Podcasts about Tench

I hope you've been enjoying the last few weeks of the Talkhouse feed as we've been throwing some new shows your way. If you haven't checked out Summer Album/Winter Album yet, please do, and look out for new episodes of Nobody's Ever Asked Me That, featuring my esteemed colleague Nick Dawson, in the coming months, too. Today's episode of the Talkhouse Podcast features a pair of incredible songwriters in a lovely chat about the thing they love to do the most: make music. We've got Benmont Tench and Taylor Goldsmith. Tench, in case you don't recognize the name, is a founding member of Tom Petty & The Heartbreakers, and a guy who helped shape rock music for decades with the distinctive sound and feel of his piano, organ, and much more. Tench made music with Petty from the time they were 11 years old until Petty's death in 2017, but he's also contributed to songs and albums by a dizzying array of other artists, too, from Roy Orbison to Fiona Apple to U2. As you'll hear in this conversation, Tench is always playing music because he loves it so damn much. He recently released his second-ever solo album, The Melancholy Season, and it includes some playing from his friend Taylor Goldsmith. Check out the title track from The Melancholy Season right here. Goldsmith is best known as the singer of the band Dawes, whose Laurel Canyon-inspired folk-rock has been caressing our ears for the past 15 years or so. Dawes has gone through some personnel changes in the past couple of years, paring back to Goldsmith and his brother Griffin and releasing a new album, the fittingly titled Oh Brother just last year. Both Goldsmith brothers were hit hard by the Los Angeles fires, losing their homes and the majority of their beloved instruments. But Goldsmith, as you'll hear, is taking it in stride. In this conversation, Tench and Goldsmith talk about, again, their love of music: Tench even recalls telling his daughter that he loves her more than he loves music—the highest compliment he can pay. Both of these guys are pretty recent fathers, too, which comes up. And of course they can't get around talking about the genius of Tom Petty—and the accidental genius of Heartbreakers' guitarist Mike Campbell's shirt. Listen and you'll understand. Enjoy. Chapters: 0:00 – Intro 2:24 – Start of the chat Thanks for listening to the Talkhouse Podcast and thanks to Benmont Tench and Taylor Goldsmith for chatting. If you liked what you heard, check out all the great stuff at Talkhouse.com and in the Talkhouse Podcast Network. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.

Benmont Tench is the keyboardist and a founding member of Tom Petty and the Heartbreakers. That's reason enough to listen to this podcast. I've interviewed other icons—Duff McKagan, Johnny Marr, and Jerry Harrison, to name a few—and they all have one common thread: a voracious appetite for art in all its forms. They consume books, movies, paintings, poetry, sculptures, you name it. Artists with longevity know that to create art, you have to constantly consume it.Tench is no exception. “The more I read, the more chance I have to get inspired because I'm opening myself up to language. But I'm inspired by all art; I'm even inspired by looking out the window. It all comes in, and it all shows up in my writing,” he says.  When I asked Tench if he favors any certain medium, his response was simple: “From Milton to Milton Bradley.” He's also the first songwriter I've interviewed to cite both Manet and the Steve Martin movie Dead Men Don't Wear Plaid as inspiration.Tench's solo album The Melancholy Season is out now. Send us a text

Legendary keyboardist Benmont Tench will release his new solo album, The Melancholy Season, on March 7. It's his first solo album in a decade. This week he's at Cafe Carlyle through Saturday. Tench stops by to play some music live from our studio.*This segment is guest-hosted by David Furst.

In this episode of the Crack House Chronicles Donnie and Dale discuss the disappearance of Andy Tench. Andrew Douglas Tench, a 31-year-old resident of Belmont NC, was reported missing by his family on March 26, 2024. Tench was last seen on Sunday, March 24, 2024, around 11:30 pm, leaving his Belmont residence for Charlotte in a 2010 Hyundai Elantra. The vehicle was later found abandoned in Monroe, NC. D'Shaun Montrell Robinson was arrested on several counts related to Andy Tench including disposing of his body in a dumpster. Robinson is currently working on a plea deal which, if granted, would most likely end up with time served. Andy Tench is a white male, approximately 5'05" tall, weighing about 135 lbs. He was last seen wearing blue jeans and a black t-shirt. If you have any information on Andrew Tench's whereabouts, please contact Detective H. King at 704-866-3320.        

"Independent of the control or interference of the federal government." That's how Tench Coxe described the vast majority of power under the Constitution - reserved to the states and completely off-limits to the federal government. In this episode, we're diving into his powerful insights: specific powers reserved to the states and the limits placed on federal power. Living under the largest government in history, this 10th Amendment foundation of the Constitution is more important than ever. The post 10th Amendment Explained: Tench Coxe on State vs Federal Power first appeared on Tenth Amendment Center.

His writings had far more influence on the debates over the Constitution than the Federalist Papers we hear so much about today. In this episode, learn his top-4 arguments for ratification, including a clear line in the sand on delegated and reserved powers, the true source of government power, the militia, and much more. The post Forgotten Founder Tench Coxe: The “Other” Federalist Papers Revealed first appeared on Tenth Amendment Center.

In celebration of the new Deluxe Edtion of Long After Dark, the fifth studio album by Tom Petty and the Heartbreakers, we take a detailed look at how it was made. After Tom Petty connected with Mike Campbell and Benmont Tench to form Mudcrutch in Gainesville, Florida in 1970, they ended up relocating to Los Angeles. There they were able to sign a deal with Shelter Records, but Mudcrutch broke up soon after, leaving Petty under contract as a solo artist. Campbell and Tench began playing in a band with fellow Floridians, Ron Blair and Stan Lynch and they reconnected with Petty to form Tom Petty and the Heartbreakers. Their self-titled debut album was released in 1976 with You're Gonna Get It following in 1978, and they built up a following in the UK especially. For their third album, they teamed up with producer Jimmy Iovine and spent many months recording what became Damn the Torpedoes. The album ended up being a breakthrough for the band, giving them mainstream success for the first time. They continued working with Iovine for their fourth album, Hard Promises. At this point, Ron Blair left the band so they brought in Howie Epstein on bass. They began working on their fifth album, which was produced by Iovine again. Long After Dark was eventually released in 1982. In this episode, drummer Stan Lynch describes where the band was at in this period when they had achieved their dream of success and were trying to figure out where to go next musically. Lead guitarist Mike Campbell explains his collaboration process with Petty for several songs where he would present a fleshed out demo for Petty to write lyrics to. Adria Petty describes being 8 years old when this record came out and shares her memories of this time when her father was writing from darker and more personal place than before. Producer and archivist Ryan Ulyate talks about the country leaning outtakes from these sessions and how Petty left high quality material off the record as he focused on structuring a cohesive album. With Long After Dark (Deluxe Edition), we get a chance to hear an alternative direction for the album that presages the more acoustic songs that Petty would embrace in his later career. From a dark and edgy sound to the record to Petty viewing songwriting as a job to experimenting musically with drum loops and synthesizers to engineer Shelly Yakus being an unsung hero to the band coming to the end of their work with Jimmy Iovine to welcoming the new format of MTV with the “You Got Lucky” video, we'll hear the stories of how the record came together.

Chris Tench is a producer/songwriter/multi instrumentalist & foodie. Tench started out his professional career in the mid 1980's as a Drummer and guitarist in cover bands. He relocated from Hudson Ohio to Atlanta Georgia with original band Tabula Rasa where he also began working on short films and television. Moving to Nashville Tennessee in 1993, Chris joined up with long time friend/musician/puppeteer/writer and directorLiam Lynch to form the band Owens Ashe's. That would then lead to working with other hometown friend writer/producer Matt Crocco on MTV's The Sifl & Olly Show as guitar player and character "Zafo". In the years to follow, Chris built a solid base of touring, writing, recording and producing with such artists as: Robert Nix, Kim Collins, Dick Aven, Roger Moutenot, Brian Arbuckle, Liam Lynch, Ben Keith, Matt Crocco, David Crocco, Brian David Hardin, Joe Costa, Tres Sasser.In the last few years, Chris has written, played and produced for independent  artists, bands, movies and Television shows such as: Good Day for It, Matthew Ryan, No Boundaries, Joanna Cotten, Brett Ryan Stewart, Will Webb, Amelia White, Carly Jamison, Moe Loughran, Julie Christensen, Dick Aven, Automatik Eden with Sean & Juliette Beavan of 8mm, David Newbould, Reckless Johnny Wales, Erland Wanberg, Renee Wahl, Neptune The Mystic, Stuffy Shmitt and most recently NIGHTHAWKHe has also written score's for two plays for actress and producer Jennifer Jewell: Goblin Market and Raison d'Être: An Evening Of Pirandello ...Host - Trey MitchellIG - treymitchellphotographyIG - feeding_the_senses_unsensoredFB -

May we have your at-TENCH-ion please? Will the real Slime Shady please stand up? Folklore has it that Tench slime can cure any sick fish that rubs against it. Hence its other name: “Doctor Dre.” Oh wait, oops (checking notes). Hence its other name: "Doctor Fish." Guest Bryan Witte, a fisheries biologist with the Kalispel Tribe talks with us about ol' Tinca tinca including how and where to catch one.Tench were first introduced to NorthAmerica in the 1870s. On our latest podcast episode of "Fish of theWeek!" we're talking all about Tench with a focus on eastern Washington.Catch new episodes every Monday at FWS.gov or wherever you get your podcasts!

Comic Reviews: DC o        Plastic Man No More! 1 by Christopher Cantwell, Alex Lins, Jacob Edgar, Marcelo Maiolo o        Trinity Special: World's Finest 1 by Tom King, Belen Ortega, Alejandro Sanchez, Tamra Bonvillain o        Poison Ivy 25 by G. Willow Wilson, Marcio Takara, Arif Prianto; Joanna Starer, Haining, Ivan Plascencia; Grace Ellis, Brian Level, Arif Prianto; Gretchen Felker-Martin, Atagun Ilhan, Deborah Villahoz; Dan Watter, Dani, Brad Simpson Marvel o        Deadpool Team-Up 1 by Rob Liefeld, Chance Wolf o        Exceptional X-Men 1 by Eve Ewing, Carmen Carnero, Nolan Woodard o        Marvel Zombies: Dawn of Decay 1 by Thomas Krajewski, Jason Muhr, Rachelle Rosenberg o        Moon Knight Annual by Dan Watters, Marco Renna, Rachelle Rosenberg o        Star Wars: The Acolyte – Kelnacca 1 by Cavan Scott, Marika Cresta, Jim Campbell o        What If…? Donald Duck Became Thor 1 by Steve Behling, Riccardo Secchi, Giada Perissinotto, Lucio Ruvidotti o        Marvel Unlimited §  Alligator Loki 37 by Alyssa Wong, Bob Quinn, Pete Pantazis §  Lovable Lockheed 1 by Nathan Stockman §  X-Men: From the Ashes Boom o        Farscape 25th Anniversary Special by Sina Grace, Jackson Lanzing, Collin Kelly, Zac Thompson, Sarah Gailey, Keith DeCandido, Stefano Simeone, Francesco Mortarino, French Carlomagno o        Firefly: Malcolm Reynolds Year One 1 by Sam Humphries, Giovanni Fabiano, Gloria Martinelli o        Minor Arcana 1 by Jeff Lemire Dark Horse o        Star Wars: The High Republic Adventures – Echoes of Fear 1 by George Mann, Vincenzo Riccardo, Vincenzo Federici, Michael Atiyeh o        Star Wars: The High Republic Adventures Phase III – Crash and Burn 1 by Daniel Jose Older, Nick Brokenshire, Michael Atiyeh IDW o        Star Trek 500 by Jordan Blum, Patton Oswalt, Leonard Kirk, Lee Loughridge; Jody Houser, Vernon Smith, Charlie Kirchoff; Stephanie Williams, Tench, JP Jordan; Mike Chen, Angel Hernandez, Nick Filardi; Magdalene Visaggio, Megan Huang, Charlie Kirchoff; Morgan Hampton, Megan Levens, Charlie Kirchoff; Jackson Lanzing, Collin Kelly, Christopher Cantwell, Davide Tinto, Lee Loughridge Image o        Lady Mechanika: The Devil in the Lake 1 by Joe Benitez, M.M. Chen, Siya Oum, Beth Sotelo Archie o        Sabrina the Teenage Witch Annual Spectacular by Ian Flynn, Steven Butler, Lily Butler, Glenn Whitmore Mad Cave o        Flash Gordon Quarterly 1 by Dennis Culver, Pasquale Qualano, Mark Englert o        Prairie Gods 1 by Shane Connery Volk Oni o        Autumn Kingdom 1 by Cullen Bunn, Christopher Mitten, Francesco Segala ComiXology o        Princess Paradox by Taran Baker, Nadine Scholtes Titan o        Conan the Barbarian: The Battle of the Black Stone 1 by Ian Flynn, Steven Butler, Lily Butler, Glenn Whitmore OGN Countdown o        Olaf's Complete Comic Collection o        Evelyn and Avery: The Art of Friendship by Elle Pierre o        Goosebumps: The Haunted Mask by R.L. Stine, Maddi Gonzalez o        Double Booking: The Tail of the Mummy Cat by Chas! Pangburn, Kim Shearer o        Neptune by Michael Conrad, Nathan Goten, Kyle Arends o        Undergrowth by Ricky Lima, Daniele Aquilani o        Yahgz vol 2: the Gwash War by Art Baltazar o        Breaking the Chain: The Guard Dog Story by Patrick McDonnell o        Knots by Colleen Frakes o        Pathways: The Chronicles of Tuvana by Elaine Tipping o        Sea Serpents Heir Vol 3: Queen of Mercy by Mairghread Scott, Pablo Tunica o        Mismatched by Anne Camlin, Isadora Zeferino o        Luminous Beings by David Arnold, Jose Pimienta o        Life Really Socks: Into the Sock-Verse by Shidan Youssefian, Roshan Youssefian, Mahui Duque o        Doña Quixote: Flight of the Witch by Rey Terciero, Monica Magaña o        Taxi Ghost by Sophie Escabasse Additional Reviews: Beetlejuice Beetlejuice, Redwall, Catching Up pilot, Secret of NIMH News: new Star Trek event, more screwy comic release schedules, Ice Cream Man TV series in development, WB games being sold, James Earl Jones, Spider-Man 4 director Trailers: Minecraft, Uzumaki, Wolf Man Comics Countdown (04 September 2024): 1.     Animal Pound 5 by Tom King, Peter Gross, Tamra Bonvillain 2.     Minor Arcana 1 by Jeff Lemire 3.     Ultimates 4 by Deniz Camp, Phil Noto 4.     Blood Brothers Mother 2 by Brian Azzarello, Eduardo Risso 5.     Penguin 12 by Tom King, Rafael de Latorre 6.     Birds of Prey 13 by Kelly Thompson, Gavin Guidry, Jordie Bellaire 7.     Public Domain 8 by Chip Zdarsky 8.     Boy Wonder 5 by Juni Ba, Chris O'Halloran 9.     Spider-Boy 11 by Dan Slott, Paco Medina, Erick Arciniega 10.  Rook: Exodus 5 by Geoff Johns, Jason Fabok, Brad Anderson  

Almost totally ignored today, Tench Coxe was famous at the time of the Founding. And his essays of “A Pennsylvanian” in support of the Constitution were actually far more widely read and influential during the debates over ratification than today's far more famous Federalist Papers. Learn about his essays where he came down in favor of the individual right to keep and bear arms, religious liberty - and a clear line in the sand between federal and state power. The post Forgotten Founder Tench Coxe: Ignored Federalist Papers first appeared on Tenth Amendment Center.

Comic Reviews: DC DC Pride 2024 by Al Ewing, Stephen Byrne; Ngozi Ukazu, Lucas Gattoni; Gretchen Felker-Martin, Claire Roe, Triona Farrell; Jamila Rowser, O'Neill Jones, Jarrett Williams, DJ Kirkland; Nicole Maines, Jordan Gibson; Calvin Kasulke, Len Gogou, Marissa Louise; Melissa Marr, Jenn St. Onge, Jeremy Lawson; Phil Jimenez, Giulio Macaione Marvel Black Panther: Blood Hunt 1 by Cheryl Lynn Eaton, Farid Karami, Andrew Dalhouse Hellverine 1 by Benjamin Percy, Julius Ohta, Frank D'Armata Midnight Sons: Blood Hunt 1 by Bryan Hill, German Peralta, Arthur Hesli X-Men: Wedding Special by Kieron Gillen, Rachael Stott, Michael Bartolo; Tini Howard, Phillip Sevy, KJ Diaz; Tate Brombal, Emilio Pilliu, Irma Kniivila; Yoon Ha Lee, Stephen Byrne; Wyatt Kennedy, Jenn St. Onge, Brittany Peer Marvel Unlimited Infinity Paws 9 by Jason Loo, Nao Fuji Dark Horse Critical Role: Vox Machina Origins IV 1 by Matthew Mercer, Jody Houser, Noah Hayes, Diana Sousa William of Newbury 1 by Michael Avon Oeming Image Grommets 1 by Rick Remender, Brian Posehn, Brett Parson, Moreno DiNisio IDW Godzilla: Mechagodzilla 50th Anniversary Special by Rich Douek, Andrew Griffith, Priscilla Tramontano Star Trek: Celebrations 1 by Steve Orlando, Lauren Knight, JP Jordan; Vita Ayala, Liana Kangas; Mags Visaggio, Tench, JP Jordan; Stephanie Williams, Denny Minonne; Hanna Rose May, Jack Lawrence, Rebecca Nalty AWA Death Ratio'd 1 by Mark Russell, Laci, Marco Lesko Valiant Rai: The Book of the Darque 1 by Dan Abnett, Emilio Utrera OGN Countdown Cloud Puppy by Kelly Leigh Miller Princess Gwenevere and the Jewel Riders by Jordie Bellaire, Koi Carreon Jurassic Jeff Vol 2: The Race to Warp Speed by Royden Lepp Detective Sweetpea Vol 2: The Case of the Golden Bone by Sara Varon Attaboy by Tony McMillen Upstaged by Robin Easter Worst Ronin by Maggie Tokuda-Hall, Faith Schaffer Maelstrom: A Prince of Evil by Lorian Merriman Additional Reviews: Cobra Kai s1, Murder at the End of the World, Room Service movie/comic, Doctor Who ep5, My Adventures With Superman s2e3, the greatest Garfield content ever created, Thursday Murder Club 4 Glenn has X-Factor questions News: He-Man cast, Mike Flanagan writing/directing/producing a new take on the Exorcist, more Knives Out casting, Dog Man movie from Dreamworks, every single era of Turtles to be represented in the 40th anniversary anthology, Wayne Family Adventures s3 release date, Dragon Prince s6 release date Trailers: Bear s3, animated Lara Croft, Venom 3, Dragon Prince s6 Comics Countdown (29 May 2024): 1.     Friday 9 by Ed Brubaker, Marcos Martin, Muntsa Vicente 2.     Batman: Dark Age 3 by Mark Russell, Mike Allred, Laura Allred 3.     Ultimate Spider-Man 5 by Jonathan Hickman, David Messina, Matt Wilson 4.     w0rldtr33 10 by James Tynion IV, Fernando Blanco, Jordie Bellaire 5.     Once Upon A Time At The End of the World 15 by Jason Aaron, Nick Dragotta, Leila Del Duca, Alexandre Tefenkgi, Rico Renzi, Lee Loughridge, Tamra Bonvillain 6.     William of Newbury 1 by Michael Avon Oeming 7.     Penguin 10 by Tom King, Rafael de Latorre, Marcelo Maiolo 8.     Undiscovered Country 29 by Scott Snyder, Charles Soule, Giuseppe Camuncoli, Leonardo Marcello Grassi, Matt Wilson 9.     Drawing Blood 2 by Kevin Eastman, David Avallone, Ben Bishop 10.  Avengers: Twilight 6 by Chip Zdarsky, Daniel Acuna

Welcome to the Environmental Podcast!

