Podcasts about best original song

Based upon the comic strip created in 1931 by Chester Gould, this eye-popping live-action adaptation was long planned by Oscar-winning director Warren Beatty (Reds, Heaven Can Wait) who also elected to star as the titular square-jawwed crime fighter sporting a bright yellow jacket.  Finally green-lit and released by Disney in the wake of the breakout success the prior year of Tim Burton's Batman, the studio was hoping that it could duplicate the mega-blockbuster success of that comic book adaptation, backing its release with loads of marketing hype AND three different soundtrack albums including an assortment of original songs written by Tony-winning songwriting stage legend Stephen Sondheim (West Side Story, Into the Woods) and performed one of its co-stars....that would be Madonna who played Breathtless Mahoney, who is also a key femme fatale for the story.  She is joined by completely STACKED cast by Paul Sorvino, Mandy Patinkin, Glenne Headley, Charlie Korsmo, Charles Durning, James Caan, Dustin Hoffman, AND Al Pacino who plays the film's main villain Big Boy Caprice. Alas the film did solid box office but did not live up to the Batman-level hype...though it DID set a record for most Oscars won by a comic book adaptation with three for Best Makeup, Best Original Song, and Best Art Direction.  This record of three Oscars would not be matched for another 28 years until it was eventually tied by another Disney comic book release, Black Panther. Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Twenty years ago, “Al otro lado del río" became the first Spanish-language song to win an Academy Award for Best Original Song. Written by Jorge Drexler in a single day while staying in Madison, Wisconsin, and recorded in a mix of home and studio settings, the song's journey was as unexpected as its lyrics suggested. At the time, it felt like an anomaly. This year, when “El Mal” from Amelia Perez won the same award, it barely registered as unusual. That alone says something about how much can shift in 20 years—culturally, personally, globally. Here we revisit that historic night through conversations with Jorge Drexler, Ana Laan, Amanda Sidran, Ben Sidran, and the song's co-producer: me. From the song's humble origins, its Oscar nomination, and the moment when Drexler—barred from performing his own song during the ceremony—made a quiet but profound statement by singing his acceptance speech a cappella. But this episode isn't just about the song. It's about the river crossings—literal and metaphorical—that define our lives. It's about memory, and how we revise and re-tell our stories over time. It's about fate, timing, music, and how small decisions can ripple outward in ways we could never expect. It also looks at the aftermath: how the win transformed Drexler's career, leading to 15 Latin Grammys and three Song of the Year awards by 2024, and how it marked a turning point for me, prompting me to move to New York and ultimately leading to the creation of The Third Story podcast. But even in retelling the story, memory plays tricks—Jorge and I recall that night differently, highlighting a key theme of The Third Story: within every version of events, the truth always lies in the spaces between. This episode is an exploration of music, memory, and history—how a single event can reshape multiple lives in different ways. www.third-story.com www.leosidran.substack.com

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Jimmy Jam & Terry Lewis. ABOUT JIMMY JAM & TERRY LEWISWith 26 Billboard #1 R&B hits and 16 Billboard #1 pop hits to their credit, Jimmy Jam and Terry Lewis are perhaps the most influential and successful songwriting and production duo in modern music history. With a total of 41 Top 10 hits in the US, Jimmy and Terry were named ASCAP Songwriters of the Year a record-breaking nine times. They are perhaps best known for their work with Janet Jackson, beginning with the Control album, which earned the duo a Grammy for Producer of the Year. Between 1986 and 1994 they scored thirteen #1 songs with Janet on either the R&B or pop chart, including “What Have You Done For Me Lately,” “Nasty,” “When I Think of You,” “Control,” “Let's Wait Awhile,” “Miss You Much,” “Rhythm Nation,” “Escapade” “Love Will Never Do (Without You),” “The Best Things in Life Are Free,” “That's the Way Love Goes,” “Any Time, Any Place,” and “Again,” which earned Jimmy, Terry, and Janet an Academy Award nomination for Best Original Song. Jimmy and Terry got their start as musicians with Morris Day and the Time, the Prince-produced band whose biggest hit was the Jam and Lewis-penned “Jerk Out.” They made the transition to a successful songwriting and production team working with the S.O.S. band, which landed a #2 R&B hit with “Just Be Good to Me.” From there, they made their mark on pop and R&B hits for decades to come. In addition to their work with Jackson, the duo wrote and produced the #1 pop singles “Human” by Human League, “Romantic” by Karyn White, “Thank God I Found You” by Mariah Carey, and the Boyz II Men singles “On Bended Knee” and “4 Seasons of Loneliness.” Additional R&B chart toppers include “Encore” by Cheryl Lynn, “Fake” by Alexander O'Neal, “Everything I Miss at Home” by Cherelle, “Sensitivity” by Ralph Tresvant, and the Johnny Gill singles “Rub You the Right Way” and “Wrap My Body Tight.” Other highlights from their catalog include New Edition's “If It Isn't Love” and “I'm Still in Love With You,” “No More Drama” by Mary J. Blige, Robert Palmer's hit pop cover of their Cherelle single “I Didn't Mean to Turn You On,” and recordings by Gladys Knight & The Pips, Barry White, Michael Jackson, Lionel Richie, Usher, Spice Girls, Aretha Franklin, Charlie Wilson, Ledisi, Sting, Elton John, Beyonce, Rihanna, Rod Stewart, Drake, Kendrick Lamar, Gwen Stefani, Willie Nelson, and many others.Always versatile, the duo has earned Grammy awards for Best R&B Album for Chaka Kahn's Funk This, Best Gospel Song for Yolanda Adams' “Be Blessed,” and Best Dance Recording for Janet Jackson's #1 pop and R&B hit “All For You.” Additional Jackson hits that were written and produced with Jam and Lewis include the Janet and Michael Jackson hit “Scream” and the #1 singles “Together Again,” “I Get Lonely,” “Doesn't Really Matter,” and the Nelly duet “Call On Me.”In total the team has earned over 100 gold, platinum, multi-platinum and diamond album certifications from the RIAA, have received more Producer of the Year Grammy nominations than anyone in history, earned the NAACP Lifetime Achievement Award, and were inducted into the Songwriters Hall of Fame. 

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This week, we review Mickey 17.We also discuss Best Original Song in Concessions of a Cinephile, and more!The Bloody Awesome Movie Podcastdelivers a spoiler-free review of a film, usually a new release with some exceptions, every week.Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from disappointment media will introduce a variety of movies or pop-culture-related topics in a series of segments.Review of Mickey 17Director, writer, and cast provided by Letterboxd.comIMDb.com Synopsis: Unlikely hero Mickey Barnes finds himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living…RATINGS:78% RT critic72% RT audience73 Metascore,7.2 IMDb user score3.7 Letterboxd,Where to watch?Concessions of a CinephileIn this segment, we switch to movie-motivated conversations of a large variety that could include headlines, trailers, top five lists, best of, competitions, etc….Topic Best Original SongShould this be a category?El Mal wins 2025Our Spotify Playlist - Media ConsumptionMovies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the timeMatt's consumptionLast Breath, Porco RossoThe Mask of Fear audiobookJon's consumptionLast Breath, Patton, Guns of Redemption, Ben-Hur, My Fair Lady, Tom Jones, The Electric State,Severance S2E7&8

