Podcasts about studio voltaire

One afternoon in 1895, while being transported to prison Oscar Wilde was made to stand on a railway platform, where people jeered and spat at him – a humiliating ordeal. This episode takes us to south west London, where the poet and playwright paved the way for LGBTQ+ rights through his experience and is remembered with a very special plaque. London's LGBTQ+ history can sometimes feel hard to see or find, as much of it is hidden, lost or goes untold. Supported by the Mayor of London, Sadiq Khan, London's rainbow plaques are designed to highlight this heritage in our streets.  What does it mean to queer Londoners to see LGBTQ+ histories commemorated in the city where they live, work and love? In this episode, we talk to queer Londoners today about the importance of recognising significant people, places and moments in LGBTQ+ history, through the lens of the city's rainbow plaques and beyond. Listeners should be advised that this episode contains a single swear word at 13m41s. You may like to skip forward by a couple of seconds if you don't want to hear this. ---------- Presenter: Aindrea Emelife, Curator of Modern and Contemporary at MOWAA (Museum of West African Art). Contributors: Christopher Sweeney, host of the podcast Homo Sapiens; David Robson, Lambeth Council and former chair of Wandsworth LGBTQ+ Forum London LGBT Forums Network ; Jack Guinness, founder of The Queer Bible; Laura Harford, curator, Studio Voltaire; Paula Akpan, journalist and historian, founder of The Black Queer Travel Guide. *LGBTQ+ encompasses: Lesbian, Gay, Bisexual, Trans, Queer, and + includes indicates other categories such as Questioning, Asexual, Intersex, Pansexual. Produced by Sylvie Carlos. Sound design by Weyland Mckenzie-Witter. Hosted on Spotify. The views and opinions expressed in this podcast series are those of the speakers and do not necessarily reflect those of the Mayor of London.

This week: we explore the Art Institute of Chicago's exhibition dedicated to what Georgia O'Keeffe called her New Yorks—paintings of skyscrapers and views from one of them across the East River, which marked a turning point in her career. Sarah Kelly Oehler, one of the curators of the show, tells us more. One of the most distinctive of all London's contemporary art spaces, Studio Voltaire, is celebrating its 30th anniversary this year, and has begun a fundraising drive to consolidate its future, with a gala dinner this week and a Christie's auction later this month. We talk to the chair of Studio Voltaire's trustees and a non-executive director of Frieze, Victoria Siddall, about the anniversary and the precarious funding landscape, even for the UK's most dynamic non-profits. And this episode's Work of the Week is an untitled painting from the Austrian painter Martha Jungwirth's 2022 series Francisco de Goya, Still Life with Ribs and Lamb's Head. Based on a work by the Spanish master in the Louvre in Paris, Jungwirth's painting features in a new survey of her work that has just opened at the Guggenheim Bilbao in Spain. We speak to its curator, Lekha Hileman Waitoller.Georgia O'Keeffe: My New Yorks, Art Institute of Chicago, until 22 September; High Museum of Art, Atlanta, from 25 October-16 February 2025.The date of XXX, as the sale of works to benefit Studio Voltaire at Christie's is called, is yet to be confirmed. Check the organisations' websites for updates; Beryl Cook/Tom of Finland, Studio Voltaire, London, until 25 August.Martha Jungwirth, Guggenheim Bilbao, until 22 September. Hosted on Acast. See acast.com/privacy for more information.

On this week's Spectator Out Loud: Quentin Letts takes us through his diary for the week (1:12); Owen Matthews details the shadow fleet helping Russia to evade sanctions (7:15); Michael Hann reports on the country music revival (15:05); Laura Gascoigne reviews exhibitions at the Tate Britain and at Studio Voltaire (21:20); and, Michael Simmons provides his notes on the post-pub stable, the doner kebab (26:20).   Produced by Patrick Gibbons and Oscar Edmondson.  

On this week's Spectator Out Loud: Quentin Letts takes us through his diary for the week (1:12); Owen Matthews details the shadow fleet helping Russia to evade sanctions (7:15); Michael Hann reports on the country music revival (15:05); Laura Gascoigne reviews exhibitions at the Tate Britain and at Studio Voltaire (21:20); and, Michael Simmons provides his notes on the post-pub stable, the doner kebab (26:20).   Produced by Patrick Gibbons and Oscar Edmondson.  