Brian "Neil" Hooks went missing from Florence, S.C. in 1988 and his family is still hoping for answers. Andy Tench disappeared from Belmont, N.C. in late March of 2024 and while his car has been found, there is still no sign of him. Charlotte, N.C. resident Mary Collins was brutally murdered by two people she called friends in March 2020 and one the accused is still out on bond. We also provide an update to the Trails Carolina case from North Carolina.

Scottie and Lawrence discuss aquatic invasive species, Grass Carp, Tench, state of Great Lake's commercial fishery, fish consumption advisories, Areas of Concern in the Great Lakes, sewage releases, eating Great Lakes Salmon, the Red Fish commercial fishery about to open on the Golf of St. Lawrence, carbon releases caused by large commercial draggers stirring the ocean bottom, and salmon plasticity.

Today, on The Goggler Podcast, Uma speaks to the executive director and musical director of Hannah Waddingham: Home for Christmas.

On this weeks Episode we Head fishing on the Emerald ladys first outing after being restored, Anthony Heads to Spiddal after some Sea Delicacy's and Brendan Heads to the Grand canal for some Tench. On our Lets Talk Gear segment its the turn of Element Optics And in particular there Helix model. And as ever we bring you a roundup of news from around the country. Hope you all enjoy

The crew sets out on a journey to recover parts from a downed communication satellite that will enable The TENCH to leave Delmark IV.  Music: Action and Adventure by Shane Ivers - https://www.silvermansound.com

Hullcutter discovers an inoculation against the TENCH, but it's a little to late as the fungal hive mind begins to communicate with him. What does this entity want? Find out in this episode. Music: Action and Adventure by Shane Ivers - https://www.silvermansound.com

We're back for Season 4! Instead of our usual 2 minute teaser episode we are launching with a bang: just shy of 2 hours of mostly 18th century prose! In this episode Jed surprises Alistair with a dramatic reading of several passages  from Watkin Tench's 1793 publication 'A Complete Account of the Settlement at Port Jackson'. The stories we explore relate to some of the first journeys the colonisers made to Dyarubbin, the river that they had mistakenly identified as both the Hawkesbury and the Nepean. Tench's writing gives us access to life on the river in the first years of the colony and shows some of the earliest interactions between the British and the Dharug people in the brief period before their displacement began.

On this weeks Episode we discuss All things Fishing, from flys to worms, spinning for Pike and Waggler fishing for Tench, Its all there. We discuss the upcoming IHP 24 HOUR CHALLENGE!!! We will be heading to wild hunter to stock up for our Pike challenge and gets some tips and tricks off the lads. We chat about a recent nights lamping with Brendans ATN and What we had taught were Misses. We chat about whats been going on in our clubs and plans for future Episodes. Hope you enjoy!!!!

Kasey is the owner of Rooting For You, a Holistic Life Coaching Mentorship. After spending a decade in public education teaching Life Skills - she transitioned into the Life Coaching world. She has built a coaching structure designed by the seasons that both we and Mother Nature move through. Through her experience in public education as well as her experience in healing from an array of Chronic Diagnoses (including Stage IV Endometriosis) she learned that this world needed more systems of support. It is Kasey's goal and desire to support women in their healing journeys and through their transitional places in life, leading them to their Rebirth. She believe in her bones that we are all self-healers destined for a life of fulfillment, sometimes we just need a little support in learning how to get there. Kasey created a guide for women called the Rebirth Roadmap. This guide is paired with weekly coaching sessions with her, for 8-weeks. On Week 9, you will have achieved your Rebirth.   Here is some insight into what we talk about in this episode: Kasey's 2 year hiatus from western medicine Changing mindset is the first step to reinventing yourself What are the obstacles to transformation and rebirth How to live intuitively Why you need to stop should-ing yourself What words in your vocabulary need to be retired What working with Kasey looks like - a week by week overview Using Kasey's free 7 day journaling guide for living more intentionally (https://www.kaseytench.com/freebie)   Stay connected with Kasey: www.kaseytench.com https://www.instagram.com/kasey__t/ https://www.facebook.com/rootingforyoullc https://www.linkedin.com/in/kaseytench/2-4   Dr. Nicole Cain, ND MA is a nationally renowned expert in natural mental health, helping people transform their mental health naturally by uncovering the root cause. She has been published by Salon Magazine, Well + Good, Psychology Today, quoted in Forbes and more!    Happy Healthy Hadlee is an ayurvedic expert, academic, healer and her mission is to teach people how to transform their habits, health, bodies, energy, confidence, and all of the other things in order to lead less stressed and more joyful lives.   Resources: Dr. Cain's Free Resources Holistic Wellness Collective - Monthly Membership Work one-on-one with Dr. Nicole Cain Hadlee's Happy Healthy Habits Program   Current On-Demand Courses: The Anxiety Breakthrough Program Ayurveda: The Key to Your Success  Gut Health Course Medication Tapering Course Vagus Nerve Reset Program Natural Solutions for Bipolar Disorder Course Natural Solutions for Depression Course Liver Health Course High Libido Life (For Women)   Follow Dr. Nicole Cain, ND MA on: Instagram Facebook  YouTube DrNicoleCain.com   Follow Happy Healthy Hadlee on: Instagram Facebook HappyHealthyHadlee.com     Disclaimer: This podcast was created by Dr. Nicole Cain, ND, MA for educational purposes only. These are the opinions of Dr. Nicole Cain, ND, MA and should not be taken as the “definitive opinion” or “absolute medical opinion” on any subject. This podcast is not a substitute for medical, psychological, counseling or any other sort of professional care. Consumption of these materials is for your own education and any medical, psychological, or professional care decisions should be made between you and your primary care doctor or another provider that you are engaged with.

Ho ho ho, Jingle Babes! Well, that was a little break... again. But we're back with an Australian 'classic' show that needs to be seen to be believed, David Tench Tonight, a talk show hosted by a CG character that nobody loved. WATCH WITH US: David Tench Tonight S1E16 (Christmas 'Best Of' Special) - YouTube Sarah recommends:  I Was Better Last Night: A Memoir by Harvey Fierstein  Michael recommends: Too Gay for Television? How Charles Nelson Reilly Proved NBC Wrong - YouTube ---------------------------------------------- Our other podcast: Greased Enlightening  Buy Sarah's art at: www.redbubble.com/people/itsaduckblur/shop AND here's Sarah's very cool Etsy store: https://www.etsy.com/shop/sarahbaggsmisc Email us on: itsaduckblurpodcast@gmail.com Please rate and review 'Sarah + Michael Save Christmas' on iTunes or Stitcher. It helps other people find the show.

It's campaign season! The Three Guys (Derek and Brett) interview Political Strategist, La Nita Ann Tench-Dykes to discuss what it takes to run and manage  a successful political campaign. The purpose of this episode isn't to dive into politics, but learn the very interesting world of running for office in 2022.     La Nita is very seasoned having worked on various local, state and national races! ***Please note all opinions expressed on The Three Guys Podcast do not represent any Group, Company or Organization***Episode Produced by The Three Guys ProductionsThe Three Guys Podcast:Instagram:  The Three Guys Podcast (@the_three_guys_podcast_) • Instagram photos and videosTwitter:  The Three Guys Podcast (@TheThreeGuysPo1) / TwitterYouTube:   Three Guys Podcast - YouTubeLinkedIn the-three-guys-podcastDerek:  Derek DePetrillo (@derekd0518) • Instagram photos and videosBrian:  Brian Nazarian (@the_real_brian_nazarian) • Instagram photos and videosBrett:  Brett J. DePetrillo (@78brettzky)

It's campaign season! The Three Guys (Derek and Brett) interview Political Strategist, La Nita Ann Tench-Dykes to discuss what it takes to run and manage  a successful political campaign. The purpose of this episode isn't to dive into politics, but learn the very interesting world of running for office in 2022.     La Nita is very seasoned having worked on various local, state and national races! ***Please note all opinions expressed on The Three Guys Podcast do not represent any Group, Company or Organization***Episode Produced by The Three Guys ProductionsThe Three Guys Podcast:Instagram:  The Three Guys Podcast (@the_three_guys_podcast_) • Instagram photos and videosTwitter:  The Three Guys Podcast (@TheThreeGuysPo1) / TwitterYouTube:   Three Guys Podcast - YouTubeLinkedIn the-three-guys-podcastDerek:  Derek DePetrillo (@derekd0518) • Instagram photos and videosBrian:  Brian Nazarian (@the_real_brian_nazarian) • Instagram photos and videosBrett:  Brett J. DePetrillo (@78brettzky)

Ben is undertaking 7 Marathons in 7 days carrying 80 pounds taking in some of the toughest and tallest beaks in Britain 9th October Ben Nevis 10th October Scafell pike 11th October Yorkshire Three Peaks 12th October Snowdon 13th October Cadair idris 14th October shropshire hills 15th October Pen y fanIf you want to join Ben on any of these Legs contact him via the Gone tabbing Facebook page or drop a message to The Allycast Facebook page.Ben has amazing support from the following people and organisations Routes provided byBrian Tinker, Andrew Thompson, orange John Wilson of orange john mountainevents, John Beamson of Robust tours and Ken Jones of Avalanche endurance events. Bergens and challenge logo supplied by Pilgrim-journey.com Lowa boots supplied by Mkmortgages.com Promotion video shot by Lakota outdoors content creatorsYou can support Ben's fundraising for The Royal Marines CharityPigrim Bandits and SSAFA at https://www.justgiving.com/crowdfunding/bentench-7marathons7days80lb-onthemountains?utm_term=vwDVpDYzV Hosted on Acast. See acast.com/privacy for more information.

My next guest is Kasey Tench. She is a former high school teacher and owner of Rooting for You, a Holistic Health Coaching and Mentorship service. Kasey believes that our bodies function best when we live in alignment with the seasons and our own natural rhythms. She shows her clients the benefits of cyclical living and how to live with their bodies instead of against them.   In this episode, we talk about how we have the power to heal our bodies and how healing ourselves also heals our families.   To learn more about Kasey, check out her website www.kaseytench.com and find her journal freebie at www.kaseytench.com/freebie. You can also follow her on Instagram, LinkedIn, and Facebook.   Have a podcast topic suggestion for upcoming episodes? Email me at kate@holistichealthcollab.com   If you want to connect to others on the health and wellness journey or if you want a safe space to learn more about holistic health and the different modalities, come join our Facebook group at Empowered Health: Connection and Community through Holistic Health   Want to get general hints and tips about your health? Head on over to Instagram and follow @holistichealthcollab   Podcast edited and managed by Haili Murch LLC.   If you are interested in starting a podcast or you are currently a podcaster needing help managing or relaunching your podcast, you may email Haili Murch at hello@hailimurch.com or you can click here to book a call: https://calendly.com/hailimurch/podcast-discovery-call

Ready to be a brand new person?We're giving you a “Rebirth Roadmap”…These changes are so simple…But they plant the seeds for you to become the best leader you can be.And because personal development IS professional development…We're taking a deep dive into personal growth with my guest Kasey Tench, a Holistic Life Coach. Kasey has developed a coaching plan that uses the seasons of nature to unlock your personal growth journey, and she's here to share that with you.We'll also discuss: How to plant habits and desires The morning routine every leader needs Neuro-linguistic programming 101 Taking care of your inner child And more

Justin Richards joins us to discuss their new anthology comic Everything is Different Now. The new project which is available exclusively through Kickstarter until August 31st is a collaborative effort between Richards and a talented group of artists including Liana Kangas, Val Halvorson, Tench, Adam Cahoon, Jimmy Kucaj, Chris Shehan, and many more. Tailoring to what Richards does best, the series collects a series of short stories that emulates an emotion many regard as negative but in truth is an emotion that is very necessary to stand up and acknowledge that life and our world can be chaotic and its important to acknowledge the feelings that bring and respect the natural feeling of RAGE. Richards is a comic book writer who has always gracefully implemented emotions and real issues into his work and this series highlights a very important feeling and state of our world and lives inspired by some of their favorite music and other influences. Join him on this journey by supporting the project on Kickstarter and in the process get your hands on some of their previous work that can only be obtained through this project. Find Justin Richards on social media here Support the Kickstarter project here

Few today know the name Tench Coxe, but at the time of the founding, he was famous. He wrote prolifically about the individual, natural right to keep and bear arms, the structure of the republic - and much more. The post Forgotten Founder: Tench Coxe first appeared on Tenth Amendment Center.

Brian Tench is a producer, songwriter, mixer, and programmer from London, England. He started his career in music in the late 1970's, started as a tape operator at Mayfair Studios and was able to engineer and mix on Kate Bush's Hounds of Love. His other credits include Bee Gees' 'ESP', The Bay Rollers, Slik, Hello, and many more. Brian Tench's Website: https://briantench.com **EXTENDED SALE for both https://producelikeapro.com and https://promixacademy.com ** **PRODUCE LIKE A PRO. 50% OFF YEARLY MEMBERSHIP**:https://producelikeapro.com **UP TO 91% OFF BUNDLES AND 50% OFF COURSES ON PRO MIX ACADEMY:** https://promixacademy.com/courses/

Brian Tench is a producer, songwriter, mixer, and programmer from London, England. He started his career in music in the late 1970's, started as a tape operator at Mayfair Studios and was able to engineer and mix on Kate Bush's Hounds of Love. His other credits include Bee Gees' 'ESP', The Bay Rollers, Slik, Hello, and many more. Brian Tench's Website: https://briantench.com **EXTENDED SALE for both https://producelikeapro.com and https://promixacademy.com ** **PRODUCE LIKE A PRO. 50% OFF YEARLY MEMBERSHIP**:https://producelikeapro.com **UP TO 91% OFF BUNDLES AND 50% OFF COURSES ON PRO MIX ACADEMY:** https://promixacademy.com/courses/

Mindhunter episode (season 1, episode 7) "Episode 7" Dr Carr re-joins the team at a risk to her career. Holden and Tench begin to struggle with the emotionally taxing nature of the job at hand.     Scorecard:  8.2/10     Feedback : blackgirlcouch@gmail.com (audio MP4 or written) Twitter: BlackGirl_Couch   Tumblr: slowlandrogynousmiracle  

Mindhunter: Season 1, Episode 6 "Episode 6" Holden and Tench find it difficult to convey their findings for the case in Altoona. Dr Carr considers a possible offer that has been presented to her.     Scorecard: 7.9/10     Feedback : blackgirlcouch@gmail.com (audio MP4 or written) Twitter: BlackGirl_Couch   Tumblr: slowlandrogynousmiracle  

Mindhunter: Season 1, Episode 5 "Episode 5" Holden and Tench are forced to sift through multiple suspects as they attack a confusing case in Pennsylvania. The evidence seems contradictory, and the leads keep piling up.   Scorecard: 7.9/10   Feedback : blackgirlcouch@gmail.com (audio MP4 or written) Twitter: BlackGirl_Couch   Tumblr: slowlandrogynousmiracle

In today's episode my friend Alice Carbone Tench stops by to talk about her approach to plant-based Italian cooking, her love for peperonata and other Italian favorites, and her new cookbook "Eating Again: The Food That Healed Me." https://kitchencounterpodcast.com/206 Connect with the show at: Facebook: https://www.facebook.com/kitchencounterpodcast Instagram: https://www.instagram.com/kitchencounterpodcast Twitter: @TKCpodcast Email: feedback@kitchencounterpodcast.com

Mindhunter: Season 1, Episode 4 "Episode 4" Holden and Tench begin to look at classifying subjects, with Dr Carr's help. In the process, they receive some interesting news.   Scorecard: 9.2/10   Feedback : blackgirlcouch@gmail.com (audio MP4 or written) Twitter: BlackGirl_Couch   Tumblr: slowlandrogynousmiracle

Kim and Rachel talk with Shelli Tench (shelli@sheltenllc.com (678) 656-7251 www.sheltenllc.com) about living intentionally through your business, including business intuition, social media, and putting on those big girl panties and getting it done!

Mindhunter: Season 1, Episode 3 "Episode 3" Dr Carr celebrates a success with Holden and Tench as they make their first arrest. They are encouraged to think that their new forms of investigation may be working.   Scorecard: 8.6/10   Feedback : blackgirlcouch@gmail.com (audio MP4 or written) Twitter: BlackGirl_Couch   Tumblr: slowlandrogynousmiracle

The Ghoulies learn about the history of the Giwoggle and then watch a Supernatural Cage match. Support the show (https://www.patreon.com/area215)

Agriculture, as an industry, is experiencing the most radical transformation, disruption, and innovation of any industry out there right now – and has been doing so for several years. Agriculture is our food supply, but it is much more than that. It impacts our planet's soil, water, and air. A massive number of jobs are directly and indirectly involved with Agriculture (Ag). Our health is impacted by Ag, due to what products are used to grow food, and so Ag has a big role in public health and healthcare itself. The scope is sweeping and the stakes could not be higher. Everyone involved wants what's best for Ag, including the people behind an org like AgLaunch. AgLaunch is "bringing startup culture to agriculture" by drawing smart, innovative people with Ag business ideas to help them get to work. In this episode of the Brand Shepherd Podcast, Lilly Tench is our guest. She is the Entrepreneurial Programs Lead and does a masterful job of making AgLaunch's work digestible and informative, no matter if you're a seasoned Ag pro or just learning of what's happening right now. Brand Shepherd's managing partner, Daniel Crask, is also part of AgLaunch's Mentor Network, and so we are on the frontlines alongside these very exciting Ag startups, helping them develop their brands and products. This compliments our years of Ag brand work. If you have an Ag startup idea and want to learn about AgLaunch's accelerator programming, please contact them today.

We heard these guys at ASCA this summer and loved the simple and practical school counseling tools they shared, AND the way they tied these tools back to the counseling theories. We guarantee these tools are easily accessible and will bring new purpose to your school counseling program. Richard Tench and Wilson Harvey both work at the high school level. Wilson is the social emotional specialist at his school (how cool is that?!), and in addition to being a counselor, Richard is the chair of the board of directors for ASCA this year! These guys are very knowledgeable and huge assets to our podcast and to school counseling, in general!

