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On this episode of Songs of Our Lives, it's Martha Skye Murphy! Her debut album, “Um” - released last year on AD 93 - has etched itself into my bones in the last couple months. We get into all of that and the weirdness of the holidays before going long on early Spice Girls memories, Gavin Bryars' all-time turn, being in awe of Scott Walker, Langley Children's Choir perfection, Bill Callahan, Patti Smith, Bonnie ‘Prince' Billy + more!Listen to all of Martha's picks HERE“Um”Tour DatesMartha Skye Murphy's InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel GardenSong ListSpice Girls “Wannabe”Low “Do You Know How to Waltz”Opus III “It's A Fine Day”Gavin Bryars “Jesus' Blood Never Failed Me Yet”Kelis “Bossy”Scott Walker “Patriot (a single)”Nine Inch Nails “La Mer”Bill Callahan “Angela”Serge Gainsbourg ft. Jane Birkin “Je t'aime… Moi non plus”Patti Smith “Dancing Barefoot”Bonnie ‘Prince' Billy “I See A Darkness”
Welcome to a special episode recorded guerilla style at the Ivors Classical Awards 2024! You may have heard our previous two pods with Ivors Special Award winners, Roxanna Panufnik and Gavin Bryars - this is a very different beast…Featuring special guest presenter James Flannery who steps into Seb's shoes and makes his podcasting debut, this is a rampage around the BFI with odd snippets of chat and composers a plenty.You might catch journalist Stephen Pritchard, composers Duncan McLeod and Roxanna Panufnik, violinist Tasmin Little and friends of the pod Lizzie Ball and Hattie Butterworth amongst others. Brace yourselves, buckle up and enjoy this weird and wonderful evening at the Ivors! Stephen Pritchard's excellent article for Bachtrack featuring Seb & Verity; https://bachtrack.com/feature-freelance-life-orchestra-pit-seb-philpott-verity-simmons-november-2024You can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.
Esta semana tenemos varias joyas en nuestro programa, como “The Complete Obscure Records Collection” una colección única que contiene los lanzamientos de debut de Gavin Bryars, Michael Nyman, John Adams, David Toop, Max Eastley, Harold Budd, Christopher Hobbs, Jan Steele y Simon Jeffes / The Penguin Café Orchestra, además de importantes obras de John Cage, Tom Phillips y John White, sin mencionar el seminal "Discreet Music" de Brian Eno, que escucharemos en Atmósfera. Además sonarán los trabajos de Gianmaria Aprile, J. WLSN, Kin Leonn, Zöj, Manongo Mujica, Jay Cluss o Darth Athena.Escuchar audio
In the first of two special episodes with esteemed and newly decorated composers, we sit down with Gavin Bryars, a composer who has led the way in innovation over a long and distinguished career. On Tuesday 12th November he received the Innovation Award in association with the Musicians Union at the Ivors Composers Awards, and we were lucky to get a chance to talk to him about this just a few days before.We discuss his early days of art college, double bass and free jazz, his early iconic pieces The Sinking Of The Titanic and Jesus' Blood Never Failed Me Yet and his creative relationship with Brian Eno. Over his career he has written five operas, twenty ballets and a long list of instrumental, orchestral and vocal works.He has collaborated with many non-classical musicians over the years, including Tom Waits, Father John Misty, Charlie Haden, Bill Frisell, Natalie Merchant, Iarla O'Lionaird, Gavin Friday, Bertrand Belin and Mocke, and with many visual artists such as Bruce McLean, David Ward, Tim Head, James Hugonin, Bill Woodrow, Will Alsop, the Quay brothers, Juan Muñoz and Massimo Bartolini.He divides his time between a Leicestershire village and Vancouver Island, and we discuss his approach to writing in various locations, and in particular the importance of just the right pencil for the job. There really is a lot of time spent talking about this particular pencil.Gavin talks about the formative time he had working as the house bassist as Greasbrough Working Men's Club, performing in the backing band for Bob Monkhouse, Dusty Springfield and many others. The documentary he mentions is available to watch here: MEMORIES OF GREASBROUGH WORKING MEN'S CLUBFor more on Gavin Bryars, visit www.gavinbryars.comFor more on the Ivors Classical Awards 2024 visit https://ivorsacademy.com/awards/the-ivors-classical-awards/Big thanks to Premier for setting up the interview.You can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.
breve comentário aos textos bíblicos lidos em comunidade | Domingo XXVIII do Tempo Comum B | Lisboa, 13 de Outubro de 2024. Sabedoria 7,7-11; Hebreus 4,12-13 e Marcos 10,17-30. Instagram © Gavin Bryars, Jesus' Blood Has Never Failed Me Yet (Universal International Music B. V., 1993) – Tramp With Orchestra (String Quartet) [excerto] | artigo de Alfredo Teixeira © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro
breve comentário aos textos bíblicos lidos em comunidade | Domingo XXVII do Tempo Comum B | Lisboa, 6 de Outubro de 2024. Génesis 2,18-24; Hebreus 2,9-11 e Marcos 10,2-16. Instagram © Gavin Bryars, Jesus' Blood Has Never Failed Me Yet (Universal International Music B. V., 1993) – Tramp With Orchestra (String Quartet) [excerto] | artigo de Alfredo Teixeira © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro
Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: · Éclat, Sound & Language, 1996 · Fig: Goan Atom 2, Salt, 2005 · Middling English, John Hansard Gallery, 2010 · Meddle English: New and Selected Texts, Nightboat Books, 2011 · Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: · Éclat, Sound & Language, 1996 · Fig: Goan Atom 2, Salt, 2005 · Middling English, John Hansard Gallery, 2010 · Meddle English: New and Selected Texts, Nightboat Books, 2011 · Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: · Éclat, Sound & Language, 1996 · Fig: Goan Atom 2, Salt, 2005 · Middling English, John Hansard Gallery, 2010 · Meddle English: New and Selected Texts, Nightboat Books, 2011 · Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Working across and among languages, media, and art forms, Caroline Bergvall's writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: · Éclat, Sound & Language, 1996 · Fig: Goan Atom 2, Salt, 2005 · Middling English, John Hansard Gallery, 2010 · Meddle English: New and Selected Texts, Nightboat Books, 2011 · Drift, Nightboat Books, 2014 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
"The original recording has two distinct sections; the first features a violinist practicing whilst the second has more emphasis on people walking and talking. "I took a short section of the violin from the first part and slowed it down a little. I repeated this phrase whilst adding in other instruments as it repeats. The second half of the original recording is played over the music at roughly the half way point of the piece. In the same way that the instruments are introduced they fade slowly (at different speeds) through the second part of the piece leaving the solo violinist to continue their practice alone at the end. Because of the way the process works no two repeats are identical. "The title is a reference to Gavin Bryars (whom I studied composition with) both in the way that this piece shares a similar process with "Jesus' Blood Never Failed Me Yet" and to an early piece of his called "My First Homage"." Ponte Raspi, Venice reimagined by Simon Belshaw.
“We are there to be servants of our community. A lot of amateur choirs can become bowling leagues; they show up on Wednesday night, they have a great time, and that's the reason they do it. I think the trick is to satisfy the needs of our singers, develop them as artists and people, but also make the focus constantly about reaching out to our audience: how do I find pieces that are going to meet my singers where they are, challenge them pedagogically, and bring people to my concert and make it impactful?”Erick Lichte enjoys a diverse career as a conductor, composer, and record producer.As a founding member, singer, and Artistic Director of the male vocal ensemble Cantus, Lichte created and sustained one of only two full-time vocal ensembles in the United States. From 2000-2009, Lichte's programming and artistic direction were heard in over 60 concerts a year and he has collaborated with artists such as Bobby McFerrin, the Boston Pops, and Minnesota Orchestra.In January 2013, he began his tenure as Artistic Director of Vancouver, Canada's Chor Leoni Men's Choir. Since that time, he has grown the choir into one of the most active and popular amateur choirs in North America, performing over 35 concerts a year. His first recording with Chor Leoni, Wandering Heart, received a perfect five-star review from the UK's prestigious Choir and Organ Magazine. In the summer of 2018, he led Chor Leoni to multiple awards and Grand Prix appearances at both the Singapore and Bali International Choral Competitions. In 2020, his world premiere recording of When There Is Peace: an Armistice Oratorio was nominated for a JUNO Award.His work with Cantus and Chor Leoni garnered him both the 2009 and 2019 Margaret Hillis Award for Choral Excellence, the highest honour from the professional choral organization Chorus America. He is only the second conductor to have ever won this award with two ensembles.Lichte is an active proponent of new music and has commissioned over 300 new works from composers such as Lee Hoiby, Eriks Esenvalds, Gavin Bryars, Jocelyn Morlock, Steven Sametz, Edie Hill, Mary Ellen Childs, and Zachary Wadsworth among many others.As a record producer, Lichte has made over 30 albums. His recent release for Naxos of the choral music of Eriks Esenvalds spent multiple weeks as the number one classical album on the Billboard charts.He is also an active composer and arranger, especially known for co-creating All is Calm: The Christmas Truce of 1914 which has toured North America annually and been performed on three continents. The work's 2018 off-Broadway run in Greenwich Village garnered Lichte a Drama Desk Award for both his composing and his musical direction. In November 2020, a filmed version of this production will air across the United States distributed through PBS.To get in touch with Erick, you can reach out on Instagram (@ericklichte) or on Facebook (@erick.lichte). You can also check out Chor Leoni's YouTube page (@chorleoni).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonAudio clip: "Will Ye Go to Flanders" from All Is Calm
Esta semana, en una nueva sesión de Rebelión Sónica, tributamos al recientemente fallecido percusionista inglés, Tony Oxley. Figura fundamental del jazz y la música improvisada, Oxley murió a los 85 años el 26 de diciembre de 2023, luego de una larga enfermedad. Baterista que creó su propio lenguaje, su vasta obra quedó registrada en discos solistas y en múltiples colaboraciones y bandas que lideró o en las que participó. Entre ellas, Joseph Holbrooke Trio, junto al bajista Gavin Bryars y el guitarrista Derek Bailey, además de su trabajo con John McLaughlin, Evan Parker, Kenny Wheeler, Bill Dixon, John Surman y el pianista estadounidense Cecil Taylor, solo por nombrar algunos. Justamente, escucharemos material del álbum en vivo “Conversations with Tony Oxley” de Taylor. Grabado en la sala de Música de Cámara de la Filarmónica de Berlín en febrero de 2008, fue editado años más tarde, en 2018, por el sello Jazzwerkstatt. En él se puede apreciar de manera cristalina, el complejo y único vocabulario percusional de Oxley.
