Songwriters on Process

Dev Hynes had me at the bookshelves.All those bookshelves behind him our Zoom interview, rising to the ceiling and stuffed with books. Small wonder, then, that Hynes works best in daily consumption mode rather than creation mode. He's adamant about not writing every day.The creative process is all about keeping it fun for Hynes. He likes to write in the afternoon for the simple reason that he likes his mornings, and who wants to write at night? Hynes isn't big on fancy equipment: he bought his third and fourth guitars only a couple of months ago. "Nothing matters to me as far as equipment," Hynes says. And when he hits a wall in the songwriting process, he doesn't push things too far if it looks like things aren't working. "I won't fold, but I'll see how hollow the wall is," he explains. The new Blood Orange album is called Essex Honey.

There's a difference between wanting to write and needing to write. For Will Taylor of Flyte, it's usually a need. Taylor says that he doesn't write every day, but instead writes after an accumulation of experiences. "I know it's time because a sadness comes over me. It's a quite noticeable funk, and the clouds need to break," says Taylor. But for Taylor and his bandmate Nicolas Hill, that need to write doesn't mean inefficiency. As you'll hear, they have little patience for those songs that take too long to finish. "We have no problem throwing songs away immediately if they aren't working. We don't keep them lying around to work on them later."Flyte's latest album is Between You and Me. 

"I write the most when I'm supposed to be doing something else because it tricks me into thinking that songwriting is rebellious," Meg Duffy (aka Hand Habits) told me. "It feels like I get to choose to do it." I love this quote so much. It illustrates how we sometimes have to trick ourselves into being creative. Duffy used the word "summon" a few times in our conversation regarding their songwriting process, which implies actively calling on something to be present rather than passively receiving it. This is the eternal question for the songwriter: do you wait for the muse or try to summon it?Summoning can happen everywhere for Duffy: they even did some summoning during a recent oil change. Duffy also uses walking as a way to summon. In this episode, we dig into all our collective methods of summoning. But stay for the hilarious story of how, when Duffy lived below Kyle Thomas (aka King Tuff), summoning became very, very difficult.The latest album by Hand Habits is Blue Reminder. It's incredible. 

The theme of today's podcast is nourishment.It dawned on me a few minutes into my conversation with Hannah Cohen that when she said proper nourishment was critical to her writing process, she was being literal.  It was no metaphor. If Cohen's not hydrated and fed, the creative process becomes much more arduous. She's the first songwriter to ever tell me that. But when Cohen also told me that "the body keeps score," she was now talking nourishment as metaphor. She expressed a view that every writer knows: your writing process is always taking place. It's happening when you're eating, sleeping, working, talking, moving, whatever. Pen hitting paper is only a small part of that process. Cohen tells a great story in this episode of how her new song "Rag" came about. Back to the literal: it started with an actual rag on the side of the road. Cohen's latest album is Earthstar Mountain,

Ed Note: Lzzy Hale has collaborated with Mark Morton (Lamb of God) in the past. I co-authored Mark's new book Desolation: A Heavy Metal Memoir, hence the occasional reference to Mark and our book in this episode.Many songwriters I interview have a journal. Very few have two. Lzzy Hale of Halestorm is the only one who has three. She has a five-year journal, a freewrite journal, and a pocket field note journal "for when the mood strikes." Which, judging by our conversation, happens every waking moment for Hale. And probably a lot of sleeping moments too. Even a cursory listen to this episode will reveal Hale's enthusiasm for the creative process. She loves talking about it. Her passion for writing flows literally: she uses a fountain pen! Hale calls herself "a serial eavesdropper" as she's always listening for song ideas. And most importantly: she's not afraid to write the bad stuff to get to the good. "Every good songwriter has songs under their bed that suck," Hale says. Halestorm's new album Everest is out now. 

You think you're busy? You're not busy. Sophie Payten (known professionally as Gordi) is busy. She's a songwriter AND a physician. On this episode, we discuss how she finds time to do anything. We also explore how she so beautifully weaves themes from the world of patient care into her songwriting.Gordi's latest album, Like Plasticine, is out now. 

