Podcasts about The Walkmen

Hamilton Leithauser and The Walkmen shouts

On this very special bonus episode of Lipps Service, Scott sits down with three of the six acts who will perform on June 4 at the historic New York City venue The Bitter End for our first-ever live event – LIPPS SERVICE LIVE! GET YOUR TICKETS NOW! JUNE 4 AT THE BITTER END https://tickets.venuepilot.com/e/lipps-service-live-festival-2025-06-04-the-bitter-end-new-york-e3febc?presaleName=lipps-service-live The live concert will be a reflection of Lipps Service podcast, as the night will bring together past and present NYC-bred music, including three legendary acts – Ed Kowalczyk of LIVE, Hamilton Leithauser of The Walkmen, Eugene Hütz of Gogol Bordello and Casa Gogol – and three of the best up-and-coming bands of the city's contemporary music scene – Jackson Hamm of Telescreens, Thesaurus Rex, and Torture and The Desert Spiders! To get fans excited about the live show, Scott talked with Ed, Eugene, who was accompanied by an artist under his label, Grace Bergere, and Torture in this special bonus episode. Starting with Ed, he discusses his early music days in NYC, shares a crazy story about the band's hit song “Lightning Crashes,” and lists his top 5 most meaningful lyrics and underrated singers. Next up, Eugene and Grace reflect on Gogol Bordello's rise in 1989 in NYC, and list the best punk bands from the city. To close, Torture tells the story of how David Bowie inspired her band name and her favorite artists in the current NYC music scene. Tune into this exciting and insightful episode of Lipps Service, learn about the artists, hear their thoughts on the upcoming live show, and get ready for LIPPS SERVICE LIVE! We hope to see you all there – you don't want to miss it! CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts NYC Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. Ed Kowalczyk of LIVE0:04:30 - Getting signed out of NYC 0:05:15 - CBGB 0:07:30 - “Lightning Crashes” story 0:10:00 - College radio 0:11:30 - Early lyrics 0:15:00 - Mixing in a defunct Playboy resort 0:17:00 - Drawing inspiration 0:20:00 - Meeting Kurt Cobain 0:22:35 - Collaborating with Peter Buck 0:24:00 - Top 5 most meaningful lyrics 0:35:45 - Top 5 criminally underrated lead singers 0:38:50 - What does this record mean to you? (The Velvet Underground & Nico)Eugene Hütz of Gogol Bordello and Grace Bergere of Casa Gogol 0:43:13 - The Gogol collective and touring 0:43:28 - Working with Rick Rubin 0:50:24 - 1989 in NYC 0:55:00 - Early punk rock1:02:05 - Top NYC punk bands Torture and The Desert Spiders1:04:52 - Band name story1:09:00 - Beginnings in music 1:16:22 - Top 5 local rock bands 

Sounds! Album der Woche: Es kommt vom ehemaligen – und nach der Reunion 2023 kann man sagen: erneuten – Walkmen-Frontmann Hamilton Leithauser, dem Mann mit der kraftvoll-verzweifelsten Stimme im ganzen Indie Rock-Zirkus. Dieses Mal kam das Gefühl der Verzweiflung aber auch beim Songwriting: einige Ideen auf «This Side of the Island» sind nämlich bereits über acht Jahre alt. Und irgendwann stand Leithauser vor einem so unübersichtlichen Berg, dass er sich Hilfe dazu holte. Taylor-Swift-Intimus Aaron Dessner (The National) half ihm bei der Vollendung der Songs – und zeigte ihm Kniffe und Tricks, mit denen seine Songs auf der Stereoanlage im Auto *noch* kraftvoller tönen. Dumm nur, dass er dort selten seine eigene Musik hören darf, wie er uns im Sounds!-Interview verrät. Sind seine Töchter mit im Auto – was ziemlich oft der Fall ist – bestimmen sie nämlich die Playlist. «This Side of the Island» ist unser neues Sounds! Album der Woche: bis und mit Freitag gibt's bei uns in der Live-Sendung Vinyl zu gewinnen. +++ PLAYLIST +++ · 22:52 – HURRY UP & WAIT von JOE ARMON-JONES · 22:45 – GHOST TOWN von JB DUNCKEL & JONATHAN FITOUSSI · 22:37 – CATARACT TIME von DESTROYER · 22:29 – BUSCHTAXI von DJ KOZE · 22:26 – SEX, DRUGS & EXISTENTIAL DREAD CHLOE QISHA · 22:20 – 1999 von PRINCE · 22:17 – STRAWBERRIES von ROBERT FORSTER · 22:12 – RIGHT HERE von THE GO-BETWEENS · 22:09 – THE TEST von BILLY NOMATES · 21:57 – ZERO SUN von LITTLE BARRIE & MALCOLM CATTO · 21:53 – DELETE YA von DJO · 21:50 – CHOOSE THE LATTER von FINN WOLFHARD · 21:46 – GOOD LUCK, BABE! von CHAPPELL ROAN · 21:43 – WHAT DO I THINK? von HAMILTON LEITHAUSER · 21:37 – THIS SIDE OF THE ISLAND von HAMILTON LEITHAUSER · 21:34 – KNOCKIN' HEART von HAMILTON LEITHAUSER · 21:26 – THE ALCOTT von THE NATIONAL FEAT. TAYLOR SWIFT · 21:23 – BURN THE BOATS von HAMILTON LEITHAUSER · 21:16 – FIST OF FLOWERS von HAMILTON LEITHAUSER · 21:13 – KILL BILL von SZA · 21:04 – HEAVEN von THE WALKMEN

Send us a textEd Note: Here's my 2013 interview with Leithauser and my 2022 interview with his bandmate Walter Martin from The Walkmen.Hamilton Leithauser keeps regular hours. And those hours can be early: on the day we talked, he had started writing at 5am. It's a problem if he doesn't write every day, he says. "If I don't write every day, I feel anxious or like I've done something wrong."I don't think Leithauser ever rests. "I can't ever stop doing stuff," he says, saying that it may border on "maniacal." So when he's not writing, his other hobbies include, but are probably not limited to, woodworking, photography, racquetball, kitesurfing, and chess. (Even when he's playing chess, he admits to writing music.) Oh, and he has two young kids.Leithauser's new solo album This Side of the Island is out March 7 on Glassnote Records.

