Podcast appearances and mentions of Conor Oberst

In this episode, we discuss the mythology of misery around Bright Eyes and Conor Oberst, as he surprises us with his showing up as "okay" to the Palace Theatre in St. Paul on April 4, 2025. Okay is by no means a low bar, considering the show was top form Bright Eyes. Truly. It was an incredible show that shook our expectations, and we're thrilled to share what we learned.Setlist:Bells and WhistlesEl CapitanGold Mine GuttedWe Are Nowhere and It's NowLoose LeavesPersona Non GrataMariana TrenchI Won't Ever Be Happy AgainMethod ActingTrains Still Run On TimeFirst Day of My LifeOld Soul Song (for the New World Order)Clairaudients (Kill or Be Killed)Happy AccidentTiny SuicidesRainbow OverpassShell GamesTin Soldier BoyOne For You, One for MeEncoreAt The Bottom of EverythingDevil TownLet's Not Shit Ourselves (to Love and to Be Loved)

Three-time Grammy nominee and My Morning Jacket frontman Jim James joins us to talk about the evolution of his songwriting and the band's new album, Is. PART ONE:Paul and Scott chat about ideal song length and extend an invitation to Taylor Swift PART TWO:Our in-depth conversation with Jim JamesABOUT JIM JAMES:Jim James is best known as the frontman of the band My Morning Jacket, which he formed in Louisville, Kentucky in 1998. As the band's primary songwriter, James has embraced everything from roots music to experimental psychedelic sounds. To date, they've released nine full length studio albums, two of which—Evil Urges and Circuital—reached the Top 10 on the Billboard album chart. My Morning Jacket has received three Grammy nominations for Best Alternative Album. In addition to the band, Jim has released four solo albums and formed the supergroup Monsters of Folks with Conor Oberst, M. Ward, and Mike Mogis, which released a self-titled album in 2009. My Morning Jacket's new album is called Is. 

Send us your thoughts! Jon Irabagon is a Filipino-American saxophonist, composer, and founder of Irabbagast Records.[1]Winner of the 2008 Thelonious Monk Jazz Competition[1] and one of Time Out's "25 essential New York City jazz icons",[2] Irabagon is known for the breadth of his work on a jazz continuum ranging "from postbop to free improvisation, avant country to doom metal".[3] His "extraordinary eclecticism"[4] has led to performances with such diverse artists as Wynton Marsalis,[5] Lou Reed, Evan Parker, Billy Joel, the Maria Schneider Orchestra, Bertha Hope, Herbie Hancock, Conor Oberst,[6] Christian McBride,[7] Mike Pride,[8] Kenny Barron, Darcy James Argue's Secret Society, Bill Laswell, Peter Evans,[9] Tyshawn Sorey, Ingrid Laubrock,[10] Ava Mendoza,[11] Mick Barr, and Tom Rainey.Irabagon's many projects as bandleader include a quartet with Luis Perdomo, Yasushi Nakamura, and Rudy Royston,[12] as well as a trio with Mark Helias and Barry Altschul.[13] He is also a member of the Mary Halvorson Quintet, Septet,[14] and Octet;[15] the Dave Douglas Quintet;Support the show

Aquí alternamos novedades muy novedades de Tracy Sirés Neal, The Secret Sisters, The Deline, Sabrina Starke, Shane Sato o Jessica Pratt con recuperaciones del olvido: Maxwell, Karen Peris, Daniel Wylie, Jennifer Brown Conor Oberst. CLO PROMO SECRETAS DISCO 1 SHANE SATO Gospel Type (ESCA) DISCO 2 DANIEL WYLIE Car Guitar Star (6) DISCO 3 TRACY SIRÉS NEAL Foreigner (2) CLO LUCAS EXPLORANDO + SEP RAISA TWITTER DISCO 4 THE SECRET SISTERS Paperweight (4)  DISCO 5 KAREN PERIS Superhero (1) DISCO 6 JESSICA PRATT Life Is (1)   CUÑA BUSCAS SAMUSTINA+ INDI PODCAST LUCAS DISCO 7 MAXWELL Ascension (Don’t Ever Wonder) (4) DISCO 8 SABRINA STARKE Goodlife (SABRINA STARKE- 3) DISCO 9 JOHNNY BURGOS This Vibe (6) DISCO 10 JENNIFER BROWN Chico (Painted Hands) (8) SEP ANKLI R3  DISCO 11 DAVID GRAY & TALIA RAE Plus & Minus (2) DISCO 12 THE DELINES The Haunting Thoughts (DAVID GRAY - 14) DISCO 13 CONOR OBERST Cape Cañaveral (1)Escuchar audio

The Bright Eyes frontman talks about the making of the band's latest album, Five Dice, All Threes, and Bright Eyes performs live.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Taylor Goldsmith of Dawes joins us to talk about the evolution of humor in his songwriting, why he's transparent with his fans, and maybe the most Bob Dylan of Bob Dylan stories we've ever heard. PART ONE:Paul and Scott address the recent wildfires in the Los Angeles area, and encourage people to help make a difference by considering a donation through one of four organizations: Fire Aid (fireaidla.org)The Red Cross (redcross.org)MusiCares (musicares.org)World Central Kitchen (wck.org) PART TWO:Our in-depth conversation with Taylor Goldsmith of DawesABOUT TAYLOR GOLDSMITH:Taylor Goldsmith is best known as the lead singer, guitarist, and primary songwriter for the folk-influenced rock band Dawes. The group, which also includes Taylor's brother, Griffin, has released nine full-length studio albums, six of which have hit the Top 5 on Billboard's Americana/Folk Albums chart, and four of which have hit the Top 10 on Billboard's rock chart. In addition to his work with Dawes, he has been a member of the band Middle Brother with Matt Vasquez of Delta Spirit and John McCauley of Deer Tick. Taylor also contributed to T Bone Burnett's New Basement Tapes project—which completed unfinished Bob Dylan songs—alongside Marcus Mumford, Jim James, Rhiannon Giddens, and Elvis Costello. As a songwriter outside the band, Taylor has collaborated with The Killers, Conor Oberst, Brandon Flowers, Robert Ellis, Demi Lovato, and his wife Mandy Moore. The most recent Dawes album, released in October of 2024, is called Oh Brother. Sadly, not long after our conversation, both Taylor and his brother Griffin became victims of the massive Southern California wildfires that devastated portions of the Los Angeles area and severely damaged or destroyed their homes.  

