Podcasts about Samuel Taylor Coleridge

How do imagination, poetry, and fantasy literature like of J.R.R. Tolkien and C.S. Lewis help us deepen our faith in Christ?   Sarah sits down with esteemed poet Malcolm Guite in this special Wild Card episode (recorded on location at the Getty Sing! Conference) for a conversation full of delightful storytelling, brilliant insight into the Christian faith, and encouragement to lean into the imagination God has given each of us.   “What they [Tolkien and Lewis] meant was that the human mind and the depth of the imagination, especially the imagination, knows more than we do. There's a deeper wisdom. And that story knows more than we do, that a great story, a story which is working at the level of myth. Mythopoeic is actually older and wiser than we are, and even the author writing the story doesn't know everything that's in it. And a really great story is continuously suggesting more.”  Malcolm Guite is a poet, musician, Anglican priest, and literary scholar who has taught at universities including Cambridge, Duke, and Regent. He's penned five volumes of poetry, several books on Christian faith and theology, and a highly acclaimed biography of Samuel Taylor Coleridge entitled Mariner. He has lectured widely on the fantasy writings of J.R.R. Tolkien and C.S. Lewis and is currently undertaking his own epic retelling of the legends of King Arthur.  Find his writing wherever books are sold and view his YouTube channel at youtube.com/@MalcolmGuitespell.  Connect with the Lutheran Ladies on social media in The Lutheran Ladies' Lounge Facebook discussion group (facebook.com/groups/LutheranLadiesLounge) and on Instagram @lutheranladieslounge. Follow Sarah (@hymnnerd), Rachel (@rachbomberger), and Erin (@erinaltered) on Instagram! Sign up for the Lutheran Ladies' Lounge monthly e-newsletter here, and email the Ladies at lutheranladies@kfuo.org.

Lords: * Mitch * Kory Topics: * The Nintendo 64DD * Wristwatch repair videos * How to switch to Linux?? * Kubla Khan by Samuel Taylor Coleridge * https://www.poetryfoundation.org/poems/43991/kubla-khan * The ICZN's recommended method of determining the Latin grammatical gender of a word that isn't Latin Microtopics: * Being a fledgling your whole life. * Mitch from the Super Mario Wiki. * The episode of Topic Lords where we specifically didn't discuss what's happening in Washington DC. * A show with nobody on it discussing nothing. * Putting money in the jukebox to have three minutes of peace and quiet. * A noise cancellation podcast that guesses what noise you'll probably be surrounded by when you listen. * The least notable of Nintendo's major failures. * What if we added a floppy disk reader to compete with the Playstation? * In retrospect, it sounds like a bad idea, but at the time, it also sounded like a bad idea. * Paying $100 for a plastic replica of a Virtual Boy to play Virtual Boy games on your Switch. * The rich tapestry of homebrew games for the Virtual Boy. * Why isn't the Nintendo 64DD in Super Smash Bros. Brawl? * Animal Crossing for the Nintendo 64DD. * People writing very politely worded letters to Nintendo and getting Mother 3 released. * Playing with the 3D sculpture mini game on the title screen of Donkey Kong Bananza and thinking "I bet I could do something cool with this if I was an artist" * Mario Artist Polygon Studio. * Wario Ware as a spinoff of the Mario Paint series. * Family BASIC for the Famicom Disk System. * The Tonkachi Editor. * Mario 64 2 for the Game Boy Advance. * Vegging out by binging wristwatch repair videos. * Jewels on the movement that you ambiently know of. * Using a ruby or sapphire as a bearing for a mechanical device. * Synthetic corundum. * Why the little work is going back and forth. * Solving a very particular problem at a very micro scale. * Transistor radios advertising how many transistors are in there. * The World's First 128-Bit Web Site! * What 1990s video game enthusiasts knew about numbers of bits. * 1.21 Gigaflops! * The sad state of Nintendo 64 emulation. * Nintendo Classics – Nintendo Switch Online. * Migrating all the executables you use to the inside of virtual machines running Windows XP. * Winboat. * Linux distributions with as much or as little configuration as you want * How they made Linux good. * The year of Linux on the Desktop. * Attaching an IR transceiver to the GPIO pins. * Setting the oven via PHP script. * Getting an ancient Thinkpad to install Linux on. * The red nub in the middle of the keyboard. * Whether there's any possible way this $50 Thinkpad doesn't run Pico-8. * A stately pleasure dome decreed. * Women wailing for their demon lovers. * Five miles meandering with a mazy motion. * Samuel Taylor Coleridge: a native speaker of early modern English, or he's Just Like That? * A poem that starts with a real Rubik's Cube of a sentence. * How Adam Saltzman does it. * Procrastinating game development by installing Linux on everything. * The Zoologist with naming dibs. * Finally getting to name a beetle and choosing to name it a word borrowed from Serbo-Croatian just to piss people off. * The ICZN's stance on Serbo-Croatian.