Sometimes it’s best to let an artist speak for themselves, as is the case with The Walkmen’s Hamilton Leithauser on his new solo work: “Knockin’ Heart” is sung by an estranged, stoned lover on their way home, who is dying to get a message through to someone who is probably not listening. It is ‘I will love you for life if you’ll let me.’ I wrote and recorded it one evening and put it away for over a year. I knew I liked it, and I didn’t want to mess anything up by trying to perfect it. It was the last song I played for Aaron when we got together, and the first song he helped me work on. I’d say he raised the ceiling and lowered the floor on the entire thing sonically. He actually used a funny bass technique he said he’d used on a Taylor Swift song, which I got a kick out of. I gotta say his bass sounds fantastic. Now there are three basses on it! One of mine and 2 of his. That is a first for me.” 

Hamilton Leithauser is a musician most known for his band, The Walkmen. He returns to chat about a bit about his new record, This Side Of The Island, as well as a full report on the fires in Los Angeles from Jason's point of view. Jimmy Carter's funeral, air quality, nut taps, the Trump biopic, producing the music for Pete Buttigiegg's podcast, and the new Jon Hamm TV show, Dennis Quaid gave him a root beer flavored vape, what alcohol he likes to sip, black & milds, which reunion tours work and which don't, his upcoming residency at The Carlyle in New York, dealing with dinner theater hecklers, working at The Met while his hit record was out, Slanted and Enchanted, oaked chardonnay, what tickets he has to get to win daughter points, and a nasty story out of Florida. instagram.com/hamiltonleithauser twitter.com/donetodeath twitter.com/themjeans howlonggone Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy viajamos en nuestra particular máquina del tiempo en La Gran Travesía hasta el año 2004. Hace justo 20 años. En el programa podréis escuchar a Radio 4, !!!, Wilco, PJ Harvey, Killers, U2, Futureheads, Kings of Leon, Patti Smith, A Perfect Circle, Drive By Truckers, Nick Cave, Hives, Bloc Party, Green Day, The Vines, Wolfmother, Goo Goo Dolls, Incubus, Mark Lanegan, Flogging Molly, Arcade Fire, Velvet Revolver, Franz Ferdinand, The Walkmen, ... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs https://npqeditores.com/producto/la-gran-travesia-del-rock/ ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Jose Angel Tremino, Marco Landeta Vacas, P. Jose MMB, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC, Juan Carlos Ramírez, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

So your famed indie-rock band, a staple of the 2000s, is breaking up. Your influence is such that your own son plays your most famous song just to piss you off. What's your response?  Well for Peter Matthew Bauer it was to hunker down in hotel rooms across Europe, demo like crazy, awash himself in his own mystic upbringing and craft Liberation! Though it might feel like a cheeky poke at The Walkmen to title your first solo record as such, Bauer looks for a deeper, more welcoming freedom. And that rings out across the sheer warmth of Liberation! He visits places of worship and finds kindness and dirty jokes in equal amounts, each new spire, chapel or slice of nature as friendly as the last. It's an album about spirituality, quitters and the nexus between. So listen to our interview with Bauer, read our thoughts on Liberation! and see why it's the best of the 10s.  “I wanted to make music that, if you liked it, it meant you were putting up with me.” — Peter Matthew Bauer

Extrait : "...Apparus sur la scène New Yorkaise au début des années 2000, en plein revival rock'n'roll, c'est-à-dire en même temps que les Strokes, Libertines, Franz Ferdinand et les White Stripes, et malgré 13 ans de scène et 7 albums intenses, ils ont loupé tous les trains, même les michelines souffreteuses et les autorails en fin de vie, ils sont restés à quai, malgré le morceau The rat, leur seul demi-succès..."Pour l'écouter, c'est par ici si tu utilises Apple Podcasts, ici pour Deezer, là sur Spotify, voire, si tu préfères, Podcast Addict. Il y a plein d'autres app de podcasts, cherche Good Morning Music sur la tienne. Pour commenter les épisodes, tu peux le faire sur l'appli en question, ça aide énormément à faire croître l'audience. Mais aussi sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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This week's Talkhouse Podcast is actually taken from a conversation that served as the online launch party for the second issue of our print ‘zine, The Talkhouse Reader, which was lovingly put together by Talkhouse music editor Annie Fell. The issue, which you can order at store.talkhouse.com explores the intersection of food and music, so naturally this episode does as well. Our guests are Jason Stewart and Rostam. Stewart is, along with Chris Black, the host of the popular podcast How Long Gone, in which the two discuss pop culture, fashion, and whatever else happens to come to mind, often with great guests—recent ones include Jenny Lewis, Waxahatchee, and Isaac Brock—but frequently just the two of them gabbing like better-read versions of your hippest friends. They're part of the fabulous Talkhouse Podcast Network, and you can catch the How Long Gone guys live this June if you're lucky enough to live in one of the cities they'll be visiting. Tour dates and their deep catalog of episodes can be found on their site. Today's other guest is Rostam, who's best known as a co-founder of Vampire Weekend and co-architect of that band's sound. Rostam left Vampire Weekend a few years ago to pursue solo and production work, and he's kept plenty busy. He made a great record with Hamilton Leithauser of the Walkmen as well as a fully solo record called Changephobia—you may have heard him on the Talkhouse Podcast talking about it with Michelle Zauner of Japanese Breakfast. He's released a few standalone songs recently as well, and as always he's a thoughtful conversationalist with something interesting to say. Since this conversation is focused largely on food, you can expect to hear about Rostam's egg habits, a killer salmon recipe, and some talk about Rostam's mom, who's a well known chef of Persian food who once went toe-to-toe with Martha Stewart. Enjoy, and please check out the Talkhouse Reader issue two at store.talkhouse.com. Thanks for listening to the Talkhouse Podcast, and thanks to Jason Stewart and Rostam for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the goodness at Talkhouse.com. This episode was put together by Annie Fell and edited by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