For the 20th anniversary of the sixth Bright Eyes album, I'm Wide Awake, It's Morning, we take a detailed look at how it was made. Conor Oberst began Bright Eyes in 1995 in Omaha, Nebraska as an outlet for his solo material that he had been writing as a teenager. He formed a partnership with Saddle Creek Records, a label founded by his brother Justin Oberst and Mike Mogis and began releasing his albums in 1998, starting with A Collection of Songs Written and Recorded 1995–1997. Later that year, he released Letting Off the Happiness, which marked his first collaboration with Mike Mogis. Fevers and Mirrors was released in 2000 and Lifted or The Story Is in the Soil, Keep Your Ear to the Ground followed in 2002. At this point, Conor moved to New York City and began writing the songs that would make up his next two albums. I'm Wide Awake, It's Morning and Digital Ash in a Digital Urn were eventually released on the same day in 2005. In this episode, Conor Oberst describes how moving to a New York as a midwestern transplant gave him a fresh perspective and brought a sense of romanticism to the songs he was writing. He also talks about a political awakening that he experienced after George W. Bush was elected and 9/11 happened. Connecting with musicians in New York inspired him musically as he began incorporating jazz elements and decided to embrace a minimal 70s folk sound for this record. Longtime Bright Eyes producer and band member Mike Mogis describes how they ended up making the record back in Nebraska but invited some new people to the sessions, including musicians from New York like Jesse Harris and Tim Luntzel. He also talks about the stripped down approach they used for this record and how he felt insecure about not relying on the studio tricks they had used for past records. By recording live with a small group of people and making the record in a very short amount of time, he discusses how this change suited the material Conor was writing. From a turbulent plane ride on the way to make the record to a creative burst in Conor's songwriting to working on two very different records simultaneously to sparse arrangements and musical jokes to the shot in the dark of asking Emmylou Harris to sing backup, we'll hear the stories of how the album came together.

Lambrini Girls - LoveBlood Lemon ＂Perfect TooLCD Soundsystem - x-ray eyes (extended trash can dubFat Dog - Peace SongGoat Girl - gossip Conor Oberst & Craig Wedren - ＂Justice To A ScreamOpen Head - ＂NY Frillsbdrmm - John on the CeilingSocial Order- Miss YouJulia Holter - The Laugh Is in the EyesOklou - choke enoughLila Iké Ft. Joey Bada$$Cymande - Only One Way (feat. Celeste)Pet Shop Boys - Always On My MindBrooklyn Dreams - Street Man (Lp Version)Suicide - Ghost RiderNew Order- Blue MondayAl Green - Everybody Hurts coverPanchiko - GinkgoMiso Extra - Good Kisses (feat. Metronomy)Jeff Howell- Alice's Restaurant

El projecte liderat per Conor Oberst publica el disc n

Die Songs zur Folge findet ihr ⁠⁠⁠⁠⁠⁠⁠⁠hier: https://open.spotify.com/playlist/10u0vQLxCtFzRyhwjwMRjX?si=udSuyVKCRVm_t-2lZ0ePZA Diesmal besprechen wir: - die Beefs des Monats: Gibson vs. Trump Guitars, Noel Gallagher vs. Robbie Williams - wie Conor Oberst beinahe Creed verhindert hätte - die höchstwahrscheinlich kommenden Alben von Pulp und The Cure - Torres neue Single mit Julien Baker - Barrack Obamas Indie-Songs des Jahres - unsere Alben des Jahres 2024 Erlebt uns live und in Farbe bei Vinyl&: Di., 07.01.2025, ab 20.30 Uhr Von YouTube benachrichtigen lassen: https://www.youtube.com/live/wqBksGVB9ic?si=bu-MN3lJb8s_w357 Auf Facebook zusagen oder Interesse bekunden: https://fb.me/e/9kGGMXSFa Auf Twitch anschauen: https://www.twitch.tv/vinylund Folgt uns bei instagram.com/loveisnoisepodcast/ , ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/LoveIsNoisePodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ und schreibt uns unter loveisnoisepodcast@gmail.com.

Send us a textNashville-based singer-songwriter Sarah Gargano visits YMAAA to discuss Bright Eyes' 2000 album Fevers and Mirrors. Sarah talks about the unusual reason that got her to explore Bright Eyes in her early teens and how she was first introduced to Fevers and Mirrors. She explains why this is one of her favorite albums and why she considers some of the material to be both self-indulgent and helpful to her personally. Sarah also talks about her recently-released single, "Halloweekend," and what she has planned for the coming months.Be sure to keep up with Sarah in the following places!@sarahgargano29 on Instagram@sarahgarganomusic on Facebook@sarahgargano6012 on YouTubesarahgarganomusic.comAl is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.1:31 Sarah joins the show2:23 Sarah explains the event that got her to explore Bright Eyes for the first time5:28 Sarah talks about the first time she listened to Fevers and Mirrors6:28 Sarah and Al discuss the “interview” that occurs during “An Attempt to Tip the Scales”11:00 Sarah talks about the unique way that Bright Eyes start their albums13:43 Listening to Bright Eyes' later albums first made Fevers and Mirrors an easier album for Sarah to digest initially17:12 Sarah explains why Fevers and Mirrors resonates with her so strongly20:09 Sarah and Al interpret the lyrics for “Arienette”23:32 What does it mean when we call music “self-indulgent”?Discussion of selected tracks:28:33 “An Attempt to Tip the Scales”32:41 “The Calendar Hung Itself…”34:24 “When the Curious Girl Realizes She Is Under Glass”38:18 “Haligh, Haligh, A Lie, Haligh”42:01 Al had a difficult time getting past Conor Oberst's vocal delivery44:22 Sarah gets a kick out of a pair of songs that Oberst references45:52 Sarah shares her opinions of Bright Eyes' more recent albums49:30 Al asks Sarah about her song “Murdered Angels”52:41 Sarah describes the perspective from which she wrote “Halloweekend”58:11 Sarah talks about her upcoming plansOutro music is from “Staring at the Screen” by Sarah Gargano.Support the show

