Podcasts about play it again sam

In Episode #244 of the XS Noize Podcast, host Mark Millar chats with Tom Smith — frontman of Editors — about his debut solo album There Is Nothing In The Dark That Isn't There In The Light, released 5 December on Play It Again Sam. After two decades leading Editors through seven acclaimed albums and two records with Smith & Burrows, Tom is stepping into solo territory for the first time. Motivated by a desire to reconnect with the raw, acoustic beginnings of his songwriting, he set out to create something more intimate and personal — a world away from the collaborative nature of his band projects. Produced with Iain Archer, the album blends stripped-back honesty with cinematic flourishes, moving from the nostalgic ache of Lights Of New York City to the soaring drama of Life Is For Living. Along the way, Tom explores themes of memory, resilience, and connection, balancing melancholy with hope. In this episode, Tom talks about finding his voice as a solo artist, the stories and emotions behind these songs, and we also revisit the Editors' back catalogue that made him one of the UK's most distinctive frontmen. Whether you've followed Tom's journey from the very first Editors record or are meeting him here for the first time, this is an intimate and revealing look at an artist entering a bold new chapter. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Beringer, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

We speak with Dr. Samuel Jay Keyser, an emeritus member of the faculty at MIT and author of "Play it again, Sam: Repetition in the Arts." In this book, Professor Keyser explores how and why we experience pleasure and satisfaction when we encounter repetition in music, poetry, and visual arts. What exactly is going on in the brain? What is the nature of the pleasure we experience?

Massachusetts author/former MIT Provost/jazz musician andtheoretical linguist Samuel Jay Keyser talks about his latest release “Play ItAgain, Sam: Repetition in the Arts” taking Leonard Bernstein seriouslyexploring the way repetition works in the sister arts of music, poetry andpainting prominent from Homeric Epics, Rainy Day in Paris, Andy Warhol SoupCans to present day works! Samuel also specializes in the trombone, serves as atheoretical linguist, and has authored numerous books, scientific publications,and editor-in-chief of The Journal Linguistic Inquiry, plus shares the storiesbehind the works! Check out the amazing Samuel Jay Keyser and his latestrelease on many major platforms and www.linguistics.mit.edu/user/keyser/today! #samueljaykeyser #author #massachusetts #formermitprovost#playitagainsam #repitition #repititioninthearts #theorecticallinguist#jazztrombonist #boston #philadelphia #leonardbernstein #music #poetry#painting #homersepics #rainydayinparis #andywarhol #soupcans#thejournallinguisticinquiry #spreaker #iheartradio #spotify #applemusic#youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnersamueljaykeyser#themikewagnershowsamueljaykeyser 

Massachusetts author/former MIT Provost/jazz musician andtheoretical linguist Samuel Jay Keyser talks about his latest release “Play ItAgain, Sam: Repetition in the Arts” taking Leonard Bernstein seriouslyexploring the way repetition works in the sister arts of music, poetry andpainting prominent from Homeric Epics, Rainy Day in Paris, Andy Warhol SoupCans to present day works! Samuel also specializes in the trombone, serves as atheoretical linguist, and has authored numerous books, scientific publications,and editor-in-chief of The Journal Linguistic Inquiry, plus shares the storiesbehind the works! Check out the amazing Samuel Jay Keyser and his latestrelease on many major platforms and www.linguistics.mit.edu/user/keyser/today! #samueljaykeyser #author #massachusetts #formermitprovost#playitagainsam #repitition #repititioninthearts #theorecticallinguist#jazztrombonist #boston #philadelphia #leonardbernstein #music #poetry#painting #homersepics #rainydayinparis #andywarhol #soupcans#thejournallinguisticinquiry #spreaker #iheartradio #spotify #applemusic#youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnersamueljaykeyser#themikewagnershowsamueljaykeyser 

Massachusetts author/former MIT Provost/jazz musician and theoretical linguist Samuel Jay Keyser talks about his latest release “Play It Again, Sam: Repetition in the Arts” taking Leonard Bernstein seriously exploring the way repetition works in the sister arts of music, poetry and painting prominent from Homeric Epics, Rainy Day in Paris, Andy Warhol Soup Cans to present day works! Samuel also specializes in the trombone, serves as a theoretical linguist, and has authored numerous books, scientific publications, and editor-in-chief of The Journal Linguistic Inquiry, plus shares the stories behind the works! Check out the amazing Samuel Jay Keyser and his latest release on many major platforms and www.linguistics.mit.edu/user/keyser/ today! #samueljaykeyser #author #massachusetts #formermitprovost #playitagainsam #repitition #repititioninthearts #theorecticallinguist #jazztrombonist #boston #philadelphia #leonardbernstein #music #poetry #painting #homersepics #rainydayinparis #andywarhol #soupcans #thejournallinguisticinquiry #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnersamueljaykeyser #themikewagnershowsamueljaykeyser  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

Rick Flynn Presents, the worldwide podcast, rolls out the red carpet for an amazing author writing on an amazing topic in his brand-new book "Play It Again, Sam: Repetition in the Arts".Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim.Samuel Jay Keyser was born in Philadelphia, Pennsylvania on July 7, 1935. He grew up in Washington, DC and attended George Washington, Oxford and Yale University, where he received his PhD in linguistics in 1962. Keyser has taught at Brandeis University, University College, London, the University of Massachusetts and MIT where he joined the faculty in July of 1977 and from which he retired in 1998. He is currently Special Assistant to the Chancellor at MIT, a position he has held since his retirement. Contact him through his Facebook page "Samuel Jay Keyser." and buy the book wherever books are sold.