This week's Talkhouse episode was recorded live at the On Air Festival in Brooklyn recently—that explains why you'll hear some audience questions at the end—and it features Hamilton Leithauser and Randall Poster, two interesting guys who were just meeting for the first time. Leithauser is best known as the frontman for The Walkmen, the New York band that put out a string of incredible records between 2000 and 2013 before going on a hiatus that lasted a decade—they reunited for a tour last year and have some festival dates lined up for this year. But Leithauser kept plenty busy during the band's downtime, releasing three great records on his own—and he's apparently got another one just about ready to go. Perhaps more relevant to this conversation, at least a bit, is the fact that he's recently gotten into making music for film and TV. Avid Talkhouse listeners will remember that he was on the podcast last year talking with Ethan Hawke about a Paul Newman documentary they worked on together. Leithauser's latest project in that realm is music for a doc series that just premiered at Sundance, and he also just finished up his yearly residence at the posh Cafe Carlyle. You may not immediately recognize the name of today's other guest, but Randall Poster has almost certainly played you a song that you love at some point over the past few decades. As the go-to music supervisor for some incredible filmmakers, he's helped set the mood for more than 200 movies. Perhaps most notably Poster has worked repeatedly with Wes Anderson, a director for whom the soundtrack is massively important. Watch the credits next time you love the song choices in a movie, and you might just see his name. Poster also recently curated a huge 20-LP box set called The Birdsong Project Collection, which you'll hear about in this chat as well. Elsewhere, Leithauser and Poster talk about their jobs, about other podcasts—including one they had in common, called Call Your Grandmother. They get into the story of how Poster got into his unusual profession, and Leithauser talks about a Springsteen cover he recorded that may never see the light of day. Leithauser also talks about the time the presence of Christian Bale basically ruined a Walkmen show, though he can't quite remember the movie it was surrounding: Guys, it was Terrence Malick's already-kinda-forgotten film Song To Song. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Hamilton Leithauser and Randall Poster for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the goodness at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

This mix features all songs that deal with Rivers, and rivers are often a metaphor of life, or a meandering path with turbulent moments and still calm. I remember white water rafting in Colorado, I remember kissing on a bridge over the Seine. I really like rivers, and I love the ocean. Samples from the film A River Runs Through It, by Tom Skerritt and Robert Redford. Based on the book by Norman Maclean. Happy birthday Zac P. Dedicated to Gavin C. and all my friends of Bill. Music by: The Walkmen, Talking Heads, Lael Neale, Andrew Weatherall, Bruce Springsteen, The Pogues, Agnes Obel and more. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Scott is joined by IDLES lead singer Joe Talbot, one of the most exciting frontmen in rock music today! Early in their discussion, they discuss Joe's childhood in Bristol, and his early music memories, including being introduced to Van Morrison's Astral Weeks by his father at a youngg age. Along the way, they touch on his background as a DJ, and his love for U.K. hip-hop. Next, Scott asks him about the early days of IDLES. Joe shares how he supported himself before he could pursue music full-time, and how the band eventually decided to sign to Partisan Records. After giving some insight into the making of IDLES' first album, Joe discusses the band's upcoming record,Tangk produced by Kenny Beats and the legendary Nigel Godrich. Finally, the episode ends with some of Joe's Top 5's, including his top 5 underrated British rock bands, and his top 5 foods we don't have in America!

The Hunks discuss the 2004 record.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy break down The Walkmen's 2004 album Bows + Arrows. The Walkmen represent an interesting and often self-defeating secondary character in the indie rock boom and an unlikely Bait Shop performer. They're also emblematic of the Meet Me In The Bathroom-era New York rock scene, dripping in cool while made up of the pieces of other, disbanded groups. Find out more about the enormity of The Rat, the overall excellent use of music as a world-builder, character-developer, and story-teller in The OC, and which Canadian rock band one host initially confused The Walkmen with on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

Part 1 of my conversation with guest Phil Stacey about the music of 2006. Show notes: First episode of the year In 2006, Jay had two little kids Phil was having fun When you don't know anybody playing the festival Top-selling album of the year was High School Musical soundtrack The Who released an album in 2006 Phil's non-top 5s: Neko Case, Destroyer, the Hold Steady, the Walkmen, Dylan, Heartless Bastards, Tom Petty, Eagles of Death Metal, Black Keys, Yo La Tengo, Sonic Youth, Pearl Jam, Yeah Yeah Yeahs Jay: Check out Jenny Lewis and the Watson Twins To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Christmas, Supply teaching, Top Albums lists, kids.   The Walkmen.   Mrs. Vilson visits her old elementary school Christmas show (skit).   Slow Pulp.   

Topics: Neighborhood report, Tacos El Brother 3 truck, new places, Travel Bar, alternate side parking, living in NYC, Pavement at Brooklyn Steel, trip to Cincinnati, Zip's Cafe, Madtree Brewing, Rhinegeist, The National: Homecoming, Bartees Strange, The Walkmen, Patti Smith, Weyes Blood, Pavement, The National, making new friends, Peter Gabriel at Madison Square Garden, I Get Wild at the Falcon in Marlboro + The Cutting Room NYC, Velocity Girl at the Bowery Ballroom, Thai Diner, Epistrophy, Antler, Stop Making Sense at Cobble Hill Cinemas, 68 Jay Street Bar, Brooklyn Social, out of town friends, Manet/Degas at Metropolitan Museum of Art, The Walkmen at Kings Theatre, Rockefeller Center concourse, Goldberg Variations by Vikingur Olafsson, Mellencamp by Paul Rees, Bit Rot by Douglas Coupland, All That Man Is by David Szalay.

