. Grabado en la sala de Música de Cámara de la Filarmónica de Berlín en febrero de 2008, fue editado años más tarde, en 2018, por el sello Jazzwerkstatt. En él se puede apreciar de manera cristalina, el complejo y único vocabulario percusional de Oxley.
Au tour de l'oeuvre "The Last Days" pour deux violons de Gavin Bryars et son inspiration : "Les derniers jours de l'humanité" de Karl Kraus. programmation • Quand Madelon chanté par Alain Charrié, album Anthologie de la chanson française enregistrée - chansons de soldats : conscrits, soldats et déserteurs (EPM, 1994) • The Melachrino Strings & Orchestra & Trio Musette, Madelon, album April in Paris (RCA Victor, 1963) • Gioachino Rossini, "Che feci", Otello, interprété par Carreras, Von Stade, Pastine, Fisichella, Condò-Ramey, Philarmonia Orchestra sous la direction de Jesús López-Cobos (Philips, 1979) • Gioachino Rossini, "Sinfonia", Otello, idem • Gavin Bryars, The Last Days, interprété par Pauline Dhuisme (violon) et Pierre Malle (violon) et enregistré en concert le 12/11/2023, à la Chapelle de l'Hôpital Bretonneau, Tours • Lecture de Les Derniers Jours de l'Humanité de Karl Kraus dans l'édition Agone (2005) par Karine Bonneau (p. 275), Louis Mazzocchi (p. 408 sqq), Marianne Chauvin (p. 602), Elsa Maupeu et Jean-Baptiste Apéré (p. 577-578) • Sarah Stiles, Armchair Rage, interprété par Pauline Dhuisme (violon) et Pierre Malle (violon) et enregistré en concert le 12/11/2023, à la Chapelle de l'Hôpital Bretonneau, Tours prise de son, montage, réalisation : Jean-Baptiste Apéré ********************************************* Emission radiophonique sur les musiques contemporaines proposée par l'ensemble PTYX. Présentation : Jean-Baptiste Apéré réalisation, production, sans concession : ptyx fan club vnrpe (c) 2023 Avec le soutien du Conseil départemental d'Indre-et-Loire
Welcome to another conversation from the high/low art divide between opera-singer-turned-experimental-performer Ema Katrovas and comedian-and-TV-writer-turned-novelist Nicholas Anthony. For this end-of-the-year episode, Nick and Ema decided to talk about The Beatles and their influence on a few pieces of “high art”: new journalist Joan Didion's essay “The White Album” and avant garde singer Cathy Berberian's covers of Beatles' songs. They also briefly talk about American composer Ned Rorem's essay “The Music of the Beatles”. Their starting point is a 2021 documentary by Peter Jackson, Get Back. Nick and Ema circle around the question: Were the Beatles exceptional, lucky, or both? Does one need opportunity or even fame to create one's best work? Is trying to tell a story about the Beatles, or any other iconic artist, that answers these questions even useful? Music excerpts from this episode: Revolution 9 from the Beatles' White Album (1968) Gavin Bryars' “Jesus' Blood Never Found me Yet”(1971) Cathy Berberian's cover of “She's Got a Ticket to Ride” (1977) Cathy Berberian's Stripsody (1966) Things mentioned in the episode (in order of appearance): “Now and Then” (new Beatles' song): https://www.youtube.com/watch?v=Opxhh9Oh3rg Deresiewicz's essay “We're All Bored of Culture Now”: https://www.tabletmag.com/sections/arts-letters/articles/bored-of-culture-william-deresiewicz Get Back, the Beatles documentary by Peter Jackson (it didn't come out “last year” like we said but in 2021): https://en.wikipedia.org/wiki/The_Beatles:_Get_Back Bernstein's lecture on the Beatles: https://www.youtube.com/watch?v=v32U0mjGz6g Rick Beato's music channel: https://www.youtube.com/@RickBeato Joan Didion's book of essays “The White Album”: https://en.wikipedia.org/wiki/The_White_Album_(book) Ned Rorem's essay “The Music of the Beatles”: https://jdsalas.files.wordpress.com/2019/07/article-the-music-of-the-beatles-.pdf Susan Sontag's “Notes on Camp”: https://en.wikipedia.org/wiki/Notes_on_%22Camp%22 Collection of academic essays on Cathy Berbarian: https://www.routledge.com/Cathy-Berberian-Pioneer-of-Contemporary-Vocality/Karantonis-Placanica-Verstraete/p/book/9780367669294 Links:
Welkom bij aflevering 16 van het eerste echte seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket. De Kok van de Week is onze eigen Lone Poulsen, de kok die uit het Noorden kwam. Ze vertelt over een zeer feestelijk december aperitief met dennensiroop. Kom op 22 december tussen 16 en 21 uur naar Kookhaven om kerstinkopen te doen in Lone's pop-up winkeltje waar je al haar nordic heerlijkheden kunt krijgen. Host Francien Knorringa zag de documentaire Tante Iki op NPO Start over actrice Sigrid Koetse. https://npo.nl/start/serie/2doc-kort/seizoen-5/tante-iki/afspelen?at_campaign=npostart_player&at_channel=npostart&at_creation=share-link&at_detail_placement=1:lqcqmbgo:0facac3ed6cf433bb6c9e7f69a0624b6&at_format=share_button;;0_0&at_general_placement=serie||2doc-kort||seizoen-5||tante-iki&at_medium=display&at_variant=organic Host Jannekee Kuijper las The Autobiography of Alice B. Toklas by Gertrude