This week: On Monday, tents sprung up at Oxford and Cambridge as part of a global, pro-Palestinian student protest which began at Columbia University. In his cover piece, Yascha Mounk, a professor at Johns Hopkins University, explains how universities in both the US and the UK have misguidedly harboured and actively encouraged absurdist activism on campuses. Yascha joined the podcast to discuss further. (01:57) Next: Bugs, biscuits, trench foot: a dispatch from the front line of the protests. The Spectator's Angus Colwell joined students at tent encampments this week at UCL, Oxford and Cambridge. He found academics joining in with the carnival atmosphere. At Cambridge one don even attended with their baby in tow. ‘Peaceful protest? Rubbish it does nothing,' a UCL student tells him. ‘Zionist attitudes start young, and we need our institutions to correct that. None of us are free until all of us are free, until Zionism is gone.' One Jewish UCL student claims they were spat at by protestors ‘who told us to go back to Poland'. As part of his research, Angus sat down with Anwar, a spokesperson for the protestors at University College London and he sent us that conversation, which you can hear on the podcast. (17:34) Then: Lara and Will take us through some of their favourite pieces from the magazine, including Philip Hensher's Life column and James Delingpole's review of Shardlake on Disney +. And finally: should we take Beryl Cook more seriously? In his arts lead for the magazine this week, Julian Spalding writes about Beryl Cook whose unique art is celebrated by many as an exuberant take on everyday life. However she is often looked down upon within the art establishment. To coincide with a new exhibition of her work at Studio Voltaire we thought we would reappraise her legacy with Julian and Rachel Campbell-Johnston, former chief art critic at the Times. (29:44) Hosted by William Moore and Lara Prendergast.  Produced by Oscar Edmondson. 

This week: On Monday, tents sprung up at Oxford and Cambridge as part of a global, pro-Palestinian student protest which began at Columbia University. In his cover piece, Yascha Mounk, a professor at Johns Hopkins University, explains how universities in both the US and the UK have misguidedly harboured and actively encouraged absurdist activism on campuses. Yascha joined the podcast to discuss further. (01:57) Next: Bugs, biscuits, trench foot: a dispatch from the front line of the protests. The Spectator's Angus Colwell joined students at tent encampments this week at UCL, Oxford and Cambridge. He found academics joining in with the carnival atmosphere. At Cambridge one don even attended with their baby in tow. ‘Peaceful protest? Rubbish it does nothing,' a UCL student tells him. ‘Zionist attitudes start young, and we need our institutions to correct that. None of us are free until all of us are free, until Zionism is gone.' One Jewish UCL student claims they were spat at by protestors ‘who told us to go back to Poland'. As part of his research, Angus sat down with Anwar, a spokesperson for the protestors at University College London and he sent us that conversation, which you can hear on the podcast. (17:34) Then: Lara and Will take us through some of their favourite pieces from the magazine, including Philip Hensher's Life column and James Delingpole's review of Shardlake on Disney +. And finally: should we take Beryl Cook more seriously? In his arts lead for the magazine this week, Julian Spalding writes about Beryl Cook whose unique art is celebrated by many as an exuberant take on everyday life. However she is often looked down upon within the art establishment. To coincide with a new exhibition of her work at Studio Voltaire we thought we would reappraise her legacy with Julian and Rachel Campbell-Johnston, former chief art critic at the Times. (29:44) Hosted by William Moore and Lara Prendergast.  Produced by Oscar Edmondson. 

ART, SUSTAINABILITY & FUNDRAISING. Victoria Siddall is a non-executive Director of Frieze, a co-founder and trustee of Gallery Climate Coalition, and the Founding Director of Murmur, a new initiative that enables the worlds of visual arts and music to play their part in combatting the climate crisis. A strategic advisor to museums and businesses on art, sustainability and fundraising, Siddall is Chair of the board of trustees of Studio Voltaire, Cultural Trustee of the National Portrait Gallery and a trustee of the Ampersand Foundation UK. “Frieze Masters was the first fair that I launched and ran as Director.” “The aim is to unite the art and music industries and channel funds into the most impactful climate initiatives.” “Artists are really at the heart of the whole art ecosystem, so the investment there is critical.”