Knox Brew Stories is a weekly live radio show and podcast that offers an in-depth look at the craft beer scene in Knoxville, and the latest craft beer news from around the country and all over the world.Support us on Patreon! Head to https://www.patreon.com/knoxbrewstories to check out the different ways you can show your support while receiving exclusive content, a shoutout on-air, and backstage passes to members-only events and merch!In this episode you'll find our regular weekly news about craft beer, as well as:Brew News (4:34)That Damn Seltzer Report (11:55)Live Music by Travis Tench (13:41)A “Beer” in Review (22:03)Live Music by Travis Tench (45:51)This Week on Tap (53:27) *Check the blog at https://www.knoxbrewstories.com/blogHost: Zack RoskopCo-Host & Producer: Candace “Ace” PrestonCo-Host & Producer: Just KevinCo-Host & Video Producer: Cam MolidorHead to https://linktr.ee/tincatinca to hear more from Travis and Tinca Tinca!Be sure to tune in live every Monday at 6pm EST at http://ChannelZradio.comAnd check out https://www.knoxbrewstories.com/

In March 2012 Lizzie was out cycling when she was struck by a trailer attached to an overtaking vehicle. She suffered major injuries including a broken spine, leaving her paralysed from the waist down. Later that year visitied the Calvert Trust to do a taster event for sport, and it opened up a whole new world to her. She went on to compete for Great Britain as a Para-triathlete and  through sport and hard work, to travel the world. This is her story.Lizzie now works for several charities who help individuals with new spinal injuries, and also is a professional speaker. You can connect with Lizzie on her Facebook Page, via Twitter and LinkedInMy passion is Inspiring Women to Inspire Women. So if you love these podcasts, please share them with those you love, and if you can leave me a review. It helps me to reach more women. And you can Join the UnMasking the Feminine Community here.Support the show (https://www.buymeacoffee.com/RachaelT)

Get to know Richard Tench, 2021-2022 ASCA Board of Directors chair. View the transcript.

Get to know Richard Tench, 2021–2022 ASCA Board of Directors chair. View the transcript.

Beth is a professional in business, entrepreneurial finance, among other things. She is also an avid DIYer with her husband, Jack. Her most recent project is a kitchen remodel. You can see some of Beth's projects at toolpurse.com and on instagram by following @teamtench. Beth has also started a great business with her husband called Columbus Yard Games columbusyardgames.com. It was a pleasure having her and Jack on the show.

This week, the guys watched Beginning of the End, Tommy didn't like it but Dustin did. The guys discuss an old slasher movie called Blood Rage, Tommy tries to blame his mom for scratching furniture and they talk about Finger, a bonkers movie about fingers. Next week the guys are watching The Amazing Transparent Man and you can too right here. Follow Dustin on Twitter @justabigfoot, Instagram @Plasticboy310  Follow Tommy on Twitter and Instagram @tommy_servo Email us at anybodylisteningpodcast@gmail.com.

This week on The Rodcast, we're reviewing the Fladen “Warbird” Travel Rod in our Tackle on Test feature.On our Species section this week Nate returns with more Tench, butthis time we are all about the big boys! ------ A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

This week on The Rodcast, we're reviewing the Ultegra 3000 Spinning reel in our Tackle on Test feature.On our Species section this week Nate's back featuring freshwater species and in particular Tench.------ A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

This episode is also available as a blog post: http://petmasterclinic.com/2021/04/14/how-and-what-to-feed-tench-in-an-aquarium-and-in-a-pond/

Perch & Tench on the WORM!! Tales from the Tackle Shop S2, ep 19 - Apologies for the poor sound quality this week. Major issues with cameras and wifi. However, if you listen carefully you will hear a ghost plus Alex explains how he fishes the mighty WORM for Perch and Tench on fenland waters. Music: https://www.purple-planet.com

The first edition of "Exploring Public Relations and Managing Communication", the textbook used in teaching PR across UK universities, was published in 2006. For its 5th edition, co-authors Ralph Tench and Stephen Waddington have, with a cohort of respected industry leaders and academics, comprehensively overhauled the content. Tench and Waddington join Maja Pawinska Sims on the PRovoke podcast to talk about how they have endeavoured to create a vital resource for students, lecturers and practitioners in a very changed world, blending theory and practice with critical analysis and case studies, and how to ensure PR education itself is fit-for-purpose.

I avsnitt 20 av Swedish Anglers RodPod blir det ett gott snack med två skånepågar! Det är Palle Sköldblom och Christian Ottosson som snackar med Specimenbröderna Göran och Johnny Nilsson. Vi pratar mete med ungdomar, karpar och flötmete. Men det blir även lake, utlandsresor och märkligt karpfiske i Frankrike... Vi går även in på varför fiskar blir stora i vissa vatten och mycket, mycket mer!Gillar du vår podcast? Stötta oss gärna med ett bidrag i så fall. Läs mer här på länken -> https://swedishanglers.com/stotta-oss-garna-med-ett-bidrag/

Caitlin Lhommeau is the winemaker and owner of Resolution Wines, her personal label started in 2018, featuring Napa Valley Cabernet Sauvignon. She joined the wine industry in 2016 after working a harvest just for fun, while applying for medical school. She has since been working for the Tench family in Oakville in the Napa Valley, under Russell Bevan's wine making expertise. The first vintage of her label, Resolution Wines will be released in August 2020. https://resolutionwines.com/ We Talk About: How she got into the wine business Working her first harvest at Brasswood and then later in New Zealand Thoughts on wine making and learning from Russell Bevan Asking for some advice from a certain female winemaker at PRESS Sunday School All about the Resolution Wines brand and the first vintage she produced All of this and much more from an exciting new winemaker crafting amazing Cabernet Sauvignon

Ben has set himself some awesome challenges in 2020 and risen to them all. 2021 sees even more coming his way as he plans to complete 7 loaded marathons in 7 days and is on course to qualify for a world record attempt

Ayer se cumplieron 3 años de la muerte de Tom Petty. El 2 de Octubre de 2017 recibimos aquella triste noticia. Tom Petty había sido encontrado inconsciente a consecuencia de un paro cardíaco y fue trasladado al Centro Médico de UCLA en Santa Mónica, California, donde falleció. Fue una sobredosis "accidental" de medicamentos para paliar el dolor de su cadera rota, el insomnio, la ansiedad y la depresión. Estaba celebrando sus 40 años de carrera con una gran gira y faltaban 18 días para que hubiera cumplido 67 años. Los más fieles seguidores de Tom Petty & The Heartbreakers, aquellos que se inscribieron en el Highway Companions Fan Club de la banda, recibieron una copia de Hypnotic Eye, el último trabajo del grupo por entonces, y un álbum exclusivo grabado en directo y titulado Live 2013 con tomas de las actuaciones de Tom Petty el año anterior en el Beacon Theatre de Nueva York y el Fonda Theatre de Los Angeles, además de algunos de los momentos más destacados de su aparición en el Bonnaroo Festival. De su paso por la Gran Manzana queda esta versión impecable de “So You Want To Be A Rock N' Roll Star”, una canción compuesta por Jim McGuinn y Chris Hillman para que los Byrds la incluyeran en su LP de 1967, Younger Than Yesterday. Estoy convencido de que Tom Petty siempre soñó que era el miembro oculto de los Byrds. Una implacable versión de “I Feel a Whole Lot Better” abría en 1989 la segunda cara del primer LP en solitario de Tom Petty, Full Moon Fever, y es un ejemplo más de la adoración que el artista de Florida tenía por los Byrds. La colaboración con Jeff Lynne fue fundamental en aquel sonido. Sin embargo, en un principio, la compañía discográfica no estaba satisfecha con el disco y se plantearon no publicarlo ya que, decían, que no había ni un single para editar. "Free Fallin'" les hizo cambiar de opinión. Fue la mejor despedida de la década de los 90. Aunque nos pueda parecer mentira, esta obra de arte llamada "Leave Virginia Alone" es una de las 10 canciones que quedaron fuera de la primitiva edición de Wildflowers. El artista de Gainsville la compuso en el 93, un año antes de la edición del disco. Eso sí, algún seguidor impenitente de Rod Stewart, como nuestro amigo Ignacio, la recordará formando parte de su álbum del 95 A Spanner in the Works. Por suerte, Mark Seliger y Adria Petty, hija de Tom, han conformado un vídeo delicioso protagonizado por la actriz Casimere Jollette, de la serie de Netflix sobre el mundo del ballet Tiny Pretty Things. Hay personajes inolvidables, en el mejor de los sentidos, y ese es el caso de Tom Petty, el artista de Florida que nos abandonó hace tres años. Su carrera en solitario nos dejó tres álbumes impagables y el segundo de ellos, el mítico Wildflowers de 1994 se convirtió en una de las joyas de su discografía. En realidad, todos los Heartbreakers estuvieron al lado de su líder, excepto el batería Stan Lynch que fue sustituido por Steve Ferrone. “Somewhere Under Heaven” forma parte del segundo de los álbumes de la reedición de Wildflowers, en concreto el llamado All The Rest. Era una de las 10 canciones que quedaron fuera de la edición original de 1994. "Crawling Back to You" reflejó, como todo aquel Wildflowers, los 20 años de fracaso de Tom Petty en su matrimonio con Jane Benyo, de quien se divorciaría dos años más tarde. Había estrofas como "Estoy tan cansado de estar cansado/Seguro que la noche seguirá al día/La mayoría de las cosas que me preocupan/Nunca suceden de todos modos". Las sesiones de grabación de Wildflowers comenzaron en 1992, cuando el músico de Florida tenía la intención de dar continuidad a su debut en solitario Full Moon Fever del 89. Pero Petty había llegado a un acuerdo con Warner, con quien había grabado como miembro de los Traveling Wilburys, a pesar de que junto a los Heartbreakers pertenecía a MCA. Aunque mantuvo a Rick Rubin como co-productor junto a su compañero Mike Campbell, decidió tomar el mando de aquel proyecto. Gracias a la familia de Petty y a sus archivos, se ha recuperado esta maqueta de uno de los temas punteros de aquel registro como es el caso de “You Don’t Know How It Feels”. En este caso, está grabada en su estudio casero un año antes de la edición del disco y los seguidores impenitentes del músico encontrarán diferencias en la letra, como una muestra más del proceso de creación. Esta versión de “You Don’t Know How It Feels” da una sensación mucho más íntima y personal de la original. Además, encontramos un verso que más tarde aparecería en la penúltima canción de aquel mismo álbum. Wildflowers fue el segundo álbum de Tom Petty como artista en solitario allá por 1994, que abrió con la canción que lo dio nombre genérico. Rick Rubin aportaba de nuevo su trabajo en la producción junto a Petty y Mike Campbell para llevar a cabo aquella aventura. El próximo 1 de noviembre se cumplirá un cuarto de siglo de su publicación. El próximo 16 de octubre aparecerá, por fin, Wildflowers & All The Rest, el proyecto más personal en el que Tom Petty estuvo centrado tras la publicación en 2014 de su último álbum con los Heartbreakers, Hypnotic Eye. Su intención primitiva era publicar las 10 canciones que no se incluyeron en el disco original, y que él llamaba All the Rest. Pero se ha añadido mucho más. En la cuádruple edición de lujo y dentro de las llamadas Home Recordings, con 15 cortes, de los que 12 son versiones nunca editadas y 3 son canciones inéditas, vamos a encontrar esta maqueta del tema central, “Wildflowers”, grabada en su estudio casero. A mitad de agosto de 1994 y dentro de las sesiones de grabación de Wildflowers se registró “Wake Up Time” que cerró aquel proyecto como décimo quinto tema. En esta reedición podemos escuchar la versión original, una “home recordings” y, además, esta toma alternativa que tan solo aparece en el quinto CD de la Super Deluxe Edition que han titulado Alternate Takes (Finding Wildflowers). El músico de Gainsville nunca olvidó que aquel segundo de sus álbumes en solitario de 1994 debía haber sido un disco doble, y fue dejando algunas muestras en distintas publicaciones posteriores. Tras su muerte, todos los planes de reedición se pospusieron hasta que se resolvió una demanda entre las hijas de Petty, Adria y Annakim, y su viuda Dana, el pasado año. Tom Leadon, hermano de Bernie Leadon, encontró a Tom Petty en los Epics y juntos formaron Mudcrutch en 1970 con Randall Marsh , añadiendo muy pronto a Mike Campbell y pasando a ser un quinteto tras la incorporación de Benmont Tench. La influencia de Leon Russell en la personalidad musical de Petty era relevante en aquellos tiempos y, de hecho, firmaron un contrato en 1974 con Shelter Records y se marcharon a Los Angeles, California. Publicaron un single en 1975, compuesto por él, sin ninguna repercusión y se disolvieron a finales de aquel año. Sin embargo, Petty, Campbell, y Tench, junto a Stan Lynch y Ron Blair formaron los Heartbreakers unos meses más tarde. En aquella reunión de 2007 para grabar con los miembros originales de Mudcrutch, quedaron para la historia canciones como “Orphan Of The Storm”. Tom Petty era el bajista de la banda, como su buen amigo Chris Hillman en los Byrds. The Live Anthology es una obra de arte convertida en colección de actuaciones de Tom Petty & The Heartbreakers a lo largo de su carrera que apareció hace 10 años. Existe una edición de lujo con los cuatro CDs de la edición estándar más un quinto CD de material también grabado en directo, dos DVDs nunca editados, un vinilo remasterizado de su álbum de 1976 Official Live 'Leg, y un disco Blu-ray disc con las 62 canciones de la caja, a la que se añade un poster de un concierto, reproducciones de pases de backstage, un libreto de lujo y una litografía. En ese quinto CD se encuentra esta versión del clásico “Ballad Of Easy Rider”, grabada en directo en el concierto de Nochevieja de 1978 en Santa Monica, California. Easy Rider se ha convertido en una de las películas de culto para los amantes de las road movies. Peter Fonda y Dennis Hopper la protagonizaron y dirigieron, contando con un joven Jack Nicholson entre los actores. "I Won't Back Down" será recordada por muchos como el primer single extraído del álbum Full Moon Fever, el debut de Tom Petty en solitario allá por 1989. Compuesta junto a su buen amigo Jeff Lynne, estrecho colaborador en la autoría de canciones para este registro, resultó ser un desafío contra las dificultades y la opresión. El tema fue muy radiado a raíz de los acontecimientos del 11 de Septiembre de 2011, y Tom Petty la interpretó de esta forma junto a los Heartbreakers a un ritmo más lento que el original en el espacio America: A Tribute To Heroes. Escuchar audio

Barangaroo: Aboriginal LeaderYou might know Barangaroo as the new dining and business precinct in Sydney Australia, but the real Barangaroo’s story is as far from the glitzy precinct as possible. Literally - Barangaroo wasn’t even born in that part of Sydney. She was born around 15 kilometres away around Manly, where the Cammeraygal people lived. There, she grew to become a powerful leader. That’s all we’ll tell you for now. You’ll have to tune in to hear the story! It features fisherwomen, broken spears and one badass woman striving to celebrate her culture at a time when it was under an unprecedented threat. About this podcast: Fierce Females of History is a dive into the stories of awesome women through history you should know about. A quick disclaimer: we’re journalists, not historians, but we do love our history. Tune in every week as one of our three hosts shares the story of one woman. Hosts: Talissa Bazaz (@talissabazaz)Erin Ramsay (@erin_ramsay)Lucy Dean (@lucyintheskywithcarbon)Follow us: Fierce Females of History is on Instagram: @fiercefemalespodcastGet in touch:Want to discuss history, wine, the Hulk’s penis or geese? Drop us a line here: fiercefemalesofhistory@gmail.comTheme music: Get Lo - LynneMusichttps://www.neosounds.com/songs/15504Want to know more about Barangaroo? This is where Lucy did her reading. https://www.barangaroo.com/see-and-do/the-stories/barangaroo-the-woman/https://dictionaryofsydney.org/entry/barangaroo_and_the_eora_fisherwomenhttps://www.sbs.com.au/nitv/nitv-news/article/2018/01/11/sharing-stories-about-fisherwoman-barangaroo-through-practical-arthttps://www.youtube.com/watch?time_continue=18&v=0z_ykXoi-To&feature=emb_titleWhite Australia embraces Aboriginal culture (when it suits): https://web.archive.org/web/20070313143725/http://crikey.com.au/Politics/20061019-Keating-jumps-on-Sartors-Barangaroo-.html Tench, Watkin (2006). "Chapter IX". A Complete Account of the Settlement at Port Jackson (eBook). eBooks@Adelaide. Adelaide: The University of Adelaide. See acast.com/privacy for privacy and opt-out information.

Today's episode features Riley Tench! You may know Riley Tench from his vlogs on the cruise ship. In this podcast, we'll be talking about his background, his position, his relationship, what it's like being quarantined on a cruise ship, and more!

This week on The World Wanderers we are excited to be chatting with Riley Tench. Riley works as a lighting technician on cruise ships, and for the past 4 months has been “stranded”, living aboard a ship in the Pacific. Riley has been documenting this journey on his YouTube channel and sharing what it has been like living through a pandemic while working on a cruise ship up until the point when ships stopped sailing. In this episode we talk about how Riley’s interest in travel started, what led him to working on cruise ships, and then talking through his experience of living through the pandemic and now spending 100+ days living on a ship without guests. In this episode: * How Riley started travelling and working on cruise ships* What is his day to day work like onboard? * How did he first hear about the novel Coronavirus and what was the experience onboard like during this time? * Where have they been and what has the ship been doing since they stopped running trips with guests* Why did Riley decide to stay on the ship when he had the option to go home at one point* What does day to day life look like today? * Going into a 14 day lockdown when a crew member came down with a fever* Why Riley started making YouTube videos* Finding meaning through creationIf you would to get access to the past and future episodes of our nomad series as a World Wanderers Insider, head on over to Patreon.com/theworldwanderers. Thank you so much for your continued support!

L'ecoomia in tempo di covid assieme a Carlo Buttaroni, direttore lella più importante società di statistica e previsione Tenchè

Our guest today is a really special one. She is the reason I am on Wattpad and this podcasts exists! She’s been writing on Wattpad since 2011 where she has had some incredible success, writing 4 books which have hit over a million reads. Her first novel, called The Enchantment of Emma Fletcher came out with Simon and Schuster in 2017 Her newest book is called All our Broken Pieces came out with Disney Hyperion in 2019. Reviewers have called it “Nothing short of superb” and her book has been nominated for the prestigious Forest of Reading award. Our guest has recently left a 15 year career to now become full-time professional creative writer. She balances her novel writing with crafting narratives for the popular Chapters interactive game. She also a die-hard Marianna’s Tench fan! Today’s author is none other than Leah Crichton, known everywhere as LD Crichton! www.ldcrichton.com https://twitter.com/LDCrichton https://www.instagram.com/ldcrichton/ https://www.wattpad.com/user/LDCrichton

Vi elsker mørke serier, og vi fortsætter med at terpe seriemordere sammen med FBI-agenterne Holden og Tench fra Netflix-serien Mindhunter.

