Podcasts about string quintet no

Donald Macleod explores the life and music of Charles Villiers Stanford. With Jeremy DibbleMarking the centenary of his death, Composer of the Week explores the remarkable life and music of Sir Charles Villiers Stanford. Stanford was one of the leading musicians of his generation and, along with Parry and Mackenzie, he was one of the main protagonists in Britain's musical renaissance at the end of the 19th century. Born in Dublin, Stanford rose to the very top of the British music scene, as both a conductor and composer. He also maintained strong links to Germany, following his studies in Leipzig and Berlin. Stanford's works were popular in Europe, as well as Britain, with conductors such as Hans Richter promoting his music. Today, Stanford is largely remembered for his sacred works, however his prolific output covers most genres and he had a particular passion for opera. He was an influential teacher at the Royal College of Music and Cambridge University; many future musical luminaries passed through his classes, including Gustav Holst, Ralph Vaughan Williams, Rebecca Clarke and Samuel Coleridge-Taylor. Stanford was a tremendous force for good in British music, and in honour of his contribution to British culture, his ashes are interred in Westminster Abbey close to the remains of Henry Purcell. This week, Donald Macleod is joined by Stanford biographer, Jeremy Dibble to explore Stanford life and music.Music Featured:The Bluebird, Op 119 No 3 (excerpt) Three Intermezzi, Op 13 No 1 (Allegretto scherzando) The Resurrection, Op 5 Symphony No 1 (Scherzo) The Veiled Prophet (Act 2 Love Duet) Service in B flat major, Op 10 (Magnificat) Symphony No 2 ‘Elegiac' (Lento espressivo) To the Rose, Op 19 No 3 Piano Trio No 1, Op 35 (Allegretto con moto) Elegiac Ode, Op 21 (The night, in silence, under many a star) The Lord is my Shepherd Symphony No 3, Op 28 “Irish” (Allegro molto Vivace) Piano Quintet in D minor, Op 25 (Allegro risoluto) A Child's Garland of Songs, Op 30 No 9 (My ship and me) The Clown's Song from Twelfth Night', Op 65 No 3 Six Irish Fantasies, Op 54 No 3 (Jig) Symphony No 5, Op 56 ‘L'Allegro ed il Pensieroso' (Andante molto tranquillo) Shamus O'Brien, Op 61 (Act 2 Captain Trevor's Song) Requiem, Op 63 (Agnus Dei et Lux aeterna) Te Deum, Op 66 (Judex crederis) Ten Dances, Old and New, Op 58 No 1 (Valse) Songs of the Sea, Op 91 No 3 (Devon, O Devon, in wind and rain) Magnificat in G, Op 81 String Quartet No 4 in G minor, Op 99 (Allegro molto vivace) Stabat Mater, Op 96 (Virgo virginum praeclara) String Quintet No 2 in C minor, Op 86 (Andante) A Song of Hope, Op 113 No 3 Six Songs from ‘The Glens of Antrim', Op 174 No 2 (The sailor man) String Quartet No 7 in C minor, Op 166 (Allegro molto) Irish Rhapsody No 4, Op 141 (The Fisherman of Loch Neagh and What he Saw) An Irish Idyll in Six Miniatures, Op 77 No 2 (The Fairy Lough) Mass Via Victrix, Op 173 (Agnus Dei) How beauteous are their feetPresented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Charles Villiers Stanford (1852-1924) https://www.bbc.co.uk/programmes/m001xdr0And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Roger Parker chooses his favourite recording of Mozart's String Quintet No.3 in C

Sergei Taneyev - String Quintet No. 2: 3rd movementJames Buswell, violaCarpe Diem String QuartetMore info about today's track: Naxos 8.573671Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Unable to let go of the chance to a shortcut to his fortune, Pinocchio again falls into the hands of the Fox and the Cat , and is trapped like a polecat. Theme music: Aleksandr Winkler, String Quintet, Op. 11 (for 2 violins, 2 violas, and cello) - III. Andante semplice. Licensed under Creative Commons via Musopen (www.musopen.org), a 501(c)(3) non-profit focused on improving access and exposure to music by creating free resources and educational materials. Licensed under CC BY 2.0. Intermission: Antonin Dvorak, String Quintet No. 3, Op. 97 - III. Larghetto

