Podcast appearances and mentions of Jonathan Anderson

Designer Simone Rocha makes her menswear runway debut today as guest designer at Pitti Uomo in Florence. Nicole Phelps sat down with Rocha just a few days ahead of the debut and to discuss why now felt like the right time to give her menswear line its own runway spotlight, how independence has shaped her career, and the family legacy behind her approach to design. Reflecting on everything from her days at Central Saint Martins to dressing figures like Paul Mescal and Josh O'Connor, Rocha shares her vision of a “tender, intimate masculinity”—and explains why she still loves surprising her audience.For headlines, Phelps and Chloe Malle are joined by Vogue Runway senior fashion news editor Max Berlinger for a globetrotting edition of The Run-Through that begins at the World Cup and ends on the menswear runways of Milan, Paris, and Florence. Fresh from France's opening match against Senegal at MetLife Stadium, Chloe reports on the tournament's unexpectedly chic sidelines—from sold-out Nike x Jacquemus training jerseys to French players arriving with covetable Chanel and Hermès bags. The trio also discusses New York's euphoric Knicks celebrations and why sports fandom is becoming one of fashion's most compelling new front rows.Then, attention turns to the upcoming men's shows. The hosts break down what to expect from Milan, where Ralph Lauren's return continues what Max dubs a “Ralph-aissance,” alongside runway outings from Prada and Armani. In Paris, anticipation is building around Michael Rider's first standalone menswear show for Celine, Jonathan Anderson's evolving vision for Dior Men, Sarah Burton's menswear debut at Givenchy, and Simon Porte Jacquemus's grand finale in Corsica. Along the way, the conversation touches on the return of slimmer silhouettes, the rise of low-profile footwear, and the designers poised to define the next chapter of menswear.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Ffilm o 2008 gan Jonathan Anderson yw Time and Tide, sy'n para 10 funud 18 eiliad. Mae'r ffilm yn darlunio tŷ syml ar ffurf fechan yng nghanol y sgrin, wedi'i wneud o dywod heb ffenestri na drysau, ar draeth ym Mae Abertawe ar ddiwedd prynhawn gwyntog o aeaf, gyda gwrid gwasgarog pelydrau'r haul yn gynnar fin nos yn adlewyrchu ar draws y dŵr. Mae'r llanw'n sgubo'n ysgafn tuag at y tŷ gan ddisgleirio gydag ewyn gwyn wrth iddo ymchwyddo'n dawel, gan dynnu tywod a gwaddodion ar draws y traeth gyda phob ton. Yn raddol mae'r tonnau meddal yn erydu sylfaen y tŷ, nes iddo ddechrau cwympo gan golli pob ffurf yn y pen draw cyn i'r tywod ddod yn rhan o'r traeth unwaith eto. Mae'r ffilm yn rhan o gyfres 'House' yr artist ac fe'i prynwyd yn 2011. Mae pedwar gwaith celf o'r gyfres hon yng nghasgliad parhaol yr oriel, Time and Tide, Sand House Mould, Concrete house a Concrete House with Coal Seam. Mae'r gwrthrychau y mae Anderson yn eu gwneud i bob golwg yn ymddangos yn syml ac fe'u gwneir yn aml o ddeunyddiau a gafwyd fel pridd, tywod, cerrig a llwch glo. Mae arwyddocâd arbennig y defnydd o lo yn gysylltiedig â gorffennol diwydiannol, cymdeithasol a gwleidyddol de Cymru wrth wneud sylw hefyd ar faterion amgylcheddol cyfredol. Defnyddiwyd cerflun Sand House Mould a wnaed o wydr ffibr, paent sglein a llwch glo, fel offeryn i greu'r tŷ tywod yn y ffilm. Mae'r tŷ tywod ar ffurf fechan yn drosiad ar gyfer natur ddi-ildio bywyd sy'n destun grymoedd amgylcheddol y tu hwnt i reolaeth ddynol, ac mae'n ein hatgoffa o sylw Geoffrey Chaucer, sef ‘nid erys amser'. Roedd y detholwr Meg Anthony, Cyfarwyddwr Oriel Myrddin, Caerfyrddin ar y pryd, o'r farn bod 'y gweithiau hyn yn farddonol ac yn hynod deimladwy gan fod ffurf y tŷ yn ein tynnu'n agos at enaid yr artist yn ogystal â chwestiynu anghytgord ar lefel gymdeithasol a gwleidyddol'.

Time and Tide is a 2008 film by Jonathan Anderson, duration 10 minutes 18 seconds. The film depicts a simple miniature house in the centre of the screen, made of sand without windows or doors, on Swansea Bay beach on a windy winter late afternoon, the diffused glow of early evening sunlight rays reflecting across the water. The tide gently sweeping towards the house glistening with white foam as it surges peacefully, pulling sand and sediment across the beach with every wave. Gradually the soft waves erode the foundation of the house, until it slowly begins to collapse in on itself and eventually loses all form before the sand once again becomes part of the beach. The film is part of the artists ‘House' series and was acquired in 2011. There are four artworks from this series in the galleries permanent collection, Sandhouse, Sand House Mould, Concrete house and Concrete House with Coal Seam. The objects that Anderson makes are deceptively simple and are often made of found materials such as soil, sand, stone and coal dust. The particular significance of the use of coal has resonance with South Wales's industrial, social and political past whilst also making a commentary on current environmental issues. The Sand House Mould Sculpture made of fibreglass, gloss paint and coal dust was used as the tool to create the sand house in the film. The miniature sand house a metaphor for the intransigent nature of life which is subject to environmental forces beyond human control and brings to mind Geoffrey Chaucer's comment that ‘time and tide wait for no man'. Selector Meg Anthony, Director of Oriel Myrddin, Carmarthen at the time, considered ‘these works to be both poetic and profoundly moving as the house form draws us close to the artist's psyche as well as questioning (dis)harmony on a social and political level'.

Mae Sandhouse yn ffilm o 2006 gan Jonathan Anderson, sy'n para 2 funud 44 eiliad. Mae'r ffilm yn darlunio tŷ ar ffurf fechan yng nghanol y sgrîn, wedi'i wneud o dywod heb ffenestri na drysau, ar draeth ym Mae Abertawe ar brynhawn gwyntog o wanwyn, wedi'i amgylchynu gan ddŵr ysgafn ewynnog wrth i'r tonnau ddechrau ysgubo ar draws o'r tu ôl i'r tŷ tuag atom. Mae darnau o wymon a cherigos wedi'u gwasgaru yn y tywod o amgylch y tŷ sy'n siglo'n ysgafn ar draws y dŵr wrth i'r llanw eu golchi i ffwrdd. Mae'r tonnau ysgafn yn taro ochrau'r tŷ, un ar ôl y llall, gan erydu'r waliau'n raddol nes bod y tywod unwaith eto'n dod yn rhan o'r traeth. Mae'r ffilm yn rhan o gyfres 'House' yr artist ac fe'i prynwyd yn 2011. Mae pedwar gwaith celf o'r gyfres hon yng nghasgliad parhaol yr oriel, Time and Tide, Sand House Mould, Concrete house a Concrete House with Coal Seam. Mae'r gwrthrychau y mae Anderson yn eu gwneud i bob golwg yn ymddangos yn syml ac fe'u gwneir yn aml o ddeunyddiau a gafwyd fel pridd, tywod, cerrig a llwch glo. Mae arwyddocâd arbennig y defnydd o lo yn gysylltiedig â gorffennol diwydiannol, cymdeithasol a gwleidyddol de Cymru wrth wneud sylw hefyd ar faterion amgylcheddol cyfredol. Defnyddiwyd cerflun Sand House Mould a wnaed o wydr ffibr, paent sglein a llwch glo fel offeryn i greu'r tŷ tywod yn y ffilm. Mae'r tŷ tywod ar ffurf fechan yn drosiad ar gyfer natur ddi-ildio bywyd sy'n destun grymoedd amgylcheddol y tu hwnt i reolaeth ddynol. Roedd y detholwr Meg Anthony, Cyfarwyddwr Oriel Myrddin, Caerfyrddin ar y pryd, o'r farn bod 'y gweithiau hyn yn farddonol ac yn hynod deimladwy gan fod ffurf y tŷ yn ein tynnu'n agos at enaid yr artist yn ogystal â chwestiynu anghytgord ar lefel gymdeithasol a gwleidyddol'.

Sandhouse is a 2006 film by Jonathan Anderson, duration 2 minutes 44 seconds. The film depicts a miniature house in the centre of the screen, made of sand without windows or doors, on Swansea Bay beach on a windy Spring afternoon, surrounded by foamy gentle water as waves begin to sweep across from behind the house towards us. Scattered in the sand around the house are fragments of seaweed and pebbles that sway gently across the water as the tide washes them away. The gentle waves crash into the sides of the house, one after another, gradually eroding the walls until the sand once again becomes part of the beach. The film is part of the artists ‘House' series and was acquired in 2011. There are four artworks from this series in the galleries permanent collection, Time and Tide, Sand House Mould, Concrete house and Concrete House with Coal Seam. The objects that Anderson makes are deceptively simple and are often made of found materials such as soil, sand, stone and coal dust. The particular significance of the use of coal has resonance with South Wales's industrial, social and political past whilst also making a commentary on current environmental issues. The Sand House Mould Sculpture made of fibreglass, gloss paint and coal dust was used as the tool to create the sand house in the film. The miniature sand house a metaphor for the intransigent nature of life which is subject to environmental forces beyond human control. Selector Meg Anthony, Director of Oriel Myrddin, Carmarthen at the time, considered ‘these works to be both poetic and profoundly moving as the house form draws us close to the artist's psyche as well as questioning (dis)harmony on a social and political level'.

Every summer, there's that one defining piece -- the Havaianas, the jelly sandals, the Miu Miu cowboy hat. But this year? It's quiet. Search "summer trends 2026" and the only thing coming up is the color blue. So I brought Gab Waller back for our annual Summer trends episode. Gab is one of the most in-demand personal shoppers in fashion. She shares what her clients are buying, what's selling out, and what's all over our feeds that no one is actually requesting.Consider this your real-time summer 2026 trend report, straight from the woman sourcing it all.Shop everything mentioned in this episode!In this episode, we get into:Why summer 2026 feels different — and the trend slowdown no one is talking aboutThe color of the summer (and why I'm fully in my blue era)Gab's pick for the trending summer sandal and the thong strap momentThe beach bag worth investing in this season — and Gab's take on the ALC bags everyone is asking aboutLight summer jackets and layering pieces for the in-between weather daysThe full jean shorts debate — are we still wearing them?The biggest difference Gab is seeing this summer vs. last summerThe one item Gab's clients are requesting on repeat right nowThe trend all over social media that no one is actually DMing her to sourceWhether clients are actually buying into the new designer eras — Demna at Gucci, Jonathan Anderson at Dior, and moreRapid fire on the biggest trends: silk taffeta pants, CBK minimalism, cerulean blue, oversized sunnies, big buckle belts, graphic teesWorld Cup dressing — track pants, jerseys, and the vintage workout wear comebackLet's Get You Dressed: outfit ideas for the listener who doesn't wear shorts or sandalsTimestamps:00:00 Intro and what Gab is wearing 00:35 The Chanel gold rush and items Gab can't keep up with 03:00 Are Chanel's viral pieces losing steam?03:49 The Chanel barefoot sandal 07:00 Why there's no defining summer 2026 trend 08:00 Miu Miu, Celine, and the brands actually selling right now 12:00 The bags of the summer: Celine raffia, Miu Miu wicker, Chanel Coco Beach 17:00 The Saint Laurent jacket everyone wants18:00 Vintage athletic wear and World Cup dressing 20:30 Embellished sandals from Chanel and Celine 23:30 Big buckle belts having their moment 24:30 Brand allegiance and the quiet logo era 25:00 Dior under Jonathan Anderson and the bow heel obsession 27:20 The color of the summer 29:20 The Row flip-flop effect: what's trending vs what's selling 32:30 Fun is back in fashion 33:50 Rapid fire where to shop trends39:37 What to wear this Summer that isn't jean shorts and sandals41:45 OutroLet's Get DressedYouTube: https://www.youtube.com/@livvperezInstagram: https://www.instagram.com/letsgetdressedpod/Newsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

