Podcasts about wild city

Roan Sable's Wild City mix is the kind that makes listeners reach for Shazam time and time again. Peppered with deep cuts that the Pune-rooted DJ elevates to the efficiency of classics, the mix traverses through house music, reaching for the genre's upbeat vocal hooks and syncopated basslines. The journey, which Roan played out in Hyderabad for Sunday Playground,  is led by elaborate blends and surprise drops in equal measures to keep things from becoming stagnant. In the process, we pass through highlight moments like Leon's 'Beautiful Girl' coming together with Locklead's 'Morning Krew', elevating the underrated tracks beyond their merit as standalone records, giving a glimpse of his mark as an experienced selector. For more information: https://www.thewildcity.com/mixes/21095-wild-city-247-roan-sable

When T.L. Mazumdar aka EveryNowHere started the podcast series Tapasya Loading in 2020, one of his key goals was to pool together the worldview of artists that he had found inspiring without the confines of styles, geography or experience levels. As the multi-instrumentalist, composer, producer and educator celebrates and zooming past 100 episodes with a Wild City Mix, naturally his selection follows the same ethos.  The mix is ripe with artists who have appeared as guests on the podcast, connecting topics from music education and the diaspora artist experience to mental health and the creative process for a holistic view of what it's like to be a creative practitioner. Consequently, the selection can go from sparse electro-R&B ('BLUE' by LO) to Punjabi yearnful laments over tabla rhythms ('Tera Jugg' by Kiran Ahluwalia) in less than 10 minutes. While every once in a while there are works showcasing virtuosity within a defined genre ('7 Cows Jumping Over The Moon' by Kai Eckhardt Band), the mix mostly seems to be tied together with the quality of pushing beyond any stylistic boxes and seamlessly jumping between them. More information & tracklisting: https://www.thewildcity.com/mixes/21058-wild-city-246-everynowhere

With field recordings of birds and frogs stitched between transient meanderings of synths and soundscapes from her own work and that of her contemporaries from the experimental music space of India like Hemant SK, Bengal Chemicals and REVANT, Surbhi Mittal aka Pale Blue Dotter's Wild City mix is like no other. But then again the New Delhi sound artist isn't interested in being an artist like any other, often questioning the default notions around listening and creation and consequently finding space for her work in art galleries, theatrical productions and the sombre corners of music festivals as well.  Yet the mix isn't a snippet-to-snippet glimpse of leftfield music but could work as an album with a clear cohesion and intention – showcasing the magic of raw moments of inspiration that propel creation and juxtaposing them with profound reflections on self, the world and the relation between the two. For more information and tracklisting: https://www.thewildcity.com/mixes/21031-wild-city-245-pale-blue-dotter

Bangalore's Vaibhav S Narayan aka SourFunk's Wild City mix is for the point where the dancers for the night embark on their journey on the dancefloor for the rest of the party. Functioning at the confluence of house and disco – something to be expected from a member of Stalvart John's Dynamite Disco Club – the mix is inviting, presenting edits and remixes from prominent house heads like Kerri Chandler, Honey Dijon and Mousse T. peppered with recognisable melodies like 'Ain't Nobody' to grasp onto for even casual listeners of the genre before SourFunk takes you deeper. By the time you are into the spoken word passages of ABANA's 'Sativa Jazz', you know the immersion has completely taken over to make you part of the love letter to house that this mix ultimately becomes. For more information and tracklisting: https://www.thewildcity.com/mixes/20958-wild-city-244-sourfunk

Born in Kashmir and operating between Goa and New Delhi, Zainab Wani aka Zequenx is in the midst of a transformation from the perspective of her listeners. The DJ and producer has added ambient live sets to her usual fare of four-to-the-floor dancefloor journeys. It's an addition to her musical being that is now reflected in her mixes – like the one she has made for Wild City.  A nearly 2-hour-long affair, the sonic journey starts from ambient sound bath-like curation before the clouds of pad start giving way to percussive elements that settle to the rhythms of techno. With influences of laidback trance feeding into it, the mix presents a highly immersive state ripe for introspection while the body clings to the guttural chant of the kick drum's thump. For more information: https://www.thewildcity.com/mixes/20928-wild-city-243-zequenx

Ashwin Chacko talks about Curdie and the Goblin, Lord of the Rings, The Shack by Paul Young, the Bible and more as he tells Ruth McKee which books he'd save if his house was on fire. Ashwin Chacko is an author, illustrator, and motivational speaker who specialises in positively playful, visual storytelling. His books include Keep At It, Little Optimist, Everybody Feels Fear, and his most recent, Wild City which is published by The O'Brien Press.

The Jay Thomas Show from Wednesday November 20th, 2024.  Guests include Rory Jorgenson, Michelle Turnberg and Josh and Leah Alsager.

Anyone regular to the upbeat lighthearted dancefloors in New Delhi over the past couple of years has likely witnessed a set by Aditya Mehta aka DJ Pants as the multidisciplinary artist/live sound engineer become a frequent fixture to the capital city's nightlife.  Recently, Aditya branched out as a producer, coinciding with the London and Bristol-based party-throwers PARADIA branching out into a label with a local-to-global V/A compilation that featured Aditya's debut single 'Extra Style'. Aditya marks the release for us with an exclusive Wild City mix. In contrast to the more bass-heavy house of the single, the mix assembles tribal performances from around the world, infusing some Balearic influence to create a blend of new-age electronica. With tracks like 'Oki' by Sound of Mo and 'Mind Thieves' by Osamu Kitajima, the mix maintains a bright mood while the steady energy and lofty vocal parts create an introspective atmosphere over the energy of downtempo breakbeats and deep basslines. More info: https://www.thewildcity.com/mixes/20911-wild-city-242-dj-pants