Stein in de door Mairaa Kalman geïllustreerde uitgave. https://www.deslegte.com/the-autobiography-of-alice-b-toklas-2256767/ Gids Bart Prinsen leest voor uit De Avonden van Gerard Reve, een titelloos gedicht van Femke Zwiep uit de bloemlezing Voor alle dagen (Uitgeverij Podium), het gedicht An Advent Poem van Mary Oliver https://www.americamagazine.org/arts-culture/2006/09/25/making-house-ready-lord, en laat een fragment horen van Jesus' Blood Never Failed Me Yet van Gavin Bryars, Bron GB Records: https://open.spotify.com/track/3LhUvATbveDYzSp9q86Cjf en ook van de versie van dit nummer met Tom Waits: https://g.co/kgs/EfyfCW (Bron: Decca Music Group Ltd.). Gids Emma Simmelink breekt een lans voor de jonge up and coming zangeres Néomi en laat een stukje uit het nummer If I wasn't made for love horen: https://open.spotify.com/track/0gTQHu2jECAp9qSw1t5dkr?si=7789cb5d9caf4764, bron: Pias Recordings. Onze adverteerders zijn: Hermit Gin - de lekkerste gin die er is, gemaakt met Oosterscheldewater en nog een trits aan geheime ingrediënten, te koop bij Gall en Gall. www.hermitgin.com Fever Tree Mediterranean Tonic, de lekkerste tonic voor de perfect serve van een gin tonic met Hermit Gin. https://fever-tree.com/nl_NL/products/mediterranean-tonic-water De Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op kantoor niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nl Don Ostra - oestermannen Arend Bouwmeester (de jonge) en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. www.donostra.nl Lone Poulsen, de kok die uit het noorden kwam en private dinings verzorgt in het teken van de nordic cuisine. Kijk op haar website: www.shecamefromnorth.com Adverteren in Ballet Kroket? Mail alles@balletkroket.nl Ballet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dan krijg je vooraf aan de opname ook een concert van de Ballet Kroket Huisband o.l.v. Arend Bouwmeester en Mathijs Goené, niet zelden ontvangen zij extra special guests. Mail alles@balletkroket.nl Of kijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM. www.balletkroket.nl KOM NAAR KERST IN DE KOOKHAVEN! Op vrijdag 22 december ben je welkom om tussen 16 en 21 uur langs te komen. Alle lekkernijen van Dick en Lone zijn dan te koop. Verras je dierbaren met leuke culinaire cadeautjes en trakteer ze op lekkere oesters of gin. Oesters even vantevoren bij Dick bestellen. Kijk op www.kookhaven.nl En dan kun je meteen een van de twee Kerst-specials bijwonen die we dan met de podcast opnemen. Tot dan!
Programme de SALLY ANN McINTYRE pour webSYNradio : disques pour une ile deserte. Avec des oeuvres et des sons de Janek Schaefer, Vito Acconci, John Cage, Erik Satie, Margaret Leng Tan, William S. Burroughs, Louise Lawler, Alvin Curran, Gavin Bryars, Laurie Anderson, Yoko Ono.
Greetings! Well...in October I was back in Connecticut for my 50th high school reunion and on the way back I had to make my quarterly pilgrimage to the Princeton Record Exchange and load up, thus the title of today's program, an inquiry from my wife. I was thrilled to find a bunch of CDs released on Foster Reed's wonderful New Albion label. I've never been a completist about any label or artist, but I've been making a concerted effort to obtain the New Albion catalog due to their consistent high quality in terms of performances, composers and recording quality. While no longer producing new releases, they are available for digital download. Do check their catalog out. http://www.newalbion.com Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter-like x-thing: https://twitter.com/envpusher1 11-25-23 PTE Playlist: "Where the heck are you going to put all those CDs?" "Bells & Whistles" from Saranada Schizophrana - conducter: John Mauceri /composer: Danny Elfman - Seranada Schizophrana - Sony Classical (2006) https://www.dannyelfman.com/classical/seranada-schizophrana One Last Bar, Then Joe Can Sing (1994) - percussion ensemble: Nexus / composer: Gavin Bryars - farewell to philosophy - Point Music (1996) https://gavinbryars.com/ Ari Sleepy Too / Iceberg I - ensemble: Ice Nine / composer: John Cale - Dance Music (composed for "Nico, The Ballet") - Erato/Detour (1998) https://john-cale.com/ Nagoya Guitars - guitar/arrangement: David Tannenbaum / composer: Steve Reich - David Tannenbaum - New Albion (1997) http://www.newalbion.com/blog/-david-tanenbaum-na095cd Sleeping Powder/Snapshots of A Ghost - David Toop - Spirit World - Virgin Records (1997) https://davidtoopblog.com/ Not So Heavy Metal - guitar: Steve Mackey / composer: Paul Lansky - smalltalk - New Albion (1994) http://www.newalbion.com/blog/-paul-lansky-smalltalk Psycho / One Man's Meat - Gary Lucas - Gods & Monsters, vocal: David Johansen - Coming Clean - Mighty Quinn (2006) www.garylucas.com Limbo - Marco Oppedisano - electroacoustic compositions for electric guitar - OKS recordings of north america (2007) https://marcooppedisano.bandcamp.com/album/electroacoustic-compositions-for-electric-guitar All Together Now - NOW Ensemble / composer: Patrick Burke - NOW - New Amsterdam Records (2007) https://www.newamrecords.com/albums/now Finding Gabriel - Brad Melhau - Finding Gabriel - Nonesuch Records (2019) https://www.bradmehldaumusic.com/finding-gabriel Shaman's Column - David Hykes & Djamchid Chemirani - Windhorse Riders - New Albion (1989) http://www.newalbion.com/blog/-david-hykes-windhorse-riders