Jonathan Anderson kończy serię debiutanckich kolekcji dla domu mody Dior pokazem Cruise 2027. Po raz kolejny projektant udowadnia, że jest nie tylko genialnym projektantem i estetą, ale także świetnym reżyserem własnego sukcesu. Na tle planu filmowego Los Angeles w jednym scenariuszu połączył historię Diora z kinem, archiwalne projekty z nowoczesną wizją domu mody oraz własne fascynacje światem filmu.   Autorka: Ewelina Kołodziej   Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/kolekcja-dior-cruise-2027-jonathan-anderson-los-angeles-recenzja-pokazu

We’re diving into the 2026 Met Gala red carpet, where the fashion was only half the story. From surprise arrivals to late entrances that completely shifted the night’s energy, this year’s event delivered more chaos than ever. We break down the biggest fashion moments, including Beyoncé’s long-awaited return, Rihanna’s headline-making late arrival, and Blake Lively’s unexpected red carpet comeback just hours after major legal news broke. Plus, the standout looks, the most debated outfits, and the celebrity “power moves” that turned the Met Gala into one of the most talked-about nights of the year. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.From Mamma Mia. Welcome to the Spill your daily pop culture fixed. I'm Laura Brednick, and I'm Free Player, executive producer of Mamma MIA's interview podcast No Filter, and former fashion magazine editor. Yes, you're always my partner in crime for these red carpet episodes in dcause we both have hot takes. They're usually very different we do. We often have very like opposing ideas. Yes, what was best, what was worse? And we've been avoiding each other in the office all day. Yeah, we had to yell at each other get away from me because we didn't want to. We didn't want to have a donation. Don't even look at it. You can look at me. We didn't want to have the conversation away from the mic. So if you are listening to this, it means you probably listen to our Met Gala little teaser that dropped in the feed earlier today, because we're dropping this episode a little bit later. Because with the Met car there's so many dresses and there's so many interviews, and then celebrities release their own like look books and updates afterwards. So we needed to bring the people boots on the ground. Journalism with all the looks. So that's why we're coming to you today with our special slightly later episode. Now before we jump into the best, worst, most disastrous, most surprising, most sentimental looks of the day, it's a broad, broad range of looks we're getting into. If you want to see the looks, if you want to actually have the photos in front of you, you can go and listen to us on Apple Podcasts where we're on videos, so you can watch us delightful, watch my face get veteran, veteran rhetoric as I get more excited and overwhelmed. Or you can go and look at all the photos in a gallery on Instagram. So just search the Spill podcast on Instagram. The gallery will be clearly labeled in order of how we're speaking about the looks, so you can follow along and see them all there. Okay, without further ad you, well, our first look is kind of a shared one because we want to just start things off with a bang, and that is Miss Beyonce, who came to the Met Gala for the first time. It was it ten years in over a decade. It's just like so exciting to see her back on the Met Gala. Red carpet, which of course is not red. Let's let's start off by saying, give there a carpet. I love the carpet non red. Okay, this might be the only thing. This might be the thing weiss best dressed to the night is the carpet. I loved it. I did a little moss between Yeah. Yeah, they looked like it was like fake but beautifully done. Yeah, very artistic. Really, and let's bring this to the forefront as well. The theme for this U's met Gala is about fashion being art Yes, so costume costume. So what we get to see is not only like the setting, which is why it's not just your standard red carpet being very artistic and very creative. Is the clothes then on it? And I thought, yeah, the way that it looked this time, it was kind of like it's like a beigey sort of cobblestony, Yes, cobblestony, with like the moss between it. And they had all the beautiful kind of draping again coming down the ceiling. It was creamy it was, and greens and purple it was. It was beautiful, which I thought was such a beautiful backdrop to put all the clothes on as well. Yeah, because sometimes the stairs look lovely, but once you get a dress on them, they cancel each other out. Yeah, like remember the pink here the camp Yeah nine much like it was gorgeous, but then some outfits just didn't work. Yeah, no, no, And that's why celebs are releasing their own They're having their own photo shoots first and releasing them because they're like, I can't trust the lighting and any red carpet, but especially the met gala. Can't trust the lighting, can't trust the background. So okay, and that's the thing. As everyone took their photo, that was the bit where the steps before they became green, they were in that beautiful cream color, which is not a nice backdrop for all the dresses. So we had Beyonce rock up has it been there in ten years? And she was wearing a diamond encrusted dress that looked like a skeleton, so it had like the rib cage and like the pelvis and her hands were skeleton kind of a vibe. And I guess that's to show like the body in its like most like basic form a skeleton, a skeleton. And that's what part of the theme was, was showing the body as well, and the body being kind of the basis for art, so as you say, skeleton is the body stripped back to its most basic form. But I mean, of course, because it's Beyonce. It's jewel encrusted and it's incredible. And then she wore this long feathered cake. Yeah, incredible, that dreaped and then the head piece as well. I mean it's Beyonce, She's always going to bring the dru Yeah. Some people are like, oh, she could have lost the head piece and it's like, no, no, the head piece and it was Olivia Rousting, wasn't it. He used to be from Balmain, who's like she's worked with him before. Yes, she's won a lot of Almaine over the years, so yeah, it wasn't surprising that that's who dressed it. I felt, yes, but I think she looked glorious and I loved that she showed up with her gorgeous, gorgeous best accessory, her daughter. Yes, it was a night for daughters. Yes, Nicole kim And was toting one of her daughters down the red carpet and then Beyonce did it. But Blue Ivy, her oldest daughter who's fourteen now, and I think she actually looked like appropriately dressed for fourteen year olds. I do too. There was a lot anund the office. It's about you know, her being on the on the carpet anyway, and at this event, and you know, these experiences that these really young girls are getting to have. But I thought she I agree, I thought she looked age appropriate and so so gorgeousful so much like her mother. Yeah, that was such a moment because the Beyonce floated up and everyone gass and then Blue Ivy floated behind her, and then they had their moment, and they had their moment together, and then jay Z ran up and and then he was in there and but then they obviously I actually feel like as a family they practiced in the mirror at home because when they got into their first formation for their first photo, they just all I did. Yeah, they just instantly got into the right places and held a pose. And I was like, well, you guys have been practicing that the family living room. Yeah, and I appreciate that level of And Beyonce is a co chair this year. What's interesting is the timing of Beyonces arrived. Yes, if you'll notice all the other co chairs arrived at the top of the top of the day, which is kind of usually, which is how it goes, because they meant to greet people as they come in. Yes, that's part of it. They meant to greet people as they come in. Beyonce has ascended above that level where she is not a greeter. No, they had She's up stairs and being like, hik so much for coming to our party, thanks for coming for a little shin dig Like, no, Beyonce is not doing that. Her arrival was such a moment. It really was. Okay, who else did you go? Because we get week spend an hour on everyone fifty looks to get through. Okay, I'm going to start strut with my favorite of the whole night, and you won't be surprised by this, I don't think. Okay. My favorite was Oh, Sabrina Carpenter. Yes, Sabrina was in Dior. She's been wearing a lot of Dior lately. Jonathan Anderson, who was at Louerva, is now in the House of Dior and doing the most incredible job. Because there has been like quite a shuffle in the last couple of years in the design houses, where like there were designers in certain houses that felt a little bit mislike. Now, I'm not saying he was amazing at Louerva. He did a great job there, but I do feel like what he is doing at Dior is what should be happening at Dior. So I was very excited for this year's met Gala because I feel like after years of kind of the wrong creative directors being in the houses that I felt maybe were they weren't aligned to, or that there were people in those roles that maybe weren't doing the best job interesting for those houses, the dust is settled, and I feel like this is the first time in a few years where the right designers are in the right house the levels. It's like the right house Game of Thrones. It has been a bit of a fashion game of Thrones in the last couple of years. So anyway, I was excited to see I thought Sabrina would wear deal because she's been wearing so much of it lately and she is somewhat like aligned with the house as well. But I was very excited to see what she's wearing now. The gown she's wearing is made of film strips, and the film is of course Sabrina, but the Audrey Hetburn Sabrina. Yes, here's an upsetting fact about me is that Sabrina is one of my favorite movies. But you like the well do you know what? You know what? Okay, but that is usually trees in. It's because obviously, if anyone hasn't seen the Audrey Hepburn movie Sabrina, watch it. It's incredible. But I personally prefer the Julia ormand Harrison Ford Sabrina, which I know is film blasting, you know what, it might be film blasphemy, but I think there's a place for both of them. But it's a place they're both exquisite felt exactly. But I just when I saw the detailing that it was film stills from Sabrina, I nearly lost my mind. That's the most beautiful touch. It's so beautiful. And I love that Sabrina went as Sabrina, but as Sabrina but in this like majorly artistic iteration. Also, and because I am such a swifty fan girl, I'm gonna just say that she's gone a bit show girl this year. And of course she features on Little Maybe with the head Piece a little not to her mentor, but also she features on Life of a show the track title from the album. So look, I'm not saying, oh, you think it's like, well, look, I'm not. I'm not. I'm not. It was like a nice little thing. But you're saying it's like shot fired. No no, no, God, no, no, no, we start no Brina and Taylor fe on. I'm not saying that Sabrina's outfit is for like an Easter egg, that this is coming with Taylor's sweet I'm not saying that. But I'm not not saying that the video clips. I'm just you know, last year, Sabrina on the met Gala carpet looked very pop star. This year she looks very showgirl. That's all I'm saying. That's all you're saying. That's all I'm saying. And you can, guys can read into that what you will, what you will. All Right. My next one, it's not a favorite, but it's just one we must discuss. Well, it's kind of a favorite because I appreciate how much this woman takes this seriously, puts her life in the lives of other people on the line, and how much she sticks to the theme. And that is Miss Kimberly Noel Kardashian did you not like it? No? Okay, well let me tell you a backstory maybe then you will. So she worked with British pop artist Alan Jones and Patrick Whittaker on this piece. So it's a golden breastplate for anyone who needs is listening to this just as a podcast, no judgment. It's a golden breastplate. But it has like the high silhouette neck and the cone bra, so we've got a real pointing nipple happening, very sculpted abs and a belly button. And it was craft did from a model in the sixties, which I thought was interesting because she said at first they were thinking like, would they do a mold of her body, which out of everyone, she kind of could have gotten away with because her body is like her cooling cart, and that's why she once walked the red carpet with her face covered because you can just see her body, you know it's her. But they decided to get the body model of a sixties model, and then it was this is the only disappointing thing is that the original look was going to be a full on sculptured suit all the way down, and so they've taken like the legs and the bottom half off and have done that detachable skirt, which is fine, but I feel like it does kind of take away from I would have loved to see her walk down in a fully sculptured suit, like a very old school robotic kind of like end of the World's sci fi vibes. So that's my problem with Oh, that's your problem. That is actually that is actually my problem with it. I think from the waist up absolutely incredible, Yes, And I just wish that it had committed the whole way. It's like she got no I mean I think no, I she didn't get nervous Kim Cush, she doesn't get nervous about I actually wanted her to make more. I think she's one of the few people who because she is always dressed so high fashion, she is not afraid to not be like the prettiest on the night, but be the most headline making And I usually like that about it exactly, and particularly with the met Gala, She's not. There are years where she does not prioritize pretty or sexy. She prioritizes creating a moment. Yeah. I wouldn't even necessarily say she prioritizes the fashion. Yeah, because I feel like it's more moment led with her exactly. Actually it's a headline interest in fashion, and we like that. But that's what she does, and she does it so well. I don't think she did it this year. Yeah, I appreciate the thought behind it. If you go to her Instagram, she's done a huge behind the scenes, like almost her own magazine photo editorial spread to explain the look. And when you see all that and you read it, it makes more sense. But I do wish maybe she'd just gone with the full look, but also the top part, the bones and the bra and everything was finished in autobody shop. So some men who work on cars hameadat and I love that. And I hope they know it's at the met Gala. They would have loved that. Okay, who's your next person? I am going to talk about Tana Taylor? Oh my god? Yes, I had her on my list, Yes, of course. Okay, so there we go. I feel like we're actually aligned on quite a few. Yeah. Yeah, spen too early to tell you now. I love it. It's like crazy. My first thought was she looked like she was like high fashion escapee from Whoville. Yeah, but it's incredible. It's like for anyone listening, of course, it's like silver fringing that is from the hood right down to a train and like it's long sleeve. She was really feeling it. She was swishing, swishing, swishing, and she was taking the shots. I'm glad you brought that up because obviously we had the met gala up in the office here and there's about fifty people gathered around it watching every second. And when she was swishing her head around, Everyone's like, oh, no, she can't see she's getting annoyed by it. And I was like, no, no, guys, she's showing the move No, she's showing the movement. And she's doing a photos wanting to get photos that show it from like every angle. And when something is artistic in the way that it moves, you've got to really show it on the carpet, which she did. So this was tom Ford incredible. I just felt like it was such a moment. It was also I felt a bit of a fresh air after a lot of different other looks at after her big Red Carpet run when she was OSCAR nominated. Yeah, same material on her oscars. I mean, to the naked eye, the same sort of material on the train of her Oscars dress. But it's almost like her Oscars dress has morphed into this like beast and is now running free. That's why I thought when I saw it. Okay, moving on to someone who a lot of people are slamming her and putting her on worst dress. Look, because I'm not so much defending her. I just want to explain. And it's Margot Robbie in Chanel. Did you hate this? No? I don't hate it, Okayel, No, I would never know. No, I would never speak about my close personal fo Margo Robbie that way. I know you guys are pals. We are pals. I mean, for anyone listening, We're not actually pals. I've just hung out with her like two or three times. She would not remember me, but I refer to her as my close personal sofa, so I you know she. I mean, look, Margo can't not look stunning. She's so beautiful. The dress is very pretty. I feel like that would have been very pretty on any other red car, But I'm just not excited by it today. Hear the thing about her? I think also, I love every like everyone just like I mean, I know you've get it more thought than that. But everyone I'm seeing on in like Instagram and TikTok scrolling past this dress and going oh ugly and moving on. I was like, this took the Chanelle team seven hundred and sixty one hours to make, and everyone's just like, yuck, we hate it. But it's almost like a champagne gold strapless gown with this beautiful detail at the back. She also hasn't been to the Met Gala since twenty twenty three, so she doesn't go every year. But what I loved about this is that everyone's always expecting Margo Robbie to go really over the top of the Met Gala. But first and foremost, she is a businesswoman. I would say she's a businesswoman. She's a movie star girl right down the end, and she turns on the fashion in a huge way for her red carpets because one, she's the star of the show, but also she's marketing the movie. I mean, no one does red carpet promotion better than exactly no one does it better than her. And when she's at the Met Gala, she's not there to promote anything. She's not even promoting herself because she doesn't need to. She turns it on for a red carpet movie premiere because that's from usually from her production company, so that money is coming back to her in a good way. Like that's what she's there for. When she's at the met Gala, she's often just there to look pretty or and like comfortable as well, like she never wears. You never hear of Margot Robbie starving herself for six days wearing a corset lined with spikes, like you know, to help her up the stairs. No