Play It Again, Sam: Repetition in the Arts (MIT, 2025) por Samuel Jay Keyser (MIT) aporta un profundo y matizado análisis de cómo la repetición funciona como herramienta creativa, como componente de la cognición y de las emociones, y como tanto, una dimensión de la experiencia humana. En este encuentro, Jeffrey Herlihy-Mera, Lilliam Larregoity Pérez y William Pabón Montalvo profundizan sobre la repetición desde tres acercamientos disciplinarios: las artes, la música y las letras. Dialogan de conceptos como la trascendencia y la belleza, lo que genera la creación, y, asimismo, la estructura de la improvisación en diferentes plasmaciones culturales. Conversación realzada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez (UPR-M), Lilliam Larregoity Pérez profesora de Artes Plásticas de la UPR-M, y William Pabón Montalvo, profesor de Música de la UPR-M. Este podcast y el Instituto Nuevos Horizontes son patrocinados por la Mellon Foundation. Temas, textos, personas y conceptos mencionados: Heidi Landecker, The Chronicle of Higher EducationCarlos Pérez AgustíMilton GlaserColectivo Casa Tomada, Cuenca, EcuadorJeffrey Herlihy-Mera: “Letter from Madrid: Where Hemingway Meets Cervantes”Pensar con el oído, pensar con la piel (y todos los sentidos)La estructura de la espontaneidadCómo los seres humanos aprenden de la repeticiónMotivos melódicos“Usar la repetición como vehículo de acceder los sentidos del oyente.” -Pabón Montalvo Learn more about your ad choices. Visit megaphone.fm/adchoices

Play It Again, Sam: Repetition in the Arts (MIT, 2025) por Samuel Jay Keyser (MIT) aporta un profundo y matizado análisis de cómo la repetición funciona como herramienta creativa, como componente de la cognición y de las emociones, y como tanto, una dimensión de la experiencia humana. En este encuentro, Jeffrey Herlihy-Mera, Lilliam Larregoity Pérez y William Pabón Montalvo profundizan sobre la repetición desde tres acercamientos disciplinarios: las artes, la música y las letras. Dialogan de conceptos como la trascendencia y la belleza, lo que genera la creación, y, asimismo, la estructura de la improvisación en diferentes plasmaciones culturales. Conversación realzada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez (UPR-M), Lilliam Larregoity Pérez profesora de Artes Plásticas de la UPR-M, y William Pabón Montalvo, profesor de Música de la UPR-M. Este podcast y el Instituto Nuevos Horizontes son patrocinados por la Mellon Foundation. Temas, textos, personas y conceptos mencionados: Heidi Landecker, The Chronicle of Higher EducationCarlos Pérez AgustíMilton GlaserColectivo Casa Tomada, Cuenca, EcuadorJeffrey Herlihy-Mera: “Letter from Madrid: Where Hemingway Meets Cervantes”Pensar con el oído, pensar con la piel (y todos los sentidos)La estructura de la espontaneidadCómo los seres humanos aprenden de la repeticiónMotivos melódicos“Usar la repetición como vehículo de acceder los sentidos del oyente.” -Pabón Montalvo Learn more about your ad choices. Visit megaphone.fm/adchoices

Play It Again, Sam: Repetition in the Arts (MIT, 2025) por Samuel Jay Keyser (MIT) aporta un profundo y matizado análisis de cómo la repetición funciona como herramienta creativa, como componente de la cognición y de las emociones, y como tanto, una dimensión de la experiencia humana. En este encuentro, Jeffrey Herlihy-Mera, Lilliam Larregoity Pérez y William Pabón Montalvo profundizan sobre la repetición desde tres acercamientos disciplinarios: las artes, la música y las letras. Dialogan de conceptos como la trascendencia y la belleza, lo que genera la creación, y, asimismo, la estructura de la improvisación en diferentes plasmaciones culturales. Conversación realzada por Jeffrey Herlihy-Mera, Catedrático de Humanidades, Universidad de Puerto Rico-Mayagüez (UPR-M), Lilliam Larregoity Pérez profesora de Artes Plásticas de la UPR-M, y William Pabón Montalvo, profesor de Música de la UPR-M. Este podcast y el Instituto Nuevos Horizontes son patrocinados por la Mellon Foundation. Temas, textos, personas y conceptos mencionados: Heidi Landecker, The Chronicle of Higher EducationCarlos Pérez AgustíMilton GlaserColectivo Casa Tomada, Cuenca, EcuadorJeffrey Herlihy-Mera: “Letter from Madrid: Where Hemingway Meets Cervantes”Pensar con el oído, pensar con la piel (y todos los sentidos)La estructura de la espontaneidadCómo los seres humanos aprenden de la repeticiónMotivos melódicos“Usar la repetición como vehículo de acceder los sentidos del oyente.” -Pabón Montalvo Learn more about your ad choices. Visit megaphone.fm/adchoices