Tench takes his new dog Maloney out for a walk and talks about the past year and his plans for the future.

Yay! We made it to Episode 2 of The Record Store Day Podcast with Paul Myers, and thank you to everyone who listened to Episode 1 (Tony Visconti). If you haven't done so already, please consider subscribing to us, wherever you get your podcasts. We'll post new episodes every two weeks. In this music-packed episode, we get closer to Record Store Day Black Friday (November 29) as Paul chats with the comedian, musician and record store enthusiast, Fred Armisen (SNL, Portlandia, Late Night With Seth Meyers, Los Espookys, Documentary Now! and tons more things) and we place a phone call to Benmont Tench of Tom Petty & The Heartbreakers, who talks about his new Black Friday vinyl solo single, Nervous From The Fall. We also take a moment to glimpse over the whole list of RSD Black Friday titles and generally have a great time. Go to recordstoreday.com for all the details.     Sponsored as always by Dogfish Head Craft Brewery (dogfish.com)

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. The Netflix original television show, MINDHUNTER, was well received when it debuted in October 2017. In August 2019, season two dropped and got even better reviews than the prior season. Based on the real life story of the creation of the Behavioral Science in the FBI, the show changes things up a bit but stays in the real world as fictional appearances of notorious serial murders appear on many episodes. With a new boss, agents Ford (Jonathan Groff) and Tench (Holt McCallany) along with psychologist Wendy Carr (Anna Torv) grow the Behavioral Science unit within the FBI. While on assignment in Georgia, Agent Ford investigates the murders of young black minors around the Atlanta area. Soon the FBI gets involved officially with Ford using his scientific approach to try to identify a new serial killer. Season two, unlike season one, focuses more upon the Tench and Carr characters. The program has officially been turned into focusing on an ensemble cast. Dark Discussions is joined by author M.J. Preston in their discussion of season two giving their thoughts. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

Mindhunter Season 2 Heads South This week on the podcast Brian and Johnny step back into the minds of the FBI's Behavioral Science Unit to see what kind of Ford, Tench, and Carr have gotten themselves into this time. Mindhunter Season 2 Cast & Crew Cast Jonathan Groff (Holden Ford) Holt McCallany (Bill Tench) Anna Torv (Dr. Wendy Carr) Cameron Britton (Ed Kemper) Joe Tuttle (Gregg Smith) Sonny Valincenti (Dennis Rader) Stacey Roca (Nancy Tench) Sam Strike (Monte Rissell) Directors David Fincher Andrew Dominik Carl Franklin Executive Producer(s) Beth Kono Charlize Theron Joe Penhall Ceán Chaffin Joshua Donen David Fincher Courtenay Miles Producer(s) Jim Davidson Mark Winemaker Liz Hannah Cinematography Christopher Probst Erik Messerschmidt Editor(s) Kirk Baxter Tyler Nelson Byron Smith Eric Zumbrunnen Grant Surmi Running time 34–73 minutes Production company(s) Denver and Delilah Productions Distributor Netflix Mindhunter Season 2 Episodes Episode 1 Bill Tench is working 65 hours this week, but his wife Nancy is still insisting he put on a good face for a cookout she's throwing. She's trying to get in good with another couple in the area, and also has real estate aspirations and is using this cookout as a network time. Tench just wants to...

Dans une deuxième saison encore plus glaçante que la précédente, les agents du FBI Ford et Tench reprennent du service. En costard-cravate, magnétophone à la main, ils arpentent les Etats-Unis, de prison en prison, pour essayer de dresser des profils-types de criminels. « Mindhunter », série bavarde, renouvelle le genre grâce à un montage minutieux, dont les séquences mettent vite, très vite, en PLS. Si bien qu’on en redemande. David Fincher, producteur et réalisateur à temps partiel de la série, a toujours su faire ressortir notre côté maso. Animé par Charline Roux avec Perrine Quennesson et Romain Burrel.RECOMMANDATIONS ET COUPS DE CŒURLA RECO DE RENAN : « Zodiac », l’insaisissable tueur en série, de David FincherLA RECO DE PERRINE : les premières saisons d’ « Esprits criminels », créée par Jeff Davis en 2005CRÉDITSWe love series est un podcast de We Love Cinema proposé par Goom (Go on media). Directeur des contenus : Omar Erraïs. Cet épisode a été enregistré le 22 août 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Quentin Bresson et Solène Moulin. Chargée d’édition : Diane Jean. Chargée de production : Juliette Livartowski. Générique : Corentin Kerdraon. Production déléguée : Binge Audio. Direction de production : Joël Ronez. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In a special two-hour, 50th episode, Whitney and Dani breakdown all the killers featured in the second season of Netflix's hit series Mindhunter. This one may take a triple-shot to get through, so caffeine up and join us as we step into the world of Ford, Tench and Carr, and analyze some of the creepiest killers of all time. Don't forget to subscribe and join us each Sunday! If you’re interested in sharing your creepy stories, email us at creepycaffeine@gmail.com   For more about us and links to all our social media, visit our podcast page at www.creepycaffeine.podbean.com   To reach us by snail mail:   Creepy Caffeine PO Box 12665 Oklahoma City, OK 73157   To download a free audiobook today, go to www.audibletrial.com/creepycaffeine  

Mindhunter returned for a second season on Netflix last week, and I talked with Will Leitch about the gifts director David Fincher brings to this kind of narrative, who's the real heart of the FBI BSU story, Fringe reunions, and whether the Li'l Tench, Creep In Waiting storyline worked for us. This section does contain spoilers for the second season, so if you haven't watched yet, skip ahead to... ...the Cold Case section, where we're talking about 2009's The Informant!, a genre-busting take on Mark Whitacre's elaborate, self-satisfied frauds against his employer in the '90s. Steven Soderbergh's understanding of southern-Illinois-ness, a vanity-free performance from Matt Damon, and a host of Hey, It's That Guy!s looking flabbergasted join a fizzy Hamlisch score to create a hilarious portrait of a deluded secret-agent con...that's also an object lesson in how to tell complicated white-collar crime stories visually. Screw your toupees on tight: it's The Blotter Presents, Episode 109. Get even more true-crime content reviewed: support the pod/site on Patreon, and sign up for the newsletter, Best Evidence! SHOW NOTES Mindhunter: https://www.netflix.com/search?q=mindhunter&jbv=80114855&jbp=0&jbr=0 Zodiac: https://amzn.to/2ZlGS2l The Informant!: https://www.netflix.com/search?q=the%20informant&jbv=70105371&jbp=0&jbr=0 Will Leitch's newsletter: https://tinyletter.com/williamfleitch/ Special Guest: Will Leitch.

Tidens mest omtalte krimiserie er tilbage på Netflix, og Streamer-duoen Jacob og Lise har derfor dedikeret hele ugens udsendelse til anden sæson af David Finchers seriemordermareridt ’Mindhunter’ badet i lysstofrørenes gullige skær. Denne gang kommer FBI-agenterne Tench og Holden i nærkontakt med både Son of Sam, Charles Manson og barnemorderen fra Atlanta, der på bare to år myrdede 28 mennesker, men serien byder også på et interessant personligt drama, der giver begge pod-værter kuldegysninger. De åbner ballet med en 15 minutters spoilerfri diskussion til dem, der endnu ikke har set sæsonen, hvorefter de i udsendelsens anden halvdel går spoileramok på de største twist og seriens slutning. Men bare rolig – der advares først. Hvorfor er Lise så skeptisk? Og hvorfor synes Jacob til gengæld, at sæsonen er »noget af det bedste«, han har set i år? Har underholdningsindustriens svælgen i seriemordere nået et uskønt mæthedspunkt, eller har Fincher skabt et hovedværk i genren? Der bliver god debat i studiet, men allerførst aflægger Jacob rapport fra årets tv-festival i København, der blandt andet bød på fint besøg fra komiker Pamela Adlon fra ’Better Things’ og afsløringer fra Mikael Berthelsen.  SOUNDVENUE STREAMER udkommer ugentligt. Du kan lytte og abonnere via Spotify og iTunes, eller din foretrukne podcast-app.

Democrats are in Detroit for the second day of round two of the presidential debates. Former Vice President Joe Biden and California Senator Kamala Harris will take center stage. The two tangled in the first round of debates over Biden's past opposition to mandatory busing. They'll be joined Wednesday night by New Jersey Senator Cory Booker, former Housing Secretary Julian Castro, New York Senator Kirsten Gillibrand, Washington Governor Jay Inslee, Colorado Senator Michael Bennett, Hawaii Congresswoman Tulsi Gabbard, New York Mayor Bill de Blasio and businessman Andrew Yang. We'll examine what was memorable from Tuesday night and what we can expect this evening. At least 14 civilians, including four children, were killed and at least 26 injured when Saudi Arabia targeted the crowded Al-Thabit Market in the border town of Qataber in Yemen's Saada province on Monday. The airstrike occurred at a time when the market was crowded with shoppers. At least 10 of the wounded are in critical condition, according to Yemen's health minister, who said that the death toll was likely to rise. What does this tell us about the ongoing conflict? South Carolina police said an officer shot 62-year-old Dick Tench after he opened his door while aiming a gun. Then the body camera video came out. There were many questions the night of June 14, when Tench was shot multiple times, in his own home, by a Greenville County sheriff's deputy. Police were responding to a panic alarm on a cellphone that someone in the house triggered shortly before midnight. A lone deputy went to the house and rang the doorbell, where the homeowner, according to police “immediately jerked open the door and presented a handgun and pointed it directly at the deputy.” In response, according to a police spokesperson, the officer opened fire and shot Tench, who was taken to a hospital and is recovering. But the body-cam video from that night contradicts the initial police account. What's wrong with this situation?Beijing has hit back at US President Donald Trump, saying it is “meaningless” for Washington to try to pressure Beijing during trade talks, a day after the US president accused China of not negotiating in good faith. Beijing seems to be holding their ground. What happened to the “art of the deal?” It was going to be easy; he'd be able to negotiate with China within weeks. What's going on with our great negotiator in chief?GUESTS:Bob Schlehuber — Producer for By Any Means Necessary and Sputnik news analyst. Elisabeth Myers — Editor-in-chief of Inside Arabia. John Burris — Lead attorney and founder of the Law Office of John L. Burris. He is primarily known for his work in the area of civil rights, with an emphasis on police misconduct and excessive force cases. Dr. Gerald Horne — Professor of history at the University of Houston and author of many books, including "Blows Against the Empire: US Imperialism in Crisis."