one ever helps her up the stairs. No one's looking at that saying, oh my gosh, how did she go to the bathroom there? Yeah, she's put loosing fancy, she said time. She's often, I think getting paid by the house, getting paid by the brand to be an ambassador, so she's still making money while she's there. But so many times I've seen these women, like on the red carpet the Met Gala, like feathers trains crazy, which we love, but like not being able to move, not being able to go to the bathroom for ten hours, having to be carried up the stairs, and in the background of the met Gala, you just always see Margot Robbie bound up the stairs looking happy. You know she's going straight to get a champagne because she can, because she's not there to make a spectacle of herself, because she does that for her movies. And I actually think that's a lovely way to be. And if I actually had a choice, I think I would. I would roll like that the way you don't want to go relaxed Australian. Yeah, it's like, you know, the nights that are about me, It's about me, the met Gala, it's about me. So you feel like off the back of the very like stylized Wuthering Heights rum. She just wanted to do something that was just be She was like, Chanell, you tell me what you want me to wear and pay me that feet and I will put that dress on and as long as I can move and it's all approved by Anna and whoever, I don't care, it's not my I think. Her vibe was like, it's none of my it's none of my business what I wear. And I love that for her. Okay, who else do you have? You know? What is it? Time? Can I talk? Oh my god? Can I tell you about the boys? Yeah? Yeah, please please talk about it, please hear it for the book. Okay, I am going to go you know what, I'm gonna surprise you and go straight for somber. Oh okay, okay in Valentino, like I does like that person, this detail, It is stunning. I would love to wear that. It is just so glorious. It's because Share was there, but he looks more share, more share than Share. Oh my god, I wish Share had worn this. Well, they could have done a double act. I would have actually been so here for that. So it's like pants on the waist with full beating around the waistband, longline beating down the full length of the pants. Then we've got like a silk and laced blouse that's high neck, and then the most incredible cape that just brings it all together with just the crystals just flowing down it. This is Valentino my favorite because I love Alessandro Magula formerly of Gucci. Now he is responsible for my favorite meal look of all time, which was in eighteen was The Heavenly Bodies the Catholic Church. Oh yes, yes, okay, so a beautiful confusing time for the beautiful confusing time for everyone. But the best met Gala oh, absolute, literally ever and my favorite was Lama del Rey, Jared Leto and Alessandra mccallay, Yes, showing up together in that like ensemble. I mean, it was just incredible. I don't think anyone has ever reached that since I don't think anyone will, but so I always look forward to what you know, and Alessandro is going to bring to the Red Carpet with ary designs and I was really excited to see that this year on Somber. I thought it looked exquisite. Okay, we love the boys, we love the boys they put Efor in. All Right, while we're talking about boys, let's talk about our hated rivalry. Gorgeous boys, Connor Story and Hudson Williams, because both of them rocked up to the Red Carpet this year. Now, I love that they're there, the meteoric rise of these guys and the show is just being so incredible that they're everywhere. They were all over Award season, they are now on the met Gala carpet. But were you disappointed they didn't actually walk down together? I mean, would you think it would have been too much? No? I mean they're not they're not promoing their show right now, they could have just done the girls and the people saying, you know what, they will, We'll get something out of the day. There'll be something, so you know, they they know where their breast. But that's what I just saw, everyone just like hunting through the images and through the videos desperate to find like a moment that they were together, or they'll get one and it might be it might be at the after party, but we'll get one, don't you worry. So Hudson was in Balenciaga and it was like super super super detailed. Have you had a good look at it? Let me let me. I'm gonna be so honest that I was just looking at their faces. Yeah, show me the outfit. You're like, whatever, what are they? Those men to high had Okay, and that's totally that's totally fine, and I had I had a good crack at that too. But Hudson's eye maker was much talked about in the office. It was kind of a big Euphoria esque with the with the eye makeup, but it looks Euphoria Season one back when the I makeup was fantastic. So in like a powder blue suit and there's like black detailing beaded and then this kind of cap skirt s He's got a train, a train. He's got a train. He took a leaf out of Beyonce's book and he's like, I'm having a train. He's like, I'm having a train. I want my moment on the steps. And then Connor in Saint Laurent, this incredible blouse showing off those guns. Thank you, thank you, thank you. Are insane, and he's got almost me. I feel like I had that top when I was like fifteen. It's like a Poka dot hole today, but my arms didn't look like that. These arms look like they're the Hulk. And it's got it's got a lot. He's got a train as well. So I'm just gonna show see a Poka dot comes all the way down. Now. He actually came with a blazer on over the top, and he knows what we want. He did half reveal. He did a red carpet reveal of the arms. I mean, I guess the blouse, but like whatever of the arms. Now he's wearing Saint Laurent. A lot of people are in Saint Laurent on the red carpet because Anthony Vacarello is one of the coachairs who is the designer for Saint Laurent. So we saw like Zoe Kravitz, Charlie XCX, like there's a lot on the carpet who were rocking in that designer. We love Okay, okay, rapid fire through a few more because guys, there's so many good looks. I just want to give a shout out to Doughci who wore custom Mark Jacobs and she looked gorgeous in the eggplant color, this like headpiece, kind of like rising up to the sky. But my favorite detail about her is that she didn't want to my heels, so she got her feet painted in a beautiful Hannah design, wore anklets, and then tiptoed barefoot down the entire carpet, and then tiptoed up the red carpet. See, and that is move And that is a level of calf strength that I cannot imagine is hard. Tiptoeing is hard, tipto the whole way. If there was a flat footed moment from that girl, I did not see it. Surely she's flat footed inside or maybe she's wearing a shoe inside. What are the rules around being barefoot? And I just findin Anna winter going, Oh you've got a shoe ear right? Well, you know what at Chanelle Cruz's show last week, the girls were walking down the carpet barefoot. Fine, it's it's it's like on trend to be bare foot. Yeah, and then you've got like men like Quentin Tarantino who just like, let me put that in my movies. He's taking screenshop. Okay. Kendall Jenner in Gap Studio by Zach Posen. This is an interesting one. Can She and Kylie Jenna looked a little matching. They both had almost that kind of like nude look at the top, but Kendall's is modeled off a Gap T shirt and then she's got like a little fake nipple poking out and then just kind of cream beige draping of the dress. So Kendall and Kylie also especially Kendall, liked to make a headline with their outfits. Do you think this was as a headline inducing you're like, num, No, I don't actually think none of them are getting a headline this year. No, that it wasn't. Actually reason why I believe that they're invited is because they do get those headlines, and I think they were all really underwhelming this year. I mean, she's like, she looks pretty, she is pretty, She's a very gorgeous girl. But I'm just not excited by that is Yeah. I think the Genas and Kardashians, they just have the most enormous cultural currency, so I feel like that's why they'll always be invited. But I almost maybe liked Kylie's play on a little bit better. I know they're completely different designs, but she had the kind of almost like a nude top and then it was like the body undress of the skirt forward. Yeah, I preferred Kylie's as well. I thought she was more of a moment and worked with the theme yes better. What I did think was interesting about Kylie was that her boyfriend did not attend No you know where he was, Yes, And that's so fair, you know why, because Timothy Shallon May doesn't go to anything where he's not the star. That's his thing. The like the Kardashians and the Genders very much like they the significance of the moment, their red carpet looks, and I know they all work so intently with their designers and like they really care about the fashion side of it. Timothy Charalamayne cares about being seen as a movie star, which is so fair enough, but he doesn't really go to events, especially where he is now, like he has previously when he was trying to build up his capital and build up his absolutely in for me. But at the moment he's in now, he's going to go to a next game anything, and he's not a nominating else missing. Who so Kravitz's boyfriend slash fiance. Yeah, but Harry Style again everyone that they're going to walk together. No, I never thought they were, as you know, long time Harry Styles fan. I didn't expect to see him there either, And I think if he was going, we would have heard about it in advance, it would have been named, you know. But he's also about to start his world tour, so he's busy, and he famously gets tired. That's why he's making everyone the tour come to him. Right. Oh, yeah, he's not city hobby. No, he's not city hop he's too tired to go to Metguala. Yeah for a week. Yeah, he's reserving his energy. Okay, I need to quickly talk about a boy before we get into my favorite boy of the night, Bad buddy, is that I'm sorry, Is that not the weirdly hottest thing you've ever seen? Hey? Yeah, but I don't know whether I'm just like going through a real old man moment at the moment because I've been like really into the guys. So I'm really you haven't watched well, you haven't watched the Pit. No, because I'm I can't do enough. I can only watch grays Anatomy, just the lift, kissing scene something else. There's hardly any medical, like compared to the Pit, there's hardly any medical and graz Now No, that's why I like it. I can understand why you're avoiding it. But yeah, look, because I'm having such an old man moment at the moment, Like, yeah, I was excited to see a bit of great on the car so bad Bunny is wearing Zara and just you can just imagine her like running on them proves all the looks, you know what. I think what will be really interesting is Zara probably advertising in Vogue at the moment, to be honest, so she had to let she had to let someone wear it. Yeah, exactly. And obviously Zara was a big part of his Super Bowl halftime show, but Bad Bunny has aged himself here because I guess one of the part of the exhibition theme is different bodies, so like bodies are different size as shapes and ages. But he's the only one that I saw who really took the aging thing and ran with it. He's wearing prosthetics to make him look maybe seventy or eighty. It's really interesting because like everyone in Hollywood tries to look so much younger than they are. Everyone is on this like strive to look as young as possible, and like, no judgment because I'm I'm the same, but but I love that he went the opposite. Yeah, exactly. But the thing is men can do that because men tend to be like, oh, a silver fox when they get older, like he's he's sixty, Like let him dated twenty five year old and win an oscar because he's just getting started at sixty. But the thing he's in his next act exactly, he's just more, you know, kind of well weather worn. Now, whereas women it's like you're thirty, get out of here. So there's that side of it. But I've decided just to let the feminism leave my body for this because Bad Bunny looks so hot, and also he does you can did it? Yeah? I mean that's not terrible. Yeah, some people don't age well, yeah, I know the weakd I would have thought that he would have looked to the mirror and actually, wait, this isn't working there. I don't look back. But he looks hot and also bad bunny hot? Is it? Maybe you can because you can feel his rippling muscles and sexuality try trying to break free of the old man. And I appreciate a funny guy. And he was in character all the way up the stairs and he was walking with the walking cane and he was interviewed in character. I love it. I think it's no I agree, And I think it's really hard for a man to have a moment on me because it's hard for them, because it's not for them. And how do you compete when Beyonce rocks up with the train, Yeah, like still jammed in the car door while she's halfway up the stairs exactly, But he did it. He has something that everyone's talking about. Oh man, everywhere, we love it. Okay, who else you got? Okay? Well, speaking of making a massive moment, Yeah, we need to talk about Madonna. Okay, now, this is not all of Madonna's look. I couldn't fit it on the eye on the way. I think I've got a wide shot. We can do it, can we? We can do a jewel Hold up for this because I'm missing seven accessories, which is in the form of seven stunning women. I've been calling them Madonna and the Pips, but that's not even accurate because there are way too many girls for it to be Pips. There we go, see, Oh my god, I loved this so much, and seven people holding out this beautiful train and I love that because they're so strict on the Metgala red carpet, And that's why selbs look so scared a lot of the time, because usually if you're famous enough to be at the met Gala, then you're famous enough to travel with an entourage, and you normally never walk a red carpet or even walk into a room without your manager and your publicist and your assistant. But no one gets to bring their team down the red carpet because the guest list is so tight, So the sleds have to stand by themselves in a line. It's the first time they're ever alone in their lives. And then they have to walk the red carpet by themselves, and most of them, because they're socially awkward, are terrified. So I love that no one gets a plus one, but Madonna gets seven plus seven seven servants slash maidens. It was giving a bit handmaiden but okay, so she's in Saint Laurent. It is the head piece. I love. The head piece is incredible. It's a ship. It kind of looks like. Helped me out here because I've never seen it, but I've been on the ride a lot at Disneyland. Yeah, the Pirates, the Pirates, the Caribbean, the what's the what's the one like the one that the captain Jacksbury is his ship? Yeah, I could not tell you that. I thought it looks like more like the ship from Noserati. That's where my head goes. Oh yeah, okay, well that too. Well it's a it's a bad baddie pirate. Yeah, we're we're not good on the pirate lingo. But like, it's this incredible head piece. Off it is draight, like long, long, long pieces of gray fabric that these women are all holding out and then she comes down in this like black dress. She's holding it looks like kind of like a trumpet the piece that she's holding. And what I did love seeing as well was she walked up the stairs, glided up the stairs with these women helping her along up the stairs. But then about fifteen minutes later you see the seven women. They all came running down to leave, so they kind of like fairies fleeing like a sort of like midnight fairy like festival. So they were allowed on the carpet, but not inside. No, absolutely not no, And they were only there for the spectacle of the photos. They were all holding the different sections. The way they move was like a choreographed dance around her, so that the dress was never twisted. They all had like pieces of lace covering their eyes, and it was the whole look so like the dress, the head piece, the way her hair was styled, all the women. It was in reference to that surrealist female painter Leonora Carrington, who was the inspiration for Bedtime Story right the music video from nineteen ninety four. So that is so incredible that they went and like looked back. The detail is just like, honestly pretty much I would say almost my winner of the night because of the deep because of the details and the reference back and I love that they use like it does reference an artist, but it also then references Madonna as an artist as well. Yeah, because that's her. Like I just I can't stop reading the Everyone on her team gave an interview and I'm like, that's correct. Well, there should be seventeen interviews from seventeen different people who put this look together. Imagine how hard the Saint Laurent team had to work to do all of these outfits. Yeah, because you've got all the people, like the handmade into a holding, the dresses, and like the way there has styled a makeup. Even her hairdresser said that they specifically made her hair dark brown, not black, very undone, very untouched, and made it look that like the hair looked lived in, much like Madonna herself. And I was like, get out of here with that. I love that so good, incredible. Okay, this one, I would not say it's my fave, but I think it's a talked about one and I appreciate it. It was a departure from her normal basic black column gown look and it's Hailey er. Do you know what. I absolutely agree. I normally don't have particularly have time for her. And I'm like, I read because she's not a red carpet girl, she's a street style girl. Yeah, but I think she thinks she's a red carpet girl, and a lot of people, well, I don't know. I think I really like someone tell her that's fine, that's not her currency. No, I look, look, I don't really have much time for Haley Beaver. Fine, I said it, be careful saying that in these means streets Sydney. I know, Sydney shut down when she arrives. I know. I don't think I could say it outside the walls of the studio, but you have to come into witness protection. But I'm just yeah, I just never I disliked her. But I know what you mean, Like, we don't understand. We did a whole episode of this, and I don't think we got to an answer the huge intense love and the fandom around her and nothing bad, Like I understand. But the thing is, like, there's lots of beautiful young women who have beautiful style and beautiful makeup and skin and share their lives online and people love them. And I understand all that about her, but whatever it is about