Warehouse Mix, the collective of DJs and other creatives, is one of the very few new faces in India's dance music space that is keeping the word "community" meaningful, building it with a sincere DIY ethos and love for house music. They've received some help from one of the genre's pillaring veterans in the country, Hamza Rahimtula and his Windhorse Records who has also paired with them to create the recurring event AQI.  To give a taste of the event, Warehouse Mix's Tartaruga and Hamza have share their vinyl mix from their last AQI event exclusively via Wild City. With an old-school mixing style, the selections play out in extended sections, getting enhanced and layered by two masters of the fundamentals of DJing. Usually a fun ride with the constant oomph of house's four-to-the-floor beats, selections like Louie Vega's 'Come Away' featuring Kerri Chandler takes an immersed listener to psychedelic places of respite.  More information: https://www.thewildcity.com/mixes/20888-wild-city-241-tartaruga-b2b-hamza-rahimtula

The first 3 minutes of Aashna Anand aka Nariki's Wild City mix itself are a good statement on simplicity. After a straightforward introduction of the rhythms and textures that one can expect, the music soon dials back pretty soon – like the stop before the first drop on a roller coaster ride that sets the energy for the rest of the journey. It's moments like this or the tasteful midpoint break of 'Athenia' by Derek Carr that keep pumping energy into the mix which is a short and subtle affair.  Operating at the point where house starts to look a lot like techno, Nariki's mix is completely led by its selection and its flow, which she lets play out. It allows her to be highly intentful in her choices, picking mostly deeper cuts with an evaluation and insight honed by her background in music journalism. For more information and tracklisting: https://www.thewildcity.com/mixes/20869-wild-city-240-nariki

Bangalore's Ishan Gaur aka I7HVN says he wants to play his Wild City mix "in an intimate, dark room". That is rather an apt aim for the abstract works he stitches together on the nearly hour-long mix as a soft pulse underpins a parade of elements that seem to appear out of nowhere, devoid of predictability for most parts. It's a mix that carries the qualities found in the whole of I7HVN's artistic voice – with his latest release, the 6-track EP 'Innate Needs', featuring similar unpredictability though with more hard-hitting grooves underscoring them.  Not quite ambient, though it practices a similar restraint, as it rewards giving attention to its surprising minute details, the mix comes off as a seamless extended composition even as it moves from deep-cut artists from foreign shores to Indian contemporaries of I7HVN like Yidam, Innerworld and Mythopoet alongside the producer's own work. For more information and tracklisting: https://www.thewildcity.com/mixes/20827-wild-city-239-i7hvn

Bangalore's Rishii Rohra aka Peach Blok might choose laidback moods for his productions but for his Wild City mix, the DJ-producer goes to the heart of dance music. Kicking off with some house cuts, the mix practically begins with the kind of tracks you'd imagine upon the words 'club music' as strong four-to-the-floor grooves are decorated with whirring psychedelic undertones of acid arpeggios. Keeping the beat firmly placed through the first half of the mix, Peach Blok curates the ebb and flow through the whirring psychedelic elements. He gives a break from it with selections like the classic house of Gome's 'Come On (Piani mix)' and the percussive breaks of 'Boogie Check' by Baka G before spending the second half treading through a range of styles all the while dialling up the grit without losing the fun. For more information & tracklisting: https://www.thewildcity.com/mixes/20801-wild-city-238-peach-blok

Trained under veteran DJ and producer Stalvart John and seasoned as the resident DJ of the Dynamite Disco Club parties, Bengaluru's Carissa D'Almeida can easily be expected to have a flair for the syncopated basslines and energetic vocal and instrumental runs that define disco, house and their adjacent genres. What elevates Carissa to one of Dynamite Disco Club's most recognised alumni is how the selections are tied together to form a narrative. In the instance of her Wild City mix, with which she highlights 90s tracks that carry a no-frills-just-fun approach, things kick off in puristical joyous grounds of house as Carissa chooses gradual layering of records to create vibrant interplays between instrumental motifs, busy percussion jams and beckoning vocal calls. Each time using unhurried loops to provide a respite without dropping the incessant groove, the selector enters more sombre moods with Todd Terry's 'Jumpin'', stays in its psychedelic and immersive nature until a mix of DJ Pierre's 'Let The Music Take You Higher' before dialling up the pace onto more contemporary grounds for the final run of the mix.  For more information & tracklisting: https://www.thewildcity.com/mixes/20762-wild-city-237-carissa

Delhi's Tech Panda and Kenzani are one of the frontrunners of the wave of electronica that has turned its focus towards India's rich folk sounds, recontextualising them for the urban dancefloor. The latest iterations from the pair come through collaborations with Punjabi popstar Talwiinder and Akulu Records-released Punjabi-folk-meets-French-sermon track 'Kamli'. The duo celebrate their run of releases with a Wild City mix. The sonic journey reflects Tech Panda x Kenzani's extensive experience as one of India's in-demand DJs, laying itself out like a live performance that starts and ends with grandiosity. In between, the selections feature mostly originals, works from collaborators and even a peppering of Harry Styles – a testament to how the full tapestry of folk sounds the pair utilises is tied together with the immersive rhythms and soundscapes of deep house and melodic techno alongside the sensibility of pop. More info: https://www.thewildcity.com/mixes/20732-wild-city-236-tech-panda-x-kenzani

Joining us in this episode is Carol S. Henger, a former Postdoctoral Fellow in the Molecular Lab at the Wildlife Conservation Society. As a researcher who has used molecular approaches to conserve endangered species, she now teaches middle and high school students about DNA and genetics – a subject she fell in love with during her postdoc studies. Carol is a Texan now living in New York who specializes in the ecology of coyotes in urban settings. Where are they coming from? What are they eating? How do they sustain themselves in such foreign environments? Tune in now as Carol educates us on the fascinating subjects of environmental science and wildlife monitoring… In this conversation, we dig into: The primary differences between coyotes and wolves.  What makes eastern coyotes different from the others.  Why coyotes' hunting behaviors are so unique.  How researchers observe and study coyotes.  The most common human food that urban coyotes eat.  To follow along with Carol and her work, click here now! Take advantage of a 5% discount on Ekster accessories by using the code FINDINGGENIUS. Enhance your style and functionality with premium accessories. Visit bit.ly/3uiVX9R to explore latest collection. Episode also available on Apple Podcast: http://apple.co/30PvU9C