Episode 86 Recalling Brigid by Orna Ross Orna Ross reads ‘Recalling Brigid' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/86_Recalling_Brigid_by_Orna_Ross.mp3 This poem is from: Poet Town: The Poetry of Hastings & Thereabouts edited by Richard Newham Sullivan Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Interview transcript Mark: Orna, where did this poem come from? Orna: Hi Mark. Yeah, so it's one of a collection that I'm working on, around Irish women from history and myth. And these are women that I grew up with, as a young person, receiving a sort of a typical Irish education, if you like. Orna: And so some of them are saints, some of them are mythological people. Well, saints are also mythological people! Some of them are historical figures who've been mythologized. And I just wanted to go back in and do my own exploration of each of these women because everybody else had. So I've been gathering these poems over a long time, but it actually started with this one. It started with Brigid. And Brigid is a figure from ancient Irish mythology. And she was Christianized into a Roman Catholic saint. She is the patron saint of Ireland. One of. You've probably heard of the other one. Patrick. You probably haven't heard of this one: Brigid. And, so many things have been projected on her. And it's interesting to read what, what survives of what is written about her because what's written earlier on in time is quite different to what's written later on. And she continues to be an inspiration. Her feast day is the first day of spring in Ireland, which in Ireland is the first day of February. It's much earlier than it is in England. And she's just an interesting, personification of the female virtues as they've been perceived over time. Mark: So you said she was written about differently in earlier times to more recent times, which I think is pertinent to how you're exploring that in the poem. So maybe you could just give us a brief summary of that. Orna: Yes. So I, the poem refers to ‘the takeover'. And by that, I kind of mean the Christian, but hand in hand with Christian goes the patriarchal, takeover of old images of women in general. And Brigid is part of that. So earlier, renditions about her tend to focus on her as a healer, as a wise woman, as a very compassionate person, ‘ale to lepers' is one of the, images in the poem. Whereas later versions tend to emphasize her holiness and her saintliness and, her goodness and I suppose what we would typically think is a good, religious, icon. So it's interesting just to read how that changes and differs as we go. And she also then had her detractors, which is where we get to the ideas, about women generally that are in the poem – the consort, mother, victim, whore, those kinds of ideas. You see them brushing against Brigid over time, but she comes through intact actually, as a woman in her own right. And these don't tend to stick to her as they have stuck to others. Mark: And sometimes when poets use mythological figures like this, there's a kind of a critique of, ‘Well, that's a little bit old fashioned, it's poetry with a capital P'. But reading this and listening to you, it kind of really underlines to me that mythology and religion are really quite present in Ireland. Orna: Oh, gosh, yes! The past is very present in Ireland still, in lots of ways. And. It's interesting. I suppose it's something to do with being a small island on the very edge of, in inverted commas, civilization. Although the Irish like to think they civilized Europe during the dark ages by sending our saints and our scholarship, our images of people like Brigid, the truth is that old ways lingered on a long time, and particularly the part of Ireland where I grew up. So, I grew up in County Wexford down in the small bottom right-hand corner, the very southeast tip of Ireland. Around it, there is a river and a small hill that kind of cuts that area off. And around County Wexford in general, there are larger hills and a big river that cuts Wexford off. So they tended to travel by sea more than road, people from that part of the world. And it was the first part of Ireland to be conquered the Norman conquest and, Old English lingered there right up until, well, there are still words that are used in Wexford that aren't used elsewhere. Carols and songs as well. So other parts of Ireland and, obviously England, had moved on, it but kind of got stuck there. So I'm just kind of pointing up the fact that yes, things stayed, passed on in an oral kind of culture and an oral tradition. And hedge schools and such like, long after such things had faded away in other parts of Europe. Mark: And you say Old English rather than Irish was lingering? Orna: That's right. And, because they had, well, the Normans came to England first Hastings, actually where I live now. One of the reasons I'm here, I think is that I felt a lot of similarities between here and Wexford and I think the Norman invasion in both places, it was part of that. So yeah, a hundred years after the Normans landed in Hastings, they were brought over to Wexford by an Irish chieftain to help him win one of his battles with another Irish chieftain. So English came with the Normans to Ireland. Mark: Right. And this is another amazing thing about Ireland, is the kind of the different layers, like archaeological layers of language. You've got Irish, you've got Old English, you've got Norman French, you've got Latin from the church, you've got Norse from the Vikings and so on. It's incredibly rich. Orna: Yes. More diverse, I think. And again, because of its cut off nature, these things lasted longer, I think, because that's also true of England, but the overlay is stronger and so they don't make their way through. Mark: Right, right. And the ghosts can peep through. So, okay, that's the historical cultural context. What does Brigid mean to you and why did you choose her as the first figure in this sequence? Orna: She chose me, I think. I very much feel this poem, you know, some poems are made and some arrive and this one arrived. I wanted to do something to celebrate her. That was all I knew because it was the first day of spring, which I always loved, that first day of February. You know, when winter is really beginning to bite and you feel, I mean, there is no sign of spring except some crocuses maybe peeking up and, uh, a few spring flowers making a little promise. But usually the weather is awful, but it's the first day of spring and it's, been a really important day for me from that point of view. And then the fact that it does, you know, the fact that Patrick is such a great big deal everywhere and Brigid isn't known at all. So that's kind of where I started and I just knew I'd like to write a poem. And then it was one of those ones that I, if I had set out to write a poem about Brigid, I don't think this is what I would have written. It just arrived. And I found that I was thinking about lots of things and as the first poem of this sequence, I wanted to say some of the things about womanhood in the poem, and I, well, I realised I did, because that's what emerged. So for me, it's very much about that kind of quiet aspect of, so, you know, we've got feminism, which talks very much about women's rights to do whatever it is they want to do in the outer world. But for me, she, in this poem, represents the inner, the quiet virtues, if you like, always there for us. We're not always there for them, but they're always there and active in our lives all the time, and I wanted to celebrate that in the poem. So that's what, you know, I got, the rough draft just came pouring out, and that's what I found myself wanting to bring out. Mark: And the title, ‘Recalling Brigid', you know, I was thinking about that word ‘recalling', because it could mean ‘remembering', but it could also mean ‘calling' or ‘summoning'. Orna: Yes, deliberately chosen for both of those meanings, yes, very well spotted there, poetry reader. Mark: Well, you know, this is a very ancient function of poetry, isn't it? And it's where it kind of shades into charm or spells, to summon, or invoke a spirit or some kind of otherworldly creature or being. Orna: Absolutely. I think you've got the heart of what the poem is trying to do there. It is about calling forth, something, as I say, that's there, that we're all, you know, is there for all of us in our lives, but that we're not always aware of it. And our culture actively stifles it, and makes it seem like it's less important than it is. And so, yes, very much exactly all the words, the beautiful words you've just used there. I was hoping this poem would tap into that. Mark: Very much. And, you know, the beginning, ‘Queen of Queens, they called her'. So presumably this is in the old pre-Christian days, ‘they called her'. So there's that word ‘calling' again, and you give us the kind of the gloss, ‘in the old books, the Irish Mary'. And then you introduce the takeover: ‘such was the sort of woman / preferred as the takeover was made:' And then you get the other version. And then you've got: ‘Brigid said nothing to any of this,' which I think is really wonderful that she keeps – so you've gone from ‘they' in the past, ‘what they called her'. And then Brigid keeping her own counsel about this. She said nothing to any of this, ‘the reverence, or the upbraidings'. And then we get you where you say, ‘I am not as womanly / a woman as she. / So I say: let us see. / Let us say how she is the one. // It is she who conceives, and she who does bear.' Lovely, beautiful repetitions and shifts in there. So you really, you step forward into the poem at that point. Orna: I really wanted to, to place myself in relation to, to her and to all the women in this collection. Which isn't out yet, by the way, it's not finished. So I've got another three to go. No, I really wanted to place myself in relation to the women in the poems. That was an important part of the project for me. And I do that, you know, lots of different ways. But this poem, the first one is very much about, I suppose, calling out, you know, the ‘recalling' that you were talking about there a few moments ago, calling out the qualities. That we tend to overlook and that are attributed to Brigid as a womanly woman. And so, yeah, that's, that's what I was saying. I'm more of a feminist woman who is regarded by some as less womanly. so there is a, that's an interesting debate for me. That's a very interesting, particularly now at this time, I think, it's very interesting to talk about, you know, what is a feminist and what is feminism. And I personally believe in feminisms, lots of different, you know, it's multiple sort of thing. But these poems are born of a, you know, a feminist poet's sensibility without a doubt. So in this first one, I just wanted to call out, you know, the womanly virtues, if you like. Mark: Yeah. So I get a sense of you kind of starting as a tuning fork for different ideas and voices, calling her different things. And then you shift into, ‘Let us see. / Let us say…' I love the description earlier on where you said it's a celebration because by the end of the poem, it really is. It's all her attributes, isn't it? ‘It is she who conceives / and she who does bear.' And so on. Again, how easy was it for you to let go and, and, and step into that? Because it's kind of a thing that it's a little bit, it's not what we associate with modern poetry, is it? Orna: No, not at all. Not at all. But I had to ages ago, give up on modern poetry. If I wanted to write poetry, I had to drop so much, so much that I learned, you know, English Lit. was my original degree. And, you know, I, I was in love with poetry from a very young age. So, I learned everything I could about everything. And then I had to drop it all because I didn't write, I didn't write any poems between the end of my teens and my early forties when I lost a very dear friend. And then when I went on, shortly afterwards to, develop breast cancer. So those two things together unlocked the poetry gates and poems came again. And the kind of poems that came, very often were not, poems that they're not fashionable in that sense. You know, they're not what poetry tends to be. And from that point, in our time, if you like, some are, some, some do come that way, but an awful lot don't. And, for that reason, I'm just so entirely delighted to be able to self-publish because they speak to readers and say they communicate. And to me, that's what matters. And I don't have to worry about being accepted by a poetry establishment at all. I don't spend any time whatsoever thinking about that. I work at the craft, but I, it's for myself and for the poem and for the reader, but not to please anybody that, you know, would be a gatekeeper of any kind. Mark: Well, some listeners will know this – you are very much known as a champion of opportunity and diversity in publishing for writers and self-publishing, independent publishing, however you call it. But I think what I'd like to focus on here is the fact that, you know, by writing a poem like this, you highlight the conventions that we have in modern poetry. And it's easy to see the conventions of the past, but maybe not so much the ones in the present. And I love the fact that you've just sidestepped that or ignored that and written the poem that came to you. Orna: Yes. Yes, very much did and do. And like I said, I don't spend, I did at one time spend time thinking about this, but I spend absolutely no time now thinking about this at all. Mark: That's so refreshing to hear! [Laughter] Orna: No, it's, it's great. It's certainly a liberation. I think very much about the poem and what the poem needs and wants from me. And I make mistakes. I, you know, I don't do well on some poems. I go back, rewrite, sometimes years later, sometimes after they're published. so yeah. It's not that I don't think about form or structure or, you know, all of the things that poets think about but I only think about the master, you know, is the poem itself or the reader possibly or the communication between the bridge between me and the reader, something like that. But yeah, it's liberating for sure. Mark: And how did that play out in this poem? I mean, how close is this to the original draft that came to you? Orna: It's one of the poems that's closest to the original. It kind of arrived and I didn't want to play with it too much at all. So yeah, it, I just left it be. I let it be what I wanted to be because for me there are echoes in this poem as well of Old Irish poetry and ways of writing. you know, that if you, I don't know if you've ever had the pleasure of reading Old Irish poetry in translation? Mark: Yes. Orna: So, you know, that sense of I'm reading something from a completely different mind. It's, it isn't just that the, you know, the structures are different or whatever. It's like the whole mind and sensibility is something else. And that was one of the things I wanted to slightly have to retain in this poem. You know, I felt that it, it carries some of that forward and I wanted to, to leave it there as an echo. Mark: Yeah. Quite a lot of those Old Irish poems have a kind of a litany, a list of attributes of the poet or their beloved or the divine being that they're evoking. And that comes across very strongly here. Orna: Yeah, definitely. That's sort of a list of, which to the modern ear can sound obvious and, you know, just not poetry really. So yeah, I think that's one of the qualities that it carries. Mark: And I love the kind of the incantatory repetitive thing. Like I was saying about the, ‘So I say: let us see. / Let us say', and then ‘It is she… It is she… she who', you know, it just carries you along. It's got a hypnotic quality to it. Orna: Yes. And the she part, you know, the emphasizing the feminine, I suppose, touch of the divine feminine, but very much the physical feminine, and activities as well. So, you know, women held the role of birth and death very much in Irish culture again, up to really quite recently. I remember that, in my own youth and okay, I am getting on a bit, but, it's still, you know, it was quite late in time where, women did the laying out for burial. They did the keening of the, the wake, all of that. I remember very well. so at the beginning and end of life at the thresholds, if you like, that was a woman's job. And, that was lost, I think in the takeover. But I still think all the emotional labour around those thresholds are still very much held by women, you know, silently and quietly. And yeah, Brigid doesn't shout about it, but in this poem, I want to call it. Mark: Yeah. Recall it. Okay. And then let's go back to Hastings, which we touched on earlier, because this, okay. It's, it's going to be in your collection. It's been published in a wonderful anthology poetry from Hastings called Poet Town. Tell us a bit about that book and how you came to be involved. Orna: Yeah. So I heard about it and, Richard [Newham Sullivan] wonderful, poet and, publisher and general literary person. He now lives in New York, but he grew up in Hastings and lived here for many years. And it was a kind of a homesickness project he told me later, for him just. But he carried the idea in his mind for a very long time. He wanted to, he knew that there was an incredible, poetic history in Hastings, which people were not aware of. So Hastings is very well known. Hastings and St. Leonard's, where I live, both are very well known as arty kind of towns. Visual arts are very, very visible here, and all sorts of marvellous things going on, and music as well, there's brilliant Fat Tuesday music festival every year, but there's also, there's classical music, music in the pubs, music coming out your ears, literally. But very little about the literary life that goes on here, and lots of writers living here. And so Richard wanted to just bring forward the poetry side of that. And so he decided it's a passion project for him. He decided to, he worked with the publisher, a small publisher here, in Hastings for it. It's Moth Light Press. And he set out to gather as many living poets into one collection as he could. And this is where I was interested because as, I'm a historical novelist as well, so history is big for me, and I was really interested in the history, you know, the history and the poets who had lived here. There were quite a few. It's not every day you find yourself in an anthology with Lord Byron and Keats, and, two Rossetti's! So that was a joy, discovering all the poets who, had a connection to Hastings back to, I think he went back to the early 1800s with it. So, yeah, it's been a huge success, and, people are loving the book, and it has really brought poetry, brought pride, I think, to the poetry community in the town, which is lovely. Mark: Yeah, I'm really enjoying it, and I love the fact that it's got the old and the new. Because, of course, that's what I do here on A Mouthful of Air. I always think the ghosts of poetry past are always present in the work of the living. I hadn't realized what a deep and rich poetic history Hastings had. So, yeah, Poet Town, a great anthology. Do check that out while you're waiting for Orna's sequence to come to light. And Orna, thank you so much for sharing such a remarkable poem and distinctive take on the poet's craft. And I think this would be a good point to listen to the poem again, and appreciate your praise and celebration once more. Orna: Thanks so much, Mark, for having me. I really enjoyed it. Thank you. Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Poet Town: The Poetry of Hastings & Thereabouts ‘Recalling Brigid' is from Poet Town: The Poetry of Hasting & Thereabouts, published by Moth Light Press. Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Orna Ross Orna Ross is an award-winning poet and novelist. Her poetry, rooted in Irish heritage and mindfulness practice, explores love, loss, creativity, and spiritual renewal through a female lens. As founder-director of the Alliance of Independent Authors (ALLi), she champions creative freedom for poets and writers. Her forthcoming collection, And Then Came the Beginning—Poems of Iconic Irish Women, Ancient and Modern—is available for pre-order at OrnaRoss.com/TheBeginning. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom... Alchemy by Gregory Leadbetter Episode 84 Alchemy by Gregory Leadbetter Gregory Leadbetter reads ‘Alchemy' and discusses the poem with Mark McGuinness.This poem is from: The Infernal Garden by Gregory LeadbetterAvailable from: The Infernal Garden is available from: The publisher: Nine Arches...