her and who have celebrity marriages and who come from vapor totally. Whatever it is about her that has kicked her up to like the highest tier of that is what. I'm not white. I don't know. I don't I've asked so many people who love her and they can't even explain it. They're like, I don't know, I just love her. Yeah, I don't know, that's it. I don't know what her secret source is, but that's it. I don't think other people can name it either. Something about it. They love her, and you know, for a lot of people that's enough. But I agree, normally I am so just like I can't even really bothered to check what she's wearing on her carpet, right, but I thought she looks so absolutely exquisite. The colors, I think is what it is. I mean, hopefully she'll wear color going forward because it does suit her. So she's sewing Saint Laurent, as you said many people are, and it's a beautiful sculpted bodice that has like the breast and stomach detail, which a lot of people, including Kim Kardashian, did to some extent. But the difference with hers is that her sculpted bodice piece with the boobs is made completely of twenty four carrot gold, which is crazy. And then you have long blue chiffon skirt and also the kind of flowing neck piece around her. And apparently she's wearing a gladiator sandal. Oh but we can't see it, but they were in the I know, we'll have to go look at the video. In the video, she'll she'll show them the dress pulls up and she's wearing like a gladiator sandal. Which I'm not against those coming back. No, neither neither. Fifteen year on me is thrilled. No, I've still I've still got some in my coh. I don't throw anything out. I've got everything. Okay, great, so you're gonna be insion, I can pull them out. Okay, I've got someone I want to talk about. Okay, I want to talk about Annicole. Okay, so also a co chair tonight. So she was their first. So she was she's a rule follower because she's a real follower and she's got good manners and she wants to greet everyone. So she turned up first. She's wearing Chanel, so she's part of the Friend of Chanell House of Chanelle. You know she's she's a Chanel girl. She's a Chanelle girl throwing through. I love this color on her. I think she looks so so beautiful in this color. There's been a lot of chatter about her hair though, Oh okay, so I don't know if I have strong thoughts about the hair. So the dress is like this beautiful almost like a burgundy glittering, high necked, long sleeve dress. Beautiful train, and then like almost like a lighter red pomp pom esque feather detail pieces. So that's all beautiful, and she's got the height and everything to wear that. Do people not like the long straight blonde people aren't loving the hair, What do they want like a bum? I don't know. I think I think you need the hair with that. It's because she looks like she looks like a medieval princess with the way she's standing almost, with the cut of the dress and everything, and with that kind of like almost like mystical etherean legend kind of vibe. You need that long, flowing golden hair. Yeah, it would have looked too almost like too prissy with like a bun or Yeah, I think so too. I don't have a problem with the hair either. But there's been a lot of chatter online and also in this office, we're really driving everyone, well, this is just talking to us instantly, and we've like literally, we're like taking notes and we're like, will be the expert. I said nothing out there to anyone, so I just nodded when everyone spoke to me that I'm coming in here and being like and she said this, and I was like, well, this is the actual story anyway. I don't think the hair is that bad. No, general, I'm shocked by that. Do you know whose hair I don't like? You tell me? Oh? And I did screen this across the office. Okay, I just want Gracie Aprams to stop cutting her hair. Oh my god. Everyone was getting upset but again ragging the office. Everyone was like, what's with her hair? And I was like, but isn't that her whole thing? Because you've got to pick more of a pixie cut now, but kind of, I'm short, it's so so short. And I loved her with long hair. Also, I did love her Chinel dress. She looked really really, she did look beautiful. I think she's trying to, like rile against that traditional pop girl look and have like an edgy haircut, but then she pairs it with a pretty dress, and I think it's like, she is so pretty, she's got the cheek brown. Just because you've got the cheek bones doesn't mean you have to do it rest. Just because you can have like a weird bob cut doesn't mean you should. But I also if anyone, if anyone can, it's her fair. Okay, faves again, we can talk about this forever. So one of my all time faves, not just tonight at the Metgala, but in all walks of life. One of my fashion queens Gwendol and Christie, who of course people loved as Briann of Tarth in Game of Thrones, but also in so many other things, including recently in Wednesday on Netflix. Yes she, I mean, the thing is, she's just so statuesque and beautiful, and she's wearing this deep red gown with almost like a fish a mermaid train one shoulder, this beautiful head piece. But what I loved is she has a mask of her own face that she was holding up to people as she walked past them. And the look was designed by Giles Deacon, who was of course her lover. Her lover since I think twenty thirteen, officially, having a hot, fashioned boyfriend also makes you dresses. Yes, the dream, actually the dream. Yeah, where is that man? For the rest of us? Absolutely socially as a tall lady, like it's so hard, like not just model tall, but like tall tall. It's so hard. Sometime many spillers that don't know this. Yeah, Laura Brodnick is very tall. I'm tall. I stood next to Doing Christy once and I was like, this is what I dream of because we're in Like, she's tall than me. I'm joking. Of course everyone knows you're tall because you tell tall time. No one cares about my tall issues. And I'm just saying, it's hard to find a really good dress, and her boyfriend made her one. That's true love. Okay. Someone else I wanted to shout out quickly before we get into the last few big moments was Lena Dunnam in her beautiful Valentino gown. Yes, she looks like she's an escape from an old school Las Vegas casino, but I love that for her. And she was nervous about going to the metgala. She wrote about it because her body has been ridiculed over the years. She's on a big high now with everyone loving her memoir, and I just quite like this Valentino look. I only the only thing I kind of wish is like maybe the feathers weren't completely covering her face, because that looks unintentional. I agree, there's there is too much feathering around the face, and it is like it's obscuring our view of her, and not in a way that it looks like it's meant to no, Like it's not like she's wearing like that's part of the dress for her face. Use she's She's like, I can't see. Probably, I'm like, can you imagine they're probably tickling her nose and she's trying to say stuck in her lip glass. So I love seeing as well the call back to the Valentino rockstud heels on her. So they were seen in the Devil Wes praa promo I'm Miranda and people were like, oh, she would never wear Valentino rockstud heels, blah blah blah blah blah. Now yes, Valentino rockstard heels are back. I love that shoe. I'm so excited to see it back. And there's like a modern twist on it too, which Lena's wearing. And I think she looks fabulous, which is one thing I did notice about Lena, and I don't like. Look. I always think, you know, when you see celebrities on red carpets and they look so perfect, the skin looks so perfect. I'm like, oh, there's a little bruise on her leg, And I feel like whenever I go to any event, I'm always like, oh, I'm not trying to cover up a bruise or something like that. I'm like, thank god, there's a bruise on the red cart. She's got a little bruising on her leg, and you know that's when she probably bumped it. If she's like me, she bruises just by getting out of the car at the met game. And she's got her leg out and she's got the shoe out and she looks hot. Look. I'm so here for for like Lena's comeback. I love her. I love the work she does. I thought too Much was fantastic last year. I'm excited for more Lena. You know who we need to talk about Rihanna, the lady who almost missed the Red car, The lady who almost missed the Red she saw arriving last, and she was like, you know what, girl, I'm going to leave my hotel when they're packing up the carpet, which I pretty I could honestly say that is what happened. They had to reroll that carpet for this girl because I think they were actually sitting down to dinner when Rihanna arrived. And I love being late too, but like, yeah, she was altly really late, and I look, people are given her rival times for the Red Carpet, so either Rihanna did not look, did not care, or saw her arrival time and when no, no, no, I'm Rihanna the only celect who could really do that pretty much. I mean, but no, that's not true because Madonna could have done that, Beyonce could have Like this was the where they work. Actually, those high level celebs there that do not care what rules they're given. No, and no one's gonna tell Rihanna, Beyonce or Madonna what to do. Did Rihanna win? I don't know, because she kind of missed the Red Carpet coverage, so I feel like there was this ripple of like Rihanna's coming and it's like, is she really coming because the red carpet coverage has ended. She came, She's there. I think she came. Maybe just there is such thing maybe as being like unfashionably late, maybe because the photographers like, we've missed your mom. Obviously her photos went everywhere, but you're right, the excitement was kind of everyone was in like the carpet's finished, and all the newsrooms like, and now we get our articles up. Now we finished getting our stories up, and so it was kind of like she was a late addition. So she's wearing Marjella to twenty twenty five, and it's almost like she's got a wreath around her head, but it's almost like a silver like crinkled metallic. It's like a done metal sort of yeah, and it's almost like it's wrapping around her like she's some sort of a sea creature, like she's been pulled into a whirlpool. That's my official fashion take on that. I like it. I'm happy to go with that. But yeah, I mean she looks great, and you know what the thing is that she just rocks up being like I'm here, take my photo. I'll go when I want, and you're lucky to have me. Yeah, and we are, and we exactly we are. I just want to ask her what's it like not to be a people pleaser because I can't relate to that. Yeah, Okay. The last person we're going to talk about was perhaps the most surprising yest of the evening. I don't think anyone was expecting her to show up, but Blake Lively arrived on the red carpet looking absolutely exquisite, and she is such a Met Gala staple, and this moment I can't describe it, like yes, that there were these huge entrances that were saying like Madonna, Beyonce, all these moments, but her arrival felt like a scene from a movie or a scene from gossip Girl, you know how, like gossip Girl always has, like it would always the episodes culminate a big event when someone who'd been shunned from society or blackmailed walks into the event and everyone's like, oh, I didn't think they were going to be here. So so truly, Lively at the Met Gala was a real life you can hear a moment, i'd we can hear it, like good evening for East. Oh I'm back, I'm back. Guess who was back? And she was back in a big way, and she looked like Serena. She had the Serena hair going. She just like had you know, I mean, she's barely aged a day since then. Somehow she looked absolutely glorious. I think everything about her look was again not calculated, but I think she knew that her arrival would make crazy headlines, and so everything she was wearing, the way she spoke, her accessories were all geared towards sharing a very particular message, which is that she wants people to forget about the legal battle with Justin Baldoni. She wants to forget about the smear campaign, forget about what the last few years have been, and just remember her as queen of the Met Gala and like the movie star she is. Yeah, whether or not that landed with everyone, but that was very clearly the message. Look at won't people are so divided over black lives in so many people are committed to hating her. But I do think that she went a long way tonight in showing like who she is, being confident as well, Like I love that she just was like I'm showing up, I'm giving it my all. I'm going to look absolutely stunning, and I'm going to have my head held high and do what I do best, which is create this moment, yeah, and be a fashion icon. And the timing was quite incredible because the statement had only come out a few hours earlier that she and Justin Baldoni in I think quite a surprising term of events, considering the coverage and how that court case was going, that they had settled out of court. They released between their companies a joint statement saying that the settlement had happened, that it was going to remain private, so there's a good chance we'll never know the details of this settlement between them. But their statement was very much like we're proud of our movie, we're proud of the message, and basically move on and let's not let's pretend this never happened, which for the coverage that court case has got in the last few years and the fact that she did a tell all with the New York Time, and then he had a live website where he uploaded all his material on her, like the most public legal battle we've ever seen, and then them releasing a joint statement saying it's been settled. Away from the cameras, please don't talk about it. And then hours later her attending the biggest red carpet of the year, and there wasn't like you there's almost like an audible gasp from the crowd because she was there, and she hasn't been to the Met Gala for four years, and before that she was one of the queens of the Met Gala always you know, the big dress, the co chairing the event, best dressed, all those things. And then she came in and the gown is incredible. Some people thought again throwing me off to some of the bus. Some people thought it was too prince SSSI. But that's her look, right, that's her look. And it was actually really nice to see a PRINCESSI dress all the carpet, like you know, it's like the fantasy and it looks so beautiful. It was a two thousand and six Vasace dress archival piece. They had like reimagined it. They added a bit of fruit. They did had a bit of fruit at the end. And they're in like stunning pastor colors as like peaches and pale pis and violets, and it's so so pretty. The beating is gorgeous. When you look at the dress as well, like structurally around the skirt, it's so amazing, Yeah, paneling. She just looks so pretty in it. Her hair like the you know, it was like classic black life, classic curls, a huge train, jewels dripping off her. Just that idea like what the fashion girls would hate, like too much, but too much in a perfect way. And then I saw her. She think Tuney did one interview that I could see, and she did seem nervous, and I think she was really she was rushing out kind of like all the details of the design of the dress, the importance of it. She was crediting all the artists that she'd worked with, and in a way where she really wanted to be like, I'm just up here for the designer. I'm here for the artists, not here for me. But then she was also carrying this custom Judith liber bag and it had four sides to it, and each of the sides was a different artwork by one of her four children. Now there's some people out there that are like and the statement from Liba was, we love working with Blake. She's so creative. She's such an incredible like visionary. This is a beautiful tribute to her family and she was talking about her kids on the red carpet. Then there's the cynical people who was like, oh, look at her using her kids to distract from the fact that people hate her, Like she's trying to like use being a mother to like just you know, kind of like quiet in the noise. And I think that's probably a step too far. Look, I think it's a step too far, But I do think it's like it's such a safe conversation to have. So while I don't think that it was to kind of distract from the people who like, you know, she can't control that anyway, But what she can do when she's nervous and understandably so, is have a conversation on the red carpet that she feels comfortable with. She's in like an area where she feels good to talk about it. Yeah, And of course that's her children, and she's always talked about her children and brought them into her interviews and her life and everything like that. So you know, it felt correct for her, and it was always going to be a polarizing moment of her arriving. But look, I loved it because I love the drama. That's what the met gal is about the fashion, the drama, And what I think is so interesting is that of everyone that came and every headline at every moment, the one that everyone is going to be talking about is yeah, exactly, And what a way to re enter society post the legal dramas, but also to do it so quickly. Yeah. Day of She's like, we're not wasting any time. I'm back on the radar back. Do you think she would have gone had it not been finalized? No? I think she went because it was fine. They were able to get the settlement happened. They were able to agree on a joint statement and get it out on the day, which makes me think like was it targeted for the day or were they just scrambling at the last moment. I don't think she would have walked with that hanging over her head, because then she would have been seen as like a victim, and at least in this a victim either of people who support her or don't, Like there would have been a negative energy around her. At least with this, there's like this finality to it, like that is over and this is my new chapter. Like a debutante, she's reintroducing herself to society. And you know what, I'm so glad because it would have been such a shame if that dress had had to stay hanging in the Versace Itelier instead of being able to be on that carpet exactly. And that's what the day is about. That is what the day is about. Thank you for listening to The Spill today. Make sure you're following us on Instagram and TikTok to see all the looks that we covered today. The Spill is produced by Manicius Warren with video production by Michael Keane and we will see you next time. Bye bye, LaBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Preached on April 19, 2026

