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This week in DISGRACELAND brings an episode on U-God, which is part seven of our ten-part season on Wu-Tang Clan. Jake tackles Jann Wenner, an epiphany in Australia, an update on the Lizzo drama, and your correspondence. What band other than the Heartbreakers would you want to see Tom Petty front? What about Bob Dylan? Drop Jake a line at 617-906-6638, on socials @disgracelandpod, or disgracelandpod@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
October 25, 1988 saw the release of Traveling Wilburys Volume 1, the debut of a supergroup that no one saw coming. Born out of an idea that George Harrison and Jeff Lynne shared as they worked on his hit album Cloud Nine, they decided they'd like to make music with friends and people they admired. Jeff wanted to work with Roy Orbison and George wanted to work with Bob Dylan. After enlisting the help of new buddy Tom Petty, they set about putting together the most high-powered supergroup of all-time. They all took turns writing, singing lead and playing guitar and the results were strong - more than 3 million in US sales and a grammy nomination for album of the year. The harmonies between all their voices are something to behold and while some songs give most everyone a chance to sing lead (Handle With Care, End of the Line) others are showcases for their individual styles like like Roy Orbison on Not Alone Anymore and Tweeter and the Monkey Man for Bob Dylan. You can really sense the joy coming from George Harrison as he had been jaded with the music industry and was happy to be part of something special again. Roy was completely chuffed to be back on top of the charts (#3 US, #16 UK, #1 Canada, #1 Australia) but unfortunately he would pass away mere weeks after the album was released. This collaboration helped revive the careers of all these legends and they would continue to work together on each others projects immediately after this. It may not be our typical musical style but as this record turns 35, it was fun to reflect and take a listen to what true rock legends can accomplish by working together and having a bit of fun. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In Conversations With Tom Petty, when author Paul Zollo asks about the origins of the song, Tom explains “It was when Jeff and George (Jeff Lynne and George Harrison obviously), went out to Anaheim to ask Roy Orbison to be in the band (the Traveling Wilburys, again obviously). We were writing everything we saw. One line I remember that we saw on a billboard was “every day is judgment day”. That later turned up in “End of the Line”, the Wilburys song.” He goes on to explain that “We stopped at a restaurant on the way back and these punky-looking guys recognized us and came over. I said “Where have you been? Where are you playing?” and they said “The Zombie Zoo” and out came the pads…”Today's episode covers the last track from Full Moon Fever, Zombie zoo.You can listen to the song here: https://youtu.be/hZTkF2cx9z4The Tom Petty Project is a proud member of The Deep Dive Podcast Network, which you can find on Twitter: https://twitter.com/deepdivepodnetDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Alex Stone is on with Tim to talk about the U.S. Space probe that collected samples from an asteroid that came back to Earth on Sunday.// Shirtless and Shoeless, police have a slow chase with a man in a golf cart while holding a dog; Taylor Swift is seen cheering on Travis Kelce at Arrowhead Stadium.4:35 – 9.24.23 Taylor was there; Was Taylor alive when Lucille Ball was alive? // 6 years ago, Tom Petty performed his final show at the Hollywood Bowl.
Musician, composer, conductor Grammy winner and friend Marc Mann has played with George Harrison, Paul McCartney, Ringo Starr, Prince, Eric Clapton, Jeff Lynn and Electric Light Orchestra, Tom Petty, Danny Elfman, Red Hot Chili Peppers, Sheryl Crow, Madonna, Neil Diamond, Neil Young, Barbra Streisand, John Fogerty and many more and he is Orny's guest today.
Kevin sits down with Robby Takac, bassist of Goo Goo Dolls, to talk about the 30th anniversary of Superstar Car Wash and the 25th anniversary of Dizzy Up the GIrl as well as new singles such as Run All Night and their cover of Tom Petty's Won't Back Down. Podcast episodes, music news and reviews at http://popsandhisses.com Subscribe to the Pops and Hisses podcast: https://linktr.ee/popsandhisses Follow Kevin– Twitter: https://twitter.com/omahamusicguy – Instagram: https://www.instagram.com/omahamusicguy – TikTok: https://www.tiktok.com/@thekevincoffey – Facebook: https://www.facebook.com/kevincoffeyomahaA Hurrdat Media Production. Hurrdat Media is a digital media and commercial video production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network and learn more about our other services today on HurrdatMedia.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
00:00 – 15:52 – Andrew Luck returns on TNF for a quiz show between Cal and Stanford alums, it does not look like Anthony Richardson will play against the Ravens, Gardner Minshew likely getting the start, offensive line issues, Ravens injury report 15:53 – 23:40 – Morning Checkdown 23:41 – 44:10 – Andrew Luck returns on Thursday Night Football dressed as Captain Andrew Luck, Minshew looking like he'll play on Sunday 44:11 – 1:09:28 – ISC's Greg Rakestraw joins us to discuss Mike Gundy's rant 15 years ago, is Ryan Kelly a bigger loss than Anthony Richardson this Sunday, the high school football slate, who could be Mr. Football this year, what he's doing tonight, Notre Dame/Ohio State prediction, Morning Checkdown 1:09:29 – 1:23:16 – Tom Petty and his connection to Florida, Quenton Nelson's toe injury, Andy gives a 6-pack of picks for the weekend 1:23:15 – 1:29:34 – NFL picks outside of Colts-Ravens we like, our picks for OSU/ND, Colts-Ravens picks 1:29:35 – 2:00:59 – Colts announcer Matt Taylor joins us to preview Colts-Ravens, the weather forecast, matchups that stand out to him this Sunday, the injury report for both teams, Minshew likely getting the start?, Larra Overton's not happy about Matt's lack of caring for the weather forecast, Morning Checkdown 2:01:00 – 2:09:04 – POP QUIZ 2:09:05 – 2:14:50 – Andy's TV setup, looking ahead to a packed football weekendSee omnystudio.com/listener for privacy information.
Chris Adamson is one of the true legends we have in our industry. He started his career in the late 60's carting band equipment around Britain for several London bands eventually hooking up with Peter Green's Fleetwood Mac. Chris went on to work with several prominent bands like Emerson Lake & Palmer, Roxy Music and Steely Dan but is most known for his time with Pink Floyd. He tells Matt and I classic tales of the making of Dark Side of the Moon including how he came to record his famous line “I've been mad for years”. Chris also shares heartfelt stories of his long and close relationship with Tom Petty.