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  In this episode of Around the World with Yusko, Mark Yusko applies Samuel Taylor Coleridge's concept of the "willing suspension of disbelief" to today's markets, challenging listeners to separate optimism from economic reality. From the birth of central banking to the AI-driven boom, Yusko traces how belief, leverage, and monetary policy have fueled centuries of speculative cycles. He examines bubbles from WeWork and Beyond Meat to nuclear startups and quantum computing, highlighting the widening gap between enthusiasm and the underlying fundamentals. Along the way, he contrasts fiat devaluation with the strength of scarce assets like gold and Bitcoin, dissects the "infinite money glitch" behind tech valuations, and considers what history suggests about the next correction. Blending sharp analysis and perspective, this episode offers a global, data-driven look at where he thinks we are in the investment cycle.  Want more?     Watch the "Around The World With Yusko" webinar series live by contacting us at ir@morgancreekcap.com. Watch it after the fact at https://www.morgancreekcap.com/market-commentary/#investment-themes.    Visit us on the web at https://www.morgancreekcap.com.    Legal Disclaimer  This podcast is for informational purposes only and should not be construed as investment advice or as a solicitation for the sale of any security or any advisory or other service. Investments related to the themes and ideas discussed may be owned by funds managed by the host and podcast guests. Any conflicts mentioned by the host are subject to change. Listeners should consult their personal financial advisors before making any investment decisions.   

The Rime of the Ancient Mariner by Samuel Taylor Coleridge (1798) vs The Raven by Edgar Allan Poe (1845)

Listen to Malcolm Guite, an English poet, singer-songwriter, Anglican priest and academic, being interviewed by Rev. Dr. Andrew Stirling. In this episode, Malcolm leads us on a journey of how he discovered faith through the influence of poetry and Scripture. And how finding his purpose in life was by using his gift and love of literature, poetry and Scripture, to help kindle people's imagination for Christ.In this interview, Malcolm and Andrew discuss:Malcolm's early life growing up in Nigeria and then him moving to Canada with his family, where his formative years were shaped as the son of a minister.His teenage years and how he was impacted by the John Keats poem, Ode to a Nightingale which helped direct his path toward God and literature.How an encounter with the presence of God in college while reading the Psalms aloud had a profound impact on Malcolm's life.The way Malcolm's sonnets skillfully integrate Scripture and poetic work, exploring God in a deeper way.Malcolm's purpose as a poet and minister to kindle people's imagination for Christ through his love of poetry, language, and Scripture.-----Malcolm Guite is an English poet, singer-songwriter, Anglican priest, and academic. Guite earned degrees from Cambridge and Durham universities. His research interests include the intersection of religion and the arts, and the examination of the works of J.R.R. Tolkien, C.S. Lewis and Owen Barfield, and British poets such as Samuel Taylor Coleridge. He was a Bye-Fellow and chaplain of Girton College, Cambridge and associate chaplain of St. Edward King and Martyr, Cambridge.  On several occasions, he has taught as visiting faculty at several colleges and universities in England and North America.Guite is the author of five books of poetry, including two chapter books and three full-length collections, as well as several books on Christian faith and theology. Guite has a decisively simple, formalist style in poems, many of which are sonnets, and he stated that his aim is to “be profound without ceasing to be beautiful”. Guite performs as a singer and guitarist fronting the Cambridgeshire-based blues, rhythm and blues, and rock band Mystery Train. He also has a YouTube channel where he shares his passions and musings with his viewers. Canadian Bible Society: biblesociety.ca Help people hear God speak: biblesociety.ca/donate Connect with us on Instagram: @canadianbiblesociety The Bible Course: biblecourse.ca

We're back after our summer holidays and kicking off the second half of season 3 by looking at a particular Washington-based developer that we've looked at many times before, Sucker Punch Productions. After chatting about two-thirds of their raccoon trilogy on this very podcast, we're taking a look at something that is much more recent, much more grown-up, much more samurai. We're going back to 2020 to take a look at an open-world, action-adventure game set during the first Mongol invasion of Japan. We're talking Ghost of Tsushima.On this episode of Stealth Boom Boom, we chat a little bit about tourism, whether Akira Kurosawa mode is just a black and white filter and nothing more, and there's what some people are calling “a surprising amount of Infamous chat”, too. We also look at how they tried to balance authenticity with audience expectation, finishing a game during a global pandemic, and there's a heated discussion about wind.Here are some of the things you're gonna hear us chat about in our review: outrageously quick load times; stealth that encourages speed over patience; some very enjoyable, very familiar outpost-clearing; the power of Focused Hearing; loads of tall grass; the feeling of a sequel to Assassin's Creed 2; being hated by samurai as you fling kunai, wind chimes, and sticky bombs about; undercover Batman; sword-fighting that feels like accessible Sekiro: Shadows Die Twice, whilst also engaging the player with a number of different things to consider; no lock on; announcing your arrival at the beginning of a fight; taking on one other opponent in a duel; running after foxes, slicing bamboo, and one or two other things that are absolutely everywhere on this very large map; an uninspired grappling hook; an island that is too big for some and the right size for others; Samuel Taylor Coleridge; Ishikawa's student; a plot that would've worked better in a more linear game; using Ghost tactics and feeling completely fine; and our clothing choices.After all that, we take you through what some of the critics were saying about the game around the time it came out, and then we give you our final verdicts on whether Ghost of Tsushima is a Pass, a Play, or an Espionage Explosion.For those who would like to play along at home, we'll be discussing, reviewing and dissecting Amnesia: The Dark Descent on the next episode of Stealth Boom Boom.IMPORTANT LINKS TO THINGS

Data, data everywhere, but not a drop of insight.Excuse my remixing of Samuel Taylor Coleridge, but doesn't it feel that way when staring at a dashboard sometimes.We have so much data – and frankly, our competitors probably have a lot of the same data – but can we turn those numbers into real insights to better serve a customer?Here's one way to do it, that I read in a recent podcast guest application, but you have to close your laptop first – “Walk the market.”To hear the story behind that lesson, along with many more lesson-filled stories, I talked to Katherine Melchior Ray, faculty member and lecturer at the University of California Berkeley Haas School of Business [https://haas.berkeley.edu/], and author of the book ‘Brand Global, Adapt Local: How to build brand value across cultures' [https://www.barnesandnoble.com/w/brand-global-adapt-local-katherine-melchior-ray/1146174119].Berkeley Haas ranked No. 8 among U.S. business schools in the 2025 Financial Times Global MBA Ranking.During her career, Ray managed teams up to 150 and reported to CEOs in Germany, France, Japan, and the US.Lessons from the things she madeNurture your curiosityHistory is not just for schoolPrioritize relationshipsWalk the marketInfuse a founder's values into the brandCombine audacious risk taking with careOur next eventJoin us for ‘AI Executive Lab: Transform billable hours into scalable AI-powered products' on September 10th at 2 pm EDT. Register here [https://join.meclabsai.com/mec050].Discussed in this episodeCustomer Experience: Great experiences are invisible, but they require relentless alignment (podcast episode #145) [https://marketingsherpa.com/article/interview/customer]An Effective Value Proposition: What it is, why it is so important to business and marketing success, and how to use it [https://marketingsherpa.com/article/how-to/value-proposition-business-marketing%20success]Get more episodesSubscribe to the MarketingSherpa email newsletter [https://www.marketingsherpa.com/newsletters] to get more insights from your fellow marketers. Sign up for free if you'd like to get more episodes like this one.For more insights, check out...This podcast is not about marketing – it is about the marketer. It draws its inspiration from the Flint McGlaughlin quote, “The key to transformative marketing is a transformed marketer” from the Become a Marketer-Philosopher: Create and optimize high-converting webpages [https://meclabs.com/course/free digital marketing course.Apply to be a guestIf you would like to apply to be a guest on How I Made It In Marketing, here is the podcast guest application – https://www.marketingsherpa.com/page/podcast-guest-application