Au tour de l'oeuvre "The Last Days" pour deux violons de Gavin Bryars et son inspiration : "Les derniers jours de l'humanité" de Karl Kraus. programmation • Quand Madelon chanté par Alain Charrié, album Anthologie de la chanson française enregistrée - chansons de soldats : conscrits, soldats et déserteurs (EPM, 1994) • The Melachrino Strings & Orchestra & Trio Musette, Madelon, album April in Paris (RCA Victor, 1963) • Gioachino Rossini, "Che feci", Otello, interprété par Carreras, Von Stade, Pastine, Fisichella, Condò-Ramey, Philarmonia Orchestra sous la direction de Jesús López-Cobos (Philips, 1979) • Gioachino Rossini, "Sinfonia", Otello, idem • Gavin Bryars, The Last Days, interprété par Pauline Dhuisme (violon) et Pierre Malle (violon) et enregistré en concert le 12/11/2023, à la Chapelle de l'Hôpital Bretonneau, Tours • Lecture de Les Derniers Jours de l'Humanité de Karl Kraus dans l'édition Agone (2005) par Karine Bonneau (p. 275), Louis Mazzocchi (p. 408 sqq), Marianne Chauvin (p. 602), Elsa Maupeu et Jean-Baptiste Apéré (p. 577-578) • Sarah Stiles, Armchair Rage, interprété par Pauline Dhuisme (violon) et Pierre Malle (violon) et enregistré en concert le 12/11/2023, à la Chapelle de l'Hôpital Bretonneau, Tours prise de son, montage, réalisation : Jean-Baptiste Apéré ********************************************* Emission radiophonique sur les musiques contemporaines proposée par l'ensemble PTYX. Présentation : Jean-Baptiste Apéré réalisation, production, sans concession : ptyx fan club vnrpe (c) 2023 Avec le soutien du Conseil départemental d'Indre-et-Loire
Welcome to another conversation from the high/low art divide between opera-singer-turned-experimental-performer Ema Katrovas and comedian-and-TV-writer-turned-novelist Nicholas Anthony. For this end-of-the-year episode, Nick and Ema decided to talk about The Beatles and their influence on a few pieces of “high art”: new journalist Joan Didion's essay “The White Album” and avant garde singer Cathy Berberian's covers of Beatles' songs. They also briefly talk about American composer Ned Rorem's essay “The Music of the Beatles”. Their starting point is a 2021 documentary by Peter Jackson, Get Back. Nick and Ema circle around the question: Were the Beatles exceptional, lucky, or both? Does one need opportunity or even fame to create one's best work? Is trying to tell a story about the Beatles, or any other iconic artist, that answers these questions even useful? Music excerpts from this episode: Revolution 9 from the Beatles' White Album (1968) Gavin Bryars' “Jesus' Blood Never Found me Yet”(1971) Cathy Berberian's cover of “She's Got a Ticket to Ride” (1977) Cathy Berberian's Stripsody (1966) Things mentioned in the episode (in order of appearance): “Now and Then” (new Beatles' song): https://www.youtube.com/watch?v=Opxhh9Oh3rg Deresiewicz's essay “We're All Bored of Culture Now”: https://www.tabletmag.com/sections/arts-letters/articles/bored-of-culture-william-deresiewicz Get Back, the Beatles documentary by Peter Jackson (it didn't come out “last year” like we said but in 2021): https://en.wikipedia.org/wiki/The_Beatles:_Get_Back Bernstein's lecture on the Beatles: https://www.youtube.com/watch?v=v32U0mjGz6g Rick Beato's music channel: https://www.youtube.com/@RickBeato Joan Didion's book of essays “The White Album”: https://en.wikipedia.org/wiki/The_White_Album_(book) Ned Rorem's essay “The Music of the Beatles”: https://jdsalas.files.wordpress.com/2019/07/article-the-music-of-the-beatles-.pdf Susan Sontag's “Notes on Camp”: https://en.wikipedia.org/wiki/Notes_on_%22Camp%22 Collection of academic essays on Cathy Berbarian: https://www.routledge.com/Cathy-Berberian-Pioneer-of-Contemporary-Vocality/Karantonis-Placanica-Verstraete/p/book/9780367669294 Links:
Welkom bij aflevering 16 van het eerste echte seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket. De Kok van de Week is onze eigen Lone Poulsen, de kok die uit het Noorden kwam. Ze vertelt over een zeer feestelijk december aperitief met dennensiroop. Kom op 22 december tussen 16 en 21 uur naar Kookhaven om kerstinkopen te doen in Lone's pop-up winkeltje waar je al haar nordic heerlijkheden kunt krijgen. Host Francien Knorringa zag de documentaire Tante Iki op NPO Start over actrice Sigrid Koetse. https://npo.nl/start/serie/2doc-kort/seizoen-5/tante-iki/afspelen?at_campaign=npostart_player&at_channel=npostart&at_creation=share-link&at_detail_placement=1:lqcqmbgo:0facac3ed6cf433bb6c9e7f69a0624b6&at_format=share_button;;0_0&at_general_placement=serie||2doc-kort||seizoen-5||tante-iki&at_medium=display&at_variant=organic Host Jannekee Kuijper las The Autobiography of Alice B. Toklas by Gertrude Stein in de door Mairaa Kalman geïllustreerde uitgave. https://www.deslegte.com/the-autobiography-of-alice-b-toklas-2256767/ Gids Bart Prinsen leest voor uit De Avonden van Gerard Reve, een titelloos gedicht van Femke Zwiep uit de bloemlezing Voor alle dagen (Uitgeverij Podium), het gedicht An Advent Poem van Mary Oliver https://www.americamagazine.org/arts-culture/2006/09/25/making-house-ready-lord, en laat een fragment horen van Jesus' Blood Never Failed Me Yet van Gavin Bryars, Bron GB Records: https://open.spotify.com/track/3LhUvATbveDYzSp9q86Cjf en ook van de versie van dit nummer met Tom Waits: https://g.co/kgs/EfyfCW (Bron: Decca Music Group Ltd.). Gids Emma Simmelink breekt een lans voor de jonge up and coming zangeres Néomi en laat een stukje uit het nummer If I wasn't made for love horen: https://open.spotify.com/track/0gTQHu2jECAp9qSw1t5dkr?si=7789cb5d9caf4764, bron: Pias Recordings. Onze adverteerders zijn: Hermit Gin - de lekkerste gin die er is, gemaakt met Oosterscheldewater en nog een trits aan geheime ingrediënten, te koop bij Gall en Gall. www.hermitgin.com Fever Tree Mediterranean Tonic, de lekkerste tonic voor de perfect serve van een gin tonic met Hermit Gin. https://fever-tree.com/nl_NL/products/mediterranean-tonic-water De Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op kantoor niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nl Don Ostra - oestermannen Arend Bouwmeester (de jonge) en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. www.donostra.nl Lone Poulsen, de kok die uit het noorden kwam en private dinings verzorgt in het teken van de nordic cuisine. Kijk op haar website: www.shecamefromnorth.com Adverteren in Ballet Kroket? Mail alles@balletkroket.nl Ballet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dan krijg je vooraf aan de opname ook een concert van de Ballet Kroket Huisband o.l.v. Arend Bouwmeester en Mathijs Goené, niet zelden ontvangen zij extra special guests. Mail alles@balletkroket.nl Of kijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM. www.balletkroket.nl KOM NAAR KERST IN DE KOOKHAVEN! Op vrijdag 22 december ben je welkom om tussen 16 en 21 uur langs te komen. Alle lekkernijen van Dick en Lone zijn dan te koop. Verras je dierbaren met leuke culinaire cadeautjes en trakteer ze op lekkere oesters of gin. Oesters even vantevoren bij Dick bestellen. Kijk op www.kookhaven.nl En dan kun je meteen een van de twee Kerst-specials bijwonen die we dan met de podcast opnemen. Tot dan!
Programme de SALLY ANN McINTYRE pour webSYNradio : disques pour une ile deserte. Avec des oeuvres et des sons de Janek Schaefer, Vito Acconci, John Cage, Erik Satie, Margaret Leng Tan, William S. Burroughs, Louise Lawler, Alvin Curran, Gavin Bryars, Laurie Anderson, Yoko Ono.
Greetings! Well...in October I was back in Connecticut for my 50th high school reunion and on the way back I had to make my quarterly pilgrimage to the Princeton Record Exchange and load up, thus the title of today's program, an inquiry from my wife. I was thrilled to find a bunch of CDs released on Foster Reed's wonderful New Albion label. I've never been a completist about any label or artist, but I've been making a concerted effort to obtain the New Albion catalog due to their consistent high quality in terms of performances, composers and recording quality. While no longer producing new releases, they are available for digital download. Do check their catalog out. http://www.newalbion.com Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter-like x-thing: https://twitter.com/envpusher1 11-25-23 PTE Playlist: "Where the heck are you going to put all those CDs?" "Bells & Whistles" from Saranada Schizophrana - conducter: John Mauceri /composer: Danny Elfman - Seranada Schizophrana - Sony Classical (2006) https://www.dannyelfman.com/classical/seranada-schizophrana One Last Bar, Then Joe Can Sing (1994) - percussion ensemble: Nexus / composer: Gavin Bryars - farewell to philosophy - Point Music (1996) https://gavinbryars.com/ Ari Sleepy Too / Iceberg I - ensemble: Ice Nine / composer: John Cale - Dance Music (composed for "Nico, The Ballet") - Erato/Detour (1998) https://john-cale.com/ Nagoya Guitars - guitar/arrangement: David Tannenbaum / composer: Steve Reich - David Tannenbaum - New Albion (1997) http://www.newalbion.com/blog/-david-tanenbaum-na095cd Sleeping Powder/Snapshots of A Ghost - David Toop - Spirit World - Virgin Records (1997) https://davidtoopblog.com/ Not So Heavy Metal - guitar: Steve Mackey / composer: Paul Lansky - smalltalk - New Albion (1994) http://www.newalbion.com/blog/-paul-lansky-smalltalk Psycho / One Man's Meat - Gary Lucas - Gods & Monsters, vocal: David Johansen - Coming Clean - Mighty Quinn (2006) www.garylucas.com Limbo - Marco Oppedisano - electroacoustic compositions for electric guitar - OKS recordings of north america (2007) https://marcooppedisano.bandcamp.com/album/electroacoustic-compositions-for-electric-guitar All Together Now - NOW Ensemble / composer: Patrick Burke - NOW - New Amsterdam Records (2007) https://www.newamrecords.com/albums/now Finding Gabriel - Brad Melhau - Finding Gabriel - Nonesuch Records (2019) https://www.bradmehldaumusic.com/finding-gabriel Shaman's Column - David Hykes & Djamchid Chemirani - Windhorse Riders - New Albion (1989) http://www.newalbion.com/blog/-david-hykes-windhorse-riders
Support Night Clerk Radio on PatreonThe community members on our Patreon Discord are constantly posting suggestions and recommendations for great albums of all genres. We've gotten into the habit of digging through them every six months or so and seeing what's there. We cover everything from vaporwave to dark ambient to hip hop to jazz.We aren't able to talk about everything, so check the wall of links below, organized by Discord channel. Enjoy!#vaporwaveSPEZ068 - Dnevna televizija / Дневна телевизија by SEM-TVBarbershop Simulator™ by slowerpace 音楽Cyanotype by CyanBlueＤＲＥＡＭＳ ＵＮＬＩＭＩＴＥＤ by 夢達無制限LAST WAVE OUT by EPPSSONNTHROUGH THE FOG AND THE DRIFTWOOD by §E▲ ▓F D▓G§YEARS OF FAILURE by HATENAArcade Girl EP by Crystal EternalThe Darkness in Her Eyes by Notorious Secret転移 by victory over deathVirtuality by Sierra On-linePhysical Death VIP Membership (death cycle) - 死亡循環 by b e g o t t e n 自杀Grid Of Reality by Infinity Frequencies x Sangamt h e s o n y p l a y s t a t i o n 1 ソニー by V/ALiminal Spaces by HantasiThe Mall of Our Lord by
High-altitude Bryars, trash on the walls, desperate shamans. The Los Angeles-based multidisciplinary artist discusses three important albums.Dorian's picks:Gavin Bryars – The Sinking Of The Titanic / Jesus' Blood Never Failed Me YetNearly God – S/TGeorge Michael – Listen Without Prejudice Vol. 1Dorian's new album, Excesiva, is out now on Dragon's Eye Recordings. Check it out on Bandcamp. Dorian's website is here.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening
Be inspired by stories associated with a simple chorus, written in 1911 by James M. Black and recorded by classical composer Gavin Bryars in '71; who rerecorded it several other other times; which were all made with a looped recording of an elderly homeless man - in London - singing it a cappella.