An habitué of the vibrant New York art, fashion and nightlife scene of the 1970s and 80s, where the crowd included Cookie Mueller, Basquiat and Holly Woodlawn, Covert's works featuring celebrity graves have become a life's journey. With his first solo show opening in London, he talks to Danielle Radojcin about past lives, future pilgrimages and being a survivor.

Frieze Masters presents this conversation with Anthea Hamilton & Nicholas Cullinan in partnership with Studio Voltaire @studiovoltairelondon. Their conversation explores the trajectory of Hamilton's work, the geopolitical basis of her identity as a ‘Londoner' and how elements from the ‘fourth dimension' shape her work.  “We're actually functioning in a four-dimensional space, and I tried to think about what might be in the fourth dimension, if it's not just depth. And for me, those fourth dimensional things are emotions, power, wealth, and those are the kinds of things I think, which are shaping the practice as it kind of goes forward." – Anthea Hamilton  Anthea Hamilton @hamiltonanthea was born in London in 1978, where she lives and works. Her approach has often focused on extended study into archives, scientific research and popular culture combining these with resonant images and objects in unusual and surreal ways. Nicholas Cullinan @nicholascullinan is an art historian, curator and Director of the National Portrait Gallery in London.  About the Frieze Masters Podcast  Exploring themes of identity, originality, geopolitics and Blackness through a historical lens, the new Frieze Masters Podcast is now available. Bringing together some of today's most celebrated artists, art historians and curators, the podcast launches with the Talks programme from the 2022 edition of Frieze Masters – one of the world's leading art fairs – and offers compelling insight into the influence of historical art on contemporary perspectives and creativity.     www.frieze.com  @friezeofficial

Mandala features the sounds of the artist Nnena Kalu creating an untitled work and the voice of ActionSpace Associate Artist, Charlotte Hollinshead.Nnena Kalu has created a vast body of sculptural and 2D artworks and developed a live, performative element to her practice. She is driven by an instinctive urge to build repeated marks and forms, creating intensely layered, visually impactful artworks with dense colours and compacted, flowing lines. Nnena has developed her artistic practice at the ActionSpace studio in Studio Voltaire since 1999.ActionSpace is London's leading development agency for learning disabled artists. All of their work is focused towards enabling learning disabled artists to have a professional career in the arts. View Nnena's work here whilst listening to Axel's sonic response throughout this episode.Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.Concept & Production by Lou Mensah Created by Axel KacoutiéInterludes is supported by Hauser & WirthRead more about this series in Hauser & Wirth Ursula Magazine Additional support by Frieze Membership, the community that champions art. Frieze members enjoy articles from the leading voices shaping today's art world, priority booking to Frieze fairs and unique perks along the way. Find out more on frieze.com/membership Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Following a two-year investigation into bullying, abuse and discrimination the Whyte Review into British Gymnastics is finally published. We hear from ex-gymnast Claire Heafford, co-founder and campaign director of Gymnasts 4 Change, and Sarah Moore, lawyer and partner at Hausfeld who are acting on behalf of 38 former elite gymnasts against British Gymnastics in relation to allegations of abuse. In her prize-winning memoir, Free: Coming of Age at the End of History, Lea Ypi describes what it was like to grow up in Albania under a strict communist regime. Lea joins us to talk about her extraordinary coming-of-age story in Europe's last Stalinist outpost. Rosie Kinchen explains how horticultural therapy helped her overcome depression after having her second child. She discusses finding solace in a community garden. Her newspaper only launched 14 weeks before the outbreak of war in Ukraine, but the Kyiv Independent now has over two million followers on Twitter, and has been described by Time Magazine as: "The world's primary source for reliable English-language journalism on the war." We speak to the Editor of the newspaper, Olga Rudenko. A new film, Below the Belt, documents the reality of living with endometriosis. We hear from director Shannon Cone. Listener Christian Peake inherited a huge stack of canvasses painted by her grandmother, the artist Maeve Gilmore, whose artistic work had been over-shadowed by her more famous husband Mervyn Peake. As time went on though she became increasingly determined to get Maeve's work the recognition she feels it deserves. Her grandmother's first exhibition is now on at Studio Voltaire in Clapham, London. Presenter: Anita Rani Producer: Lucy Wai Editor: Lucinda Montefiore