I discovered a great AI app that you can start using for free and then pay $5.00 per month for an upgrade. This app, Gamma (https://www.aippt.com), allows you to quickly create slide show presentations. And then use the presentation to create a video like the one above.I started with three lines of information, as shown below. I entered these lines into the Gamma app and within a few minutes, Gamma generated a ten-slide presentations that became the basis for the above video.Writer's Block: In Case of an Emergency, Break the GlassThere really is no such thing as writer's block or any other block to getting things done. Blocks only exist if you let them. If you move on, they melt away.As the blue collar comedians, say, “Get ‘er done!” Move on!The text for the video is showcased below. Note how Gamma took three lines and made ten slides with the following extensive content.In case of an emergency, break glass. The truth about writer's block.Writer's block isn't about what you think it is. It's not an immovable barrier, but rather a temporary obstacle that only exists if you allow it to.This presentation explores the reality behind the myth and provides practical solutions to get your creativity flowing again.The Myth of Writer's BlockJerry Jenkins puts it bluntly, writer's block is a myth. No other profession accepts a block as a legitimate reason to stop working. If you wait for motivation or inspiration to strike before writing, you'll be waiting forever.Creativity doesn't appear on demand. What we call writer's block is actually a combination of fear, procrastination, and perfectionism, masquerading as creative stoppage.Rather than accepting blocks, successful writers develop strategies to push through the resistance.Famous writers who struggled and won.Samuel Taylor Coleridge experienced what he called an indefinite, indescribable terror that prevented him from writing for an entire year in 1804.Paul Sylvia, a psychology professor and author on motivation, went nine months without making progress on his own book about motivation.Despite these profound struggles, both men eventually overcame their creative paralysis by fundamentally changing their mindset and establishing new writing habits.What really causes writer's block?This pie chart showcases from Research Insights, a 2024 University of North Florida study.Psychological factors including stress and anxiety. That's the big dark purple pie slice on the right.Next, fear of criticism, the lower, more lavender pie slice.And then perfectionism, which is the next as we rotate around.Procrastination.And then other factors.Two main types of blocks.There are two main types of blocks, plot block and life block.Plot block occurs when story logic stalls. Character or plot feel stuck.This is a craft problem fixable with patience, restructuring, and narrative technique.Life block results from personal issues that can drain creative energy. It can require addressing deeper needs, self-care, mental health support, or lifestyle adjustments.Recognizing your specific block type is a crucial first step to implementing the right solution.Practical hacks to break the block.You can schedule writing. Treat writing like a job. Paul Sylvia committed to two hours daily. No excuses. Consistency builds momentum and trains your brain for creativity.Step two, you can do free writing. Set a timer for 10 to 15 minutes of unfiltered, unedited writing. This bypasses perfectionism and often produces unexpected insights.And you can change the environment. So if one place isn't working, work at a cafe or park or library. Environmental novelty stimulates new neural connections and fresh perspectives.These practical approaches work because they shift focus from outcomes to process, making writing a habitual action rather than a high stakes performance.Embrace fear and imperfection. The best writing is born of humility. That's from mystery writer and thriller writer Dean Kuntz.Fear is natural and justified. Embrace it as a motivation.Perfectionism kills progress. Done is better than perfect.Writing imperfectly today creates a foundation for better writing.The most prolific writers aren't fearless. They've simply learned to write despite their fears.The power of mindset.Move on and melt the block. Blocks only exist if you let them. Writer's block is a construct we create and maintain.Recognize it as a temporary state, not a permanent condition. As the blue-collar comedians say, get 'er done. Simple forward motion is often the best solution. Action creates its own momentum.An act of faith: Writing requires belief in your ability to figure it out as you go. Trust the process and keep moving forward.Your mindset determines whether obstacles become barriers or stepping stones. Choose to see blocks as temporary challenges rather than immovable obstacles.Motivation is not a gift, it's a choice. Waiting for motivation is like waiting for a bus that may never come. You have to start walking.Here's the motivation equation.Traditional belief: motivation inspires action, which inspires results.The reality: action inspires results, which increases motivation.Motivation is generated by the act of writing itself. The more you write, the more you want to write. Start small, but start today.Your emergency glass, smash it and write.The world needs your story, so get ‘er done.Writer's block is a temporary illusion. It dissolves the moment you decide to move forward despite uncertainty, fear, or imperfection.Your words matter. Break the glass, pick up your pen, and start writing right now.Book Marketing Success is a reader-supported publication. To receive new posts and support my work, consider becoming a paid subscriber.Resources: https://www.bookauthorauthority.comBookstore: https://www.bookmarket.com/bookstore This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit bookmarketing.substack.com/subscribe

What if imagination isn't just fantasy, but the very faculty that brings our world into existence? In this philosophical deep dive, we explore the fifth and final criteria of play: that it is imaginative and improvisational.Unlike previous episodes in this series, I'm not arguing that imagination benefits performers—that connection is self-evident. Instead, we're examining imagination as the arena where showmanship unfolds. From the initial creative impulse to the finished performance, imagination pulls things into existence, transforming fleeting ideas into tangible reality. Whether I'm developing a kung-fu card routine or connecting with fellow artists like Ben Hart, imagination is both the process and the destination.Drawing on Samuel Taylor Coleridge's profound distinction between "fancy" (mere recombination of existing elements) and true "imagination" (the fundamental creation of reality), we discover how performers participate in something approaching the sacred. When Coleridge describes imagination as "a repetition in the finite mind of the eternal act of creation," he's elevating our creative work beyond entertainment into genuine co-creation with reality itself.The space where imagination thrives best is what poet David Whyte calls "just beyond yourself"—that frontier between inner and outer worlds where we momentarily forget ourselves and are restored by what we meet. Here, in this conversational intercourse with reality, true freedom emerges. Through improvisation, we learn to trust our impulses, revealing ourselves to ourselves through the choices we make.What distinguishes a shopping mall clown wearing a plastic wig from a transcendent artist like Slava Polunin? One remains a shallow collage of clown elements; the other creates a living entity that reveals deeper truths. Intelligence—from the Latin "inter" (between) and "legere" (to choose)—means choosing wisely between options, the very heart of improvisation and imagination.As we conclude this exploration of play and showmanship, remember that we play "because it's fun, because we want to do it for its own sake and our own sake, and because we love to explore the rules of all possible ways of relating." In play, we find our fullest expression as human beings.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Claire and Rachel are joined today by Dr. James Smoker, the Registrar at Regent College and the original instigator of the Regent College Podcast. We talk about his PhD research, which focused on the thought and theology of the Romantic poet Samuel Taylor Coleridge. A close friend of William Wordsworth, Coleridge is renowned for observing and learning from the natural world, grappling with life's profound questions through fairy tale, and incorporating theological reflection into his work. As James shares, Coleridge has become a companion on his journey in a faith that holds questions. If this conversation piques your interest, consider joining James's Fall class: “Imagining Being Human: The Theology and Poetry of Samuel Taylor Coleridge.” Listen to the end for an announcement about a short break in broadcasting! We'll be back with more good conversations on a biweekly release schedule from September 12. James's BioDr. James Smoker serves as the Registrar at Regent College where he also contributes as a sessional lecturer. He holds both an MA and ThM from Regent College and earned his PhD from the University of St Andrews. James's doctoral research focused on the works of Samuel Taylor Coleridge (1772–1834), exploring how imagination intersects with theological concepts such as knowing God, faith, and doubt. His academic interests also encompass the writings of Sara Coleridge (1802–1852), the interplay between popular culture and theology, and the role of imagination in environmental stewardship. He has contributed to scholarly journals and popular publications. James will be teaching a class on Coleridge this Fall, “Imagining Being Human: The Theology and Poetry of Samuel Taylor Coleridge.”Regent College Podcast Thanks for listening. Please like, rate and review us on your podcast platform of choice and share this episode with a friend. Follow Us on Social Media Facebook Instagram Youtube Keep in Touch Regent College Summer Programs Regent College Newsletter

Join our book club!  / lifeonbooks  Follow Dave on Instagram  / thebookishmanc  Follow Seth on Instagram  / wastemailinglist  Join the Life on Books mailing list to stay up to date on all of our latest book giveaways, projects, and more!https://linktw.in/BRYAnVhWant to read one book from every country? Check out our resource online:https://linktw.in/ZeoltyWant to know my all time favorite books? Click the link below!https://bookshop.org/shop/lifeonbooksFollow me on Instagram:  / alifeonbooks  Follow Andy on Instagram  / metafictional.meathead  The Savage Detectives by Roberto Bolanohttps://amzn.to/45k6Mrahttps://bookshop.org/a/103053/9780312...To Kill a Mockingbird by Harper Leehttps://amzn.to/4fkfLNyhttps://bookshop.org/a/103053/9780060...The Poetry Toolkit by Rhian Williamshttps://amzn.to/46vDo3ohttps://bookshop.org/a/103053/9781350...Crow: From the Life and Songs of Crow by Ted Hughes https://amzn.to/40KAxjqOmeros by Derek Walcott https://amzn.to/3JdnCjRhttps://bookshop.org/a/103053/9780374...Deaf Republic by Ilya Kaminskyhttps://amzn.to/454qTcwhttps://bookshop.org/a/103053/9781555...Brother by Michael and Matthew Dickmanhttps://amzn.to/4lUatdZGravity's Rainbowhttps://amzn.to/3ISay3nhttps://bookshop.org/a/103053/9780143...Midden Witch by Fiona BensonLyrical Ballads, with a few Other Poems by William Wordsworth and Samuel Taylor Coleridge https://amzn.to/40LQTZ6The Maximus Poems by Charles Olson https://amzn.to/4lbdyFjThese Walls Do Not Fall by H.D.https://amzn.to/3UDWdKmThe ABC of Reading by Ezra Pound https://amzn.to/3UFJtD3The Raven and Other Poems (1845) by Edgar Allen Poehttps://amzn.to/3IXevUlThe Cantos (1962) by Ezra Pound https://amzn.to/3U3wRWhThe Bridge (1930) by Hart Cranehttps://amzn.to/4lVSEeRShadow Ticket by Thomas Pychonhttps://amzn.to/4lUtKMqA Defence of Poetry by Percy Bysshe Shelley https://amzn.to/3U4K4OBLeaves of Grass by Walt Whitman https://amzn.to/479mbNiElegy Written in a Country Churchyard by Thomas Gray https://amzn.to/4mozWMFThe Hocus Pocus of the Universe by Laura GilpinPaterson by William Carlos Williams https://amzn.to/4lVz4z8Context Collapse (2025) by Ryan Ruby

In this episode of the Project Narrative Podcast, Jim Phelan and Kent Puckett discuss the 1817 edition of Samuel Taylor Coleridge's “The Rime of the Ancient Mariner.” Kent Puckett is Professor and Ida May and William J. Eggers Jr. Chair in the Department of English at the University of California at Berkeley. Puckett's areas of… Continue reading Episode 45: Jim Phelan & Kent Puckett — Samuel Taylor Coleridge's “The Rime of the Ancient Mariner”

Biografia e opere di Samuel Taylor Coleridge, poeta e filosofo tra i fondatori del Romanticismo inglese e autore de La ballata del vecchio marinaio.

