Podcast appearances and mentions of david marc

Els favors amb favors es paguen. Crítica teatral de l'obra «El favor», de Susanna Garachana. Intèrprets: Eduard Buch, David Marcé, Jordi Rico i Marc Rodríguez. Veu en off: Cristina Genebat. Esceografia: Anna Tantull. Vestuari i caracterització: Nuria Llunell. Il·luminació: Jaume Ventura. Espai sonor: Joan Camprodon. Direcció de producció: Maite Pijuan. Producció executiva: Àlvar Rovira. Direcció oficina tècnica: Moi Cuenca. Oficina tècnica: David Ruiz. Ajudanta de producció: Sira Castells. Regidoria: Xavi Carreras. Cap tècnic del teatre: Roger Muñoz. Construcció de l'escenografia: Jorba-Miró Estudi-taller d'scenografia. Confecció de les cortines: Cortinas Lladó. Màrqueting i comunicació: Focus. Reportatge fotogràfic: David Ruano. Disseny gràfic: Santi&Co. Col·laboradors: Jorge de la Garza, MIkakus i Montibello. Agraïments: Mar Villanueva Garachana, Dan Villanueva Garachana, Lluís Villanueva i Gemma Griñó. Distribució: Sergi Calleja. Amb el suport de la Generalitat de Catalunya ICEC Institut Català de les Empreses Culturals. Producció de Focus. Ajudanta de direcció: Anna Carreño. Direcció: Xavier Ricart. Teatre Goya, Barcelona, 11 d'abril 2024. Veu: Andreu Sotorra. Música: Quelqu'un m'a dit. Interpretació: Carla Bruni. Composició: Carla Bruno i Leos Carax. Àlbum: Quelqu'un m'a dit, 2002.

Parlem de la sèrie contra l'assetjament escolar 'La caja de arena' amb una de les seves creadores, l'actriu Núria Gago, i un dels seus intèrprets, Adrià Salazar. Amb Mariona Borrull, celebrem el cinema d'espies a partir de l'exposició 'Top secret' de CaixaForum Barcelona. I conversem amb els actors d 'El cine' (Teatre Lliure) Sara Diego Boladeras, David Marcé i Ton Vieira.

Cinema amb crispetes i paràbola de Tarantino. Crítica teatral de l'obra «El cine (The Flick)», d'Annie Baker. Traducció de Neus Bonilla Benages. Intèrprets: Sara Diego Boladeras, David Marcé Tarradas, Roger Torns i Ton Vieira Poblet. Escenografia: Sebastià Brosa. Vestuari: Albert Pascual. Caracterització: Imma Capell. Il·luminació: Ganecha Gil. Disseny audiovisual: Guillem Rodríguez. Moviment: Bea Vergés. Ajudanta d'escenografia: Laura Martínez. Alumna en pràctiques de direcció: Mar Cortilla Ribas (Col·legi del Teatre). Alumna en pràctiques d'escenografia: Celeste Alcázar Huapaya (Elisava). Assistents en pràctiques internacionals: Nuha AlYamani i Abdullaziz Mokhlis (Ministeri de Cultura de l'Aràbia Saudí). Producció: Teatre Lliure. Acord especial amb United Talent Agency. Agraïments: Filmoteca de Catalunya, Espai Texas i Victoria Szpunberg. Ajudanta de direcció: Muguet Franc. Direcció de l'espectacle: Marilia Samper. Teatre Lliure Gràcia, Barcelona, 29 novembre 2023. Veu: Andreu Sotorra. Música: La valse d'Amèlie. Intèrpret: Yann Tiersen. Composició: Yann Tiersen. Àlbum: Amélie, 2001.

10 9 8 7 6 5 4 3 2 1 Lift off! Take your protein pills and put your helmet on as we launch into 2 pals David & Marc, both about to make one giant leap towards eventual superstardom.