Support Night Clerk Radio on PatreonThe community members on our Patreon Discord are constantly posting suggestions and recommendations for great albums of all genres. We've gotten into the habit of digging through them every six months or so and seeing what's there. We cover everything from vaporwave to dark ambient to hip hop to jazz.We aren't able to talk about everything, so check the wall of links below, organized by Discord channel. Enjoy!#vaporwaveSPEZ068 - Dnevna televizija / Дневна телевизија by SEM-TVBarbershop Simulator™ by slowerpace 音楽Cyanotype by CyanBlueＤＲＥＡＭＳ ＵＮＬＩＭＩＴＥＤ by 夢達無制限LAST WAVE OUT by EPPSSONNTHROUGH THE FOG AND THE DRIFTWOOD by §E▲ ▓F D▓G§YEARS OF FAILURE by HATENAArcade Girl EP by Crystal EternalThe Darkness in Her Eyes by Notorious Secret転移 by victory over deathVirtuality by Sierra On-linePhysical Death VIP Membership (death cycle) - 死亡循環 by b e g o t t e n 自杀Grid Of Reality by Infinity Frequencies x Sangamt h e s o n y p l a y s t a t i o n 1 ソニー by V/ALiminal Spaces by HantasiThe Mall of Our Lord by
High-altitude Bryars, trash on the walls, desperate shamans. The Los Angeles-based multidisciplinary artist discusses three important albums.Dorian's picks:Gavin Bryars – The Sinking Of The Titanic / Jesus' Blood Never Failed Me YetNearly God – S/TGeorge Michael – Listen Without Prejudice Vol. 1Dorian's new album, Excesiva, is out now on Dragon's Eye Recordings. Check it out on Bandcamp. Dorian's website is here.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening
Be inspired by stories associated with a simple chorus, written in 1911 by James M. Black and recorded by classical composer Gavin Bryars in '71; who rerecorded it several other other times; which were all made with a looped recording of an elderly homeless man - in London - singing it a cappella.
Be inspired by stories associated with a simple chorus, written in 1911 by James M. Black and recorded by classical composer Gavin Bryars in '71; who rerecorded it several other other times; which were all made with a looped recording of an elderly homeless man - in London - singing it a cappella.
Gimusi Plovdive, dar vaikystėje atsidūrusi Londone, Dobrinka Tabakova (g. 1980) netruko pagarsėti kaip vunderkindas, tačiau nuo pat pradžių jautė antipatiją avangardo pasauliui. Jos žvilgsnis nukrypo į praeitį, į klasikinio meno epochas. Autoritetais laikydama Johną Adamsą, Keithą Jarrettą, Sofiją Gubaiduliną, Alfredą Schnittkę ir Gaviną Bryarsą, Tabakova teigia kurianti „muziką, kuri tave patraukia ir turi ką pasakyti“. Dabar ji vis labiau įsigali didžiausiose Vakarų pasaulio koncertų salėse.Laidos autoriai Šarūnas Nakas ir Mindaugas Urbaitis
Born on St Cecilia's day, the Grammy-nominated British counter-tenor Ryland Angel has built an international reputation on both the opera and concert stage, in repertoire ranging from the Baroque to new operatic commissions at major opera houses, concert halls, and festivals throughout Europe and the USA. He has performed in Monteverdi's Orfeo, Gavin Bryars's Doctor Ox's Experiment(English National Opera), Fairy Queen (Barcelona), Gluck's Orfeo (Koblenz), Amadigi (Karlsruhe), Venus and Adonis (Flanders Opera), Dido and Aeneas(Opera Comique), The Play of Daniel (Spoleto), and Ballet Comique de La Royne(Geneva). Angel has sung on over 80 recordings including the music of Buxtehude, Charpentier, Scarlatti, Stradella, Spears, O'Regan, Handel, Monteverdi, Purcell, Bach, and on the film soundtracks of Jack Reacher, Zoolander 2, Freedom, Le Petit Prince, La Peau, Henry 4th, Machete, The Mystery of Dante, Gemini Man and the PBS TV special Heavenly Voices. Recent engagements include Doux Mensonges (Opera National de Paris), Agrippina(NYCO), A Midsummer Night's Dream (Florentine and Kansas Opera), Julius Caesar (Utah and Colorado Opera), Sant Alessio with William Christie (Paris, London, New York), Carmina Burana (Lincoln Center/Prague Proms), St. John Passion (Saint Thomas Church and Mechanics Hall), Classics and Rock (Seoul Philharmonic Orchestra), and Messiah (Boston Symphony Hall & Carnegie Hall). Recent recordings include The Flaming Fire (MSR), Heart and Soul (Centaur) and Now Fatal Change (NMC), La Sposa (Solo Luminus), Bleed for the Throne(SXSW), and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla, Fatini Futuro, The Call, Including Words, and The Chant Project.Credits: Ryland Angel, composer and voice; additional mastering by Rick Del Castillo. Consultants: the Rev. Graeme Napier, Ned Tipton, Gervais Angel, and Bryce Johnson.