Yo this was a Patreon episode recorded with Justin Corwin a few days after the new Bright Eyes record. Now seems like a fine time to share it in this feed. Enjoy. Justin and I talk about the singles compared to the rest of the record, songs we like most and least, The National, Elon Musk in virgin whites, Cat Power, the Alex Orange Drink discourse, Bright Eyes and friendship, Mogis/Nate Walcott, Down in the Weeds, movie-dialogue motif, actually Scorsese is good and Frank Sinatra sucks, Phoebe Bridgers, Real Feel 105, Stevie Nicks singing “Silver Springs,” Conor Oberst live-show discourse, “Tin Soldier Boy” makes me want to run through a wall (positive), The Fader reporter showing Conor negative Reddit threads lol, a very titillating question about 311, and we predict the Pitchfork score.  -- Subscribe on Patreon and I'll mail you a zine: https://www.patreon.com/afterthedeluge Here's Justin Corwin's YouTube channel, The Deep Dive: https://www.youtube.com/@THEDEEPDIVE --- Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

SUBSCRIBE ON PATREON FOR THE FULL EPISODE & YOU'LL GET A BRIGHT EYES ZINE -- We talk about the new Bright Eyes record, Five Dice, All Threes: The singles compared to the rest of the record, The National, Elon in virgin whites, Cat Power, the Alex Orange Drink discourse, genuine friendship, Mogis/Walcott, Down in the Weeds, movie-dialogue motif, Scorsese vs. Sinatra, Phoebe Bridgers, Real Feel 105, Stevie Nicks singing “Silver Springs,” Conor Oberst live-show discourse, “Tin Soldier Boy” makes me want to run through a wall (positive), The Fader reporter showing Conor negative Reddit threads lol, a very titillating question about 311, and we predict the Pitchfork score.  Guest: Justin Corwin of The Deep Dive Me: x.com/routinelayup or instagram.com/routinelayup --- Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

Musician Conor Oberst of Bright Eyes joins Andy Richter to discuss the new Bright Eyes album, being labeled as “Sad Indie” by streaming services, performing on Letterman, buying a house as a teenager, the reality of owning your own bar, and why Andy and Conor might be the only real soulmates. Do you want to talk to Andy live on SiriusXM's Conan O'Brien Radio? Leave a voicemail at 855-266-2604 or fill out our Google Form at BIT.LY/CALLANDYRICHTER. Listen to "The Andy Richter Call-In Show" every Wednesday at 1pm Pacific on SiriusXM's Conan O'Brien Channel.

Musikalisch trennen sie Lichtjahre, aber sie sind in der selben Epoche grandios geworden: Jamie XX (von The XX) und Conor Oberst (mit Bright Eyes). Jetzt gibt es von den zwei Posterboys der Indie-Blütezeit der 00er-Jahre neue Alben - beide zweifelsohne Meister ihres Fachs, aktuell aber etwas flach.

Repasamos el nuevo disco de la banda estadounidense, comentado por su líder, Conor Oberst.En el programa de hoy también sonaron nuevas canciones de Thurston Moore, Alan Sparhawk, Father John Misty, Hayden Thorpe, Nubya Garcia, Magali Datzira y Ezra Collective.Escuchar audio

Our guests today are none other than Conor Oberst and Nate Walcott from the legendary indie rock band Bright Eyes. Having shaped the landscape of indie music for over two decades, Bright Eyes has become one of the most influential bands of their generation. Today, they're releasing their brand-new album, Five Dice, All Threes, a stunning addition to their already impressive catalogue that blends the essence of their past work with fresh new ideas. In this episode, we chat with Conor and Nate about what it's like putting out music after 20 years, their approach to songwriting, and how they captured the spirit of multiple Bright Eyes records in this one. We also dive into their experience self-producing the album and reflect on the triumphs of the process. Plus, we hear when they'll be back in Australia to share these new songs live.Bright Eyes: Instagram / SpotifyPurchase Five Dice, All Threes here.Visit our official website here and follow us across our socials.