My guest today is Beck Tench. Beck is a third-year Ph.D. student at the University of Washington. This role requires that she deal with a lot of information, and in this show,​ we talk about how she makes sense of it all. We also discuss the subject of her Ph.D.​ itself, which is both fascinating and highly relevant. Listen to the full conversation https://theinformeddotlife.files.wordpress.com/2019/03/episode-6-beck-tench.mp3   Show notes Beck Tench University of Washington Information School Zettelkasten The Archive Notational Velocity Tinderbox Persuasive Technology: Using Computers to Change What We Think and Do by B.J. Fogg (Amazon) Beck's Tinderbox videos Steven Zeoli's Tinderbox posts Read the full transcript Beck: Thanks for having me on the show, Jorge. So I'm a PhD student at the Information School at the University of Washington. I'm in my third year, so I'm about halfway through. I'm studying… Basically, most PhD students have a Venn diagram that kind of charts with their studying. My Venn diagram is public space, contemplative practice, and technology. So I'm interested in where those three overlap, mostly. Maybe say it in a sentence: I'm interested in how we can design spaces and technologies that facilitate contemplative practices or just contemplative experiences. And by contemplative, I mean essentially being present to life in that moment. Spaces that will help us be present, slow down and notice the world. But there's also this flavor of being lovingly present as part of it. It's not just hyper-focus and attention-driven. It is also considering compassion, basically. Jorge: That is fascinating. I am super intrigued by this Venn diagram because in some ways our current technologies are doing the opposite of leading us to contemplation. Beck: Yes. Jorge: Can you tell us a bit more about how through your work you are addressing that? Beck: Yeah. One way that I'm addressing it is I'm holding open the possibility that what I'm studying will help me be optimistic and useful with technology and I will use technology in a space to facilitate an experience. But I'm also holding open the idea that we may need to minimize or replace technology in order for us to be present. So I really have no idea and maybe it's both in different different situations and maybe one after the other, something like that. I'm trying my very best not to be a hater of the the sort of really unfair ways that some people are using technology and I'm very concerned in some ways about that and I read a lot about it. I have lots of thoughts that we can dive into about that. But for the shorter answer, I would just say I don't know which direction I'll go with regards to that technology circle, will it be plus technology or will be minus technology. Jorge: I think that this is an issue that a lot of us are dealing with; trying to establish a good balance where we get the best from technology, but also don't let it take us over. Right? Beck: Yeah, I mean something that is really unfair about the way that a lot of this technology that we use is incentivized to let's say is that it's not incentivized to do good by us. And I could see a world where that's actually not the case, where we look at the experience of using a technology as not solely to make us productive, or solely to make us fast, but to rather honor the fact that we're human beings alive and we have families and friends and all these relationships and that technology is actually built to honor and acknowledge and help us experience that. It's not necessarily a positive, wonderful feeling all the time. Life is sometimes really hard. Technology can be really hard to use, really frustrating and all these sorts of things. But to realize that a human is using it and that that human has a very precious life and the time that we're spending using it is imbued with that… If we could build with that in mind, I think that we wouldn't necessarily build things that just solely make us fast and productive, which is basically how most of it is these days or we just get mesmerized but we're not necessarily engaged and we're maximizing our attention there. Jorge: When you say productive and fast that resonates with me. This idea that somehow technologies are pitched to us as ways of making us more effective, and what I'm hearing you say is that they could also… perhaps I'm reading into it, but that search for effectiveness can drive us away from other people and perhaps there is a way for these things to also bring us closer together. Beck: That's absolutely something that I think is possible and I also just think that… I hope we'll actually get to talk about this with information management. That information management when it's — let's just call it really fast and productive — loses something in terms of our own personal relationship to the information in our own personal relationship to our learning. When everything has to be super fast and easy to find and all of those sorts of things, our actual experience of using it can be potentially poorer if we value things besides being productive and fast. Jorge: Yeah, they're going to be such a thing as over optimizing right? Beck: Over-optimize our lives until we die. It's like we know there's an end to this. Where we are we going so quickly? Jorge: Can you tell me about the “public space” circle in the Venn diagram? Because I can totally see the overlap between contemplative practice and technology, but I'm very curious about this. Beck: So we can think about what comes up to mind when we think of the word “contemplative.” Maybe that is quiet and peaceful, maybe it's sacred. Maybe it's actually rhythmic and there's dancing or singing. There's all sorts of ways to contemplate. And I think that so far we relegate spaces for contemplation to be kind of religious spaces or very special places that we don't necessarily go very often. And what I'm interested in is how do we make our everyday space — you know, the grocery store line, the bus, our office, living room — eligible to be present and not necessarily just sanctify these spaces. But look at all the ways that we experience space. Now, there's a lot of research in something called restorative space, which is essentially nature. There are people who study restorative space in urban spaces, but most of the people who have theories about what makes space restorative point to nature as kind of this magic area for us to just sort of be restored. And there's lots of theories as to why that is. And I'm interested in how do we make a choice to stop working, stop being productive and take care of ourselves and experience space contemplatively, which means just being aware and being lovingly aware, and what are the features of that that helped us come back to that, and even share it with others. And when we go to those places or when we go to those moments, if those places are just regular everyday places, what do we do while we're in them? And so I'm specifically calling that “public space” because I want it to be very everyday. I don't want it to be super special. And I also think that the public — we — need to be given spaces like that. We need to have spaces like that available to us in easy access. Jorge: When you say “public space” what I'm hearing is everyday spaces, the spaces of our lives, as opposed to this idea of going somewhere special, be it nature or be it a “sacred space,” right? This is more about opening the everyday up for contemplation. Beck: That's right. Jorge: I remember reading at one point about a practitioner of Zen Buddhism who was in a hotel room during World War II as the city was being heavily bombarded. And this person was using the sound of the explosions to meditate somehow. You know, this notion that you don't have to be in a monastery, the world provides you enough fodder for reflection.​ Beck: That's a beautiful, beautiful application of what I just said. Jorge: So I'm super excited about your research and this area. I mean, I drew the Venn diagram as you were explaining it, and it seems super enticing. I didn't know that this was your focus, which is great that it's coming out. It's such a fascinating and relevant field for us to talk about. The reason actually that you're on the show today is because you published a series of videos on YouTube that caught my attention. D o you want to tell us about those, what they're about? Beck: So right now as I said, I'm right in the middle of my Ph.D program. And right in the middle of the program is this thing called the general exam, which is, basically, a massive literature review. Literature review being a term that means, “you go and learn everything there is to already know.” It's not like a dissertation, where you ask a new question and try to find out a new answer, but rather you see for what you're interested in what have people already figured out. And so for me, that Venn diagram comes into play because what I'm studying is, what do we know about restorative spaces? And what do we know about the ways that we've so far tried to make technology mindful or restorative or calming or slow. And so I'm reading all about those things and then a committee of professors will send me, when I'm done reading that, a series of questions. I'll answer those questions over a couple of weeks, and then I will be kind of through one of the gates of PhD life. So, before I came to back to school, I was a designer and I designed exhibits and digital experiences for science museums among some other things. But that was basically my big career. And I have a design process. I know how to do something big and scary like the general exam if it was a design problem. I have a process I can go through and not have to have any answers, but I can go through the process and get to an answer. And I feel really, really confident in that process and I've honed it over years. But I don't have an academic process and so, when somebody throws a question like, “Okay, in a few months, we're going to give you some really hard questions. You need to read thousands of pages of literature and answer them.” I have no idea what to do about that. Like, how do I remember what I've read? How do I find out when I need to answer some questions? All of those things just feelso​o mysterious to me. It would be like someone saying, “hey go to invent a really cool game on this platform and then like amazing…” Well, I have no idea where I would even start. But I do have an idea because I have a design process, don't have an academic process. So, I set out to really develop a process for reading, annotating, referencing, and synthesizing all those things. And I tried a ton of different approaches. Every single note taking software; most reading platforms; all the different ways that we type words in and write things. I've just tried every app I feel like there is. And I settled on a philosophy of note-taking called Zettelkasten. And at first, I was using The Archive, which is sort of a branch of Notational Velocity. If you've heard of that one, it's like a very streamlined but elegant note-taking, completely text-based tool. It's a great, great piece of software, The Archive. But then, I discovered Tinderbox and realized that I could have a visual layer to my to my note-taking and to my Zettelkasten. We'll explain what all this stuff is. Jorge: Yeah. I'm very curious, because you've brought up a few terms here that I'd like to unpack. Beck: Yeah. Jorge: Why don't we start with Zettelkasten? Beck: Sure. So Zettelkasten is a German word that… I think the most direct translation is “slip box,” where “slip” is a slip of paper. So it's basically, a concept where you write ideas — single ideas — on index cards, and you sort them in boxes based on a very elaborate, unique identifying naming scheme. T here's a whole world of Zettelkasten, but I think that the essential parts that I have kept are that, instead of reading an article and writing a summary of it — a reading note — where I would summarize and ask myself some questions and list out some quotes, let's say. Instead of doing that, I now distill every kind of insight and observation I make while reading into individual notes, into individual slips, and I put those together in infinite ways. So if I'm reading an article and I have one idea from the article, which is let's say that… I'm reading about neurofeedback right now because a lot of the mindfulness devices are using neurofeedback as a way to train people's brains to calm down. So I'm reading about neurofeedback and I'm having to learn like, how exactly does the brain work that we can measure it via electricity on these sensors that these devices have, for example. So I learn a little detail about that. I put that one detail in a note and then I learn another detail. Let's say that neurofeedback is also really good for PTSD, and maybe I'll make that a separate note. And so I have all these different notes that stem from one reading. And then I can connect those notes to each other and to future readings. The thing about is it'll cost in is that the note is alive for the rest of its life as long as you're using it. So let's say in a year, I read another article about neurofeedback or maybe there's an advancement another feedback. I go and I edit that note that I just made and I make it more robust. So the notes just live. When I make a note about some reading, I'm making a note for my future self — let's say 10 years from now — who wants to remember what I read about that single point. So t hat's sort of at least one view of what a Zettelkasten is. Jorge: The way you're describing it, it sounds to me like it's not necessarily tied to any one technology. It's something that you could potentially do with index cards. Beck: Absolutely. And what's so lovely about the folks that created The Archive, who were kind of a real hub of information about Zettelkasten, is that they put all the information out there and they said, “Here's one solution, the one that we made. But really you could do this with anything.” And that's to their credit and to its flexibility. Jorge: So you said that you're implementing this way of note-taking/ processing of information using a tool called Tinderbox, right? Beck: That's right. Jorge: T hat is the thing that first drew my attention to your videos. Tinderbox is a tool that I'm familiar with, but for the benefit of our listeners, could you explain what it does and how you're using it to implement this approach? Beck: Sure. So Tinderbox, if you haven't heard of it, is not surprising. It's sort of an esoteric tool. And it looks weird, kind of. It's hard to describe. I think it's actually a wonderful example of the kind of way we would want to build technology if we were to build it contemplatively. Because the thing about Tinderbox that the creator of it, Mark Bernstein, he won't tell you how to use it. So I have to kind of respect that and say, this is how I'm using it. But to describe what Tinderbox is and what it can be used for is kind of an impossible task, because its own creator won't do that. As I understand the real essence of Tinderbox is a note. So it's a note-taking tool. Everything that you do in Tinderbox revolves around notes that you take. But that note that you take can be plotted and visualized and referenced and all these things and lots of different views. So you can have a map view of the note, where you make a concept map or some sort of visual plane. You can have a timeline view of the note, where the note appears on the timeline in relation to other notes that you have. You could have an outline view of the note. You can have just your regular text box in a text editor view of the note. And so there are all these different ways to basically see and manipulate and relate — connect between — the notes that you're taking. Which is exactly what was missing from the software picture. I tried all the mind mapping software. I tried all of the really nice editing software, all that stuff. But nothing brought together outlining and mapping and connecting. And in Tinderbox you can also “alias” notes. So basically, one note has the same content, but it can be across all sorts of different areas, and if you update it in one place at updates everywhere else, so I'm able to create multiple visual maps of my notes. So I have a been a longtime concept mapper. I think it's a great way to like challenge and force yourself to synthesize information. You have to conceptually map it out. So what I started doing is I would come across a theory or an idea, and I would create a concept map about it. And Tinderbox allowed me to create those concept maps as just part of the core set of features. And then what I think was just the the stroke of insight that I had about Tinderbox and Zettelkasten was that each node in the concept map that I made could then be a Zettel; could be something that is a part of this larger reference thing. So I started making these very elaborate concept maps so that I could remember. So let's take a concept map like persuasive technology, BJ Fog's contribution to the problem that we're all faced with today, which is that were addicted to our devices. So how does that work? Well, basically his theory has three parts where you have motivation, you have ability, and there's a trigger. And if you're above a certain threshold, you have the right motivation and the right ability, that trigger will trigger a behavior. If you don't have enough motivation, or if you don't have enough skill set, then that trigger won't work. Or if you have the motivation in the skill set, and the trigger doesn't happen, then you'll never trip into the behavior. And so, he uses these leverages that are just like really unfair. And he calls it out, you know, we can alter motivation and a human by scaring them, like threatening them. Or we can give them hope, or we can make something painful or pleasurable .Or we can promise social isolation and rejection, or we could we could promise social acceptance. And when we do these things, that will motivate people to do what we want them to do. So I'm map all of this out in a concept map so that I understand the relationship of that. And me just telling you about that, my brain was remembering visually what I have mapped out in Tinderbox. And for each one of those nodes, let's say motivation or trigger, I have a Zettel that tells me exactly what that means. And then it also hyperlinks. It has use a Wiki link to BJ Fogg and to the article I read and any other articles that might mention it, so that I can jump to those things across my Tinderbox. It seems interesting to say it out loud. I'm imagining your podcast listeners probably feeling like, “what is she talking about?” And so it probably would help to see a video or at least look at what one of these concept maps mean to anchor in like what this experience is like. But it works beautifully, because I'm able to synthesize by taking the note itself. And then, when I go to write about it, or I'm trying to remember it, I have this this real nice visual that I can work with and it also has function I can jump to other places and I can search and those sorts of things. It's really working well for me. The nut to crack with this General exam problem and certainly with the dissertation and with the scholarship I do once I have the PHD is: that's a ton of information that I'm going through. I've done the reading note thing and it doesn't work. I don't remember it, you know. And so I feel like I actually am taking up more of the stuff because of this. Jorge: Yeah, it's a tool that encourages nonlinear thinking and exploration about subjects. Right? Beck: Yes. Jorge: I also love the way that you described Mr. Bernstein's positioning of Tinderbox in the market, because it is something of a cipher in that it's a tool that can be turned into many different tools. The way that I've taken to describing it to people is that it is to information management as Photoshop is to image manipulation. You can use Photoshop for all sorts of different things: for tweaking photographs, for painting, for creating graphic artifacts for a website or what have you. And Photoshop doesn't really dictate how you're supposed to use it, not as much as other tools for sure. Beck: That's a beautiful analogy for Tinderbox. Because I've I feel like if I didn't have Photoshop I would be missing an arm or something. I really know that tool well, and it is very similar. Once you have a grasp of how to use something you feel truly empowered to do things that you may see and be like, “how could I get from this completely blank slate to that with just this tool?” And yet, you can. And similarly, as a novice you arrive at the startup screen for Photoshop or the startup screen for Tinderbox and you're just like, “What am I even supposed to do here? This is so confusing!” But they're both very, very powerful. I think that's a great connection. Jorge: This is one of the reasons why I appreciate your video so much. Because I remember when I first got into Tinderbox, and this was over a decade ago; this is a this is an old tool. This is a tool that comes from pre-Mac OS — and it's a Mac-based, I should mention — and it's a tool that comes from before even Mac OS X. It's a kind of an old-school Mac tool. And I remember first coming to it and feeling just as you're describing, somewhat overwhelmed. It's like, “Well, I don't even know where to start!” And many of the introductory tutorials out there tend to assume that you already know a lot about the tool. And your videos are very comprehensive and kind of take it from the beginning, almost, which is I think a real service to folks. Because it's a tool that does need someone to sit with you and show you what it can do before you can have a revelation about how it could apply to you, somehow. Beck: That's exactly right. And I had just scoured the internet for tutorials and agree that that space between, “Okay, I can actually create a note,” and that “Aha!” moment of, “What does that mean for me?” That space in the tutorial of Tinderbox realm is missing. Jorge: Yeah. Beck: There were some videos by Steven Zeoli. He has a blog, “Welcome to Sherwood.” And he had a few really basic use case examples of how he was using Tinderbox. And it helped me understand some of the features like agents and adornments. There's all this language of Tinderbox. And I had that moment of, “Well, that's how I could use it.” Once you have that, then you can start playing. And also to be fair, I think one of the reasons why my videos are interesting is because my use is not particularly sophisticated. And so it's intellectually really useful — and maybe there's some sophistication around my relationship to what is in the notes — but how I'm actually employing the features of Tinderbox is like first or second grade, you know. And yet there's so much you can do at just that level. And I think that's what people are being… It was resonating with people is that they're like, “Oh, I can use this too! I don't have to program and do all of these things that people who are producing tutorials about Tinderbox are doing.” Maybe in the future I will go to a point where I want to go through all of my Zettels and in some sophisticated way grab some and play with them and I'll need to program this or that. And when I get there, I'll make a video about that. But like right now I'm really in that place of making maps, making them beautiful. Using drawing and images and connecting things and creative ways. And there's a lot of benefit just to that level of use. Jorge: O ne of the other things that your videos do is highlight one of the more powerful aspects of Tinderbox, which is the fact that it allows you to capture complex information without prescribed structure. And it allows you to discover what the structure is that is kind of inherent in that, and let the structure emerge. Beck: That's right. Jorge: Which is it's really peculiar and particular. I don't know of any other tools quite like it. Now, when I reached out to you and you agreed to be on the show, you mentioned that you did not want to give the impression that you've kind of got it all figured out somehow, right? So if the use of a tool like Tinderbox is something that, frankly, takes a lifetime to develop mastery over. Acknowledging that even as cool and as masterful as your videos are, you are still discovering what the tool can do and where you can take it. Do you have a sense of what next steps are for you or where there are gaps in your process that you would like to address? Beck: Yeah. Well, that's… I'm so glad you mentioned that just in case anyone got any sense of confidence or… I don't know what the word would be. There's no “shoulds” in my explanation of Tinderbox. Let's just say that. I feel like every time I use it, I learn something more. And I think that an a gap or an issue, let's say that I anticipate, is that the way I used it for map 1 is different than 2, 3, 4, 12… And so, I may have a problem with that in the future. Hopefully I won't. But I could, in the sense that, for example, when I connect different notes, I do so very extemporaneously. So I I use the tool for what I need it to be used for in that moment. And if I were a little more methodical or systematic about it, I might connect notes in a way that in the future would be helpful to me. So let's say that, for example, I map out all the people I read. And when I'm writing their little bio and I have knowledge that these two people collaborate, I will connect them and I'll say “collaborator.” And so, in the future maybe I will be able to use that metadata that connects people to say, “Let me see all the people that collaborate,” or something like that. Maybe that would be useful to me. Well, my notes… They're just completely random. Sometimes I say something like, “agrees.” Sometimes I'll say something like, “example.” Sometimes I'll say something like “E.g.” Sometimes everything is different. And so I don't have any standards for how I connect things, which I anticipate may limit me in the future. And so then going back and fixing that stuff seems like it would be just so burdensome. And also… So right now, I have set things up basically like that Venn diagram. I have one big area called “restorative environments,” which is public space. I have one big area called “technology,” one big area called “contemplation.” And I just… If I have to rearrange that in the future, it might feel massive, you know? And within those areas I have things like methodologies and theories and results or findings. And those sorts of organizational concepts may just be completely… But that's the thing, if I were to try to figure that out before using it, I would've never gotten started. And so I really am building it as I go, and in that way, there's a lot of charm. But I think there's gonna be a lot of infrastructural issues in a short period of time. And I don't want to rebuild it. I think that would just be… You know how New York City is just like, “How does this work?” I think that that will probably be my Zettelkasten at one point, you know. It's just like, “Wow, this is so complex and bubblegum and shoestring. How is she making this useful?” And it's because I was just very present to it every time I used it. And that's the other thing I wanted to say, is that when I finish reading an article, I'm excited to go to Tinderbox and play with what I've just learned. And that is just rare. Normally that sort of work is is tedium and it doesn't feel that way. But anyway, suffice to say: lots of shortcomings, but they're anticipated. Jorge: When you were talking about the variance in how you refer to examples whether you use e.g or EG or X or whatever over time… The thought that came to mind is that in some way your usage of Tinderbox reflects the research that you're doing in that it is a tool that offers the best of what technology can do for you but it also honors that you're human. Beck: That's right. Jorge: And it allows you to build these structures in an emergent way over time. And it's going to be imperfect, right? Because it's a reflection of who we are. We are not machines. We are not computers. Beck: That's right. That's so beautiful. You're very good at this listening thing. Yeah, I think that's exactly right. And also to the point that I just made, using it as fun. You know, that's honoring the experience of being human too, that the use of it feels valuable to me. It doesn't feel tedious. Jorge: I am so glad that we had the opportunity to talk about it. It is a wonderful tool. I am so into this idea of the Zettelkasten as well, and it's something that I am looking into as a result of discovering your videos. So before we go, where can folks follow up with you? I'm going to put links to the videos on YouTube, but where can folks follow up with you? Beck: Sure, you can contact me by going to my website, which is my name, becktench.com, and from there you can get everything else: Twitter and email and all that stuff. And I'm very hopeful that in your ​experiences of Zettelkastening and that sort of thing, that you share what you're doing and learn too. Because I think there's a very hungry community out there just to see multiple perspectives. And just like that lesson of “just get started” with Tinderbox, the Zettelkasten can suffer a similar fate. You just need to get started. You will figure out the shape of a note and how you'll use it by creating them. And one of the things I did was I made Zettelkastens when I was learning about Zettelkasten, just so I could immediately apply it. So I would just recommend that kind of approach if you're if you're interested in getting started with that, Jorge: That's great, Beck. Thank you so much for for your time, your wisdom, and for the work you're doing. I think it's very needed in the world. Beck: Thank you Jorge. I really appreciate it.​

Mike and Ryan offer opinions on the glorification of serial killers in pop culture. They look at psychopathy and sociopathy through the lens of Netlfix's Mindhunter and strive to breakdown the how and why for people with Anti Social Personality Disorder. Mike and Ryan end up in a debate about whether or not, Holden Ford, is a sociopath. Synopsis: Today, we are covering The Netflix series, Mindhunter. Based on the real-life work of former FBI Agent John Douglas. Starring Jonathan Groff as Holden Ford, Holt McCallany as Bill Tench and Anna Torv as Dr Wendy Carr Set in the late 1970’s, Holden Ford, a hostage negotiator for the FBI, is put out to pasture and assigned the Job of teaching Cops around the country about criminal motive, with agent Bill Tench. While traveling the country, Ford’s curiosity surrounding the psyche of what he calls “sequence killers”, gets the best of him. Under the nose of his superiors, Ford starts interviewing, Ed Kemper, a man who is serving a life sentence for indescribable crimes. Ford believes he is learning valuable information that could help the FBI solve similar crimes and save lives. His partner Bill begrudgingly goes along with him, but eventually sees the same importance in the interviews as Ford does. As the FBI embraces the program, Ford, Tench and their outside consultant, Dr Wendy Carr are able to interview several of these “Sequence Killers”, and build the foundation for modern serial-killer profiling. Find Us: Mental Health Podcast | Pop Psych 101 We have a Blog! Ryan always had a Blog! Join our support group Facebook Twitter Instagram --- Support this podcast: https://anchor.fm/poppsych101/support

Ep 220 is jam packed with Fun, Erik Hoffner from Monga Bay Joins us to tell us about his ice hole art, and bring us some news. Fish Guy Josh and Doc Martin are back to teach us about the Tench and We have a great time reviewing the Movie "On the Ice Flow"

Tench is settling into his new bucolic life and has received the marvellous news that his friend Barrington has been released from prison and will be coming to visit. The boy is away, so for the first time in his life he is left with no choice but to go to the supermarket.

Greg and ND Take a Look At The Pro Bowl Selections

10. yılını kutlayan Spotify'dan bizi nostajiye boğacak olan yeni Winamp uygulamasına, Banksy'nin kendi kendini imha eden tablosundan, Twenty One Pilots'ın yeni albümü Trench'i konuştuğumuz ama asla ve asla instagramdan kendimizi kurtaramadığımız Akustik Muhabbet'in yeni bölümü ile sizlerleyiz.

Story: Wie ticken Serienkiller? Das wollen Ende der 1970er Jahre auch die FBI-Agenten Holden Ford und Bill Tench herausfinden, indem sie ausführliche Gespräche mit inhaftierten Mördern führen, um diese und ihre Taten besser verstehen und auf diesem Wege potentielle Rückschlüsse auf gegenwärtige Verbrechen ziehen zu können. In einer Zeit, in der die Kriminalpsychologie noch in den Kinderschuhen steckt und der Begriff Serienkiller noch nicht einmal geprägt wurde, ist man beim FBI vom Projekt der beiden Ermittler wenig begeistert. In der Psychologin Dr. Wendy Carr finden Ford und Tench bald aber eine Unterstützerin. Netflix-Serie von David Fincher, die auf dem Buch „Mind Hunter: Inside The FBI's Elite Serial Crime Unit“ von John E. Douglas und Mark Olshaker und deren darin festgehaltenen Erfahrungen als FBI-Agents basiert.

Story: Wie ticken Serienkiller? Das wollen Ende der 1970er Jahre auch die FBI-Agenten Holden Ford und Bill Tench herausfinden, indem sie ausführliche Gespräche mit inhaftierten Mördern führen, um diese und ihre Taten besser verstehen und auf diesem Wege potentielle Rückschlüsse auf gegenwärtige Verbrechen ziehen zu können. In einer Zeit, in der die Kriminalpsychologie noch in den Kinderschuhen steckt und der Begriff Serienkiller noch nicht einmal geprägt wurde, ist man beim FBI vom Projekt der beiden Ermittler wenig begeistert. In der Psychologin Dr. Wendy Carr finden Ford und Tench bald aber eine Unterstützerin. Netflix-Serie von David Fincher, die auf dem Buch „Mind Hunter: Inside The FBI's Elite Serial Crime Unit“ von John E. Douglas und Mark Olshaker und deren darin festgehaltenen Erfahrungen als FBI-Agents basiert.