Hello Wholigans! On today's episode of Who's There, our weekly call-in show, we discuss an iconic Who (Alexandra D'Addario) who sat next to an iconic Them (Jennifer Hudson) at a particularly violent Knicks game. (And how vertical video ruins storytelling!!!) Moving on, we take your questions about Robby Hoffman x Gabby Windey, Mae Martin x Parvati Shallow, Katherine Heigl's Themmy sponcon deal, the 2001 Oscar for Best Original Song, the Themmiest days of the week, and a whole lot more. As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Want more? Get a ton of bonus content over on Patreon.com/WhoWeekly To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Travis Byram joins to break down every category of the 97th Academy Awards as he and Reid analyze the production beauty of films like "Wicked" and "Nosferatu"; potential for acting history by Adrien Brody, Demi Moore & Timothee Chalamet; controversies for "Emilia Perez" and "The Brutalist"; and phenomenal Best Picture arguments for "Anora", "The Brutalist" and "Conclave"! PLUS: Hype for Conan O'Brien as host, a difference in this year's treatment of Best Original Song, and WHAT THE HELLLLLL is up with "Shrek 5"??

talk about oscar nominees for best original song

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with the Academy Awards coming up, all of the songs featured have won the Oscar for Best Original Song. On today's episode, Andy Atherton is watching, “(I've Had) The Time Of My Life” by Bill Medley & Jennifer Warnes from 1986.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=4BQLE_RrTSU

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with the Academy Awards coming up, all of the songs featured have won the Oscar for Best Original Song. On today's episode, Steve Riddle is watching, “Into The West” by Annie Lennox from 2003.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=-RDuQfSwKfY

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with the Academy Awards coming up, all of the songs featured have won the Oscar for Best Original Song. On today's episode, Andy Atherton is watching, “Man Or Muppet” by Jason Segel & Walter from 2011.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=cRTjksM3YAs

Opening Credits: This week on Live Breathe Film with Doug and Murph...Feature Presentation: Spreading the Oscar Love - While we do agree on who we'd vote for in a majority of categories at this year's Academy Awards (step right up for another funny acceptance speech this season, Kieran Culkin), it was always going to be largely due to our mutual passion for Dune: Part Two and The Wild Robot once the nominations were announced. At the same time we do have a near equal amount of disagreement on each of our imaginary ballots even if it's mostly between winners and runner-ups. And as we each chose to abstain votes where we felt appropriate, there was only one pick where complete shenanigans were involved. It would make plenty of anonymous Academy voters proud!Yet somehow the shenanigans doesn't involve our individual or mutual bitterness with Hans Zimmer being deemed ineligible for his brilliant Dune: Part Two score, Trent Reznor & Atticus Ross being snubbed for their top-tier musical craftsmanship in multiple categories for Challengers, or Marren Morris being ignored for her beautiful song, “Kiss the Sky”, from The Wild Robot, which both captures the emotions of the film during a pivotal scene while complementing the nominated score. Needless to say, Best Sound, Best Original Score, and Best Original Song turned into a long vent session despite playing fair with our votes.End Credits: Please make sure to Like, Follow, and Subscribe to Live Breathe Film! 

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with the Academy Awards coming up, all of the songs featured have won the Oscar for Best Original Song. On today's episode, Steve Riddle is watching, “Fame” by Irene Cara from 1980.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=UYj8EvuTxmM

Send us a textToday is the second of a five episode preview of the 97th Academy Awards where I will be breaking down each and every category throughout the week. Today I am joined by Enrico Banson from the Director's Notes newsletter to break down Best Animated Feature, Best International Feature, Best Documentary Feature, Best Original Score, and Best Original Song. I've listed the nominees below along with a few other films mentioned throughout the episode.Be sure to subscribe to the podcast to get all the preview episodes this week, and head over to my Substack to submit your guesses for my annual Oscar prediction contest.The nominees for each category are listed below.Best Animated Feature:FlowInside Out 2Memoir of a SnailWallace & Gromit: Vengeance Most FowlThe Wild RobotBest International Feature:Emilia Pérez (France)Flow (Latvia)The Girl with the Needle (Denmark)I'm Still Here (Brazil)The Seed of the Sacred Fig (Germany)Best Documentary Feature:Black Box Diaries No Other LandPorcelain WarSoundtrack to a Coup d'EtatSugarcaneBest Original Score:The BrutalistConclaveEmilia PérezWickedThe Wild RobotBest Original Song:"El Mal" from Emilia Pérez"The Journey" from The Six Triple Eight"Like a Bird" from Sing Sing "Mi Camino" from Emilia Pérez "Never Too Late" from Elton John: Never Too Late Other films mentioned in this episode include:"Incident" directed by Bill Morrison20 Days in Mariupol directed by Mstyslav ChernovThe Eternal Memory directed by Maite AlberdiNavalny directed by Daniel RoherSummer of Soul directed by Ahmir-Khalib ThompsonMy Octopus Teacher directed by Pippa Ehrlich and James ReedWill & Harper directed by Josh GreenbaumPiece by Piece directed by Morgan NevilleFlee directed by Jonas Poher RasmussenThe Remarkable Life of Ibelin directed by Benjamin Ree"The Last Repair Shop" directed by Ben Proudfoot and Kris BowersThe Last Showgirl directed by Gia CoppolaArmageddon directed by Michael BayThe Lion King directed by Roger Allers and Rob MinkoffRocket Man directed by Dexter FletcherCoco directed by Lee UnkrichEncanto directed by Byron Howard and Jared BushAladdin directed by John Musker and Ron ClementsOther media mentioned in this episode include:"Never My Love" performed by The Association"I Don't Want to Miss a Thing" by Diane Warren, performed by Aerosmith"How Do I Live" by Diane Warren, performed by LeAnn Rimes"Remember Me" by Robert Lopez and Kristen Anderson-Lopez"We Don't Talk About Bruno" by Lin-Manuel Miranda"Dos Oruguitas" by Lin-Manuel Miranda"A Whole New World" by Alan Menken and Tim Rice

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with the Academy Awards coming up, all of the songs featured have won the Oscar for Best Original Song. On today's episode, Andy Atherton is watching, “Up Where We Belong'” by Joe Cocker & Jennifer Warnes from 1981.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=bjrOcrisGyI

As is tradition, we're taking this week to unpack the romances of all ten Best Picture nominees at next Sunday's Academy Awards! Join in as we discuss The Brutalist's AI controversy, the underserved women of A Complete Unknown, our Conclave theories, the maximalism of The Substance, and more! Plus: Will finally explains his long-hinted-at dislike of Wicked, Marc correctly identifies the year's hottest performance, Dune and Nickel Boys set the gold standard for literary adaptation, and the Best Original Song category continues to be a mess. Make sure to rate, review, and subscribe! Next week: Monster Trucks (2017)----------------------------------------------Key sources and links for this episode: Interview with Anora director Sean Baker on the Prestige Junkie podcast "Inside the Anora House" (IndieWire) "About the Destination: The Brutalist and Israel" (Screen Slate) "The Brutalist's AI Controversy Explained" (Vulture) "Glen Powell Reveals Steven Spielberg's Twisters Note that Changed the Ending" (Collider) Elizabeth Cotten playing "Freight Train" "Emilia Perez's Controversial Camino" (Vulture) Lemme Say This interview with journalist Sarah Hagi on uncovering Emilia Perez star Karla Sofia Gascon's Twitter page "Margaret Qualley was Given Prosthetic Boobs to 'Endow Me with the Rack of a Lifetime' for The Substance" (People)

It's time to talk the 2025 Oscars! Nicole and Ryan break down the 2025 Oscars Best Original Song category. There are some past winners (Elton John), a 16 time nominee (Diane Warren), 2 songs from Emilia Perez, and a nomination for Sing Sing. There's also a controversy regarding the category: none of the songs will be performed at the ceremony! Here our hot takes and see if you agree with our predictions!