Get Keyser's Book here: https://mitpress.mit.edu/9780262552325/play-it-again-sam/   In his famous Norton Lectures (1976), Leonard Bernstein extolled repetition, saying that it gave poetry its musical qualities and that music theorists refused to take it seriously at their peril. In Play It Again, Sam, Keyser takes Bernstein seriously, exploring the way repetition works in the “sister arts” of music, poetry, and painting. He argues, for example, that rhyme in metrical verse is identical to the way songwriters like Duke Ellington, Billy Strayhorn (Satin Doll), Lorenz Hart (My Funny Valentine), and Richard Rodgers (of Rodgers and Hammerstein fame) constructed their iconic melodies. Furthermore, the form of these tunes can be found in classical compositions, including those of Mozart.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...   New to streaming or looking to level up? Check out StreamYard and get $10 discount!

“Mystic” offers a cinematic sneak peak into Other Lives' forthcoming album Volume V (due Oct. 10 via Play It Again Sam). The ten track album marks the latest chapter in the band's saga, and finds them pushing new boundaries with their epic arrangements, melodies, and orchestrations. 

En el audio de hoy haremos una ruta por la costa pacífica de los Estados Unidos a razón de un reciente viaje. Hablaremos de Los Ángeles, Hollywood, Los Estudios Warner en California y el Olympic National Park y Seattle en el estado de Washington. Hablaremos cine, baloncesto y música y como siempre de comida. Finalmente haremos una reflexiones personales.  Foto: Discovery Park by Fernando Espí Forcén.  Música: Hotel California by The Eagles; Play It Again Sam, Casablancal; Warner Bros; Academy Awards; Outshined by Soundgarden; Something In The Way by Nirvana; Even Flow by Pearl Jam; Man In The Box by Alice in Chains; Where Did You Sleep Last Night performed by Nirvana; Hunger Strike by The Temple of The Dog; Wanderer by Max Richter; To The Stars by Max Richter. 

This episode with Shura marks a first: we managed to draw a through line between Marcella Hazan's bolognese sauce and the songwriting process. We also talk about why peeing brings great ideas. (To be sure, Shura is not the first songwriter to tell me that.) Lest you think her inspiration is confined to those indoor pastimes, Shura told me that few things beat a hike in the mountains. This was one fun conversation!Shura's latest album I Got Too Sad For My Friends is out now on Play It Again Sam.

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest (OHM Producer) Brian Game team up to unbox, unpack and unveil upcoming IMPRINT FILMS physical media releases.In this episode, we discuss:Lipstick (1976) – Imprint Collection #382The Betsy (1978) – Imprint Collection #383Play It Again, Sam (1972) – Imprint Collection #384Lifeguard (1976) – Imprint Collection #385Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Erik Childress & Peter Sobczynski bring you this week's physical media roundup which includes a great upgrade for the family involving a cat and a mouse. Horror fans get some 4K upgrades from four different decades. Film Noir gets several different takes including through the mind of Woody Allen. A legendary black filmmaker championed over the years by Sergio Mims gets his whole collection. There are early appearances by Sam Elliott, Sean Penn and John Cusack along with a reappraisal of a current Oscar contender. A more positive reappraisal has been happening for years with a Shane Black film now in 4K and Peter takes us down the rabbit hole of the time Jean-Luc Godard made a Shakespeare adaptation for Cannon Films. 0:00 – Intro 3:09 - Criterion (King Lear) 17:26 - Warner Archive (Tom and Jerry: The Complete CinemaScope Collection) 21:31 – Warner Bros. (The Nice Guys 4K) 30:18 - Kino (Oscar Micheaux: The Complete Collection, Film Noir: The Dark Side of Cinema XXIII (Rope of Sand / Kiss Tomorrow Goodbye / Never Love a Stranger), Play It Again Sam, Hot Pursuit) 57:11 - Fun City (Lifeguard, Racing with the Moon) 1:08:50 - Universal (Conclave 4K) 1:13:42 - Arrow (Alice Sweet Alice 4K) 1:22:52 - Shout Factory (Galaxy of Terror 4K, Ghosts of Mars 4K, The Last Voyage of the Demeter 4K) 1:35:21 – New Blu-ray Announcements