I do wonder whether the friend who's treehouse he's slept in is the same girl from the opening verse. There's almost a Forrest and Jenny vibe to it if you link those two verses. “She never looked different but something would change” is later in the timeline, and the later treehouse reference snaps you back to a more innocent time. I know that this isn't the case because the third verse is ad-libbed, but hey, it's fun to paint your own pictures on the canvas that Tom provides sometimes so I'm going with it!Today's episode covers the penultimate track from side two of Full Moon Fever, A Mind with a Heart of Its Own.You can listen to the song here: https://youtu.be/QwZwJPbb__gIf you want to listen to the bootleg version, on February 1, 1990 in Providence, Rhode Island, check that out here: https://youtu.be/TBZZQZvHuFEThe Tom Petty Project is a proud member of The Deep Dive Podcast Network, which you can find on Twitter: https://twitter.com/deepdivepodnetDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
This is Play That Rock n' Roll's interview Band Leader, Founder, and Drummer for FREE FALLIN - The Tom Petty Concert Experience, Mark Larsen! In this conversation, we discuss how he put the band together, why they chose to celebrate the music of Tom Petty, Mark's favorite selections from Tom's catalog, some interesting gig memories, and what makes their "Tom Petty Concert Experience" so special. We also discuss their upcoming show at the South Milwaukee Performing Arts Center. Find FREE FALLIN online at: https://www.freefallin.us Follow us on Twitter at: https://twitter.com/playthatpodcast Find us on facebook at: https://www.facebook.com/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Crime as Forgiven By Against Me! was released in 2001 and followed that same year by the band's self-titled acoustic EP. Frank Turner is a musician from England. He joined us from his studio while working on his next album. We talk about knocking out records, Alternative Press, diagonal haircuts, gatekeeping subgenres of emo, Frank was a few high school grades behind Against Me!, the Crime EP was slipped to him like drugs, he loves New Wave, trying to be Neil Young, "selling out" at the dawn of social media, Love Ire & Song, feeling a little guilty around Ian MacKaye, going back in time to give Against Me! a hug, Gainesville, Tom Petty, No Idea Records, Lisa Loeb, folk is the only scene more annoying than punk, Frightened Rabbit, “Dylan goes electric,” me playing harmonica with Frank at The Fillmore, Against Me! scaring his fans in the UK, and then my wife pops in to say a quick hello. -- frank-turner.com patreon.com/afterthedeluge twitter.com/routinelayup --- Send in a voice message: https://podcasters.spotify.com/pod/show/afterthedeluge/message Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support
It's an epic and amazing new Davey Mac Sports Program as we go insane from Roy's House! We talk the Football! College and Pro! Deion Sanders getting it done and ranking his children! Aaron Rodgers injury and the odds of him coming back! Baseball and basketball news! Shohei Ohtani! New NBA rules for stars! A Tom Petty classic! And much more! Experience this magical DMSP episode today! BOOM!
Taking it easy isn't just about taking more naps. In fact, taking it easy on yourself is not only essential to living the life you love and loving the life you live, it is detrimental to your health if you don't do it. You may be surprised at what happens to someone when they don't take it easy on themselves. Listen and see how detrimental being hard on yourself can really be as well as how to avoid doing it or fixing it if you're already on that path. The songs we use in this episode are "American Girl" by Tom Petty and "Take It Easy" by The Eagles. We don't own the rights to either.Here are the links I said I would share Life Hack https://www.lifehack.org/498569/be-your-own-best-friend-why-you-should-stop-being-hard-on-yourself#:~:text=This%20is%20because%20if%20you,can%20cause%20anxiety%20and%20depression.Harvard Business Review Stop Being So Hard On Yourself https://hbr.org/2021/05/stop-being-so-hard-on-yourself#:~:text=Being%20hard%20on%20yourself%20can,between%2030%20to%2050%20minutes.NY Times article https://www.nytimes.com/2018/05/22/smarter-living/why-you-should-stop-being-so-hard-on-yourself.html#:~:text=And%20it's%20that%20type%20of,the%20Journal%20of%20Psychotherapy%20Integration.Rivers Edge https://www.rehabriversedge.com/2019/09/16/why-judging-others-is-harmful-to-your-health/The Gleaner https://jamaica-gleaner.com/article/art-leisure/20230409/harmful-consequences-being-judgementalTroy Erstling https://troyerstling.com/hard-on-yourself/Contact usLinktree: www.Linktr.ee/HappyLifeStudiosEmail: Podcast@HappyLife.StudioYo Stevo Hotline: (425) 200-HAYS (4297)Webpage: www.HappyLife.lolYouTube: www.YouTube.com/StevoHaysTikTok: www.tiktok.com/@happylifestudiosFacebook: www.Facebook.com/HappyLifeStudiosInstagram: www.Instagram.com/HappyLife_StudiosTwitter: www.Twitter.com/HappyLifStudiosIf you would like to help us spread the HappyPayPal: www.PayPal.me/StevoHaysCash App: $HappyLifeStudiosZelle: StevoHays@gmail.comVenmo: @StevoHaysBuy Me A Coffee: buymeacoffee.com/HappyLifeStudioCheck: Payable to Hays Ministries or Steve Hays and send to PO Box 102 Maple Valley, WA 98038
This bonus episode sees Dan Spiess return to the podcast to fill us in on what we can expect at this year's Tom Petty Weekend in Gainesville. There are so many cool things to do, from the Wildflowers exhibit at the Cade Museum, to the Gainesville tour bus, to the Heartwood Soundstage Storytellers sessions! The lineup is insanely good, the beer lineup is equally impressive and I'm looking forward to hearing about all the fun that's going to be had at this year's event!If you're attending this year's celebration and see Dan around, go shake his hand and thank him for giving so much of his time to make sure this event is the colossal success it is sure to be.If you're still looking for tickets or information about the event, please visit the Tom Petty Weekend website here: http://www.tompettyweekend.comThe Tom Petty Project is a proud member of The Deep Dive Podcast Network, which you can find on Twitter: https://twitter.com/deepdivepodnetDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/The Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research. Tom Petty, this podcast wouldn't be nearly as much fun to research.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Recorded live on KX FM 104.7 in Laguna Beach, California, today's Keith's Music Box features Bachman-Turner Overdrive, Rose Royce, Genesis, Rush, Pretenders, Bush, War, Tom Petty & the Heartbreakers, The Stories, Foreigner, Rolling Stones and Stevie Nicks
Everything is alright. For now at least. And that's where I think this song becomes much more interesting. Despite the light fluffiness of the verse progression and the sincere expression of adoration in the lyrics, that caveat on the title line, we're alright “for now” belies a slight tension in Tom's state of mind. Now, it just could that no other words fit as well as “for now”, but given that Tom was very rarely glib about word choice, I would say that this deliberate inclusion of doubt either betrays his emotional state at the time or possibly his unwillingness to be absolute in his assertion that everything will be fine.Today's episode covers the fifth track from side two of Full Moon Fever, Alright For Now.You can listen to the song here: https://youtu.be/l4zpU9T937IFor the live version from the Fillmore '97 release, go here: https://youtu.be/s2TO2XljJCc and for the release from the Live Anthology boxet, go here: https://youtu.be/UHjTWYaQm-YThe Tom Petty Project is a proud member of The Deep Dive Podcast Network, which you can find on Twitter: https://twitter.com/deepdivepodnetDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Since his first book twenty years ago, musician/author (and all-around music appreciator) Warren Zanes has deftly chronicled what it means to be a rock star without a road map. His acclaimed 2015 authorized biography on Tom Petty -- released just two years prior to his death -- gave readers an engrossing glimpse into the mind of one of rock's great everymen, and this year, Zanes has released a more granular look into arguably the darkest hour of perhaps rock's greatest everyman. 'Deliver Me From Nowhere: The Making of Bruce Springsteen's Nebraska' is a jaw-dropping read front-to-back, taking readers into the modest bedroom where the Boss recorded his most mysterious and talked-about work. From exclusive interviews with Springsteen, Steve Earle, Rosanne Cash and more, Zanes proves that what makes Nebraska so intriguing is not just the complete left-turn that it is musically, but how it's sandwiched between two career highs: His first number one album with The River in 1980, and the superstardom that Born in the U.S.A. would bring him in 1984. On this week's episode, Zanes tackles Springsteen and Petty's similarities and differences, the hurdle of getting Springsteen's humble Nebraska demo tape transferred for vinyl and CD duplication, and the album's lasting impact over the last four decades. Visit warren-zanes.com for socials and other info. Plus, this episode features covers of Nebraska songs by Aoife O'Donovan. Click here to purchase them as a Bandcamp download.