Dana and Tom give you their picks for what should and will win at the 2025 Oscars, preview their annual Oscars picks bet, and then rank their Best Picture favorites in this special live-stream episode.Chapters:00:00 Introduction to the Oscars Special Edition02:47 Best Supporting Actress Predictions06:00 Animated Short Film Discussion09:56 Best Animated Feature Insights12:04 Screenplay Categories Overview15:58 Makeup and Hair Styling Analysis17:59 Production and Costume Design Breakdown22:03 International Film and Best Picture Predictions26:04 Best Supporting Actor Insights27:52 Visual Effects and Cinematography Discussion39:00 Best Live Action Short and Sound Categories40:43 Best Documentary and Final Thoughts43:41 Best Score Discussion45:08 Controversial Best Original Song Predictions49:30 Best Actor Insights54:32 Best Director Predictions55:36 Best Actress Controversies01:00:04 Oscars Bet and Tiebreaker Selection01:05:17 Best Picture Rankings01:17:20 Film Rankings and Expectations01:19:05 Diving into 'Conclave' and Its Reception01:22:29 Exploring 'A Complete Unknown' and Its Impact01:28:08 The Haunting Themes of 'I'm Still Here'01:31:41 The Significance of 'Nickel Boys'01:36:34 The Sci-Fi Experience of 'Dune Part Two'01:42:04 Analyzing 'The Brutalist'01:49:19 The Best Picture Contender: 'Anora'You can also catch the full episode on video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/oscars-preview-2025Keywords:Oscars, movie predictions, film analysis, awards, best picture, supporting actress, animated feature, screenplay, production design, cinematography, Oscars, Best Score, Best Original Song, Best Actor, Best Director, Best Actress, Oscars Bet, Best Picture, film reviews, movie rankings, Oscars 2025, cinematic analysis, film discussions, movie recommendations, best picture nominees, film critique, cinematic themes, movie insights, Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I'm Still Here, Nickel Boys, The Substance, WickedRonny Duncan Studios

We continue to celebrate afro-centric films during Black History with a director focus on John Singleton films; Poetic Justice/Higher Learning/Baby Boy!Poetic Justice is a 1993 American romantic drama film written and directed by John Singleton, and starring Janet Jackson, Tupac Shakur, Regina King, and Joe Torry. It follows a poet (Jackson) mourning the loss of her boyfriend from gun violence. She goes on a road trip from South Los Angeles to Oakland on a mail truck, along with her friend (King) and a postal worker (Shakur), in order to deal with depression.Following the success of his debut film, Boyz n the Hood, Singleton wanted to make a film that would give a voice to young African-American women. Jada Pinkett, Lisa Bonet, Monica Calhoun, and many other popular actresses auditioned for the role of Justice, though Singleton knew from the script's draft that the role was solely intended for Jackson. Filming took place from April 11 to July 4, 1992.Poetic Justice was released in the United States on July 23, 1993. The film received mixed reviews from critics, who criticized the screenplay though praised Jackson and Shakur's performances and chemistry. It reached No. 1 in the box office its opening weekend, grossing $11,728,455. It eventually grossed a total of $27,515,786. Jackson received Academy Award and Golden Globe nominations for Best Original Song for "Again", which also reached number one on the Billboard Hot 100. Janet won 2 MTV Movie awards for her role in the film, including Most Desirable Female. The film has developed a cult following, especially for the chemistry between Jackson and Shakur.Higher Learning is a 1995 American crime drama film written and directed by John Singleton and starring an ensemble cast. The film follows the changing lives of three incoming freshmen at the fictional Columbus University: Malik Williams (Omar Epps), a track star who struggles with academics; Kristen Connor (Kristy Swanson), a shy and naive girl; and Remy (Michael Rapaport), a lonely and confused man seemingly out of place in his new environment.The film also featured Tyra Banks' first performance in a theatrical film. Laurence Fishburne won an NAACP Image Award for "Outstanding Supporting Actor in a Motion Picture"; Ice Cube was also nominated for the award. This was the last film appearance of Dedrick D. Gobert, who was shot dead in 1994 prior to the film's release.The exterior shots and outdoor scenes were shot on the campus of University of California, Los Angeles (UCLA) while the interiors were shot at Sony Pictures Studios.aby Boy is a 2001 American coming-of-age hood drama film directed, written and produced by John Singleton, and starring Tyrese Gibson, Snoop Dogg, Ving Rhames, Omar Gooding, A.J. Johnson and Taraji P. Henson.[5] The film follows Joseph "Jody" Summers (Gibson), a 20-year-old bike mechanic as he lives and learns in his everyday life in the hood of Los Angeles.The film was originally written with rapper-actor Tupac Shakur in mind to play Jody; Shakur had previously worked with Singleton on Poetic Justice. However, following Shakur's murder in 1996, Singleton decided to replace Shakur with R&B artist Tyrese Gibson. Additionally, the role of Rodney was originally written for Ice Cube, who had worked with Singleton on Boyz n the Hood and Higher Learning. The film marked the feature acting debut of Gibson and provided Henson with her first prominent role.Released in the United States on June 27, 2001, the film received predominantly positive reviews from critics and audiences, with many deeming it as Singleton's best film since Boyz n the Hood. The film is also the final feature film written by Singleton as he did not write any of his later feature-length directorial projects before his death in April 2019.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

2025 OSCARS SPECIAL The yearly That Song From That Movie award season special is upon us. Time for us to break down all of the Academy Award nominees for the Best Original Song category. Which one of these songs will be lofting that famous little gold Oscar statue above their head? "El Mal" and Mi Camino from Emilia Perez, Like a Bird from Sing Sing, Never Too Late from Elton John: Never Too Late or ...could it finally be her year? Is it Diane Warren's time? The final nominee is The Journey from The Six Triple Eight. Dietrich recalls a nearly 20 year old YouTube meme, Alex needs to go to the cinema more and Ben really didn't want to watch Emilia Perez.Find us on Twitter, BlueSky, Instagram & Threads: @TSFTMpodThe winner is Like, share and subscribeDid you enjoy the episode? Then please consider leaving a FIVE STAR review wherever you are listening. It means a great deal to us and makes it easier for other potential listeners to find us. Want to support us further? You can do this on Patreon from £1 ($1.50) a month: https://Patreon.com/TSFTM or via our merch store: https://TeePublic.com/user/TSFTMThank you!Timestamps:02:02 - Oscars Overview05:22 - Emilia Perez and the discourse10:01 - "El Mal" By Zoe Saldana14:13 - "Mi Camino" by Selena Gomez19:54 - "Like a Bird" By Adrian Quesada & Abraham Alexander27:52 - "Never Too Late" By Elton John34:34 - "The Journey" by H.E.R40:54 - Who is Getting Our Vote?

Send us a textThis week, in preparation for this year's Academy Awards on March 2, we dive into the best rock-n-roll songs that have been nominated for Best Original Song. Of the hundreds of songs that have been nominated, it was a challenge to find 10 really good ones that rose above the movies they were nominated for, and hold up today. But we did it, and we're excited to share our list of the Top 10 Oscar-Nominated songs of all time, so please join us this week on The Rock-N-Roll Show Podcast!00:00 Introduction to the Rock and Roll Show Podcast00:55 The Evolution of Music in Movies02:28 The Shift to Popular Music in Films03:59 Criteria for the Top 10 List05:55 Honorable Mentions and Overlooked Songs08:43 Number 1012:03 Number 914:18 Number 818:30 Number 721:08 Number 623:56 Number 526:48 Number 430:04 Number 332:55 Number 235:54 Number 139:04 Conclusion and Farewell===========================Connect with us on social media!YouTubeInstagram TikTok Facebook

Burde Jurrasic Park temaet i 1993 danket ut Bon Jovi og Blaze Of Glory i 1991 i kategorien "Best Original Song"? Hæ?