Last week, Prime Minister Boris Johnson unveiled his "benefits to bricks" plan to tackle the UK housing crisis - the chronic shortage of homes to rent and buy and climbing property prices. According to the charity Shelter at present across the UK there are currently 17.5 million adults without safe, secure or stable homes. If you include children in this number – it is 1 in 3. A new book Tenants is about people on the frontline of Britain's housing emergency – and describes particularly how a shortage of homes is affecting women. The author is journalist Vicky Spratt, housing correspondent for the I newspaper, and she joins Emma in the studio. Covid rates appear to be rising again and some experts are predicting a new wave of the virus over the summer. In the week to 2nd June, 1 in 65 people in the UK were testing positive – up from 1 in 70 the previous week. But do we actually need to worry about it – and if so, what should we be should we be doing to protect ourselves? Emma will be getting the thoughts of Professor Devi Sridhar, who's chair of global public health at Edinburgh University, and sits on the Scottish Government Covid-19 Advisory Group. Listener Christian Peake was given a huge stack of canvasses painted by her grandmother the artist Maeve Gilmore who had died when Christian was 11 and whose artistic work had been over-shadowed by her more famous husband Mervyn Peake. A busy teacher and mother, Christian didn't really know what to do with them. As time went on though she became increasingly determined to get Maeve's work the recognition she feels it deserves. She has created an online gallery at maeve_gilmore_archive on Instagram and her grandmother's first exhibition is currently on at Studio Voltaire in Clapham, London. A new report by healthcare charity Doctors of the World reveals that some migrant women have been charged up to £14,000 for NHS maternity services in England. The survey of 257 migrant women - including undocumented, refugee and asylum seeking women - shows that over a third have received a bill for maternity care. The bills range from £296 to £14,000 with half of those receiving a bill being charged more than £7000. To discuss the findings Emma is joined by Anna Miller, Head of Policy and Advocacy at Doctors of the World, and we hear from Kemi, who received a bill for £4900 after having an emergency caesarean section. Apparently, the naked dress is in - catwalk models and celebrities have been wearing dresses with depictions of the female form on them - some have gilded sculpted breasts with prominent nipples. Fashion journalist, Letty Cole gives her thoughts on this eye-catching new fashion trend.

Talk Art continues!!! We meet Actionspace's Sheryll Catto and Charlotte Hollinshead to discuss the inspiring art of Nnena Kalu!Nnena Kalu (b.1966) is a prolific artist working from ActionSpace's supported studio within Studio Voltaire since 1999. Over two decades Kalu has created a vast body of sculptural and 2D artworks and developed a live, performative element to her art practice. She is driven by an instinctive urge to build repeated marks and forms, creating intensely layered, visually impactful artworks with dense colours and compacted, flowing lines. Actionspace is London's leading development agency for artists with learning disabilities. Established in the 1960s, ActionSpace advocates for diversity within the contemporary visual arts sector by supporting artists with learning disabilities to develop their artistic practice, sell and exhibit work, amongst other creative projects. Nnena's drawings and sculptures are currently on view in Margate at Carl Freedman Gallery until 3rd April 2022. The exhibition is titled TO ALL THE KINGS WHO HAVE NO CROWNS curated by Jennifer Gilbert (previous Talk Art guest!) of the Jennifer Lauren Gallery. Free entry! A group show curated by @J_LGallery. Sheryll Catto joined ActionSpace as Co-Director in 2008, having worked in the creative sector for over 25 years. She has a personal and professional interest in supporting the development of creative practices and was attracted to ActionSpace because of our commitment to providing people with learning disabilities with the same opportunities as their peers in the contemporary visual arts sector.Charlotte Hollinshead has led the ActionSpace South London Studio at Studio Voltaire for over 21 years. She supports artists with complex disabilities to develop their individual arts practice and delivers an extensive range of commissions, projects, events and exhibitions including Nnena Kalu's solo exhibition for Studio Voltaire elsewhere in 2020. Charlotte manages ActionSpace's innovative participatory programme, including TUBELINES at Tate Exchange where ActionSpace artists created ambitious, interactive installations, artworks and live art happenings that invited participants to create alongside them and share their creative processes. Charlotte also has her own inclusive participatory practice Wild City, developing interactive sculptural works and installations for outdoor public events.Follow @Actionspace on Instagram! Learn more about Actionspace at their official website: https://actionspace.org/See Nnena's drawings and sculptures in Margate at Carl Freedman Gallery until 3rd April 2022. Follow @CarlFreedmanGallery for more details.Learn more about Nnena Kalu's work at these websites: https://actionspace.org/artists/nnena-kalu/ and https://www.studiovoltaire.org/whats-on/nnena-kalu-2/THANKS FOR LISTENING!!!! We love Actionspace, thanks to their team for this wonderful episode. Special thanks to Jennifer Gilbert. See acast.com/privacy for privacy and opt-out information.