Album of the year Vi bjuder in Magnus Jäverling, som släppte förra årets bästa album “Bowdark”, för att prata om hans musik, hans och andras syntar, hans och andras skapande och därmed om särskilt välljudande skräckfilmer. Tomas avslöjar i exakt vilken grad han älskar Lamberto Bavas kalkon Demons och Lars myntar ofrivilligt smeknamnet Farbror Frizzi. Vi pratar också om: Scalextric-bilbanor, Arizona, året 1978, Discreet Music, minimalism, Anna Wikars-Rantala, David Lynch, Twin Peaks, Angelo Badalamenti, John Carpenter, Fabio Frizzi, Tangerine Dream, Jean-Michel Jarre, Vangelis, Stranger Things, fattigmansorkestern Mellotron, den italienska elorgeln Elka X30, Yamaha PS-6100, Technics SY-1010, vådan av MIDI och VST, Moog, delay-pedalen Electro Harmonix Memory Boy, Zombi, Akilles-hälen Philip Glass additiva metod, skillnaden mellan syntar och keyboards, Yamaha GX-1, Stevie Wonder, Keith Emerson, Richard David James, Aphex Twin, Led Zeppelin, Benny Andersson, Lucio Fulcis guldålder 1979-1982, Starman, road movies, Jeff Bridges, Karen Allen, Jack Nitzsche, Julie Cruise, Nina Simone, Michael Jackson, Björk, The Babadook, Texas Chainsaw Massacre, Motorsågsmassakern, Låt den rätte komma in, Johan Lindqvist, Björn Isfelt, En kärlekshistoria, Goblin, New York Ripper, Manhattan Baby, City of the Living Dead, The Beyond, Blair-Witch Project, Grave Encounters, Paranormal Activity, Giliap, Roy Andersson, Fåglarna, Alfred Hitchcock, Psycho, Bernhard Hermann, Alien, Skjul 46, “gamla Truckstop Alaska”, Digital Leather, Gavin Bryars, The Sinking of the Titanic, Brian Eno, Rickard Jäverling, Henrik von Euler samt naturligtvis något litet om Sten Eklunds konstverk Kullahusets hemlighet. Patreon-lyssnare avnjuter som vanligt dubbel speltid där Magnus Jäverling DJ:ar stabila syntlåtar från sex, soniskt sett, särskilt sexiga celluloid-stänkare. ”Bowdark” kan köpas på LP där skivor köps. Den som lyssnar online uppgraderar med fördel upplevelsen här: https://bowdark.wixsite.com/bowdark. Sent ska syntarna vakna. Nostalgi, löst tyckande och akademisk analys.