Six-time Grammy winner, Academy Award nominee, and Songwriters Hall of Famer Glen Ballard joins us to talk about his work with Michael Jackson, Alanis Morrisette, Dave Matthews, and many others!PART ONEPaul and Scott talk about the awesomeness that is Omnivore Recordings, dig into the Fire Aid concert, and talk about their '90s music geekery. PART TWOOur in-depth conversation with Glen BallardABOUT GLEN BALLARDFollowing an entry-level job at Elton John's Rocket Records in Los Angeles, Glen Ballard began his creative career as a staff songwriter for MCA Music Publishing. Early singles included George Strait's “You Look So Good in Love” and Jack Wagner's major hit “All I Need,” which Glen also produced. In the mid-1980s he went to work for Quincy Jones, an era when he and Siedah Garrett co-wrote Michael Jackson's triple platinum single “Man in the Mirror.” By the dawn of the 1990s, Glen had begun collaborating with Wilson Phillips, co-writing their chart topping hits “Hold On” and “You're in Love.” He went on to produce and co-write all the songs on Alanis Morissette's debut album, Jagged Little Pill, including “You Oughta Know,” “Hand in My Pocket,” “All I Really Want,” “Ironic,” “You Learn,” and “Head Over Feet.” The project earned the Album of the Year Grammy, and Glen returned to produce and co-write Alannis's sophomore release, Supposed Former Infatuation Junkie, including the hit “Thank U.” Other songs from the Glen Ballard songbook include Aerosmith's “Pink” and “Falling in Love is Hard on the Knees,” as well as the Dave Matthews Band's “I Did It” and “The Space Between.” Glen earned a Golden Globe and Academy Award nomination for Best Original Song for “Believe,” which he co-wrote with Alan Silvestri for the film The Polar Express. He has written and produced songs for Aretha Franklin, Barbra Streisand, Ringo Starr, Van Halen, Chaka Khan, Christina Aguilera, Katy Perry, and many others. In recent years, Glen has found major success in musical theater, including writing original lyrics and music for GHOST the musical, and teaming again with Alan Silvestri to write the score for the musical adaptation of Back to the Future. Glen has won six Grammy awards, and was inducted into the Songwriters Hall of Fame in 2023. 

pWotD Episode 2841: Kendrick Lamar Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,781,900 views on Monday, 10 February 2025 our article of the day is Kendrick Lamar.Kendrick Lamar Duckworth (born June 17, 1987) is an American rapper. Regarded as one of the most influential hip-hop artists of his generation, Lamar was awarded the 2018 Pulitzer Prize for Music, becoming the first musician outside of the classical and jazz genres to receive the honor.Born in Compton, California, Lamar began releasing music under the stage name K. Dot while he was attending high school. He signed with Top Dawg Entertainment (TDE) in 2005, where he co-founded the hip hop supergroup Black Hippy. Following the 2011 release of his alternative rap debut album Section.80, Lamar secured a joint contract with Dr. Dre's Aftermath Entertainment and Interscope Records. He rose to prominence with his gangsta rap-influenced second album Good Kid, M. A. A. D City (2012), which became the longest-charting hip hop studio album in the Billboard 200's chart history; Rolling Stone named it the greatest concept album of all time. In 2015, Lamar scored his first Billboard Hot 100 number-one single, after featuring on the remix of Taylor Swift's "Bad Blood", and released his third album, To Pimp a Butterfly, which infused hip-hop with historical African-American music genres such as jazz, funk, and soul, and became his first of five consecutive number-one albums on the Billboard 200 chart.Lamar's critical and commercial success continued with his R&B and pop-leaning fourth album Damn (2017), yielding his second Hot 100 number-one single, "Humble". He curated original songs for the soundtrack of the 2018 film Black Panther, earning a nomination for the Academy Award for Best Original Song for the US and UK top-ten single "All the Stars". Lamar's 2022 double album Mr. Morale & the Big Steppers concluded his tenure with TDE and Aftermath. His feud with Drake and subsequent sixth album GNX (2024) spawned the Hot 100 number-ones "Like That", "Squabble Up", as well as "Not Like Us", which became the most-decorated song in the Grammy Awards history, with five wins, including Song of the Year and Record of the Year.Lamar has received various accolades throughout his career, including 22 Grammy Awards (the third-most won by a rapper), a Primetime Emmy Award, a Brit Award, four American Music Awards, six Billboard Music Awards, 11 MTV Video Music Awards (including two Video of the Year wins), and a record 37 BET Hip Hop Awards. Time listed him as one of the 100 most influential people in the world in 2016. Two of his concert tours, the Damn Tour (2017–2018) and the Big Steppers Tour (2022–2024), are amongst the highest-grossing rap tours in history. Three of his works were included in Rolling Stone's 2020 revision of the 500 Greatest Albums of All Time. Outside of music, Lamar co-founded the creative company PGLang and ventured into film with his longtime creative partner, Dave Free.This recording reflects the Wikipedia text as of 02:39 UTC on Tuesday, 11 February 2025.For the full current version of the article, see Kendrick Lamar on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Joey.

The program all about TV. Our main topic: the decision to drop Best Original Song performances from this year's Academy Awards telecast--and the impact of this decision on viewership for this ceremony.

MUSICTrace Cyrus Says He andHis Sisters Are ‘Genuinely Worried' About Billy Ray Cyrus.  Post Malone teamed up with Oreo and created his own cookieand it features the FIRST-EVER twisted creme center.          Railbird Music Festival in Lexington, Kentucky has been announced.Lainey Wilson will headline and be supported by Bailey Zimmerman,Shaboozey, Cody Jinks, Sierra Ferrell, and more.  The Songwriters Hall of Fame has announced its class of 2025.In the PerformingSongwriters category those elected are:Sean "Diddy"Combs is firing back at sexual assault allegations. He's filed a $50million lawsuit against an accuser... Linkin Park will release an a cappella version of FromZero on Friday.If you watch the Oscarsto see the live performances of the five Best Original Song nominees, beprepared for something different.  TVOprah Winfrey is one of the biggest stars on the planet that's taking one of those GLP-1 drugs, like Ozempic and Wegovy, to lose weight. And it made her realize what she's gotten wrong all these years about thinpeople. "Duck Dynasty"will return to A&Ethis summer.   Will Smith slappingChris Rock at the 2022 Oscars still lives rent free in a lot of people's minds.If you're into UFOs anddon't think the government is telling us everything, you'll be very interestedin the new documentary "Age of Disclosure".   MOVING ON INTO MOVIENEWS:Billy Crystal and Meg Ryan are reuniting for"something iconic," but there's no word yet what it is.  Actor Peter Dinklage isabout to become a lonely janitor who gets thrown into a vat of toxic waste!  Recently, RobertPattinson shared how much he loves his daughter's smell and never trulyunderstood people's fascination with the scent of a newborn baby until he hadhis daughter AND FINALLYSeven St. Louis culinarians nominated for 2025 James Beard AwardsOutstanding Restaurateur: Gerard Craft received his first nomination for thisyear's Outstanding Restaurateur with his NicheAND THAT IS YOUR CRAP ONCELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams – Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC Trace Cyrus Says He and His Sisters Are ‘Genuinely Worried' About Billy Ray Cyrus.   Post Malone teamed up with Oreo and created his own cookie and it features the FIRST-EVER twisted creme center.            Railbird Music Festival in Lexington, Kentucky has been announced. Lainey Wilson will headline and be supported by Bailey Zimmerman, Shaboozey, Cody Jinks, Sierra Ferrell, and more.   The Songwriters Hall of Fame has announced its class of 2025. In the Performing Songwriters category those elected are: Sean "Diddy" Combs is firing back at sexual assault allegations. He's filed a $50 million lawsuit against an accuser...   Linkin Park will release an a cappella version of From Zero on Friday. If you watch the Oscars to see the live performances of the five Best Original Song nominees, be prepared for something different.   TV Oprah Winfrey is one of the biggest stars on the planet that's taking one of those GLP-1 drugs, like Ozempic and Wegovy, to lose weight.  And it made her realize what she's gotten wrong all these years about thin people.   "Duck Dynasty" will return to A&E this summer.    Will Smith slapping Chris Rock at the 2022 Oscars still lives rent free in a lot of people's minds. If you're into UFOs and don't think the government is telling us everything, you'll be very interested in the new documentary "Age of Disclosure".    MOVING ON INTO MOVIE NEWS: Billy Crystal and Meg Ryan are reuniting for "something iconic," but there's no word yet what it is.    Actor Peter Dinklage is about to become a lonely janitor who gets thrown into a vat of toxic waste!   Recently, Robert Pattinson shared how much he loves his daughter's smell and never truly understood people's fascination with the scent of a newborn baby until he had his daughter   AND FINALLY Seven St. Louis culinarians nominated for 2025 James Beard Awards Outstanding Restaurateur: Gerard Craft received his first nomination for this year's Outstanding Restaurateur with his Niche AND THAT IS YOUR CRAP ON CELEBRITIES! Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams – Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoices

The LA fires (which are still burning) got a special mention at the Oscar Nominations earlier. There were high hopes for this year's Best International Feature Film and Best Original Song; Kneecap lost out on both… But, good news for the Donald Trump biopic ‘The Apprentice', which is Irish produced.Was Kneecap snubbed? Henry McKean has been asking around, and joins Kieran to discuss.

"The Wild Robot" had its world premiere at the 2024 Toronto International Film Festival, where it received enthusiastic reviews for its animation, story, heart, and music. An adaptation of Peter Brown's beloved, award-winning, #1 New York Times bestseller, the Dreamworks Animation film has gone on to gross over $300 million worldwide, won more Best Animated Feature prizes than any other film in 2024 and has earned multiple nominations from the Critics Choice, Golden Globes and BAFTA awards for Best Animated Feature, Best Original Score (composed by Kris Bowers) and Best Original Song ("Kiss The Sky" by Maren Morris). Bowers and Morris were kind enough to spend some time speaking with Daniel Howat and Will Mavity, respectively, about their work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Peacock and will be re-released in theaters this weekend from Universal Pictures. It is up for your consideration for this year's Academy Awards in all eligible categories, including Best Animated Feature, Best Original Score, and Best Original Song. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Winfree and Mark Radulich review movies currently on streaming services and in theaters: The Last Showgirl/Anora/Emilia Perez Movie Review! First up is The Last Showgirl (2024). Then we move on to Anora (2024). Finally we review Emilia Perez (2024).The Last Showgirl is a 2024 American drama film directed by Gia Coppola and written by Kate Gersten. It stars Pamela Anderson, Jamie Lee Curtis, Billie Lourd, Dave Bautista, Brenda Song, and Kiernan Shipka. Its plot focuses on a middle-aged Las Vegas showgirl who is faced with an uncertain future after learning that the revue she has performed in for three decades is scheduled to close. The screenplay was adapted by Gersten from her own play, Body of Work, which she based on her visits to the Jubilee! show shortly before its closure in 2016.The film had its world premiere at the Toronto International Film Festival on September 6, 2024, and was released in the United States on January 10, 2025. It received generally positive reviews from critics, with Anderson's performance garnering critical praise. The film received two nominations at the 82nd Golden Globe Awards for Best Actress in a Motion Picture – Drama for Anderson and Best Original Song for "Beautiful That Way". It also received two nominations at the 31st Screen Actors Guild Awards for Outstanding Performance by a Female Actor in a Leading Role for Anderson and Outstanding Performance by a Female Actor in a Supporting Role for Curtis.Anora is a 2024 American comedy-drama film written, directed, and edited by Sean Baker. It follows the beleaguered marriage between Anora (Mikey Madison), a young sex worker, and Vanya Zakharov (Mark Eydelshteyn), the son of a Russian oligarch. The supporting cast includes Yura Borisov, Karren Karagulian, Vache Tovmasyan, and Aleksei Serebryakov.Anora premiered on May 21, 2024, at the 77th Cannes Film Festival, where it won the Palme d'Or and received critical acclaim. It was released theatrically on October 18 by Neon. It was named one of the top 10 films of 2024 by the National Board of Review and the American Film Institute, and received five nominations at the 82nd Golden Globe Awards, including Best Motion Picture – Comedy or Musical, Best Actress for Madison and Best Director. It grossed $32.5 million worldwide on a $6 million budget, becoming Baker's highest-grossing film.Emilia Pérez is a 2024 Spanish-language musical comedy crime film written and directed by Jacques Audiard. A French production adapted from Audiard's opera libretto, which was loosely based on Boris Razon's 2018 novel Écoute, the film stars Zoe Saldaña, Karla Sofía Gascón, Selena Gomez, Adriana Paz, Mark Ivanir, and Édgar Ramírez. The story follows a Mexican cartel leader (Gascón) who enlists a lawyer (Saldaña) to help facilitate their transition into a woman to escape their criminal life. Featuring original songs by Camille, a score by Clément Ducol, and choreography by Damien Jalet, the film was shot in Île-de-France from May to July 2023.Premiering at the 2024 Cannes Film Festival, Emilia Pérez received international acclaim for its lead performances, direction, themes, and musical score, winning the Jury Prize and Best Actress award for its female ensemble. However, the film polarized audiences, with criticism in Mexico for cultural misrepresentation, stereotypes, and poorly executed Spanish dialogue, while some LGBTQ groups objected to its portrayal of gender transition. Despite this, it made history at the Golden Globes, winning four awards, including Best Motion Picture – Musical or Comedy, and earning Karla Sofía Gascón a nomination as the first trans woman in the Best Actress category. Selected as France's submission for Best International Feature Film at the Academy Awards, it was also named one of the American Film Institute's top 10 films of 2024, cementing its status as a groundbreaking yet controversial cinematic work.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Road trips — and road trip movies — are as American as apple pie. And now, currently streaming on Netflix, we have director Josh Greenbaum's poignant and very funny documentary “Will & Harper,” which tags along on a cross country road trip with close friends Will Ferrell and Harper Steele as the two navigate Harper's recent transition as a woman. Since meeting during their first week on staff together at “Saturday Night Love,” they've been tight ever since. But when Harper sends Will an email coming out as a trans woman, she can't be sure how her famous comedian friend will react. In short order, Will proposes a road trip so that they can ask all those questions that arise after such a big change.   Director Josh Greenbaum joins Ken on the pod to discuss all the joys and bumps on the road that transpired over the course of Will and Harper's epic 16-day journey to such noted tourist destinations as the Grand Canyon… and a dive bar in Meeker, Oklahoma. Along the way, the two tackle such questions as, “What are the new ground rules for the friendship, if any?” “Can Harper still feel safe and comfortable in the same kind of places she used to visit as a man?” And “How are your boobs??” The laughs and the tears come in equal measure. Buckle up and enjoy the ride.   “Will & Harper” has recently been named to the Oscar Shortlist for Best Documentary Feature, and “Harper and Will Go West,” the theme song for the trip written by Kristin Wiig, has been named to the Oscar Shortlist for Best Original Song.   Hidden Gem: “Anvil! The Story of Anvil”   Follow: @josh.greenbaum on Instagram @topdocspod on Instagram and X    The Presenting Sponsor of "Top Docs" is Netflix.