Be inspired by stories associated with a simple chorus, written in 1911 by James M. Black and recorded by classical composer Gavin Bryars in '71; who rerecorded it several other other times; which were all made with a looped recording of an elderly homeless man - in London - singing it a cappella.
Gimusi Plovdive, dar vaikystėje atsidūrusi Londone, Dobrinka Tabakova (g. 1980) netruko pagarsėti kaip vunderkindas, tačiau nuo pat pradžių jautė antipatiją avangardo pasauliui. Jos žvilgsnis nukrypo į praeitį, į klasikinio meno epochas. Autoritetais laikydama Johną Adamsą, Keithą Jarrettą, Sofiją Gubaiduliną, Alfredą Schnittkę ir Gaviną Bryarsą, Tabakova teigia kurianti „muziką, kuri tave patraukia ir turi ką pasakyti“. Dabar ji vis labiau įsigali didžiausiose Vakarų pasaulio koncertų salėse.Laidos autoriai Šarūnas Nakas ir Mindaugas Urbaitis
Born on St Cecilia's day, the Grammy-nominated British counter-tenor Ryland Angel has built an international reputation on both the opera and concert stage, in repertoire ranging from the Baroque to new operatic commissions at major opera houses, concert halls, and festivals throughout Europe and the USA. He has performed in Monteverdi's Orfeo, Gavin Bryars's Doctor Ox's Experiment(English National Opera), Fairy Queen (Barcelona), Gluck's Orfeo (Koblenz), Amadigi (Karlsruhe), Venus and Adonis (Flanders Opera), Dido and Aeneas(Opera Comique), The Play of Daniel (Spoleto), and Ballet Comique de La Royne(Geneva). Angel has sung on over 80 recordings including the music of Buxtehude, Charpentier, Scarlatti, Stradella, Spears, O'Regan, Handel, Monteverdi, Purcell, Bach, and on the film soundtracks of Jack Reacher, Zoolander 2, Freedom, Le Petit Prince, La Peau, Henry 4th, Machete, The Mystery of Dante, Gemini Man and the PBS TV special Heavenly Voices. Recent engagements include Doux Mensonges (Opera National de Paris), Agrippina(NYCO), A Midsummer Night's Dream (Florentine and Kansas Opera), Julius Caesar (Utah and Colorado Opera), Sant Alessio with William Christie (Paris, London, New York), Carmina Burana (Lincoln Center/Prague Proms), St. John Passion (Saint Thomas Church and Mechanics Hall), Classics and Rock (Seoul Philharmonic Orchestra), and Messiah (Boston Symphony Hall & Carnegie Hall). Recent recordings include The Flaming Fire (MSR), Heart and Soul (Centaur) and Now Fatal Change (NMC), La Sposa (Solo Luminus), Bleed for the Throne(SXSW), and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla, Fatini Futuro, The Call, Including Words, and The Chant Project.Credits: Ryland Angel, composer and voice; additional mastering by Rick Del Castillo. Consultants: the Rev. Graeme Napier, Ned Tipton, Gervais Angel, and Bryce Johnson.
Album of the year Vi bjuder in Magnus Jäverling, som släppte förra årets bästa album “Bowdark”, för att prata om hans musik, hans och andras syntar, hans och andras skapande och därmed om särskilt välljudande skräckfilmer. Tomas avslöjar i exakt vilken grad han älskar Lamberto Bavas kalkon Demons och Lars myntar ofrivilligt smeknamnet Farbror Frizzi. Vi pratar också om: Scalextric-bilbanor, Arizona, året 1978, Discreet Music, minimalism, Anna Wikars-Rantala, David Lynch, Twin Peaks, Angelo Badalamenti, John Carpenter, Fabio Frizzi, Tangerine Dream, Jean-Michel Jarre, Vangelis, Stranger Things, fattigmansorkestern Mellotron, den italienska elorgeln Elka X30, Yamaha PS-6100, Technics SY-1010, vådan av MIDI och VST, Moog, delay-pedalen Electro Harmonix Memory Boy, Zombi, Akilles-hälen Philip Glass additiva metod, skillnaden mellan syntar och keyboards, Yamaha GX-1, Stevie Wonder, Keith Emerson, Richard David James, Aphex Twin, Led Zeppelin, Benny Andersson, Lucio Fulcis guldålder 1979-1982, Starman, road movies, Jeff Bridges, Karen Allen, Jack Nitzsche, Julie Cruise, Nina Simone, Michael Jackson, Björk, The Babadook, Texas Chainsaw Massacre, Motorsågsmassakern, Låt den rätte komma in, Johan Lindqvist, Björn Isfelt, En kärlekshistoria, Goblin, New York Ripper, Manhattan Baby, City of the Living Dead, The Beyond, Blair-Witch Project, Grave Encounters, Paranormal Activity, Giliap, Roy Andersson, Fåglarna, Alfred Hitchcock, Psycho, Bernhard Hermann, Alien, Skjul 46, “gamla Truckstop Alaska”, Digital Leather, Gavin Bryars, The Sinking of the Titanic, Brian Eno, Rickard Jäverling, Henrik von Euler samt naturligtvis något litet om Sten Eklunds konstverk Kullahusets hemlighet. Patreon-lyssnare avnjuter som vanligt dubbel speltid där Magnus Jäverling DJ:ar stabila syntlåtar från sex, soniskt sett, särskilt sexiga celluloid-stänkare. ”Bowdark” kan köpas på LP där skivor köps. Den som lyssnar online uppgraderar med fördel upplevelsen här: https://bowdark.wixsite.com/bowdark. Sent ska syntarna vakna. Nostalgi, löst tyckande och akademisk analys.
Order and disorder, a freeform haze of garbage guitars, shorted electronics, found detritus, collage, linear songs, sounds from strange lands. Contact me at btradio85@gmail.com. There's a second bonus show biweekly, Brian Turner Overdrive, available for streaming at totallyradio.com as well.PLAYLIST:KLINT -Youth - Existence (Goodbye Boozy, 2022)VEIK - I7LI - Maïdan/I7LI (Fuzz Club, 2022)THE BUG - Satan (ft. Nazamba) - Absent Riddim (Pressure, 2022)WHIPPETS - Kick - 7" (Goodbye Boozy, 2022)THE RABBITS - Bye Bye - The Rabbits (1984, re: Mesh-Key, 2022)THE WILLIES - Third Stone From the Sun (Live at the Jetty, 3/26/85)THE LO YO YO - Bad Intentions - Extra Weapons (1985, re: Staubgold, 2022)IFTIN BAND - Sig Sig Nima (Come Closer) - Mogadishu's Finest: The Al-Uruba Sessions (80s' re: Ostinato, 2022)WHITE+ - 43 (Falling Down) (Maybe Mars, 2022)POSITIVE NOISE (w/KEITH LEVENE) - Darkness Visible - Heart of Darkness (Statik, 1981)THE CLASH (w/KEITH LEVENE) - How Can I Understand the Flies (Live at the Roundhouse, 9/5/76)SPRUNG AUS DEN WOLKEN - Noch Lange Nicht - Sprung Aus Den Wolken (1982 re: Bureau B, 2022)PRINCE FAR I AND THE SUNS OF ARQA Brujo Magic- Live at Band on the Wall 1982 (Arka Sound, 1999)MICHIGAN & SMILEY - Eye of Danger - V/A: Studio One Rockers (1979, re: Soul Jazz, 2001)MEAT PUPPETS - Light - Live KCRW SNAP Session 9/1/88FADENSONNEN - Evening Slice - Heretic Vision (Fadensonnen, 2022)DAS SYNTHETISCHE MISCHGEWEBE - Requiem For Gamma Ferric Oxide - Greaser In the Ghost Home (Tribe Tapes, 2022)GAVIN BRYARS' GOLDEN RETRIEVERTERESA COS - Excerpt - The Archive of Loops: Broadcast (Hard Return 2022)UN CADDIE RENVERSÉ DANS L'HERBE - Kuring, Kurang, Kurung (excerpt) - Nighturns (Cellule 75, 2022)MY BROTHER NORMAN - Tape Excerpt (via Idm Theft Able site: Kraag.org)RICHARD DAWSON - The Fool - The Ruby Cord (Domino, 2022)HEN OGLEDD - Gondoliers - Bronze (Drag City, 2023)ROOFTOP GARDEN - Rooftop Garden - V/A: Thunk Gunk (cs, Carbon, 2022)
Jess Gillam is joined in the TCL studio by the violinist and composer Daniel Pioro, to share an eclectic mix of some of their favourite music. Jess' choices today include a violin concerto by Vivaldi, music for saxophone by Gavin Bryars and a track by James Blake. Daniel brings along one of Biber's Rosary Sonatas, music by Claire M Singer and a tribute to the American saxophonist Pharoah Sanders, who died recently.
17th-20th CenturiesWe hear works by Duarte Lôbo, Johann Philipp Krieger, Giuseppe Sarti, Joseph Lanner, Arrigo Boito, Tālivaldis Ķeniņš, and Gavin Bryars.149 Minutes – Week of 2022 August 08
Maren Montalbano began her vocal career with the San Francisco Girls Chorus at age seven, and has been singing ever since. A graduate of both New England Conservatory of Music and Tufts University, Ms. Montalbano can be heard in three GRAMMY Award-winning albums: John Adams' Pulitzer Prize-winning work, On the Transmigration of Souls (2005), and Gavin Bryars' The Fifth Century (2018), and Lansing McLoskey's Zealot Canticles (2019), on which she is a featured soloist. She recorded Douglas Cuomo's opera Arjuna's Dilemma with Anonymous 4 members Susan Hellauer and Jacqueline Horner, which was released in 2008 to critical acclaim. She appears on over a dozen commercial recordings, including Alice Parker's Listen Lord and The Family Reunion, Kile Smith's Vespers, Lewis Spratlan's Hesperus is Phosphorus, and Ted Hearne's Sound from the Bench. In the past five years, Ms. Montalbano has been a guest artist with Lyric Fest, Choral Arts Philadelphia, Network for New Music and Piffaro, the Renaissance Band. When she performed the modern premiere of Destinos vencen finezas, a 17th century zarzuela by Juan Francisco de Navas, with Philadelphia's Baroque orchestra, Tempesta di Mare, her dramatic interpretation was hailed as “pure, suave and sensuous” (Philadelphia Inquirer, March 2015). When she premiered the role of Andy Warhol #2 in Andy: a POPera (Bearded Ladies Cabaret and Opera Philadelphia), the Broad Street Review called her singing “impeccable.” Her debut album, Sea Tangle: Songs from the North, featuring all women composers and performers, was released in December 2016. During the pandemic of 2020-21, Ms. Montalbano turned to the digital world. She wrote, produced, and starred in an interactive digital one-woman show called The Bodice Ripper Project, which had its world premiere at the Philadelphia Fringe Festival, and she started a podcast of the same name. Other pandemic world premiere projects include David Lang's in nature (The Crossing/Warren Miller Performing Arts Center), Pete Wyer's Spring Street Opera (American Opera Projects), and the release of six different commercial albums with various collaborators. The 2021-22 season features Ms. Montalbano in more world premieres, both live and digital, from a podcast musical by Jennifer Rosenfeld to a work by Lansing McLoskey honoring the 100th anniversary of James Joyce's Ulysses. Ms. Montalbano lives in New Jersey and sings professionally throughout a wide geographic area with such groups as Opera Company of Philadelphia, Trio Eos, and The Crossing. She is passionate about keeping artists employed doing what they do best. Ms. Montalbano currently studies voice with Julianne Baird.