Alex plays in The So So Glos and was a formative influence on the new Bright Eyes record, Five Dice, All Threes — out Sept 20th. We talk about Waxahatchee, islands in the PNW, why his body can't break down protein, his cancer diagnosis, living as if you're dying, crashing at Conor Oberst's house in LA, casually writing new Bright Eyes songs, a stripped-down record, phone calls between Alex and Conor during treatment, The So So Glos reunion, what the album title means, his tricked-out In-N-Out order, The Eras Tour, Alex weighs in on 311, “I'm not slowing down, I'm speeding up,” Mike Mogis + Nate Walcott, the case for ignoring your problems, and he gives a glimpse at the intro track on Five Dice, All Threes... PATREON.COM/AFTERTHEDELUGE  x.com/routinelayup  instagram.com/routinelayup  instagram.com/alexorangedrink --- Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

Ian Felice from The Felice Brothers is my guest on this episode of That's How I Remember It. I've admired Ian's songs and performances for a long time, and the band's new release Valley of Abandoned Songs is yet another great record from them. We talked about that as well as playing bagpipes, how he can remember whole pages from books, his painting, his relationship with Conor Oberst, going to the same high school as Mike Tyson, and so much more. Listen and subscribe! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/craigfinn

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Conor Oberst, aka Bright Eyes, is a band from Omaha, Nebraska. Their new record, ‘Five Dice, All Threes,' is out next month on Dead Oceans. We chat with Conor from his home in Los Angeles about, Rolex sponsorships, which rappers wear shorts with built-in underwear, Triscuits, shopping at Whole Foods, never returning anything, pandemic puppies, hates Twitter loves X, he was a teacher somehow, bought his first car for a dollar, sync talk, we want to play in some cities more than others, and stories about opening for Obama in 2008. instagram.com/brighteyesofficial twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Es riecht nach feuchtem Gras und Lagerfeuer. Still und friedlich liegt der See vor dir. Und abends taucht die Sonne in ihn ein. Diese Musikstücke hast Du in der Folge gehört: Peter Fox – "Haus am See" // Ola Gjeilo – "The Lake Isle" // Jeanell Carrigan – "The Lake" // Conor Oberst – "Night At Lake Unknown" // Mark Bebbington – "The Lake In The Mountains" // Den Podcast "nicht witzig - Humor ist, wenn die anderen lachen" vom SWR findest du hier: https://www.ardaudiothek.de/sendung/nicht-witzig-humor-ist-wenn-die-anderen-lachen/12662427 Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

Some 20 years ago, My Morning Jacket's Jim James, M. Ward, and Bright Eyes' Conor Oberst and Mike Mogis got together for a revue-style tour that made quick friends. Nicknamed Monsters of Folk by their then-tour manager, the supergroup reconvened five years later and set out to work on their self-titled album together. The eponymous record is being reissued  for its 15th anniversary and features a handful of unreleased tracks, including the trippy Springsteen-tinged sound of “Disappeared.” 

This month, Sonic Architect Adam returns to normal recording proceedings and welcomes Molly King to the studio. Molly is the head of development for Other Voices, an annual music festival that takes place in Dingle, County Kerry every winter, bringing together some of the world's biggest acts, as well as the finest Ireland has to offer for a weekend of very special live performances across their Music Trail. The most notable location for these performances is Saint James' Church, which has played host to acts such as Hozier, Kae Tempest, Amy Winehouse, Mark Lanegan, Conor Oberst, Kodaline, Griff, Dermot Kennedy, Fontaines D.C., The National and many, many more. Almost all of their performances and live streams are on their YouTube channel at the link below.In this episode, Adam and Molly discuss the challenges of running a festival, how the re-brand came about and what it represents now, as well as some of Molly's fondest memories in Other Voices over the years, and both of their thoughts on why Other Voices is so highly-regarded not just in Ireland but worldwide as an annual must-attend event.*If you'd like to get this episode and all NO ENCORE episodes a full 24 hours earlier and ad-free, check us out over on Patreon here.*-Other Voices WebsiteTickets for Other Voices Cardigan '24Follow Other Voices on YouTube / Instagram / Facebook / TikTok / XFollow Molly King on Instagram / XSouth Wind Blows on Instagram / X Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

My guest today is Producer, Engineer & Mixer William Garrett. William has worked with a LARGE amount of people! That's includes Esperanza Spalding, Grouplove, John Legend, The Head and the Heart, Migos, Zara Larsson, The Shins, Max Richter, Sting, Ed Sheeran, Zac Brown Band, Rascal Flatts, TLC, Arcade Fire, Miley Cyrus, Norah Jones, Kelly Clarkson, Jennifer Lopez, The National, Greta Van Fleet, St. Vincent, Iron & Wine, Luke Combs, Jack White, The Raconteurs, Cyndi Lauper, John Cale, Conor Oberst, New Kids On The Block, Michael Monroe, Jennifer Lopez, John Waite, Slayer, Brandi Carlile, Def Leppard, Tony Bennett, Diana Krall, Shawn Mendes, Mac Miller, Elton John, Yo-Yo Ma, Michael Bublé, Jon Batiste, Vampire Weekend, Carly Rae Jepsen, Alicia Keys, The Lumineers, Alanis Morissette, Black Pumas, James Blake, Finneas, Arlo Parks, Shania Twain, Avril Lavigne, Samara Joy, Molly Tuttle, and Margot Price........to name a few!  In this episode, we discuss Winston Salem, North Carolina Tobacco Leaves  A Great Childhood Stereo Under the Stairs Early Musical Influences Wipeout! Playing Coffee Houses Tossing X-Rays Sound on Sound Recording Boarding School in Maine The World of Jingles Nashville Sessions Political Science and Economics Berklee College of Music Networking Working as a Janitor Driving Cabs on the Side Burt Bacharach's Jacket Tape Copy Guy Alpha Media Records After Hours Recording House Sound Guy Recording band Demos The Norah Jones Story Changing Technology Presence and Perseverance Jolly Automatic Slayer The Black Crowes Rick Ruben Ed Stasium George Drakoulius Hugging Smokey Robinson Producing Artists for Spotify Getting Laid Off Going back to Freelance Being Grateful Matt's Rant: Going the Extra Mile Links and Show Notes William on Linkedin William on Instagram William's Linktree Credits Guest: William Garrett Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith     

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy make Conor Oberst the third member of the CHP two-time subject club, exploring Bright Eyes' 2002 album Lifted or The Story Is in the Soil, Keep Your Ear to the Ground. Find out more about Saddle Creek's epic early-2000s run as a label, why the hosts think Bright Eyes was so influential as a thread between folk eras despite often being classified as emo on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