William Scott is a self-taught artist based in Oakland, California. Scott works out of a gallery and studio called Creative Growth that advances the inclusion of artists with developmental disabilities. (Scott was born schizophrenic and is also on the autistic spectrum.) Scott Frequently describes himself as an architect, reinventing the social topography of a gentrified San Francisco, as a utopian city he calls ‘Praise Frisco' in works that combine architectural design with civic responsibility to describe his desire for a more equitable society. The first significant survey of Scott's 30–year practice was recently exhibited at Studio Voltaire - a London-based not–for–profit arts organisation. Notes: Michael Maltzan & David Ogunmuyiwa with Nana Biamah-Ofosu: The World and the City https://www.youtube.com/watch?v=fUuNhKqYni8&ab_channel=ArchitectureFoundation RESOLVE and PoOR Collective with Nana Biamah-Ofosu: The Cultural Meaning of the City https://www.youtube.com/watch?v=UH4W7yQqedY&ab_channel=ArchitectureFoundation Tom DiMaria and Matthew Higgs on the Work of William Scott: https://www.youtube.com/watch?v=fUuNhKqYni8&ab_channel=ArchitectureFoundation The Turner prize and the rise of neurodiverse art - The Guardian https://www.theguardian.com/artanddesign/2021/dec/23/turner-prize-rise-of-neurodiverse-art-project-herbert-coventry Roberta Smith and Holland Carter - Best Shows of 2021 https://www.nytimes.com/2021/12/07/arts/design/best-art-2021.html

Valeria Napoleone is an Italian collector, patron and philanthropist and lives in London with her family. Valeria studied in New York receiving a BA from New York University’s Journalism School and an MA in Art Gallery Administration at the Fashion Institute of Technology.Valeria has established a strong collection that focuses on female contemporary artists working internationally. Forming an exceptionally close bond with artists, she has provided pivotal support to the careers of many of today’s most critically acclaimed artists including Phyllida Barlow and Margarita Manzelli.In June 2015 Valeria launched ‘Valeria Napoleone XX’, an umbrella platform for projects and initiatives that work towards increasing the representation of female artists in major public institutions. Named to highlight both collaboration and the female chromosome, the platform launched with a partnership with the Contemporary Art Society. Their combined initiative is an on-going commitment to purchase and donate a significant work by a living female artist to a different UK museum each year. Valeria is a patron to a select number of arts organisations; as Head of the Development Committee at London based not for profit gallery Studio Voltaire; a Trustee of the Contemporary Art Society; she sits on the Boards of the Institute of Fine Arts in NYC; and an Advisory Board member of the Association of Women in the Arts. She has also been an avid supporter of many UK based institutions such as; Camden Arts Centre, Nottingham Contemporary, ICA London, Milton Keynes Gallery and Chisenhale Gallery.We met Valeria last summer as part of a guided tour of her home and collection with Sotheby’s Institute. She is an inspiration to us and we were thrilled to have spoken to her for this podcast.