Order and disorder, a freeform haze of garbage guitars, shorted electronics, found detritus, collage, linear songs, sounds from strange lands. Contact me at btradio85@gmail.com. There's a second bonus show biweekly, Brian Turner Overdrive, available for streaming at totallyradio.com as well.PLAYLIST:KLINT -Youth - Existence (Goodbye Boozy, 2022)VEIK - I7LI - Maïdan/I7LI (Fuzz Club, 2022)THE BUG - Satan (ft. Nazamba) - Absent Riddim (Pressure, 2022)WHIPPETS - Kick - 7" (Goodbye Boozy, 2022)THE RABBITS - Bye Bye - The Rabbits (1984, re: Mesh-Key, 2022)THE WILLIES - Third Stone From the Sun (Live at the Jetty, 3/26/85)THE LO YO YO - Bad Intentions - Extra Weapons (1985, re: Staubgold, 2022)IFTIN BAND - Sig Sig Nima (Come Closer) - Mogadishu's Finest: The Al-Uruba Sessions (80s' re: Ostinato, 2022)WHITE+ - 43 (Falling Down) (Maybe Mars, 2022)POSITIVE NOISE (w/KEITH LEVENE) - Darkness Visible - Heart of Darkness (Statik, 1981)THE CLASH (w/KEITH LEVENE) - How Can I Understand the Flies (Live at the Roundhouse, 9/5/76)SPRUNG AUS DEN WOLKEN - Noch Lange Nicht - Sprung Aus Den Wolken (1982 re: Bureau B, 2022)PRINCE FAR I AND THE SUNS OF ARQA Brujo Magic- Live at Band on the Wall 1982 (Arka Sound, 1999)MICHIGAN & SMILEY - Eye of Danger - V/A: Studio One Rockers (1979, re: Soul Jazz, 2001)MEAT PUPPETS - Light - Live KCRW SNAP Session 9/1/88FADENSONNEN - Evening Slice - Heretic Vision (Fadensonnen, 2022)DAS SYNTHETISCHE MISCHGEWEBE - Requiem For Gamma Ferric Oxide - Greaser In the Ghost Home (Tribe Tapes, 2022)GAVIN BRYARS' GOLDEN RETRIEVERTERESA COS - Excerpt - The Archive of Loops: Broadcast (Hard Return 2022)UN CADDIE RENVERSÉ DANS L'HERBE - Kuring, Kurang, Kurung (excerpt) - Nighturns (Cellule 75, 2022)MY BROTHER NORMAN - Tape Excerpt (via Idm Theft Able site: Kraag.org)RICHARD DAWSON - The Fool - The Ruby Cord (Domino, 2022)HEN OGLEDD - Gondoliers - Bronze (Drag City, 2023)ROOFTOP GARDEN - Rooftop Garden - V/A: Thunk Gunk (cs, Carbon, 2022)
Jess Gillam is joined in the TCL studio by the violinist and composer Daniel Pioro, to share an eclectic mix of some of their favourite music. Jess' choices today include a violin concerto by Vivaldi, music for saxophone by Gavin Bryars and a track by James Blake. Daniel brings along one of Biber's Rosary Sonatas, music by Claire M Singer and a tribute to the American saxophonist Pharoah Sanders, who died recently.
17th-20th CenturiesWe hear works by Duarte Lôbo, Johann Philipp Krieger, Giuseppe Sarti, Joseph Lanner, Arrigo Boito, Tālivaldis Ķeniņš, and Gavin Bryars.149 Minutes – Week of 2022 August 08
Maren Montalbano began her vocal career with the San Francisco Girls Chorus at age seven, and has been singing ever since. A graduate of both New England Conservatory of Music and Tufts University, Ms. Montalbano can be heard in three GRAMMY Award-winning albums: John Adams' Pulitzer Prize-winning work, On the Transmigration of Souls (2005), and Gavin Bryars' The Fifth Century (2018), and Lansing McLoskey's Zealot Canticles (2019), on which she is a featured soloist. She recorded Douglas Cuomo's opera Arjuna's Dilemma with Anonymous 4 members Susan Hellauer and Jacqueline Horner, which was released in 2008 to critical acclaim. She appears on over a dozen commercial recordings, including Alice Parker's Listen Lord and The Family Reunion, Kile Smith's Vespers, Lewis Spratlan's Hesperus is Phosphorus, and Ted Hearne's Sound from the Bench. In the past five years, Ms. Montalbano has been a guest artist with Lyric Fest, Choral Arts Philadelphia, Network for New Music and Piffaro, the Renaissance Band. When she performed the modern premiere of Destinos vencen finezas, a 17th century zarzuela by Juan Francisco de Navas, with Philadelphia's Baroque orchestra, Tempesta di Mare, her dramatic interpretation was hailed as “pure, suave and sensuous” (Philadelphia Inquirer, March 2015). When she premiered the role of Andy Warhol #2 in Andy: a POPera (Bearded Ladies Cabaret and Opera Philadelphia), the Broad Street Review called her singing “impeccable.” Her debut album, Sea Tangle: Songs from the North, featuring all women composers and performers, was released in December 2016. During the pandemic of 2020-21, Ms. Montalbano turned to the digital world. She wrote, produced, and starred in an interactive digital one-woman show called The Bodice Ripper Project, which had its world premiere at the Philadelphia Fringe Festival, and she started a podcast of the same name. Other pandemic world premiere projects include David Lang's in nature (The Crossing/Warren Miller Performing Arts Center), Pete Wyer's Spring Street Opera (American Opera Projects), and the release of six different commercial albums with various collaborators. The 2021-22 season features Ms. Montalbano in more world premieres, both live and digital, from a podcast musical by Jennifer Rosenfeld to a work by Lansing McLoskey honoring the 100th anniversary of James Joyce's Ulysses. Ms. Montalbano lives in New Jersey and sings professionally throughout a wide geographic area with such groups as Opera Company of Philadelphia, Trio Eos, and The Crossing. She is passionate about keeping artists employed doing what they do best. Ms. Montalbano currently studies voice with Julianne Baird.