"I see no point in being bored. I just don't understand the concept.  So I'm always looking for things to occupy my time and get me excited," Peter Berkman of Anamanaguchi told me. Berkman actually told me this in 2011, when he was one of my first interviews for this site. And let me tell you: he hasn't changed one bit. Talking to Berkman and Ary Warnaar, it's obvious that music plays only a tiny role in their inspiration and creative process. In fact, Warnaar says that the only people he even talks music with are the members of the band.  Both men are inspired by music, visual art, movies, video games, and German philosophers. If it invades their senses, it's inspiring.Anamanaguchi's latest album is Anyway on Polyvinyl Records.

Cody Jinks had me at "I could talk about books forever." He estimates that he reads 80-100 books a year. All that reading leads to a lot of writing: songs, poetry, a journal, and an almost completed memoir. Oh and he paints. That's a great example of the through line between reading and writing: if you want to write well, you have to read. (Shameless plug: one of the books he read last year was my book)Jinks's latest album is In My Blood.

"Songwriting is about being awake to something you've never thought of or a way of thinking about something you've never experienced before," Mary Chapin Carpenter says on the pod. The five-time GRAMMY winner has a poet's way of thinking about songwriting. And on those rare occasions when she's stuck, she goes songwalking.I've always been a fan of Carpenter's music, but when she mentioned David Grann and S.A. Cosby as two of her favorite writers, I swooned.Carpenter's new album, her 17th, is Personal History. 

I'm a huge Indigo De Souza fan, so I had a great time on this episode! We went deep into her songwriting process and discussed, among other things, how moving from western North Carolina to Los Angeles changed her songwriting process, how television plays a role in her writing routine, and what part of the day she's most effective as a writer.De Souza's latest album is Precipice. 

"I'm realizing how neurotic my process is as I'm talking to you," Jade Bird said, laughing, during our conversation. Indeed, Bird is pretty specific about her writing ritual, which can be intense: she usually takes a walk after writing to relieve back stiffness that comes from hunching over her notebook. And while many songwriters boost their creativity through movement, Bird says that there's nothing like a good nap.Bird's latest album is Who Wants to Talk About Love on Glassnote Records.

At some point I told Megan James and Corin Roddick, who compose Purity Ring, that this was the bizarro episode: I'd mention something that a lot of songwriters do, and they told me that they actually did the opposite. But that's why I love this band because the music they create is so incredibly unique.Their latest album is the self-titled Purity Ring.

Glen Hansard and Markéta Irglová of The Swell Season feel no need to write every day. They both wait patiently for a spark. "I have no worries if I don't write anything. I'm available 24/7," Hansard says. "I never noodle, never rehearse, never just play around." For Irglová, she feels a current. "There's something calling me to the piano. There's a feeling. I plant the seed, then let it ruminate by doing something else like taking a walk," she says. Both can write most anywhere. Hansard wrote his song "Her Mercy" while waiting at a baggage claim in New Zealand. Irglová only needs space: she can't write in a busy place, which is why Iceland, where she lives, is ideal.The Swell Season won the 2007 Academy Award for Best Original Song for "Falling Slowly". Their latest album is Forward.

"I'm always chasing that ADHD thing: whatever it tells me to do, I just do it," John Gourley of Portugal. The Man told me. This episode hit hard. I used to be a middle school special education teacher. I taught kids with severe learning disabilities, and most also had severe ADHD. A big misconception is that people with ADHD can't focus on anything, when in fact the opposite is true: they focus on everything. "ADHD is a driver of my process," Gourley says, and as you'll hear he harnesses it to write some pretty amazing songs. Portugal. The Man's latest EP uLu Selects Vol. #2 is out now.

Laura Stevenson returns to the pod! This was an easy decision to have her on again (the first time was 2011) because I love her music and she's one of the funniest songwriters I've ever interviewed.I don't know how Stevenson has time to make music. We might imagine artists creating their art free of life's responsibilities, but Stevenson has responsibilities and then some: she's a mother, she's a music therapist, and she's getting her graduate degree. (She took Zoom calls with her thesis advisor in the car outside the studio while making this album.) Any one of these activities could derail the other the other three, so I left this podcast in awe.Stevenson's latest album is Late Great on Really Records.