Macey Taylor has collaborated and toured with Conor Oberst, Bright Eyes, Jenny Lewis, The Grenadines, Wilder Atkins, Maria Taylor, Jesse Marchant, and Amanda Shires. In this episode, Macey shares his journey through the music industry and discusses the challenges of touring, the importance of social dynamics, and maintaining personal well-being on the road. His valuable insights and personal experiences highlight the balance between career and personal life in the demanding world of music. Chapters: [00:00] - Introduction [00:51:00] - Interview Part 1: The Touring Lifestyle [00:21:56] - Interview Part 2: Finding Balance [00:45:19] - Interview Part 3: Words of Advice Key Takeaways: The significance of social dynamics and communal living in touring The impact of long tours on personal relationships and well-being Strategies for maintaining health and personal sanity on the road Connect with Macey: @tmaceyt Join Our Community for Exclusive Content & More! Follow Janine on Instagram: @j9richards Official Podcast Instagram: @thetourlifepodcast Join us on Q101 Chicago: @q101chicago Support The Tour Life: Share this episode to help our community grow! Subscribe on Spotify or Apple Podcasts so you never miss an episode. Review us on Apple Podcasts or rate us on Spotify—your feedback is crucial for our improvement! Thank you for tuning in! Be sure to catch the next episode for more exclusive insights and stories from the music industry.See omnystudio.com/listener for privacy information.

This is an interesting one.  Steve picked a bunch of short songs which separate a few long songs.  While some ask, "why?", Steve asks, "Why not?".  Artists in this show: The Damned, Carbonas, Wings, Arctic Monkeys, Porcupine Tree, Wire, Todd Rundgren, Splitsville, The Who, My Morning Jacket, T. Rex, The Boys (UK), Adult Mom, Queen, Genesis, Conor Oberst, Matt Pond PA, Nada Surf, The So So Glos, Rush, Pajama Slave Dancers.   On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***    Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock  

Shoeless in South Dakota: In this third edition of our All Too Human interview series, Breht and Dave welcome Niko into the Shoeless Shed to have an honest conversation about his struggles with alcoholism.  With these All Too Human interviews, we aim to highlight and destigmatize the mental health and addiction struggles of regular working class people in hopes that we can provide insight into this type of human suffering, help others who struggle with similar things feel less alone, and deepen our understanding of the modern human condition. Outro music: 'Hundreds of Ways' by Conor Oberst  ---------------------- Contact us, support us, follow us, or learn more about the show here: https://www.shoelessinsouthdakota.com

Kyle Crane - Drummer/Songwriter!Kyle is an incredible drummer based in Los Angeles. His impressive resume includes touring with Rufus Wainwright, Madison Cunningham, M. Ward, Neko Case, Daniel Lanois, and recording with Iron & Wine, Kurt Vile, First Aid Kit, Conor Oberst and many others! He also has a solo project called Crane Like The Bird featuring a lot of great artists (which I highly recommend checking out).Check him out on instagram @kylejeffreycrane and @cranelikethebirdmusic GSWMP is a podcast for musicians, music lovers, and anyone who loves a good story! In-depth discussions about the music industry & gig life with a variety of musicians & creatives from all over the world!@gigstorieswithmusicpeopleHost:Evan Mykl Chudnow @evanonthebass @the_spaceminthttps://www.thespacemint.com/http://www.evanonthebass.com/https://gig-stories-music-people.captivate.fm*At the moment I have no sponsors, so if you'd like to support this podcast the best thing is to share it on social media or with someone who might be interested! If you want to go above and beyond that and help ensure more episodes you can also purchase my music (including the podcast theme song Smith Type Johnson) at https://evanmykl.bandcamp.com/ or even make a contribution on Venmo @Evan-TheSpacemint any help is very much appreciated!Thank you for listening!

In celebration of National Poetry Month, Joe talks with poet Susan Rothbard, the award-winning author of "Birds of New Jersey" and a former Livingston school teacher; Lisa, Amy, Jessica, Gail, and Joe recite some of their favorite poetry, including works by Nick Flynn, Pablo Neruda, Taylor Swift, Emily Dickinson, Caitlin Seida, and Conor Oberst; Hongmei plays a clip of an Oscar-winning song; Jessica spotlights the most anticipated books headed to the library in April.

This week we're joined by Kyle Wood, who creates music under the name of Lovers Turn to Monsters. He has chosen Digital Ash in a Digital Urn by Bright Eyes, claiming rather boldly, that it's amongst the band's best work. Which many fans would no doubt disagree with. In side A we talk a wee bit about Conor Oberst, his history, the pre-Bright Eyes moments and the first two Bright Eyes albums.

In this episode, I am interviewing Lindsay Mastro, psychic medium and intuitive business mentor, on her love of Conor Oberst from the band Bright Eyes. We look at their Human Design charts and Astrocartography to draw some correlations on an energetic and spiritual level as to why it is she has loved his music so much. There is some swearing. This is my very first episode so be gentle! As always, please rate and review and if you know Conor Oberst, let him know we want to interview him! :) Visit Lindsay Mastro'sWebsite Check out some of the charts we referenced in this episode over on the Patreon page. Listen to the Conor Oberst/Bright Eyes song "Four Winds" and "Clairaudients" Listen to the Bob Dylan song "Tangled Up in Blue" Remember to enter the giveaway to win yourself a 60min Human Design Reading with ME! :) You have until 1/31/24 to enter and the winner will be announced on the pod on 2/9/24. How to enter: 1) Follow me on ⁠Instagram⁠ and Facebook @annawithintention 2) Go join the ⁠Patreon⁠ page BONUS ENTRY:  3) ⁠Rate and Review on Apple Podcasts⁠, BEFORE you hit submit, be sure to take a screenshot of the review and then send it over to my DMs on Instagram As always, I love to hear your thoughts and feedback. Connect with me on Instagram and join my email newsletter list here. --- Send in a voice message: https://podcasters.spotify.com/pod/show/musicbydesign/message