On this week's show we take a look at the history of a company that is synonymous with home theater, Dolby Laboratories. We also read your emails and take a look at the week's news. News: LG Outlines Plans to Become a Media and Entertainment Platform | TV Tech Watch out Amazon and Roku, Vizio's new 4K TVs are vying to be the best budget TVs Comcast's Xumo-Branded Smart TVs Are Getting Good Reviews But Are Already Deeply Discounted LG Stops Integrating ATSC 3.0 Tuners Into Smart TVs After Losing Patent Dispute, Samsung and Sony Could Follow | Next TV Other: Hisense Smart Short Projector Renewed The Dolby Laboratories History Story in Chronological Order 1965 - Dolby Laboratories is a longtime innovator of developing electronic devices and systems to improve recorded sound. Founded by Ray Dolby in 1965, the company's first development was Dolby A-type noise reduction. It was basically a specially designed electronic circuit contained in a compact metal case. It was not a recording machine, but it could be attached to a recorder to improve its sound. 1966 - Dolby creates first product to reduce noise in music recordings. 1968 - Ray Dolby next developed a consumer version of the Dolby A system at the urging of Henry Kloss, an American audio pioneer and president of KLH Research and Development Corporation. The result was the 1968 introduction of Dolby B-type noise reduction, intended for home tape recorders. Following a relocation of the company from London to San Francisco, Dolby B was released into the world. Designed primarily for cassettes, it went on to completely alter the way music was both recorded and received world-over. It was simple and cheap, and by the mid-70s it was the standard for all cassette tapes – and is the type of noise reduction and is still used to this very day. Yes – people still like their cassette tapes! 1971 - The first film with Dolby sound was A Clockwork Orange (1971), which used Dolby noise reduction on all pre-mixes and masters, but a conventional optical sound track on release prints. 1974 - Callan was the first film with a Dolby-encoded optical soundtrack. 1975 - Dolby Laboratories introduced Dolby Stereo, a product aimed at motion picture producers and theaters. Dolby Stereo was used with existing 35-mm optical soundtracks, but with important changes. At the studio, stereo soundtracks were recorded using Dolby equipment. At the theaters, a Dolby unit and new loudspeakers were added to the existing projection equipment. The result was much higher sound quality.  1976 - The first true LCRS (Left-Center-Right-Surround) soundtrack was encoded on the movie A Star Is Born in 1976. In less than ten years, 6,000 cinemas worldwide were equipped to use Dolby Stereo sound. Dolby reworked the system slightly for home use and introduced Dolby Surround, which only extracted a surround channel, and the more impressive Dolby Pro Logic, which was the domestic equivalent of the theatrical Dolby Stereo. 1977 -  Star Wars opens with Dolby Stereo®. 1982 -  the company was receiving $6 million annually in licensing fees from approximately 125 audio equipment manufacturers. With circuits in about 70 million different consumer products, Dolby had a monopoly in the consumer noise reduction field. In the 1980s, virtually all pre recorded cassettes used Dolby B.  The first major threat to Dolby's positioning began quietly in 1980, when dbx--a Newton, Massachusetts company--sold its system to several audio manufacturers, including the major Japanese company Matsushita Electric. In April 1982, the competition began to look more serious. Dbx pulled ahead of Dolby, developing the first miniature noise-reduction circuit for Walkmen, which at this time represented the fastest-growing consumer audio segment. Dbx, which had been developed in 1971, was a serious threat to Dolby because it reduced background noise by 40 decibels, a considerable improvement over Dolby's 10.  Initially, high prices had made dbx unfamiliar to consumers, but the system was favored by recording professionals. By 1982, dbx had already far overtaken Dolby and held 70 percent of the commercial recording equipment market. In response to the threat posed by dbx's competition, Dolby introduced an upgraded version of its system, Dolby C, as well as a portable product. 1986 - Dolby Spectral Recording (or SR) worked on magnetic soundtracks for film as well as music cassettes, producing digital clarity from an analog sound system. Dolby SR used the same basic principle as Dolby's original circuit, monitoring the sound signal and adjusting frequency boost to suit the loudness level, with different signal levels boosted at different amounts. The result was a system that was dynamic and almost infinitely flexible. The system was used by many professional studios instead of digital recording, and in 1988 Dolby SR was in use at movie theaters showing the films Robocop and Space. 1992 - Dolby achieved $40 million in revenues, with a third from royalty payments that headed straight to the bottom line. Dolby sound reduction was now featured on approximately 380 million tape players, boom boxes, headphones, and car stereos, as well as a few billion audio-cassette packages.  Dolby developed a digital surround sound compression scheme for the cinema. Dolby Stereo Digital (now simply called Dolby Digital) was first featured on the 1992 film Batman Returns. Introduced to the home theater market as Dolby AC-3 with the 1995 laserdisc release of Clear and Present Danger.  The format did not become widespread in the consumer market, partly because of extra hardware that was necessary to make use of it  until it was adopted as part of the DVD specification. Dolby Digital is now found in the HDTV (ATSC) standard of the United States, DVD players, and many satellite-TV and cable-TV receivers. Dolby developed a digital surround sound compression scheme for the TV series The Simpsons. 1998 - First live HDTV broadcast with 5.1-channel Dolby Digital audio. 1999 - Star Wars: Episode I—The Phantom Menace debuts in Dolby Surround EX. 2007 - Dolby announced the arrival of Dolby Volume at the International Consumer Electronics Show. 2010 - Dolby introduced Dolby Surround 7.1, and set up theaters worldwide with 7.1 surround speaker setups to deliver theatrical 7.1 surround sound. The first film to be released with this format was Pixar's Toy Story 3 which was later followed by 50 releases using the format. About eighty percent of films released are mixed in Dolby Surround 7.1 by default. 2014 - Dolby introduced its Dolby Atmos, a new cinematic technology adding overhead sound, first applied in Pixar's motion picture Brave. In July 2014, Dolby Laboratories announced plans to bring Atmos to home theater. The first television show to use the technology on disc was Game of Thrones. Dolby launches Dolby Vision™. 2019 - Dolby adds Atmos to hundreds of newer songs in the music industry.

Part 1 of my conversation with guest Phil Stacey about the music of 2004. Show notes: In 2004, Jay became a father for the second time, was a diaper-changing machine Phil got married, saw the Red Sox and Patriots become champions Jay: Got an iPod, downloaded a ton of music Pixies reunited, Phish broke up Many bands take hiatuses The tale of Mr. Jimmy William Hung becomes famous Phil's non-top 5s: Wilco, Black Keys, Beastie Boys, Patterson Hood, Umphrey's McGee, the Killers, Green Day, Twilight Singers, Eagles of Death Metal, PJ Harvey, Franz Ferdinand, TV On the Radio, Tragically Hip  Phil invents new words Green Day rejuvenates itself Jay's non-top 5s: The Walkmen, Death From Above 1979 To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

It's the Nialler9 Podcast's monthly episode where Niall and Andrea talk about the albums and songs they loved in the last four weeks.On Episode 225 we have album recommendations from The Hives, Citrus Fresh and Noname along with song inclusions from Sufjan, Diners, BadBadNotGood, Cartin, Barry Can't Swim and Olivia Rodrigo.Plus what's consuming you, chat about live gigs from The Walkmen, Boygenius, Another Love Story Festival, and the Roisín Murphy thing.* Support Nialler9 on Patreon, get ad-free episodes and join our Discord communityListen to the episode below or subscribe in your favourite podcast app:Listen on Apple | Android | ACAST | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS FeedShow notesSongs played on the Nialler9 Podcast Spotify Playlist Hosted on Acast. See acast.com/privacy for more information.