“I was seriously considering taking a beta blocker before this interview,” Dan Levy told guest hosts Hannah Jackson and Margaux Anbouba on the Run-Through Podcast, “the first time I ever took a beta blocker was like an hour and a half before hosting the Emmys.” Luckily for this anxious trio, the stakes of this episode were much lower than on the stage of a prominent awards ceremony. Levy came onto the show a few weeks before the release of his latest show Big Mistakes, co-created by Rachel Sennott, which comes to Netflix April 9th and is about two siblings who accidentally find themselves entrenched in a world of organized crime. This show, like Schitt's Creek, is a family drama, but this time the stakes are a little higher. “Committing to an idea that you feel excited to tell in a long form format is an intense thing,” Levy told the hosts, “And I have a very irrational fear of being blackmailed into organized crime.” For his sake, one hopes he never ends up in that situation because as he confessed, “I would be instantly murdered.” Reflecting on who might also not do so well in such circumstances, he thought of Sennott, who he first met while working on The Idol. “That's a compliment,” he clarified. The pair went on to write the pilot together and “the rest is history!”His style was also a big topic of conversation. His earliest sartorial days involved shopping at Club Monaco, apparently a brand coveted by Toronto teens, and folding clothes in the Gap Kids to the songs of Nelly Furtado and New Radicals. It was a bit later on that he first discovered and made purchases at JW Anderson and Rick Owens. Now, around a decade later, he's good friends with the likes of Jonathan Anderson and Michael Rider. Also on the episode, Chioma Nnadi and Laura Ingham sat down in the British Vogue studios to discuss the latest goings on from across the pond. This past weekend, the pair attended London's Vogue co-hosted by Alexa Chung and Lila Moss which helped support the UK based charity Give Your Best. They gushed about the latest very beachy cover of Olivia Rodrigo, bare feet and all. The vintage pulls for that shoot complimented Rodrigo's personal style well and were an instant wish list for the rest of us. They closed out their chat with some big news: their dear friend Christopher Kane is stepping into the role of Creative Director at the House of Mulberry—bravo!The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