Einkuscheln, loslassen und sanft die Augen schließen. Diese Folge hat Philipp spät abends zur Bettruhe aufgenommen. Diese Musikstücke hast Du in der Folge gehört: ​ Stephen Foster - "Slumber, My Darling" // Uuno Klami - "Hommage á Händel" // Anúna - "My Lagan Love" // Nigel Hess - "The Love" // Conor Oberst - "Night at Lake Unknown" // Den Podcast "Das Geheimnis - Musikalische Rätsel und Krimis zum Mitraten" von BR Klassik findest du hier: https://www.ardaudiothek.de/sendung/das-geheimnis-musikalische-raetsel-und-krimis-zum-mitraten/5959908/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Join hosts Tom Davies and Kate Hutchinson as they chat with Dead Oceans record label founder Phil Waldorf and Secretly Group founder Chris Swanson for a peak behind the curtain at the label's sixteen-plus years. Discover the backstory of the label pre-streaming, inspired by the simple idea of crate digging at a record store and the joys of fandom, to the monumental successes shared by the artists, including Phosphorescent, Phoebe Bridgers, Japanese Breakfast, Shame, Mitski and so many more, over the years. The episode explores the label owners' experiences from "scrappy operations" to housing famed stars of the indie alternative zeitgeist. Links: Secretly Society Podcast Link Dead Oceans Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link Dead Oceans Link  

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Conor Oberst's punk-rock side-project, Desaparecidos. Not unlike a wrestler's excursion, Oberst took a brief aside from his ascension as a part of Bright Eyes and as the face (and bangs) of a genre to do something a little different before ultimately returning. Read Music/Speak Spanish is more political and far angrier than you may be used to with Oberst's other projects, and while it wasn't heralded at the time, it really works. Find out more about Oberst's relationship with his hometown of Omaha, why he cared “way more” about Bright Eyes, and where this project ranks in the vast Oberst library on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

We do a deep dive into John Mellencamp, explore the three-headed monster of 1970s symbol bands (Kansas, Styx, and REO Speedwagon), and end with a look at the career of Omaha native Conor Oberst. Learn more about your ad choices. Visit megaphone.fm/adchoices

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week on the pod we talked with Justin Cox of the podcast After the Deluge. We talked about Bright Eyes' eighth album, "Cassadaga." We also talk about chatting with Conor Oberst, trolls on reddit and picking favorites. After the Deluge podcast just ended its season two run where Justin and guests went through the full Bright Eyes discography. Follow us on social media -- twitter and instagram (@Spinningoutpod) Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)

For the 20th anniversary of The Postal Service record, GIVE UP, we take a detailed look at how it was made. After Jimmy Tamborello was looking for vocalists to collaborate with for a Dntel album he was working on, he connected with Ben Gibbard of Death Cab for Cutie. Gibbard agreed to provide vocals for a track that became, “(This Is) The Dream of Evan and Chan.” The two of them worked so well together that they decided to work on more material and form a new project. Tamborello's friend, Tony Kiewel at Sub Pop heard about their collaboration and suggested they would be interested in releasing a full album. Tamborello got to work creating instrumentals at his home in Los Angeles and would mail rough mixes of the tracks on CD-Rs to Gibbard in Seattle. Gibbard would then come up with the melodies and lyrics, recording his vocals and other instruments to send back to Tamborello. Over the course of the year, they would keep collaborating through the mail, enlisting Jenny Lewis and Jen Wood to provide additional vocals. After the ten tracks were nearly complete, they met in Los Angeles to finish mixing the album. GIVE UP was eventually released in 2003. In this episode, Gibbard describes how these Postal Service tracks that Tamborello would send were nice breaks in his writing schedule for Death Cab for Cutie, who were in the middle of writing TRANSATLANTICISM. Because their collaboration started so spontaneously, he describes how this approach opened up his writing and pushed him into new territory. Tamborello describes how he initially conceived of a more experimental project but quickly changed directions as the tracks became more pop oriented and Gibbard's melodies were so infectious. With the limited technology of the early 2000s, he describes how the album was made almost entirely on a Kurzweil K2000 synthesizer and how he would manipulate sounds and sample classical records for added effect. As the concept of remote collaboration has taken off in recent years, GIVE UP remains a fascinating document of its time. From the unlikely marriage of indie rock and electronic music in the early 2000s to the slow process of mixing by mail to the spontaneous idea of asking Jenny Lewis to sing on the album, to the key influences of Bjork, Liz Phair, Conor Oberst and Stephin Merritt to the mysterious effortlessness of the whole project, we'll hear the stories of how the record came together.

Hell hath no fury like a woman scorned! This week is the 5th installment of our series celebrating the gender with the most attitude and pure ferocity. Piss off a man; you can fight it out and then go have a pint at the pub. Piss off a woman, and you will pay for it 10-fold… In this episode, we focus on women that truly rock! Ladies that play loud and heavy with attitude, grit, and that rasp. What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. These ladies bring it, and you owe to yourself to check them out! We hope we turn you on to something new!Songs this week include:The Gems – “Like A Phoenix” from Like A Phoenix - single (2023)Blues Pills – “Proud Woman” from Holy Moly! (2020)ONE FALL – “Rats Abandon Ship” from ONE FALL (2022)Stonefield – “Shutdown” from BENT (2019)Larkin Poe – “Strike Gold” from Blood Harmony (2022)The Downhauls – “Spit The Poison Out” from Spit Into The Void - EP (2023)Thunderpussy – “Thunderpussy” from Thunderpussy (2018)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Tim Kasher returns for a special episode about The Good Life's Album of the Year. We talk about Zooming with Conor Oberst on bad wifi, his upcoming tour, his high school band March Hares opening for 311, Tim's Red Hot Chili Peppers horoscope theory, Inmates, early 2000s Saddle Creek albums about substances, Cursive, debauchery and heartache, Tim loves musicals, I get a little emo about the seasons, Vanessa Carlton, Ryan Fox's slide guitar, creating albums in a world made for songs, The Good Life's website SEO, and what next? JOIN: patreon.com/afterthedeluge -- Tim: https://www.instagram.com/timkasher The Good Life: https://thegoodlifemusic.com/ Me: ⁠https://twitter.com/routinelayup⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/afterthedeluge/message Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