Natasha Loges compares recordings of Brahms's String Quintet No 1 in F major, Op 88, and chooses her favourite. Brahms composed his String Quintet No 1 in F major in 1882 during a summer sojourn in the Austrian Spa town of Bad Ischl. Like the Mozart string quintets, it is written for two violins, two violas and one cello and Brahms intimated to his friend Clara Schumann that it is one of his finest works. To his publisher, Simrock, he said 'that you have never before had such a beautiful work from me'. The Quintet comprises three movements: a glowing Allegro non troppo ma con brio and an exuberant fugal finale bookend an expansive and passionate slow movement.

Het Dudok Quartet Amsterdam heeft een nieuwe dubbel-cd ‘Brahms: The String Quartets, String Quintet No 2'. Het kwintet spelen ze samen met de Finse altvioliste Lille Maijala. Met de CD laat het strijkkwartet haar eigentijdse kijk op de kamermuziek van de Duitse componist horen.  Presentatie: Frénk van der Linden

Mendelssohn, String Quintet No. 2 in Bb major, Op. 87 Federico Agostini, Ruth Lenz, Bruno Giuranna, Daniel Palmizio, Christine Lee Popper, Requiem in F# minor for Three Cellos and Piano, Op. 66 Christine Lee, Erica Piccotti, Antonio Meneses, Derek Han Rachmaninoff, Trio Elegiaque No. 2 in D minor, Op. 9 Claudio Cruz, Antonio Meneses, Derek Han Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1175/La_Musica_53%2F66.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