We don't like to brag or anything, but the people behind Madness Madness have accomplished some pretty incredible feats of combat prowess, to the point where several hit movies have been based on our exploits: Avatar, Avengers: Endgame, Avatar: The Way of Water, Titanic, Star Wars: Episode VII - The Force Awakens, Avengers: Infinity War, Spider-Man: No Way Home, Jurassic World, The Lion King, The Avengers, Furious 7, Top Gun: Maverick, Frozen II, and of course Barbie. That's more than $27 billion at the box office just from the ones we can name off the tops of our heads, so honestly we've got nothing to learn from Frank Dux, a fight choreographer and semi-professional liar whose “life story,” the 1988 Jean-Claude Van Damme breakout “Bloodsport,” pulled in a mere puff of dust to the tune of $11.8 million worldwide, which I don't even think is enough money to wipe your ass with these days.Nonetheless we'll hear about this valor-stealing boomer schmuck, then imagine him dropped into Cassadaga, Florida (formerly New York), the fortune-telling capital of the world, mouthing off to a series of increasingly irritable palm readers until the ghost of Patrick Swayze manifests and Road House roundhouses him so hard he lands in a different ZIP code from his medals of honor, which turn out to be made of cardboard and cellophane anyway. Join us, won't you?
Phil gets to know and love David's longtime friend Mark Oliver Everett, AKA E, the leader of the acclaimed band EELS who have released fourteen studio albums and become an internationally beloved touring act since the "Beautiful Freak" album in 1996 that featured the alternative radio favorites "Novocaine for the Soul." We hear how E and David first met, how E played his wedding to Fran who he lovingly dubbed "Chiclet" and their early days hanging out with friends like Terence Trent D'Arby, Howie Epstein of Tom Petty & The Heartbreakers and more. Over lunch from Sycamore Kitchen, E shares amazing stories about getting to know notable EELs fans like Steve Perry of Journey fame and Tom Waits, E's soundtrack and acting work (the "Shrek" movies, "Love," "Ant Man and the Wasp: Quantumania," "Prisoner's Daughter"), dancing with Joni Mitchell and even playing Garry Shandling's memorial for an audience including Phil. For more on Eels, go here. https://www.eelstheband.com/ To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.
41 years ago this month, Bruce Springsteen released his sixth studio album, Nebraska. He recorded much of the album on one winter night, sitting on the edge of the bed in a rented house in New Jersey, playing acoustic guitar and singing, using a 4 track cassette recorder. The album would go on to have lasting influence, inspire other works of art including movies and books, and other records. And Springsteen would later muse that Nebraska may be his best album. Four decades later the story of Nebraska continues to be an object of fascination. Among those who obsessed over it was the musician and writer Warren Zanes. Zanes joined his brother Dan's band, The Del Fuegos, at age seventeen. The band toured with ZZ Top, Tom Petty and the Heartbreakers, INXS, and others during the time Warren was in the band, and also famously licensed one of their songs for a commercial which led to some serious criticism at the time. Warren then went on to build a career as an academic, a writer (including the best selling biography of Tom Petty, 2015's Petty) an educator (he teaches at New York University) a Grammy-nominated documentary producer, and a musical artist who has released multiple albums under his own name, most recently The Collected Warren Zanes. Throughout it all, he held on to his fascination with Bruce Springsteen's Nebraska. He recently published the book Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska. Warren and I spoke recently about his own personal journey, his thoughts on stardom, work, The Beach Boys, family, addiction, songwriting, betrayal, college towns, fatherhood, Taylor Swift, working with machines, The Kinks, drummers, Booker T. and the M.G.s, Garth Brooks, artificial intelligence, Joseph Campbell, and of course, Nebraska. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/podcast/the-third-story
The lyrics in this one are again, really direct and simple. Tom reminisces about his two room apartment and that he's glad he doesn't live there any more, but there's a fondness in the tone. In the second verse, we hear that there's a similar nostalgia for a former relationship that he sometimes remembers wistfully. The chorus underscores all this by giving his current state. “Oh yeah, I'm alright, I just feel a little lonely tonight. I'm okay most of the time, I just feel a little lonely tonight.” So, I'm OK but I could be doing better. There's a romantic pragmatism on display here that elevates the song from being another rumination on lost love over 8 bars or a wallowing self-pity. It's a glass that is definitely half full rather than half empty.You can listen to the song here: https://youtu.be/UR_t-tk1B5UYou'll find the demo version included on the Playback boxset (and the American Treasure release!) here: https://youtu.be/vkKPklG2QVE For the bootlef live version from January 21, 1997, click here: https://youtu.be/-U57BbIz3Ow The Tom Petty Project is a proud member of The Deep Dive Podcast Network, which you can find on Twitter: https://twitter.com/deepdivepodnetDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
This unlocked Patreon-exclusive episode features one of Martyn's oldest and best friends, Bill Gerber. Bill was Heaven 17's US manager in the early 80's, protégé of legendary artist manager Elliott Roberts (Neil Young, Crosby, Stills and Nash, America, Tom Petty, Tracy Chapman, Bob Dylan and The Cars amongst many others). Since then, Bill has become a major player in Hollywood, as a film and television producer. He was President of Production at Warner Bros. Pictures, before establishing an existing and long-standing producing deal with the studio. Bill is known for producing A Star Is Born (2018), Gran Torino (2008), A Very Long Engagement (2004) and Grudge Match (2013). As an executive, he supervised a significant number of films that went on to garner 47 Academy Award nominations and 14 Academy Award wins. These films include Good Fellas (1990), Reversal of Fortune (1990), JFK (1991), Unforgiven (1992), Heat (1995), L.A. Confidential (1997), You've Got Mail (1998), Three Kings (1999), The Iron Giant (1999), The Perfect Storm (2000), and the Harry Potter series. Ladies and gentlemen - welcome to Hollywood – Bill Gerber... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours
Today we hear what Django and Dan would pick as their favourite album, who they'd love to see open for the Heartbreakers and which song they'd love to have joined the band on stage to perform.Petty Theft is currently in the middle of their 20th Anniversary Tour (so you know they have to be good, because you simply don't last that long if you aren't!) and you can check out tour dates, find out more about the band, and even go support them by buying some merch at their fabulous website, here: https://www.pettytheftrocks.comDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/The Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Another half hour with Tommy today folks. Wait til you hear who he would like to see open for Tom Petty and which artist he wants to hear cover a Tom Petty song!Please check out Tommy's (brilliant) website here: https://www.tommyedwinmusic.com. Also, check out his song Empty Chair, from the album "Fade To Memory": https://youtu.be/MGAfmr4Y54U?si=jBEiJQpB3u39412PDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/The Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Today's special bonus episode is a conversation I had with San Francisco-based tribute band Petty Theft. I chatted for just about an hour and a half with bassist Django Bayless and lead singer/rhythm guitarist Dan Durkin, the two founding members of the band about how the band came together, how they choose songs to cover, and of course, their love of Tom's music. As I said to the boys during the call, their sense of fun and their love of playing Tom's music shines through both in conversation and when they're on stage laying it down. They've played with Steve Ferrone and opened for Lynyryd Skynyrd and Tesla and they're one of the best bands and they were an absolute blast to talk to: the time flew by. I'm really looking forward to seeing them in the flesh some day and will be on the lookout for geographically opportune moments to connect with a band that embodies the spirit of the music; love playing, love the crowd. Petty Theft is currently in the middle of their 20th Anniversary Tour (so you know they have to be good, because you simply don't last that long if you aren't!) and you can check out tour dates, find out more about the band, and even go support them by buying some merch at their fabulous website, here: https://www.pettytheftrocks.comDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/The Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Today's episode is a conversation I had with the wonderful Tommy Edwin. Tommy and I connect over on Twitter months ago and I've been a fan of his music (and his personality) ever since. I love having conversations about Tom Petty's music with other musicians because, even when we're not talking directly about Tom. the ways in which he influenced people always shines through. Tommy Edwin is not exception. His feel for song structure and clarity always ring true for me. This was a fantastic hour and a half of my life that I was able to spend in the company of a truly lovely human being and I hope you enjoy it as much as I did. As always, Tommy's answers to my ten questions will be available for you to listen to later this week! (Saturday to be precise!)Please check out Tommy's (brilliant) website here: https://www.tommyedwinmusic.com and in particular, please give his latest single a listen: https://www.youtube.com/watch?v=wi0jhpe-K4c and if you're anywhere close to where he's playing, go out and support a guy who is making and playing music for all the right reasons!Don't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/The Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Dave and Blair break down the top 5 albums of all time. Here they annound #5 and #4, so get your Big Chief and Pencil out...
“Love your enemies. It is one of the most oft-quoted and perhaps least followed phrases in scripture. Love your enemies. We know we are supposed to do it, but nobody ever seems to get around to telling us how. It's beautiful in theory… but what about when that enemy has abused us…?” Sermon by Mike Kinman from worship at 10:00 a.m. on Sunday, August 13, 2023 at All Saints Church, Pasadena. Readings: Psalm 108:1–6, 11–13, Ephesians 6:10–17 and Matthew 5:43–48. Watch the sermon on YouTube. Read the text of the sermon here. Follow All Saints Church on Twitter @ASCpas. Like us on Facebook at https://www.facebook.com/AllSaintsPasadena/. Check out the rest of our YouTube channel at https://www.youtube.com/user/allsaintspasadena1/videos. Subscribe, like, get notifications every time we post! Enjoy our extensive archive of stimulating and inspiring content! Donate to support the mission and ministries of All Saints at https://allsaints-pas.org/donate/donate-now/.
Skip Saylor is a renowned music engineer with a rich history of working in LA's legendary studios. He is credited on eight of @Billboard's Top 300 selling records of all time and has produced award winning music with everyone from Tom Petty, Diana Ross, Beyoncé, soul legend @BookerTJones (+more), and has made music for legendary the Barbie company. Learn more about your ad choices. Visit megaphone.fm/adchoices
What do oranges, façades, butterflies, and dolls have in common? You'll find out if you listen to this edition of Doing What Works. But bring your childlike self, because this is an experiment in random (with a dollop of whimsy).Here are your show notes…What are tapas?What's the squiggle under the C in façade?What's the precise definition of façade?We all have a face that we hide away forever.Would you like to see a periwinkle card from Papyrus that features a butterfly?Would you like to hear one of Maureen's favorite Tom Petty songs?Have you seen Barbie?
Two federal agencies issue warnings on alcohol consumption and the use of masks. As talk of the virus cranks back up - share this podcast with your favorite masked friend. Dr. Miriam Grossman explains why the current transgender movement in the country is akin to the horrors of our past in treating mental patients. Her newest book is a must read called "Lost in Trans Nation." Plus, Steve Moore our chief economist explores a potential government shut down next month, 8% mortgage rates, and his review of the Republican field economically. Plus, Newt Gingrich confirms what we've known for some time about the Husk's "leadership." - For more info visit the official website: https://chrisstigall.com Instagram: https://www.instagram.com/chrisstigallshow/ Twitter: https://twitter.com/ChrisStigall Facebook: https://www.facebook.com/chris.stigall/ Listen on Spotify: https://tinyurl.com/StigallPod Listen on Apple Podcasts: https://bit.ly/StigallShowSee omnystudio.com/listener for privacy information.