Since stepping behind the console after years as a familiar face in the fashion, beauty photography and live music events space, Anushka Menon has been steadily rising as a selector. The success of her pumping selections-filled Boiler Room set is the latest achievement in that ascent.  Off the back of it, the Goa-based multi-faceted artist recorded a set at the freshly opened venue JUNA which she shares exclusively as her Wild City mix.  For the Wild City mix, Anushka opts for the syncopated energy of breakbeats as she drops into the rhythms after an ambient welcome. She kicks things off with expansive introspective selections to immerse you before jet-setting onto more fun-focused grounds halfway through as Logic1000's 'Rush' rolls in. Making use of her multi-faceted artistic expression, Anushka has also curated visuals to go with the mix. To experience it and see more information and tracklist, head here: https://www.thewildcity.com/mixes/20702-wild-city-235-anushka

A member of the Feel My Bicep crew alongside the likes of Matt McBriar and Andy Ferguson (who'd go on to form the duo Bicep), Rory Hamilton aka Hammer isn't just someone who has a sense for discovering interesting electronica works. After decades of hosting parties in Glasgow and later London, as well as spinning records the world over, the Belfast-born talent knows how to stitch together those records to create moments of passionate revelry. India has bore witness to that skill multiple times at this point as Hamilton returned to the country earlier this year after half a decade, adding dates in Goa and Kolkata alongside Delhi and Mumbai before jetting off to Sri Lanka for further performances with Tropical Wax for an 8-show tour of India and Sri Lanka. He recorded a mix for Wild City in Sri Lanka at the end of his tour to look back at his time in the region, which also included signing on Kolkata's 8-bit culprit – the second artist from India to work with the label after New Delhi Anhad Khanna aka Sublime Sound. "From the first ever gig I played in Auro in New Delhi, I learnt that the dance floor in India is special in that the sense of excitement is genuinely palpable. Taking risks pays off," says Hamilton. "I've also learnt that like every country, each city is different and you need to be ready to fit into it." Consequently, while often operating close to house, disco and some techno, how Hammer uses a particular style can vary. Recorded at The Luna Terrace of Galle's Closenburg Hotel, the HQ of Tropical Wax, the Wild City mix goes from an unreleased remix of Syreeta Wright's chants on 'Shanti', to the disco-inspired Baldo Remix of Demi Riquísimo & Manami's 'Sugar Snap'. Testifying Hammer's abilities to create notable moments in his sets, the mix offers several instances – from the melody-led energy of Two Mamarrachos to the respite of the laidback chords of Madvilla's 'Galactic Banana'. The best, however, is the house-meets-pop euphoria that comes almost as a cinematic euphoric climax to the mix with an unreleased track featuring the voice of Lili Chan. For more information and tracklisting: https://www.thewildcity.com/mixes/20609-wild-city-234-hammer

For years, we kept clubbing the word "psychedelic" with Lahore's Talal Qureshi. Even as the Pakistan's electropop pioneer has transformed from a Coke Studio mainstay with esoteric productions on the side to someone who brings his worlds together and creates the collaborative woofer-friendly bangers, that characteristic zaniness remains. As evident by his 2023 debut album 'TURBO' and its recent re-release with a deluxe edition, it has married itself to the sound of South Asian hip-hop with sometimes a satirising presence of Pakistan's hyperlocal elements.  It is embodied in the announcement he makes at the start of his Wild City mix before launching into cuts from the 15-track release, unreleased demos, edits of his other work and even someone Skrillex to demonstrate how his work can boom alongside the globally prominent. Contrary to most mixes of nearly all-originals, Talal's quick-moving mix is a product bigger than the sum of its selections. Constant flow through hard cuts between collaborations that feature the likes of Seedhe Maut, Faris Shafi, Hasan Raheem and Natasha Noorani speaks to the effective structures of Talal's productions. It's a mix worth a listen even if just for the reimagined energy of Talal's take on 'Faltu Pyaar' and 'Muaziz Sarif'.  For more information and tracklisting: https://www.thewildcity.com/mixes/20584-wild-city-233-talal-qureshi

Akshay Mathker aka Innerworld's Wild City mix doesn't just move subtly, it moves you with the most subtle forces. Starting with dark ambience, the mix is defined by its hypnotic atmospheric nature even when the languid textures clear to the thump of the techno's proprietary grooves.  Like an experienced DJ, the Goa-based artist layers his selections, elevating them from their standalone value. The ebb and flow between lulling ambient numbers and compelling rhythms begin to combine as distorted gritty kicks creep up from behind the aqueous pads and slow breaks of ULV's 'My Sofa Turns Into A Desert'. The influence of Goa's trance heritage is doesn't shy away as deep airy washes remain a near-constant part of the selections – before the mix slowly turns towards more zany and esoteric cuts for the final push for energy.  More info: https://www.thewildcity.com/mixes/20560-wild-city-232-innerworld

Whenever Chennai-born Brooklyn-based DJ-producer Krithi reaches for rhythms and sounds from her native land and the like, they fit into the mould of dance music as if they've always been a natural part of it rather than (as it often is) a forced gimmick of limited yield. Her achievement seems to go further on her upcoming EP 'Coping Mechanism' as she finds the style a vessel of personal narratives, calling the release a "sonic exploration of how she communes with the shadows of depression". Both the released singles from the EP 'Suppress' and 'Medicate' demonstrate that within Krithi's Wild City mix which features a heavy dose of original unreleased work and glimpses of the record that drops on January 15. Introduced through 140BPM techno, the mix quickly shifts to and operates in and around bass and breaks. A peppy start moves into sombre moods as a slightly slowed down 'Heist Track' by MALFNKTION staggers into Krithi's own work before a jubilant return with the standout moment of Yourboykiran's Bollywood flip 'Yamma Yamma'. For more information and tracklisting: https://www.thewildcity.com/mixes/20494-wild-city-231-krithi