Are you someone who struggles with binging? Do you struggle with your relationship with food? On this episode, Ali sits down with food psychologist Marc David to better understand how we can have a healthier relationship with food, as well as what drives us to binge eat, & what we can do to replace this behavior. Bio: Marc David, M.A., is the bestselling author of the books, Nourishing Wisdom: A Mind Body Approach to Nutrition and Well-Being and The Slow Down Diet: Eating for Pleasure, Energy, and Weight Loss, a frequent speaker and consultant, and host of the celebrated Psychology of Eating Podcast. Marc is also the Founder of The Institute for the Psychology of Eating, the world's only health coaching program devoted to teaching the principles of Dynamic Eating Psychology and Mind Body Nutrition. With students in well over 100 countries, the Institute champions an uplifting, inclusive approach to food and body that honors each individual's unique physiology and psychology, and that sees eating challenges as a doorway to personal growth and self-actualization.~For more information on the “Invest Your Best” online coaching AVAILABLE NOW visit:https://www.investyourbestwithalikay.com/~~Website: https://www.investyourbestwithalikay.com/Instagram : https://www.instagram.com/alexandrawille/TikTok: https://www.tiktok.com/@alexandrawilleJustifiably Proud ProductionsJustifiably Proud Productions is a podcast that recognizes life, leadership, and...Listen on: Apple Podcasts Spotify

C'est à 30 ans que David Marc d'Hamonville a fait le choix de devenir moine bénedictin au monastère d'En Calcat. Pourquoi ce jeune homme , artiste peintre , fin cuisinier et amateur de bons vins a t il fait ce choix radical qui l' a conduit 20 ans plus tard a devenir l'abbé de sa communauté. Parcours étonnant d'un homme libre qui a choisit de renoncer au monde pour mieux le trouver et se trouver. Rencontre aujourd'hui dans Visages avec Frère David

Newest waiter on First Dates David Marc joins Pete and Cici to discuss this week's topic, first dates. They also talk about when to have the exclusivity talk, having a date in a wheelie bin and what exactly an angry pirate is…

Impossible n'est pas français, le parcours de David Marc d'Hamonville le prouve. Artiste peintre, fin cuisinier et amateur de bons vins, il est bon vivant et aime profiter des suprises que le monde offre au quotidien. Difficile de croire que David Marc d'Hamonville ait trouvé son chemin dans la vie monastique. Impossible n'est pas français, ni pour Dieu, ni pour les hommes ! Cette semaine dans Visages, Thierry Lyonnet accueille le bénédictin David Marc d'Hamonville qui nous raconte son parcours de vie au monastère d'En Calcat, son parcours de foi. Il est l'auteur du livre "Si tu veux la vie" publié aux édition Albin Michel.  Une discussion avec ses neveux et nièces, croyants ou non, sur la vie.   L'inutilité du moine Pour David Marc d'Hamonville, la vie monastique se résume à quelques mots : "il faut partir du fait que ça ne sert à rien, que c'est vraiment un métier inutile et en marge". C'est cette marge, ce "non-sens" qui fait vivre David Marc d'Hamonville. Car selon lui, grâce à cela il peut s'interroger sur le monde et les hommes. "Le choix de la marge c'est pour moi une espèce de constante" résume-t-il.   La vie monastique : fuir la fuite La solitude, le silence, la sobriété sont la source de la vie monastique pourtant David Marc d'Hamonville se sent comme "Monsieur tout le monde". "Le monde est infiniment présent dans la vie monastique [...] les moines mangent comme tout le monde, ils dorment comme tout le monde, ils ont des relations peut-être plus intensives parce qu'on est une quarantaine de frères tous ensemble, à vivre ensemble toute la journée, toute l'année, sans vacances, sans alternance donc finalement c'est l'extrême vie de tout le monde [...] être moine c'est accepter de fuir la fuite" s'amuse-t-il.   "Le voeu de stabilité [monastique] est vraiment puissant parce qu'on est condamné à devenir un arbre, à s'enraciner quelque part, à développer d'autres valeurs."   Être moine ou comment "creuser" le monde Vivre dans le monde est une perpétuelle découverte, une forme de tourisme quotidien. Nous fuyons le quotidien de notre travail ou de nos logements en rencontrant de nouvelles personnes, en voyageant dans de nouveaux lieux afin de fuir notre routine.  David Marc d'Hamonville a du renoncer à vivre dans le monde de cette manière. Il a fallu deux noviciats pour qu'il prenne conscience que le monde n'était plus "un espace à découvrir et à découvrir sans fin." "Quand on vit à longueur d'année dans le même lieu, il n'est plus question de découvrir le monde sauf qu'on commence à s'enfoncer, on commence à creuser profond [...] c'est ce que fait le moine" explique-t-il.   "Le moine c'est quelqu'un qui a décidé qu'il ne s'arrêtera pas en route, il cherche suffisamment loi, il est  décidé à continuer même si le résultat de sa quête n'est pas immédiatemment positif."  