Grateful Dead's 1982 Show Highlights and Unpopular TunesLarry Mishkin, introduces a Grateful Dead show from August 28th, 1982, featuring an opener where Jerry Garcia stumbles over lyrics. Larry shares insights into the band's performance, suggesting they might have been dosed that day. He discusses the history of the Grateful Dead at Woodstock, why they were omitted from the film, and a song called "Keep Your Day Job," disliked by fans and dropped from their repertoire. Larry contrasts it with the successful breakout of "West LA Fadeaway" that night, highlighting the unique way the Grateful Dead introduced and refined songs in their concerts.Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast INTRO: Bertha Track No. 1 3:16 – 4:46 Great opener, as always. One month after my first show and Jerry still can't remember the words. So instead we focus on the jam. He may fall short in lyrics but his playing is electric. Story is that the band was supposedly dosed that day and the comments reflect that the band was “ON”. SHOW #1: I Used To Love Her But It's All Over Now Track No. 7 1:05 – 2:22 It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack.[1] It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964. The Rolling Stones' version of "It's All Over Now" is the most famous version of the song. It was first released as a single in the UK, where it peaked at number 1 on the UK Singles Chart, giving the Rolling Stones their first number one hit.[5] It was the band's third single released in America, and stayed in the Billboard Hot 100 for ten weeks, peaking at number 26. Months later it appeared on their second American album 12 X 5. The song was a big hit in Europe and was part of the band's live set in the 1960s. Cash Box described it as a "contagious cover of the Valentinos' click" and "an infectious thumper that should head right for chartsville.” Covered by almost everybody in the music industry from the Stones to Ry Cooder to Nils Lofgren, Wide Spread Panic, Tom Petty & the Heartbreakers and even Molly Hatchet (Flirtin With Disaster) Covered by the Dead 154 times with Bobby singing. Frist on September 6, 1969 - Family Dog at the Great Hightway Last on July 2, 2995 – Deer Creek SHOW #2: Day Job Track No. 10 2:52 – 4:05 First time played in concert. Second set openerEventually played 57 times Last time on April 4, 1986 at Hartford Civic Center Per Robert Hunter in “A Box of Rain” collection of his lyrics, “this song was dropped from the Grateful Dead repertoire at the request of the fans. Seriously” First song ever ‘rejected' by the Deadheads! And the band listened to them and stopped playing it! But WHY was it so universally unpoplular? “a lot of people thought it was the band making fun of/scolding deadheads who spent all their time following around the band. Hunter kind of hinted at that at one point in an interview I think.” “Hippies don't work” “It sucks” There are a few fans who liked the jamming or could relate to the song, but overall, NOPE. SHOW #3: West LA Fadeaway Track No. 12 1:08 – 2:35 Breakout version of this song, along with Day Job. Five years later In The Dark was released with Wet LA on there, but Day Job did not make the cut. Dead would play this song 141 times in concert Last was June 30, 1995 at Three Rivers Stadium in Pittsburgh Always a fan favorite, great music, fun lyrics (only Hunter could work “copasetic” into song lyrics) SHOW #4: Playin' In The Band Track No. 14 1:50 – 3:10 Great version, very upbeat (a dosed band?) and sharp, Bobby right there with his inflection on PPPPLyaing in the BAAAnd, very sharp. I like this clip because it shows the transition from the hard charging opening of the song into a more mellow sound that signifies the jumping off point for the band into a Playin jam that could go anywhere. In this case, almost 20 minutes before segueing into Drums>Space>The Wheel>The Other One>Truckin'>Black Peter>Playin Reprise. What an amazing run of music. Great tunes, great jamming, outside in Oregon, what else could a Head ask for? Some clean Orange Sunshine or whatever the band was on! OUTRO: Dupree's Diamond Blues Track No. 20 1:05 – 2:24 This song was written by Hunter/GarciaIt appeared on the Dead's third album, Aoxomaxoa (released June 20, 1969). First played on January 24, 1969 at the Avalon Ballroom Last played on October 13, 1994 at MSG Played a total of 83 times. "Dupree's Diamond Blues" is based on an American folk song titled "Frankie Dupree," which was based on a real historical figure named Frank Dupree.According to In The Pine: Selected Kentucky Folksongs, Dupree tried robbing a diamond wedding ring from a jewelry store in Atlanta, Georgia, in 1921. He intended to give the ring to his girlfriend Betty. When a police officer showed up, Dupree shot him dead. He then fled to Chicago where he killed another officer and wounded others.Authorities eventually apprehended Dupree while he was getting his mail. They shipped him back to Atlanta where he was executed on September 1, 1922. Giggles: The term "jelly roll" was once common African American slang for a woman's genitalia. The great ragtime pianist Jelly Roll Morton took his name from that very meaning. In 1924, Morton recorded an influential jazz song titled "Jelly Roll Blues," which is most likely what Hunter is referencing here. In the late ‘60's and early ‘70's the band played it more frequently. Although more in the Americana style adopted by the Dead at the beginning of the ‘70's than the primal Dead from the ‘60's. But it became linked with primal Dead by being part of so many shows from that period. On the Fillmore West complete recordings for Feb. 27, 28 and March 1,2 on both the first and third night the band opened the second set with this song into Mountains of the Moon before launching in the Dark Star>St. Stephen>The Eleven>Lovelight suite made famous on Live Dead. But after that it just kind of fell off the band's radar except for certain tours where it would show up for three or four shows before again getting pushed to the side. Very enduring.
The year was 1976 or was it 86 or even 96 , there was great music to be heard throughout the land. And we have on this episode of Rock Phoenix Live. If you are wondering what the sound was back in 1976,1986 and 1996 then give this show a listen because it will fill you in and so you can have a knowledgeable conversation with people older than you if your a millennial. Or if you know about the 1976 already then listen because it will take you back. Personally I dig the 96 music, better sound. But hey the 90's got their music from the 80's and the 80's got their music from the 70's so its a learning curve. Happy Listening and Rock On Together As One Around The World. AC/DC- Dirty Deeds Done Dirt CheapRunaways- Cherry BombTom Petty- BreakdownKISS- Shout It Out LoudClimax Blues Band- Couldn't Get It RightOrleans- Still The OneEagles- Life In The Fast LaneVan Halen- Why Cant This Be LoveDavid & David- Welcome To The BoomtownEddie Money- Take Me Home TonightGTR- When The Heart Rules The MindGenesis- Throwing It All AwayTOOL- StinkfistBush- SwallowedMatchbox Twenty- PushVerve Pipe- FreshmenDuncan Sheik- Barely BreathingWallflowers- One HeadlightRage Against The Machine- Bulls On ParadeMarilyn Manson- Beautiful PeopleSepultura- Roots Bloody RootsSocial Distortion- I Was WrongStone Temple Pilots- Trippin On A Hole In A Paper Heart
Cosa vedere sui canali televisivi SBS? Ecco i nostri consigli per la settimana dal 25 al 31 agosto. In Australia, potete poi vedere il vostro programma preferito o recuperare quello che avete perso su SBS On Demand.
Countdown #438 On this week's show Paul and Wayne continue with their fantasy that you give a toss about their music tastes and in so doing countdown their Top 10 favourite bands of all time! Wayne goes old school; Paul goes all alt, but who will be the winner as they sound out their eskimo gardens, whilst in nirvana, all while Steve Miller is eating some red hot chill peppers in his silversun pickup, lamenting his heart being broken by Tom Petty. Tune in to find out what other bands make the lists, as The Countdown continues ... Check out the show's first draft of a website for your one-stop shop for all things related to The Countdown. But if you want more specific directions, find so many more Countdowns - all the way back to Episode 40! - on our Podbean site. Join The Countdown Podcast Listener Community on Facebook so you can interact more directly with Paul and Wayne and vote in the weekly poll for who has the best list! Head on over to Patreon to find out to have your topic covered on the show and see what extras you're missing.