In recent years, Lyas (born Elias Medini) has become one of the fashion industry's most recognisable faces. The French it-boy got his start on social media, where he amassed a large audience thanks to his cheeky sense of humour, deep knowledge of fashion, and authentic point of view.This episode is one from the archive, conducted in July 2024. Since then, Lyas has become even more beloved by the fashion industry after launching La Watchparty last year. The idea happened by chance - Lyas wasn't invited to Jonathan Anderson's first Dior show, so he did a callout to gather fans to watch the livestream in a local Paris bar. Hundreds of people showed up, and La Watchparty was born. Now, the free, open-to-all events happen across all the fashion capitals, attracting thousands of fans and creating massive viral moments.In the midst of fashion month, I thought it would be fun to revisit this interview where we discuss the roots of Lyas' creativity and how he built his community. Click here to see pictures of Lyas' items in the accompanying newsletter. Get full access to Threads of Conversation at threadsofconversation.substack.com/subscribe

When Bhavitha Mandava got word that she was cast as the Chanel Bride for Matthieu Blazy's highly anticipated Spring 2026 couture show, she approached the role the same way she tackled her research papers at NYU. She headed straight to a Paris library to pore over books on couture and watched every Chanel bride video she could find. “Then I came up with a story in my head. I was like, okay, I'm going to view the audience around me as if they're my friends and family, and I'm going to view the runway as if I'm walking down the aisle.” She told Chioma Nnadi on The Run-Through following her British Vogue cover.Mandava also made history as the first Indian model to open a Chanel show for the Métiers d'Art 2025 2026 fashion show, staged in a New York City subway station. In a full-circle moment, she wore an outfit reminiscent of what she had on the day she was first scouted.“I was on my way to grab biryani with a friend after getting rejected from an interview,” she recalled. “I was waiting for him at Atlantic Avenue when my now ‘mother agent' came up to me and asked, ‘Are you a model?' I said, ‘No.' And he said, ‘Do you want to be one?'”Initially skeptical, Mandava was ultimately persuaded by the prospect of paying off her school debts. Just a few months later, she had fully launched her modeling career and amassed more than 500,000 followers. “My dad is collecting every newspaper,” she said. “He's clipping all the articles about me like The New York Times. I don't even know how he got it. They don't ship to India.”Earlier in the episode, our fashion week coverage continues with Chloe and Arden Fanning Andrews, Vogue's beauty editor-at-large. Reporting live straight from the car after Jonathan Anderson's sophomore collection for Dior, they share their first impressions. Highlights from the show are: the epic lilypad shoes, Love Story's Paul Anthony Kelly dancing to the runway music, and the “wiglets” (you must listen to find out what that is!). Reflecting on the greenhouse setting, Arden made one bold prediction: “Sweat is in”. You heard it here first, folks!The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Jonathan Anderson w kolekcji Diora zainspirował się paryskimi ogrodami Tuileries. Kwiatowe motywy, nietypowe na pokazie na sezon jesień-zima 2026-2027, pojawiły się nie tylko na nadrukach. Fasony przyjmowały formy z natury – modne żakiety damskie nawiązujące do kroju Bar Jacket Christiana Diora rozkwitały niczym tulipany. Z czym połączyć ten taliowany fason w stylu klasycznym?   Autorka: Anna Konieczyńska   Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/dior-jesien-zima-2026-2027-eleganckie-zakiety-damskie-z-baskinka-spodnice-mini

In this conversation, Jonathan Anderson, a franchise analyst, shares insights into the world of franchising, the importance of mentorship, and the value of relationships in business. He discusses his personal journey, the challenges faced in the franchise landscape, and the significance of adding value to people's lives. The conversation emphasizes the need for accurate information in franchising, the role of adversity in growth, and the power of community and connections.   Professional Real Estate Investors - How we can help you: Investor Fuel Mastermind:  Learn more about the Investor Fuel Mastermind, including 100% deal financing, massive discounts from vendors and sponsors you're already using, our world class community of over 150 members, and SO much more here: http://www.investorfuel.com/apply   Investor Machine Marketing Partnership:  Are you looking for consistent, high quality lead generation? Investor Machine is America's #1 lead generation service professional investors. Investor Machine provides true 'white glove' support to help you build the perfect marketing plan, then we'll execute it for you…talking and working together on an ongoing basis to help you hit YOUR goals! Learn more here: http://www.investormachine.com   Coaching with Mike Hambright:  Interested in 1 on 1 coaching with Mike Hambright? Mike coaches entrepreneurs looking to level up, build coaching or service based businesses (Mike runs multiple 7 and 8 figure a year businesses), building a coaching program and more. Learn more here: https://investorfuel.com/coachingwithmike   Attend a Vacation/Mastermind Retreat with Mike Hambright: Interested in joining a "mini-mastermind" with Mike and his private clients on an upcoming "Retreat", either at locations like Cabo San Lucas, Napa, Park City ski trip, Yellowstone, or even at Mike's East Texas "Big H Ranch"? Learn more here: http://www.investorfuel.com/retreat   Property Insurance: Join the largest and most investor friendly property insurance provider in 2 minutes. Free to join, and insure all your flips and rentals within minutes! There is NO easier insurance provider on the planet (turn insurance on or off in 1 minute without talking to anyone!), and there's no 15-30% agent mark up through this platform!  Register here: https://myinvestorinsurance.com/   New Real Estate Investors - How we can work together: Investor Fuel Club (Coaching and Deal Partner Community): Looking to kickstart your real estate investing career? Join our one of a kind Coaching Community, Investor Fuel Club, where you'll get trained by some of the best real estate investors in America, and partner with them on deals! You don't need $ for deals…we'll partner with you and hold your hand along the way! Learn More here: http://www.investorfuel.com/club   —--------------------

Marynarka z baskinką powraca do modowego obiegu w pierwszej kolekcji Rachel Scott dla Proenzy Schouler. W sezonie wiosna-lato 2026 fason ten przywrócił do łask Jonathan Anderson w debiutanckiej kolekcji dla Diora. Jak widać, nie był to sezonowy kaprys, a dowód powrotu do klasycznych form w nowoczesnym wydaniu. Debiutująca w Proenzie Schouler Rachel Scott dodaje marynarce z baskinką nowojorskiego luzu, który przemówi także do Paryżanek. Autorka: Ewelina Kołodziej Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/proenza-schouler-jesien-zima-2026-2027-marynarka-z-baskinka-peplum-blazer-triki-stylizacyjne-z-wybiegu

En este episodio nos centramos en Dior y Chanel durante la Semana de la Alta Costura. Hablamos de los debuts de Jonathan Anderson y Matthieu Blazy, del set design de los desfiles y de cómo cada casa trabaja sus códigos hoy.

Is Raf Simons finally back? Is Rick Owens still the GOAT? Did Jonathan Anderson fumble his AW27 Dior menswear show? Why does Dsquared2 keep putting giant furry hats on models—and why do we respect it?Sol and Michael break down 2026's Paris Fashion Week and Milan Fashion Week with their most unfiltered runway reviews yet. Which designers are cooking? Which creative directors are washed? Find out.RUNWAY REVIEWS:Prada FW26: High button holes, dirty French cuffs, and silhouettes echoing early Raf archive (Riot Riot Riot era). A genuine return to form—dressing cool young people, not runway theater.Rick Owens "TOWER": Military fashion without cosplay. Exaggerated shoulders replace traditional epaulets. Comparisons to Concordians, Porterville, Hollywood, Temple, and Lido—this might be his best of the past 5 years.Jonathan Anderson — Dior Men's AW27: Paul Poiret references and "heritage meets subversion" press notes that don't translate.Dsquared2 FW26: Dean and Dan Caten deliver giant furry hats, Olympic ski aesthetics, and jacked models with chiseled jawlines.Ralph Lauren FW26: Is Ralph pandering to the Aime Leon Dore and Bodé crowd? Vintage Polo Sport looks feel five years late to the Lower East Side menswear revival. But the tailoring buried later—velvet tuxedos, opera loafers, herringbone Chesterfields, cutaway collars—still hits.Balenciaga FW26 (Pierpaolo Piccioli): Post-Demna disappointment. Zara-coded varsity bombers, incoherent lookbook energy.Soshio Otsuki — Pitti Uomo 2026: The Japanese designer making YSL-inspired power suits for men. Double-breasted blazers for $600, Boro stitching collabs, jumpsuit-illusion suiting.Also discussed: Demna's Gucci debut, Louis Vuitton under Pharrell, London vs. New York street style, British tailoring culture, Rolling Dub Trio and Kozaburo boots, making a horse leather Birkin, and whether Dolce & Gabbana discourse is just an easy accountability checkbox.QUESTIONS ANSWERED:→ What did Raf Simons show at Prada FW26?→ Who is the best designer of 2026?→ Who is the new Dior menswear creative director? → Is Ralph Lauren copying Aime Leon Dore? → What happened to Balenciaga after Demna? → Who is Soshio Otsuki? → What is the high button hole trend? → What are the best Paris Fashion Week FW26 collections? → London vs. New York: Who dresses better?Sol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