Parce que seule la vérité peut rendre libre, parce que tout mérite d'être exposé et médité à la lumière de Pâques, il faut regarder L'Esprit des Lettres et écouter les invités de Jean-Marie-Guénois. Céline Hoyeau a enquêté sur la Trahison des Pères, les fondateurs et fondatrices de communautés nouvelles dont on découvre aujourd'hui la face sombre et fragile. La journaliste à La Croix a voulu comprendre et publie chez Bayard un travail qui fera référence. Frère David-Marc d'Hamonville, moine bénédictin, écrit à son neveu et à sa nièce des lettres pleines de conseils et de poésie ; et si ce recueil, Si tu veux la vie chez Albin Michel, était discrètement un commentaire de la Règle de saint Benoît ? Le père Paul Valadier, jésuite philosophe et théologien mène, dans des pages aussi énergiques qu'inspirées, un travail de discernement sur le véritable visage des crises actuelles. Chemin faisant, il nous montre comment les épreuves, les échecs, les désillusions mêmes, peuvent nous le révéler. Il publie Ce qui nous fait tenir en temps d'incertitude : l'espérance vive chez Mame.

Parce que seule la vérité peut rendre libre, parce que tout mérite d'être exposé et médité à la lumière de Pâques, il faut regarder L'Esprit des Lettres et écouter les invités de Jean-Marie-Guénois. Céline Hoyeau a enquêté sur la Trahison des Pères, les fondateurs et fondatrices de communautés nouvelles dont on découvre aujourd'hui la face sombre et fragile. La journaliste à La Croix a voulu comprendre et publie chez Bayard un travail qui fera référence. Frère David-Marc d'Hamonville, moine bénédictin, écrit à son neveu et à sa nièce des lettres pleines de conseils et de poésie ; et si ce recueil, Si tu veux la vie chez Albin Michel, était discrètement un commentaire de la Règle de saint Benoît ? Le père Paul Valadier, jésuite philosophe et théologien mène, dans des pages aussi énergiques qu'inspirées, un travail de discernement sur le véritable visage des crises actuelles. Chemin faisant, il nous montre comment les épreuves, les échecs, les désillusions mêmes, peuvent nous le révéler. Il publie Ce qui nous fait tenir en temps d'incertitude : l'espérance vive chez Mame.

David & Marc talk in this episode about their cancer journeys and what they decided to do to help children battling cancer Marc explains why he wanted to put a team together to race over 3000 miles across the USA, While David explains the lengths he goes to in training to acclimatise to the conditions Please donate and support the team reach their goal of $500,000 to assist cancer research for children. https://raam21.com/donate/ You can also follow the team on Facebook and Instagram https://www.facebook.com/Raam21-102091914610311 https://www.instagram.com/raam21ride/

Entrevistem Llàtzer Garcia, reconegut autor teatral, que ara ens porta L'obra 'Els somnàmbuls' com a dramaturg i director a Escenari Joan Brossa (fins el 4-10), l'emblemàtica sala del Born barceloní. Una obra vitalista, moderna, que ens fa remoure, que parla sobre l'amor i l'amistat, la joventut i allò que ens lliga a ella, interpretada per Laura Pujolàs, Genís Casals i David Marcè, amb una gran química i encís, i una deliciosa música que esdevé la banda sonora d'aquesta història que captiva al públic. #Somnambuls #teatre #dramatúrgia #direcció #interpretació #EspaiBrossa #culturasegura #laculturaéssegura #OnaCultural #onadesants 94.6 FM onadesants.cat

Entrevistem Llàtzer Garcia, reconegut autor teatral, que ara ens porta L'obra 'Els somnàmbuls' com a dramaturg i director a Escenari Joan Brossa (fins el 4-10), l'emblemàtica sala del Born barceloní. Una obra vitalista, moderna, que ens fa remoure, que parla sobre l'amor i l'amistat, la joventut i allò que ens lliga a ella, interpretada per Laura Pujolàs, Genís Casals i David Marcè, amb una gran química i encís, i una deliciosa música que esdevé la banda sonora d'aquesta història que captiva al públic. #Somnambuls #teatre #dramatúrgia #direcció #interpretació #EspaiBrossa #culturasegura #laculturaéssegura #OnaCultural #onadesants 94.6 FM onadesants.cat