EPISODE 1: About The Snowboard Project THE SNOWBOARD PROJECT EPISODE1.mp3 Download the "THE SNOWBOARD PROJECT EPISODE1.mp3" audio file directly from here. It was automatically transcribed by Sonix.ai below: : Man like Mark Sullivan warrior self, stay tuned for the chilling episode. : A positive mental attitude and clearly all obstacles which stand between you and your image your purpose in life. This is the Snowboard Project featuring Mark Sullivan and the Beav. The Snowboard Project. The Snowboard Project. : Welcome to the snowboard project. MARK SULLIVAN I'm the Beav and this is the new snowboarding podcasts that we're putting together. : It's pretty exciting. This is this is show number one kind of talk to me what is The Snowboard Project? : Well The Snowboard Project is is a little bit of a different take than traditional media to snowboarding and the goal is basically self-improvement through snowboarding like the snowboard has been my vehicle to travel the world to meet driven fascinating people and to have all these crazy life experiences and it wasn't just the tricks that I was doing it was through the people I met and the places I got to visit. And so you know to me the some of the more fascinating stories in the sport are with the pro riders but with the people who've dedicated a piece of themselves to the sport of snowboarding so those could be you know anything from the pro riders but also people who were sales reps people who are graphic designers people who who were there for the beginning of the sport right and were part of the genesis of snowboarding and so those are the stories that I find interesting and I want to cover with the snowboard project now. : There are a few other podcasts out there. There are some action sports podcast from snowboard podcasts. What's really going to set us apart what's really going to be the difference. : Well hopefully you know I can drill down into some real useful advice that these people have some of the lessons they've learned some of the mistakes they made and how they've learned from them and and really you know maybe take a piece of that to your own life beyond snowboarding. : So who are some of the people that we're going to be kind of like covering through this through this season of the summer project. : Well there's all sorts of people I mean I've I've talked to some of the legends like Mike Chantry and Bob Klein guys like Dave Seoane guys like Mike Basich and Ricky Bower the coach or the halfpipe team for the United States. So all sorts of different people Pat Bridges Aaron Draplin. I mean the list goes on and on. : Let me ask you this personally what do you hope to kind of extract from these interviews that can not only be shared with your audience but do you feel like you might actually be gaining some some great advice just for your own self that you didn't actually know about beforehand. : Yeah you know the funny thing is I kind of walked into this thinking that I knew a lot about snowboarding you know I was like I got this figured out just do a podcast I've been an announcer and been involved with media. That's a natural fit. And what I realized is that like every single interview I've actually learned something about the snowboarding by just listening to different people's perspectives and how they approach the sport differently than I did. : And so with every interview I actually learned something about the sport and it has driven me to want to do more and more and more podcasts. We're going to start out with three shows a week. We're going to go to five shows a week in about a month. You know right now I'm actually just building shows on the side doing interviews with different fascinating people. But I will start with three shows a week and then go to five shows a week because snowboarding is such a rich sport. There's so many different characters and people involved with it. I think that it deserves to have a different kind of in-depth media than just like here the pros here the tricks or the edits. Right. And so this is supposed to give you something more to listen to. : Yeah kind of talk me just a little bit about that. Why. Why do you feel like there's a need for this kind of media in our current state of snowboarding. : Well you know the media has kind of taken a shift recently with with social media kind of becoming a dominant form of as a media outlet. And so you know when you look at what you get from the media now it's been boiled down to a single image or a single video clip and you really don't get those in-depth interviews you don't get those in-depth stories and you don't really you know have access to kind of the stories behind the stories and so that's really what I'd like to share. : How do you feel like this is really good. It's like differentiate from kind of our current snowboard media I guess. : Well I'd say this is going to be a completely different number one it's audio. So there's I mean normally like snowboarding is you know very visual in terms of the media portrayal of the sport. And so that's videos that's pages and magazines traditionally maybe not as much anymore but you know this is definitely not a visual medium so I'll try to tell stories that hopefully paint a picture in your head. And the interesting thing is that like when you're listening to this you have to actually use your mind to create kind of the image of your head of what was happening and so I think that's kind of a little bit different than actually being kind of force fed visuals the entire time. : Now there's kind of been this like I guess classic structure on how like you know the media or magazines or movies would make would make money. Just tell me just a little bit about how you plan to fund something like that. : Ok well this is pretty interesting and for the first time ever in my career this is going to be an advertising free model. Maybe I'll accept advertising from your company I'm not sure but that's a different story right that's totally different. But note no endemic advertisers is going to be no Bourton ads it's going to be no never summer ads. This is not to play favorites this is actually just to tell the real truth behind snowboarding as I see it. Right. And this is my own impression of the sport based on my 30 years experience with it. So anyhow I'm using what's called patriae on and you go to patriae on dot com slash the snowboard project and you can donate money to this podcast and so you know you can donate two dollars you can donate you know up to a hundred dollars to become an associate producer and have a monthly consult consultation with with us and we'll tell you about you know if you want to win a gold medal or where to go in January we'll talk to you every month. You know about snowboarding or over the phone. So anyhow there's different levels. Go to patriae on dot com slash the snowboard project and donate because this is actually the first time ever in my experience that this is a media outlet that is not reliant on advertising and not beholden to those advertisers to tell those stories so we can just tell the real truth. : Don't forget to support advertising free snowboarding media Patreon.com/thesnowboardproject and possibly slow boat projects. : Let's just rewind just a little bit let's go let's go into kind of the history of you and media and why you know why you feel like you're someone that it has the I guess ability to tell these stories just tell me just a little about your history of snowboarding. : Ok well I started snowboarding when I was 14 years old and I was like one of the fairly early adopters. Let's say I was on a ski vacation in Jackson Hole first time out west and I broke my skis and I was like do I Telemark or do I snowboard. And I walked into a shop and there was Chris Pappas and he rented me a board and got me set up and and gave me a lesson. And so literally from that very first day though I was like This is what I want to do with my life and I've never looked back actually like you know 32 33 years later it's like I've never actually looked back and so you know roll that forward I was a sponsored athlete for a number of years and trying to follow the stream of professional snowboarding and then I got my hands on a Transworld media kit when I was like 18 living in Breckenridge and it was like you know three or four thousand dollars in ad breakdown and I added up all the ads and a copy of Transworld and I was like they're bringing in like a half million dollars in a shoe. : Whoa. : Yeah that was just the advertising they had subscribers and newsstand sales I mean they were bringing in a lot of money. I was like you know what. If they can bring in this kind of money and yet the story of what we were doing we were like jibbing and doing night. We had a little bit different style than was portrayed in the magazine. So I was like you know this voice maybe has a place in snowboarding media and so I started a Xeen based on working. I lived in a two bedroom apartment with 11 dudes and two pitbulls paid about seventy five dollars a month in rent for a bed. It was like a hostel. : And and. : And so of like I gathered together my roommate's big brother had just come out Big Brother Magazine Issue 1 had just come out and to maybe had just come out they were looking at issue one though. And that was kind of the inspiration was to do something like Big Brother. And and so you know my roommates were all kind of sponsored athletes and we kind of gathered round I was like myself. And T.J. Liese and Chad Schnacky and a guy named I believe Joe W. was involved as well. And Pat Abramson and so those were the guys kind of contributing to. We also had you know I also live with like Rowan Rogers and Dale Rehberg and that whole crew. Nate Cole and those guys were on the road though they were already kind of famous and we were trying. We're knocking on their door basically trying to become pro riders. And so we decide we're all pretty much led the charge. But like the idea was like let's tell the story of what's going on here with these kids in Breckenridge. That is a little bit less glossy and than the traditional media that was out there. : Sure. Now so that was the start of Player Magazine Player Magazine magazine. Tell me. OK so you took that and he took that idea and model and you went out to like what. : Yes. We made like a thousand copies. And you know I sold ads I was like the ad sales guy as well as kind of one of the editors of one of the four editors and and we came up about I don't know. Four hundred dollars short. So we had to kick in a hundred bucks to get the thing printed and we brought to Esai a thousand copies of the magazine. And you know we had it on the cover of the first mag was Stephanie Seymour she had just been in Playboy she was like the hottest girl in the world. Totally buck naked on the cover just naked girl on the cover of the magazine. And so literally I distributed like 1000 magazines in four hours and everywhere you looked at this trade show there were people reading the magazine and it was like a hit and people were like Man you got to do more of this and so that kind of like gave me my start in the media and gave me this direction. And so I made a second copy a player and like that. The thing is though I didn't know anything about graphic design didn't know anything about printing. All I knew about was snowboarding and my raw desire to kind of like tell our story from from our perspective which was different than what was happening in the traditional media. And so that was kind of the birth of my career in media and that was like 90 to maybe something like 92 93. Yeah. : How was it. How was it walking into. Into SIA I did you have like where you were you scared about the outcome or were you like hey this is what I'm doing and I'm gonna kick ass and you know I don't know if we really had you know I think it was probably more like how we're going to sneak in. : Right. So it's more like worried about like how we're going to get into SIA like guess snowboarder. : Yeah you know and like I mean we were pretty raw I had sponsors at the time still and and so you know figured out we all figured our individual path and then brought boxes of magazines or at backpacks of magazines and to start handing them out. And and you know from the first reaction I mean everyone just loved the cover. What's not to love about a naked girl on the cover of a magazine when you are 18. Right. And so. So yeah immediately like people were like the immediate reaction from the first person who saw it was like wow that's that's something different. You know and that was kind of you know an unintentional success I guess. I mean I mean the print quality the typos everything with I look back on that and it was so bad from like a you know from a professional perspective. But yet it had this raw message that was different than what was out there real cool. : So you took that experience and you then went back to college you decided hey this is going to be my my life path. Talking about college talking about the start of East infection and what that was all about. : Ok well I made a second issue a player and I decided to go all color because it was always about improvement. Like just like snowboarding you know you want to get better and better and better so I was like OK how do you go from a black and white Color you make a color one so I made a color one printed on an offset press I remember you know printing and the idea distribution models and shops for free. Get them out there printed 10000 of them. And and I go to pick up the magazine and the guy who's the rep from the printer is like here's the magazine man. : Looks like you guys are having a wild time up there in the mountains and I was like yeah yeah we are totally. : And he's like so how do you do your color correction anyway. And I was like What's color correction. : Right because everything like every photo is just like super dark. It was like literally flat bed scanned of prints basically and photos that we took of screengrab the forehead VCR and we like pause the the VCR and take photos of the TV screen to do video grabs. We were pretty ghetto. Right we just figured out how to make it happen. : But that's when I realized that like OK there's more to this than than just like making it happen. It's not just about the idea it's about doing it as professionally as you can. And so then I was like OK well I should probably go back to college and learn more about this you know. And I was already I already done a couple of semesters in the fall in the summer at UVM and so I went back and and switched my major from environmental studies to marketing business and I figured I'd learn the business side of magazines and I could find the people who knew about color correction and about graphic design and all the while I was like graphic designing and doing all these jobs I did basically every job at some point for the magazine. And so then I had a friend Pat Bridges who I grew up competing with. And so I talked to him about hey I you know I'm back here and going to college full time I'm going to finish this thing out and I'm going to start a Xeen here to represent East Coast snowboarding and so he came up with the name yeast infection which captured the infectious spirit of snowboarding on the East Coast at the time. : Sounds like it. Yeah. Oh man. : And so you know but I liked it because it was kind of like you know little bit outsider and really and like snowboarder and Transworld at that time there was no coverage of these cause you might get like four or five photos a year of like someone on the East Coast snowboarding and yet here's this vibrant scene going on every weekend every day that we could go to the mountain we were doing it and and so that's kind of the birth of East infection and then so you know my strategy with the first issue the first one was 24 pages and it was like I wanted to put as many people in that first issue as I could so I put like 130 different riders in that first issue. : Yeah the photos were small then it was like hey you're in the magazine hey you're in the magazine hey you're in the magazine. So all the sponsored riders kind of got a little piece of that. : And so that kind of snowballed for three years got better and better and better for three years and I learned a world about publishing and about you know about how magazines were made and also just from you know a DIY perspective as well. There was no one kind of helping us do it. We got to the point where where we had a house that we rented for the staff and so that was like Pat Bridges and Evan Rose who's like now the creative director. Burn this guy Chaka. Michael Gardzina he'll be one of my interviews as well. And so all these guys all ended up sticking with snowboarding or skateboarding and like George CavalLA was my first followed Twitter. He's at 686 today. And Herb George with my ad sales guy and and he's OSiris shoes he like runs those Cyrus. And so I see how all these people had just had this genuine passion. It was our way of like going to college and learning but also doing what we loved. And you know and really that's what this podcast is about is like taking something you love and then pouring something of yourself into it. And so that's what these stories really in this podcast are about people who can can dedicate themselves and their passion their time and their work towards their passion. So they get a little bit maybe more satisfaction out doing something you love share. : So you were able to snowball this thing to the point where you guys had enough capital to go out and rent to rent a space where you actually did this help put you through college. : No I mean basically they paid the rent and we had a party every Tuesday night like a keg party every Tuesday night and there are some wild stories from those parties but so the keg party funded like the magazine know the Keg Party is funded itself. But we just wanted to have a good time we were snowboarders we were still competing we were all kind of want to be sponsored riders at the time but also had the drive to do something more with snowboarding than just ride. And so it was just quite an adventure you know to have a house and all your friends and just to be able to dedicate yourself and your spare time and that's kind of when I started working these crazy hours shows going to school and getting A's and B's in school full time and also making a magazine full time. And I was doing the sales I was doing the graphic design. I was writing a little bit of the stories. Bridges was really the writer. It came naturally to him it did not come naturally to me at that time. And so really and you know it was just this like trial by fire. : So we would make mistakes we would make big mistakes you know and then we learn from those mistakes and tried not to make them again. Right. And so then you know after I graduated college it was kind of like OK I think I have done the East Coast justice as far as like I've made three years of magazines Time to go out west because I knew that like my experiences in Colorado that it's like softer snow bigger mountains for a variety of reasons I wanted to go out west. So I actually had like job offers from both snowboarder and from Transworld and snowboarder was like Do you want to be in sales or do you want to be an editorial. And I was like well what's the difference. And they were like well the sales people make a lot more money and the editorial people get to travel everywhere. And I was like I'll be an editor. And so that's how I kind of landed in California. You know as associate editor you know packed up the the Nissan pickup truck and dragged the U-Haul trailer across the country and showed up there just totally green. : Now to me this kind of sounds a little crazy like you're like 24 25 26 right around there. Yeah kind of just keeps coming out of school. How was it that snowboarder and Trans World and all these magazines out West had this kind of bead on you basically and said look we want Mark Sullivan to come out here. We want him to come. : Well I mean the magazine that we are make we were going to the trade show. Bridges and I would go to the trade show and try to sell ads to potential advertisers. : And you know we did print you know 10000 copies of each issue so they were getting out there people saw and we sent them to snowboard shops. We had a handful of subscribers you know. And so it was kind of a known quantity. And I think that maybe they recognized the fact the desire to do this you know to be a part of this industry and to you know just be a part of snowboarding at a bigger level and so you know I remember it was kind of heartbreaking that like when I got out there like like on my first day of work my boss was like Hey man you can't be sponsored anymore that's a conflict of interest so I just drop all my sponsors and I was like Oh man that's this is going to help my sponsorship opportunities and now I can become a pro somehow. : Like I still had that dream kind of in the back of my head that I'd be a pro but it made me like really come to that decision like no you're going to be working in the industry and not a writer right. Not that I ever gave up on writing or progression and writing but like that that was going to be my path. : Basically from then on. : Talk to me about day one. You walked in there. Were you scared or did you walk in there with all the confidence in the world that you were just going to change this magazine. : I was scared shitless. I mean this is like let me paint a picture for you. : This is like an old airplane hangar divided up into cubicles with a few offices. It's the home of Surfer magazine which is like just a legendary publication that started in 1964 basically to define surf culture. And there were like all these old surfboards around and really was like a you know like where the culture of surfing live while snowboarding was just like a stepchild basically to Surfer magazine everything was a stepchild the Surfer magazine. And so you know I got in there and you know the guys from Surfer magazine were really confident and I was a guy who just literally landed in California the week before. Couple of days before and was just out of my element in every sense of the word. But I was just like you know I'm just going to try to do college try and give it my all. And so that's what I did and like. And I was an editor and I never found writing easy but I was like I'll do it so like you know I was like this guy who would like write stories like four and five times from scratch I'd write at once and then like rip it up and like you know write it from scratch again and just do that over and over and over again until the point came seven or eight years later when I could actually just pick up a pen or typewriter or whatever keyboard and write you know. But it was hard fought really to do that but I knew that my voice was legitimate as far as like I was a snowboarder and I was one of the only people who defined them. I was the only person to define themself as a snowboarder. Like at that time like that's who I was I was a snowboarder just like the surfers that Surfer magazine they were surfers and then they got into media as a byproduct of that snow. : So snow when it was kind of being run by people that snowboarding but not necessarily snowboarders. : Yeah I mean they were competent. They snowboarded for sure. But it's like they didn't grow up like defining themselves as snowboarders and so they you know. Good job great people. But it's like they didn't just they didn't live and die by snow. To me snowboarding mattered more than magazines right. For them it was like hey I got this great job being you know working at a magazine or whatever. And so you know and they were great people they did a good job they tried to tell these authentic stories of the pros and the people who were out there doing it. : But it was like I came from this other place which was just like I define myself by this and if I do a good job it's a byproduct of that of that determination. : Now you came in as an associate editor basically how you kind of work your way up and how did you get to the point where you were like You know I guess calling the shots steering the ship. : Well it's funny. You know I almost it was almost a really short term gig. I started at 24 grand a year which is actually like so my 24 grand and like what ninety three this is like 97 when I was seven 97 I started a snowboarder. And so Neal my six month review came and I was like Man this is like a dream job I get to work with people I like could just focus on snowboarding and I kind of kind of carte blanche as far as like just going and you know being a snowboarder I can go to all these different cool places I've always dreamed about going and. And so I go in for my six month review and my boss is like OK you've done an awesome job. You know we want to promote you to senior editor and I'm like patting myself on the back like I've made it right. And so then it comes time to negotiate the salary that he offered me 26 grand. Like a two thousand dollar a year raise to take that new job title I was like look here's all my bills I actually add them up ahead of time and and actually it cost me 27 five to live here in California. It's just that cheap the rent isn't cheap. : You know whatever. And he was like you know hey look you can take this or leave it. There's a hundred people waiting for this position. And so I literally I took a couple minutes you know to think about it but finally I was like OK OK I'll do it I'll stay on you know and basically I had to call my parents to ask them to pay for my car insurance you know because I couldn't afford car insurance. Sure. You know and so and so you know and that kind of gave me the mettle to like to be like OK I'm here for snowboarding this isn't about the money. This isn't about you know about you know rising to the top or whatever this is about the sport of snowboarding and doing a good job for it. So then the dot com boom came and. And so they're all of a sudden was like you know a land rush for people who knew media. And so I was one of those people so we're like a lot of people and so actually the bosses at snowboarder ended up going and starting their own kind of new media company that was Internet. And I don't know whatever they had like a bunch of different facets to and they tried to get me you know to go with them and I was like well wait a minute I'm the last man standing here. : That makes me by default I hope anyway the boss and so sure enough I stayed. Everyone else left and I had this Leicht negotiation which was like based on my prior experience with negotiation and wasn't going to get run over. Sure. And I became the editor in chief of snowboarder magazine at that point and really had completely staffed the whole magazine. We didn't have an art director we didn't have a photo editor we didn't have a managing editor. We didn't have any of the people that we had to rely on. So really it was like I got to redefine the magazine. At that point and that's when Bridges kind of came out I tapped him on the shoulder you know and he came out as a senior editor and and then I hired Jeff Baker and then took a while but I found Aaron grappling because I really had this passion for design and being authentic to design and that into working out. In fact funny story about that is I actually put my job on the line to hire Aaron Draplin right. : It's like his first job he was in college and he was just about to graduate from MCAD in Minneapolis which is like a great design school. But you know the head sales guy publisher guy was like guy you know there's just no way that a guy from college can handle. So anyhow I'm just like look back and you can fire me if this doesn't work because I was also driven like I was I saw like a piece of me in him which was like he was driven to snowboard. He was driven to great design and that's something I didn't have the great design or the background design but I knew that he wouldn't let let us down you know because he loves snowboarding enough where it's like he didn't owe it for the job he owed it for the sport and man that really that first year it kind of I would say kind of redefined magazines as far as like the look the feel the content all of it because we just had all the sudden we went from having people who snowboarded to being exclusively people who are snowboarders running the magazine. And I think that was like the first time that that really had happened as far as I know I could be wrong but as far as I know that was really like the first time that had happened and like within a couple months like we were being copied by every other publication. Most notably Transworld but it's like we made waves. You know we had a good time doing it too by the way we got the snowboard all over the place. : Yeah really quickly just rewind a little bit. Drapin when he has just just talk a little bit about who he is and how his what his influence has been one of those guys behind the scenes that we wouldn't normally hear about but his influence has been pretty huge I guess in snowboarding. : I would say because you know snowboarding media and snowboarding in general such a visual thing that being a great graphic designer. I mean Draplin could like literally render drawings like he could sit here and draw a picture of you that looked more or less photorealistic when he was like in fourth grade. Right. Right. So he was a prodigy of art. I would say. And then he went kind of chased his snowboard dreams in Bend Oregon and then he was like OK similar to me is like I got to get an education get some Mike backbone behind all this passion that I have. And so he went to one of the top design schools in the country. And so anyhow he became the art director of snowboarder and you know on the side he would do stuff like design boards for it or other stuff. Oh yeah. He designed the shirt and custom and I remember you know we were really jealous because he got paid 13 grand to do a single graphic. : That's unfair. You know that's half my salary I know that so. But anyhow. But he deserved it. : You know the thing is it's like he had a real passion and like and a background in design that would allow him to be authentic with his artwork and so he went on to do graphics for basically most of the great companies of snowboarding. And you know he was actually the art director for snowboard magazine when he started. And then he's gone on to like these great things he does speaking engagements all over the world now. Like where he talks about design he's just he's done work for Apple from Microsoft for Ford for you know Nike. I mean he's really like at the absolute top of the game right now. : You were able to hire all your friends hire the people you wanted to excuse me hire all the people that you wanted to hire and then you know you have this crew of people just like ready to kick ass for you talking about some of those days some of those days where you guys were kind of on top of the world and on top of I guess the media world. : Well the thing is it's like we never saw ourselves on top of the world and really it was just like a hard fought battle we all had so much passion for snowboarding it was about the ideas and so we would get into like big arguments about like what was it. Make a good cover. And we tried to take the frame of like OK this is what works on the news stand or whatever but then we would have these you know arguments that would last into the night basically about what would make good content who's a good interview and all these different kind of aspects of snowboarding and you know we put in really long hours we didn't really actually have lives outside of you know showing up at that office and none of us really wanted to I mean we were in so cal we were snowboarders by definition which is like snowboarders at the beach right. And you know we all tried to learn to surf I would say but right with you know just so so results and so basically we poured all of our effort and energy into making that magazine. : And you're saying yeah. Ok rewind a little beg me gimme gimme like a great story one time with all those guys. You guys were you know. Give me some give me some meat. : Ok. Something to something to think about. Let's see. Let's see. Maybe the buyer's