La repetición está presente desde las ceremonias tribales hasta los viejos salones; se practicaba en la Edad Media y es básica, en forma de loop, en la música electrónica. La repetición hace que los sonidos nos parezcan más familiares: nos vuelve participantes activos._____Has escuchado“24 Loops”. YouTube Vídeo. Publicado por Pierre Jodlowski, 25 de noviembre de 2013 [Pieza para cuatro percusiones y loops]: https://www.youtube.com/watch?v=Xz1fPotRK_8“C. P. E. Bach Clavier-Sonate mit veränderten Reprisen, Allegro”. YouTube Vídeo. Publicado por Yvonne Ritter, 13 de abril de 2020: https://www.youtube.com/watch?v=U79uInZEZOoIt's Gonna Rain (1965) / Steve Reich. Columbia Masterworks (1968)O Superman (1982) / Laurie Anderson. Warner Bros (1982)_____Selección bibliográficaARBO, Alessandro, Perspectives de l'esthétique musicale: entre théorie et histoire. L'Harmattan, 2007*CORNÚ, Adriana, “La repetición en música: un intento de superar las limitaciones de la teoría tradicional”. Revista del Instituto Superior de Música de la Universidad Nacional de Litoral, n.º 6 (1999), pp. 37-55DENNIS, Brian, “Repetitive and Systemic Music”. The Musical Times, vol. 115, n.º 1582 (1974), pp. 1036-1038*DOFFMAN, Mark, Emily Payne y Toby Young (eds.), The Oxford Handbook of Time and Music. Oxford University Press, 2022*FINK, Robert, Repeating Ourselves: American Minimal Music as Cultural Practice. University of California Press, 2005MARGULIS, Elizabeth Hellmuth,“Silences in Music Are Musical Not Silent: An Exploratory Study of Context Effects on the Experience of Musical Pauses”. Music Perception: An Interdisciplinary Journal, vol. 24, n.º 5 (2007), pp. 485-506*—, On Repeat: How Music Plays the Mind. Oxford University Press, 2014—, “Repetition”. En: The Oxford Handbook of Critical Concepts in Music Theory. Editado por Alexander Rehding y Steven Rings. Oxford University Press, 2019*METZER, David, “Modern Silence”. The Journal of Musicology, vol. 23, n.º 3 (2006), pp. 331-374*MIDDLETON, Richard, “‘Play It Again Sam': Some Notes on the Productivity of Repetition in Popular Music”. Popular Music, vol. 3 (1983), pp. 235-270*NACENTA, Lluís, A la escucha de la repetición musical. Tesis doctoral, Universitat Pompeu Fabra, 2014O'BRIEN, Kerry y William Robin. On Minimalism: Documenting a Musical Movement. University of California Press, 2023*PHILIP, Robert, Performing Music in the Age of Recording. Yale University Press, 2004*PHILLIPS, Michele y Matthew Sergeant (eds.), Music and Time: Psychology, Philosophy, Practice. Boydell Press, 2022RAHN, John, “Repetition”. Contemporary Music Review, vol. 7 (1993), pp. 49-57SULLIVAN, Tim, “Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano”. En: Analytical essays on music by women composers: concert music, 1900-1960. Editado por Laurel Parsons. Duke University Press, 2022*WARBURTON, Dan, “A Working Terminology for Minimal Music”. Intégral, vol. 2 (1988), pp. 135-159* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

It's the unofficial end to the summer series, dropping a day or two before summer actually ends -- but we waited until #XLessDrEarl was back in studio!  And here he is, joining d$ and Mikey as they count down their all time 10 favorite films ever (and give 11 thru 20 later on in the show) Mikey and d$ have a recap of the All Time Top 10 given in Eps 214 and 218 (back in March of 2016), but for #XLessDrEarl, its a brand new list that none of us had ever heard. And after a lengthy discussion on the films of Ernest, we dive in to the all time top ten... of course there is some crossover, and a little movement from previous lists to now -- and only a smattering of pretention.  You'll hear about Harry Ford and Michael Mann. Some Tom Hanks and Audrey Hepburn.  Morgan Freeman and Play It Again Sam... films from 1942 all the way up to 2010. It was a great list to discuss and we'd love to know YOUR faves too. Here are movies discussed and where to find them streaming at time of recording: Almost Famous - MGM+ Andre Rublev The Big Lebowski - rental Blade Runner - rental Casablanca - MAX Chariots of Fire - rental Clerks - Netflix Days of Heaven - Criterion Channel The Empire Strikes Back - Disney+ The Godfather - Paramount+ Heat - Showtime Inception - rental The Last of the Mohicans - TubiTV Lawrence of Arabia - Amazon Prime The Mission - rental The Princess Bride - Disney+ Pulp Fiction - Amazon Prime; Paramount+; AMC+ Raiders of the Lost Ark - Disney+ Roman Holiday - rental The Seventh Seal - MAX; Criterion Channel The Shawshank Redemption - TBS; rental Star Wars - Disney+ Titanic - Paramount+ To Kill a Mockingbird - TubiTV True Romance - rental You've Got Mail - rental

The period of the Judges lasted for about 400 years. That is about the same length of time since Jamestown and Plymouth Rock's settlements were established and 150 years longer than the thirteen original colonies declared independence from Great Britain. God is so merciful and patient with all of us. Have you been like me before and threatened you kids with a “You do that one more time and I'm going to……”? Maybe you sounded more like, “Don't try me or you're going to end up in timeout?” We really don't understand how patient and merciful our God is with us! Instead of saying “Play it Again, Sam”, He said, “That's it! No more! You've made your bed, now sleep in it!” Well, it wasn't exactly those words, but He turned them over to their rebellious choices and consequences until they “genuinely” repented. What is “genuine” repentance? What did it look like for Israel in Judges 10? What does it look like for us in 2024? What does it look like for Shelbyville Community Church? What does it look like for you and me? We won't be blowing any trumpets tomorrow, but we will let the Holy Spirit apply this passage to our lives. Hoping to see you tomorrow.