Performed by Ryland AngelBorn on St Cecilia's day, the Grammy-nominated British counter-tenor Ryland Angel has built an international reputation on both the opera and concert stage, in repertoire ranging from the Baroque to new operatic commissions at major opera houses, concert halls, and festivals throughout Europe and the USA. He has performed in Monteverdi's Orfeo, Gavin Bryars's Doctor Ox's Experiment(English National Opera), Fairy Queen (Barcelona), Gluck's Orfeo (Koblenz), Amadigi (Karlsruhe), Venus and Adonis (Flanders Opera), Dido and Aeneas(Opera Comique), The Play of Daniel (Spoleto), and Ballet Comique de La Royne(Geneva). Angel has sung on over 80 recordings including the music of Buxtehude, Charpentier, Scarlatti, Stradella, Spears, O'Regan, Handel, Monteverdi, Purcell, Bach, and on the film soundtracks of Jack Reacher, Zoolander 2, Freedom, Le Petit Prince, La Peau, Henry 4th, Machete, The Mystery of Dante, Gemini Man and the PBS TV special Heavenly Voices. Recent engagements include Doux Mensonges (Opera National de Paris), Agrippina(NYCO), A Midsummer Night's Dream (Florentine and Kansas Opera), Julius Caesar (Utah and Colorado Opera), Sant Alessio with William Christie (Paris, London, New York), Carmina Burana (Lincoln Center/Prague Proms), St. John Passion (Saint Thomas Church and Mechanics Hall), Classics and Rock (Seoul Philharmonic Orchestra), and Messiah (Boston Symphony Hall & Carnegie Hall). Recent recordings include The Flaming Fire (MSR), Heart and Soul (Centaur) and Now Fatal Change (NMC), La Sposa (Solo Luminus), Bleed for the Throne(SXSW), and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla, Fatini Futuro, The Call, Including Words, and The Chant Project.
Performed by Ryland AngelUsed with kind permission from St. John's in the Village NYC.Born on St Cecilia's day, the Grammy-nominated British counter-tenor Ryland Angel has built an international reputation on both the opera and concert stage, in repertoire ranging from the Baroque to new operatic commissions at major opera houses, concert halls, and festivals throughout Europe and the USA. He has performed in Monteverdi's Orfeo, Gavin Bryars's Doctor Ox's Experiment (English National Opera), Fairy Queen (Barcelona), Gluck's Orfeo (Koblenz), Amadigi (Karlsruhe), Venus and Adonis (Flanders Opera), Dido and Aeneas (Opera Comique), The Play of Daniel (Spoleto), and Ballet Comique de La Royne (Geneva). Angel has sung on over 80 recordings including the music of Buxtehude, Charpentier, Scarlatti, Stradella, Spears, O'Regan, Handel, Monteverdi, Purcell, Bach, and on the film soundtracks of Jack Reacher, Zoolander 2, Freedom, Le Petit Prince, La Peau, Henry 4th, Machete, The Mystery of Dante, Gemini Man and the PBS TV special Heavenly Voices. Recent engagements include Doux Mensonges (Opera National de Paris), Agrippina (NYCO), A Midsummer Night's Dream (Florentine and Kansas Opera), Julius Caesar (Utah and Colorado Opera), Sant Alessio with William Christie (Paris, London, New York), Carmina Burana (Lincoln Center/Prague Proms), St. John Passion (Saint Thomas Church and Mechanics Hall), Classics and Rock (Seoul Philharmonic Orchestra), and Messiah (Boston Symphony Hall & Carnegie Hall). Recent recordings include The Flaming Fire (MSR), Heart and Soul (Centaur) and Now Fatal Change (NMC), La Sposa (Solo Luminus), Bleed for the Throne (SXSW), and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla, Fatini Futuro, The Call, Including Words, and The Chant Project.
Performed by Ryland AngelUsed with kind permission from St. John's in the Village NYC.Born on St Cecilia's day, the Grammy-nominated British counter-tenor Ryland Angel has built an international reputation on both the opera and concert stage, in repertoire ranging from the Baroque to new operatic commissions at major opera houses, concert halls, and festivals throughout Europe and the USA. He has performed in Monteverdi's Orfeo, Gavin Bryars's Doctor Ox's Experiment(English National Opera), Fairy Queen (Barcelona), Gluck's Orfeo (Koblenz), Amadigi (Karlsruhe), Venus and Adonis (Flanders Opera), Dido and Aeneas(Opera Comique), The Play of Daniel (Spoleto), and Ballet Comique de La Royne(Geneva). Angel has sung on over 80 recordings including the music of Buxtehude, Charpentier, Scarlatti, Stradella, Spears, O'Regan, Handel, Monteverdi, Purcell, Bach, and on the film soundtracks of Jack Reacher, Zoolander 2, Freedom, Le Petit Prince, La Peau, Henry 4th, Machete, The Mystery of Dante, Gemini Man and the PBS TV special Heavenly Voices. Recent engagements include Doux Mensonges (Opera National de Paris), Agrippina(NYCO), A Midsummer Night's Dream (Florentine and Kansas Opera), Julius Caesar (Utah and Colorado Opera), Sant Alessio with William Christie (Paris, London, New York), Carmina Burana (Lincoln Center/Prague Proms), St. John Passion (Saint Thomas Church and Mechanics Hall), Classics and Rock (Seoul Philharmonic Orchestra), and Messiah (Boston Symphony Hall & Carnegie Hall). Recent recordings include The Flaming Fire (MSR), Heart and Soul (Centaur) and Now Fatal Change (NMC), La Sposa (Solo Luminus), Bleed for the Throne(SXSW), and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla, Fatini Futuro, The Call, Including Words, and The Chant Project.
Eric Chenaux discusses his lovely new album Say Laura, life in France, his collaborator Ryan Driver, how Gang Starr, EPMD, and drum machines influenced Say Laura, the work of Gavin Bryars, comedy, surrealism, guitar effects, and improvisation, future plans and more! Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online. Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.
Gavin Bryars is one of the leading experimental composers of his generation. Among his diverse and prodigious repertoire, his best known work remains the process composition Jesus' Blood Never Failed Me Yet, a stirring work of cumulative power. We talk about this and all his work, and whether the word “spiritual” may be applicable.
Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook: https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Spotify: https://open.spotify.com/show/1Bdz5634Wk5bSpaazynbI4?si=cS-_c_rBS2Os83QECKcuJA&dl_branch=1 THE ART OF TIME ENSEMBLE VISION: A world in which people seek the uncertainties, and possibilities, of art. THE ART OF TIME ENSEMBLE MISSION: To engage diverse audiences in powerful arts experiences through the performances, collaborative endeavours, and curatorial vision of its Artistic Director. ABOUT ART OF TIME Andrew Burashko formed Art of Time Ensemble in 1998 with the support of a small group of like-minded musicians and prominent figures in dance, theatre and other art forms, beginning with one-off concerts to small but enthusiastic audiences. Word quickly spread through Toronto's cultural scene. Today, Art of Time works with the best Canadian artists in the performing arts, film and literature, and noteworthy international musicians such as Branford Marsalis, Madeleine Peyroux, Gavin Bryars and Guinga to name but a few. Art of Time presents an annual subscription season at Toronto's Harbourfront Centre Theatre and regularly appears as part of the Royal Conservatory of Music performance season at Koerner Hall. The Ensemble has also toured extensively throughout Canada and the United States and is regularly invited to performs at major festivals such as Luminato in Toronto, Chamberfest in Ottawa and at the Banff Centre for the Arts. The artists with whom the Ensemble have worked represent the finest in their genres, including writers Margaret Atwood and Michael Ondaatje; choreographers James Kudelka and David Earle; dancers Peggy Baker and Evelyn Hart; singers Barbara Hannigan and Madeleine Peyroux; actors Brent Carver and Martha Burns; and filmmakers Peter Mettler and Bruce MacDonald. Music and musicians are at the heart of Art of Time Ensemble; the ranks of our musicians are deep and their talent unmatched. Over the last 20 years group members have included composer Jonathan Goldsmith, Rachel Mercer (principal cellist of the National Arts Orchestra), Benjamin Bowman (concertmaster of the Metropolitan Opera), Stephen Sitarski (concertmaster of Esprit Orchestra), Steven Dann (soloist and former principal violist of the Royal Concertgebouw Orchestra and Toronto Symphony), Thomas Wiebe (soloist and cellist of the Duke Trio); Phil Dwyer (renowned composer and jazz saxophonist) and the great Canadian guitarist, Rob Piltch, among many others. Dozens of Art of Time performances have been broadcast nationally on CBC and the Ensemble has released six commercial CDs on the Pheromone and ArtofTime Recordings labels. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support
Thanks to Andrew Burashko from Art of Time Ensemble (who features in episode 52), I managed to have a conversation with Gavin Bryars, a British composer I have long wanted to interview.It was a delight to speak to Gavin and I have also managed to book my ticket for his concert in as part of Cambridge Summer Music Festival.We managed to discuss Gavin's background in music as well as several of his compositions and I hope you enjoy our conversation.Follow me on instagram.com/hilaryrwriterFollow me on facebook.com/HilaryRobertsonFreelanceWriterFollow me on twitter.com/hilaryrwriterSupport the show (https://www.buymeacoffee.com/HWpodcast)
At 2:20 a.m. on this date in 1912, the luxury liner S.S. Titanic sank after hitting an iceberg in the North Atlantic. Of the 2201 people of on board, only 711 reached their intended destination in New York. Eight British musicians, members of the ship’s band stayed on board, reportedly playing a hymn-tune as the ship went down. In 1969, British composer Gavin Bryars, prepared a multi-media musical work titled “The Sinking of the Titanic,” which incorporated spoken interviews by Titanic survivors with a set of variations on the hymn tune played by the ship’s band. In 1985, the sunken wreck of the Titanic was rediscovered, and renewed interest led to a 1990 revival performance and recording of Gavin Bryars’s score. A few years later, composer James Horner wrote an Oscar-winning film score for director James Cameron’s Titanic–an incredibly successful cinematic dramatization of the story. Horner has written other famous film scores like those for “Aliens” and “Braveheart”—but none quite as successful as “Titanic.” That film grossed more than $600 million at the domestic box office and more than $1.8 billion worldwide. Ironically, considering this “titanic” success, the first film for which Horner composed a score was entitled “The Drought.”
Music Mondays featuring The Crossing and Artistic Director and Conductor Donald Nally. "At Piece," the last movement from "A Native Hill" (music by Gavin Bryars and words by Wendell Berry) was composed as a gift for The Crossing, dedicated to Cassia Bryars-Rockey, and in memoriam Julian Rockey. It was recorded on October 8-11, 2019 at St. Peter's Church in the Great Valley, Malvern, PA and included in A Native Hill by Navona Records.