With the Magnetic Fields Festival taking over Alsisar this weekend for its 9th edition, New Delhi producer, DJ and Qilla Records co-founder Madhav Shorey aka Kohra and Thailand's globe-trotting polymath Sunju Hargun are revisiting their B2B set from last year.  Performed at the Resident Advisor afterparty, a highlight for the dancefloor-dedicated with its music going from the late hours of the night to the earliest moments of the morning, the accumulated energy of the night and its transformation into the morning audible in the set. Acid's mind-bending textures give way to increasingly guttural techno, pulling heavily from its minimal repertoire. As the night sky begins to lighten, the emotions are guided by the wash of the pads for a more refreshing conclusion. For more: https://www.thewildcity.com/mixes/20488-wild-city-230-kohra-b2b-sunju-hargun

Our Wild City Mix section is not just a reservoir of some sonic journeys from formidable selectors coming out of India and beyond but often also a place to familiarise oneself with some rising forces. Our latest edition comes in the latter category as it brings to the fore one of the country's meteorically rising acts: Kandy Kuri.  With not much more than a year to her name, Kandy Kuri has found herself supporting the likes of Yung Singh and Lady Shaka alongside featuring on lineups of Bass Camp and Magnetic Fields Festival off the back of authenticity-focused selections across styles that she weaves together with a gentle gradualness – as brandished on her Wild City mix. The mix puts focus on textures evoked by the percussion within shades of breaks, garage and house while touching upon techno. Even as vocals come to the limelight with 'Fundamentals' by Worldcolour, they only serve to augment the atmosphere as a textural element, playing to the purpose of creating a whirring hypnotic mood. For more information and tracklisting: https://www.thewildcity.com/mixes/20455-wild-city-229-kandy-kuri

Versatile but always uptempo, Farhan Rehman treads the joyous sound of house music on his Wild City mix.  The DJ-producer from Mumbai is able to tread a wide scope of genres with his reputation as one of the city's most experienced selectors. But on his hour-long mix, he keeps to the constant thump of four-to-the-floor kick drums as rousing vocals and instrumental runs take flight on top of it. Selecting tracks that are undercuts to the casual listener and classics to the house aficionados, Farhan's mix educates the listener of the infectiously celebratory essence of house music, fulfilling that classic, often-forgotten, and pivotal role of the DJ to be the informer of public taste.  For tracklisting and more information: https://www.thewildcity.com/mixes/20391-wild-city-228-farhan-rehman

One wouldn't usually place Indian artist's resurgent 80s hit 'Aaj Shanibaar' right next to works by British hip-hop group The Streets – but that is exactly what happens on Mumbai DJ-producer Himay's Wild City mix. The connecting thread is a no-frill embrace of house music in all its shade.  To present that, Himay kicks things off with his usual fare of acid house with an unreleased original work that testifies to a level of simplicity and focus that mostly only a seasoned artist can achieve. The mix builds upon the classic analogue sounds gradually till we are dealing with some modern masters like Eris Drew and Omar Souleyman before ending upon two of 2022's biggest dance music hits like Eliza Rose and Interplanetary Criminal's 'B.O.T.A.'  and Mella Dee's 'Love It Or Not' (ft. Infinite Coles). For more information and tracklisting: https://www.thewildcity.com/mixes/20339-wild-city-227-himay

Adam Rahman is a DJ/Producer based out of Dubai. He has been instrumental in developing the Techno scene in India since 1999 and Middle East since 2004. A DJ, promoter, label & festival co-owner, Adam Rahman has been a driving force for dance music in the Middle East, India and increasingly the rest of the world, for decades. And while techno might be the go-to sound for dance music right now, he's been pushing forward-thinking techno and electronica since he started in the late 90s. A trailblazing DJ and promoter, Adam brought cutting edge techno and electronic music to the Middle East just before the millennium, establishing an ultra-credible dance music scene via his WARPED nights, a true underground night that brought forward-thinking techno to a land still dominated by sandcastles, skyscrapers and beach houses. WARPED has since evolved into very select events and a monthly Ibiza Global Radio Show ‘Warped After Hours' which hosts rising stars from the Middle East and India alongside Adam's peerless selections. More success followed via his work at Ohm Records, the legendary record store and agency he co-ran, as they brought names like Sven Vath to the region for their debut. Often he'd be the warm-up on those nights as well, showcasing his range of sounds spanning deep, chugging vibes, pulsating and engaging techno and all-embracing electronica alongside Derrick May, Carl Craig and Marco Carola. From there, he became an essential part of the award-winning Groove on the Grass festival team, yet again finding himself at the forefront of the forward-thinking dance music scene in the Middle East, pushing techno and electronica to a growing audience. That progress regionally has translated into international gigs, including sets in Europe and Asia and becoming a headline name in his own right in his native India. Production-duties soon followed for the certified sound engineer, with releases on labels in UK, Holland and on his beloved KitchenSync Records which he runs alongside two other friends in Dubai. And his sets have been picked up by outlets across the world, with his Wild City mix for Resident Advisor the first to be featured from India. With his A S O M alias under which he has released music ranging from downtempo, leftfield to alternative electronica, Adam continues to grow and evolve and thrive just like his first love, techno. Hit play and enjoy the journey! Keep an eye on Adam Rahman: https://soundcloud.com/adam-warped https://instagram.com/adamrahman03 https://facebook.com/Adam.Rahman03 Listen to more electronic music on Intaresu https://intaresu.com

With Amapiano, Gqom, house, techno, hip-hop, sprinkles of R&B and ending on some drum 'n' bass, DJ MoCity and Nash demonstrate what many DJs claim to feature but few achieve: bending genres to the point the definitions of styles cease to matter.  Remixes of Ice Spice and Jorja Smith are sandwiched between works by popular dance music names like Breaka, Nick Leon, Flowdan and Skrillex and several underdogs alike. Works by Indian forces SUCHI and Oceantied also make an appearance while the languidity of Batu's 'Marius' and the deviation from the western moulds with Mostafa Omar's 'Eleila Doob on Steroids' serve as examples of elements that add an ebb and flow to the fast-moving mix. boxout.fm co-founder DJ MoCity and close dancefloor compatriot Nash find threads between varying works that only such seasoned selectors can – stitching them together and elevating them with their art to provide a masterclass on mixing.  For more information and tracklisting: https://www.thewildcity.com/mixes/20278-wild-city-226-dj-mocity-b2b-nash