Rubik's cubes, leg warmers and Walkmen. How does the pop culture of a decade define it? Looking beyond clichés and caricatures, how was culture an agent of social change in the 1980s? Dr. Kasia Tomasiewicz speaks to Dr. Lucy Robinson, author of Now That's What I Call a History of the 1980s, to discuss photograph of Diana's legs, Roland Rat and political power of popstars.   “Nostalgia assumes you had something positive to look back on.”  “Historians in the 80s start thinking, what is the role of how we talk about war in perpetuating these kinds of ideas of masculinity?” "Rather than just taking popular culture seriously, I wanted to learn from it."  BOOK LINK https://manchesteruniversitypress.co.uk/9781526167255 Support us on Patreon: www.patreon.com/bunkercast  Written and presented by Kasia Tomasiewicz. Producer: Liam Tait. Audio editor: Jade Bailey. Managing editor: Jacob Jarvis. Music by Kenny Dickinson. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's Talkhouse Podcast we've got two guys who were part of monumentally influential bands in the 2000s, and who continue to make groundbreaking music today: Paul Maroon and Noah Lennox.  Maroon is behind the incredible, instantly recognizable guitar sound of The Walkmen, a band that sort of split up a decade ago but reunited just this year for what has turned into an incredibly jubilant tour. The band is currently in Europe, where they just played a show in Lennox's adopted home country of Portugal, and they'll return for a string of U.S. dates this fall, culminating in a hometown—that'd be New York—show in October. Since the Walkmen split, Maroon has mostly turned his attention to composing classical music and the occasional film score. He put out a really engaging record with the pianist Jenny Lin called 13 Short Piano Pieces, with each of those pieces inspired by and named for a different place Maroon has lived—he currently calls Seville, Spain home. Check out “El Raval” right here, and go to Paulmaroon.co for info on his solo stuff, or thewalkmen.com for tour dates. Maroon released a seven-inch recently that featured singing from his friend Noah Lennox, who's perhaps better known by the name he uses as part of Animal Collective, Panda Bear. Lennox has been part of that massively influential experimental rock band for nearly 25 years, and he's released a ton of great music both with Animal Collective and as a solo artist. His latest release, though, is a collaboration with Pete Kember, also known as Sonic Boom. Kember was a member of Spacemen 3 way back when, and he's also released incredible music as Spectrum and E.A.R. He's also earned his production stripes over the years, producing records for Beach House, MGMT, and… Panda Bear. Last year, Kember and Lennox released a collaborative album they recorded during the pandemic called Reset, and they just followed it with a dub version of the album remixed by Adrian Sherwood called Reset in Dub. Check out “Gettin' to the Point” from Reset. In this conversation, we learn that Lennox was in attendance for the first-ever Walkmen show; we hear about their adventures living in Portugal and Spain, the difference between a good show and a bad show, and whether these two are “daily guys.” Lennox also makes an accurate prediction about the NBA Finals, even though, as you'll hear, this is not a basketball podcast. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Noah Lennox and Paul Maroon for chatting. If you liked what you heard, please follow us on your favorite podcasting platform, and check out all the goodness at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Major album for the post-punk revival scene - in this episode we review the album Bows+ Arrows by The Walkmen.You've got a nerve to be asking a blenderBlenderstyle Hosts: Casey, Matt, NathanFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netListen to the albumYouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_lra1rJP3eNXqK9WyFeD7HJ7s67wyzEciMSpotify: https://open.spotify.com/album/4QR9jaNP6Ifh7eqXjhAHw2Apple Music: https://music.apple.com/us/album/bows-arrows/5305635The Walkmen, Brows and Arrows, The Rat, Post-Punk Revival, Hamilton Leithauser, Paul Maroon, Walter Martin, Peter Bauer, Matt Barrick, Blenderstyle, Bakersfield#thewalkmen #bowsandarrows #therat #postpunkrevival

Rachel and Melinda are joined, once again, by Stephanie Savage, The Executive Producer and Writer on The OC, to discuss, "The New Kids On the Block" (S2 Ep 3). Stephanie reveals the reason behind the creation of The Bait Shop and why the Cohen's house was under construction. They also dive into the purpose behind bringing Zach, Alex, Lindsay, and DJ onto The OC, and how they develop the storyline. Listen in to hear all three ladies gush about the male cast this season, and the "scruff" that makes them irresistible. Seth says everything we wish we could say as teenagers, and teaches us the most important lesson of all- that life is about learning from our mistakes. Stephanie sets the record straight, describing The OC as a celebration, but also a critique, of affluence. Our favorite show was designed to make a place for everyone, and to feel like home, for everyone who watches. The New Kids On the Block Synopsis: Seth is on a quest for selflessness to win Summer's friendship. He gets a job working for Alex at the music venue The Bait Shop so that he could get tickets for The Walkmen, to give to Summer and Zach. New student Lindsay and Ryan start off on the wrong foot, and when they're assigned as lab partners, they're both convinced they can't work together. Caleb assigns Julie as the new CEO of the Newport Group, shocking Kirsten and Sandy.

[REBROADCAST FROM MAY 1] Singer-songwriter Hamilton Leithauser joined us for a special performance at our Get Lit with All Of It book club event in the midst of his reunion tour with his band, The Walkmen. We present our interview with Hamilton, and two live performances.

Viva Aerobús; Tim Hortons; resultados de FEMSA; energía solar; crédito para restaurantes; Cuervo, Alsea y Ricolino; mujeres inversionistas; renta de autos; cámaras Polaroid y Walkmen; Valentino.Prueba Whitepaper 30 días gratis http://whitepaper.com.mx/30day

Following the highly accomplished 2012 album Heaven, cult American indie band The Walkmen went on hiatus. But now they have reformed. In a recent interview with the band's frontman Hamilton Leithauser, Vulture magazine referred to the now infamously long career break as “a particularly noticeable void”. I would go a lot further than that. I (and a million other fans) grieved the loss of The Walkmen, because in the indie landscape they offered something unique. The ramshackle but classic rock sound (could any band sound more analogue?). The authenticity of those songs. Hamilton Leithauser's signature voice. Most bands have a manifesto to stand out from the rest, but The Walkmen didn't need to say it - they were truly el differente. Hamilton didn't know if anyone would remember or care much but he turned out to be wrong about that of course. The Walkmen's legend has matured nicely in the intervening 10 years that they have been away. But the interesting thing is that culturally, the band never really went away. Their songs and fandom lived on through the extended break - even grew in their absence. This is perhaps the true miracle of music in the streaming era. Hamilton and the others were surprised and delighted to return to playing shows to loyal audiences both old and new, the younger fans among them singing every word of those old songs. In the modern music biz, when the talk is of “always-on” creation, 24/7 content and acute FOMO, maybe the most valuable move a band can make is to not succumb to any of that, but to instead have the nerve and the confidence to do what's necessary - even if that is nothing. Hamilton puts the stresses of modern day bands into perspective though:“It's exhausting physically and mentally - in the long run. After you've done a bunch of records you think “do I really wanna do another rock & roll record, no I don't think I do”, then it becomes about what you really want to do next”. With six albums and some older EPs to perform, there is no need - not yet - for any meaningful discussion about new material by The Walkmen. But it is reassuring and exciting to know that Hamilton and bandmates haven't ruled it out. For now we can be happy enough that a particularly noticeable void has been filled. Support the showGet more related content at: https://www.songsommelier.com/