Grandpa Bill Asks:How often do you feel a pull between what your ❤️ truly wants and what your

Welcome to the Paint The Medical Picture Podcast, created and hosted by Sonal Patel, CPMA, CPC, CMC, ICD-10-CM.Thanks to all of you for making this a Top 15 Podcast for 4 Years: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blog.feedspot.com/medical_billing_and_coding_podcasts/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sonal's 15th Season starts up and Episode 8 features Newsworthy updates on the month's fraud, waste, and abuse cases. Sonal's Trusty Tip features compliance recommendations on phishing scams.Spark inspires us all to reflect on hopes and aspirations based on the inspirational words of Samuel Taylor Coleridge.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paint The Medical Picture Podcast now on:Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6hcJAHHrqNLo9UmKtqRP3X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/paint-the-medical-picture-podcast/id153044217⁠7⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://music.amazon.com/podcasts/bc6146d7-3d30-4b73-ae7f-d77d6046fe6a/paint-the-medical-picture-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Paint The Medical Picture Podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCzNUxmYdIU_U8I5hP91Kk7A⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Sonal on LinkedIn:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/sonapate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And checkout the website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paintthemedicalpicturepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you'd like to be a sponsor of the Paint The Medical Picture Podcast series, please contact Sonal directly for pricing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PaintTheMedicalPicturePodcast@gmail.com

Today's poem is a somber, paternal retrospective from the Ancient Mariner poet. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Federica Re"Lo spazio soprannaturale di Samuel Taylor Coleridge"CN Casa NuvolariOligo Editorewww.oligoeditore.itIn un contesto in cui gli studi in italiano su Coleridge sono piuttosto rari e di non semplice reperibilità, questa monografia vuole rendere accessibile un autore fondamentale per la letteratura anglosassone del XIX secolo. Attraverso i versi in lingua originale e in traduzione e grazie all'analisi della bibliografia inglese più accreditata, l'autrice si focalizza su tre opere, La ballata del vecchio marinaio, Christabel e Kubla Kahn, concentrandosi sul significato assunto dallo spazio e sulla capacita di Coleridge di evocare immagini e situazioni oniriche, allegoriche e visionarie, creando una soglia che dà fantasmaticamente e indubitabilmente accesso all'oltre."Il poema è come una grande vetrata di cattedrale, fiorita di colori perenni, e circonfusa di splendore ultraterreno".Mario PrazFederica Re è nata nel 1972 e vive a Rho, in provincia di Milano. Lavora in ambito editoriale e ha pubblicato sillogi poetiche con Albatros, Pulcinoelefante e Il Rio. Laureata in Lingue e Letterature Straniere, in questa monografia riprende e amplia i suoi studi universitari.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Welcome to the Paint The Medical Picture Podcast, created and hosted by Sonal Patel, CPMA, CPC, CMC, ICD-10-CM.Thanks to all of you for making this a Top 15 Podcast for 4 Years: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blog.feedspot.com/medical_billing_and_coding_podcasts/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sonal's 15th Season starts up and Episode 1 features a Newsworthy spotlight on Mental Health Awareness Month for May 2025.Sonal's Trusty Tip and compliance recommendations focus on Treatment Plans.Spark inspires us all to reflect on hopes and aspirations based on the inspirational words of Samuel Taylor Coleridge.Mental Health Awareness Month with NAMI:Website: ⁠https://www.nami.org/get-involved/awareness-events/mental-health-awareness-month/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paint The Medical Picture Podcast now on:Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6hcJAHHrqNLo9UmKtqRP3X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/paint-the-medical-picture-podcast/id153044217⁠7⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://music.amazon.com/podcasts/bc6146d7-3d30-4b73-ae7f-d77d6046fe6a/paint-the-medical-picture-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Paint The Medical Picture Podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCzNUxmYdIU_U8I5hP91Kk7A⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Sonal on LinkedIn:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/sonapate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And checkout the website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paintthemedicalpicturepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you'd like to be a sponsor of the Paint The Medical Picture Podcast series, please contact Sonal directly for pricing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PaintTheMedicalPicturePodcast@gmail.com⁠⁠⁠

MICHAEL AMOS CODY chats to Paul Burke about his STREETS OF NASHVILLE, new country music, North Carolina, MTV, tragic inspiration for the novel, why done it not whodunnit and Runion.In Streets of Nashville, Ezra MacRae has a nearly encyclopedic knowledge of songs and their writers, and he has moved from the North Carolina mountains to Nashville's Music Row with the dream of becoming part of that songwriting world. Yet just as he is out on the town to celebrate his first good fortune after several years of trying-a staff songwriting contract with an independent music publisher-he witnesses the man who signed on the dotted lines with him gunned down with three others outside his Music Row office. The masked gunman spares Ezra. But why?Michael Amos Cody was born in the South Carolina Lowcountry and raised in the North Carolina highlands. He spent his twenties writing songs in Nashville and his thirties in school. He's the author of the novel Gabriel's Songbook (Pisgah Press) and short fiction that has appeared in Yemassee, Tampa Review, Still: The Journal, and elsewhere. His short story collection, A Twilight Reel (Pisgah Press) won the Short Story / Anthology category of the Feathered Quill Book Awards 2022. Cody lives with his wife Leesa in Jonesborough, Tennessee, and teaches in the Department of Literature and Language at East Tennessee State University.Author blog on Runion: https://michaelamoscody.com/2019/05/24/runion-north-carolina/Mentions: David Joy, Cormac McCarthy, Bruce Springsteen, Bob McDill, Thomas Wolfe, James Lee Burke, Heather Levy, CW Blackwell, Monster City Michael Arntfield, Samuel Taylor Coleridge, Robert Southey, Charles Brockton Brown, Peter McDade, Don DeLillo - Great Jones Street.Recommendations: anything by Tony Hillerman and the adaptation of two of his novels for streaming Dark Wind.Paul Burke writes for Monocle Magazine, Crime Time, Crime Fiction Lover and the European Literature Network, Punk Noir Magazine (fiction contribution). He is also a CWA Historical Dagger Judge 2025. His first book An Encyclopedia of  Spy Fiction will be out early 2026.Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023 & 2024 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,

Ep. 681: Cranford | Chapter 3 Book talk begins at 15:00 A mysterious gentleman caller? A missed dinner invite gone socially sideways? Things are getting awkwardly entertaining in the most delightfully proper way. --------------------------------------------------------------- 00:00 Episode start 03:00 Knitting Comfortably: The ergonomics of knitting by Carson Demers “Wuv. TWOO Wuv…” 04:16 BOOK PARTY WAS Thursday April 24th for The Thin Man by Dashiell Hammett - the Watch party will be may 29th. If you need to level-up to join us 05:00 trailer 05:36 Plum Deluxe Herbal—I found out this was a special blend that might no longer be available but you can ** 07:08 You can call the show from the App or 206-350-1642 or speakpipe.com/craftlit 8:05 and let us know what text you want on the screen during your video (promote your shop!) 10:45 also check out other indie online bookshops and or Powell's. OLD FARLEY'S (with the cat older than I am) Pics of The Salt House 13:28 Heather attempts gardening on a deck without a hose. Sympathy and/or hints are welcomed ;) 15:35 Start of booktalk 19:20 Hortus Siccus - an arranged collection of dried plants 20:19 in the miniseries 21:14 Articles of Engagement - rules for your servants (a contract) 22:00 wine and dessert (really wine and nuts) 22:44 Recondite - something difficult to understand 23:15 23:42 by Charles Perrault (who did NOT write the version of Tristan and Isolde we listened to) Moral: Curiosity, in spite of its appeal, often leads to deep regret. To the displeasure of many a maiden, its enjoyment is short lived. Once satisfied, it ceases to exist, and always costs dearly. Another moral: Apply logic to this grim story, and you will ascertain that it took place many years ago. No husband of our age would be so terrible as to demand the impossible of his wife, nor would he be such a jealous malcontent. For, whatever the color of her husband's beard, the wife of today will let him know who the master is. (Heather's note: I just had to add those here as I found them after I recorded) Andrew Lang, The Blue Fairy Book (London: Longmans, Green, and Company, ca. 1889), pp. 290-295. Lang's source: Charles Perrault, “La Barbe bleüe, “Histoires ou contes du temps passé, avec des moralités: Contes de ma mère l'Oye (Paris, 1697). And just for fun because I've mentioned it before: and - . Another tale by Jacob and Wilhelm Grimm about a sinister bridegroom (Aarne-Thompson type 955).—The is wrapped around the Bluebeard story like a tourniquet! 24:50 “Leave me to repose…” from poem by Thomas Gray (of “ 25:55 “Pride which apes humility” from “The Devil's Thoughts” “The Devil's Thoughts” is a satirical poem in common metre by Samuel Taylor Coleridge, published in 1799, and expanded by Robert Southey in 1827 and retitled “The Devil's Walk” (Heather: AH HA! Now it makes sense). The narrative describes the Devil going walking and enjoying the sight of the various sins of mankind. Originally published: 1799 Authors: , 27:24 Yeoman vs Esquire 29:15 Castle Building (aka, wool-gathering) - 30:17 CHAPTER AUDIO BEGINS - Heather makes wool slippers using from YouMakeItSimple.com 52:46 POST-CHAPTER CHAT 53:45 , from Brenda Dayne 56:25 Serve from the Left details: Serving: - Plates: Plates are served from the left, using your left hand to place the plate, allowing the server to use their right hand to avoid crossing in front of the guest. Beverages: Beverages, such as water and wine, are poured from the right, as glasses are typically placed to the right of the guest's plate. Sides: Sides like bread and vegetables are also served from the left. Clearing: Plates: Plates are cleared from the right, using your right hand to remove the plate.  Exceptions: If a guest is obstructing the way on the right, or if there is an object on the right side, a server may need to serve from the right.  Some restaurants may have their own protocols for serving, whether it's to the right or left.  Why Serve from the Left? Serving from the left is considered less intrusive for right-handed diners, as it avoids the server having to reach across the guest.  It also allows the server to carry the food in their left hand and serve with their right hand, without crossing their arms in front of the guest. 57:20   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

This week, the Pugsters are excited to welcome poet, priest, and theologian Malcolm Guite to the show. Chris leads off the conversation with Mariner, Guite’s biography of Samuel Taylor Coleridge which uniquely among studies of Coleridge brings out the importance of his return to Trinitarian Christianity to his life. The conversation uses Coleridge’s life and work as a jumping off point to move on to other topics, including Lewis’s concept of joy and the nature and importance of imagination. It’s a fascinating discussion with a fascinating individual, and we think you’ll find it as stimulating as we did. Follow Malcolm Guite on Youtube: https://www.youtube.com/@MalcolmGuitespell Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8