It's mailbag time on The Run-Through! Chloe Malle and Chioma Nnadi are back once again to answer your delightful questions. But first, Chioma reports back from a whirlwind couture trip to Paris, where Jonathan Anderson staged an upside-down garden fantasy and Chanel delivered an Alice in Wonderland-inspired set complete with giant mushrooms. They discuss standout front-row moments (Rihanna! Jennifer Lawrence!), the new lightness in couture, and why some details only make sense IRL.Back in New York, Chloe debriefs a major snowstorm, snow-boot styling, and awards-season buzz—from Grammys predictions to the BAFTAs. Plus, the Vogue Book Club reckons with the very un-romantic reality of Wuthering Heights.In the mailbag: Is fur back? Do Vogue editors get clothing allowances? Biggest fashion splurges? How to make a simple outfit feel stylish and hot? The hosts also share career advice for breaking into fashion, and tell us which designer bags are currently in heavy rotation. Couture, culture, and closet confessions—consider this your chicest group chat.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

How Long Gone's Chris Black is back to discuss the men's shows in Milan and Paris—Ralph Lauren, Celine, and more—plus Jonathan Anderson's first couture show for Dior, why everyone they know is taking peptides and smoking cigarettes, Kanye's Wall Street Journal ad, Jurgen Teller overkill, and plenty more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We're right in the middle of the Fall/Winter 2026 Menswear shows in Milan and Paris, so it's only right that GQ's Global Fashion Correspondent Samuel Hine joins us on The Run-Through!Sam is a fixture on the menswear scene and writes the popular GQ newsletter Show Notes.. He shared all the trends, red carpet looks and shows he's most excited about just before heading to Milan.Other highlights on the Milan schedule include Prada, Zegna and Armani. Plus, 2025 LVMH Prize Winner Soshi Otsuki and designer Shinya Kozuka, who showed at Pitti Uomo in Florence.The Menswear shows coincide with several major awards shows, and there have already been lots of looks that went from the runway to the red carpet this year. With the Oscars and Grammys coming up, we're sure to see more runway looks on our favorite celebs.In Paris, all eyes are once again on Jonathan Anderson's Dior.Hine told Phelps he expects to see a continued exploration of the “preppy classicism" we saw in Anderson's Dior Men's debut in June.Another milestone of the Fall Menswear shows will be Véronique Nichanian's final show for Hermès after 37 years as artistic director.Hine said he is keeping a close eye on which shows the Heated Rivalry guys end up attending – Hudson Williams opening DSquared2 was major!He also shared a bit about what's coming next for GQ now that Will Welch, Global Editorial Director at GQ, announced he's leaving the magazine on February 15th, and hinted at what to expect from this year's GQ Bowl. Learn about your ad choices: dovetail.prx.org/ad-choices

Lauren's guest is Who What Wear co-founder, Future Publishing S.V.P., and Substacker Hillary Kerr. They discuss the best and worst of the Golden Globes red carpet, and what the lineup portends about the rest of the awards season, and the fashion industry at large. They also get into the Guccissance and the future of Saks Global. Mentioned in this episode: Dior, Chanel, Rose Byrne, Matthieu Blazy, Jessie Buckley, Valentino, Colman Domingo, Teyana Taylor, Schiaparelli, Jonathan Anderson, Kate Young, Jamie Mizrahi, Mia Goth, Jennifer Lawrence, Ryan Hastings, Justine Lupe, Rebecca Ramsey, and plenty of other fashion people. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Drapowane jeansy z kolekcji Dior pre-fall 2026 już stają się wiralem. Jonathan Anderson zaprezentował właśnie swoją trzecią kolekcję dla francuskiego domu mody i jeśli w projektach Brytyjczyka wypatrujecie sensacji - oto ona. Od zachwycających drapowanych spodni jeansowych trudno oderwać wzrok. Tym samym w rękach dyrektora kreatywnego Dior demokratyczny jeans na równi z jedwabiem, atłasami stał się tkaniną couture. Jak udało mu się to osiągnąć i jak zainspirować się jego projektami w nadchodzącym sezonie? Autorka: Ewelina Kołodziej Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/drapowane-jeansy-dior-pre-fall-2026

Lauren is joined by Tallulah Harlech, fashion director, stylist, and founder of Sylva. They discuss the future of Versace and Alaïa, Jonathan Anderson's new curiosities store on Pimlico Road, what it means to be vulgar, why Timothée Chalamet and Kylie Jenner are wearing Chrome Hearts and driving us crazy, and plenty more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The New Yorker's Lauren Collins joins our Lauren to discuss her recent deep dive on Tadashi Yanai's functional fashion empire, from the wonders of Heattech to the inexplicability of Lifewear, and why designers like Christophe Lemaire, Jonathan Anderson, and Clare Waight Keller love working with the Japanese retail giant. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

ERK sits with VIVIAN BOND, icon - performer, writer, artist, activist, musician, amidst her current run at JOE'S PUB. The pair discuss acting vs. creating music, early days of New York and STUDIO 54, stories meeting PATTI SMITH, MADONNA, EARTHA KITT, MICK JAGGER (to name a few), performing in JOHN CAMERON MITCHELL's SHORTBUS, befriending her demons, what it would take to revive KIKI DUANE, the give and take of political progress particularly in the LGBTQ community, and much more. Ticket link for Justin Vivian Bond: Crushed Ice! at Joe's Pub: https://publictheater.org/performances-jp/2025/j/justin-vivian-bond-crushed-ice/Watch the podcast: https://youtu.be/s2tGq-FcDoEHost: Evan Ross KatzProducer: Sophia Asmuth Show links: Evan Ross Katz on Instagram https://www.instagram.com/evanrosskatz/CHAPTERS(00:00) Intro (3:30) Childhood (12:28) Meeting idols, Patti Smith, portraying strong women(18:55) New York, LA, nightlife, Studio 54, Limelight(28:07) Meeting Madonna (32:07) Shortbus, unsimulated sex scenes, portraying Kiki, (43:05) Jonathan Anderson, fashion today(44:48) LGBTQ then and now, loneliness epidemic, forgiveness(54:27) Outro See acast.com/privacy for privacy and opt-out information. Hosted on Acast. See acast.com/privacy for more information.

It's been an unprecedented year in fashion. 16 designers rebooted 15 labels in September causing one of the biggest shakeups in fashion history, Labubus took over the world, and Kendrick Lamar's Celine flared jeans stirred up the discourse.Today on the show, we invited Virginia Smith, Vogue's Global Head of Fashion Network, and Laia Garcia-Furtado, Senior Fashion News Editor at Vogue Runway, to break down all the biggest moments from a massive year in fashion.“Awar closing the Chanel show was my fashion moment of the year because it encapsulated so many great things,” Smith said. “It was really something I have not witnessed very many times in my very long career of attending shows.”Another major collection was Dario Vitale's debut at Versace. Vitale was our reader's 3rd favorite designer of the year, after Blazy at Chanel and Jonathan Anderson at Dior. “Immediately I saw the show and thought, “this is how I want to dress.” said Garcia-Furtado. “As soon as the show ended, I went on The RealReal and bought a pair of Versus jeans within minutes.”Plus, tune in to hear what our editors are looking forward to in 2026.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

SCRIPTURE- James 5:16"Therefore confess your sins to each other and pray for each other so that you may be healed. The prayer of a righteous person is powerful and effective."REFLECTION- Sr. M KarolynMUSIC- "Crown Him With Many Crowns" by Jonathan Anderson- "Lift High the Cross" by The O'Neill BrothersNOTES-PRAYER OF LETTING GOTo You do I belong, O God, into Your hands I surrender my life. Pour out Your Spirit upon me that I may love You perfectly, and serve You faithfully until my soul rests in You.

Lauren's guest this week is king of the luxury analysts, Bernstein's Luca Solca, to discuss how LVMH, Kering, Zegna, Brunello Cucinelli, and Prada Group fared during Q3 earnings season. They touch on everything from Chinese and American consumer behavior and the R word (recession), to whether or not Jonathan Anderson's first Dior women's show was good enough. (Luca also reviews Chanel.) Up top, Lauren shares reader and industry feedback on Vogue World. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Lauren's guest this week is king of the luxury analysts, Bernstein's Luca Solca, to discuss how LVMH, Kering, Zegna, Brunello Cucinelli, and Prada Group fared during Q3 earnings season. They touch on everything from Chinese and American consumer behavior and the R word (recession), to whether or not Jonathan Anderson's first Dior women's show was good enough. (Luca also reviews Chanel.) Up top, Lauren shares reader and industry feedback on Vogue World. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Saturday Live is a staple of BBC Radio 4's weekend schedule, and for years it was presented by Reverend Richard Coles and Nikki Bedi. Andrea interviewed Richard as he departed in 2023 when the programme moved to Cardiff. The lead presenter post was covered in the interim by Nikki Bedi with different co-hosts. Now, Adrian Chiles has entered the chat, as the new presenter of Saturday Live. Feedback listeners have been telling us what they think of this change. Andrea Catherwood puts your comments to Colin Paterson, Head of Audio for BBC Wales and the West of England. There's also been tweaks to how some listeners access BBC Sounds when using a browser, leading to widespread confusion. We've got an answer about the changes from the BBC Sounds team.Last week Andrea spoke to BBC Political Editor Chris Mason about how the BBC has been covering Reform UK and its leader Nigel Farage. We'll hear what you thought of the discussion. And finally, one listener has nominated John Wilson's interview with Northern Ireland fashion designer Jonathan Anderson, who has recently been appointed Creative Director at French fashion house Christian Dior, for Interview of the Year. As we learned in the interview, it's a far cry from Mid Ulster, where he grew up.Presenter: Andrea Catherwood Producer: Pauline Moore Assistant Producer: Rebecca Guthrie Executive Producer: David PrestA Whistledown Scotland production for BBC Radio 4

Yep, it's finally the time to review the collections from 'Fashion Month'. Me and Jai were looking forward to so many debut collections and we get into most of them. From Matthieu Blazy at Chanel, Louise Trotter at Bottega, Jonathan Anderson for Dior, Glenn Martens for Margiela, etc..We also talk our personal faves of the season and some fails that just didn't quite measure up for us.---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie & Jai @jai_stylefactoryind more Fashion Grunge onLinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

What a fashion month it's been! The SS26 season saw 13 new creative directors make their debuts at some of the world's biggest luxury houses, from Jonathan Anderson's Dior, to Demna's first taste at Gucci. Recorded in the cinema at Selfridges London for a live audience, I gathered three industry experts to discuss what we saw and what it all means: Dazed's Fashion Features Director Emma Davidson, curator and art director Willy Ndatira aka. williamcult, and Beauty Editor Dominic Cadogan. A huge thank you to Selfridges for hosting us and supporting this episode of Threads of Conversation. You can read more in the accompanying newsletter here. If you enjoy the episode, don't forget to hit the heart button and subscribe for more Threads of Conversation. Get full access to Threads of Conversation at threadsofconversation.substack.com/subscribe

On the Glossy Podcast, senior fashion reporter Danny Parisi, international reporter Zofia Zwieglinska and editor-in-chief Jill Manoff break down some of the biggest fashion news of the week. This week, we're taking a look at the skyrocketing price of gold, the effect it has on jewelry brands and what it indicates about the health of the global economy. We also discuss an investigation into the labor practices of the Italian luxury brand Tod's, which is the latest of several luxury brands to come under official scrutiny for the conditions in its workshops. And in the second half of the episode, we discuss the slate of big debuts at this season's Fashion Month. Across New York, London, Milan and Paris Fashion Weeks, over a dozen brands debuted collections from new creative directors. We focus on six big debuts: Demna at Gucci, Matthieu Blazy at Chanel, Pierpaolo Piccioli at Balenciaga, Louise Trotter at Bottega Veneta, Jonathan Anderson at Dior, and Jack McCollough and Lazaro Hernandez at Loewe. For each one, we give them a grade based on the clothes, the spectacle of the show, the consistency with the brand and its ethos, the reception, and the expected business impact on the brand as a whole. At the end of the episode, we tally up all our scores and see which debuts had the biggest impact and which ones left something to be desired.