October 24 2018 Baked and Awake 57 Hunter's Moon Halloween Special   Intro and Disclaimer:  Baked and Awake is a show about Cannabis that is recorded in a legal region. You will encounter the use of cannabis as a member of the audience. Fortunately there is no second hand smoke. All content is presented by a responsible adult, and listeners should be the same. Take responsibility for your own actions, be safe and more importantly, smart- when listening to this podcast.     Strain of The Week: AC/DC By Gold Line Concentrates, scooped at Have a Heart in Skyway WA, because it was beautiful and inexpensive, and we should all be dabbling (and dabbing on!) some high CBD strains.   NOTE: Next episode we will pick up where we left off on the Saga of Jesus, with an exploration of Joseph Atwill’s “Caesar’s Messiah” and a theory that  Jesus of Nazareth was a creation of the Roman State.   As scary as that notion is to some folks, and we’re not here to judge- This week, in celebration of the spookiest time of year, I thought we would change things up, and have a bit of good old fashioned storytime. For that true, vintage, horror vibe, we are reaching deep into the stacks of dusty old stories, to an era when a person could pen a 3800 word poem, and amidst its circumlocutions, enounce a tale of woe to last the ages. A story destined to become a legend, woven into the very fabric of reality in the form of memorable lines that live on as permanent memes of the english language, for who among us old enough to grow (wanted or unwanted) whiskers on our bodies does not know and has not wittily quipped once upon a thirsty but rainy hike, boat ride, etc- “Water water everywhere, and not a drop to drink!”, probably to the hearty groans and eye rolls of any companions. Or, perhaps just as well known, yet equally obscure to most in its origins, the universal oath of a lamented but inescapable burden, or blame to be borne- “It’s an albatross around their neck”. These classic zingers and more are to be discovered today, as The Baked and Awake Show presents to you, faithful listener, Samuel Taylor Coleridge’s “The Rime of the Ancyent Marinere”   A few points of interest about the author before diving in, that we may better appreciate them.   Samuel Taylor Coleridge was born on October 21, 1772, almost 246 years ago to the day of this recording.  Happy Birthday, Mister Coleridge, may you rest in peace. Coleridge was British by birth, and had a fascination with and a desire to create and live in a reformed, communal lifestyle in the “New World”, whereby people would live under “Equal Governance by All” or a Pantisocracy, which took its inspiration from Coleridge’s affinity for Plato’s Republic. Coleridge never realized this dream, as his co-creators of the vision for the Pantisocracy eventually matured, and took their rightful places amongst the elite of British Society. Coleridge was well known to have had financial troubles all his life, living a lifestyle of an affluent Creative mostly at the expense of his family and friends. In other words, he was your typical starving artist in his time, though somewhat respected nonetheless, due to his obvious brilliance and prolific bibliography. Coleridge was close friends with and strongly influenced by the well known author William Wordsworth, under whose’ sphere of influence Coleridge’s writing style evolved from exuberant and light hearted, to the compelling voice that would eventually cement his place amongst the leaders of the European Romantic movement of his era.   Amongst his many works of poetry and fiction, Coleridge also penned a ten issue Progressive Political Journal in 1796 called “The Watchmen”. This of course reminds me of my recent episode where we discussed Conspiracy and Occult Disclosure in Comic Books and Movies,  available in the podcast RSS feed, and with an accompanying video presentation on my YouTube channel, where we mentioned The famous Comic Book from the 80’s of nearly the same name. A bit sadly for me, we come to know that Coleridge struggled with Opium addiction for his entire adult life, and though he sought treatment for it a number of times, he never was able to kick the habit.  One wonders if he had only had access to as much Cannabis hashish as Opium, perhaps he might have been able to free himself of the need for that powerful and somewhat consumptive (of its user) narcotic. It doesn’t take much imagination on the part of worldly readers of The Rime, to see the influence of Coleridge’s struggles with the drug within the lines of the poem, rich with language and symbolism of the classic tropes of sin and the consequences of our actions, judgement from on high of an omnipotent God, but also Karma, and the simple forgiveness of our fellow Man for what evils we have done. Finally, one more interesting work by Coleridge, for those of you for whom this episode sparks some interest in learning more about the man who gave us such a legendary story as The Rime- an unfinished but illuminating (as illuminating about the author itself, as in its inherent wisdom) essay entitled “Hints towards the formation of a more comprehensive theory of life”, written later in the artist’s life and not published until 1848, a full fourteen years after his death on July 25th 1834. In addition to my reading of the story in full, I am including both a link to, and a downloadable mp3 of, a radio adaptation of The Rime, performed on an older radio show called The Hermit’s Cave and presented by a troupe called The Weird Circle that was a lot of fun to listen to.  I invite you all to listen to that version of the story as well, and decide for yourselves if the original work is superior, or is the interpretation of a modern Playwright perhaps more digestible to our ears today, for as you will soon hear, the language and poetry of Coleridge’s time was quite distinct from the present.. Steve’s Introduction: We join the tale of the Ancient Mariner with a young man, innocent of the accosting he is about to be subjected to- standing outside a wedding celebration, of which he is a close relative of the Groom himself. Our guest, taking in the evening air and dare we speculate, perhaps packing his pipe bowl- He prepares to enjoy a moment of quiet before joining the festivities in earnest.  Alas, the Celebrant’s reverie is soon interrupted by an approaching stranger, the wizened figure of an old, old, Man of the Seas.. PART ONEIt is an ancient Mariner,And he stoppeth one of three.'By thy long grey beard and glittering eye,Now wherefore stopp'st thou me?The Bridegroom's doors are opened wide,And I am next of kin;The guests are met, the feast is set:May'st hear the merry din.'He holds him with his skinny hand,'There was a ship,' quoth he.'Hold off! unhand me, grey-beard loon!'Eftsoons his hand dropt he.He holds him with his glittering eye--The Wedding-Guest stood still,And listens like a three years' child:The Mariner hath his will... SC… I hope you’ve enjoyed this reading of the Rime of the Ancient Mariner, a wonderful work of horror AND poetry that I hope is new to more than a few of you, as I believe it certainly deserves its place in the annals of the greatest stories ever told. One can’t help but notice, when reading these words from two centuries ago, that at the time, the written and especially the printed word represented what 4K HD TV’s do to us today- the absolute zenith of entertainment and educational technology!  Coleridge clearly crafts the words on the page in numerous places not simply to rhyme, but to make the reader smile, almost chuckle in the midst of the dismal events of the doomed mariner’s adventure, because of the at times hilarious visual gag on paper between two words. It’s completely lost in the spoken performance, and for that I sincerely apologize. One last observation that came to me unbidden, but which inspired a quick web search investigation that quickly revealed that indeed, this question has been asked and answered- but nonetheless I pose this to you, dear listener:   Was The Ancient Mariner who accosted the Wedding Guest a Zombie?  The answer is in today’s show notes, in the form of an insightful essay discovered at Wordsworth.org by  Rebekah Owens.   Alright returning friends and first time listeners, you have my thanks as always for joining me for another show.  You can find links to all the sources cited in the show notes, along with links to references for additional reading, and the radio adaptation of The Rime of The Ancient Mariner by The Weird Circle. As always, music for the podcast is generously provided by Antti Loude and various artists from the freemusicarchive.org. All artists and contributors receive detailed attribution in the show notes.   Producing the Baked and Awake podcast is like doing a book report every week or so and presenting them to the class.  If you love book reports but don’t have time to do them yourself, one awesome way to have the report you need worked on by Yours Truly is to support the show as a member of our Patreon community. Find me there and join the small but growing group of wonderful humans who, for as little as $1 per month are helping shape the future of the Baked and Awake Podcast! The address for the Patreon page is https://www.patreon.com/bakedandawakeshow, which as I verify this link and read it aloud into the mic, I realize I have been telling people WRONG pretty much the WHOLE TIME. Y’all be good now, have a super Spooky but not too scary Halloween, and remember to smoke some indica, and trick or treat anyway..   MUSIC USED WITH PERMISSION AND GRATITUDE Intro Dab Session Music generously provided by Antti Luode, as posted to reddit:   https://www.reddit.com/r/gamedev/comments/6y699a/i_have_released_my_1363_songs_free_under_creative/ Selections from WITCHY, BATTY, SPOOKY, HALLOWEEN IN SEPTEMBER !! by Loyalty Freak Music is licensed under a CC0 1.0 Universal License, and can be found at the freemusicarchive.org   Selections from Pondering Waltzes by Dee Yan-Key is licensed under a Attribution-NonCommercial-ShareAlike License, and can be found at the freemusicarchive.org   String Quintet No. 10 "Solemn" by Dee Yan-Key is licensed under a Attribution-NonCommercial-ShareAlike License, and can be found at the freemusicarchive.org.   How The Night Came //