British musician, songwriter, producer and Eurythmics co-founder DAVE STEWART's upcoming memoir SWEET DREAMS ARE MADE OF THIS: A Life In Music is an atmospheric portrait of a golden age in music that lays bare all the sex, drugs, and rock ‘n' roll revealing untold stories from his adventurous career. It will be released in hardcover and audio Tuesday, February 9 via New American Library (NAL), an imprint of Penguin Random House.The memoir is packed with unforgettable never-before-told stories featuring the likes of Bob Dylan, Elton John, Stevie Nicks and Daryl Hall providing readers a behind-the-scenes look at the prolific musician, songwriter, and producer's career that has spanned three decades and more than 100 million album sales. In the book Stewart opens up about:●His little-known five-year relationship with Annie Lennox before Eurythmics●Visiting Bob Dylan's favorite underground club●A wild night at Stevie Nicks' Beverly Hills home in the 80s●A psychedelic adventure with Daryl Hall●Becoming one of the first musicians to sign with Elton John's record label in the 70s, and failing spectacularly●The making of numerous worldwide smash hits, including “Sweet Dreams (Are Made of This).”●His adventures beyond Eurythmics, including collaborating, recording, and creating havoc with legends like Bono, Mick Jagger, and Tom Petty, as well as relative newcomers like Katy Perry, Gwen Stefani and Joss StoneDAVE STEWART BIO (FROM ROLLING STONE.COMBest known as one-half of the groundbreaking synth pop duo Eurythmics, Dave Stewart was also a highly successful producer and, on occasion, a solo artist. David A. Stewart (as he also sometimes was credited on record) was born September 9, 1952 in Sunderland, England; the product of an upper-middle class family, he enjoyed his first taste of musical success during the early '70s while fronting the band Longdancer. The group seemed poised for big things after signing to Elton John's Rocket Records, but they quickly fizzled out; Stewart soon resurfaced in a variety of short-lived groups, and eventually began writing songs with friend Peet Coombes. In the late '70s he was also introduced to an aspiring singer named Annie Lennox; the two became lovers, and with Coombes they formed a group dubbed the Tourists, issuing a trio of new wave-influenced LPs between 1979 and 1980. When the Tourists came to a halt in late 1980, Stewart and Lennox's romance ended as well; they agreed to continue their musical partnership, however, rechristening themselves Eurythmics. Their soulful synth pop sound was created solely via Stewart's technological mastery, capped off by Lennox's powerful vocals; after the title track of 1983's Sweet Dreams (Are Made of This) became an international smash, the Eurythmics rose to become one of the '80s most successful and innovative artists, scoring such major hits as 1984's "Here Comes the Rain Again," 1985's "Would I Lie to You?," and 1986's "Missionary Man." In 1985, Stewart also scored his first outside success as a producer, working on Aretha Franklin's comeback album Who's Zoomin' Who; that same year, he also helmed Tom Petty & the Heartbreakers' hit Southern Accents. In the years to follow, he went on to produce music for Mick Jagger, Bob Dylan, and the Neville Brothers.By the end of the '80s, Eurythmics' popularity was on the decline, and after 1989's We Too Are One failed to recapture the magic of their earlier work, they essentially disbanded, with only a hits compilation and a live LP to follow. Stewart, who in 1987 had married Bananarama/Shakespear's Sister vocalist Siobhan Fahey, initially turned to soundtrack work, scoring the Dutch film Lily Was Here in 1989; a year later, he put together a new band, the Spiritual Cowboys, with ex-Pretenders drummer Martin Chambers. Sporting a more atmospheric, guitar-driven sound than his previous work, the Spiritual Cowboys issued two albums, a 1990 self-titled effort and 1991's Honest, neither of which caught on with audiences. Stewart then spent the next several years in relative silence, accepting a few production jobs but otherwise staying out of the limelight. In 1995, he finally issued his proper solo debut, Greetings from the Gutter. In 1997, Stewart co-produced the album Destination Anywhere for Jon Bon Jovi. He emerged as an artist again in 1999; this time as a film composer scoring director Robert Altman's film Cookie's Fortune in 1999. In November 2002, he worked with former South African president Nelson Mandela. Stewart came up with the idea of turning Mandela's prison number into a telephone number. He wrote and recorded songs with Paul McCartney, Bono, and the Edge (among others) that could only be heard if you dialed this number; the cost of the call was in fact a donation in the fight against HIV/AIDS in the newly independent but beleaguered nation. Along with an ad agency, Stewart organized the entire campaign. In 2004, he collaborated with Jagger on the score for a remake of the film Alfie, and in 2007 scored Ted Demme's film The Ref. In March 2007, Stewart unveiled an initiative called "Greenpeace Works," which he labeled a "think tank" to dream up ways celebrities and Greenpeace could work together on green issues. For the project, he issued The Dave Stewart Songbook, a large coffee table-size book full of stories and photographs. It was accompanied by a newly recorded CD of 21 songs that been co-written or co-produced by him. Also included was the song "American Prayer," written with Bono. In 2008, Stewart shot a video for the tune as support for Barack Obama's presidential bid. In 2011, he completed work on his musical, Ghost, which opened in England in March; he also finished work on Stevie Nicks' In Your Dreams album, which was co-produced by Glen Ballard and released in May. Simultaneously, he also completed his first album of new material in 13 years in Nashville, with help from Martina McBride, Joss Stone, Colbie Caillat, and the Secret Sisters. Entitled The Blackbird Diaries, the set was recorded at McBride's husband John's Blackbird Studios and issued in late May. Stewart also helmed the sessions and co-wrote the songs for Stone's LP1, which was released in the summer of 2011. That same year, both Stewart and Stone joined SuperHeavy, a supergroup that also featured Mick Jagger, Damian Marley, and A.R. Rahman. A self-titled SuperHeavy album arrived in the fall of 2011, and then Stewart returned to Blackbird Studios, recording and releasing his solo effort The Ringmaster General in 2012. A year later, Stewart released Lucky Numbers, another solo album laden with guest stars, this time including Martina McBride and Karen Elson.
Tune in as we explore the indie rock journey of Tacoma's own, Mark Modarelli. From early influences like John Denver and Neil Diamond to shaping his own sound inspired by legends like REM and Tom Petty, Mark's music narrative is a rich tapestry. Discover the stories behind his albums and his passion for music as a beacon of hope.- #MarkModarelliRocks - #TacomaTunes- #HopeAndSolace- #ByAnyOtherNameEP- #IndieRockJourney https://open.spotify.com/artist/1nBzdu6KIPzqVQad7IVMGm?si=yKEqj7xfTwyP4-X96ukpnghttps://www.instagram.com/mark_modmusic
This week we look at the world through the eyes of Oliver Anthony; Sweden: Chinese Green jobs; BRICS in South Africa; Chinese and UK depopulation; Murdering Babies; Pornography in nurseries; Australian police go binary; Snow not so White; Pippi Longstocking; Parkinson; Spanish womens football and racist England; Chess for women; Churches burning in Pakistan; Tim Keller's Memorial; SEEK 6 - Black Lives Matter; Lyle Shelton and the Drag Queens; The Jesus Revolution; with music from Oliver Anthony, Abba, Amaon Amrath; Tom Petty and Larry Norman.