#57: We're about halfway through the year (can you believe it?). So we're re-upping our new year's resolutions to find more zen. This episode first aired on January 24, 2023. Whatever self improvement goals you've set for yourself this year, life is still stressful - work pressures, family commitments...not to mention natural disasters, political strife and world crises that you literally have no control over. Well, we want to offer a little respite. Los Angeles actually has a lot to offer in terms of quiet places to walk or meditate that could bring a little peace to a hectic day or week. We are not mental health experts so we are just making suggestions based on what we know we need from time to time to have a little zen in our lives. Host Brian De Los Santos checks out a few special places around the city that are accessible to anyone who is looking for a little calm, and gains a new understanding of the benefits of walking meditation.  Guests: Diana Winston, director of mindfulness education at UCLA's Mindful Awareness Research Center; David Jaramillo, director of operations and customer care at The Movement of Spiritual Inner Awareness

Vedant Chandra aka Alboe recently released his new album 'Love Languages', which he marks for us with our latest Wild City mix.  Made of 7 original numbers, the mix highlights the underlying theme behind the New Delhi electronica producer's music, which he has introduced over the years and expounded upon with this new album. Pristine sonics borrowed from genres like future bass, melodic house and italo-disco are used uniquely with an Indian sense of melody before giving those duties to vocals spanning across languages. The result creates a dense melange of influences concurrent with his moniker which is an abbreviation of: "A Little Bit Of Everything". "My personal taste in music is more melodic and story-like and I try to imbibe the same in the music I compose," says Vedant about the inspiration behind his music. "I have taken a lot of inspiration from artists like Jungle, Daft Punk and even A. R. Rahman in the manner with which they approach compositions. To me, their songs seem like one cohesive unit where they are unafraid to experiment with various sounds to complete their desired vision. I try to embody the same." For more information and tracklisting: https://www.thewildcity.com/mixes/20238-wild-city-225-alboe

A mainstay of the dance music in India, Pramod Sippy aka Sindhi Curry is one of the most seasoned commanders of the dancefloor in the country. For our latest mix, the DJ marks signing up with the agency Maushi by running through the several stylistic excursions he has tried over the years to engage with a musical atmosphere he hasn't explicitly offered to the public ear before. With the special mix entitled 'Garage & House Origins', Sindhi Curry steps away from his usual genre-unrestricted fare of circling the moodier grounds of disco and techno. He dives into his vaults for a sense of old-school house and garage without necessarily choosing classic cuts – but rather, picking up selections that serve as either example of that era or a love letter to its no-nonsense fun. Taking off from the black music flavours of Korda's 'Move Your Body(To The Sound)' that reminds of the early vocal-based house music, you don't notice when Sindhi Curry transforms the atmosphere completely by the time Krautrock-reminiscent 'World Rebellion Plan' by Westbam makes an appearance midway. Tying it all is an upbeat energy suitable for reinvigorating a laidback summer afternoon.

In this podcast I sit down with the boys from Wild City Studio, Jon Davies and Steve Williams.

Our latest Wild City mix comes from Durban's quintessential Gqom icon DJ Lag who uses it to commemorate his first tour across India in February as part of Ultra SoulFlyp. Born in Clermont, Lwazi Asanda Gwala aka DJ Lag is regarded as one of the earliest artists to popularise the thumping visceral sound of Gqom, a genre born out of South African variations of house music, across the peninsula and then to the world. With early works uniquely released over WhatsApp to get youth across the nation to dance to them, Lag counts collaborations with the likes of Beyonce among his career highlights besides being a genre pioneer and a flagbearer of the sounds coming out of South Africa.  His Wild City carries the same qualities that define him as a producer: hard-hitting with an impeccable sense of building tension before a gratifying release all through an intricate control of the low-end. With tracks ranging from his own collaborations and his contemporaries, the mix highlights an emergent version of gqom which subtly shares influences with genres like amapiano. For more information and tracklisting: https://www.thewildcity.com/mixes/20155-wild-city-223-dj-lag

Con Marco Antonelli, Naturalista di Wwf parliamo di Operazione Cervo Italico, di Parco Naturale Regionale delle Serre, di Bosco della Mesola, di Carabinieri Forestale, di Università di Siena, di Wwf Italia, di DREAM Italia, Istituto Zoprofilattico Sperimentale di Lazio e Toscana, di Università Alma Mater Studiorum di Bologna, ma anche di sit in contro la strage degli agnelli, piazza del duomo, Milano, di Oipa, di Wild City. Storie di natura urbana, di MUSE Museo delle Scienze, Trento, di Palio delle Rane, di Fermignano, di Enpa, di Di Agnelli, Capretti e altre Santità, evento screening online, di Rave East Village, di Tiziana Pers, di Regina Josè Galindo, di Giulia e Giò i falche pellegrini sul Pirellone di Milano e scopriamo che Marco voleva essere Lupo

Lush Lata's Wild City mix moves from thumping kicks-backed Sarod meanderings of 'Maharaj Trio and Nickodemus' to the booming hip-hop beat of 'Go Again' by A-STAR to cuts by Overomono, SBTRKT, Romare, Breaka and Fred Again alongside works by homegrown talents like Oceantied, Potter and Stain, while also slipping in Udit Narayan, Kavita Krishnamurthy, Swarnalatha and Karsh Kale. With 40 tracks in less than an hour, the New Delhi selector's mixing moves quickly just like her trajectory as an artist. Starting as a member of the femme collective Coven Code and a staple figure of boxout.fm, Lush Lata has built her work over an embrace for Bollywood and the grooves most Indian kids grow up around while connecting it to her deep love for hip-hop and bass. The individual voice recently led her to be featured at Berlin's CTM Festival this year with a talk, DJ-ing workshop and a performance at the Panorama Bar of the dance music's most iconic club The Berghain. "I am way more open to new sounds and musical experiences than before. Also, they love what's going on in India right now," says Lush Lata, recounting her time in Berlin which she also does by ending her mix with Shy FX and T-Power's 'Shake Ur Body (feat. D.I.)', a track that she describes as "the tune that took my night at Berghain to another level when I heard it on the dancefloor in DJ Voilet's set at CTM festival." For more information: https://www.thewildcity.com/mixes/20112-wild-city-222-lush-lata