Cautious Clay and I spent the first ten minutes of this episode talking about the role that painting plays in his creative process. Then a few minutes later, the topic turned to the through line between basketball and songwriting. And later he mentioned that planks and stretching are a part of his writing ritual. He also plays seven (at least) instruments: drums, bass, guitar, piano, sax, flute, and vocals. Cautious Clay is a true Renaissance Man--who was also sampled by Taylor Swift. His album The Hours: Morning is out on Concord Records.

This episode with Shura marks a first: we managed to draw a through line between Marcella Hazan's bolognese sauce and the songwriting process. We also talk about why peeing brings great ideas. (To be sure, Shura is not the first songwriter to tell me that.) Lest you think her inspiration is confined to those indoor pastimes, Shura told me that few things beat a hike in the mountains. This was one fun conversation!Shura's latest album I Got Too Sad For My Friends is out now on Play It Again Sam.

"The more I do this, the less I want to understand where it comes from," Orla Gartland says on the pod. Like most songwriters, Gartland likes to walk as a part of her songwriting process. She'll usually listen to music on these walks, and she walks to the tempo of the music she's listening to. So if you see her on the streets of London walking briskly one day and slowly the next, you now know why.Gartland's latest album Everybody Needs a Hero is out now.

It's the return of Nick Kivlen and Julia Cumming of Sunflower Bean! We had so much fun in 2022 that we had to do it again. Kivlen says, "One of things I'm realizing as Julia I talk is that our processes are totally different." And as you'll hear, differences can actually streamline the process.Sunflower Bean's latest album Mortal Primetime is out now on Lucky Number Records.

"Without the labor, channeling can't happen," Matt Gervais of The Head and the Heart told me. He has stacks upon stacks of Mead notebooks to prove it, all the way back to when he was a kid. Gervais finds art galleries to be particularly inspiring; they were a rich source when he worked in the Seattle Art MuseumThe latest album by The Head and the Heart is Aperture, out now.

When a band has seven GRAMMY wins and thirty-one GRAMMY nominations among them, they're a supergroup. So let's be clear: I'm With Her is a supergroup. The trio of Sarah Jarosz, Aoife O'Donovan, and Sara Watkins are close friends who say that great songs can come from a good trip to the grocery store. I've had all three on the pod before, but never together.The latest album by I'm With Her is Wild and Clear Blue on Rounder Records.NOTE: here are my past interviews with Jarosz, O'Donovan, and Watkins.

"I need to have those times of being fully in bloom, then fully hibernating. That's how I get my best, most genuine work," Samantha Crain says. She's a seasonal songwriter who actively takes time not to write, and those times are the hibernation stages. Some of Crain's songs hibernate too: the title track off her new album took twenty years to write.Crain's writing process is like a wide-angle lens. She likes to write at the dining room table in a chair that gives her a view of the entire room. "It feels like an unplanned mood board if I need a starting point, with lots of stuff in my periphery," Crain says. That mood board produced one of my favorite albums of the year. I first discovered Samantha Crain's music on Reservation Dogs, one of the best shows on television ever. (I've also interviewed Deerlady, a phenomenal band whose music is also on the show.) Crain's latest album is Gumshoe on Real Kind Records.

ED NOTE: here's my episode with Hood's bandmate Ashton Irwin.It's about time a songwriter referenced the movie Lost in Translation, as 5 Seconds of Summer bassist Calum Hood did in our conversation. It's part of Hood's process: he finds inspiration everywhere. And he likes to create every day, but that doesn't always happen. "I'm an anxious person anyway, so if I go a few days without writing, I start to wonder what's going on," Hood says. "That's when I practice mindfulness." Calum Hood's debut solo album is ORDER chaos ORDER on Capitol Records.