This week, the Pugsters are excited to welcome poet, priest, and theologian Malcolm Guite to the show. Chris leads off the conversation with Mariner, Guite's biography of Samuel Taylor Coleridge which uniquely among studies of Coleridge brings out the importance of his return to Trinitarian Christianity to his life. The conversation uses Coleridge's life and work as a jumping off point to move on to other topics, including Lewis's concept of joy and the nature and importance of imagination. It's a fascinating discussion with a fascinating individual, and we think you'll find it as stimulating as we did.Follow Malcolm Guite on Youtube: https://www.youtube.com/@MalcolmGuitespellSupport the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8

This week, the Pugsters are excited to welcome poet, priest, and theologian Malcolm Guite to the show. Chris leads off the conversation with Mariner, Guite’s biography of Samuel Taylor Coleridge which uniquely among studies of Coleridge brings out the importance of his return to Trinitarian Christianity to his life. The conversation uses Coleridge’s life and work as a jumping off point to move on to other topics, including Lewis’s concept of joy and the nature and importance of imagination. It’s a fascinating discussion with a fascinating individual, and we think you’ll find it as stimulating as we did. Follow Malcolm Guite on Youtube: https://www.youtube.com/@MalcolmGuitespell Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8

This week, the Pugsters are excited to welcome poet, priest, and theologian Malcolm Guite to the show. Chris leads off the conversation with Mariner, Guite’s biography of Samuel Taylor Coleridge which uniquely among studies of Coleridge brings out the importance of his return to Trinitarian Christianity to his life. The conversation uses Coleridge’s life and work as a jumping off point to move on to other topics, including Lewis’s concept of joy and the nature and importance of imagination. It’s a fascinating discussion with a fascinating individual, and we think you’ll find it as stimulating as we did. Follow Malcolm Guite on Youtube: https://www.youtube.com/@MalcolmGuitespell Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8

Episode: 3310 Nature, Romanticism, and the Poetry of John Clare.  Today, we look closely at Romantic nature.

Today's selections are characteristic passages from (maybe) the greatest and (certainly) strangest poem in Lyrical Ballads–Coleridge's Ancient Mariner. Happy reading.(Nota bene: If you are ready for your own copy of Lyrical Ballads, the Oxford World Classics edition is a great way to see the developments across early editions.) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

While you can count on one hand the poems Coleridge contributed to Lyrical Ballads, they are some of the most memorable in the collection. Today's poem uses an abstract description to conjure a very concrete social evil–the state of British prisons at the end of the long 18th century. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

[This episode originally ran on July 18, 2016. It is presented here without commercial interruption.] In 1797, the poet Samuel Taylor Coleridge took two grains of opium and fell into a stupor. When he awoke, he had in his head the remnants of a marvelous dream, a vivid train of images of the Chinese emperor Kubla Khan and his summer palace, Xanadu. The vision transformed itself into lines of poetry, but as he started writing, he was interrupted by a Person from Porlock, who arrived at Coleridge's cottage on business and stayed for an hour. when Coleridge returned to his work, the vision had been lost, and the fragmentary nature of the poem Kubla Khan has haunted its admirers ever since. The resentment has centered around the bumbling Person from Porlock, whose visit remains shrouded in mystery. The scholar Jonathan Livingston Lowes put it bluntly: “If there is any man in the history of literature who should be hanged, drawn, and quartered,” he wrote, “it is the man on business from Porlock.” Who was this Person from Porlock, and why was he knocking on the door of Coleridge's cottage? How did Coleridge handle the interruption, and what did it mean for him and his art? And finally, what might we take from this vivid legend today? Music Credits: “Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA). “Piano Between” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 Learn more about your ad choices. Visit megaphone.fm/adchoices

This Postmodern Realities episode is a conversation with JOURNAL author Stephen Mitchell about his article, “Love (Not Rocks) All the Way Down: Horror and Hospitality in ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge”. Coming Soon! Related articles and podcasts by this author:Episode 410: The Just Man Justices: A Review of D. C. Schindler's ‘Retrieving Freedom: The Christian Appropriation of Classical Tradition'The Just Man Justices: A Review of D. C. Schindler's ‘Retrieving Freedom: The Christian Appropriation of Classical Tradition'Episode 357 Christian Faithfulness Via the Agrarianism of Wendell Berry“How to Love a Neighbor in the Anthropocene: Christian Faithfulness Via the Unsettling Agrarianism of Wendell Berry”Episode 329: Christ or Lucretius: Nature and Nature's God in the poems of Mary OliverChrist or Lucretius: Nature and Nature's God in the poems of Mary OliverDon't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.

About The GuestsKaren Glass is part of the Advisory of AmblesideOnline. She has four children, ages 13 to 27, who have been homeschooled using Charlotte Mason's methods from beginning to end.  Karen has been studying and writing about Charlotte Mason and Classical Education for over twenty years and has written the popular books Consider This: Charlotte Mason and The Classical Tradition,  Know and Tell: The Art of Narration, In Vital Harmony, and her newest book A Thinking Love: Studies from Charlotte Mason's Home Education.Dr. Robert Terry has over twenty years of experience in classical education. He has been a teacher of multiple disciplines, a curriculum designer, and has worked extensively in teacher training and development. He has served as the Curriculum Director and Vice President of Academics at a multi-campus University-model classical Christian school in the Dallas area. While academic head he successfully accomplished two ACCS accreditations. Before discovering classical education, Robert was a CPA. He has also served his school as a Finance Director in the past. Robert holds an MA in Philosophy focusing on the great Christian texts and a Doctorate focused on the work of the Oxford Inklings. He has been married to Elisabeth for twenty-five years and has been active in homeschooling their four grown children.Show NotesOn this episode, my guests discuss the important connections that Mason made from reading Samuel Taylor Coleridge's On Method. We discuss how important this connection is to her philosophy, as well as how it has had an impact on the classical education movement. Some important discussion points include:The poet's influence on MasonThe revitalization of Shakespeare, wonder, and a curiosity framework in educationA deep understanding of ideas and making relational connectionsMethod as it is tied to a pedagogyMason's method of a lesson and how to properly interpret her 20 principlesReason for caution: Why reading Charlotte Mason in part can be misleading ResourcesIf you want to read Coleridge, Karen Glass recommends this version. It is a facsimile of the same version that Mason had in her PNEU library: A Dissertation On The Science Of Method ISBN:  978-1018198736Karen's blog on Coleridge and Mason Connections: https://www.karenglass.net/page/2/?s=coleridgeConnections with Coleridge #1—A nod from Charlotte MasonConnections with Coleridge #2—Introducing Treatise on MethodConnections with Coleridge #3—Law and OrderConnections with Coleridge #3.5—A Speculative DetourConnections with Coleridge #4—Dipping into MethodConnections with Coleridge #5—In Pursuit of MethodConnections with Coleridge #6—Meet the PhilosophersConnections with Coleridge #7—Laws, Ideas, and TruthConnections with Coleridge #8—A short history of the education of mankindConnections with Coleridge #9—In Search of the SoulConnections with Coleridge #10—A Few Final WordsTreatise On Method: ColeridgeThe Rime of the Ancient Mariner: Coleridge Kuala Khan: ColeridgeShakespeareFrancis BaconPlatoC.S. LewisTolkienQuintilion Pascal ____________________Beautiful Teaching (BT) Resources:BT online webinars, interactive courses, and book studies registration: https://beautifulteaching.coursestorm.com/BT Newsletters: https://www.beautifulteaching.com/newsletters________________________________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2025 Beautiful Teaching LLC. All Rights Reserve

The Strangest Story in the World: G.K. Chesterton & the IncarnationC.S. Lewis famously credited G.K. Chesterton's The Everlasting Man as a key step in his turn from atheism to Christian faith. The book audaciously surveyed the broad sweep of human history, then zeroed in on the Incarnation of Christ. How, Chesterton asked, could such a mysterious and startling event come to be known as the center point of history? And how did this intellectual mystic offer a fresh path into this story for so many? In this episode, we dive into one of Chesterton's greatest works and explore the mystery of the incarnation of Jesus Christ alongside Dale Ahlquist, one of the world's leading experts on G.K. Chesterton:“Philosophy and religion come together for the first time when Jesus comes. Why is that so strange? Because the spiritual life and the intellectual life have finally run into each other in a big way. And how does it come? It comes in the most unexpected way possible.”Our 100th podcast episode illustrates what we do here at the Trinity Forum: keeping the Christian intellectual tradition alive, while also nurturing new growth – for our own time, and for future generations.This podcast is an edited version of our Online Conversation recorded in 2024. You can access the full conversation with transcript here.Learn more about Dale Ahlquist.Authors and books mentioned in the conversation: The Everlasting Man, by G.K. ChestertonC.S. LewisEvelyn Waugh G. K. Chesterton: The Apostle of Common Sense, by Dale Ahlquist Orthodoxy, by G.K. ChestertonThe Everlasting Man: A Guide to G.K. Chesterton's Masterpiece, by Dale AhlquistGeorge MacDonaldC.S. LewisCharles DickensWilliam ShakespeareJ.R.R. TolkienThe Benedict Option, by Rod DreherAlan JacobsH.G. Wells Roger Kipling George Bernard ShawRelated Trinity Forum Readings:The Strangest Story in the World, by G.K. ChestertonBright Evening Star', by Madeleine L'EngleBabbette's Feast, by Isak DinesenThe Gift of the Magi & Two Thanksgiving Day Gentlemen, by O. Henry Why God Became Man, by AnselmThe Spirit of the Imagination: Selections from Samuel Taylor Coleridge, with an introduction by Malcolm GuiteHandel's Messiah The Oracle of the Dog, by G.K. ChestertonThe Golden Key, by George McDonaldRelated Conversations:Waiting on the Word with Malcolm GuiteAdvent: The Season of Hope, with Tish Harrison WarrenRenewing the Joy of Advent, with Hannah AndersonTo listen to this or any of our episodes in full, visit ttf.org/podcast and to join the Trinity Forum Society and help make content like this possible, join the Trinity Forum SocietySpecial thanks to Ned Bustard for our podcast artwork.