Are you interested in pedagogy as the agency of teaching and learning? What do you think about radical relearning about how we interact with our environment? How can we learn from children? Stay tuned for the answers from Kelly Boucher! Interview with Kelly Boucher, a scholar, education consultant and breakthrough coach. We talk about her vision for the future of cities, pedagogy, radical relearning, the need to slow down, and many more. Kelly Boucher is an independent scholar, education consultant and a personal breakthrough coach. She helps organisations across the education sector activate collective critical dialogue to ‘think otherwise with the world'. By facilitating robust exchanges within theory and practice, Kelly nurtures and develops research culture within education settings. This in turn helps teachers reconceptualise what teaching and learning could be. Kelly's recent publications focus on place and materials as relational learning opportunities for children. In 2019 her work was cited as a best practice scenario for children's learning by the Victorian Curriculum and Assessment Authority. Her book chapters Radical Collaboration: Flipping the Paradigm on Learning; (2021) and Radical Trust: Attending and Attuning to The World (2022) are Amazon #1 International Bestsellers. In the personal coaching space, she supports individuals (teachers or otherwise) to transform their everyday lives from burnt out to joyful by becoming curious life-long learners and active citizens of the now. Kelly thinks with concepts, lives slowly on Dja Dja Wurrung country and is cultivating her own inner ecology next to a huge eucalyptus tree. You can find out more about Kelly through these links: Kelly Boucher on LinkedIn; @BoucherArts as Kelly Boucher on Twitter; Kelly Boucher website; Kelly Boucher's e-book for your use; Dialogues with Materials with Kelly Boucher at Reggio Emilia Australia; How to get through it - Leunig Cartoon (facebook link) mentioned in the discussion; What is pedagogy?; Unruly Racoons; Wild City; What wast the most interesting part for you? What questions did arise for you? Let me know on Twitter @WTF4Cities or on the wtf4cities.com website where the shownotes are also available. I hope this was an interesting episode for you and thanks for tuning in. Music by Lesfm from Pixabay

With selections from James Blake, Jamie xx, Four Tet, Thom Yorke, some lesser-known cuts by the likes of Loma and sir Was, and his original works, Curtain Blue leverages how his Wild City mix will likely be enjoyed. The mix weaves its journey around emotions instead of energy for a narrative seeped in sombreness and sensuality.  A particular defining moment comes with New Delhi producer's own track 'Sunkissed' leading one into the introspection of 'Her Revolution' by Burial, Four Tet and Thom Yorke echoing distantly alongside sitar loops before the follow-up jolts you awake. Sandwiching between such famously effective numbers, Curtain Blue aka Abhishek Bhatia places his own work like the collaborative track 'Birds and Bees' with Komorebi, which recently received an extended music video in collaboration with Indian fashion powerhouse Satya Paul, and also of his contemporaries like Frame/Frame to pivot towards a triumphant uptempo finish.  For more information and tracklisting: https://www.thewildcity.com/mixes/20050-wild-city-221-curtain-blue

Whether collaborating with traditional Indian musicians or flipping Bollywood cuts, Shantanu Gursal aka kSaya's musical home is the frantic rhythm of the breakbeat – as he works as an Asian Underground revivalist over the past 2 years. It is no surprise then that the Mumbai act's Wild City mix comes replete with a near-constant underpinning of the iconic beat and its variations. The selections remain far from the heavy onslaught of breakbeats' pacier sub-genres, instead embracing the pristine atmosphere of styles like slow garage and the more modern anthemic dance music takes by the likes of Bicep. The ethereal atmosphere remains the true defining feature of the mix as it opens up rhythmically with selections like Terry Da Libra's 'U' and 'Early Hours' by Fløa & Furcloud before plunging back into the grooves that kicked things off – this time emerging out of the focus on reverberating pads to lead with the emotionally direct vocals on a mix of 'My Stripes' by Marsh. For more information: https://www.thewildcity.com/mixes/20024-wild-city-220-ksaya

At the outset, Mohit Tyagi aka Mocid is firmly rooted in the conventions of hard-hitting techno. That even includes the genre's association with retrofuturism and obsession with the extraterrestrial, as he attaches the moniker's artistic vision to that of a "space traveller exploring the Universe, searching for intelligent beings and establishing the first contact with them through rhythmic sound vibrations." A closer listen to his latest release 'Bioterror' unpacks layers more unique to the New Delhi DJ and producer – whether it is the juxtaposition of spacious soundscapes and pulsating low-end on 'Voodoo', the near-descent into noise on 'Poltergeist' and, most notably, the standout title track which lifts off from the genre with the tribal drums and engulfing pads that combine to form a journey that's led by its textures as it is by its dancefloor rhythms. Marking the release with a Wild City mix, Mocid details the influences that inform such qualities with his selection going from multiple tracks by Mekromic, through even Indian talents such as Audio Units before culminating the relentless ride with Matrixmann. For more information and tracklisting: https://www.thewildcity.com/mixes/19998-wild-city-219-mocid

What connects experimental composer John Cage, Michael Jackson, the pop-punk group Paramore, blues legend Buddy Guy and an electronic producer like Floating Points? They all figure into the plethora of influences and listening palette of Parekh & Singh, which they highlight with our latest Wild City mix.  The Kolkata duo of Nischay Parekh and Jivraj Singh, who stand as modern royalties in India's indie music at this point, recently released their third album 'The Night is Clear' – bringing to the forefront the same whimsical sense of lyrical melodies that ushered their meteoric rise but with an enhanced palette of sonic colours. Parekh & Singh firmly uphold the defining relatable heart-touching songwriting in the centre and dial-up the experimentation in the backdrop without encroaching the centerstage. Strings akin to The Eagles' cut on the mix pervade most of the 9-track album while the arpeggiation on 'Seven Days' and the bursts of pitched percussion on 'The Nightingale' hint at the electronica influences. With such a varied selection of styles, the consistency of the mix is in its ability to surprise with drastic turns. It really is what one would expect to hear at an intimate gathering at the metaphorical common house of Parekh & Singh with the records getting cued according to the lively conversation about all the music that make a person.  For more information and tracklist: https://www.thewildcity.com/mixes/19985-wild-city-218-parekh-singh