Suzanne Vega usually heads straight to the compost heap for song ideas. "I have a compost heap of at least 50 notebooks dating back many years, and I pull from those notebooks when writing a new album," Vega says. She starts the process with a theme in mind then heads straight to that pile of notebooks to look for ideas to fit the theme. Some of her songs take years to emerge: "Lucinda" started as an idea more than 25 years ago. It's a pretty rich compost heap that can produce "Tom's Diner" and "Luka." Vega wrote "Tom's Diner" on a walk after leaving the diner, further proof of how movement improves the creative process. She's also a voracious reader and cites James Joyce as a big influence.Suzanne Vega's latest album is Flying With Angels on Cooking Vinyl Records.

"I assign too much personal value to my creative output. Too much of my self-worth is wrapped up in that process in a way that is unhealthy," Stefan Babcock of PUP told me. It's natural for an artist to attach self-worth to what they create, but Babcock says he's working on loosening that attachment. "Trying to write and not have every song be everything has been a big weight off my shoulders," he says.PUP's latest album is Who Will Look After the Dogs?

It's not easy being a songwriter. It's also not easy being a PhD student. I don't know how Uwade is able to do both simultaneously. Uwade is in the first year of her PhD program in Classics at Stanford University, and in this episode we explore how these two lives intersect. We also go deep into her songwriting process, which must involve a .38mm Muji black ink pen. It has to be black ink because "blue is too whimsical. Black ink is me telling myself, You have get real. No more fun and games. Black ink is a declaration, whereas blue ink is for play," Uwade told me.If you're a Fleet Foxes fan, you've heard Uwade's voice on their album Shore and may have seen her open for the band. Her new and insanely good album Florilegium is out now on Thirty Tigers. 

Ed note: my new permanent intro and outro music is, in fact, the Tennis song "Need Your Love."Alaina Moore and Pat Riley of Tennis are good friends of mine, which means this episode is more of a conversation than an interview as we go deep into the creative process. The band's website features Alaina surrounded by books, and this is hardly a surprise: they are voracious, and I do mean voracious, readers. We're always texting each other about the latest books we've read. Our latest obsession, as you'll hear, is Jennifer Egan.The new album by Tennis is Face Down in the Garden. And while it may be their last, I'm excited for what the future holds for Alaina and Pat.

“Scribbling into oblivion” is how Lili Trifilio of Beach Bunny describes her editing process. (It's also an amazing song title.) She used this phrase in response to a question I like to ask songwriters: when you're editing something you don't like, do you cross it out with a single line or scratch it out? Trifilio wants that word or phrase to disappear forever. Beach Bunny's latest album is Tunnel Vision.

ED NOTE: Here's my recent episode with Benmont Tench, keyboardist for Tom Petty and the Heartbreakers. Mike Campbell doesn't have songwriting rules. He doesn't need any because he's always creating. "I'm probably writing as I'm talking to you," Campbell told me. In fact, Campbell's problem is that he can't stop coming up with ideas and sometimes wishes he could dial it back a bit. But that's what happens when you keep a guitar next to every chair in your house. Not just in every room, but next to every chair. Besides his work as Tom Petty's guitarist and collaborator/co-writer in The Heartbreakers, Mike Campbell has worked with countless others. He co-wrote "The Boys of Summer" and "The Heart of the Matter" by Don Henley, and he's worked with Bob Dylan, Stevie Nicks, George Harrison, Aretha Franklin, to name a few. After Tom Petty's passing, Campbell formed The Dirty Knobs. Their latest album Vagabonds, Virgins, & Misfits is out now. Campbell has a terrific new memoir out, Heartbreaker, co-written with Ari Surdoval (their editor, Ben Schafer, was also my editor at Hachette Books for my book Desolation: A Heavy Metal Memoir by Mark Morton with Ben Opipari.) 