...in which we visit Keswick Museum for a deep dive into the life of one of Romantic Lakeland's most under-appreciated figures: writer, former Poet Laureate and long-term resident of Greta Hall, Robert Southey (1774-1843). In the company of Museum curator Nicola Lawson and trustee Charlotte May, we return to Bristol, 1774 and set the shifting social scene for the birth of a young radical – expelled from Westminster – whose education was beset by bullying. Alongside new wife Edith Fricker and creative soulmate Samuel Taylor Coleridge, we follow Southey north to Keswick and learn about daily life at Greta Hall, where the young poet became sole breadwinner in a busy household of sisters and their home-educated children. With tragedy a constant in the Southeys' life – four of the couples' eight children died before reaching adulthood – we discuss Edith's enduring mental illness, the fast-growing Keswick of the early 1800s, and the great joy Southey derived from family and domestic life. Reflecting on a (sometimes) controversial and (always) prodigious writing talent (Southey's output far eclipsed that of Wordsworth or Coleridge), we namecheck some of his finest works: from the first published version of Goldilocks and the three bears (The Story of the Three Bears) through his remarkable História do Brasil to the onomatopoeic masterpiece The Cataract of Lodore. Brazing the frosty cold, we conclude our conversation alongside Southey's grave at Crosthwaite Church, where we consider his relationship with Keswick and the great loss felt at the death of a towering talent and an adored family man. You can find out more about Southey and Keswick at Keswick Museum: keswickmuseum.org.uk The Museum is on Facebook, Instagram and Twitter/X.

Quarter-Arsed History presents: the supposed tale behind the creation of the poem Kubla Khan, one of Samuel Taylor Coleridge's most famous works. Hosted on Acast. See acast.com/privacy for more information.

Ninth Day of CraftLit (2024) All of CraftLit's Christmas episodes can be found at LINK TO DAY 1 of the Twelve Days of CraftLit— VIDEO: AUDIO ONLY: If you missed the other days, here's a quick directory: DAY 1: DAY 2: DAY 3: DAY 4: DAY 5: DAY 6: DAY 7: DAY 8: DAY NINE A Christmas Inspiration  By: Lucy Maud Montgomery -   From:    eText:   Read by: Darcia Douglass -     A Christmas Mistake By: Lucy Maud Montgomery -   From:   eText:   Read by: TriciaG -    (27 January 1832 – 14 January 1898) better known by the pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, as well as the poems "The Hunting of the Snark" and "Jabberwocky", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy, and there are societies in many parts of the world (including the United Kingdom, Japan, the United States, and New Zealand) dedicated to the enjoyment and promotion of his works and the investigation of his life. Read by:  (1:17)  (19 September 1796 – 6 January 1849) was an English poet, biographer, essayist, and teacher. He was the eldest son of the poet Samuel Taylor Coleridge. Read by:  (1:17) Stella C Shetter (c. 1879 - 1937) was a short story writer who in 1933 won a national contest sponsored by the American Legion. Read by:  (6:37) A little insight into customs from other times  (15 August 1771 – 21 September 1832) 1st Baronet was a Scottish historical novelist, playwright, and poet, popular throughout much of the world during his time. Scott was the first English-language author to have a truly international career in his lifetime, with many contemporary readers in Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley, The Heart of Midlothian, and The Bride of Lammermoor. Read by:  (2:35)  (13 July 1793 – 20 May 1864) was an English poet, the son of a farm labourer, who came to be known for his celebratory representations of the English countryside and his lamentation of its disruption. Read by:  (6:03) Morris Dance, Harlequin + hunchback  (12 March 1799 – 30 January 1888) was an English poet, and author of the famous poem The Spider and the Fly. She was educated at home, and read widely; she commenced writing verses at a very early age. Together with her husband, William Howitt, she wrote over 180 books. Read by:  (1:45)  (December 15, 1845 – July 29, 1928) was an American writer and historian. She devoted herself chiefly to the study of the social history of the Colonial and Revolutionary periods of the United States, wrote a number of entertaining books and magazine articles in this field, and was chosen historian of the The National Society of the Colonial Dames of America. Read by:  (12:07) Christmas on Wheels (1895) By: Willis Boyd Allen -   From: Christmas on Wheels -   eText:    Read by: David Wales -   Christmas and the Literature of Disillusion (1908) By: Samuel McCord Crothers -   From: By the Christmas Fire -   eText:   Read by: Andrew Ordover -   Barney's Tale of the Wee Red Cap (1916) By: Ruth Sawyer -   From: This Way to Christmas -   eText:   Read by: Jonathan Uffelman _____ Digital Premium Audiobook Shop:  CraftLit's Socials Find everything here: Join the newsletter:  Podcast site: Facebook:  Facebook group:  Pinterest:  TikTok podcast:  Spooky Narration:  Email: Call and share your thoughts! 1-206-350-1642 SUPPORT THE SHOW! CraftLit App Premium feed  (only one tier available) PATREON:  (all tiers, below) Walter Harright - $5/mo for the same audio as on App Jane Eyre - $10/mo for even-month Book Parties Mina Harker - $15/mo for odd-month Watch Parties All tiers and benefits are also available as —YouTube Channel Memberships —Ko-Fi NEW at  — Premium SITE Membership  (identical to Patreon except more of your support goes to the CraftLit Team) If you want to join us for a particular Book or Watch Party but you don't want to subscribe, please use  or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list. Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) Call 1-206-350-1642

Welcome to Day 2504 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom Day 2504 – A Final Farewell – Daily Wisdom – Colossians 4:7-18 Putnam Church Message – 11/10/2024 Jesus Christ, Our Leader – A Friendly Farewell Colossians 4:7-18 Last week, we explored The Big Deal About “Little” Things and how important our vertical and horizontal communications are: our talk and our walk reflect our new life in Christ. This week, we will finish Paul's letter to the Colossians chapter 4:7-18 in a message titled ‘A Friendly Farewell.' It is on page 1835 of your Pew Bibles, but I will read it from the NLT  7 Tychicus will give you a full report about how I am getting along. He is a beloved brother and faithful helper who serves with me in the Lord's work. 8 I have sent him to you for this very purpose—to let you know how we are doing and to encourage you. 9 I am also sending Onesimus, a faithful and beloved brother, one of your own people. He and Tychicus will tell you everything that's happening here. 10 Aristarchus, who is in prison with me, sends you his greetings, and so does Mark, Barnabas's cousin.| As you were instructed before, make Mark welcome if he comes your way. 11 Jesus (the one we call Justus) also sends his greetings. These are the only Jewish believers among my co-workers; they are working with me here for the Kingdom of God. And what a comfort they have been! 12 Epaphras, a member of your own fellowship and a servant of Christ Jesus, sends you his greetings. He always prays earnestly for you, asking God to make you strong and perfect, fully confident that you are following the whole will of God. 13 I can assure you that he prays hard for you and also for the believers in Laodicea and Hierapolis. 14 Luke, the beloved doctor, sends his greetings, and so does Demas. 15 Please give my greetings to our brothers and sisters[b] at Laodicea, and to Nympha and the church that meets in her house. 16 After you have read this letter, pass it on to the church at Laodicea so they can read it, too. And you should read the letter I wrote to them. 17 And say to Archippus, “Be sure to carry out the ministry the Lord gave you.” 18 HERE IS MY GREETING IN MY OWN HANDWRITING—PAUL. Remember my chains. May God's grace be with you. The great poet Samuel Taylor Coleridge wrote a poem, “Friendship is a sheltering tree.” How right he was. Think about it. Friends reach out to us and offer us refuge like the branches of a tree. They give us shade, shelter, provision, and protection. They invite us to a familiar place of refreshment, retreat, and repose. In particular, true friends provide three vital...

Welcome back to The Literary Life podcast and the wrap up of our series on Samuel Taylor Coleridge's Rime of the Ancient Mariner. Today Angelina and Thomas cover the second half of the poem, beginning with some more discussion about the Romantic poets and what they were trying to do through their work. They talk at some length about the importance of imagination and fantasy in response to the focus on realism and science. After this, Thomas reads aloud some of the most important passages in this section of the poem. Angelina brings up the importance of understanding Deism in relation to Romanticism. To see all the books and get the full show notes for today's episode, visit our website for the complete show notes here: https://www.theliterary.life/249/.

On today's episode of The Literary Life, Angelina and Thomas discuss the first half of Samuel Taylor Coleridge's Rime of the Ancient Mariner. They review some of the ideas covered last week, particularly Romanticism and the harkening back to the medieval tradition in contrast to the Neo-Classicism that preceded this period. Thomas sets up the plot with an explanation of the “frame tale,” then reads several of the opening stanzas, pausing frequently for commentary and discussion with Angelina. They talk about the symbolism of the albatross, plus so much more! To see all the books and get the full show notes for today's episode, visit our website for the complete show notes here: https://www.theliterary.life/248/.

On The Literary Life podcast this week, Angelina Stanford and Thomas Banks begin their newest series, this time discussing Samuel Taylor Coleridge's Rime of the Ancient Mariner. First, Thomas and Angelina speak to the question of different editions of this poem, then they dive into the background on Coleridge, William Wordsworth, and the lyrical ballads. They discuss the artistic and cultural moment in which Coleridge is writing, particularly the Romantic period in literature. Angelina talks about the Romantics and why they used so much medieval language and used allegory so heavily. She shares some examples of the writers in this vein seeking to rediscover and return to ancient tradition and stories. Thomas also considers Coleridge as a poet and a person. Finally, they give some helpful information and tips for those approaching this text for the first time. To see all the books and get the full show notes for today's episode, visit our website for the complete show notes here: https://www.theliterary.life/247/.