Hello Listeners! In this episode, we had the opportunity to have a conversation with J. Bernardt J. Bernardt, also known as Jinte Deprez (from Balthazar), will release his second studio album, ‘Contigo' via Play It Again Sam. For information to listeners, Deprez is best known as one of the singer-songwriter duo of Balthazar, one of Belgium's most beloved and respected alt-rock bands for over two decades. As a group, they have performed at various prestigious events and venues such as All Points East, British Summer Time, Electric Ballroom, Village Underground, Scala, and have sold over 600,000 albums worldwide. J. Bernardt with ‘Contigo' - derived from the Spanish word meaning “with you”—is a dramatic, captivating, and colorful work, filled with drama and brought to life by the luxurious melodies, vocals, and production from the master auteur, inventor, and music singer. The lead single, titled “Don't Get Me Wrong,” once again showcases Bernardt's unique ability to blend pop orchestration with a touch of funk, creating something truly mesmerizing. Speaking about the song, Deprez explained, “‘Don't Get Me Wrong' explores a miscommunication skill that misses the mark, even sparked by the sabotaging desires of two people who choose projection over self-reflection . A classically trained violinist, Deprez has scored all the orchestration for Contigo. He is a generalist a (singer, songwriter, instrumentalist, arranger, producer, engineer, and programmer). He began producing Balthazar's first album in 2008 (co-producing three of their five albums to date), and his debut album (released in 2016) was entirely self-made. While the sound of Running Days was shaped by electronics, the new album Contigo is based on an old-school band – a group of Deprez's “highly talented” friends, whom he guided through intense rehearsals and performances, “searching for that spark,” ably assisted by producer and mixer Tobie Speleman. Listen full episode on Bingkai Suara with Royhan and don't forget to follow our podcast on any podcast platforms, our Instagram Bingkai Karya, and stay updated with our recent news on www.bingkaikarya.com

Partie 2

Simon Heavisides  in conversation with David Eastaugh You can pre-order the book from Stichting Opposite Direction, Jean-Paul van Mierlo: vanmierlojeanpaul00@gmail.com https://louderthanwar.com/destiny-stopped-screaming-the-life-and-times-of-adrian-borland-book-review/ https://www.amazon.co.uk/Destiny-Stopped-Screaming-Adrian-Borland/ Adrian Borland, was singer/guitarist and main songwriter with The Sound, a band which between 1979 and 1987 released seven albums that never failed to be at the very least full of passion and raw emotion. They made their debut in 1979 with the "Physical World" e.p, but it wasn't until the release of the "Jeopardy" album in 1980 that it became clear how special the band was. Two more albums for WEA followed, "From The Lions Mouth" and "All Fall Down", which resulted in the band leaving the label. Indie label Statik signed the band and released "Shock Of Daylight" and "Heads & Hearts" along with the double live album "In The Hothouse". A move to the Belgium based Play It Again Sam brought with it the band's final album "Thunder Up". They disintegrated at the end of 1987.

Today's show is a su-purr fun chat with Mikel Delgado, who is a certified cat behavior consultant and author of the upcoming book, Play With Your Cat! She explains why play is important, what kind of interaction constitutes play, and which cats need it (hint- all of them!). She gives us her favorite toys and even talks about how to make your own. Think your cat doesn't play? We explore why you may be wrong. Listen now about how play can improve your life and your cat's! EPISODE NOTES: Play it Again, Sam!

In five days OpenAI's boss was fired by its board; hired by Microsoft, the startup's biggest investor; and returned to his post at OpenAI. Yet things cannot be as they were: the shuffle will have consequences for the darling of the artificial-intelligence community and for the industry as a whole.Hosts: Tom Lee-Devlin, Alice Fulwood and Mike Bird. Guests: Benedict Evans, a technology analyst and former venture capitalist, and The Economist's Arjun Ramani and Ludwig Siegele. Hosted on Acast. See acast.com/privacy for more information.