The long-anticipated follow-up to Gavin Bryars’ The Fifth Century, which won The Crossing its first GRAMMY award in 2018, the 12-movement A Native Hill was premiered by the ensemble in October 2019 at their home, The Presbyterian Church of Chestnut Hill in Philadelphia. Wendell Berry’s text, from his 1968 essay of the same title, offers meditations on how life is, and can be, experienced, through detailed descriptions of the minutiae of rural existence, where simple natural events reveal themselves as metaphors for universal truths. Bryars has a close working and personal relationship with The Crossing, and draws on his intimate knowledge of the singers’ individual characteristics to create a further thoughtful and even more profoundly meaningful work for the ensemble. The New York Times has called Bryars’ music “accessible and defiantly personal,” and A Native Hill exemplifies his organic synthesis of sophisticated musical ideas with an earthy, insightful understanding of daily life. Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1281/A_Native_Hill.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com
Poet Laureate Simon Armitage and composer Gavin Bryars in expansive conversation about their respective art forms, and what happens when they are brought together. Chaired by Dr Kimberly Campanello, Lecturer in Creative Writing at the University of Leeds, it’s a wide-ranging and warm conversation, illuminated by good humour and the two artists’ evident delight in discovering each other’s work in more detail. They discuss the pleasures and perils of crossing between the two disciplines, with reference to specific works by themselves and others. Excerpts from their recordings are woven throughout, including tracks by Armitage’s post rock/ambient outfit LYR, and Bryars’ extraordinary, influential 1971 work Jesus’ Blood Never Failed Me Yet.
In The Lark Ascending (Faber) Richard King, author of Original Rockers and How Soon is Now?, explores how Britain's history and identity have been shaped by the mysterious relationship between music and nature. From the far west of Wales to the Thames Estuary and the Suffolk shoreline, taking in Brian Eno, Kate Bush, Boards of Canada, Dylan Thomas, Gavin Bryars, Greenham Common and the Kinder Scout Mass Trespass, The Lark Ascending listens to the land and the music that emerged from it, to chart a new and surprising course through a familiar landscape. King was in conversation with Luke Turner, editor of the influential online music publication The Quietus and author of the memoir Out of the Woods. See acast.com/privacy for privacy and opt-out information.
durée : 00:04:05 - Le coup de coeur FB Orléans - Interview de Jean Louis Tallon, auteur de "Gavin Bryars, en parole, en musique" paru aux éditions "Le mot et le reste" !
Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Prof. Broxburn, "Christmas Fractions And Brandy Snaps" (Whine And Missingtoe) 1997 V/Vm Test Records 2. The Legendary Pink Dots, "Chicken King and The Prince Of Dreams (excerpt)" (The Legendary Pink Dots' Christmas Special 2019) 2019 self-released 3. Windy and Carl, "Xmas Song (cassette version)" (Merry Christmas) 1995 Blue Flea 4. Antena, "Noelle A Hawai" (Ghosts Of Christmas Past (Remake)) 1982 Les Disques du Crepuscule 5. Gavin Bryars, "Season of Mists" (Ghosts of Christmas Past Remake - Expanded Edition) 2015 Les Disques du Crepuscule 6. Cristina, "Things Fall Apart" (A Christmas Record) 1981 Ze 7. Tor Lundvall, "Snowy Morning" (Yule) 2006 Strange Fortune 8. Atlas Sound, "Christmas Synths" (Christmas Synths) 2009 self-released 9. The Shades, "Prancer's Got Some Red Spots" (Santa Claus Is Coming To Town / Prancer's Got Some Red Spots) 1966 Fujimo / 2015 Numero Group 10. Soul Duo, "Just A Sad Xmas" (Just A Sad Xmas) 1969 Shiptown / 2015 Numero Group 11. Mark McGuire, "Faith, Family, and Friendship (for John Ryan McGuire, Sr.)" (Faith, Family, and Friendship (for John Ryan McGuire, Sr.)) 2019 self-released 12. Tiny Tim, "Rainbow On The River" (Tiny Tim's Christmas Album) 1995 Durtro 13. Bjorn Svin + Goodiepal, "Sincerely Christmas" (Sincerely Christmas) 1997 self-released 14. The Stranger, "Christmas Spirit" (The V/Vm Christmas Pudding) 2000 V/Vm Test Records * Sendung vom 22. Dezember 2019 == Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com
Lista de emisión de Fabuloseando!! n.º 9 (28/11/2004). Hoy quiero ser tú, bueno, vosotros, bueno, tampoco vosotros, simplemente no ser yo, o mejor dicho, sí ser yo, pero verme desde afuera, ex-centrarme, salir de mi y observarme como me podéis observar vosotros; valorar mi comportamiento humano, y descubrir si yo me resultaría agradable a mi mismo o, al contrario, me vería todo lo insoportable que puedo llegar a ser. 01. Triana. Todo es de color. 02. Míster América. Paraiso para nadie. 03. John Lee Hooker. I wanna walk 04. Nan Wynn & Victor Mature. Oh, The pity of it all. 05. Café Tacuba. Las flores (unplugged) 06. Cassia Eller & Djavan. Milagreiro. 07. Talking Heads. Road to nowhere. 08. The Doors. Wild Child. 09. The Beatles. Yellow Submarine. 10. Gavin Bryars (con Tom Waits). Jesus' Blood never failed me yet 11. Jars of Clay. Jesus' Blood never failed me yet. 12. Lila Downs. Canción Mixteca 13. Cowboy Junkies. Common Disaster. 14. The Kinks. Days. 15. Triana. Corre.
Al Recapte d'avui hem obert una nova llauna de Conserves Musicals, la secció que cada setmana ens ofereix el músic i escriptor de Deltebre Miquel Àngel Marín. La llauna d'avui contenia peces de Johan Strauss, Arnold Schöenberg i Gavin Bryars, totes tres amb un significat vivencial per a Miquel Àngel.
Episode 02: Getting the Song Out with Cecilia LivingstonThis week we are talking to Dr. Cecilia Livingston, with whom Elizabeth became acquainted with while Cecilia was completing her Doctorate in Composition at the University of Toronto and was writing “Penelope” for her voice student, Alexandra Smither. Elizabeth became smitten with her writing and introduced her to the rest of Women on the Verge. We’re thrilled to talk with her now on this podcast series. Audio Excerpts:“Penelope” by Cecilia Livingston. Performed by Women on the Verge members, Elizabeth McDonald and Kathryn Tremills. “Give Me Your Hand,” inspired by the sleepwalking scene of Shakespeare’s Macbeth. The text is by Cecilia’s husband Duncan McFarlane, performed by mezzo-soprano Blythe Gaissert and pianist Kelly Horsted. Other repertoire we talked about:“Two dreams for soprano and string quartet,” by Cecilia Livingston“Incipit Vita Nova” by Gavin Bryars.Artists you should check out:Alexandra Smither Anne MichaelsDuncan McFarlaneTo learn more about Cecilia Livingston:Visit: https://cecilialivingston.comListen: https://soundcloud.com/cecilia_livingstonTwitter: https://twitter.com/CeciliaComposerInstagram: https://www.instagram.com/ceciliacomposer/All of Cecilia’s scores can be purchased through the Canadian Music Centre
Précipités de lenteur - Matthieu Saladin00:00 - 24:00 Une proposition de Matthieu SaladinPrécipités de lenteur est un projet protéiforme. Conçu initialement pour une exposition personnelle au BBB centre d’art à Toulouse en 2019, il est devenu depuis un essai d’économie politique de la musique publié dans la revue Audimat, une mixtape pour un marathon confiné du festival Sonic Protest et à présent un programme radiophonique de 24 heures pour *DUUU Radio. Quelle que soit sa forme, il s’agit à chaque fois d’interroger l’idéologie de l’accélération qui gouverne nos sociétés, à travers des expérimentations sonores menées sur le ralentissement. À l’heure du trading à haute fréquence, de l’occupation 24/7 du temps de vie, de l’apologie de la mobilité et de l’augmentation généralisée du rythme des changements sociaux, ces expériences constituent autant de critiques en acte, de tentatives de temporisation, sinon de replis face aux impératifs de l’accélération. Dans le contexte actuel de pandémie, où cette fuite en avant semble avoir été – temporairement – stoppée net dans sa course, ces musiques résonnent sans doute encore autrement, tel un retard en guise de prélude, celui-là même où nous vivons.⏳ Précipités de lenteur (version programme radiophonique) ⏳ 🕛 Dj Screw, In The Air Tonight 🕛 Harry Pussy, Let’s Build a Pussy 🕐 La Monte Young, Dream House, Map Of 49's Dream, Drift Study, The Second Dream Of The High Tension Line Stepdown Transformer From The Four Dreams Of China 🕞 A$AP Rocky, Purple Swag, Been Around The World, Get Lit 🕓 John Cage, Organ2/ASLSP 🕡 Michael Prime, One Hour As A Plant 🕢 Philip Corner, Satie Slowly 🕤 Neu!, Cassetto 🕤 Dj Screw, Chapter 178 – In the Zone 🕚 Neu!, Hallo Excentrico!, Super 16 🕚 Michael Snow, Falling Starts 🕛 Kylie Minoise, You Suffer 🕐 Alvin Lucier, Nothing Is Real (Strawberry Fields Forever) 🕐 Taku Sugimoto & Radu Malfatti, Futsatsu 🕞 A$AP Rocky, Purple Swag – Chapter 2 🕞 Walter Marchetti, Natura Morta 🕟 Dj Screw, Same Ol G 🕡 Eliane Radigue, Adnos I-III 🕙 Earth, Seven Angels, Teeth of Lions Rule The Divine 🕥 Collin Olan, Rec01 🕚 Gavin Bryars, The Sinking Of The Titanic
Tracklist1. Hanne Darboven, Abschliessend (op. 22, book 61) (« Requiem », 2005, Hanne Darboven Stiftung) 2.Emmanuel Holterbach with Blutwurst, Ricercar nell’ombra (excerpt) (« Ricercar nell’ombra », 2020, Another Timbre) 3.Gavin Bryars, White’s SS (« From Brussels with Love », 1980, Les Disques du Crépuscule) 4.Steven Brown, Waltz (« Music for Solo Piano », 1984, Another Side) 5.Jill Kroesen, I’m Just a Human Being (« Stop Vicious Cycles », 1982, Lovely Music) 6.John Cale,The Jeweller (« Slow Dazzle », 1975, Island) 7.Anthony Moore, Johnny’s Dead (« Out », 1976, Virgin) 8.Virginia Astley, We Will Meet Them Again (« A Bao A Qu » 10’, 1982, Why Fi) 9.Blaine L. Reininger & Mikel Rouse,Windy Outside (« Colorado Suite », 1984, Crammed Discs) 10. Anna Domino, Land of My Dreams (« East and West », 1984, Les Disques du Crépuscule) 11.Mark Isham / Marianne Faithfull, The Hawk (El Gavilan) (« Trouble in Mind » OST, 1986, Island) 11.Brian Eno, Daniel Lanois & Roger Eno, Weightless (« Apollo. Atmospheres and Soundtracks », 1983, EG)
con Luca Damiani
Déciller Une proposition de Maxime Guitton / three:four recordsAprès avoir décéléré (Alentir), nous être posés (Suspendre), est peut-être venu le temps d’ouvrir grand les yeux. Ou plutôt les oreilles. Décillons.Tracklist1. Felt, Buried Wild Blind (« The Final Resting of The Ark » EP, 1987, Creation Records) 2.Peter Gordon & Love of Life Orchestra, Beginning of The Heartbreak (« Extended Niceties », 1980, Infidelity) 3.Robert Rental, Double Heart (« Double Heart / On Location » 7’’, 1980, Mute) 4.Justine & The Victorian Punks, Beautiful Dreamer (« Beautiful Dreamer / Still You » 12’’, 1979, Colette Is Dead Co. Ltd) 5.Robert Fripp, North Star (« Exposure », 1979, EG) 6.Limpe Fuchs / Anima,Play (« Via », 1987, Dom) 7.Inoyama Land, Shüffer (« Danzindan Pojidon », 1983, Yen Records) 8.The Reds, The Signal (« Stronger Silence », 1981, Stony Plain Records) 9.Tangerine Dream, Hyperborea (« Hyperborea », 1983, Virgin) 10. Mark Isham, Sympathy and Acknowledgement (« Vapor Drawings », 1983, Windham Hill Records) 11.Ivor Cutler & Linda Hirst, Life in a Scotch Sitting Room, Vol.2, Episode 15 (« Privilege », 1983, Rough Trade) 11.Jan Steele/Ziz! Ensemble, Ivory (« Desert Island Dusks », 1986, Les Disques du Soleil et de l’Acier) 12.Simon Jeffes, performed by members of ThePenguin Café Orchestra, Zopf : Surface Tension (Where The Trees Meet The Sky) (« Music From The Penguin Café », 1976, Obscure Records) 13.The Lost Jockey, Matters of Theory (« The Lost Jockey », 1982, Les Disques du Crépuscule) 14.John Cage, Experiences n°2 (Robert Wyatt) (« Voices and Instruments », 1976, Obscure Records) 15.Tom Phillips, Gavin Bryars & Fred Orton, Aria (Irma You Will Be Mine) (« Irma », 1978, Obscure Records) 16.Soft Verdict (Wim Mertens), Multiple 12 (« Vergessen », 1982, Les Disques du Crépuscule) 17.Brian Eno & Robert Fripp, Melancholy Waltz (« Music For Fans Vol. 1 », 1975, New Depression Music)
********************************************************************* ...................#.102................ By Elder Almeida http://www.filefactory.com/file/rqvk1vnlq8h/102.mp3 Collaboration with a Fly I put that word on the page, but he added the apostrophe. Lydia Davis ********************************************************************* 01 – Akira Rabelais – “Gymnopedie” (00:21) 02 – Bjork and Akira Rabelais – “Bath” (09:59) 03 – Sylvain Chauveau – “Nu devant un fantôme III” (14:06) 04 – Keaton Henson – “Impromptu On A Theme From Six Lethargies ft. Ren Ford” (13:58) 05 – Radiohead – “Codex” (16:17) 06 – Thomas Feiner – “Ave Maria” (20:33) 07 – Stars of the Lid – “JPRIP (Carte De Visite)” (23:42) 08 – Jon Hopkins & Rick Holland – “I Remember (Rick Holland Poem)” (28:00) 09 – Ryuichi Sakamoto – “Diabaram” (32:50) 10 – Robert Wyatt – “At Last I Am Free” (36:52) 11 – Thomas Feiner – “Guide for the Perplexed (Instrumental Piano Version)” (41:05) 12 – Winter Family – “Delightful Blindness” (44:43) 13 – Winter Family – “Ikea” (47:27) 14 – Gavin Bryars and Tom Waits – “Jesus' Blood Never Failed Me Yet” (50:36) 15 – Zazie Von Einem Anderen Stern – “Raum ohne Zeit” (54:24) A photo by Anne Rose Pretorius Total Time: 00:59:39 ********************************************************************* Please visit my blog and podcast at: http://ondasdamusica.blogspot.com/ http://efmalmeida.podomatic.com/ My videos on YouTube: https://www.youtube.com/channel/UCyeuqR69vKfjn4W85cX3ohQ/videos *********************************************************************
On tonight's Mystery Train Sunday Service, another chance to hear John's 2018 interview with composer Gavin Bryars who talks about his approach to composition, and working with the likes of John Cage, Tom Waits and Father John Misty.