I talk to Conor Oberst of Bright Eyes about Jackson Browne, emo, being a child among the Saddle Creek teens, showing ambition in a slacker scene, Pitchfork reviews, a wild story behind “Soul Singer in a Session Band," his songs making sense to him but maybe not to you, Conor's media diet, listening to audiobooks about feathers, do people pay too much attention to politics now?, AI and Chat GPT, The Faint being ahead of their time, could he write “First Day of My Life” on command?, long songs and “Let's Not Shit Ourselves,” using SAT words in lyrics, that perfect Waxahatchee record, the next batch of companion EPs, opening for Paramore at the Emo Fest, that cancelled Houston show, writing songs to impress Tim Kasher, Todd Fink and Ted Stevens, leaving Saddle Creek, how to get into the band Superchunk, what does Conor Oberst think of 311?, Rage Against the Machine vs. Limp Bizkit, Down in the Weeds, feeling like The Beatles on the Wide Awake tour... not so much on the Digital Ash tour… and then we meet his dog Petra and say goodbye! Support the pod/get the zine: www.patreon.com/afterthedeluge Follow Justin: twitter.com/routinelayup Follow Bright Eyes: twitter.com/brighteyesband --- Send in a voice message: https://podcasters.spotify.com/pod/show/afterthedeluge/message Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

patreon.com/afterthedeluge --- Send in a voice message: https://podcasters.spotify.com/pod/show/afterthedeluge/message Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

Out of the Tar Pit is in the grand pantheon of great papers, beloved the world over, with just so much influence. The resurgence of Functional Programming over the past decade owes its very existence to the Tar Pit's snarling takedown of mutable state, championed by Hickey & The Cloj-Co. Many a budding computational philosophizer — both of yours truly counted among them — have been led onward to the late great Bro86 by this paper's borrow of his essence and accident. But is the paper actually good? Like, really — is it that good? Does it hold up to the blinding light of hindsight that 2023 offers? Is this episode actually an April Fools joke, or is it a serious episode that Ivan just delayed by a few weeks because of life circumstances and his own incoherent sense of humour? I can't tell. Apologies in advance. Next time, we're going back to our usual format to discuss Intercal. Links Before anything else, we need to link to Simple Made Easy. If you don't know, now you know! It's a talk by Rich Hickey (creator of Clojure) that, as best as I can tell, widely popularized discussion of simplicity and complexity in programming, using Hickey's own definitions that built upon the Tar Pit paper. Ignited by this talk, with flames fanned by a few others, as functional programming flared in popularity through the 2010s, the words “simple”, “easy”, “complex”, and “reason about” became absolutely raging memes. We also frequently reference Fred Brooks and his No Silver Bullet. Our previous episode has you covered. The two great languages of the early internet era: Perl & TcL For more on Ivan's “BLTC paradise-engineering wombat chocolate”, see our episode on Augmenting Human Intellect, if you dare. For more on Jimmy's “Satoshi”, see Satoshi Nakamoto, of course. And for Anonymous, go on. Enemy of the State — This film slaps. “Some people prefer not to commingle the functional, lambda-calculus part of a language with the parts that do side effects. It seems they believe in the separation of Church and state.” — Guy Steele “my tempo” FoC Challenge: Brooks claimed 4 evils lay at the heart of programming — Complexity, Conformity, Changeability, and Invisibility. Could you design a programming that had a different set of four evils at the heart of it? (Bonus: one of which could encompass the others and become the ur-evil) The paper introduces something called Functional Relational Programming, abbreviated FRP. Note well, and do not be confused, that there is a much more important and common term that also abbreviates to FRP: Family Resource Program. Slightly less common, but yet more important and relevant to our interests as computer scientists, is the Fluorescence Recovery Protein in cyanobacteria. Less abundant, but again more relevant, is Fantasy Role-Playing, a technology with which we've all surely developed a high degree of expertise. For fans of international standards, see ISO 639-3 — the Franco-Provençal language, represented by language code frp. As we approach the finality of this paragraph, I'll crucially point out that “FRP”, when spoken aloud all at once at though it were a word, sounds quite like the word frp, which isn't actually a word — you've fallen right into my trap. Least importantly of all, and also most obscurely, and with only minor interest or relevance to listeners of the podcast and readers of this paragraph, we have the Functional Reactive Programming paradigm originally coined by Conor Oberst and then coopted by rapscallions who waste time down by the pier playing marbles. FoC Challenge: Can you come up with a programming where informal reasoning doesn't help? Where you are lost, you are without hope, and you need to get some kind of help other than reasoning to get through it? Linear B LinearB Intercal Esolangs FoC Challenge: Can you come up with a kind of testing where using a particular set of inputs does tell you something about the system/component when it is given a different set of inputs? It was not Epimenides who said “You can't dip your little toesies into the same stream” two times — presumably because he only said it once. Zig has a nicely explicit approach to memory allocation. FoC Challenge: A programming where more things are explicit — building on the example of Zig's explicit allocators. Non-ergonomic, Non-von Neumann, Nonagon Infinity One of Ivan's favourite musical acts of the 00s is the ever-shapeshifting Animal Collective — of course