Performed by Ryland AngelUsed with kind permission from St. John's in the Village NYC.Born on St Cecilia's day, the Grammy-nominated British counter-tenor Ryland Angel has built an international reputation on both the opera and concert stage, in repertoire ranging from the Baroque to new operatic commissions at major opera houses, concert halls, and festivals throughout Europe and the USA. He has performed in Monteverdi's Orfeo, Gavin Bryars's Doctor Ox's Experiment(English National Opera), Fairy Queen (Barcelona), Gluck's Orfeo (Koblenz), Amadigi (Karlsruhe), Venus and Adonis (Flanders Opera), Dido and Aeneas(Opera Comique), The Play of Daniel (Spoleto), and Ballet Comique de La Royne(Geneva). Angel has sung on over 80 recordings including the music of Buxtehude, Charpentier, Scarlatti, Stradella, Spears, O'Regan, Handel, Monteverdi, Purcell, Bach, and on the film soundtracks of Jack Reacher, Zoolander 2, Freedom, Le Petit Prince, La Peau, Henry 4th, Machete, The Mystery of Dante, Gemini Man and the PBS TV special Heavenly Voices. Recent engagements include Doux Mensonges (Opera National de Paris), Agrippina(NYCO), A Midsummer Night's Dream (Florentine and Kansas Opera), Julius Caesar (Utah and Colorado Opera), Sant Alessio with William Christie (Paris, London, New York), Carmina Burana (Lincoln Center/Prague Proms), St. John Passion (Saint Thomas Church and Mechanics Hall), Classics and Rock (Seoul Philharmonic Orchestra), and Messiah (Boston Symphony Hall & Carnegie Hall). Recent recordings include The Flaming Fire (MSR), Heart and Soul (Centaur) and Now Fatal Change (NMC), La Sposa (Solo Luminus), Bleed for the Throne(SXSW), and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla, Fatini Futuro, The Call, Including Words, and The Chant Project.
Performed by Ryland AngelUsed with kind permission from St. John's in the Village NYC.Born on St Cecilia's day, the Grammy-nominated British counter-tenor Ryland Angel has built an international reputation on both the opera and concert stage, in repertoire ranging from the Baroque to new operatic commissions at major opera houses, concert halls, and festivals throughout Europe and the USA. He has performed in Monteverdi's Orfeo, Gavin Bryars's Doctor Ox's Experiment (English National Opera), Fairy Queen (Barcelona), Gluck's Orfeo (Koblenz), Amadigi (Karlsruhe), Venus and Adonis (Flanders Opera), Dido and Aeneas (Opera Comique), The Play of Daniel (Spoleto), and Ballet Comique de La Royne (Geneva). Angel has sung on over 80 recordings including the music of Buxtehude, Charpentier, Scarlatti, Stradella, Spears, O'Regan, Handel, Monteverdi, Purcell, Bach, and on the film soundtracks of Jack Reacher, Zoolander 2, Freedom, Le Petit Prince, La Peau, Henry 4th, Machete, The Mystery of Dante, Gemini Man and the PBS TV special Heavenly Voices. Recent engagements include Doux Mensonges (Opera National de Paris), Agrippina (NYCO), A Midsummer Night's Dream (Florentine and Kansas Opera), Julius Caesar (Utah and Colorado Opera), Sant Alessio with William Christie (Paris, London, New York), Carmina Burana (Lincoln Center/Prague Proms), St. John Passion (Saint Thomas Church and Mechanics Hall), Classics and Rock (Seoul Philharmonic Orchestra), and Messiah (Boston Symphony Hall & Carnegie Hall). Recent recordings include The Flaming Fire (MSR), Heart and Soul (Centaur) and Now Fatal Change (NMC), La Sposa (Solo Luminus), Bleed for the Throne (SXSW), and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla, Fatini Futuro, The Call, Including Words, and The Chant Project.
Performed by Ryland AngelBorn on St Cecilia's day, the Grammy-nominated British counter-tenor Ryland Angel has built an international reputation on both the opera and concert stage, in repertoire ranging from the Baroque to new operatic commissions at major opera houses, concert halls, and festivals throughout Europe and the USA. He has performed in Monteverdi's Orfeo, Gavin Bryars's Doctor Ox's Experiment(English National Opera), Fairy Queen (Barcelona), Gluck's Orfeo (Koblenz), Amadigi (Karlsruhe), Venus and Adonis (Flanders Opera), Dido and Aeneas(Opera Comique), The Play of Daniel (Spoleto), and Ballet Comique de La Royne(Geneva). Angel has sung on over 80 recordings including the music of Buxtehude, Charpentier, Scarlatti, Stradella, Spears, O'Regan, Handel, Monteverdi, Purcell, Bach, and on the film soundtracks of Jack Reacher, Zoolander 2, Freedom, Le Petit Prince, La Peau, Henry 4th, Machete, The Mystery of Dante, Gemini Man and the PBS TV special Heavenly Voices. Recent engagements include Doux Mensonges (Opera National de Paris), Agrippina(NYCO), A Midsummer Night's Dream (Florentine and Kansas Opera), Julius Caesar (Utah and Colorado Opera), Sant Alessio with William Christie (Paris, London, New York), Carmina Burana (Lincoln Center/Prague Proms), St. John Passion (Saint Thomas Church and Mechanics Hall), Classics and Rock (Seoul Philharmonic Orchestra), and Messiah (Boston Symphony Hall & Carnegie Hall). Recent recordings include The Flaming Fire (MSR), Heart and Soul (Centaur) and Now Fatal Change (NMC), La Sposa (Solo Luminus), Bleed for the Throne(SXSW), and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla, Fatini Futuro, The Call, Including Words, and The Chant Project.