I always love having my buddy Derek Miller of Sleigh Bells on the pod! This is Miller's third time as a guest. I don't know how he ever has time to do interviews because the man is either writing music, about to write music, or thinking about why he's not writing music. Miller is inspired by everything, and I mean everything. Even LSU football. (Go Dawgs, sorry Derek!)We also talk about his newfound sobriety and how bands like R.E.M, the B-52s, and The Cars influence his music.The latest album by Sleigh Bells (Miller and Alexis Krauss) is Bunky Becky Birthday Boy, out now on Mom + Pop Music.*photo by David Perez

Running and poetry are all Denison Witmer needs as a songwriter."When I'm being physically active, my brain opens up," he says. Running is a big part of Witmer's life and plays a big role in his creative process. The other major source of Witmer's inspiration is poetry, and we talk about its impact on his songwriting. We also make a collective case for why the poet Li-Young Lee is so, so, so great and why you should read him right after you listen to this episode. Denison Witmer's new album Anything At All  (produced and recorded by Sufjan Stevens) is out now on Asthmatic Kitty Records. 

I'm a much better songwriter when I'm reading," Annie DiRusso says. Truer words have never been spoken; a clear through line connects quality songwriting and reading. And the fact that DiRusso loves poetry makes me even more of a fan. DiRusso does most of her songwriting in her "giant mess" of a bed. "It's covered in guitars, notebooks, pens, a laptop, mics. There's ink stains all over the sheets too," she says on the pod. DiRusso's new album Super Pedestrian is out now

Running and poetry are all Denison Witmer needs as a songwriter."When I'm being physically active, my brain opens up," he says. Running is a big part of Witmer's life and plays a big role in his creative process. The other major source of Witmer's inspiration is poetry, and we talk about its impact on his songwriting. We also make a collective case for why the poet Li-Young Lee is so, so, so great and why you should read him right after you listen to this episode. Denison Witmer's new album Anything At All  (produced and recorded by Sufjan Stevens) is out now on Asthmatic Kitty Records. Send us a text

Benmont Tench is the keyboardist and a founding member of Tom Petty and the Heartbreakers. That's reason enough to listen to this podcast. I've interviewed other icons—Duff McKagan, Johnny Marr, and Jerry Harrison, to name a few—and they all have one common thread: a voracious appetite for art in all its forms. They consume books, movies, paintings, poetry, sculptures, you name it. Artists with longevity know that to create art, you have to constantly consume it.Tench is no exception. “The more I read, the more chance I have to get inspired because I'm opening myself up to language. But I'm inspired by all art; I'm even inspired by looking out the window. It all comes in, and it all shows up in my writing,” he says.  When I asked Tench if he favors any certain medium, his response was simple: “From Milton to Milton Bradley.” He's also the first songwriter I've interviewed to cite both Manet and the Steve Martin movie Dead Men Don't Wear Plaid as inspiration.Tench's solo album The Melancholy Season is out now. Send us a text

"I have no rituals when it comes to writing. I don't want to think something can go wrong if things aren't set up the right way," says James McGovern of The Murder Capital. Indeed, that's the downside of a ritual: a fixed routine can limit your productivity when that routine isn't available. But McGovern does have one tiny "ritual" that I wholeheartedly endorse: writing the bad stuff before he gets to the good stuff.And as an aside, any songwriter who references Yeats, Keats, and Heaney in one podcast is forever my hero.The Murder Capital's latest album is BlindnessSend us a text

“My biggest hurdle as a writer is trying to hack my brain to become less critical,” Christian Lee Hutson says. In other words, Hutson wants to get the hell out of his own way when he writes. I've heard this before from other songwriters: Matt Nathanson has a name for that annoyingly critical voice in his head that he's always trying to silence: "the assassin."Hutson and I talked at length about the process of discovery through mistakes. You can't write the good stuff if you're afraid of writing the bad stuff. Getting better as a writer is all about surprising yourself, and you can't do that if you're too self-critical as you write. Christian Lee Hutson's latest album Paradise Pop. 10 is out now. Send us a text