Something that my season seven guest Ivan Anderson said that stuck with me, was that “Listen to Her Heart” is a 'little' song. And by that, he wasn't being dismissive. He was saying that it wasn't covering a weighty topic and it was compact and accessible. I'd say exactly the same thing about this one. It's neat and compact. It has a superb hook in the pre-chorus and the whole thing is imminently hummable. It's a pretty perfect little pop song.Today's episode covers the third track from side two of Full Moon Fever, Depending On You.You can listen to the song here: https://youtu.be/IjVGlKa2rL0 Check out the Skynyrd Reconsyrdyrd podcast here: https://twitter.com/skynyrdpodcast and the And Volume 4 All... podcast here: https://twitter.com/AV4APodThe Tom Petty Project is a proud member of The Deep Dive Podcast Network, which you can find on Twitter: https://twitter.com/deepdivepodnetDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
Skip Saylor is a renowned music engineer with a rich history of working in LA's legendary studios. He is credited on eight of @Billboard's Top 300 selling records of all time and has produced award winning music with everyone from Tom Petty, Diana Ross, Beyoncé, soul legend @BookerTJones (+more), and has made music for legendary the Barbie company. Learn more about your ad choices. Visit megaphone.fm/adchoices
Oakland California's The Goods have just announced the release of their debut self-titled EP on Dandy Boy Records with an accompanying video for the song “David Jones Is Dead.” The Goods combine big guitars, huge hooks, and sweet British Invasion-style harmonies into a distinctive power pop tapestry on their debut. Self-produced in the band's own studio in Oakland, CA, The Goods' debut EP draws on decades of hooky punk and power pop from the 1960s through the 1990s. The three song 7" (with an exclusive fourth digital track) combines classic influences and timeless sounds with a fresh and playful energy. The lead single and video “David Jones Is Dead” calls to mind the band's songwriting influences both new and old; Redd Kross, Young Guv, Tom Petty, Matthew Sweet, The Jam, Green Day and Cheap Trick. Reflecting on the process of writing “David Jones Is Dead” singer and guitarist Rob Good had to say, “I set out to write the shortest song I possibly could, all killer no filler, every bit of fat around the edges trimmed off. Lyrically, I was thinking about all these rock and roll icons that are now dying, and how their death brings up so many emotions - not only remorse for the loss of the person, but also nostalgia about the good times you had with their music and the friends you enjoyed it with. Ultimately it's a celebration of that music and those good times.” Avoiding retro-revivalism, The Goods' music is earnest and unironic, with just enough grit and muscle to balance its sugary sweetness. Dandy Boy label owner Bobby Martinez describes the connection between himself and singer/guitarist Rob Good, “I'm a big power pop fan and he was writing huge power pop songs. Not in a bleached hair/ leather jacket/ Buzzcocks way or a straight college radio/ 90's alt way- but somewhere in between. There's an element of Redd Kross camp over Cheap Trick timelessness that adds this level of fun and cheekiness. It never feels too serious or posturing yet avoids going full on cornball cartoon band. It's completely self aware and doesn't fall into some retro revival affectation. Rather than trying to duplicate classic power pop from the late 70's or 90's “left-of-the-dial” underground, they manage to sound organic. It's power pop by guys who grew up learning their instruments by listening to Green Day and the Descendents and playing in punk bands. Guys who spent their formative years with Lemonheads and Jam CDs in their cars.” Photo credit: Corey Poluk D I S C O V E R Twitter: https://twitter.com/the_goods_music Instagram: http://www.instagram.com/the_goods_music/ Apple: http://itunes.apple.com/album/id/1690163263 Bandcamp: https://dandyboyrecords.bandcamp.com/album/e-p This episode is brought to you byGo to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shop Go get the 1 hour mini Documentary on Lowest of the Low's Classic Album Shakespeare my Butt at https://thelowdoc.gumroad.com/l/SMB
[REBROADCAST FROM January 20, 2023] Much has been made of Rick Rubin's efforts in the early days of hip-hop in 1980s New York. Alongside Russell Simmons, he co-created Def Jam, and shaped the early albums of artists like LL Cool J, The Beastie Boys, Run DMC, and Public Enemy. But ever since moving to California and founding American Recordings, he's worked with pretty much every musician you can imagine, from the Red Hot Chili Peppers, Adele, Tom Petty, and more, to the point that the legend around his creative process has grown and grown. Now, Rubin has written a new book, called The Creative Act: A Way of Being, with his thoughts on creativity, and how he unlocks creativity in the artists he works with. Rick Rubin joins to tell us more.