guide that was an interesting one. So we did. You know I'd I'd basically talk to our bosses into being able to being able to go to Whistler for the season we got Whistler to donate a house to us because I was like well we got to go to the mountains right in the winter. You're not publishing magazines. You finish in like December and then that issue finished in December comes out in like February March at the end of the season. So I was like so we had like the whole winter to develop content. So instead of traveling out of SoCal we went to Whistler and our whole crew our whole staff went to Whistler sounds like heaven. : It was heavy actually. And so we had the south we had a bunch of pros staying there instead of telling you the buyer's guide story I'll tell you. I actually made my first snowmobile story yeah. Tell me the first snowmobiles is actually a much more interesting story. Maybe so anyhow. I also talked a Yamaha into giving us some sleds to demo for the season and like that was kind of like the beginning of like the snowboarding scene. And so I was like Yamaha we'll do like a feature in our British Columbia issue that we're going to do next year and we'll do a feature on snowboarding prominently featuring Yamaha snowmobiles and so they ended up giving us like the first two Yamaha Mountain max 6 and 7 hundreds in the country of Canada. And so we go and pick them up and grapple ends up there and I'm up there. And Boston Castaic Justin Hostynek is staying with us. And you know so we're going to go out on our inaugural mission Hossan it's got his own Polaris RMK 700 with a 136 track that was like State of the art back then. And so we go out to I forgot the name of the zone. But anyhow we have to go up this thing called the S Shoot we ride out through this trail through the woods. Draplin. No problem. He's from the Midwest. He's been on sleds from MI been on sleds like around fields and stuff. We get to the bottom of this thing called the chute and friend. Yeah I mean literally it's like like a thousand vertical foot or 5 700 foot vertical foot run and then a dogleg turn in the middle of it. : And at Hostynek it kind of looks at Me and is like you and sleds before right. And I'm like yeah totally. And like in my mind I'm like yeah I've been sleds in Vermont around fields or whatever area I've ridden snowmobiles go stop. Yeah. So he just takes off and I take off behind him maybe like 100 yards back just to kind of gauge the speed and basically just wide open pinned straight up this thing right. And literally I make it to the top my first try which is like probably miraculous in and of itself. But then we get to the top and it's like and we turn around like where's Draplin. Oh he didn't make it so Hostynek let go. Don't go get them. And I was like OK. And so I really don't know what I'm doing. And so I basically you know I go to drop in back down the chute the way I came up. And the thing like rolls away. So you're just looking at the Valley for you can't really see the issue until you're actually in. And so right when I see the slope there's strapline capsized in the middle of the run. And so I ended up just basically grabbing a fistful of break the sled goes sideways. I get pitched one way it goes the other and it just rag dolls. Bing bang bang bang bang like 700 800 vertical feet and over ass over teakettle whatever. I mean just all the way down to just pieces of plastic flying everywhere and this is a brand new like six miles on the sled slope. : Oh yes although by the time I got down to the speedometer it was brocaded like I picked up the speedometer was pick it up. The plant didn't want to litter I had this environmental studies background Yeah. So picking up all the pieces of plastic windshield hood all the way down. And you know I pick up the speedometer or whatever and you know locked on the speedometer 15 kilometers. So I had 15 kilometers on it before I total that. And how does it break in the news Yamaha about that one. We ended up paying for the sleds we had an insurance policy and we actually ended up using them but scrapped together I think Dan Hudson like artists who's going to be on the podcast. But he actually like to work or whatever. And those Yamaha's are bulletproof bulletproof that. They were like bulletproof because after this like ass over teakettle ride just breaking off pieces of plastic in every direction. You know it still worked. So interesting though that was my first snowmobile adventure and so that's like you know part of everything it's like OK learn from your mistakes don't do that again. You know and so I never threw a sled down a hill like that ever again. But I also kind of have never really lived that but I'll own it too. You know it's like you know it's like you learn from your mistakes. And so hopefully I won't be doing that too. Now a fifteen thousand dollar sled that I actually have to pay for. Right. So that was in 2000 or 2001. We did. : So now some of the things you were at that snowboarder those years there were some pretty fun things that kind of happened between like super parks and talk to me just about kind of some of those ideas some of those kind of innovative things that you guys ended up coming up with just as you know your crew or did you come up with those are you know I came up with a bunch of the ideas I was always a person who had to sell the ideas to the management we wanted to do something different it was up to me to be like this is what we're doing and they'd be like No. : That takes more work for me and then be like this is what we're doing this is what's right for snowboarding and I would just like fight tooth and nail to do what I thought was like good reason why I probably wasn't an easy person to have as an employee because I was like I was just really determined to do what was right in my mind for snowboarding based on my prior experience and mistakes I had made prior to that. So you know we but we came up with theme issues we had columns for guys like Peter line and Todd Richards and you know then those were just based on influences from other magazines I was always a magazine person. So like Racer X was a motocross Mango's into motocross and they would have a column by a racer and I was like we should have columns by pro snowboarders. And so you know that was something that we did. And you know the buyer's guide as well it's like we used to go out and shoot the buyer's guide at the trade show. We'd like literally go ten miles a day back and forth pulling boards and boots and bindings and photos shooting them in a photo studio and then we came up with it well basically I came up with this idea to basically take the influences like the Japanese buyers guides that were going on and apply it to America and so it turned and my boss once again was like No you can't do that. That's like that's going to take way more work for me and I was like we're going to do it this way or you could find someone else to do it. And there's the you know not being agreeable partner. So anyhow it turned like eighty thousand dollar cost into a four hundred thousand dollar a year gain in fact they still do that same buyers guide to this day. They've made millions of dollars on a single idea. I put my job on the line to do. : Hey how crazy is that. But if you are a product and in the buyer's guide you know that's the way it's done sell. : Now you are a snowboarder living in so cow it's kind of weighing in on you a little bit right. Talk to me just a little bit about kind of the decision maybe too. I mean it had to have been a hard decision. At the same time to just say like leave snowboarder Magazine. : Yeah I mean it was a couple of factors really in that. So bridges had a blown out knee and he wasn't getting it fixed. And so I basically put a carrot on a stick form which is like bridges you get your knee fixed and you can like start really progressing your riding again gangs. We grew up riding competing against each other and all this stuff and he wasn't. He was still riding but not really like progressing right. And so that was kind of in a holding pattern. And so I was like you know Bridges if you get your knee fixed I'll go find a job in the mountains because I don't like so cow I don't want to be here and I'll go find a job in the Malon so it took about a year and he got his knee fixed it was the right carrot on a stick I suppose. And and so I found a job in Sun Valley Idaho or Ketchum Idaho as the international marketing director Prisca. : And that was a great job for me because at least the first because it's like blended my two passions which were motocross and snowboarding skiing I could tolerate. But you know it just took my two passions and allowed me to kind of progress into a marketing role and I became like the international marketing director and I go to Switzerland like once a month and you know and then we started doing bikes and I wasn't like a bike guy per se and so you know it was cool to have like a tour de France team riding your bikes or whatever as the marketing guy. But it's like it just wasn't my thing. So. So you know at a certain point I decide to start snowboard magazine to get back into the snowboarding media. Did you ever get to go to the Tour de France really quick. No no no. I had actually no interest in the bike at that time. I smoke cigarettes right. And so like literally I go to these bike events and like I get up at like six thirty in the morning for like an 8 call time let's say I go smoke like three cigarettes in a row behind the dumpster and then I jump in the shower clean up like not smell like smoke. Do that until like 9 or 10 at night. Right over till like the company dinner wrapped up and then go sneak out to the dumpster and smoke five more cigarettes and go to bed. Right. And like that was like that. I mean I was addicted to nicotine right. And so like that was something that was like Man this is really interfering with my lifestyle you know and I don't want to be I wanted to be politically correct and smelling like cigarettes at a big bike event. Actually it doesn't cut it. Sure. Right. And so. So that was kind of one of the things like the addiction to cigarettes was more powerful than the addiction to my job. OK that tells you house how you know how powerful they are you know. : And it's been hard to quit but I have so that's a good thing. : So in turn you decided then to OK I'm going to go and start snowboarder or exceeding snowboard magazine and and talk to me just about the idea behind that and maybe just the different model of how that came about and how you structured it I guess it was different than most everywhere else. : Well you know being a marketing person it was like I wanted to be like three different approaches in marketing you can be the leader low cost provider are differentiated. And so for me it was like we're going to be different on every level. And that doesn't mean just the content. That means that paper stock the distribution method the way we sell our ads will be different. Everything was to be different. Right. And so it also was like the first family friendly magazine as far as like we didn't print swear words you know and then we took a different focus on product and that was kind of the editorial vision was to integrate product a little bit more and I remember this phone call I had some of the best business advice I actually ever got was from Ken Block when I was trying to sell him spreads in every issue you know and it's just like I put together the team drap Blinn and Jeff Baker I had as the editor and and just put together a team of people who who were trustworthy in the industry known quantities right. So we weren't just like like kids in college making a zeen. And you know Ken Block who started D.C. She was like well what's the magazine. What's the mag about. And I gave him this. : You know it's going to be dead. : And I like went on for like two minutes about how radical and game changing it would be. And he was like That's great. Now say that in five words. And I was like oh shit hog and let me get back to you. And he's like OK. So I call him back two weeks later and I was like snowboard magazine products places and personalities he's like sold. And he bought spreads in every issue from that. Yeah it was like a big contract and we got good advertising you know. I mean basically like went from like zero to one point three million dollars in sales in a single year. Wow. You know so it was like a runaway success because of that idea of being differentiated in every way you know the distribution model. We sent the magazines to to shops right to support their culture and the culture of snowboarding at the grassroots level so it was like I'm not going to deal with your traditional return model where you have one person sitting there counting how many magazines got returned every month instead. You keep the magazines give me away for free with someone who purchases something or or sell them for the cover price if someone wants to buy it. And you keep all the money. Right. And so I figured you know I'd sent 40 copies per magazine to every shop in the country and I figured Zumiez got actually more in way more. But but I figured hey you can't make 40 sales in a month than than what are you doing in business though right. So anyhow that was like the the distribution model and that was different you know and then drew aplan had like a really clean take on design we upgrade the paper stock. I mean like a snowboarder it was always about like just getting away with the cheapest dentist this paper that we could get away with. So I was like Let's go the opposite direction and make it on the nicest paper we can afford. Sure. Right. So that was that was a pretty crazy time. : I would say now you guys weren't just sitting in an abandoned aircraft hangar. : No you guys were where were you guys when you were doing this. We were actually all over the country basically Draplin was in Portland. Baker was in Seattle I was in Sun Valley or catch him still and and then we would come together. We'd all kind of do our separate parts. : We had a sales guy in Southern California Gary and that was kind of the initial team and so then we do our separate things and be on the phone every single day with everybody and then we came together to put that magazine together the first issue it Dragonlance house. And so we all kind of our pieces together and and then put together that first issue and then that was kind of our model is like we'd go our separate ways and then gather you know in the fall for a week a month or took a week to lay it out or whatever and then we'd all gather and put the magazine together. : Now what was it what was the first issue about what was the big thing you were I mean you were I guess the splash into the back into into a magazine. : You know I think it was just like the fact that it was differentiated at every level and I could look someone straight in the eye and be like not only does it look better in his eyes like this authentic voice or whatever but it covers products proxy you have you know that you're trying to sell and so like because I was an editor and a salesperson you know it was like really about kind of breaking down this thing of like church and state which I was always going to be authentic to snowboarding but to idea that the editorial and the advertising weren't related it was something I threw out the window at that point in time because it was like well we can do both. It's like in our photo gallery it's like we'd have captions that listed every product in the photo and the price of that product. So you can be like oh here's a shot of like Peter Line doing a jump and he's on the Division 23 Peter Line for ninety nine and he's got 32 boots. : And so like it was just like this idea that like we could not it wasn't selling out to me at all to do it that way. To me it was just being giving more information in a different kind of information to the actual consumers you know. : Now what was the reaction from from the consumers what was the reaction I guess from shops that kind of stuff maybe in comparison to other magazines that they had. : Well based on those sales that we that I talked about it was a hit immediately right. You know and it was just different and it was quality and I just had a totally new voice compared to like Trans World and snowboarded were so close in terms of design terms of content in terms of direction. But this was something totally different you know. And so I think that it immediately got a place and then you know because of our distribution model I was able to go sell ads at the trade show and be like to any advertiser just like ask any shop in the world what their favorite magazine is. And it was always Armagh because I was giving them magazines for free and they were selling them keeping the money right. And so I think we put it like about a million dollars a year into retail. Like a million dollars a year directly into snowboard shops pockets of time. So yeah it was I felt pretty good about that : Don't forget to support advertising for snowboarding media ads http://Patreon.com/thesnowboardproject the snowboard project the solid gold project. : Let me just shift a little bit let me ask you a little bit about your I guess career as an announcer as someone that I always kind of did events. Talk to me just a little bit about how you first got into it and maybe kind of some of those early years doing events. : Well I became an announcer kind of by accident. I would say I was at a event. I think this was even prior to working at Snowboarder. I was at an event and the guy who was announcing the event was like the father of one of the kids and he was like oh and Jimmy and Johnny they like going now on Saturday night. : And he was just telling these personal stories had nothing to do with the the writing that was going on in the contest. And so basically I snatched the mike out of his hand was like that's a five 40. That is a make twist twist. Right. And I just started calling Trex because they weren't you know calling the tricks and I was like sponsored snowboarder at that time. And you know I was like that was what was important to me was just being able to call the tricks. And so I did that and then and then I guess that went well enough that I got tapped on the shoulder by this guy Jeremy forester who was kind of coordinating the Grand Prix series and basically my second announcing gig was like announcing the grand prix series and I've done it ever since. : So about 20 years of announcing Grand Prix just based on just being pissed off at this announcer you know just not calling trick or not knowing even what the tricks were you know. And yeah. And so then I got to announce the Olympics. That was quite a rush. And now I've also gotten into doing TV stuff I've done this past Olympics I worked for Euro Sport and interviewed all the medalists right after they won their medals which was really rewarding at least as far as like I learned a lot. : And I mean you're interviewing people that rate at the pinnacle of their lives they're going to look back on that 30 50 years from now and be like that was the best day ever. You know and there I am getting ready to ask them questions I did after like 60 different people. I did for free skiing and snowboarding and so you know I've learned that free skiing and snowboarding are are they have the same blood sweat and tears that go into both pursuits and sort of win a gold medal and free skiing or snowboarding takes the same kind of dedication and effort. So I have an appreciation for that for sure. Did you get did you get Ester Ledeka. Oh I did. Oh yeah I got it carried an interview with her. I'll actually posted behind our patriae on firewall. Yeah. Because I have like little behind the scenes stuff videos and stuff that I post behind the scenes so people who actually donate to the podcast make it happen will get unique content and things you wouldn't actually get as part of a free podcast. I'm also going to give away like I have a whole ton of snowboard historical items that I'm sick of carting around just about through the rearview mirror or out the window a while ago and I'm sick carding so I'll say you're going to give away everything that's in your apartment. Just like slowly over time. Oh more than that to my apartment. I'm probably about a hundred boards I'm going to give away and I'm just going to and I have like a trophy from the U.S. Open. And Danny Cas's original avalanche beacon all sorts of weird random stuff. You know that I've collected over the years and then carted around for 30 years and it's like you know what I don't need to live in the past young and live in the future. And so you know with Alaska it's like I'm still progressing. I still have my Alaska thing going on and so that to me is like the future. And so all I'll just look forward instead of back. : Sure. Let's take it back a little bit. Talk to me just about like a in the announcing side of things. You know what is. What have you found have been the real keys to being I guess a successful announcer. : At first it was just getting over the nervousness like I mean the first time you pick up a mike and you're sitting there and there's a crowd of people here and you hear your voice kind of squeak through the speakers or whatever people like on a crane their neck and turn around to see who's talking right. It's really you feel like the spotlight really burning through you and that was always for years. That was like the hardest thing was like the first minute of announcing every event I would kind of dread that first minute just like and then it just got to the point where I was comfortable with it and I could just just pick up the mike and talk you know to an audience or a crowd or whatever and then speak with confidence you know. And then beyond that have insights and then beyond that not only have like unique insights but also make those insights relatable to people who didn't necessarily understand what was happening as far as the tricks go in trying to explain things that a more basic level you know. And so you know it's always been this idea of progression not to SWID like magazines media or snowboarding but also with announcing so I've tried to you know develop tonality and and the ability to build a story to completion. And right now I'm doing well I'm not going to tell you what I do now because I have this whole thing that that I can now create a storyline that ties together from the beginning to the end of an event. Sure. Right. And so that's got a beginning a middle and an end. Whether they know the writers are doing it or not like I can create that beginning middle and end just by announcing. Sure. So those are some of the things that I'm always trying to push forward. You know. : Yeah and you also do your homework. You go to that you go to the half pipe and you watch them all you know. : Yeah that's like one of the most important things is just studying and knowing what's going to happen before it happens or having a good idea you don't know exactly what's going to happen if someone's going to crash or if someone's going to land that trick or they're even going to try the track. But there's a narrative that you can build before the event even begins. And so now these days anyway I've gotten to the point where I'm taking notes and studying and I'm writing intros for the beginning of the show and stuff like that where it's like I'd really try to make a genuine effort to to just make it a better experience for the people standing there watching and not just calling tricks I mean I did that for years like 15 years or 10 years of just calling Trick Trick Trick Trick Trick Trick. : Wow great Ron Vrain you know. Or will that be enough. Will it be enough. You know it's like the story now is much deeper than that. : Sure. Announcer Cher Yeah it's it's it's difficult being up there right and and like missing like a trick or announcing the wrong thing. : Yeah. And you know it's like I've done that for years I've announced wrong things and I've been called out on it and occasionally you can't really pay attention to everything that's going on at once. I mean you got one set of eyes you got to start list and that's about it. And a microphone. And so you know in your notes and so like if you look down and then you forget the writer's regular goofy and then they're going backwards across the flat bottom not forwards to a different track and so you can call it wrong very easily just by like a simple lapse of concentration as far as those tricks go. And so yeah you're not going to always get it right and it's in Italian or you don't see something you know. I'll just try to say something that gives people a general appreciation for the effort that it takes to do something like that like I didn't see the trick. You'll see that I don't like try to call it or make it up or whatever else I'll try to give some people an appreciation of like how they departed Dilip where the tail came down at the landing and how they built their speed for the next hit or whatever you know and so when I get general it's because I'm not like really focused on the detail of the trick. : It's hard you know. : Have you ever been just like lambasted at the bottom of the hill by a bias no one had thought while you could you're calling of that track really cost them something not by writers I mean the thing is when I first started announcing I was like really raw and probably one of my best learning experiences actually happened announcing a Grand Prix was probably my first year. : I know it's probably my second year announcing grand prize I was working at snowboarder and so I was just like I feel like I pretty much was on top of the world or whatever I knew what I was talking about anyway they validated it through giving me a job in the media and this girl drops and this was pretty early in the progression of women's writing not like it is today but this girl drops in and she double frontside hits like that meaning that she goes up she isn't even clear lit by the way she goes up knows like a turn inside the transition that goes and does like a turn topside turn on the flat bottom. She doesn't even attempt backside and that does another turn on the transition or whatever and so I just tore her apart. I was like oh accosts your dad like you know 150 dollars for the entry fee and 200 dollars for hotel rooms and the cost of gas to get here was 200 dollars and so what you're telling me is you just your dad just spent like 50 dollars a second for you to compete in this event. And she broke down crying. I just tore her apart and so my boss who probably should've fired me at the time but didn't then instead he goes you know I always respect him for this he took me aside just like that girl over there. : Yeah Yassir is like that's the girl you just announced that like I know I know I saw our high announced it and he was like see what she's doing right now and I'm like take a good look oh she's crying he's like how does that make you feel. And I was like not very good actually right. : And so then from then on I was able to kind of try to find positive and everyone's writing share right even if they were riding while I would find something positive to say about them. And you know sometimes you could tell the superficiality of the positive Nasserite I mean if I give you some really dumb compliment it's probably because it's not that impressive you know. But but now nowadays it's like at the Grand Prix level those riders all rip. No one's really rain like doesn't deserve to be there but to me anyway that girl didn't deserve to be in a quote unquote world class competition. She should cut her teeth in like a regional event first instead of trying to make the Olympic team with a bottom turn share. You know so. So anyhow though it's like a learning experience all along the way I've had these learning experiences through snowboarding and snowboarding has been that vehicle I guess that's the purpose of this podcast really is like to share some of the lessons learned through people's experiences in the sport. And so I've had a lot of experience. : I thought I knew a lot about snowboarding but really interviewing the different people that I've been interviewing has really been an eye opening experience as far as like they all have different perspectives and different experiences and also you know talking to a sales manager or you know or like a guy who who is there in the beginning of the sport it's like they have different lessons they've taken different things away from the sport of snowboarding and yet it's all this one thing. And so you know to me it's not just about what is marketable like if you buy an ad page you are worth talking about in the magazine or something along those lines. To me those aren't the stories that are actually the most compelling ones in the sport. So hopefully this podcast can can kind of illuminates some of that stuff and hopefully it's good enough that you're going to want to support it through our patriae on page patriarch Dom slash the snowboard project. Please support this effort. I'd love to continue doing this I'm learning so much and enjoying sharing it with everyone. : Suli I just want to ask you like let's talk about Alaska and why Alaska is why Alaska is important to you. And they may be kind of the early days of tailgate. : Ok well Alaska is the most important thing to me in snowboarding today because when I first got there it's like 1998 99. It was basically like from the very first run the best run I had ever done by far hands down. Nothing even came close. And everyone got better and better from that very first run. And so it was like just mind melting right. The quality of the powder or the open terrain you know and the challenge that you felt like you know I was always built up in those TV movies like you could die you know and so it's like you have this fear and then all of a sudden soon as you drop in you know it goes. It transforms to elation. You know the incredible powder and whatever and so the pendulum swing from fear to elation happens in Alaska like nowhere else for me. And so you know I went back to Alaska a number times I was the editor snowboarder at the time so I could assign myself whatever stories I wanted to so I happened to write the Alaska stories because I wanted to keep going back and you know and then when I sold snowboard magazine built that up and then sold it. : I wanted to do something nice I you know I had some money but it wasn't like you know the few money that some people get when they sell a company I just had like a little bit of money to throw around. So was I going to go on the best snowboard vacation of my life and so I went on a weeklong healthy trip with my buddy who was like the deejay of like all the snowboarding events I was announcing like the U.S. Open. : And I was sitting there at the U.S. Open is like hey I'm going to go to Alaska. I sold them and going to Alaska is like I'd go. Oh perfect that I will go by myself. And I didn't think he was going to do it but he ended up like call me up weekly or like OK what's the deal with Alaska let's do this. : So we ended up going to Alaska and we spent like a week helli boarding at this place called a B.A. and it's actually like where tailgate started and. And so it was basically like the whole scene in Alaska was about 20 people at that time. It's like away 070 and and it was just the Mack dog crew. : A handful of French guys and then me and my buddy and we were like the only ones there who were like vacationing the French guys were like making a movie. MacDawg crew is like DCP and Yussi Oksanen and Andreas Wiig and those guys were filming the Mack dog movie. And so we would just hang out and all the downtimes. : Right. And so I'm driving back from from that trip. And on the drive between you know baldies in Anchorage I was like Man I got to figure out a way to share this with more people. And that's where tailgate Alaska was born. So really it was just this thing where it was like the idea of sharing Alaska with more people and promoting that ultimate experience and you know getting people to slay their own personal dragons of fear to face your fear and overcome it. And I think everyone has that experience whether you're a pro or whether you're a guy from the east coast who'