Sharpen your stakes and have your garlic handy, as for this week's Haunting Season-themed bonus episode we're opening up some deliciously rich veins of history to explore the history and folklore of Vampires!Part of the "Three Ravens Bestiary" series, we start by discussing how the creation of the vampire as a figure in popular culture has its roots in the 19th century, all before digging back into the past to unearth the origins of vampire legend. This includes the story of how European anatomists and natural philosophers came to learn of the vampire bat, how they tried to fit it into their models of the 'scientific' universe, and how Gothic writers, not least Bram Stoker, exploited these ideas for dramatic effect.Before long though, we're whipping back to the first arrival of the word 'vampire' in English texts during the 1730s, exploring how and why tales of Eastern European vampirism and superstition made their ways to Great Britain, and drowning in the rich and bloody history of vampire-like creatures in ancient mythology.From the Ancient Mesopotamian Ekimmu to Lilith, Adam's Biblical first wife, Classical beliefs in the cannibalistic owl-witch hybrids "The Strix" to India's demonic vetala, we track through how forms of cultural imperialism - whether it be towards the ancient Scythians or Renaissance Catholics, or the entirety of Asia according to some sources - saw ideas of blood drinking and the vampiric exploited to dehumanise perceived enemies. How these ideas transformed into modern concepts of the vampire, via Robert Southey, Samuel Taylor Coleridge, Lord Byron, and a host of other writers and cultural figures, we'll leave you to discover. But, suffice to say, it's a shadowy journey filled with magic, horror, and quite a lot of repressed sexuality...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The title of today's poem is a mouthful, but it is fittingly emblematic of the poet's full heart. Happy reading! Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Content warning: This episode discusses mental affliction, self-harm, and suicide.  The United States surgeon general says there should be a tobacco-style warning for social media. Why? Because the mental health crisis among young people is reaching seriously harmful levels. On this episode, associate professor, author, and cofounder and editor in chief of Christ and Pop Culture Alan Noble joins Russell Moore to discuss what such a warning may look like and the modern state of affairs in the public square. Noble and Moore talk about Noble's latest book, On Getting Out of Bed, and the differences between mental affliction and mental illness. The conversation covers the importance of friendship, embracing life as an act of worship, and how men can embody healthy masculinity.  Resources mentioned in this episode or recommended by the guest include: “U.S. surgeon general calls for tobacco-style warning labels for social media” Alan's #NobleWords Memes Christ and Pop Culture And Campaign Disruptive Witness: Speaking Truth in a Distracted Age by Alan Noble You Are Not Your Own: Belonging to God in an Inhuman World by Alan Noble On Getting Out of Bed: The Burden and Gift of Living by Alan Noble Mariner: A Voyage with Samuel Taylor Coleridge by Malcolm Guite Resonance: A Sociology of Our Relationship to the World by Hartmut Rosa Click here for a trial subscription at Christianity Today. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Dr. Jocelyn Chadwick interview fellow of the Royal Society of Literature and the British Academy, Prof. Richard Holmes. Prof. Holmes delves into the life and literary legacy of Samuel Taylor Coleridge, one of the most significant poets of the Romantic era. Holmes offers a comprehensive overview of Coleridge’s early education, […]

This week, we examine Samuel Taylor Coleridge's poem about a strange voyage as told by an ancient mariner to a man on the street. It starts of as amusing, but then grows darker... Nighty Night is sponsored by Progressive! Quote today at Progressive.com to try the Name Your Price® tool for yourself, and join the over 28 million drivers who trust Progressive.

John J. Miller is joined by Kirsten Hall Herlin of the University of Austin to discuss Samuel Taylor Coleridge's 'The Rime of the Ancient Mariner.'

There's an unintentional thread that runs through this quarterly books episode: apocalyptic themes. "That probably tells you what my headspace is right now,” says Russell Moore. Later, he adds, “There is a reckoning in these books.”  On this episode of The Russell Moore Show, Moore and producer Ashley Hales talk about books, authors, and storytelling. They discuss what draws readers to fateful accounts and trace such tales from the Psalms up to new releases. Their reads span from poetry to prose and sermons to songs. Tune in for an episode that is as honest about the darkness as it is certain of the light. Books and resources mentioned in this episode include: I Cheerfully Refuse by Leif Enger The Faithful Spy, Dietrich Bonhoeffer, and the Plot to Kill Hitler by John Hendricks The Crisis of Narration by Byung-Chul Han The Doors of the Sea: Where Was God in the Tsunami? by David Bentley Hart The Message in the Bottle: How Queer Man Is, How Queer Language Is, and What One Has to Do with the Other by Walker Percy Wrestling with God: The Meditations of Richard Marius edited by Nancy Grisham Anderson Praying with the Psalms: A Year of Daily Prayers and Reflections on the Words of David by Eugene Peterson The Brothers Karamazov by Fyodor Dostoevsky “The Working of the Spirit”  “God Is Always Doing 10,000 Things in Your Life”  Martin Luther: The Christian between God and Death by Richard Marius Richard Mouw “Dr. Russell Moore on the Power of Prayer” “Eugene Peterson – Answering God” The Songs of Jesus: A Year of Daily Devotions in the Psalms by Timothy Keller Mariner: A Voyage with Samuel Taylor Coleridge by Malcolm Guite The Rime of the Ancient Mariner and Other Poems by Samuel Taylor Coleridge Aegypt by John Crowley Do you have a question for Russell Moore? Send it to questions@russellmoore.com. Click here for a trial membership at Christianity Today. “The Russell Moore Show” is a production of Christianity Today Executive Producers: Erik Petrik, Russell Moore, and Mike Cosper Host: Russell Moore Producer: Ashley Hales Associate Producers: Abby Perry and McKenzie Hill Director of Operations for CT Media: Matt Stevens Audio engineering by Dan Phelps Video producer: Abby Egan Theme Song: “Dusty Delta Day” by Lennon Hutton Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Literary Life podcast Angelina Stanford is joined by friends and fellow readers Cindy Rollins, Emily Raible, and Jone Rose to discuss how to deal with overwhelm with your literary life. Angelina opens the conversation with the acknowledgment that everyone has moments when they feel overwhelmed by the amount of things to read and to know. Jone talks about how she tries to avoid comparing herself and her reading life to that of others. Cindy talks about how she has seen the Enemy twist something that is a good gift and made it into a negative. Other encouraging and helpful ideas they discuss are the following: motivation of making connections, how to work up to more challenging books, protecting your brain and attention span, learning to enjoy the feast, and continuing the literary life for the long haul. Find out more about Cindy's summer Narration Bootcamps over at MorningTimeforMoms.com. Look for more information about the summer classes over HouseofHumaneLetters.com, too! Commonplace Quotes: Now you must remember, whenever you have to deal with him, that Analysis, like fire, is a very good servant but a very bad master, for having got his freedom only of late years or so he is, like young men when they come suddenly to be their own masters, apt to be conceited and to fancy that he knows everything when he really knows nothing and can never know anything but only knows about things, which is a different matter. Emily shares her eye-opening understanding after starting out discouraged about being “behind” in her self-education journey. Charles Kingsley Words can come to the ear like blowing wind and neither stop nor remain, just passing by like fleeting time, if hearts and minds aren't awake, aren't ready and willing to receive them. Only the heart can take them in and hold them and keep them. Chrétrien de Troyes, trans. by Burton Raffel, from Yvain, The Knight of the Lion I have my doubts about all this real value in mountaineering, of getting to the top of everywhere and overlooking everything. Satan was the most celebrated of alpine guides when he took Jesus to the top of an exceeding high mountain and showed him all the kingdoms of the earth. But the joy of Satan standing on a peak, in not a joy in largeness, but a joy in beholding smallness in the fact that all men look like insects at his feet. It is from the valley that things look large. It is from the level that things look high. I am a child of the level and have no need of that celebrated alpine guide. Everything is an attitude of the mind, and at this moment I am in comfortable attitude. I will sit still and let the marvels and the adventures settle on me like flies. There are plenty of them, I assure you. The world will never starve for want of wonders, but only for want of wonder. G. K. Chesterton, from Tremendous Trifles And prodigies with a vengeance have I known thus produced, prodigies of self-conceit, shallowness, arrogance, and infidelity. Instead of storing the memory during the period when the memory is the predominant faculty with facts for the after-exercise of the judgement, and instead of awakening by the noblest models the fond and unmixed love and admiration which is the natural and graceful temper of early youth, these nurslings of improved pedagogy are taught to dispute and decide, to suspect all but their own and their lecturers' wisdom and to hold nothing sacred from their contempt but their own contemptible arrogance, boy graduates in all the technicals and in all the dirty passions and impudence of anonymous criticism. Samuel Taylor Coleridge, as quoted in Mariner by Malcom Guite from “Il Penseroso” by John Bunyan But let my due feet never failTo walk the studious cloister's pale,And love the high embowed roof,With antique pillars massy proof,And storied windows richly dight,Casting a dim religious light.There let the pealing organ blow,To the full-voic'd quire below,In service high, and anthems clear,As may with sweetness, through mine ear,Dissolve me into ecstasies,And bring all Heav'n before mine eyes.And may at last my weary ageFind out the peaceful hermitage,The hairy gown and mossy cell,Where I may sit and rightly spellOf every star that Heav'n doth shew,And every herb that sips the dew;Till old experience do attainTo something like prophetic strain.These pleasures, Melancholy, give,And I with thee will choose to live. Book List: Beyond Mere Motherhood by Cindy Rollins The Life of Samuel Johnson by James Boswell Little Women by Louisa May Alcott Treasure Island by Robert Louis Stevenson The Hobbit by J. R. R. Tolkien Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

The ancient Mariner kills his Albatross with a carelessness that stands in stark contrast to his impulse for confession. For several days he and his shipmates feed the albatross, play with it, and treat it as if it were inhabited by a “Christian soul.” The mariner never tells the wedding guest why it is that he kills the bird, but the casual and seemingly unmotivated act is followed by a psychedelic nightmare that gives us some clues. Why do we rebel against our position within the natural world, even to the point of self-destruction? What is required to restore us? Today we discuss Samuel Taylor Coleridge's classic poem, “The Rime of the Ancient Mariner.” 

The Tortured Poets Department, Taylor Swift's 11th studio album, finds her in the world of literature. She interweaves personal romance with mythical creation and quotations from from Genesis, Peter Pan and Playstation. Despite calling herself a "modern idiot," less-than-subtle nods to Sylvia Plath, Samuel Taylor Coleridge, Dylan Thomas, and Patti Smith reveal the artist's literary aspirations. The full length Anthology version traverses genres from pulp, to diary entry, to period piece, to epic poems to her very own genre, Taylor Swift. Learn more about your ad choices. Visit podcastchoices.com/adchoices