Easter is a song about the insecurities and responsibilities of adulthood. In this episode, we'll dive deeper into the dichotomy of light and heavy topics to explore how Hiram Hollow perfectly frames Easter, allowing it's more anxious moments to shine. This episode features guests Harrison Whitford, Peter Mather Bauer of The Walkmen, and Matt Berninger of The National. Listen to The Song Is Never Done Official Playlist on Spotify. You can purchase The Bear at waltermartinmusic.com. Find more of my podcasts at newtonsdarkroom.com

This is a special episode produced by Talon Stradley of Newton's Dark Room with a short intro by Art Grind producer Tun Myaing and host Marshall Jones. Talon has an amazing podcast titled The Song is Never Done where he explores Walter Martin's album The Bear. This is a collaborative project because we interviewed Walter Martin who's album cover was featured by another past guest of ours - Hollis Heichemer.Following a long career in bands like The Walkmen and Jonathan Fire Eater, musician Walter Martin crafted his 6th studio album, The Bear, warmed by a wood burning stove in a bright red one-room schoolhouse. Tackling themes of family, art, and the changing seasons of life, the album resonated with host Talon Stradley as his own seasons changed.Part memoir, part musical analysis, The Song Is Never Done is a track by track exploration of Walter Martin's album The Bear. To help us along the way is Walter Martin himself as well as his collaborators, peers, and appreciators like Matt Berninger of The National, Eric D. Johnson of Fruit Bats and Bonny Light Horseman, jazz singer-songwriter Kat Edmonson, Oscar-nominated composer Emile Mosseri, many more, and even Walter's mom.So stop in your tracks, take stock in where you're at, and get ready to meet The Bear.There are 4 more episodes left in the season of The Song Is Never Done, released biweekly on Thursday. Go to The Song Is Never Done  podcast for more episodes!Listen to the other Art Grind Podcast interviews mentioned in this episode:Ep: 92 Walter Martin Ep: 45 Hollis HeichemerSupport the show

Thomas remembers everybody in middle school obsessing over the likes of My Chemical Romance and Fall Out Boy, but never heard any of the music firsthand - until now! Matt caps it all off with a celebration of the hard-rockin lads known as The Walkmen.   https://www.niagaramoonmusic.com/   https://www.thinlear.com/ Twitter: https://twitter.com/losingmyopinion IG: https://www.facebook.com/losingmyopinion/ Tiktok: https://www.tiktok.com/losingmyopinion

Machine Gunners' Ear  No Elvis, Beatles, or The Rolling Stones in 1977  Bad brains, Minor Threat and Fugazi - at 14!  Washington DC's 9:30 Club, The Black Cat and Washington Plaza  The Walkmen cometh in 2000 Eric's Club matinee, it's a drive-in Saturday, lots of creativity from NYC In A Forest or In Dust, the Walkmen place their trust, in the Siouxsie-Bob sound, merci!  Bob and Lol's brothers played music to be loud, discovering the rebel inside From Liverpool to Boston, no charm in the venues, guys in plaid shirts had to hide! More difficult today, is that fair to say? Walkmen wipe-out in London and Bath Salt Lake City rodeo, everyone's a weirdo, remember roach motels and laugh! Young Budgie loved Winifred Atwell and the Poor people of Paris  The English they love you one time  In the biggest bed Lol gets it to rhyme! Reggae Chart Busters Volume 1 2 & 3 A piano too heavy for the Barfly  Went through a Hole in The Wall Club Manchester was a bit unfriendly  Slim Jim and the Stray Cats, lived in squats Lol's books into Manhattan  His son on tour Back in the van y'all  Tough for bands in roach motels  No bed and shower? then Lol's a no show! Budgie loves Kid Congo and The Pink Monkey Birds – True! Harlem Analog in the sweet spot of a terrible idea  Forget to mute and blow out someone's ear.  Hearing has deteriorated Machine Gunners fear. John McGeoch's Melodic feedback The soundman was stone deaf - Lol don't miss floor monitor days  Walkmen are back after a decade no tour  The Black flag soundman was the best first for sure! ____ Respect: Ruth Polsky (December 5, 1954 – September 7, 1986) ____ CONNECT WITH US: Curious Creatures: Website: https://curiouscreaturespodcast.com Facebook: @CuriousCreaturesOfficial Twitter: @curecreatures Instagram: @CuriousCreaturesOfficial Lol Tolhurst:  Website: https://loltolhurst.com Facebook: @officialloltolhurst  Twitter: @LolTolhurst  Instagram: @lol.tolhurst  Budgie:  Facebook: @budgieofficial  Twitter: @TuWhit2whoo Instagram: @budgie646 Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics: Neighborhood report, Esposito's closing, electronic recycling event, trip to Philadelphia, Adventure Aquarium, Citizens Bank Park, Monk's Cafe, Ed Sheeran at Kings Theatre, O'Keefe's Bar on Court Street, trip to Baltimore, National Aquarium, Camden Yards, Baltimore Light RailLink, I Get Wild shows, John and Peter's in New Hope, The Falcon in Marlboro, Dream House Quartet at Town Hall, The Walkmen at Webster Hall, Bono at the Beacon Theatre, The Hold Steady, The New Pornographers, Scott McMicken and the Ever Expanding, Deerhoof, Kevin Rowland, Feist, Kara Jackson, Xylouris White, Dream House Quartet, Tim Hecker, William Tyler, Ed Sheeran, Gord Downie, Fred Again and Brian Eno, Rose City Band, The National, Housekeeping by Marilynne Robinson, Numbers Don't Lie by Vaclav Smil, Stay True by Hua Hsu.