    This week we have the pleasure of talking with Alice Carbone Tench. Alice is an author, blogger, mother, amateur cook and a rock-wife! We’ve been a fan of Alice from the day we[...] The post EP 82: Alice Carbone Tench appeared first on Muses and Stuff Podcast.

For this week's Prog-Watch I've put together a variety show with a little tribute to the late Colin Tench. We'll hear a new one from the Colin Tench Project, and two from a couple of his other projects, BunChakeze and Corvus Stone. I'll also be spinning lots of great stuff from The Fierce & The Dead, Fractal Mirror, Bram Stoker, Jethro Tull, Steven Wilson, Downes-Braide Association, Rush, Spiral Key, and Somnambulist.

Rick Deckard to detektyw. Podobnie jak Holden Ford i Bill Tench. Również Jim Hopper to strażnik prawa. Każdy z tych mężczyzn z pomocą przyjaciół, będzie musiał zmierzyć się z czymś wyjątkowo niebezpiecznym. Deckard ścigając androidy, stanie przed poważnym dylematem moralnym. Agenci FBI Ford i Tench zajrzą w czeluść chorych ludzkich umysłów i nie wyjdą z … Continue reading "Epizod specjalny #15 “Strefa czyta”"

Graham Nash, Dan Baird, Rich Robinson of The Black Crowes, Brett Dennen, and Crystal Bowersox join Eric in conversation to share memories and pay tribute to the life and work of Tom Petty. Hear Graham relay a story of Tom working on The Hollies road crew in 1966, Dan Baird's appreciation of Tom's uncanny ability to write a killer first line, Rich seeing Tom Petty for the first time with Rick Rubin, Brett's reaction as a kid when his parents got the first Traveling Wilburys record, and Crystal's exceptional parenting in turning her nine year old son onto Tom Petty's music. Lots of funny stories, behind the scenes memories, praise, kind words, laughter and tears in homage to one of the world's greatest, gone too soon. Part 1 of 2, maybe 3.

Keyboard player Benmont Tench was instrumental in the formation of Tom Petty & the Heartbreakers in 1976. He's also had a fruitful career as a consummate sideman and session musician, working with artists like Bob Dylan, Stevie Nicks, U2, Johnny Cash, and more. Tench joins hosts Jim DeRogatis and Greg Kot for some lively conversation about his successful career in music. Plus, a reappraisal of The Beatles' Sgt. Pepper's Lonely Hearts Club Band as it turns 50, and a review of the new album from soul-rocking singer and guitarist Benjamin Booker.

Tara shares her story about her daughter who has hypoplastic left heart syndrome. She talks about her pregnancy, when her she first learned that her daughter was going to have congenital heart disease, and the moments leading up to her daughter's birth. She discusses her stress level during her daughter's first heart surgery, and about her daughter's hospital stay after the surgery. Tara also talks about the time at home in between the two heart surgeries. Tara also shares how she was able to receive additional medical services and support once her daughter was discharged from the hospital. She talks about the Glenn surgery and her daughter's recovery and hospital stay related to it. Tara talks about how their daughter has brought her and her husband closer together and strengthened their marriage. Finally, she offers advice and resources to parents who may be going through a similar situation. Join us as Tara shares her story.

Podcast Episode 3: Dr. Paul Tench: 0 ()

Podcast Episode 4: Dr. Paul Tench PT2: 0 ()

Benmont Tench, founding member of Tom Petty & The Heartbreakers, has played on nearly every Petty album over the years -- even the ones not credited to the Heartbreakers, such as Full Moon Fever and Wildflowers. His trademark keys are all over classic songs like "Refugee," "The Waiting," "Don't Do Me Like That" and so many more, which you can hear on the recently-reissued Greatest Hits 2LP set, now back on vinyl for the first time in over 20 years, with an alternate cover to boot! Tench is also a member of Mudcrutch with Petty and Heartbreakers guitarist Mike Campbell (a group that pre-dates the Heartbreakers, who released and toured on their second album earlier this year) and has performed/recorded with a staggering list of music's elite, including Bob Dylan, Johnny Cash, Aretha Franklin, Emmylou Harris, Ryan Adams and Fiona Apple. Today, Benmont gives us one of the most passionate arguments for vinyl that we've been lucky enough to share on the podcast. There's plenty of Petty talk here, but Ben's strident defense of musicians getting their due, his concern about America's current "war on beauty," and his humility in having worked with some of the best songwriters in the business make this a must-hear episode. Ben's music can be found at benmonttench.com or tompetty.com. Follow Ben on Twitter @benchten and Instagram @benmonttench.  

This week's show features none other than Colin Tench of Corvus Stone and The Colin Tench Project! Colin and I had a great conversation and I think you will enjoy listening to sections of it, interspersed, of course, with lots of great Corvus Stone and CTP music! The conversation ranged from serious topics like modern record production and the evolution of Pop and Prog music, to the more outrageous, such as the actual origin of the notorious title of the Corvus Stone song, Jussipussi! So don't miss it...it was fun and we had quite a few laughs!As always, send questions, suggestions or comments to progsquatch@gmail.com. You can also follow the Squatch on Twitter (@ProgSquatch) or visit our Prog-Watch Facebook page. If you follow on Twitter or like the Facebook page, you can see the Daily Classic album---a fun little feature which the Squatch sends out six days each week! (Squatches rest on Sundays!) The Squatch also posts about the show and shares noteworthy news items from around the Prog World, so like or follow!

In GBA 225 we get better acquainted with Frog. He talks about Daniel Barker's Birthday, glass aquariums, a love for natural history and the history of science, high and low culture and literature, the twitter-verse, the story of the family Tench and how he came to be writing a book about whaling. And he did all this whilst at the same time cooking a delicious meal for two. Frog plugs: China_Miéville: Iron Council: http://www.amazon.co.uk/Iron-Council-New-Crobuzon-3/dp/0330534203 China_Miéville: Perdido Street Station: http://www.amazon.co.uk/Perdido-Street-Station-New-Crobuzon/dp/0330534238 Twitter: @gimzify: https://twitter.com/gimzify @FrogCroakley: https://twitter.com/frogcroakley The Sea Hates A Coward (Tomes of the Dead) by Nathan/Nate Crowley: http://www.amazon.co.uk/The-Hates-Coward-Tomes-Dead-ebook/dp/B013I681P8 I plug: Stand Up Tragedy: Tragic Autumn: http://www.facebook.com/events/1453089018350037/ Stand Up Tragedy presents.... http://www.facebook.com/events/461679520679231/ #ManSurvey: http://www.mansplainingmasculinity.co.uk/ We mention: Spark London: http://sparklondon.com/ Daniel Barker: https://soundcloud.com/gettingbetteracquainted/gba-177-daniel-barker Daniel Barker's Birthday: https://storify.com/FrogCroakley/the-colelcted-daniel-barker-s-birth http://danielbarker.cogdiss.com/ On Buzzfeed: http://www.buzzfeed.com/alanwhite/a-guy-complained-no-one-had-wished-him-happy-birthday-on-twi Guy / @brainmage: https://twitter.com/brainmage China Miéville: https://en.wikipedia.org/wiki/China_Mi%C3%A9ville Shakespeare: https://en.wikipedia.org/wiki/Shakespeare Dickens: https://en.wikipedia.org/wiki/Charles_Dickens Star Wars: https://en.wikipedia.org/wiki/Star_wars Timehop: http://timehop.com/ Helen Zaltzman: https://soundcloud.com/gettingbetteracquainted/gba-200-pt-1-with-helen-zaltzman London Aquarium: https://www2.visitsealife.com/london/ London Zoo: https://www.zsl.org/zsl-london-zoo Tench: https://en.wikipedia.org/wiki/Tench Izaak Walter: https://en.wikipedia.org/wiki/Izaak_Walton The Compleat Angler: https://en.wikipedia.org/wiki/Izaak_Walton#The_Compleat_Angler Whipsnade: https://www.zsl.org/zsl-whipsnade-zoo Amsterdam: http://www.artis.nl/en/artis-royal-zoo/ National Aquarium Atlanta Georgia: http://www.georgiaaquarium.org/ Whale shark: https://en.wikipedia.org/wiki/Whale_shark Steampunk: https://en.wikipedia.org/wiki/Steampunk His Dark Materials: https://en.wikipedia.org/wiki/His_Dark_Materials Studio Ghibli: https://en.wikipedia.org/wiki/Studio_Ghibli Warhammer 40k: http://www.games-workshop.com/en-GB/Warhammer-40-000 Great Exhibition: https://en.wikipedia.org/wiki/The_Great_Exhibition Dinosaurs in Chrystal Palace: https://en.wikipedia.org/wiki/Crystal_Palace_Dinosaurs Moby Dick: https://en.wikipedia.org/wiki/Moby-Dick ASMR: https://en.wikipedia.org/wiki/Autonomous_sensory_meridian_response Follow @GBApodcast on Twitter. Like Getting Better Acquainted on facebook. Tell your friends. Spread the word!

A man discovers his friend may have invented something perfect - perfectly deadly! from Astounding Stories of Super-Science, January 1930 Music by Re-Lab (found on Jamendo)

The Times & Sunday Times are promising unprecedented coverage of the London 2012 Olympic Games. The publications have produced an Olympic Scrapbook for fans to commemorate the event, available in this Saturday's edition of The Times in WH Smith & Waitrose. Matt Tench is The Times' Olympics Consultant and says the scrapbook will allow families to record their memories from this once in a lifetime event. Buy The Times & Sunday Times every day during the Olympics to complete your Olympic Scrapbook.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.04.11.036954v1?rss=1 Authors: Singh, S., Tench, C., Tanasescu, R., Constantinescu, C. Abstract: The purpose of this coordinate based meta-analysis (CBMA) was to summarise the available evidence related to regional grey matter (GM) changes in patients with multiple sclerosis (MS) and clinically isolated syndrome (CIS). CBMA is a way to find the consistent results across multiple independent studies that are otherwise not easily comparable due to methodological differences. The coordinate based random effect size (CBRES) meta-analysis method utilizes the reported coordinates (foci of the clusters of GM loss) and Z score standardised by number of subjects, controlling type I error rate by false cluster discovery rate (FCDR). Thirty-four published articles reporting forty-five independent studies using voxel-based morphometry (VBM) for the assessment of GM atrophy between MS or CIS patients and healthy controls were identified from electronic databases. The primary meta-analysis identified clusters of spatially consistent cross-study reporting of GM atrophy; subgroup analyses and meta-regression were also performed. This meta-analysis demonstrates consistent areas of GM loss in MS or CIS, in the form of significant clusters. Some clusters also demonstrate correlation with disease duration. Copy rights belong to original authors. Visit the link for more info