durée : 01:00:05 - Autour de Gavin Bryars - par : Laurent Vilarem - La pièce « Mistral » de Gavin Bryars sera donnée en ouverture d’Aujourd’hui Musiques à Perpignan. À cette occasion, le compositeur nous emmène dans un grand voyage musical, pour un périple qui part du Pôle Nord et son océan de glace, au monde méditerranéen qui l’inspire depuis de nombreuses années. - réalisé par : Olivier Guérin
Fiery Yellow Stereolab, Mars Audiac Quintet (Expanded Edition)"Une couleur ne vient jamais seule » Michel Pastoureau, Editions du Seuil Yellow Ken Nordine, ColorsYellow Tyler The Creator, Cherry BombColors Underglass, Musique Concrète Works for Children (It's Not Easy) Bein' Green (From "The Muppet Show"/Soundtrack Version) Kermit The Frog Dome Phantom Orchard, OrraGreenery Quasimoto, The Further Adventures Of Lord QuasRhapsody In Green Mort Garson, Mother Earth's Plantasia Messiaen on Debussy and Color En Rouge Et Noir Materiali Miguel Angel Coria, En Rouge Et NoirThe Innocents (1961) Jack ClaytonUriel's Black Harp Actress R.I.P.The Black Dog Runs at Night Thought GangBlack Sun Demdike Stare Tryptych Part 3, Voices Of DustBlue Window Actress, AZDBlue Roses Minny Pops, FAC Dance 02: Factory RecordsTintin et les oranges bleues (1964) Orange Bleue Isabelle MayereauAzul Bené Fonteles, Outro Tempo: Electronic And Contemporary Music From Brazil 1978-1992Arthur Rimbaud, "Voyelle" Rot Grün Tod Der Plan Normalette SurpriseJack Arthur Little Red Riding Hood Turn To Red Killing Joke Wild Dub - Dread Meets Punk Rocker ReggaeAll The Colors Bleached To White Colin Stetson Laurie Anderson New History WarfareVol. 2: Judges White's S. S. Gavin Bryars From Brussels With LoveWhite Ken Nordine ColorsRainbow Brainticket The Vintage Anthology - PsyconautSong Virgin Prunes Endzeit
A cura di Gigi Longo. Brani di Boxheads Ensemble, Julia Wolfe, Hilliard Ensemble/Ivan Moody, Gavin Bryars.
A cura di Gigi Longo. Brani di Boxheads Ensemble, Julia Wolfe, Hilliard Ensemble/Ivan Moody, Gavin Bryars. (seconda parte)
A cura di Gigi Longo. Brani di Boxheads Ensemble, Julia Wolfe, Hilliard Ensemble/Ivan Moody, Gavin Bryars. (seconda parte)
Today’s guest is the next in our Music and Mental Health series! He first crashed onto the scene when he founded the British punk rock band Doctors of Madness in 1975, known for being the forerunners of the punk movement. Back then known as ‘Kid’ Strange they toured the world, being supported by bands including The Sex Pistols, The Jam and Joy Division to name just a few and later touring Japan and appearing at festivals such as Glastonbury and Bestival. Not one to be tied down to just one creative outlet, he has also appeared in numerous movies including Tim Burton’s 1989 film Batman, Martin Scorsese’s Gangs of New York and most recently the last episode of Harry Potter. As a multi-hyphenate creative he has also gone onto contribute to publications such at GQ, The Sunday Telegraph, Tatler and The Independent as well as curating many ambitious and successful events and shows including the immersive multi disciplinary operatic collaboration with composer Gavin Bryars called “Language is a virus from outer space” based on the life and work of American writer William S Burroughs. It is no wonder that he has also become increasingly involved with education along his journey and he now devotes a lot of his time to working with young music students in the UK., Hong Kong, Sweden and the USA. In 2012 he was awarded a prestigious Fellowship of The Higher Eduction Academy Award of which there are only 350 in the country. And I can assure you, that is only the very tip of a huge career that spans decades, the list of talents and creative projects is endless, from writing programmes for Radio 4 and running his live chat show A Mighty Big, to curating theatre shows and exhibitions featuring artists such as Kate Tempest, Gavin Turk and Richard Wilson. My university lecturer turned absolutely wonderful friend, and all round legend Richard Strange! Find out more about Richard here: Facebook: Richard Strange Instagram: @richardstrange https://www.richardstrange.com/ Stay tuned as the podcast grows in a positive way! If you feel like you need to talk to someone: youngminds.org.uk/ www.helpmusicians.org.uk/ www.mind.org.uk/ www.time-to-change.org.uk/ www.samaritans.org/ hubofhope.co.uk Follow us on: Instagram - @talkinaboutpodcast Twitter - @talkinaboutpod_ George - @georgedhodgson (Instagram) Charlotte - @iampsyren_ (Instagram)
Superado el record de días entre la grabación y la publicación. Esta vez capa N de un semiconductor; predominan black y doom en múltiples variantes sobre un pequeña representación de x-core. Cold War Everyday Waking Hours Kvlt emocore progresivo 06:20 Envy The Fallen Crimson A step in the morning glow screamer postrock 14:53 To Be Gentle L'autre Cote De La Peur Flesh and Blood, Bone and Dream screamo 20:41 Pressure Cracks This Is Called Survival Like Father Like None hardcore 25:40 Cadaverette A Farewell To Earthly Existence Catcall crust-screamo 34:14 Habitar la Mar Comedia Yoica La Tara neopank 40:32 Silent Planet The Night God Slept Redux Tiny Hands (Au Revoir) Redux ethereal post-hardcore 44:50 Garganjua Toward The Sun The New Sun ¿sludge? 54:52 Frayle 1692 God of no Faith doom 59:58 Elder Druid Golgotha Vincere vel Mori doom 1.07:15 Lotus Thief Oresteia Agamemnon doom avant-garde 1.16:30 Gaetir The Mountainkeeper Vetrarljós Norðanátt nordic retro-folk 1.21:57 Kassad London Orbital The Boundary urban black metal 1.30:07 Sylvaine Time Without End Falling 1.37:46 Unreqvited Mosaic Ii [La Deteste Et La Detresse] Pale 1.47:01 Vulgarite Fear Not The Dark Nor The Sun's Return What Curse Comes This Way black profundis 1.56:24 Kalmankantaja Nostalgia II My Kingdom No God No Love black folk ambiental fondo: Crowhurst and Gavin Bryars present Incoherent American Narrative!
Gavin Bryars, Cadman Requiem Lezioni di musica del 01/02/2020 con Carlo Boccadoro
Episode 445: December 22, 2019 (Holiday Special) playlist: Prof. Broxburn, "Christmas Fractions And Brandy Snaps" (Whine And Missingtoe) 1997 V/Vm Test Records The Legendary Pink Dots, "Chicken King and The Prince Of Dreams (excerpt)" (The Legendary Pink Dots' Christmas Special 2019) 2019 self-released Windy and Carl, "Xmas Song (cassette version)" (Merry Christmas) 1995 Blue Flea Antena, "Noelle A Hawai" (Ghosts Of Christmas Past (Remake)) 1982 Les Disques du Crepuscule Gavin Bryars, "Season of Mists" (Ghosts of Christmas Past Remake - Expanded Edition) 2015 Les Disques du Crepuscule Cristina, "Things Fall Apart" (A Christmas Record) 1981 Ze Tor Lundvall, "Snowy Morning" (Yule) 2006 Strange Fortune Atlas Sound, "Christmas Synths" (Christmas Synths) 2009 self-released The Shades, "Prancer's Got Some Red Spots" (Santa Claus Is Coming To Town / Prancer's Got Some Red Spots) 1966 Fujimo / 2015 Numero Group Soul Duo, "Just A Sad Xmas" (Just A Sad Xmas) 1969 Shiptown / 2015 Numero Group Mark McGuire, "Faith, Family, and Friendship (for John Ryan McGuire, Sr.)" (Faith, Family, and Friendship (for John Ryan McGuire, Sr.)) 2019 self-released Tiny Tim, "Rainbow On The River" (Tiny Tim's Christmas Album) 1995 Durtro Bjorn Svin + Goodiepal, "Sincerely Christmas" (Sincerely Christmas) 1997 self-released The Stranger, "Christmas Spirit" (The V/Vm Christmas Pudding) 2000 V/Vm Test Records Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
durée : 01:00:26 - En pistes, contemporains ! du dimanche 10 novembre 2019 - par : Emilie Munera - Musique = Clapping de Steve Reich Voix = Coco Bonnier - réalisé par : Claire Lagarde
durée : 01:00:05 - Autour de Gavin Bryars - par : Laurent Vilarem - La pièce « Mistral » de Gavin Bryars sera donnée en ouverture d’Aujourd’hui Musiques à Perpignan. À cette occasion, le compositeur nous emmène dans un grand voyage musical, pour un périple qui part du Pôle Nord et son océan de glace, au monde méditerranéen qui l’inspire depuis de nombreuses années. - réalisé par : Olivier Guérin
In this episode of the Academy podcast, we look back at our through-the-night performance of Gavin Bryars’ iconic work Jesus Blood Never Failed Me Yet – a piece centred upon... The post Episode 14: Never Failed Me Yet appeared first on Academy of St Martin in the Fields.