In five days OpenAI's boss was fired by its board; hired by Microsoft, the startup's biggest investor; and returned to his post at OpenAI. Yet things cannot be as they were: the shuffle will have consequences for the darling of the artificial-intelligence community and for the industry as a whole.Hosts: Tom Lee-Devlin, Alice Fulwood and Mike Bird. Guests: Benedict Evans, a technology analyst and former venture capitalist, and The Economist's Arjun Ramani and Ludwig Siegele.Sign up for a free trial of Economist Podcasts+. If you're already a subscriber to The Economist, you'll have full access to all our shows as part of your subscription. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Episode:Title: Play it again, Sam.Show: ohmTown Daily - Science, Technology, & SocietySeason: 2Episode: 322Date: 11/18/2023Time: 6PM ET Sun-Sat, 8PM ET M-F@ohmTown Episode Article Vote: https://www.ohmtown.com/elections/Past Episode Votes: https://www.ohmtown.com/past-elections/Live on Twitch: https://www.twitch.tv/ohmtownYoutube: https://www.youtube.com/ohmtownPodcast: https://podcasts.apple.com/us/podcast/ohmtown/id1609446592Patreon: https://www.patreon.com/ohmTownDiscord: https://discord.gg/vgUxz3XArticles Discussed:[0:00] Introductions...The Rift between profit and pure research. https://www.ohmtown.com/groups/technologytoday/f/d/sam-altmans-ouster-at-openai-exposes-growing-rift-in-ai-industry/Play it again, Sam! https://www.ohmtown.com/groups/stockmarketeers/f/d/openai-investors-trying-to-get-sam-altman-back-as-ceo-after-sudden-firing-wsj/How rivers provide drinking water https://www.ohmtown.com/groups/ohmtowndaily/f/d/researchers-explored-pitch-black-pits-in-yucatans-labyrinthine-underwater-caves-to-unlock-the-secrets-of-the-rivers-that-provide-drinking-water-to-millions/We shape AI, AI shapes us, We shape Us. https://www.ohmtown.com/groups/technologytoday/f/d/ai-how-it-hands-power-to-machines-to-transform-the-way-we-view-the-world/Why do you keep watching yourself? https://www.ohmtown.com/groups/technologytoday/f/d/this-3d-printer-can-watch-itself-fabricate-objects/AI is suited for these tasks https://www.ohmtown.com/groups/technologytoday/f/d/for-which-tasks-is-artificial-intelligence-least-well-suited/The priciest bottle of whisky https://www.ohmtown.com/groups/mobble/f/d/record-for-worlds-priciest-bottle-of-whisky-smashed-at-london-auction/IVF for Coral means things are bad https://www.ohmtown.com/groups/ohmtowndaily/f/d/florida-scientists-are-giving-coral-ivf-treatments-to-help-bolster-dying-reef/Overdue Library Book Returns https://www.ohmtown.com/groups/ohmtowndaily/f/d/century-overdue-library-book-is-finally-returned-in-minnesota/Taking the AP Exam https://www.ohmtown.com/groups/ohmtowndaily/f/d/the-college-board-is-raking-in-cash-as-it-promotes-its-ap-exam-among-low-income-students-many-of-whom-are-failing-it/Broadcasted live on Twitch -- Watch live at https://www.twitch.tv/ohmtown

Sam Herrmann, of Muscatine, winner of the 38th Iowa Mid-Amateur Championship hosted by Geneva Golf & Country Club. Herrmann talks about his three days of success on his current home course, growing up on a course where he could hit a lot of wedges and sharpening his game at Loras College. Sit back and enjoy!

Austin and Tim travel back in time to June 26th 1972 and have a 6-movie marathon. Your hosts will be reviewing PUPPET ON A CHAIN, PLAY IT AGAIN SAM, SKYJACKED, THE COWBOYS, FROGS, and THE ABOMINABLE DR. PHIBES.

Blair gives some tips on how to stay positive during times like these. Martin gives us some statistics, and tell how you could become a "podfan"...Call-to-Action: After you have listened to this episode, add your $0.02 (two cents) to the conversation, by joining (for free) The Secular Foxhole Town Hall. Feel free to introduce yourself to the other members, discuss the different episodes, give us constructive feedback, or check out the virtual room, Speakers' Corner, and step up on the digital soapbox. Welcome to our new place in cyberspace!Show notes with links to articles, blog posts, products and services:Play It Again Sam! Turn the Table on National Record Store Day.Electric Light Orchestra (ELO)"Evil Woman - The American ELO"TANSTAAFLThe Romantic ManifestoAndrew Layman's Top 3 Objectivist Content RecommendationsHow Does One Lead a Rational Life in an Irrational Society?“What Can One Do?”All politics is localHumanProgress.orgSuperAbundance bookThe Roots of ProgressJason CrawfordNews sandwichOminous Parallels by Dr. Leonard PeikoffThe Cause of Hitler's GermanyThe Paper TIgerCalumet "K"Fruity Dreams about Jingle and Orchestral BellsKyrin Down's review of The Secular Foxhole podcastWelcome to The Secular Foxhole Podcast! (trailer, August 26, 2020)Podcasting 2.0...

In the aftermath of the Black Rose's attack on Styx Detective Agency and the revelation in the wine cellar of the Grand Acheron Hotel, Blake teeters on the edge of surrender, until an unusual client sends him on an unexpected case...

Blink-182 formed in 1992 making the band 31 years old at the time of this recording. The bandmembers are in their late 40s.This is a link to the process of lectio divina, as Matthew outlined in this episode. Lent is a great time to try it out if you never have!Episode SummaryHow many times have you seen your favorite movie? Read your favorite book? Ben and Matthew examine our urge for repeat viewings and the stories that strike a chord with us.About the ShowEchoes of Eternity is a podcast focused on fostering discussion about modern popular fiction in a way that puts us in touch with our deepest longings and how they direct our hearts to God. Each episode we share insights and ideas about the shows, movies, books, and music that make up our storytelling landscape and weigh their merits against the moral backdrop of the Christian worldview.

Sam is financially comfortable. Sam's podcast https://anchor.fm/theoscardoesntgoto/episodes/American-Hustle-with-Valentina-e16dpo8 Twitter https://twitter.com/SamTheParasite https://twitter.com/TODGTpodcast https://twitter.com/300Passions twitter.com/Zita_Short Letterboxd https://letterboxd.com/sammeltzer/ Grant Zepernick provided the artwork for this podcast. Please rate and review the podcast in order to increase its visibility. Thanks for listening.

Repurpose your content. Listen and subscribe. --- Support this podcast: https://anchor.fm/onlinemarketingmoves/support

We have on senior film correspondent Carrie to talk Casablanca!