Eric Chenaux discusses his lovely new album Say Laura, life in France, his collaborator Ryan Driver, how Gang Starr, EPMD, and drum machines influenced Say Laura, the work of Gavin Bryars, comedy, surrealism, guitar effects, and improvisation, future plans and more! Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online. Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.
Gavin Bryars is one of the leading experimental composers of his generation. Among his diverse and prodigious repertoire, his best known work remains the process composition Jesus' Blood Never Failed Me Yet, a stirring work of cumulative power. We talk about this and all his work, and whether the word “spiritual” may be applicable.
Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook: https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Spotify: https://open.spotify.com/show/1Bdz5634Wk5bSpaazynbI4?si=cS-_c_rBS2Os83QECKcuJA&dl_branch=1 THE ART OF TIME ENSEMBLE VISION: A world in which people seek the uncertainties, and possibilities, of art. THE ART OF TIME ENSEMBLE MISSION: To engage diverse audiences in powerful arts experiences through the performances, collaborative endeavours, and curatorial vision of its Artistic Director. ABOUT ART OF TIME Andrew Burashko formed Art of Time Ensemble in 1998 with the support of a small group of like-minded musicians and prominent figures in dance, theatre and other art forms, beginning with one-off concerts to small but enthusiastic audiences. Word quickly spread through Toronto's cultural scene. Today, Art of Time works with the best Canadian artists in the performing arts, film and literature, and noteworthy international musicians such as Branford Marsalis, Madeleine Peyroux, Gavin Bryars and Guinga to name but a few. Art of Time presents an annual subscription season at Toronto's Harbourfront Centre Theatre and regularly appears as part of the Royal Conservatory of Music performance season at Koerner Hall. The Ensemble has also toured extensively throughout Canada and the United States and is regularly invited to performs at major festivals such as Luminato in Toronto, Chamberfest in Ottawa and at the Banff Centre for the Arts. The artists with whom the Ensemble have worked represent the finest in their genres, including writers Margaret Atwood and Michael Ondaatje; choreographers James Kudelka and David Earle; dancers Peggy Baker and Evelyn Hart; singers Barbara Hannigan and Madeleine Peyroux; actors Brent Carver and Martha Burns; and filmmakers Peter Mettler and Bruce MacDonald. Music and musicians are at the heart of Art of Time Ensemble; the ranks of our musicians are deep and their talent unmatched. Over the last 20 years group members have included composer Jonathan Goldsmith, Rachel Mercer (principal cellist of the National Arts Orchestra), Benjamin Bowman (concertmaster of the Metropolitan Opera), Stephen Sitarski (concertmaster of Esprit Orchestra), Steven Dann (soloist and former principal violist of the Royal Concertgebouw Orchestra and Toronto Symphony), Thomas Wiebe (soloist and cellist of the Duke Trio); Phil Dwyer (renowned composer and jazz saxophonist) and the great Canadian guitarist, Rob Piltch, among many others. Dozens of Art of Time performances have been broadcast nationally on CBC and the Ensemble has released six commercial CDs on the Pheromone and ArtofTime Recordings labels. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support
Thanks to Andrew Burashko from Art of Time Ensemble (who features in episode 52), I managed to have a conversation with Gavin Bryars, a British composer I have long wanted to interview.It was a delight to speak to Gavin and I have also managed to book my ticket for his concert in as part of Cambridge Summer Music Festival.We managed to discuss Gavin's background in music as well as several of his compositions and I hope you enjoy our conversation.Follow me on instagram.com/hilaryrwriterFollow me on facebook.com/HilaryRobertsonFreelanceWriterFollow me on twitter.com/hilaryrwriterSupport the show (https://www.buymeacoffee.com/HWpodcast)
At 2:20 a.m. on this date in 1912, the luxury liner S.S. Titanic sank after hitting an iceberg in the North Atlantic. Of the 2201 people of on board, only 711 reached their intended destination in New York. Eight British musicians, members of the ship’s band stayed on board, reportedly playing a hymn-tune as the ship went down. In 1969, British composer Gavin Bryars, prepared a multi-media musical work titled “The Sinking of the Titanic,” which incorporated spoken interviews by Titanic survivors with a set of variations on the hymn tune played by the ship’s band. In 1985, the sunken wreck of the Titanic was rediscovered, and renewed interest led to a 1990 revival performance and recording of Gavin Bryars’s score. A few years later, composer James Horner wrote an Oscar-winning film score for director James Cameron’s Titanic–an incredibly successful cinematic dramatization of the story. Horner has written other famous film scores like those for “Aliens” and “Braveheart”—but none quite as successful as “Titanic.” That film grossed more than $600 million at the domestic box office and more than $1.8 billion worldwide. Ironically, considering this “titanic” success, the first film for which Horner composed a score was entitled “The Drought.”