Episode 108 - Testimony Series - Doors Only God Could Open This episode is a part of our December Testimony series. A series of short testimonies of times that God showed up upon set or in ways related to the film-industry.In this episode, Hannah Benson, a writer, actress, and content marketer, shares her journey. Raised in a creative, homeschooling family, Hannah recounts how her passion for faith-based films, like Courageous and Fireproof, stemmed from a young age. She sees her career as a testament to God's guidance and faithfulness, encouraging others to pursue their God-given dreams and remember the prayers God has answered.Bio:Hannah Benson is a writer, actress, and content marketer with a passion for telling stories glorifying God through film and the written word. As a writer, her work can be found in publications including The Rebelution, Her View From Home, and Inside Out Worldwide. Under the mentorship and guidance of George Escobar - Co-Producer, Co-Writer, and Co-Director of the feature film, "Alone Yet Not Alone"(Academy-Award nominated for Best Original Song), Hannah has written two novels and is currently pursuing publication. As an actor, she has portrayed a variety of onstage roles (including one which required her to learn an Indian accent). When she was 18 years old, Hannah auditioned for and landed a role in her first short film! "Long Sleeves" by Storm Storytelling went on to receive an award and garnered views on YouTube of 718K and climbing. More recently, she served as a grip and as a background actor on the set of the concept trailer for an upcoming feature film. Hannah also served on the marketing team for the Great American Prayer Event, working alongside former Senator and father of the Erwin Brothers, Hank Erwin; and George Escobar.Hannah's Website: https://www.hannahlbenson.com/Hannah on Facebook: https://www.facebook.com/hannahlbensonwritesHannah on Instagram: https://www.instagram.com/hannahlbensonwrites/● FAFF Writers Retreat - Mexico: https://www.faffassociation.com/writers-retreat● Jaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God https://www.amazon.com/dp/B0D9R7XS9V● VIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorshipThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview stay in touch, informed, and inspired. If you would like to assist with the costs of producing this podcast, you can help by leaving a tip.Get Email Notifications

It was announced today that the Kneecap movie has been shortlisted for TWO Oscars. Best International Feature Film, and Best Original Song for ‘Sick in the Head'.Joining Kieran to discuss the achievement is Head of Distribution for Wildcard Distribution, Gillian Cooper.

Nick and Sophia welcome back returning guest and Best Original Song category extraordinaire, Bennett Prosser, to talk through critics prizes and initial nominations that have kicked off this year's awards season. They highlight the films that earned the most nominations at the Golden Globes and debate what happened with certain solo nominees. Does Emilia Pérez have the best chance at winning Best Motion Picture - Musical or Comedy considering its 10 nominations? Listen to find out what they think! Then, they answer listener questions to help make sense of other surprises and snubs (48:46). Will Denis Villeneuve be snubbed again for Dune: Part Two? Can other Best Film winners like Wicked at NBR and A Different Man at the Gotham Awards translate to Oscar nominations? Lastly, find out what Bennett thinks of Diane Warren's chances at finally winning her first Academy Award! Follow Bennett on Letterboxd and Bluesky @bennettprosserFollow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimFind bonus content on our Patreon @ patreon.com/OscarWild More content including updated nomination predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

We're visiting the Kingdom of Arendelle for a Disney Animated movie based on Hans Christian Andersen's fairy tale “The Snow Queen.” This icy tale makes for perfect pre-holiday viewing, and audiences agreed when they spent over a billion dollars at the box office to see it, making it the highest-grossing film of 2013 and the highest-grossing animated film of all time, at that time. And it wasn't just audiences who felt the magic, critics agreed and the film racked up awards, including two Oscars: Best Animated Feature and Best Original Song. With one sequel already out and another on the way, the franchise featuring the voice talents of Idina Menzel, Kristen Bell, Jonathan Groff, and Josh Gad has become a cultural phenomenon - and Disney clearly has no plans to let it go. But will Frozen be enough to melt the heart of musical skeptic Beef, or will Lobster or Rum Daddy panic and run away to the mountains? Conceal, don't feel, don't let them know - at least not until the rating!    For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

We're gettin' folksy this episode! We watched Once! We sat down with Marc Bonanni, you might know him as Broadway by Ghostlight on YouTube, to talk unrequited love, quirky characters, insufferable men, and the appropriateness of wearing house slippers to a corner store. And yes, Clayton hotly contends with the fact that this beat out Enchanted at the Oscars for Best Original Song. If you want to hear even more of us, check out our Patreon at patreon.com/triplemmmpod! There are exclusive episodes every week that you won't get here! We have film commentaries, topical minisodes, and reviews of what is currently in the cinemas! It's a great way to show your support if you're enjoying what we do! Follow us on the socials @triplemmmpod Clayton - @justhappy2cu Shawn - @murphthesmurph Marc - @BwayGhostlight Email - menwholikemenwholikemoviespod@gmail.com If you're enjoying the pod, give us a rate/review - it helps others find us so much more easily - and makes us feel really good! Don't forget to be kind out there! --- Support this podcast: https://podcasters.spotify.com/pod/show/triplemmmpod/support

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar was reviewing the current touring production of Disney's Aladdin the Musical as the tour visited the Birmingham Hippodrome with description by Professional Audio Describers . About Disney's Aladdin the Musical  Experience this thrilling production filled with unforgettable magic, comedy and breath-taking spectacle!  The show's music, written by 8-time Oscar-winner Alan Menken, includes “Arabian Nights”, “Friend Like Me” and “A Whole New World” which won the Academy Award for Best Original Song. Don't miss this extraordinary theatrical event, seen by over 14 million people worldwide, where one lamp and three wishes make the possibilities infinite! To find out more about the current tour of Disney's Aladdin the Musical do visit the following website - https://www.aladdinthemusical.co.uk Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

"Moana 2," the anticipated sequel to the 2016 Oscar-nominated Disney animated film "Moana," was originally meant to debut on Disney+. Instead, it's being released in theaters this week and was re-worked to play on the big screen. Co-Director and Co-Writer Dana Ledoux Miller was kind enough to spend some time talking with us about her work on the film, its production journey to get to this point, her love of the characters, working with new songwriters and more for her feature directorial debut. Please be sure to check out the film, which is now playing in theaters from Walt Disney Animation Studios and is up for your consideration in all eligible categories at the 97th Academy Awards, including Best Animated Feature and Best Original Song. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Music can be as much of a memorable moment from a film as anything else. This week, we narrow our search to films with a song nominated for Best Original Song at the Oscars and see which movies make our list. www.notthatbadcast.com Facebook - https://www.facebook.com/notthatbadcast Social Media - @notthatbadcast (X, Instagram, Threads, Bluesky, Spoutible) Learn more about your ad choices. Visit megaphone.fm/adchoices