Eli Hewson of Inhaler usually stays up and writes all night. Come morning, he heads to bed and will sometimes pass his father Bono (yes, that Bono), who is just beginning his day and starting to write. (All of the band members live with their parents.) Hewson's admittedly "terrible sleeping habits" are nothing new; when he was five years old, his mother often found him watching tv in the middle of the night. Hewson's bandmate Josh Jenkinson wants no part of those late night writing sessions. "I just go to bed," he says. Jenkinson is a daytime writer; like Hewson, he's most productive when no one else is around. And in his case, that's when his mother is at work and the house is quiet. Aside from that difference, Hewson and Jenkinson mostly see eye-to-eye on the writing process. Both extol the benefits of the Rubik's Cube, of all things, on songwriting. Jenkinson says that the problem solving "becomes so mechanical that I can think about other things while I'm doing it." And both lament the "erosion of boredom" and how its loss impacts our ability to create.Inhaler's latest album Open Wide is out now.Send us a text

Send us a textEd Note: Here's my 2013 interview with Leithauser and my 2022 interview with his bandmate Walter Martin from The Walkmen.Hamilton Leithauser keeps regular hours. And those hours can be early: on the day we talked, he had started writing at 5am. It's a problem if he doesn't write every day, he says. "If I don't write every day, I feel anxious or like I've done something wrong."I don't think Leithauser ever rests. "I can't ever stop doing stuff," he says, saying that it may border on "maniacal." So when he's not writing, his other hobbies include, but are probably not limited to, woodworking, photography, racquetball, kitesurfing, and chess. (Even when he's playing chess, he admits to writing music.) Oh, and he has two young kids.Leithauser's new solo album This Side of the Island is out March 7 on Glassnote Records.

Send us a textIf you see Cecilia Castleman browsing the paint aisle at Home Depot, she's probably not looking for paint. She's looking for song ideas. Castleman finds inspiration everywhere, but paint names, she says, are particularly rich sources for song ideas and lyrics. And as you'll hear, baking cakes and looking at old houses are great sources too. It took me about ten seconds—the first notes of the opening guitar riff—of listening to the opening track “It's Alright” to realize I was going nowhere for the next 48 minutes. This album is good. I mean really, really good. Cecilia Castleman's self-titled debut is out on Glassnote Records.

Send us a textRebecca and Megan Lovell, the GRAMMY-winning sisters who compose Larkin Poe, call themselves “serial idea keepers.” This means they don't write every day. Instead, “we pull back on ideas until we are ready to write,” they say. This seasonal writing, as they and other songwriters like to call it, requires discipline: you have to resist the urge to write every day and only write during certain times. The advantage of this is that the words flow freely when it's time to write.But the Lovells bemoan this age of constant online stimulation, where artists are missing one critical element for creativity: boredom. “There's not enough boredom in our lives. We need time to daydream,” they say.Larkin Poe's latest album is called Bloom.Ed note: to clarify my intro, Larkin Poe won the 2024 GRAMMY for Best Contemporary Blues Album for their 2023 album Blood Harmony.

Send us a textFlipturn's Tristan Duncan (guitar), Devon VonBalson (drums), and Dillon Basse (vocals) join the pod and go deep into their creative processes. We talk about, among other things, why certain times of day are better for writing, how exercise improves songwriting, and the places they find the most inspiring.Flipturn's latest album Burnout Days is out January 24 on Dualtone Records.

Send us a textIs Vera, the debut album by Phil and Tim Hanesroth (The Hanesroth Twins), really a debut? After all, they've won three GRAMMYs and have been nominated seven more times for their songwriting collaboration with Brandi Carlile. (They're the twins who flank her in concert live.) The twins' songs have been covered by Adele, Dolly Parton, and the Avett Brothers. So while this may be their first album as a duo, they've had excellent songwriting chops for a while.Had a great time talking about why it's important to not take the writing process too seriously, why the outdoors are so integral to creativity, and their uncanny ability to craft fully formed songs in their head before committing them to paper. 

Send us a textThe last time I interviewed Josh Carter of Phantogram was in 2010, before this site was even a podcast. It was one of the first interviews I ever did, and Carter mentioned the author Breece D'J Pancake. The name stood out, of course, but it took a while for me to read about Pancake's tragic backstory. Then more songwriters started mentioning him in interviews, so I finally read his book, and wow. Incredible. This time, Carter and Sarah Barthel join me on the podcast to talk about their decidedly old-school writing process. We talk about Barthel's collection of analog typewriters, Carter's use of his Dictaphone, and how we just need more time to be bored. Yes, we sound like three cranky old people railing against the impact tech has on creativity. But I'll take that any day as long as Phantogram continues to make such good music. Phantogram's latest album Memory of a Day is out now.