Jonathan Anderson was appointed as creative director of the French fashion house Dior in March 2025, becoming one of the world's most influential designers. As creative director of the luxury label Loewe for 11 years from 2013, he led a rebranding of the Spanish company, and was hailed a critical and commercial success. He's also run his own label JW Anderson since 2008, and launched collaborative lines with high street brands including Top Shop and Uniqlo. The recipient of many accolades since winning the Emerging Talent prize at the British Fashion Awards in 2012, he was named Designer Of The Year in 2023 and 2024. Jonathan Anderson tells John Wilson about his rural upbringing in Northern Ireland at the height of The Troubles, and the influence of his father, the former Ireland rugby team captain Willie Anderson. He recalls a childhood visit to a textiles factory run by his maternal grandfather that sparked a fascination for printed fabrics. Working as a shop window designer for the luxury label Prada led him to pursue ambitions to become a fashion designer, encouraged by Prada stylist Manuela Pavesi. Jonathan Anderson also reflects on the importance of creative freedom in his industry, claiming that the radical era of fashion, epitomised by designers such as Alexander McQueen and John Galliano, has been replaced by a fear of pushing boundaries due to the risk of social media backlash.Producer: Edwina Pitman

It's Day 3 of our back-to-back Paris coverage! We've already witnessed groundbreaking womenswear debuts from Dior's Jonathan Anderson and Loewe's Jack McCollough and Lazaro Hernandez. Tomorrow night, Duran Lantink, who only launched his namesake label in 2020, will present his first collection at Jean Paul Gaultier, a maison that put its ready-to-wear shows on pause after the retirement of its founder, and brought on guest designers to take on the couture collections. The announcement of Lantink as new creative director may have come as a surprise, but spiritually, the Dutch designer made perfect sense to continue writing Gaultier's legacy.He joins Vogue Runway's Nicole Phelps to discuss his quick rise to the top, how he feels about other designers being influenced by his work, and the way he's approaching his new position. Plus, The Run-Through team is on the ground with our editors and some very special guests (Sally Singer!) in Paris at Loewe, Givenchy and ALAÏA.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

The latest from Paris Fashion Week as Jonathan Anderson makes his womenswear debut for Dior and Eurostar unveils its first new uniform collection in more than a decade. See omnystudio.com/listener for privacy information.

It's been a while since we've done a rundown on the fashion world and recent happenings. So Jai is back on the pod and in this episode we talk the Jonathan Anderson debut at Dior, Glenn Martens at Margiela Couture, Meryll Rogge at Marni, Anna Wintour "stepping down", and more!---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @laurenmelanie & Jai @jai_stylefactoryFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Jonathan Anderson is the owner of Green Home Pest Control (https://www.greenhomepest.com/)Facebook: https://www.facebook.com/GreenHomePestControl/Instagram: https://www.instagram.com/greenhomepest/Youtube: https://www.youtube.com/@greenhomepestcontrolphoeni5667The Pest Control Millionaire Podcast is all about helping small business owners scale their lawn and pest companies by talking to experts in the service industry.For business coaching and mentorship, visit pestcontrolmillionaire.com.Send your business and entrepreneurship questions to info@pestcontrolmillionaire.com and we'll answer them on the show!Produced by Sofia Salaverri and Dalton Fisher, Fisher Multimedia LLCFisherMultiMedia.com

Anna Wintour's Vogue departure & predictions for the future of print, reviewing Jonathan Anderson's Dior and Michael Rider's Celine debuts AKA $200,000 cape discourse, reflecting on Demna's legacy after 10 years at Balenciaga, and a big deep dive on the Bezos wedding: reviewing the fits, the absence of T.Chalamet, the politics of PJs and more. Hosted on Acast. See acast.com/privacy for more information.

En este episodio, profundizamos en el Dior de Jonathan Anderson con su debut SS26 en la colección masculina. ¿Ha logrado el diseñador acercar la colección a lo que está ocurriendo en la calle? Comentamos su invitación, el desfile y la fashion show party viral que tuvo lugar en París durante su debut, y nos preguntamos si, con esta primera colección, ya ha conseguido involucrar al público: no hace falta estar invitado al desfile para poder disfrutarlo. Además, comentamos todo sobre la boda de Jeff Bezos y Lauren Sánchez: las polémicas que ha provocado, los invitados y los looks, entre otras cosas.

It's hard to overstate Demna's influence on fashion. From chunky “ugly” sneakers to oversized silhouettes dominating street style, Demna's vision at Balenciaga has arguably reshaped the industry forever.In the lead-up to his final couture show for Balenciaga—happening next week in Paris—Nicole Phelps invites Vogue Runway's senior fashion news editor Laia Garcia-Furtado and fashion journalist and critic Sarah Mower to reflect on the legacy of Demna's tenure. They trace his rise as a relatively unknown designer at Vetements to a global force who redefined luxury at Balenciaga. The conversation also explores what might lie ahead as Demna steps into his new role as creative director at Gucci.Plus, Chioma and Chloe break down the biggest headlines of the week—from Anna Wintour's announcement that she's stepping down as editor-in-chief to Jonathan Anderson's buzzworthy debut for Dior Homme in Paris. Learn about your ad choices: dovetail.prx.org/ad-choices

This week on The Fitting Room, Brooke and Johnny share musings on Jonathan Anderson's debut Dior show, the wild auction of Princess Diana's belongings and financing choices of the bidders, that Bezos-Sanchez wedding and subsequent Vogue cover, and of course, Anna Wintour stepping down as Vogue's Editor. 

Lauren's guest is Chris Black, marketer, sort-of influencer, and co-host of ‘How Long Gone,' a podcast for people who wish they were invited to the Bezos-Sánchez wedding. They discuss Jonathan Anderson's Dior debut, the happy couple and extreme displays of wealth, who should succeed Anna Wintour at American ‘Vogue,' and why press trips have gotten so good lately. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On this week's Debrief, I'm answering a few of your questions from Instagram - from how I prep for live TV, what to wear to a summer wedding, and my thoughts on boat shoes. I also discuss the major news of Anna Wintour's new position at Vogue and Jonathan Anderson's Dior debut!Find your forever pieces @jennikayne and get 15% off with promo code LIV at https://www.jennikayne.com/LIV! #jennikaynepartnerGet 20% an annual membership of my new substack Let's Get Dressed here https://letsgetdressed.substack.com/lgdLove the show? Follow us and leave a review on Apple Podcasts and Spotify. To watch this episode, head to YouTube.com/@LivvPerezFor more behind-the-scenes, follow Liv on Instagram, @LivvPerez, on TikTok @Livv.Perez, and shop her closet here https://shopmy.us/livvperezSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lauren's guest this episode is Highsnobiety editor-in-chief (#1 Evan Kinori fan) Noah Johnson. They discuss what's left of Men's Fashion Week in Milan (Our Legacy, Prada, and Armani); Louis Vuitton, Auralee, and Apresse in Paris; the great expectations around Jonathan Anderson's first Dior show; weird shoes; Common Projects; Jeff Bezos's look for his wedding with Lauren Sanchez in Venice later this week; Taylor Swift and Travis Kelce's wacko style; the aftermath of the Carolyn Bessette-Kennedy costuming drama; Turkish hair transplants; and plenty more. Common Projects white sneakersAdidas Stan Smith'sA.P.C JeansLe Maire slippersAurora ShoesMephistos Shoes To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The spring 2026 menswear shows are just getting started. Ahead of what is sure to be an impactful season, Will Welch, GQ's Global Editorial Director joined Nicole Phelps on The Run-Through to discuss the current state of menswear. “This [season] feels particularly big,” says Welch, referring to the debuts that will take place in the coming weeks, chief among them Jonathan Anderson's introduction as the newly-appointed creative director at Dior, but also the American designer Michael Rider's first show for Celine and Julian Klausner's inaugural Dries Van Noten menswear show following his womenswear debut last March.Tune in to the conversation to learn about Welch's favorite under-the-radar designers, what it takes to get Brad Pitt into thigh-high Saint Laurent boots, and how Andre 3000 ended up designing Welch's suit for this year's Met Gala celebrating “Superfine: Tailoring Black Style.” Learn about your ad choices: dovetail.prx.org/ad-choices

Subscribe to Throwing Fits on Substack. This is culturally inappropriate. This week, Jimmy and Larry are a day late, but never a holler short on if this is indeed the last summer of silver technical runners, big shorts or da white jeans fo today, when are expensive sunglasses worth it, James hit the links for some content hosting, CC Sabathia is a tank and a legend who if you play your cards right might consider you a good guy, golfers and influencers mix like oil and water, keep the caddies in your thoughts and prayers, checking in with Jesse Solomon and Carl Radke aka the twin towers of Summer House plus some final thoughts and rumors as this season wraps up, stay away from Ja Rule when he steps up to the tee box, rap boomers rejoice The Clipse have returned and we are bullish, rap's generational divide, label politics attempted to bungle everything as per usual, Matthew Williams is back with a new eponymous brand and a poem but will this work unlike Alyx and his tenure at Givenchy, product first designers, are we on the precipice of a broems and broetry boom, Jonathan Anderson got every job at Dior but will he break under the pressure of designing 18 collections a year, were you ever a Sies Marjan guy, please bear with Lawrence as he processes extreme bird trauma, the old school sitcom is alive and well thanks to Adults and Overcompensating, the Mountainhead heat check was a brick and much more.

Jonathan Anderson (@jakespeare88) and I discuss the new Daredevil Born Again – I haven't seen it but SPOIL it anyway… I'm gonna LIKE it. I'm gonna watch it. But You've been warned. So fun. Donate to The Dork Forest if you like the show. The paypal is my email jackie@jackiekashian.com and venmo is jackiekashian. Links to everything is at www.dorkforest.com or www.jackiekashian.com THERE IS NEW MERCH: BEES TSHIRT and BEANIES. I'm Made of BEES. Are you? www.JackieKashianStore.com is the direct. www.jackiekashian.com and www.dorkforest.com have so many other things.  Extra TDF / standup and a storytelling album are available here: https://thedorkforest.bandcamp.com/   Lots of stuff here: https://www.youtube.com/@JackieKashianInc And it's @jackiekashian on all the social mediaz. Audio and Video by Patrick Brady Music is by Mike Ruekberg Learn more about your ad choices. Visit megaphone.fm/adchoices

Bella Ramsey is British Vogue's April 2025 cover star! The Emmy-nominated star takes Chioma and Vogue's Living Editor Liam Hess behind-the-scenes of their gorgeous cover photo and shoot. Bella also shares what it's been like working on the second-season of the hit show The Last of Us, which is out on April 13th, and a little about their beautiful friendship with co-star Pedro Pascal. Plus, the Creative Director musical chairs continue with Jonathan Anderson's departure from Loewe. Fashion News Editor Jose Criales Unzueta joins Chloe and Liam to dissect both the facts and rumors of the big change-up.  Learn about your ad choices: dovetail.prx.org/ad-choices