Yer So Bad could almost be the most important song in the entire Tom Petty canon. Almost. Probably not the most important, but it was the first song that Tom showed to Jeff Lynne and from there, the rest of Full Moon Fever and then The Traveling Wilburys dropped effortlessly into place. You have to think there was a little magic in the air that night. Tom tells Paul Zollo, “It was around this time that I showed Jeff one night that I had written the song ‘Yer So Bad'. But there was one little bit in the B section where I didn't know where to go. He showed me this e minor chord and that kinda opened it all up to me.” The story concludes with Tom asking Jeff “Will you produce this?” and Jeff responding, “Sure, let's do it. Where should we record it?” The rest, of course, is rock n roll history made via Mike Campbell's spare bedroom.You can listen to the song here: https://youtu.be/WdRViFCvvUo And if you want to check out The Byrds' original, you can find that here: https://youtu.be/SgMCvfI5-l0 The Tom Petty Project is a proud member of The Deep Dive Podcast Network, which you can find on Twitter: https://twitter.com/deepdivepodnetDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
We also cover: What to do when you're feeling stuck, the difference between authenticity and sincerity, and his approach to work/life balance.Rick Rubin is a nine-time GRAMMY-winning producer and a New York Times number one best selling author of the book, The Creative Act: A Way of Being. He was named one of the 100 most influential people in the world by Time and the most successful producer in any genre by Rolling Stone. He has collaborated with artists from Tom Petty to Adele, Johnny Cash to the Red Hot Chili Peppers, Beastie Boys to Slayer, Kanye West to the Strokes, and System of a Down to Jay-Z.In this episode we talk about:Rick's meditation practiceThe connection between meditation and creativityWhy creativity is a birthright for all of usHow good habits help facilitate the making of good artThe benefits of accepting the magical and mysterious aspects of creativityHis analogy of the vessel and the filter The difference between authenticity and sincerity The role of doubt when creating The role of intuitionWhat to do when you're feeling stuck in a creative endeavor His approach to a work/life balance His take on drugs and their effect on the creative process And his thoughts on the creative capacity of AI For tickets to TPH's live event in Boston on September 7:https://thewilbur.com/armory/artist/dan-harris/Full Shownotes: https://www.tenpercent.com/tph/podcast-episode/rick-rubinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Embark on a whirlwind journey through the life of the legendary Alex Hyde-White, the very first Reed Richards in Roger Corman's Fantastic Four. From rubbing shoulders with Hollywood icons to sharing the screen with Julia Roberts in Pretty Woman, his stories are as mesmerizing as his performances. And don't forget to check out his captivating autobiography, "In the Volume: My Life in Film and TV." Recorded prior to the SAG-AFTRA strike. My guest, Alex Hyde-White, and I discuss: Dive into the captivating world of Alex Hyde-White with his autobiography "In the Volume: My Life in Film and TV" Alex recounts his incredible journey filming the movie, Nope A small but impactful role in The Toy directed by Richard Donner and starring Jackie Gleason and Richard Pryor and former guest Scott Schwartz (you'll have to listen but this story is why the episode is named as it is) Anecdotes and insights from the making of "Pretty Woman" with Julia Roberts and Richard Geer. Rock 'n' roll vibes incoming! Listen in as Alex shares heartwarming memories of the legendary Tom Petty. Embark on a nostalgic journey to Alex's days as a Universal contract player, where he graced the screens of shows like Battlestar Galactica, Buck Rogers, Quincy, and beyond. Alex's father Wilfred Hyde-White A couple of Alex's newer roles in The Search for Tom Sawyers Gold and Invitation to a Murder Alex's friendship with Val Kilmer Brace yourself for an adventure down memory lane with Roger Corman's The Fantastic Four - hear Alex's firsthand accounts of his time as the pioneering Reed Richards in this legendary hidden movie. And that's just the tip of the iceberg! Get ready for an episode packed with anecdotes, laughter, and a whole lot more surprises from Alex's incredible journey through Hollywood. You're going to love my conversation with Alex Hyde-White IMDB X (Twitter) Instagram Alex's website In the Volume - Alex's memoir Watch the Fantastic Four on YouTube Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Buy me a coffee (support the show) Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Love the books I talk about on the show? Here is my Amazon store to shop.
Drummer for Tom Petty and the Heartbreakers, the Average White Band and more!See omnystudio.com/listener for privacy information.
First there's a number of mistakes that I made in this podcast. (Note: Not that Jennifer makes, but that I make). One is that the film Dementia 13 was made in 1963, not 1967. Then there's a discussion with Elvis about his granddaughter Riley, who has a daughter who is not an actress, at least yet; she's only 2. People sometimes complain that there are "too many celebrities on our podcast" - again, Jennifer is not in charge of the guest list, I ask Luana Anders to bring the guest list. In this case, a friend of Jennifer's came through first, Eddie Hassell, a young actor who was killed in Texas some years back. He wanted to talk about her event that she did the previous night in a private setting. Then Elvis and his daughter Lisa Marie came through not to talk about themselves, or their journey, but to point out that our loved ones are always available, always nearby, and that there are people who are suffering over that on the planet, and they wanted to weigh in on the topic. Jennifer mentions a free meditation app, it's called InsightTimer.com - it has free guided meditations on it. Also there's a reference to my book DIVINE COUNCILS IN THE AFTERLIFE (DivineCouncils.com) We do this podcast to remind people that their loved ones are always nearby, that they are accessible, that's it's not hard or impossible to chat with them, to bypass the filters to do so - and worth the effort, whether it's Uncle Eddie or Uncle Elvis who stops by to chat. We can always learn something new from them. Also a shout out to Tom Petty, thanks for stopping by to confirm that the opening line from "American Girl" came from a line he heard in "Dementia 13." But he noted that the reason he knew about Luana and our class was much more complicated than that simple notion - because there are connections upon connections will people offstage. And they know how that works. Hope this helps.
Every hardcore Tom Petty fan knows that when Tom took the record to the execs at MCA, they didn't like it at all. When Paul Zollo asks Tom why in Conversations with Tom Petty, Tom replies “They didn't hear a single!” One of the other issues with the record that it was only nine tracks long. So while Jeff Lynne, who coproduced the record, was out of town, Tom and Mike recorded the lullaby, Alright For Now, but they still needed more tracks, as the late 80s was the era of the CD and you could make much longer albums for the new format, which was appealing to the suits who have no idea about creativity. Tom tells Paul, “They wanted it to be a little longer. Then I cut the Byrds song ‘Feel a Whole Lot Better' just to make the record a little longer.”You can listen to the song here: https://youtu.be/tZxHLkA5EcUAnd if you want to check out The Byrds' original, you can find that here: https://youtu.be/to-RVV_3anwThe Tom Petty Project is a proud member of The Deep Dive Podcast Network, which you can find on Twitter: https://twitter.com/deepdivepodnetDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/A last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.
One of the things podcasters say is “find your voice” without knowing that it's Jargon. After all, is my voice lost? What does that mean? Today we will look at finding your voice, and I will tell you what the difference is to the listener. Because the interesting thing is your voice isn't lost. It's just got a lot of clutter on top of it. Join the School of Podcasting Community Risk-Free Are you looking to start your own podcast but don't know where to begin? Look no further than the School of Podcasting. Our comprehensive online courses and one-on-one coaching will teach you everything you need to know, from equipment and editing to marketing and monetization. With our proven methods and unlimited one-on-one consulting, you'll be creating high-quality, engaging content in no time. Say goodbye to the frustration and uncertainty and hello to a successful podcasting career with the School of Podcasting. Use the coupon code schoolofpodcasting.com/listener to save on a monthly or yearly subscription. What Does Finding Your Voice Mean? You start your podcast (congrats!), and you feel uncomfortable. You feel out of place, and people say, "You need to find your voice." That is a really vague instruction. Steps to Finding Your Voice I mention this in almost every episode. It starts with specifically knowing your WHY and Your WHO. The more information you have on each, the clearer the target. It is the blurryness and fuzziness vision of your show that leads to insecurity. Who Are You and Who Aren't You? What do you believe in? What are your values? By defining what you will and will NOT talk about help clear the path for your content. The Netflix show House of Cards had a scene where the main character kills a dog in the first scene. This was on purpose, as they knew this would upset people. They thought, "Well, we might as well draw a line in the sand and offend people upfront. If they couldn't take the first episode, they would NEVER tolerate what else was coming in the remainder episodes. Get Comfortable Through Practice Think back to all the firsts in your life. The first step, first tricycle, bicycle, first kiss are things we weren't good at when we started. So do it again, and again with the goal of improving with each version of your episodes getting better. Acknowledge That This Will be Uncomfortable When you feel yourself wanting to pull away or come back to it later, push through. If you've ever been through counseling of any sort (single, couples, etc) it is uncomfortable. However, you come out better on the other side. I dread getting on a treadmill but never r