Episode Notes Memories are tricky things. Isn't it odd how the terrible ones repeat over, and over, and over? Why can't the enjoyable memories provide more comfort? When the nightmares fade it is easier to fall to routine for the Good Doctor. However, even in routine his past haunts him. It is just another morning for Felix.Written by Moose, story edited by Spencer S.All Music was found on Free Music Archive.Dee Yan-Key, "String Quintet No 3, II: Grave." String Quintets No. 2&3, 2017.Advent Chamber Orchestra, "Dvorak - Serenade for Strings Op22 in E Major larghetto." Selections from the November 2006 Concert, 2012.Give Moose some love and follow him on Twitter and Instagram @Mooseyfaux. You can follow us on Facebook, Instagram, and Twitter at Soulstorypod. Check out our website www.soulstorypod.com! Have a question for us? Email us at soulstorypod@gmail.com .This podcast is powered by Pinecast.

Preview of April 12, 2018 concert at the Sarasota Opera House Program II Thursday, April 12, 2018 8:00 p.m. Sarasota Opera House Mendelssohn, String Quintet No. 2 in Bb major, Op. 87 Federico Agostini, Ruth Lenz, Bruno Giuranna, Daniel Palmizio, Christine Lee Popper, Requiem in F# minor for Three Cellos and Piano, Op. 66 Christine Lee, Erica Piccotti, Antonio Meneses, Derek Han Rachmaninoff, Trio Elegiaque No. 2 in D minor, Op. 9 Claudio Cruz, Antonio Meneses, Derek Han Purchase tickets at: https://www.lamusicafestival.org/festival/online-orders

Sonja Myklebust, Corentin Pokorny, Emmeran Pokorny, and Emily Cho play this lovely String Quintet by Max Bruch. Performed at Daniels Recital Hall in Seattle. Episode 318.This clip is part of a full episode that will air on Seatte Community Media in Seattle at 6:30 pm Thursday, and 3:30 pm on Saturday (Comcast channel 77 or Broadstripe channel 23). You can view it on the above channels, or online at www.seattlecommunitymedia.org.It also airs throughout New York State on Time Warner Cable, and in several other States and Cities - including New York and New York City, Atlanta, Dallas, Denver and Baltimore, on the Cable Access channel.