Water music, una selección de piezas trabajando con el concepto de agua en sus composiciones. Escucharemos a Tomoko Sauvage, una artista japonesa radicada en francia quien después de su educación en Jazz se interesó por el Jalatharangam, un instrumento tradicional carnatico hecho de tazones cerámicos llenos con agua. Sauvage interpreta los tazones de agua (Waterbowls), un instrumento hecho por ella misma que combina tazones cerámicos, gotas de agua, ondulaciones y burbujas así como también feedback hidrófonico y sonidos electrónicos. Después seguiremos con Michel Redolfi, un compositor francés de musique-concrète con una pieza titulada ‘Immersion Totale’. Además de sus exploraciones en los campos de música electroacústica de difusión multicanal, Redolfi ha trabajado especialmente en música compuesta para ser escuchada debajo del agua. Esto lo ha llevado a trabajar en piscinas y otros cuerpos de agua, haciendo conciertos que se pueden escuchar afuera o bajo la superficie. Escucharemos también dos versiones de la composición ‘Weight’ del álbum Oceanic por la banda norteamericana ISIS; siendo la primera de estas versiones una reinterpretación abstracta del austriaco Fennezs.‘Permafrost’ es el título de la siguiente canción, lanzada en el álbum homónimo en 1993 por Thomas Köner. Permafrost (Permahielo o Gelisuelo en español) hace referencia a una capa de suelo permanentemente congelada, pero no permanentemente cubierta de hielo o nieve, propia de las regiones muy frías o periglaciares, como la tundra.Titanic Lament hace parte de uno de los trabajos de la obra ‘ The Sinking of the Titanic’ de Gavin Bryars, quien a través de las décadas se ha embarcado en la investigación sobre el sonido de los últimos momentos del hundimiento del titanic. Sus exploraciones abarcan desde el repertorio que el conjunto de cuerdas interpretaba durante el hundimiento, hasta posibles maneras de recrear la difusión del sonido en altamar en el norte del atlántico, tanto encima como debajo del agua.Por último un fragmento de un performance de Hana Hartman en Berlin en 2018. Hartman es una compositora y artista sonora sueca radicada en Alemania. Sus performance en vivo incluye objetos no convencionales que activa frotando, soplando o, por ejemplo, dejando caer monedas huecas en delgadas columnas metálicas.
La música nos emociona, eso es evidente, consigue que nos enamoremos, nos hace bailar, nos enfurece, modifica nuestro ánimo. Esta semana he buscado temas musicales que nos consigan estremecer, que nos hagan sentir casi de forma física un escalofrío, una sensación única e irrepetible si no es escuchando esa pieza. Escucharemos temas de Angelo Badalamenti, Vangelis, Ennio Morricone, Lévon Minassian & Armand Amar, Gavin Bryars, Karl Jenkins, Michael Nyman, Isao Tomita y de Israel Kamakawiwo'ole.
This week, we start with Maria Callas and go from there! Giacomo Puccini, Tosca, “O dolci mani” with La divina, Maria Callas. JS Bach, Prelude for lute in C minor (arranged for guitar) Gavin Bryars […] http://media.rawvoice.com/joy_queenofthenight/p/joy.org.au/queenofthenight/wp-content/uploads/sites/183/2019/07/2019_06_30_QOTN.mp3 Podcast: Play in new window | Download (Duration: 54:46 — 100.3MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post A bit of La Divina before dinner appeared first on Queen of the Night.
The contemporary classical composer Gavin Bryars talks about the latest incarnation of his acclaimed 1971 work, Jesus’ Blood Never Failed Me Yet – a 12-hour overnight rendition at Tate Modern in London. The piece is based on a fragment of tape of a homeless man singing, and this performance combines the Academy of St Martin in the Fields, Bryars’s own ensemble, the Southbank Sinfonia, and the participation of several homeless people. Gavin Bryars also contributes his thoughts to the question: can opera singers sing pop and vice versa? What are the main differences between a trained bel canto voice and what some would call the more natural approach taken by folk, jazz or rock singers? Music critic Anna Picard and Christopher Purves, opera singer and former member of jazz vocal group Harvey and the Wallbangers, discuss. Hailed by Zadie Smith as 'uncommonly poised and truly beautiful', the debut novelist Isabella Hammad discusses her 500-page epic The Parisian, set around the Palestinian struggle for independence in the early twentieth century. Presenter Janina Ramirez Producer Jerome Weatherald
Working across and among languages, media, and art forms, Caroline Bergvall’s writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards. Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016. You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy and Vimeo: https://vimeo.com/carolinebergvall/videos Her publications include: • Éclat, Sound & Language, 1996• Fig: Goan Atom 2, Salt, 2005• Middling English, John Hansard Gallery, 2010• Meddle English: New and Selected Texts, Nightboat Books, 2011 • Drift, Nightboat Books, 2014 Transcript [CAROLINE BERGVALL]Jigsaw of traveling languages. [ominous music plays] [CRIS CHEEK]This…is…Phantom Power. Caroline Bergvall. [CAROLINE]How does one keep one’s body as one’s own? What does this mean about the relative safety of boundaries. Could I make sure that what I called my body would remain in the transit from other languages, that it would hold this progression into English, and because I didn’t know and wasn’t sure, and since for a great number of people, for an overwhelming number of persons, for an overwhelming a large number of persons for all always growing number of persons. This is far from self evidence. This is not self evidence. This does not apply, this doesn’t even begin to figure, I never knew for sure. Some never had a body to call their own before it was taken away. Somehow the [speaks in norwegian.] Some never had a chance to feel it body as their own before it was taken away. Some never had a chance to know their body before it was taken away. [speaks in norwegian]. Some were never free to speak that body before it was taken up and taken away. [speaks in norwegian]. Some tried their body on to pleasure in it before it was taken up beaten violated taken away [speaks in norwegian] Some had their body for a time that was taken away or parts of it somehow [speaks in norwegian] Some thought they had their body safely then were asked to leave it behind the door or parts of it some little dirty trick how the [speaks in norwegian]. Some hoped they had one safely only to find it had to be left across the border or parts of it [speaks in norwegian]. Some wanted to leave their body behind and couldn’t [speaks in french]. Some could neither take it or leave it behind [speaks in norwegian]. Some are loved at, some are spat out some are dragged into the crowd [speaks in norwegian]. Some bodies are forgotten in the language compounds. Some immense pressure is applied on to the forgetting of the ecosystem some escape from. Some bodies, like languages, simply disappear. [speaks in french]. Some or many are being disappeared [speaks in norwegian]. Some or many disappear. [speaks in norwegian]. Some are many that disappeared arise and some are many of us. [speaks in norwegian]. Some arise in some of us. [speaks in norwegian]. Some arise in some of us, arise in many of us. [speaks in norwegian]. Some arise in some of us, arise in each of us. [speaks in norwegian]. [MACK HAGOOD]It’s Phantom Power. I’m Mack Hagood here with cris cheek. Cris, that was amazing. [CRIS]Unusual to hear more than one language inside a poem. [MACK]Yeah, and there was something almost liturgical about it....
Obscure Records was a British record label created and curated by Brian Eno with the specific purpose of publishing a series of ten albums that traced the path of ambient music’s birth. The label has been active from 1975 to 1978 issuing works from artists such as Harold Budd, Michael Nyman, David Toop and the seminal Discreet Music album by Brian Eno himself. Most have detailed liner notes on their back covers, analyzing the compositions and providing a biography of the artist, in a format that is typical of classical music albums, and as a matter of fact much of the material can be regarded as 20th century contemporary music. The episode features: Penguin Cafe Orchestra, Harold Budd, John Cage, David Toop, Michael Nyman, Gavin Bryars, John Adams, Max Eastley and Brian Eno.
Michael Hasted talking about the piece Jesus Blood Never Failed me yet which was performed at the 2018 Crossing Border Festival in The Hague in The Netherlands.
Britain’s most important post-minimalist composer, Gavin Bryars, speaks to Ben Eshmade about his career and works that have impacted the musical landscape profoundly. Reflecting on his best-known works (Jesus' Blood Never Failed Me Yet, The Sinking of the Titanic) and explaining the inspiration behind some of his more recent works (Winestead, The North Shore etc.), Gavin also talks about the vast array of artists he has worked with over the years (Brian Eno, Father John Misty among others) and whether music can change the world...
Tom Klaassen verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Met vandaag werk van Tobias Hume, Orlando Gibbons, Robert Schumann, Claude Lejeune, Cherubino Waesich, Unsuk Chin, Robert Jones, en Gavin Bryars.
Sorcha Kenny talks to the NCH's Head of Programme Planning Gary Sheehan about the thinking behind the new Perspectives Series. The podcast includes interviews with Lisa Hannigan, Chris Thile of Punch Brothers, Gavin Bryars, Meshell Ndegeocello and Philip Glass. Perspectives opens on October 6th and 7th with a collaboration between Lisa Hannigan and Berlin outfit stargaze. The series closes with a very special Philip Glass residency. Interviews with Lisa Hannigan and Philip Glass come courtesy of the Barbican Centre, London.
Gavin Bryars In Conversation with Mark McNeill Composer and musician, Gavin Bryars joins host, Mark McNeill, this week on In Conversation. Together, they delve into his unique and expansive career in music. From studying with John Cage, to founding the Portsmouth Sinfonia, to being the first artist singed to Brian Eno’s Obscure Records, Bryars can be sighted as one of the most influential composers of the post-minimalist era. Enjoy absorbing some illumination from one of the brightest minds creating today. In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com
Panelen konfunderas av tolkningar av Rachmaninovs pianokonserter, gläds över Haga Duos repertoartillskott, somnar till Gavin Bryars och dansar på lätta fötter till Petrenkos version av Våroffer. Veckans skivor: RACHMANINOV Pianokonserter 2 och 3 Jevgenij Sudbin, piano BBC Symfoniorkester Sakari Oramo, dirigent BIS 2338 SACD HAGA DUO COLOURS OF SWEDEN Musik av Andrea Tarrodi, Benjamin Staern, Anders Nilsson, Daniel Nelson, Emmy Lindström, Anna-Lena Laurin Sareidah Hildebrand, flöjt Joakim Lundström, gitarr Haga Musikproduktion HMCD-003 THE FIFTH CENTURY Musik för kör och saxofonkvartett av Gavin Bryars Kvartetten PRISM Donald Nally, dirigent ECM New Series 2405 4814495 VÅR STRAVINSKIJ, RACHMANINOV, DEBUSSY Musik av Igor Stravinskij, Sergej Rachmaninov och Claude Debussy Sångare: Rodion Pogassov Kungliga filharmonikerna, Liverpool Vasilij Petrenko, dirigent Onyx 4182 Johannas val Johanna Paulsson presenterar tonsättaren och suffragetten Ethel Smyth som 160-årsjubilerar i april. Referensen Hör hur Rachmaninov själv tolkar sin pianokonsert på en inspelning från 1929, tillsammans med Philadelphia Orchestra under Leopold Stokowski på RCA. Andra i programmet nämnda eller rekommenderade inspelningar: En stor mängd inspelningar av Våroffer. En genomskinlig med Francois-Xavier Roth och Les Siecles på Actes Sud, en galen med Teodor Currentis och Muscia Aeterna på Sony, och några klassiska med Igor Markevitj på Testament och Jasha Horenstein och Sydtyska radions symfoniorkester på Vox Veckans svep Johan Korssell har lyssnat på Gustav Mahlers storslagna åttonde symfoni i en inspelning från Salt Lake City med Thierry Fischer och Utahs symfoniorkester och Mormon Tabernacle Choir.