I Don't Wanna Hear It Podcast216 – Albums of the Year So Far: Dad Bod Lucifer (Spring 2023)AND THE GRIND BEGINS.Check out more of our stuff at I Don't Wanna Hear It and join the Patreon, jabroni. I mean, if you want. Don't be weird about it. Oh, and we publish books now at WND Press because we want to be bankrupted by a dying medium.We now have a Big Cartel where you can buy shirts, pins, mugs, and coffee.Also, you should listen to our 2021 Christmas special: A Black Metal Christmas Carol, our 2022 Halloween special: Ghoulie Ghoulie Ghoul, Where Are You?, our 2022 Christmas Special: How the Stench Stole Christmas, as well as Mikey's true crime podcast, Wasteland and Shane's psychology podcast, Why We Do What We Do.Aaannnddd... our good buddy and frequent third host Matt Moment is in a great hardcore band called Contact. Check 'em out! You can preorder their upcoming record, Before and Through and Beyond All Time right here from Patient Zero Records.Episode Links:Should've Learned By Now by LuceroCelestial Rot by All Out WarOne Day by Fucked UpConsume Me by Big LaughDying of Everything by ObituaryWorld of Pleasure by XWeaponX and World of PleasureMute the Charm by Unwed SailorFlesh + Blood by JudiciarySome of our old bands are on Spotify:Absent FriendsWe're Not DeadYears From NowMusical Attribution:Licensed through NEOSounds. License information available upon request.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”

Our buddy Anthony DeVito (Rad Dude Cast, Colbert) joins us to talk about emo king Conor Oberst and Bright Eyes! Get on the Patreon for bonuses, ad free eps and more! Patreon.com/standbyyourband Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this special episode we talk about non-Bright Eyes Conor Oberst projects over the last 25 years. I'm joined by Maddy, Michael, Rina, Greg, Justin and Per (Patreon supporters of this show ☺️) for a sprawling conversation about Oberst's solo records and side projects. There are many! For PART 2 (+ VIDEO) hit up patreon.com/afterthedeluge -- Here's the list of records I mention in the intro: CONOR OBERST Water (1993) Here's to Special Treatment (1994) The Soundtrack to my Movie (1996) Conor Oberst (2008) ... & the Mystic Valley Band: Outer South (2009) Upside Down Mountain (2014) Ruminations (2016) Salutations (2017) COMMANDER VENUS Do You Feel at Home? (1995) The Uneventful Vacation (1997) NORMAN BAILER Sine Sierra (1995) DEAPARACIDOS Read Music / Speak Spanish (2002) Payola (2015) MONSTERS OF FOLK Monsters of Folk (2009) - Boring / Awash in reverb / Boygenius Rolling Stone BETTER OBLIVION COMMUNITY CENTER Better Oblivion Community Center (2019) - Great / Dylan Thomas --- Send in a voice message: https://anchor.fm/afterthedeluge/message Support this podcast: https://anchor.fm/afterthedeluge/support

Marc Hogan is a senior staff writer at Pitchfork and he wrote the review of Down in the Weeds, Where the World Once Was. In this episode we talk about a difficult decade for Conor Oberst, Audiogalaxy, patience with late-career albums, 2013's false rape allegations, being Conor's same age, Red Hot Chili Peppers, dropping a record in Covid, Ruminations, his brother's death, divorce, catastrophizing his 40th birthday, Van Morrison, Dancing and Singing, Marc's Mars Volta phase, Flea, Nothing Gets Crossed Out, old Pitchfork, who is the current Bright Eyes?, reporting on assault allegations, Drake, Hotline Bling, and the lede to Marc's 7.4 Pitchfork review. Review https://pitchfork.com/reviews/albums/bright-eyes-down-in-the-weeds-where-the-world-once-was/ Marc twitter.com/marchogan Justin twitter.com/routinelayup Special thanks to Justin Corwin for helping guide me into this record. Check out his latest Bright Eyes video on THE DEEP DIVE. --- Send in a voice message: https://anchor.fm/afterthedeluge/message Support this podcast: https://anchor.fm/afterthedeluge/support

I went from not caring much at all about this record to straight-up loving it over the last month. My guest is episode is Marc Hogan of Pitchfork, and we talk not only about the record, but also the tumultuous hiatus that led up to it which included false rape allegations, an illness that cancelled a tour, the death of his brother, and a divorce. We also talk talk about Pitchfork then and Pitchfork now through the prism of Bright Eyes, and some Conor Oberst lyrics about "change." PATREON: patreon.com/afterthedeluge --- Send in a voice message: https://anchor.fm/afterthedeluge/message Support this podcast: https://anchor.fm/afterthedeluge/support

“I was born and born again at the age of 23.” In the Season 4 premiere of Dear Young Rocker, Atlanta's Nadia Marie shares her life story and the disorientation one feels when starting completely over after a bicycle crash. Also: Reminiscing of youth in the early 2000's—the fan-crazed Conor Oberst era that led to a generation of over-articulate somber adolescents.  This season of Dear Young Rocker is written and hosted by Nadia Marie. Want to share your own Young Rocker experience? Connect with Nadia on Instagram and TikTok @NadiaMarieForever. You can also follow the show on Instagram @DearYoungRocker and @DoubleElvis.  Dear Young Rocker was created and is executive produced by Chelsea Ursin. The show is executive produced by Jake Brennan, Brady Sadler, and Carly Carioli for Double Elvis.  Script editing on this episode by Chelsea Ursin and James Sullivan. Production by Sean Cahalin and Lea Tatoris. Music for this episode was composed and performed by Nadia Marie. To hear more of her music, follow Nadia Marie on all streaming platforms.  See omnystudio.com/listener for privacy information.