Courting - "Tennis" a 2022 single on Play It Again Sam. UK band Courting set the course with their 2020 single "Football" and the title track off last year's EP, Grand National. Now they return with another sporting track, the playful post-punk ode "Tennis," featuring frontman Sean Murphy-O'Neill talk-singing over a Krautrock beat.  “‘Tennis' is a paypig's personal redemption narrative, set in “the city”, and told in two parts,” the band in a press release. “A twisted tale of two lovers' back and forth, bound by cricket, bodybuilding, and money. A story as old as time.” “We named the song 'Tennis' as a logical (but unrelated) sequel to our two previously released sports-related songs. To us, this felt like a natural ending to that idea. Dynamically, the second part of the song is supposed to represent a shift in tone for the character in which they realise their own worth and leave the situation that is set within the first part of the song.” Read the full story at KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

All of us stood up after this one and felt more hammer'd 'n hell Patreon.com/bigbigradioshow for the naughty stuff

My guest has been on the show once before along with the senator and we refer to him as Templeton, as in form Charlotte's Web. We've been besties since high school where we were both relatively scrawny, neither of us was on any sports teams but we hung out with a couple of the jocks.  We took a bunch of the same college classes together and always talked about our own business partnership firm being called “Wrong and Wronger” and then fill in the blank after that… wrong and wronger accounting firm, wrong and wronger legal consultants, wrong and wronger construction company, you get the idea… whatever we did we would kinda screw it up. His idol back in high school was Woody Allen.  Not the pervert Woody Allen, but the Woody Allen that brought us Annie Hall, Play It Again Sam, Manhattan, Sleeper, Bananas, Take The Money and Run.  Unfortunately today we can't separate Woody Allen from his sickness, but his work in the 60's 70's and 80's alone was incredible and that… for very understandable reasons is why Woody was my friend's idol.  Here Woody in an interview from 1971…  But what Templeton was always good at, and still is, he's good at recruiting people into some kind of scheme, like in our 20's we played a LOT of softball.  He would recruit a couple of ringers and then get us into a D-league where he would say, “guaranteed sweatshirt”, like that was something to covet… a D-league softball champions sweatshirt.  So he's always been known to have some sort of scheme going, an angle or something (bite) We've been roommates, At parties and night clubs we were always, always the wallflowers, and I got to be best man at his wedding.  His wife has been a teacher for over thirty years in the public school system… no easy feat.  She retired on Friday of last week and we talk about what it takes to be teacher, how highly our society values teachers… at least we say we do, it just isn't reflected in their paychecks. We also talk about our equally… well almost equal ineptitude at being handy around the house.  Usually he has the good sense to not even try whereas my ego sends me to Lowe's three times in one day and half a day just to complete a task that a normal human would complete in an hour.  This time, however, Templeton has me beat and he shares his misfortune. One of the main things Templeton is absolutely beloved for is in the way he butchers the english language.  I have several friends that do that including the senator…. But Templeton does it in a magical way that kept him with his business partner for over 30 years.  I don't think he quite demonstrates it fully in this conversation, and if he does I don't call him out on it, but his usual response is, “You know what I meant”. As we start our conversation he is somehow under the impression that we are not recording yet and that at some point we are going to “go live”.  I don't think any podcast is live, otherwise it would be a webcast wouldn't it? A husband brags about a retiring school teacher and how NOT to change lightbulb on The Modern Moron, and thanks for listening. CLOSE - Congratulations on 34 years of teaching our little one's.  Enjoy a great retirement.  Before we part ways I want to keep trying to have a little segment called Moron Chaplaincy or maybe I have to set aside whole episodes for that, but I wanted to tell you about one very small, incident that I thought was going to be fairly routine but it wasn't.  Maybe that's one of the things I like about Chaplaincy in a hospital, sooner or later you get something unique, as long as your paying attention.   So I'm making my rounds a few weeks ago and usually the door to the patients rooms are open so I can knock gently on the door and see if they're up for a visit.  If the door is closed I figure one or both of the patients don't want to be disturbed.  For some reason, I knocked on a closed door, opened it and walked into a room with one patient in it.  The patient was quite literally chained to his bed.  With a chain.  Not a strap or restraint, but a chain.  And sitting with the patient are two Highway patrol, or if you're not in California a State Trooper.  One of them might have been a county Sheriff.  I've opened the door and stuck my head in and actually am halfway in the room.  So I said something to the effect of, “hey, what's up?”  One of the officers stands up and turns to address me so I introduce myself, ‘hello, I'm Charlie the Chaplain or whatever, I didn't say that.  But I did identify myself and the officer said it would be fine if I visited the “patient”.  So I cross the room, I pull up a chair, and I sit with this guy, a pretty good sized guy… Are you feeling any pain? Where are you from? Does your family know you're here? Not much of a conversation.  I asked him if it would  be alright if I prayed for him.  He said yes.  By the way I'm not big on prayer myself but if it's for someone else and they value it, which some really do, I'm happy to do that.   As I was leaving that room and walking down the hall, I thought of that incredibly sad hospital room.  And it wasn't just the patient chained to his own bed.  Were either of those two officers realizing their full potential sitting in that room all… day… long.  Staring and scrolling on their phone.  Is that what they imagined when they decided to get into law enforcement?  I doubt it.  I felt bad for everyone in that room. What made me think of this is that today, I'm in one of the units, I'm walking down the all and I'm behind two law officers again.  You do see officers around a hospital, particularly the ER Department and the front desk perhaps but not usually IN the hospital.  So now I look past the two officers and I see a guy with gray hair, who I think is shuffling along because, that's what patients do in hospitals who have just had surgery and many times they've got their IV stand they're pushing along beside them.  This guy has all that and he's shackled AND he's got some contraption around his waist that looks like they've got big brick sized batteries on his sides.  AND, there's another officer in front of him.  This could have been Hannibal Lecter Junior for all I know.  What gray haired man need three armed guards around him when he's already shackled?  Jesus, I'm lucky I still have a face.   Music: "Lightless Dawn" Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License; http://creativecommons.org/licenses/by/4.0/