Music Mondays featuring The Crossing and Artistic Director and Conductor Donald Nally. "At Piece," the last movement from "A Native Hill" (music by Gavin Bryars and words by Wendell Berry) was composed as a gift for The Crossing, dedicated to Cassia Bryars-Rockey, and in memoriam Julian Rockey. It was recorded on October 8-11, 2019 at St. Peter's Church in the Great Valley, Malvern, PA and included in A Native Hill by Navona Records.
The long-anticipated follow-up to Gavin Bryars’ The Fifth Century, which won The Crossing its first GRAMMY award in 2018, the 12-movement A Native Hill was premiered by the ensemble in October 2019 at their home, The Presbyterian Church of Chestnut Hill in Philadelphia. Wendell Berry’s text, from his 1968 essay of the same title, offers meditations on how life is, and can be, experienced, through detailed descriptions of the minutiae of rural existence, where simple natural events reveal themselves as metaphors for universal truths. Bryars has a close working and personal relationship with The Crossing, and draws on his intimate knowledge of the singers’ individual characteristics to create a further thoughtful and even more profoundly meaningful work for the ensemble. The New York Times has called Bryars’ music “accessible and defiantly personal,” and A Native Hill exemplifies his organic synthesis of sophisticated musical ideas with an earthy, insightful understanding of daily life. Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1281/A_Native_Hill.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com
Poet Laureate Simon Armitage and composer Gavin Bryars in expansive conversation about their respective art forms, and what happens when they are brought together. Chaired by Dr Kimberly Campanello, Lecturer in Creative Writing at the University of Leeds, it’s a wide-ranging and warm conversation, illuminated by good humour and the two artists’ evident delight in discovering each other’s work in more detail. They discuss the pleasures and perils of crossing between the two disciplines, with reference to specific works by themselves and others. Excerpts from their recordings are woven throughout, including tracks by Armitage’s post rock/ambient outfit LYR, and Bryars’ extraordinary, influential 1971 work Jesus’ Blood Never Failed Me Yet.
In The Lark Ascending (Faber) Richard King, author of Original Rockers and How Soon is Now?, explores how Britain's history and identity have been shaped by the mysterious relationship between music and nature. From the far west of Wales to the Thames Estuary and the Suffolk shoreline, taking in Brian Eno, Kate Bush, Boards of Canada, Dylan Thomas, Gavin Bryars, Greenham Common and the Kinder Scout Mass Trespass, The Lark Ascending listens to the land and the music that emerged from it, to chart a new and surprising course through a familiar landscape. King was in conversation with Luke Turner, editor of the influential online music publication The Quietus and author of the memoir Out of the Woods. See acast.com/privacy for privacy and opt-out information.
Andy Hamilton is co-creator of Power Monkeys, a new Channel 4 comedy that responds to the daily events in the EU referendum campaign. He tells us about the last minute rewrites required on the day of broadcast and the challenge of re-creating the interior Donald Trump's plane.Two Terence Rattigan's plays have opened this week: The Deep Blue Sea starring Helen McCrory at the National Theatre in London, and Ross at the Chichester Festival Theatre with Joseph Fiennes. Henry Hitchings reviews both productions and the current Rattigan revival. Studio Ghibli, the legendary Japanese animation house behind Spirited Away and Howl's Moving Castle, has ceased in-house production. So is its latest film a fitting swansong? Marc Eccleston reviews When Marnie was There, an adaptation of a 1967 book by British author Joan G Robinson about a reclusive girl who discovers an otherworldly new friend. Poet Blake Morrison and composer Gavin Bryars tell us about their celebration of the train journey between Goole and Hull that will be entertaining passengers as part of the Yorkshire Festival. Presenter: Kirsty Lang Producer: Rachel Simpson.
I ran into the track "The Last Message" by John Murphy on a mix at A Strangely Isolated Place, and it got me thingking about doing another classical-ish mix. The Murphy track is in there, along with new tunes(Maya Beiser, Max Richter, Nils Frahm, etc) and old tunes(Steve Reich, Peter Gabriel, Gavin Bryars, etc). There's really not much more to say except that I hope you enjoy this collection of ambient, soundtrack, minimal & neo-classical tunes. T R A C K L I S T : 00:00 David Byrne - The Lodger 04:15 Maya Beiser - Memories 08:45 Max Richter - The Haunted Ocean 2 09:05 Nils Frahm & Anne Müller - Reminds to Teeth 13:15 Olan Mill - Country 16:30 John Murphy - The Last Message 18:00 Chihei Hatakeyama - Light Drizzle 20:30 Hummingbird - Starfish Seastar 22:30 Tarwater - Clock 23:30 Terry Riley - is in c in f (r. luke dubois remix) 25:30 Steve Reich - Music for Mallet Instruments, Voices & organ 34:50 Sufjan Stevens - Movement III - Linear Tableau With Intersecting Surprise 39:15 Max Richter - Infra 2 40:50 Kyle Bobby Dunn - The Tributary (for voices lost) 46:20 P Jorgensen - Palimpsest II 48:15 Gavin Bryars - Epilogue from Wonder Lawn 52:20 Peter Gabriel - The Nest that Sailed the Sky 54:55 end
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