Singer-songwriter Hamilton Leithauser joined us for a special performance at our Get Lit with All Of It book club event in the midst of his reunion tour with his band, The Walkmen. We present our interview with Hamilton, and two live performances.

Coachella is upon us, so Steve and Ian felt it was appropriate to talk about the music festival. But do you really need to talk about Coachella on an indie music podcast these days? This year's lineup might be the least indie-oriented in history, continuing a long-running trend favoring pop and electronic music. To illustrate this point, they revisited the 2013 lineup, a year when The Stone Roses, Blur, Phoenix and lots of other bands who might not even be booked at the festival in 2023 were the heavy hitters (3:13).Then they turned to Running With Our Eyes Closed, the recent HBO documentary about Jason Isbell and the making of his 2020 album, Reunions (15:14). Unlike most recent music docs, this film does not feel like a commercial for the subject. It is, instead, a very candid look at a marriage going through a rough patch. In fact, the film might be almost too honest in places; this is the rare music doc that doesn't flatter its subjects. Directed by Sam Jones, who also made 2002's similarly frank Wilco doc I Am Trying To Break Your Heart, Running With Our Eyes Closed ranks with the best rock films to come out in recent years.In the mailbag section, they addressed questions about The Walkmen — who recently reunited for a tour — and their overall legacy, as well as the career of Songs: Ohia singer-songwriter Jason Molina, who has emerged as an important influence on contemporary Americana and post-hardcore acts (33:11).New episodes of Indiecast drop every Friday. Listen to Episode 134 and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hunters in the Snow is a song about the changing seasons of life and our place in it all. In this episode, we'll explore Walt's own seasons as we look back at his time in Jonathan Fire*Eater and The Walkmen-- two bands that paved the way for the New York City rock scene of the early aughts. This episode features guests Matt Berninger of The National, Peter Mathew Bauer of The Walkmen, and Judy Martin, Walter's mom. Listen to The Song Is Never Done Official Playlist on Spotify. You can purchase The Bear at waltermartinmusic.com. Find more of my podcasts at newtonsdarkroom.com

The Walkmen are a band from New York about to embark on a reunion tour. We'll share the stage with them at the Just Like Heaven Festival in Los Angeles next month. We chat with Hamilton and Peter from the band about Trump's arrest being eclipsed by the Barbie movie, Bad Bunny rides again, beard trimming, Pete's a real bruiser in the paint, being a band that doesn't really high-five each other, living at the Carlyle Hotel for awhile, Pete's son met his girlfriend at a Napalm Death show, Glastonbury stories, some depressing sync talk, and what happened when they performed on The OC. instagram.com/thewalkmen twitter.com/donetodeath twitter.com/themjeans 

Like JT and Janet Jackson at the Super Bowl, DCLF is ready to ‘rock your body.' No wardrobe malfunctions in this ‘2004' episode though. Just hot takes about Wilco and Franz Ferdinand and deep cuts from The Walkmen, Danger Mouse, Prince and more… Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 118 we dive into one of our favorite aughts-era indie rock bands, The Walkmen. Ahead of their reunion shows at NYC's Webster Hall in late-April, we highlight their formation, their impact on larger indie rock, and run through their seven albums chronologically while discussing what they've been up to since announcing an indefinite hiatus in 2013. Ahead of our discussion we briefly breakdown Phish's 2023 Mexico Run, our recent outings with Goose and Eggy + share our Top 5 Albums of 2023 at the year's quarter mark.Songs featured in this episode:"We've Been Had""The Little House of Savages""Louisiana""Loop-De-Loop""In The New Year""Juveniles""Heartbreaker"Thanks as always for listening and supporting!— — — Check us out on Apple Music: Beyond The Pond Podcast SongsYou can find us on Twitter: @_beyondthepondPlease check out Osiris Media at: OsirisPod.comPlease leave us a review on iTunes!Until then, we'll see you beyond the pond… Hosted on Acast. See acast.com/privacy for more information.

Following a long career in bands like The Walkmen and Jonathan Fire*Eater, musician Walter Martin crafted his 6th studio album, The Bear, warmed by a wood burning stove in a bright red one-room schoolhouse_._ Tackling themes of family, art, and the changing seasons of life, the album resonated with host Talon Stradley as his own seasons changed. The Song Is Never Done is a track by track exploration of Walter Martin's album The Bear. To help us along the way is Walter Martin himself as well as his collaborators, peers, and appreciators like Matt Berninger of The National, Eric D. Johnson of Fruit Bats and Bonny Light Horseman, jazz singer-songwriter Kat Edmonson, oscar-nominated composer Emile Mosseri, many more, and even Walter's mom. So stop in your tracks, take stock in where you're at, and get ready to meet The Bear. For more, visit Newtonsdarkroom.com

This week we discuss the soundtracks to Sam Rami's Spider-Man 2 & 3. Spider-Man 2002 was a huge hit and proved that comic book movies could be culturally ubiquitous. As we know now, they're inescapable. Nonetheless, Spider-Man 1's breakout track Hero by Chad Kroger of Nickelback paved the way for Sony to treat the Spider-Man films as an opportunity to feature and uplift artists in the zeitgeist.The tracklists are as follows:Spider-Man 2 Soundtrack 1. "Vindicated" (Dashboard Confessional)2. "Ordinary" (Train)   3. "Did You" (Hoobastank)4. "Hold On" (Jet)5. "Gifts and Curses" (Yellowcard)6. "Woman" (Maroon 5)7. "This Photograph Is Proof (I Know You Know)" (Taking Back Sunday)8. "Give It Up" (Midtown)       9. "Lucky You" (Lostprophets)10. "Who I Am" (Smile Empty Soul)   11. "The Night That the Lights Went Out in NYC" (The Ataris)12. "We Are" (Ana)     13. "Someone to Die For" (Jimmy Gnecco featuring Brian May)       14. "Spidey Suite" (Danny Elfman)15. "Doc Ock Suite" (Danny Elfman)Spider-Man 3 Soundtrack1. "Signal Fire" (Snow Patrol)2. "Move Away" (The Killers)3. "Sealings" (Yeah Yeah Yeahs)4. "Pleased to Meet You" (Wolfmother)5. "Red River" (The Walkmen)6. "Stay Free" (Black Mountain)7. "The Supreme Being Teaches Spider-Man How to Be in Love" (The Flaming Lips)8. "Scared of Myself" (Simon Dawes)9. "The Twist" (Chubby Checker)10. "Sightlines" (Rogue Wave)11. "Summer Day" (Coconut Records)12. "Falling Star" (Jet)13. "Portrait of a Summer Thief” (Sounds Under Radio)14. "A Letter from St. Jude" (The WYO's)15. "Small Parts" (The Oohlas)