Programa emitido por www.arinfo.com.ar el 22 de julio de 2017. Acerca de la fugacidad como sostén de lo permanente. "LO INEFABLE ES LO INASIBLE" Con música de Gavin Bryars, Olivier Messiaen, y música antigua del cristianismo oriental (en la versión de Sarband).
The letter B leads us to the in-between and composers Antoine Beuger, Martin Bartlett, Gilius van Bergeijk, Olivia Block and Gavin Bryars in the second instalment of our experimental music alphabet! Array to Zed is a monthly podcast exploring experimental music by way of the alphabet. Hosts Martin Arnold, Artistic Director of ArrayMusic, and Georgia Carley chat about the ideas, procedures, composers and music that make up that nebulous beautiful thing we call “Experimental Music.” Music Credits: Antoine Beuger’s music is available at www.wandelweiser.de Pythagoras Ghost, a collection of Martin Bartlett’s music that includes the piece heard on this podcast is available through the Western Front at western-front.myshopify.com/products/pythagoras-ghost X-OR Records, the company that put out 2 volumes of Gilius van Bergeijk’s music, is sadly no longer in business. However their remaining stock, including both van Bergeijk volumes, seems to be still available at: powensemble.nl/x-or-records As Martin says, buy everything you can as fast as you can! More information about Olivia Block’s music can be found at www.oliviablock.net More information about Gavin Bryars’ music can be found at www.gavinbryars.com We also referenced Elizabeth Grosz’s Architecture from the Outside: Essays on Virtual and Real Space (MIT Press, 2001) https://mitpress.mit.edu/books/architecture-outside and NPR’s “Composer Olivia Block In Her Own Words” (January 7, 2016), www.npr.org/2016/01/07/462230441/composer-olivia-block-in-her-own-words
Nigel talks with Modern Composition legend Gavin Bryars about his rich musical history and much more - interspersed with tracks he pulled from the racks of Rough Trade East. See more here https://roughtrade.com/artist/gavin-bryars
Andy Hamilton is co-creator of Power Monkeys, a new Channel 4 comedy that responds to the daily events in the EU referendum campaign. He tells us about the last minute rewrites required on the day of broadcast and the challenge of re-creating the interior Donald Trump's plane.Two Terence Rattigan's plays have opened this week: The Deep Blue Sea starring Helen McCrory at the National Theatre in London, and Ross at the Chichester Festival Theatre with Joseph Fiennes. Henry Hitchings reviews both productions and the current Rattigan revival. Studio Ghibli, the legendary Japanese animation house behind Spirited Away and Howl's Moving Castle, has ceased in-house production. So is its latest film a fitting swansong? Marc Eccleston reviews When Marnie was There, an adaptation of a 1967 book by British author Joan G Robinson about a reclusive girl who discovers an otherworldly new friend. Poet Blake Morrison and composer Gavin Bryars tell us about their celebration of the train journey between Goole and Hull that will be entertaining passengers as part of the Yorkshire Festival. Presenter: Kirsty Lang Producer: Rachel Simpson.
Welcome to Live From Progzilla Towers Edition 129. In this Top Ten edition, we talked to Dave Sturt of Gong & Cipher an heard music by Cipher, Back Door, Carla Bley & Paul Haines, XTC, Jade Warrior, Gavin Bryars, Chris Wood, Gong, Daevid Allen, Steve Hillage, Bill Nelson, Zakir Hussain, Bill Frisell & Dave Sturt.
An exorcism of a year’s worth of ear worms. 24 tunes transmitted through the airwaves in order to free up some space in my audio cortex. Dave Van Ronk, R. Stevie Moore Yukio Yung, The Dells, Nat King Cole, Caetano Veloso, The Smiths, Deux, Omar, Gavin Bryars, Hailu Mergia and The Walias, The Beatles, Jorge Elbrose, Loose Joints, John Baker, Pusha T, Quelle Chris, Gilberto Gil, Daniel Wakeford, Nick Cave and the Bad Seeds, Lloyd Cole, Low, Eric Donaldson, Eden Ahbez, Olivier Messiaen. First broadcast on Radio Reverb 97.2FM in Brighton on 4th January 2015. A music only version without DJ links is available on www.currentlyoffair.com
Lucie Skeaping talks to members of the Hilliard Ensemble as they celebrate their 40th anniversary, and plays a selection of their many recordings. The Hilliard Ensemble established a reputation as an early music ensemble with a series of successful recordings in the 1980s, but it was when they began also to focus on new music that the world began to sit up and take notice. The 1988 recording of Arvo Pärt's "Passio" began a fruitful relationship with the Estonian composer, and the group has recently commissioned other composers from the Baltic States, including Veljo Tormis and Erkki-Sven Tüür, adding to a rich repertoire of new music from Gavin Bryars, Heinz Holliger, John Casken, James MacMillan, Elena Firsova and many others. The Hilliard Ensemble's popularity crossed musical boundaries when their collaboration with the Norwegian Saxophonist Jan Garbareck sent their ECM recording "Officium" soaring up both classical and pop charts in several countries. Equally at home with Perotin, Palestrina and Pärt, the four members of the Hilliard Ensemble describe some of the many musical experiences they have had in concert halls and recording studios around the world, and select some of their favourite tracks from their extensive CD catalogue.
Sara Mohr-Pietsch visits the Leicestershire home of Gavin Bryars, where he composes in a converted garage in his garden. Bryars talks about the interaction between his work and family life, how he finds the mental space he needs to write music, and the inspiration he draws into his studio from places around the world.
Gavin Bryars's mould-breaking 1971 score Jesus' Blood Never Failed Me Yet is a work which came about almost accidentally, when Bryars found a recording of an elderly homeless man singing lines from a Victorian hymn. Cultural historian Robert Hewison makes the case for why the work is important, and commentary comes from author and musician David Toop.
Programme de SALLY ANN McINTYRE pour webSYNradio : websynradio show avec des oeuvres et des sons de Janek Schaefer, Vito Acconci, John Cage, Erik Satie, Margaret Leng Tan, William S. Burroughs, Louise Lawler, Alvin Curran, Gavin Bryars, Laurie Anderson, Yoko Ono.
Playliste de Dinah Bird pour webSYNradio : Avec des oeuvres de Dinah Bird, Kenny Graham, Brion Gysin, Robert Ashley, Aeron Bergman, Morton Feldman, Gavin Bryars, Delia Derbyshire, Sun Ra, Janek Schaefer, Angus MacLise, Gregory Whitehead …...
Alex Wilson pays tribute to the sad passing of Trish Keenan, as well as gives an insight into the gems of Lubos Fisher, John Baker, Taylor Deupree and more...
I ran into the track "The Last Message" by John Murphy on a mix at A Strangely Isolated Place, and it got me thingking about doing another classical-ish mix. The Murphy track is in there, along with new tunes(Maya Beiser, Max Richter, Nils Frahm, etc) and old tunes(Steve Reich, Peter Gabriel, Gavin Bryars, etc). There's really not much more to say except that I hope you enjoy this collection of ambient, soundtrack, minimal & neo-classical tunes. T R A C K L I S T : 00:00 David Byrne - The Lodger 04:15 Maya Beiser - Memories 08:45 Max Richter - The Haunted Ocean 2 09:05 Nils Frahm & Anne Müller - Reminds to Teeth 13:15 Olan Mill - Country 16:30 John Murphy - The Last Message 18:00 Chihei Hatakeyama - Light Drizzle 20:30 Hummingbird - Starfish Seastar 22:30 Tarwater - Clock 23:30 Terry Riley - is in c in f (r. luke dubois remix) 25:30 Steve Reich - Music for Mallet Instruments, Voices & organ 34:50 Sufjan Stevens - Movement III - Linear Tableau With Intersecting Surprise 39:15 Max Richter - Infra 2 40:50 Kyle Bobby Dunn - The Tributary (for voices lost) 46:20 P Jorgensen - Palimpsest II 48:15 Gavin Bryars - Epilogue from Wonder Lawn 52:20 Peter Gabriel - The Nest that Sailed the Sky 54:55 end
Shock World Service 018 I'm Dreaming of a Quiet Christmas by Cian Ó'Ciobhain 25/12/2008 Galway, Ireland 1. Akira – White Xmas (Entropy Remix) 2. Virginia Astley – A Summer Long Since Passed 3. Ryuichi Sakamoto – Merry Christmas Mr. Lawrence 4. Takeo Toyoma – Bobbin 5. Sufjan Stevens – Star Of Wonder 6. Mogwai – Christmas Song 7. Mechanical Bride – Umbrella 8. Decoder Ring – Heidi's Theme 9. Gavin Bryars with Tom Waits – Jesus' Blood Never Failed Me Yet 10. The Caretaker – False Memory Syndrome 11. Tom Waits – Innocent When You Dream (78) 12. Donald Byrd – Cristo Redentor 13. Leslie Bricusse & Anthony Newley – Pure Imagination 14. The Carpenters – I Can Dream Can't I?
Celestial visions, from the Middle Ages to the present day, featuring music from Gavin Bryars, John Tavener, Meredith Monk and Jan Garbarek.
Celestial visions, from the Middle Ages to the present day, featuring music from Gavin Bryars, John Tavener, Meredith Monk and Jan Garbarek.
Sue Lawley's castaway this week is the experimental composer Gavin Bryars. One of his best-known works, The Sinking of the Titanic, pays tribute to the band which continued to play as the ship went down. It poses the question what if they hadn't stop playing; how would their music have sounded under water? His most popular composition, Jesus' Blood Never Failed Me Yet, features a tramp singing the same verse again and again, building up layer upon layer of emotion. Composing is a craft he learnt as an assistant to John Cage, after hearing his work Four minutes, thirty-three seconds - of silence. Today he is both established and establishment - the ENO are soon to stage his latest opera and if you look closely at the orchestra, you'll spot him on the bass![Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: My Foolish Heart by Bill Evans Trio Book: Science and Civilisation in China by Joseph Needham Luxury: Gravity chair
Sue Lawley's castaway this week is the experimental composer Gavin Bryars. One of his best-known works, The Sinking of the Titanic, pays tribute to the band which continued to play as the ship went down. It poses the question what if they hadn't stop playing; how would their music have sounded under water? His most popular composition, Jesus' Blood Never Failed Me Yet, features a tramp singing the same verse again and again, building up layer upon layer of emotion. Composing is a craft he learnt as an assistant to John Cage, after hearing his work Four minutes, thirty-three seconds - of silence. Today he is both established and establishment - the ENO are soon to stage his latest opera and if you look closely at the orchestra, you'll spot him on the bass! [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: My Foolish Heart by Bill Evans Trio Book: Science and Civilisation in China by Joseph Needham Luxury: Gravity chair
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