Die Banausen Lee und Guess freuen sich sehr auf die neuen Auftragsfilme und Lose unserer Supporter, die heute bekannt gegeben werden. Zudem erwarten euch einige Plot-Twists in den 5 Rezensionen aus 5 verschiedenen Dekaden - didn´t see that coming!

Marcus Gorman joins Brian for a discussion of PLAY IT AGAIN, SAM, starring Woody Allen and Diane Keaton. They also talk about the career about the film's director, Herbert Ross!PLAY IT AGAIN, SAM is available on Amazon Prime: https://amzn.to/370udLqFollow us at filmatfifty.com and @filmatfifty on social media, and please leave us a five-star review on Apple Podcasts or wherever you listen to your podcasts.

************You will have a chance to get the digital comic Play It Again for free by rt'ing The Paranormal Burrito's Pinned Tweet (@TPBpod) Join in as Antwan Starpuncher and Stevie Wildcard of We have Issues Podcast take on their biggest threat yet! An interview with Caleb Burritoboi.  Find them here:  A weekly podcast where two best friends try to help each other navigate adulthood while chasing their dreams of making comic books-  https://twitter.com/WeHaveIssuespod https://www.youtube.com/wehaveissuespodcast   They have a new comic out find it here:  https://www.amazon.com/dp/B09JM45VYP (Only $5.00!)    That's not all! You will have a chance to get the digital comic Play It Again for free by rt'ing The Paranormal Burrito's Pinned Tweet (@TPBpod)        

Just one more thing...Before each recording, the hosts & their guest solve a cryptic crossword. In the podcast, we riff on words in the grid or clues (spoilers!), telling each other things we find funny or interesting about them. We'll also pick a favourite clue each, and explain how it works to the listener, and have a mini-quiz, also inspired by the puzzle. You don't have to solve or understand cryptic crosswords yourself to enjoy this podcast, but hopefully we might intrigue and tempt you to dip your toes in the water. See acast.com/privacy for privacy and opt-out information.

Host, Dave Hondel has a conversation with Director, Tom Kline and Actors, Shelly Whittle, Nicole Neubaur and Dexter Fortune about their upcoming play "Play It Again Sam" at the Melon Patch Theatre in Leesburg, FL. Allan Felix has this thing about Humphrey Bogart. If only he had some of Bogart's technique . . . The recently-divorced young Allan is bookish and insecure with women. Luckily his hero "Bogey" comes to the rescue with a fantastic bevy of beauties played out in hilarious fantasy sequences. In the real world, fixed up by friends with gorgeous women, Allan is so awkward that even Bogey's patience is tried. Allan mostly resembles a disheveled, friendly dog . . . and this is what ultimately charms his best friend's wife Linda into bed. It's a tough life, making it in the world of beautiful people, but if you can't be a hero, it helps to have one! Check out this interview and find out how you can get tickets. Theatre is back! --- Send in a voice message: https://anchor.fm/thestagedoorshow/message

Back with more talk about the relevant things in society.  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/cjmwhateverwhatever/message Support this podcast: https://anchor.fm/cjmwhateverwhatever/support

Hop aboard and take a ride on the highway to the danger zone with Brian and Rich as they set their sights on music in movies and television. The guys take a trip down memory lane to discuss some of their earliest experiences with songs in moving pictures – Follow That Bird may or may not come up… They then dive into soundtrack versus score and how the use of music in visual media has changed over the years: from an avenue to promote new artists and music; to creating soundscapes that evoke time and place; to visionary auteurs and their use of music to express theme as well as personal aesthetics throughout their oeuvres. Throw on your head phones, grab a bucket of popcorn and a gallon drum of your favorite beverage and remember…there are no points for second place…let's make a lunch out of it. Want to hear some of the awesome music mentioned during the episode? Check out the Track Lunch Episode 5 Playlist! https://open.spotify.com/playlist/6UbXQnOLF078AZ3oCt51RK?si=Yk3JaIw-S_ifmKwtYVXt5A --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Welcome Back Y'all! After a week on the road, it's great to be back with another fantastic guest. Sam Perez, the brand new Food and Beverage Director at the Catahoula Hotel, joins us to discuss their history as a long time resident of Southeast Louisiana. Besides being a talented hospitality professional, Sam is a dedicated advocate for several very pertinent social issues in our community. Among those, we get to chat a little about Coastal Preservation and intersectionalsim in public environments. Anywho, it's great to have y'all back here at ARWSAC! Enjoy this episode and let us konw what you think! Cheers! Steve

Some claim that certain common false memories are evidence for alternate realities.