Send us a textWhenever Sophie Allison (aka Soccer Mommy) puts something out, I know I'll like it. Her new album Evergreen is no exception. We take a deep dive into her songwriting process on this episode.

Send us a textEd note: Here's my 2022 podcast episode with Fontaines D.C. singer Grian Chatten.  Unfortunately, I stopped recording before Conor Deegan (Deego) and I started reading poetry to each other. But that should give you a sense of how deep I went into the creative process with the Fontaines D.C. bassist. This is less a discussion about the particulars of the songwriting process than it is about the creative mind and the drive to write. And yet, even our discussion of why Deego likes to write with a pencil was a window to his soul. Of course, we also talked literature, from Blake to Baudelaire to Hemingway. Fontaines D.C. is my favorite band today. Their latest album is called Romance.

Send us a textHello Mary on the pod today! Stella Wave, Helena Straight, and Mikaela Oppenheimer released their debut album in 2020, when Wave was 19 and Oppenheimer and Straight were 16. The band talks about their collective and individual writing processes, and we also discussed our shared love for the novelist Jennifer Egan.Hello Mary's latest album Emita Ox is out now on Frenchkiss Records. 

Send us a text"Bravery is underrated when it comes to art," Mike Einziger, guitarist and songwriter for Incbus, told me. In other words, don't be afraid to write the bad stuff. (I'd listen to a guy whose band has sold 23 million records.) As you'll hear on this episode, Einziger's intellectual curiosity runs deep, expanding far beyond music into the world of physics; the overlap of these two passions, he told me, means that he is constantly "driven by curiosity. And when that happens, songwriting doesn't feel like work."

Send us a textHere's a sampling of the authors and artists that Jake Duzsik of HEALTH mentioned in our conversation: Pascal, T.S. Eliot, William Blake, Vonnegut, Joan Didion, Truman Capote, Oscar Wilde, Thomas Pynchon, Camus, Gabriel Garcia Marquez, Cormac McCarthy. And somewhere along the lines, we discussed postmodern prose. To be clear, Duzsik was not name checking. It reflects how deeply his creative mind operates. HEALTH's latest album Rat Wars is out now. And shameless plug: if you're a fan of HEALTH, you might also be a Lamb of God fan. So buy Desolation: A Heavy Metal Memoir by Mark Morton with Ben Opipari (me)!

Send us a textDoes writer's block really exist? Or is it just a reluctance to write the bad stuff? The writer Anthony Doerr once told me that writer's block is just "a failure of courage." Pete Yorn tends to agree. On this episode of the podcast, Yorn and I talk about the myth of writer's block, why you should always say yes to a creative project with your kids, and why he still keeps his songwriting notebooks from his days as a college student at Syracuse University. Pete Yorn's latest album, his tenth solo studio album, The Hard Way, is out now.

Wunderhorse is why you should always get to the show early to see the support act. I was introduced to Jacob Slater's band when I saw them open for Fontaines D.C. (here's my podcast with Grian Chatten of Fontaines) at a small club in Pittsburgh in 2022. I had never heard of Wunderhorse, but they won everyone, including me, over in the first thirty seconds with their volume and their energy. I've been a huge fan of Slater and his band ever since. And as you'll hear, we share a strong affinity for the amazing writer Breece D'J Pancake.Wunderhorse's fantastic album Midas is out now. 

It's always fun to interview two songwriters who have a history together! Before his solo career, Kishi Bashi was a member of Kevin Barnes' band of Montreal. Kishi Bashi's new album Kantos is out now on Joyful Noise Recordings, and of Montreal's Lady on the Cusp is out on Polyvinyl Records. Kishi Bashi's “Omoiyari: A Song Film” has been nominated for an Emmy with the winners announced in September.