The magic of the forest penetrates the Irish & Celtic Music Podcast. John Doyle, Anna Bosnick, Orla Fallon, Tannahill Weavers, The Diviners, Wolf & Clover, Celtic Rain, Outbound Traveler, Runa, Colleen Orender, Wyvern Lingo, The Whiskeydicks, The Muckers, Gillian Boucher & Bob McNeill I hope you enjoyed this week's show. If you did, please share the show with ONE friend. The Irish & Celtic Music Podcast is here to build our community and help the incredible artists who so generously share their music with you. If you hear music you love, buy the albums, shirts, and songbooks, follow the artists on Spotify, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast. Remember also to Subscribe to the Celtic Music Magazine. Every week, you will get a few cool bits of Celtic music news. It's a quick and easy way to plug yourself into more great Celtic culture. Plus, you'll get 34 Celtic MP3s for Free, just for signing up today. VOTE IN THE CELTIC TOP 20 This is our way of finding the best songs and artists each year. Just list the show number, and the name of as many bands in the episode as you like. Your vote helps me create next year's Best Celtic music of 2020 episode.  Vote Now! THIS WEEK IN CELTIC MUSIC 0:03 - "Elevenses" by John Doyle from The Path of Stones 4:32 - WELCOME 5:14 - "The Forest / The Magician / The Butterfly (feat. Matt Diaz & Erin Michet)" by Anna Bosnick from The Ring 9:26 - "Two Sisters" by Orla Fallon from Lore 12:44 - "Orach" by The Tannahill Weavers from Orach (The Golden Anniversary) 17:56 - "Before His Tears Will Flow" by The Diviners from Earshot 21:44 - CELTIC FEEDBACK 26:18 - "The Suitor Set" by Wolf & Clover from Live at the Silvan Sessions 32:50 - "Celtic Rain" by Celtic Rain from Celtic Rain 37:10 - “Ring for a Lady” by Outbound Traveler from Go On and Wander 40:04 - “Saints and Sinners” by Runa from Ten: The Errant Night 44:06 - CELTIC PODCAST NEWS 45:52 - "Star of the County Down" by Colleen Orender from Single 49:42 - "Used" by Wyvern Lingo from Wyvern Lingo 53:47 - "The Old 1-2 2 Step" by The Whiskeydicks from United We Stumble 56:29 - "Buzzards Bay" by The Muckers from Irish Goodbye 1:00:13 - CLOSING 1:01:26 - "Emily Bay" by Gillian Boucher & Bob McNeill from Race for the Sun The Irish & Celtic Music Podcast was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. The show was produced by Marc Gunn, The Celtfather. To subscribe, go to Apple Podcasts or to our website where you can become a Patron of the Podcast for as little as $1 per episode. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME TO CELTIC MUSIC * Helping you celebrate Celtic culture through music. My name is Marc Gunn. I am a Celtic musician and podcaster. This show is dedicated to the indie Celtic musicians. Please support these artists. Share the show with your friends. And find more episodes at celticmusicpodcast.com. You can also support this podcast on Patreon. CELTIC PODCAST NEWS THANK YOU PATRONS OF THE PODCAST! Because of Your kind and generous support, this show comes out every week. Your generosity funds the creation, promotion and production of the show. It allows us to attract new listeners and to help our community grow. As a patron, you get to hear episodes before regular listeners. When we hit a milestone, you get an extra-long episode. You can pledge a dollar or more per episode and cap how much you want to spend each month over on Patreon. Your contribution also allows us to support the Middle Tennessee Highland Games & Celtic Festival and the Texas Scottish Festival. A super special thanks to our newest patrons: David Marc, Christopher, Megan G, Joe L You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticpodcast I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? You can send a written comment along with a picture of what you're doing while listening. Email a voicemail message to celticpodcast@gmail.com Matthew McKnight emailed a correction: "Gday, I love your podcast. I have only recently discovered it as I get my head wrapped around ever evolving technologies. I have Celtic ancestry, grew up in Australia, and feel so connected with my heritage when i listen to your show. I like the Celtic Rain track in your latest podcast and discovered a typo/problem with the link to their website. The link address should be celticrainmusic.com. Hope this helps in the future." Jeremy Graves emailed "Hi, Marc! I've been listening to your show for just a few weeks, but I really love it! I started listening to stay awake while feeding my now three-month-old late at night; my wife and I take shifts. As a linguist working with an indigenous group in Mexico, I really enjoy songs sung in the Celtic languages, and would love to hear more on the show! Thanks for your work! (PS I bought a Stonecircle album today, which I first heard on the podcast)." Charlton Allen asked: "What is indie Celtic?" Brooks Smith emailed on Patreon: "Hi Mark, Thanks for all the work you to do running this podcast! I don't really have any Irish heritage, but I discovered Celtic music when a friend dragged me to a contra dance in Vermont with the band Crowfoot several years ago. I love the genre, and your podcast is a great way to keep up with some of the new music that comes out. I typically listen while working during the day (I'm a structural engineer in Melbourne, Australia), and I'll have Spotify open as I do, marking songs as favourites on there as they catch my ear. I'll usually later on go listen to the rest of an artist's catalogue if I've favourited something by them. I've found a few new favourite artists that way - West of Eden, Heather Dale, Childsplay, Skipinnish. Anyway, I'm gradually working my way through your back catalogue of episodes, but one sub-group I've not heard much of yet is Cape Breton artists: Barra MacNeils, Rawlins Cross, Rankin Family, Ashley MacIsaac, and Natalie MacMaster are some of my other favourite Celtic bands! Cheers!"