In this episode host Marshall Jones and Dina Brodsky interviews Walter Martin, a multi-award-winning songwriter and multi-instrumental musician. Discover Walter's origin story, the journey of his career and the synchronous moments when the two worlds of music and art collide.  Only here. Only on the Art Grind Podcast.Walter's website: LinkWalter's IG: LinkFeatured music by Walter Martin titled Easter from his new album The Bear with permission from the artist.Check out our host's Marshall Jones new video course here: Link You can also discover amazing live art classes at Academyeverywhere.comSupport the show

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy break down The Walkmen's 2004 album Bows + Arrows. As The OC Month continues, The Walkmen represent an interesting and often self-defeating secondary character in the indie rock boom and an unlikely Bait Shop performer. They're also emblematic of the Meet Me In The Bathroom-era New York rock scene, dripping in cool while made up of the pieces of other, disbanded groups. Find out more about the enormity of The Rat, the overall excellent use of music as a world-builder, character-developer, and story-teller in The OC, and which Canadian rock band one host initially confused The Walkmen with on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy break down The Walkmen's 2004 album Bows + Arrows. As The OC Month continues, The Walkmen represent an interesting and often self-defeating secondary character in the indie rock boom and an unlikely Bait Shop performer. They're also emblematic of the Meet Me In The Bathroom-era New York rock scene, dripping in cool while made up of the pieces of other, disbanded groups. Find out more about the enormity of The Rat, the overall excellent use of music as a world-builder, character-developer, and story-teller in The OC, and which Canadian rock band one host initially confused The Walkmen with on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Following the relative success of their sophomore effort Bows + Arrows, New York City's The Walkmen decide to finish out 2004 with the release of a holiday themed 7”. In Episode 37, The Walkmen's Walter Martin makes his triumphant return to In Loving Recollection to tell the story of the band's Christmas Party single.

We are so happy Peter Matthew Bauer fell into our lap. The former founding bassist and organist for the iconic indie rock band, The Walkmen, who also moonlights as a producer and manager of other cool bands, just released his third solo LP, Flowers. We talk about this fantastic album over a stem cell hanger steak, also discussing LA, his dog Maggie, and a bunch of silly shit.

Peter Matthew Bauer made his name as a member of The Walkmen, whose nervy, guitar-driven rock lives in the DNA of Bauer's new album, Flowers. Beth Orton has an even longer recorded legacy that stretches back to her 1996 debut, Trailer Park. Orton's new record, Weather Alive, finds the singer taking control of her own sound — and driving it in new, warmly organic directions. We've also got a new album by Vieux Farka Touré and Khruangbin, who collaborate on interpretations of work by Touré's legendary late father, Ali Farka Touré. Pulitzer Prize-winning composer Caroline Shaw headlines another album-length collaboration, this one with the versatile strings of Attacca Quartet. And, speaking of versatility, jazz drummer Makaya McCraven rounds out this week's lineup with the help of a small army of players; his new album is titled In These Times. Featured Albums: 1. Peter Matthew Bauer — Flowers Featured Songs: "Chiyoda, Arkansas, Manila," "Flowers" 2. Beth Orton — Weather Alive Featured Songs: "Lonely," "Fractals" 3. Vieux Farka Touré & Khruangbin — Ali Featured Songs: "Mahine Me," "Savanne" 4. Caroline Shaw & Attacca Quartet — Evergreen Featured Songs: "Other Song," "The Evergreen Stem" 5. Makaya McCraven — In These Times Featured Songs: "Dream Another," "The Title" Lightning Round: The Comet Is Coming — Hyper-Dimensional Expansion Beam Young RJ — World Tour Angelica Sanchez Trio — Sparkle Beings Alex G — God Save the Animals Nils Frahm — Music for Animals

Hamilton, “Ham” Leithauser is an American singer, songwriter, and multi-talented instrumentalist. He is also Dr. McBride's first cousin. Ham's career took off as the lead singer of the now-retired Indie band, The Walkmen (founded by Dr. McBride's brother Walter Martin). He has since gone solo, producing a number of critically acclaimed albums. Most recently he wrote the original score for his friend Ethan Hawke's HBO Max series, The Last Hollywood Stars. In this episode of Beyond the Prescription, the first cousins reminisce about growing up across the street from each other, their strong family bonds, and their grief over losing Ham's mom (Dr. McBrides' aunt). Ham opens up about the pressures of performing, the ever-changing music industry, and being human on stage. Join Dr. Lucy McBride every Tuesday for a new episode of Beyond the Prescription on Apple podcasts, Spotify or wherever you catch your podcasts. Find her at lucymcbride.com/podcast. Get full access to Are You Okay? at lucymcbride.substack.com/subscribe

Walter Martin is a multi-award-winning songwriter first known for his work with New York rock 'n' roll bands The Walkmen and Jonathan Fire*Eater. In this episode, Walt joins Rhett to talk about his prolific and varied songwriting career, the importance of separating art and commerce, and the creative freedom he enjoys as an independent artist. In 2014 Martin launched a solo career and has subsequently released five studio albums: two Parents' Choice award winning family albums (2014's We're All Young Together and 2017's My Kinda Music) and three critically acclaimed albums for adults (2016's Arts & Leisure, 2018's Reminisce Bar & Grill and 2020's The World at Night. In March 2020 as the COVID-19 pandemic shut down the world, Martin released two collections of unreleased songs (Common Prayers; Green Beans & Tangerines). A much anticipated new album, The Bear, was released on March 25, 2022.Wheels Off is brought to you by Osiris Media. Hosted and produced by Rhett Miller. Co-produced by Kirsten Cluthe in partnership with Nick Ruffini (Revoice Media). Editing by Matt Dwyer. Production Assistance by Matt Bavuso. Music by OLD 97's. Episode artwork by Katherine Boils. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Please leave us a rating or review on iTunes. Revisit previous episodes of Wheels Off with Rosanne Cash, Rob Thomas, Will Forte, Lydia Loveless, Allison Moorer, Ted Leo, Paul F. Tompkins, Jen Kirkman, and more. See acast.com/privacy for privacy and opt-out information.