In this heartfelt episode of Hollywood Live, Tanya Hart honors the legendary Quincy Jones, a powerhouse in the entertainment industry and a steadfast champion of civil rights for over seven decades. Born in Chicago, Quincy's career began in the 1950s as a jazz arranger and conductor, quickly expanding to include pop music and film scores. He produced hits for artists like Leslie Gore and collaborated with jazz greats like Frank Sinatra and Count Basie. In 1968, Quincy became the first African American nominated for an Academy Award for Best Original Song, achieving two nominations in the same year with his work in Banning and In Cold Blood. Quincy's influence reached new heights with his production of Michael Jackson's iconic albums Off the Wall, Thriller, and Bad. He also produced and conducted the historic charity single “We Are the World,” which raised millions for famine relief in Ethiopia. Tanya reflects on her first encounter with Quincy during her Boston TV show Coming Together and the wisdom he shared that continues to inspire her. With a legacy that includes recent projects, such as a documentary produced with Debbie Allen, Quincy Jones' impact will be felt for generations. Tanya extends heartfelt condolences to his family and friends and celebrates the indelible mark he left on the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dorian Price, Mik Wanamaker, Sean Comer and Mark Radulich review movies currently on streaming services and in theaters: Blame It on Rio/LOL/The Woman in Red Movie Review! First up is Blame It on Rio (1984). Then we move on to LOL (2012). Finally we review The Woman in Red (1984).Blame It on Rio is a 1984 American romantic comedy film directed by Stanley Donen and written by Charlie Peters and Larry Gelbart based on the 1977 French film Un moment d'égarement, starring an ensemble cast, including Michael Caine, Joseph Bologna, Michelle Johnson, Valerie Harper, Demi Moore, and José Lewgoy.LOL is a 2012 American teen romantic comedy-drama film written and directed by Lisa Azuelos. A remake of the 2008 French film of its title (also directed by Azuelos), the film stars Miley Cyrus, Demi Moore, Ashley Greene, and Adam Sevani.The film received a limited release in the United States on May 4, 2012, by Lionsgate, which handicapped it after being reeled back from a broader release, and had an overall negative critical reception. Thus, the film missed its budget by box office gross by only $500,000.The Woman in Red is a 1984 American romantic comedy film directed by and starring Gene Wilder. Wilder also wrote the script, adapting it from the Yves Robert film Pardon Mon Affaire (Sorry My Affair) (Un éléphant ça trompe énormément (An Elephant Can Be Extremely Deceptive)). It co-stars Charles Grodin, Gilda Radner, Joseph Bologna, Judith Ivey, and Kelly LeBrock. The film won an Academy Award for Best Original Song for "I Just Called to Say I Love You", written and performed by Stevie Wonder.The film follows a married man who becomes infatuated with another woman and his amusingly unsuccessful attempts to first meet and then become intimate with her.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

On the latest mailbag episode of the Gold Derby Show, editors and experts Joyce Eng and Christopher Rosen answer several listener emails. Topics include "The Wild Robot," Best Original Song, Best Original Screenplay, Film Twitter vs. Normies, "Gladiator II," Joshua Jackson, and more. Make your voice heard and participate in the show by emailing us at slugfests@goldderby.com. Make your awards picks at https://www.goldderby.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Burton Cummings' voice has been rated among the finest in rock music. Today he continues at the top of his game as performer, singer, songwriter, poet and recording artist. As lead singer and songwriter for Canada's original rock ‘n' roll superstars, The Guess Who, Burton scored an unprecedented string of international hit singles and albums including “American Woman,” “These Eyes,” “Laughing,” “No Time,” “Share the Land,” “No Sugar Tonight/New Mother Nature,” “Clap for the Wolfman”, “Albert Flasher” and others, all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined before breaking up in 1975. The group achieved a long list of firsts including first Canadian group to reach #1 on Billboard charts -- holding that spot for three weeks - and first to earn a platinum album for U.S. sales of more than one million copies. Rolling Stone magazine hailed The Guess Who as “one of rock's most consistently fascinating maverick bands” with a succession of songs “that has few equals among contemporary North American groups.” Dick Clark described the group as rock innovators and ambassadors of Canadian music. Beginning his career as a solo artist in 1976, Burton continued his winning streak with a gold record for his solo debut single “Stand Tall,” produced by legendary hitmaker Richard Perry who numbered among his clients Barbra Streisand, Carly Simon and Ringo Starr. The choice of producer was evidence of Burton's star power in the music industry. He followed his inaugural solo success with more than a dozen hit singles and albums including “I'm Scared,” “My Own Way to Rock,” “I Will Play a Rhapsody,” “Timeless Love,” “Break It to Them Gently,” “Dream of a Child,” and “You Saved My Soul.” Sold-out tours across Canada and the United States solidified Burton's stature as a top entertainer. He starred in several highly rated television specials and, between 1977 and 1980, earned five Juno Awards for Best Male Vocalist and Best Album, serving as host of the annual Juno gala a record four times. Burton's 1978 album Dream of a Child became the first quadruple platinum-selling album by a Canadian artist. Through the ‘80s and ‘90s, Burton continued to tour and joined Beatles drummer Ringo Starr's All Starr Band. In 1980, a starring role in the feature film Melanie with Miami Vice star Don Johnson earned Burton a Genie Award for Best Original Song. He also launched his acclaimed Up Close and Alone solo concert series. A live album of the same name followed. The success of Lenny Kravitz' cover of “American Woman” in the hit feature film Austin Powers: The Spy Who Shagged Me brought renewed attention to the original Guess Who. The group reunited in 1999 for the closing ceremonies of the Pan-American Games with a television audience numbering in the tens of millions. Several high-profile North American tours followed. As the VOICE of all the classic Guess Who hit songs, Burton has toured with his long-time band, for the past twenty-three years across North America as well as joining Randy Bachman onstage as Bachman Cummings, performing his songs from the original The Guess Who, Bachman-Turner Overdrive and Burton's solo career. Described as Canadian rock ‘n' roll royalty, a national treasure, and a living legend, for Burton Cummings there has always been one constant: he remains true to himself and his own way to rock… and continuing to perform the songs the way they were originally conceived by the artist who sang and wrote/co-wrote them. Burton joins us this week to share his musical story and lets us know about his other passion - writing poetry. For more information head to his website burtoncummings.com

Ever wondered what it's like to juggle Hollywood, Broadway, and a spiritual journey? Join us as we celebrate our 200th episode with the incredible Michael Nouri! From his iconic role in "Flashdance" to his Broadway stints with legends like Julie Andrews, Michael shares captivating stories from his illustrious career. Discover his philanthropic heart, his meditation practice since 1970, and his dreams of playing Zorba in "Zorba the Greek." Plus, get a peek into his personal life and the adorable tale of his rescue dog, Charlie. Tune in for an episode brimming with inspiration and Hollywood magic! Michael Nouri's Bio:After starring in an off-Broadway production of The Crucible, Nouri landed his first Broadway role in Forty Carats, which ran for two years. He made his film debut in 1969 with an uncredited role in Goodbye, Columbus. He appeared on several television soap operas and was nominated for a Daytime Emmy Award for his role as Steve Kaslo on Search for Tomorrow. Nouri portrayed Lucky Luciano in the miniseries The Gangster Chronicles and its theatrically released feature film Gangster Wars. In 1979, he appeared in the episode "The Curse of Dracula" of the series Cliffhangers.[citation needed]In 1983, he had a starring role as Nick Hurley in the romantic drama Flashdance. Despite mixed reviews, the film was one of the highest-grossing films of 1983 and was nominated for several top awards, winning an Academy Award for Best Original Song.[3]Nouri has appeared in numerous television series and television films. He starred opposite Kyle MacLachlan in the horror film The Hidden. He starred on the short-lived series Bay City Blues and Downtown, and on the sitcom Love & War. Nouri also starred in the Broadway production of the musical Victor/Victoria as King Marchan opposite Julie Andrews. He appeared in three separate entries of Law & Order, each time in different roles. He had recurring roles on the series The O.C., Damages, NCIS, and Army Wives. Nouri returned to soap operas with a year-long stint on All My Children. More recently, he had a recurring role on the series Yellowstone for three seasons. Connect with Michael:Website: www.michaelnouri.comThank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.biz. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribe

The live-action musical La La Land was primed to take over the 89th Academy Awards as the frontrunner for Best Picture, and its chances of winning multiple awards included Best Original Song, where two tunes from the movie were nominated. On this episode, learn more about the men who created those songs -- Justin Hurwitz, Benj Pasek, and Justin Paul -- and the writers of the other three nominated songs. Lin-Manuel Miranda earned his first Oscar nomination that year, as did Justin Timberlake for the most popular song of 2016.