Works for voice and piano performed by Jennifer Johnson Cano, mezzo-soprano, and Christopher Cano, pianist and string quintet performed by Borromeo String Quartet with Nathaniel Martin, bass.Dvořák: Gypsy Songs, Op. 55Dvořák: String Quintet No. 2 in G Major, Op. 77For our 185th podcast program, we’ll hear from Antonin Dvořák, focusing on two of his chamber works.We begin with Dvořák’s Gypsy Songs, opus 55. The cycle of seven songs is based on Czech poetry by Adolf Heyduk about the lives of Slovakian gypsies. But Dvořák chose to premiere and publish the songs in a German translation of the original text. The cycle was fairly successful; in particular, the song at the heart of the cycle—the fourth of seven—has become one of his best-known, usually translated in English as “Songs My Mother Taught Me.” Throughout, the songs are both lyrical and spirited, combining the flavor of gypsy music with the sophistication of Western art song.After the songs, we’ll turn to Dvořák’s second string quintet, opus 77. Written in 1874, the string quintet is among Dvořák’s earliest mature works. At the time of its composition, he had been working in relative anonymity in Prague. The music itself, though, reveals a composer already in possession of a unique and self-assured voice, with a gift for melody and a wonderful knack for writing spirited, dance-infused passages.

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

Sue Lawley's castaway is psychiatrist Anthony Storr. Favourite track: String Quintet No 3 in G Minor by Wolfgang Amadeus Mozart Book: A La Recherche Du Temps Perdu by Marcel Proust Luxury: Piano

Sue Lawley's castaway is psychiatrist Anthony Storr.Favourite track: String Quintet No 3 in G Minor by Wolfgang Amadeus Mozart Book: A La Recherche Du Temps Perdu by Marcel Proust Luxury: Piano

The castaway in this week's Desert Island Discs is the General Director of the South Bank, Nicholas Snowman. Very much a man of the arts, and a determined apostle of all things new, he founded the University Opera Society when he was at Cambridge and the London Sinfonietta when he left. He then moved to Paris, where he was appointed Artistic Director of the Pompidou Centre. His latest post at the South Bank has attracted considerable controversy, with one critic describing his concert programme as "seriously unattractive". He'll be discussing his vision of the South Bank's musical future with Sue Lawley and talking about his achievement of establishing, for the first time, a resident orchestra in Britain's largest arts centre. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: String Quintet No 4 In G Minor by Wolfgang Amadeus Mozart Book: Smiley's People by John Le Carre Luxury: Coffee machine

The castaway in this week's Desert Island Discs is the General Director of the South Bank, Nicholas Snowman. Very much a man of the arts, and a determined apostle of all things new, he founded the University Opera Society when he was at Cambridge and the London Sinfonietta when he left. He then moved to Paris, where he was appointed Artistic Director of the Pompidou Centre.His latest post at the South Bank has attracted considerable controversy, with one critic describing his concert programme as "seriously unattractive". He'll be discussing his vision of the South Bank's musical future with Sue Lawley and talking about his achievement of establishing, for the first time, a resident orchestra in Britain's largest arts centre.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: String Quintet No 4 In G Minor by Wolfgang Amadeus Mozart Book: Smiley's People by John Le Carre Luxury: Coffee machine

Roy Plomley's castaway is clarinettist Jack Brymer. Favourite track: String Quintet No. 3 in G Minor by Wolfgang Amadeus Mozart Book: The collected works by Charles Dickens Luxury: Piano

Roy Plomley's castaway is clarinettist Jack Brymer.Favourite track: String Quintet No. 3 in G Minor by Wolfgang Amadeus Mozart Book: The collected works by Charles Dickens Luxury: Piano