Robert & Russell meet leading British artist Anthea Hamilton, best known for creating strange and surreal artworks and large-scale installations. Recorded on 5th January 2020 at Spiritland, Kings Cross.We discuss the experience of being a Turner Prize nominee, meeting Gaetano Pesce the Italian architect and design pioneer, working with curator Ruba Katrib from New York’s Sculpture Center and the important power of a “yes”. We explore her image archive, often printed-out images including Moschino fashion designs that inspired her iconic 'brick suits', the collaborations & editions made for Studio Voltaire’s House of Voltaire shop.We consider the benefits of being a geek, the influence of Kabuki theatre, collaborating with fashion designer Jonathan Anderson at Loewe and curator Linsey Young for ‘The Squash’ Duveen commission at Tate Britain, and her earlier performance based on mime at Serpentine. We learn about Anthea’s interest in film making, how she came to work with oat and rice cakes and sushi nori/seaweed within his sculptures, teaching at Open School East in Margate, working with images of Karl Lagerfeld and John Travolta and a key early film she made of herself singing ‘Somewhere Over the Rainbow’ slowed down and its inclusion in a group show curated by Sonya Boyce at Tate when she was 19.Follow @HamiltonAnthea on Instagram and official website website https://antheahamilton.com/. You can also view images at her gallery too @ThomasDaneGallery. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

We discuss McDermott & McGough’s inspiring Oscar Wilde Temple at Studio Voltaire in Clapham, and its link to Aesthetic Dress. McDermott & McGough, The Oscar Wilde Temple, Studio Voltaire, London (3 October 2018 – 28 April 2019): https://www.studiovoltaire.org/exhibitions/ The Oscar Wilde Temple: https://www.oscarwildetemple.org/ McDermott & McGough: http://www.mcdermottandmcgough.com/ V&A, An Introduction to the Aesthetic Movement (2018): https://www.vam.ac.uk/articles/an-introduction-to-the-aesthetic-movement Stella Mary Newton, Health, Art & Reason – Dress Reformers of the 19th Century (John Murray 1974) Liberty silk dress made by Denyer & Co, Museum of London (1881-82): https://collections.museumoflondon.org.uk/online/object/77441.html Opera Cape made of Liberty fabric, Museum of London (1893-98): https://collections.museumoflondon.org.uk/online/object/89403.html

In episode 59, Hannah went to the Oscar Wilde Temple at Studio Voltaire to learn all about Oscar Wilde and his legacy within the LGBTQ community. In this bonus episode featuring the full conversation, curator Alison Gingeras discusses how aestheticism aimed to break down class barriers, the influence Wilde's mother "Speranza" had on his life and how, along with artists David McDermott and Peter McGough, she's created a beautiful space that uses art to make sense of suffering.Contact: dumbwomenpod@gmail.comMusic by Harry Harris, logo design by Gavin Day. Recorded at Soho Radio Studios and Studio Voltaire. See acast.com/privacy for privacy and opt-out information.

Good news, folks – there's a 98% chance that this week's episode will effectively prevent pregnancy, mostly because of what Caroline reveals about her nose-picking habits. But before that, Alex finds out how long we've been sheathing penises in dead animal skin, Dr Jane Frail visits the studio to teach us how to breathe (and get revenge on an ex), and Hannah runs off to the Oscar Wilde Temple at Studio Voltaire, to find out more about the man himself and his legacy within the LGBTQ+ community from curator Alison Gingeras. Finally in our Smart Lesson, we workshop a more efficient way to talk about and break taboos. Contact: dumbwomenpod@gmail.comMusic by Harry Harris, logo design by Gavin Day. Recorded at Soho Radio Studios and Studio Voltaire. See acast.com/privacy for privacy and opt-out information.

Lætitia Sadier (Stereolab) discusses her upcoming Summer Music Residency at Studio Voltaire London - in this mix she soundtracks the 7 chakras in the human body. Buy Lætitia's latest album here: roughtrade.com/music/find-me-finding-you Read more about Lætitia's residency at Studio Voltaire here: studiovoltaire.org/exhibitions/forthcoming/

In this episode artist Keith Farquhar talks about his exhibition More Nudes in Colour, Glasgow. This new work – flat-pack, cardboard cut-out statues, are lightweight, easily transportable, disposable and can be (re)fabricated on demand from a digital file. They explore what it is to make permanent sculptural objects in the digital age. In partnership with Studio Voltaire and Focal Point Gallery, Southend-on-Sea. Supported by The Hope Scott Trust and Hugo Brown. Exhibition open: Fri 18 Feb 2011 - Sun 27 Mar 2011, Tue - Fri 12noon - 5pm, Sat and Sun 12 noon - 6pm, Free