In a recent interview with Mixmag Asia about her debut EP 'Young Hate' and its just-released lead single 'Stonefruit', Sijya laid down the following as her artistic agenda: "It's a bit rebellious I'd say. I think it fights the notion that there are certain ‘correct' paths to reaching a certain level of knowledge or making." Carrying out that rebellion against the run-of-the-mill on the back of an intuition-led meticulousness, the New Delhi composer, producer and visual artist has begun to unveil her abstract take on art-pop and downtempo with the single release, which she marks for us with her Wild City mix.  The penchant for doing things differently pervades the curation and mixing as she uses the selections to celebrate Accidental Records, the home of her debut EP. Forgoing the commonplace approach of building things up gradually, the mix kicks off with a near-abrupt heavy rhythmic onslaught to firmly demand attention before finally clearing into captivating simplicity to provide a moment of sublime rhythmic relief with Dominic Voz's 'Right To The City I'. Sampled components of different tracks on the mix are re-arranged like a musical collage to manoeuvre through drastic dips and climbs of energy levels, as Sijya ventures into heavily distorted grounds and back while showcasing the uniqueness of her labelmates with works from the likes of Micachu, Crewdson, Mica Levi and ultimately, label-boss and British musical royalty, Matthew Herbert.  For more information and tracklist: https://www.thewildcity.com/mixes/19961-wild-city-217-sijya

Ever since Bangalore's Eashwar Subramanian started supplementing his white-collar professional life by putting out music nearly 5 years ago, he has done so relentlessly. A regular fixture in the country's ambient music landscape, Eashwar's work sets itself apart from the rest in the genre by creating placating dissipative soundscapes primarily through minimal melodies than abstract textures – naturally borrowing from the cinematic and new age. Initially putting out the work at a staggering pace primarily over SoundCloud, the composer-producer has lately started to consolidate his work with distinct EPs and albums, each featuring a minute but noticeable growth or experiment into the new. For his Wild City mix, Eashwar gives a snapshot of that journey as he curates an all-originals set that connects music all the way from his 2018's 'Ambient Hamlet' with the just-released 'String Theory' – his latest 5-track EP which sees his melodic motifs dissipate between percussive beds of plucked strings (on 'Fireflies'), pitched mallets (on the standout 'Mountainsong') or reversing samples of ethnic strings (on 'Turkish Wedding').  Consequently, the mix highlights the different ways Subramanian can offer pacification and invite introspection whether with simple piano melodies, like on 'Verdant Nature' from 'Polar Drift', or, in a rare instance, by actually choosing to paint with abstract texture, like on 'Expanse' from the latest EP 'String Theory'.  For more information and tracklisting: https://www.thewildcity.com/mixes/19944-wild-city-216-eashwar-subramanian

For almost a year now, M.A.P // A.M.P has explored the intersection of activism and music in South Asia with a variety of platforms, from performance and pirate radio to documentary films and podcasts. One of the biggest efforts from the Goethe-Institut-led multi-pronged project has been its crowdsourced library which presents a repository of socio-political from around the world, spanning several hours' worth of music.  M.A.P // A.M.P gives a glimpse of the library's far-reaching span with our latest Wild City mix. The mix goes from shades of folk music to hip-hop and rock, juxtaposing a myriad of languages and themes. Much like M.A.P // A.M.P's other efforts, especially the documentary series 'Awaaz', it highlights the parallels between voices demanding their right and justice, and the common device of art for people speaking truth to power – irrespective of how different those truths and those powers may be.  For tracklist and more information: https://www.thewildcity.com/mixes/19916-wild-city-215-m-a-p-a-m-p

Aashish Gupta aka AAGUU, better known for his work as one-half of the duo TechNomads while erstwhile remixing Indian cinema undercuts, curates a love letter to the formative days of house and techno on his Wild City mix.  Assembling deep cuts and familiar sounds from primarily the early 90s, the Bangalore artist taps into the nostalgia for the joyous glossy strands of the two adjacent genres – hovering closer to their Italo-disco roots. High synthetic string lines, plastic-y melodic percussion, sensual vocal samples and flute sounds created in the early days of MIDI instruments take one on a trip down memory (whether lived or imagined) lane, punctuating it just occasionally with the more sombre acid house cuts. Even while throwing in more modern numbers like Ewan McVicar's 'Amnocairn', the connection to the classic evergreen sounds remains with its snappy house piano.  For more information and tracklisting: https://www.thewildcity.com/mixes/19850-wild-city-214-aaguu

Earlier this year, the Twitter electronic music world chortled around a "Two Guy Theory", which is centred around the observation: "From Bicep to Overmono to Two Shell, the trend of two fellas coming up with elaborate excuses to hang out a lot has been picking up recently. Guys can't just be mates anymore, there has to be a catchy and fresh take on underground dance music involved." Towards the Indian sub-continent, two of the latest purveyors of that theory are Ishaan Gandhi aka Okedo and Rohan Sinha aka Dolorblind. The two music acts, who are likely familiar to anyone with an ear tuned to the electronica talent of New Delhi, have recently joined forces to create an amalgamation of their monikers with Okedolo.  The story goes that the pair had initially met in childhood through their parents' attempts to get their introverted kids to make friends within the neighbourhood. After growing apart and becoming recognised members of the Indian independent music scenes as visual artists, instrumentalists, record engineers and musicians in their own right, Ishaan and Rohan reunited nearly two decades later at a gig. The pair found themselves sitting next to each other, unbeknownst that they were once childhood friends, and grumbling about the wider industry before discovering their shared past. Building upon their rediscovered camaraderie and encouraged by the anti-isolation instincts many of us experienced after the COVID-19 pandemic's lockdowns, the two musicians started collaborating to play around with music they wouldn't otherwise do. "When we first started making music, we realised our approach to music making was on opposite ends of the spectrum, yet we found ourselves really liking each other's music (& taste in music), we knew we had to dig deeper, says Ishaan, to which Rohan adds: "Our one and only goal was to make music that's enjoyable to make. We are not confined to any genres but we do absorb the influences of our current surroundings." While the act is yet to disclose much about the resultant work to the wider public, early previews indicate bringing together Okedo's penchant for layered percussive production and Dolorblind's affinity for booming basslines and textured synthetic ambiences in entirely new contexts. Reflecting upon the sounds that informed it, Okedolo have curated the latest Wild City Mix which, even though touches upon various sub-genres of dance music, doesn't present itself as a dance mix. Hudson Mohawke's zany arpeggios creep up behind Hikaru Utadu's uptempo drama while a standout number by Burt Cope punctuates selections of drum 'n' bass and techno that completely disregard any technical common ground as long as they share the common emotional plain.  For more information: https://www.thewildcity.com/mixes/19819-wild-city-213-okedolo