Who's up for some thrash metal?Megadeth is one of the founding bands of the thrash metal genre, and considered one of the "big four" of U.S. thrash metal (along with Anthrax, Metallica, and Slayer).  The heart of the band, primary songwriter, and sole constant member of the band throughout the years is Dave Mustaine.  The formation of the band is well known as a revenge effort on Mustaine's part.  He was fired from his role as lead guitarist of Metallica just prior to the recording of their debut album due to personal issues with James Hetfield and Lars Ulrich, and due to drug abuse problems.  The name of the group was inspired by a political pamphlet from Alan Cranston that read "The arsenal of megadeath can't be rid no matter what the peace treaties come to."  Mustaine took the word out of that pamphlet and adjusted the spelling.Rust In Peace is the group's fourth studio album, released in late September but featured in November as it was gaining traction with fans at the time.  The album name came from a bumper sticker Mustaine saw that read, "May all your nuclear weapons rust in peace."  It was the first album to feature Marty Friedman on guitar and Nick Menza on drums.  Dave Mustaine is on guitars and lead vocals, and long time collaborator David Ellefson completes the quartet on bass and backing vocals.The album takes on a number of topics including religion, plitics, warfare, and personal issues Dave Mustaine was dealing with such as drug and alcohol addiction.  Mustaine explored a number of religious expressions over his life, and became a born again Christian after attending Alcoholics Anonymous meetings and focusing on his Christian faith.  Lynch brings us this hallmark album of thrash metal in this week's podcast Holy Wars...the Punishment DueThe opening track starts fast, shifts to a slower acoustic bridge, and finishes at a higher speed.  The lyrics discuss religious conflict with particular attention being paid to the situations in Israel and Northern Ireland.  The subtitle "the Punishment Due" is a reference to the Marvel comic book character called the Punisher.  It was the first single released from the album  Hangar 18The second single is the second track from the album, and was inspired by the Roswell alien conspiracy theory.  Hangar 18 is supposedly located at Wright-Patterson Air Force Base, and was believed to be the location where an alien spacecraft and/or bodies were stored.Tornado of SoulsThis is a somewhat deeper cut since it was never released as a single, but it is considered a staple of the band's discography.  Marty Friedman's guitar solo in this piece is considered one of the best metal solos of all time, and one of the hardest to play.  Bassist David Ellefson co-wrote the lyrics, making it one of the few songs on the album not written by Mustane alone.Rust in Peace...PolarisThe concluding song reflects the album title.  It is written from the perspective of a Polaris nuclear weapon, and reflects the catastrophic consequences of nuclear warfare.   ENTERTAINMENT TRACK:Shotgun by Junior Walker & The All Stars (from the motion picture “Misery”)This movie based on the Stephen King novel starring James Caan and Kathy Bates would win Bates an Oscar for Best Actress. STAFF PICKS:Full Circle by the Jeff Healey BandRob starts the staff pick with this blues-infused pick which is the lead track to the Jeff Healey Band's second album, "Hell to Pay."  Bobby Whitlock, a member of the supergroup Derek and the Dominos is playing the Hammond organ on this piece.  Jeff Healey, blind since an early age, was known for holding his guitar in his lap while playing.Vigilante Man by Hindu Love GodsWayne's staff pick is a bit of a super group.  Warren Zevon got together with the members of REM minus Michael Stipe to create this single album on a lark.  The group recorded old standards for the album, and this one was originally done by Woody Guthrie in 1940.  The song itslef is about hired thugs who would chase away migrants trying to escape the Dust Bowl by moving to California.Traveling Riverside Blues by Led ZeppelinBruce features another cover song, this one written by Robert Johnson in 1937.  Led Zeppelin recorded it in 1969, but it was not released until 1990, over ten years after "Fool in the Rain," their last single.  It hit number 7 on the Billboard Top Rock Tracks chart in November 1990.Blaze of Glory by Jon Bon JoviLynch finishes the staff picks with a rock ballad containing elements of country and western, written for the motion picture "Young Guns II."  It won the Golden Globe award for Best Original Song, and topped the Billboard Hot 100 chart, making it one of Bon Jovi's most successful solo hits. INSTRUMENTAL TRACK:Theme from the motion picture "Dances with Wolves" by the Royal Scots Dragoon GuardsThis cinematic piece accompanied the Kevin Costner Western which was out in 1990. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Host Luisa Lyons chats with writer and composer George Chiang and actor Harriet Chung about the multi award-winning musical Golden Lotus. Based on the influential Chinese novel Jin Ping Mei, Golden Lotus was developed in North America before premiering in Hong Kong in 2014 where it was filmed live. It's now available to stream on Stratfest at Home. Learn about the banned novel Jin Ping Mei, the fascinating international story behind the development of Golden Lotus, how the show became Hong Kong's first original musical, the process of filming, and the surprising rewards of entering the capture of the musical into film festivals. George Chiang is the acclaimed writer of Golden Lotus, winner of the Heckler's Award for Best Original Work in Hong Kong. The feature film adaptation of Golden Lotus has secured over 60 international film awards, including Best Picture at the World Independent Cinema Awards in Edinburgh. As a multi-award-winning songwriter, director, and producer, George's works such as “A World Away (Remix)” have earned accolades like Best Song and Best Music Video. As an actor, George returns to the Stratford Festival this season to perform in Salesman in China.Harriet Chung, born in Hong Kong, is a celebrated performer whose illustrious career includes groundbreaking roles in The Phantom of the Opera in Toronto and Cats in Hamburg. She starred in Golden Lotus, garnering numerous Best Actress awards internationally. Harriet's debut single, “A World Away (Remix)”, won Best Original Song at the Hollywood Gold Awards, and her debut album, A World Away, has achieved critical acclaim. Her performances have earned her multiple Best Music Video awards. Harriet will make her Stratford Festival debut in 2024, performing in Salesman in China, continuing her streak of distinguished contributions to theatre and music.Show Links Golden Lotus: https://goldenlotusthemusical.com/ George Chiang: https://www.georgechiang.org/Harriet Chung: https://harrietchung.com/ Watch Golden Lotus: https://stratford.vhx.tv/golden-lotus-the-musical Support the Show.Filmed Live Musicals is where musicals come home. Use the searchable database to find musicals filmed on stage to watch from the comfort of your living room! Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook, Instagram, Twitter, and YouTube. You can also support the site at Patreon. Patrons get early access to the podcast and site content, no matter how much you pledge. Become a Patron today!Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.

The Academy increased its number of Best Picture nominees from five to 10 for the 2009 movie year, but the minimum of Best Original Song nominees dropped from three to two. Was this a signal that maybe the music branch was worried about getting at least three quality songs nominated? That wasn't a problem in 2009, when Randy Newman got two nominations for his songs from the musical The Princess and the Frog and a little-known movie from France got one of its songs named as an Oscar nominee, thanks to the Academy's nomination system for movie songs.

'Killers of the Flower Moon', from director Martin Scorcese, is a Western crime drama based on the nonfiction book of the same name. It is nominated for 10 Academy Awards: Best Picture, Best Director, Best Actress - Lily Gladstone, Best Supporting Actor - Robert De Niro, Best Costume Design, Best Original Song, Best Original Score - Robbie Robertson, Best Production Design, Best Editing and Best Cinematography.