It's no secret that I love talking about urban & city wildlife. Living in London, I like to shout about the nature that I get to see daily that others, in more rural areas, may not often see. So this week I was super excited to chat to author of Wild City & nature enthusiast Florence Wilkinson. Florence shared the reason why she wanted to create a book not only about wildlife in Urban areas, but about bizarre populations of certain species that seemed to thave thrived in city spaces in unusual ways. If you'd like to keep up to date with Florence, you can follow her on social media @Flo_Wilk To grab a copy of Wild City, click here To follow us on social media visit @intothewildpod for Twitter & @intothewildpodcast for Instagram. You can also find Ryan on @mrryanjdalton Love the show or simply enjoyed this episode? You can buy us a coffee to say ta at https://ko-fi.com/intothewildpod MERCH: intothewildpodcast.teemill.com Into The Wild is your weekly wildlife, nature & conservation podcast, bringing you chat from professionals about a huge variety of wild topics. This episode is sponsored by Leica Sport Optics.

Few sets invite one into a trance as quickly as Deep Brown's Wild City mix, which instantly whirrs you in with the arpeggios of Nathan Melja's 'Back And Forth'.  A long-standing DJ originally from Kolkata, Ankur Kedia aka Deep Brown gradually lets the arpeggios dissipate into textures focused on percussive numbers and bass melodies tailored for the dancefloor with the techno and house set. Within the incessant thump of the genre that never overbears and never lets down the energy, the selection traverses a range of styles, riding waves of pristine productions to the raw retro energy like the deep cut remix by DJ Smeagzy of Andy Kas' 'Funky Roadway', a particular highlight in the sonic journey. For more information and tracklist: https://www.thewildcity.com/mixes/19643-wild-city-212-deep-brown

Pack your bags, Nature Lovers! This week we are taking a virtual trip to learn all about another wild city, Atlanta! This next installment in our Wild City series features the City in The Forest from the great state of Georgia - Atlanta - as well as a wonderful guest and supporter of the podcast, Gabe Andrle! In addition, Brittany features the bird that is on the logo for Georgia Audubon, and Matt shares a current event all about glowing zebrafish and scientific publishing discourse?! It's a super fun episode you don't want to miss! You can find more information about our guest Gabe Andrle on his social media @NatureWithGabe, and more information about us here @TheBirdyBunchPodcast.   Timestamps: 00:00 - Intro        04:38 - Creature Feature             10:50 - Current Events             22:49 - Wild Atlanta! with Gabe Andrle    53:15 - Outro   Thank you to Sarah Dunlap - for designing our logo and Conner Wittman - for producing our music. Visit thebirdybunchpodcast.com for more information.

Happy Easter! To celebrate, we have a special episode on the magic of the wildlife on our doorstep. 83% of us live in urban areas and are surrounded by myriad known and not-so-well known wildlife wonders including birds, insects, hedgehogs and yes, foxes and rats. But our furry and flying city-dwellers are vital to our ecosystems, and there are untold joys and benefits of paying more attention to them, so says author of Wild City, Florence Wilkinson and the one and only David Lindo, also known as the Urban Birder, who joined Ed and Geoff this week. Find out why foxes are causing Ed a headache and birds are staying away from Geoff's garden. Email your comments, questions and episode ideas to reasons@cheerfulpodcast.com or at www.cheerfulpodcast.com and follow us on Twitter, Instagram, Facebook and LinkedIn See acast.com/privacy for privacy and opt-out information.

Few in the country have embraced the canon built upon the quick energetic hits of the breakbeat as closely as Smokey, whose hold on the sub-culture has seen her connect the underground deep cuts with popular tastes on stages of increasing magnitude. The Mumbai-based DJ brings a specific modern pop sentimentality-soaked colour of the genre to her Wild City mix.  With soft-centred lyrical tunes, Smokey sets apart her selections from the majority of our Mixes before recontextualising it back for the dancefloor with her staple breakneck rhythms. Riding the high energy of the drum breaks, the mix keeps the intensity steady and carries the ebb and flow by shifting the limelight from vocals, to basslines to chopped up synths and often the minimal elements of drum 'n' bass – interjecting with a breather each time the risk of stagnancy appears on the horizon.  For more information and tracklist: https://www.thewildcity.com/mixes/19554-wild-city-211-smokey

The Velma West Story --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tom is a writer whose work has been featured in Scientific American, Sierra Club, The Awl, Gothamist, Business Insider, Atlas Obscura,  and Untapped New York. His book Wild City is an illustrated guide to 40 of the most well-known, surprising, notorious, mythical, and sublime non-human citizens of New York City, and love letter to its surprising ecological diversity. Wild City tells the funny,  quirky, and memorable stories of forty of New York City's most surprising nonhuman citizens. In today's episode we talk about a few of the interesting stories about wild life and New York featured in the book. One a more personal note, I truly enjoyed this book and if you are interested in New York City or wild life you will not be disappointed. Grab your copy! Link below.Wild City Thomas Hynes Falcon Fuck Hats