En este primer episodio de Pasión por las gafas, charlamos con nuestro amigo Xavi Goicoechea de la empresa TopBranding. En esta joven empresa están especializados en marcas originales y que marcan tendencia. Distribuye gafas diferentes, alternativas, bien hechas y que te ayuden a diferenciarte. Entre sus marcas encontramos Sabine Be, Apro, David Marc, GSevenstars o Mouet. Con Xavi charlamos mucho de gafas, de sus marcas, de materiales y de las tendencias más actuales y futuras en el mercado. Puedes visitar su página web http://www.topbranding.es/ para descubrir todos sus productos. Contacta con nosotros en nuestra web https://asunoliver.com o también en nuestras redes sociales.

Despite the slow start of the spring warm-up in many regions of the North American continent, let's hope that we'll be compensated by an amazing summer. To help it all along, my new house music podcast includes many new high-energy tracks, as well as new remixes of a few classics for your listening enjoyment at the gym or wherever you may be. Thanks for your ongoing support for my podcast!OH Summer of Pride 2014 House Music Mixset Tracklist:1. Barbara Tucker, The Cube Guys - I Wanna Dance With Somebody (The Cube Guys Mix)2. Futuristic Polar Bears feat. Angie Brown - Never Give Up (Original Mix)3. Hoxton Whores - Everybody Dance Now (Original Mix)4. Bingo Players vs. Chocolate Puma - Disco Electrique (Enrry Senna Disco Mix)5. Hurts - Wonderful Life (Jackinsky Club Mix)6. Fleetwood Mac - Dreams (Joe Gauthreaux & David Marc 2014 Massive Mix)7. Kylie Minogue - Into The Blue (Toy Armada & DJ GRIND Anthem Mix)8. Shakira (feat Rihanna) - Can't Remember To Forget You (Razor & Guido Remix)9. James Arthur - Impossible (Leo Blanco & Dani Toro Lobster Remix)10. New Iberican League Vs. Lissat & Voltaxx - Work It Vs. Dreams 2012 (Danny Verde Private Mash-Up)11. Lana Del Rey vs. Thomas Gold - Young & Remember (Enrry Senna Mash! Mix)12. P!nk feat. Nate Ruess - Just Give Me A Reason (DJ Aron Remix)13. Ariana Grande (feat Big Sean) - Right There (Ralphi Rosario Club Mix)14. Rita Ora - I Will Never Let You Down (DJ Escape & Tony Coluccio Main Remix)15. Jason Walker (feat Bimbo Jones) - Tell It To My Heart (Toy Armada & DJ GRIND Club Mix)16. Matt Consola (feat Zhana Sanuders & LFB) - Let the Music Take Control (Wayne G & LFB Anthem Remix)17. Mariah Carey - You're Mine (Eternal) (Chus and Ceballos Main Mix)18. A Great Big World (and Christina Aguilera) - Say Something (Bent Collective Club Remix)

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s. The brainchild of series star Robert Young, who played insurance salesman Jim Anderson, and producer Eugene B. Rodney, Father Knows Best first debuted as a radio sitcom in 1949. In the audio version the title of the show ended with a question mark, suggesting that father's role as family leader and arbiter was dubious. The partner's production company, Rodney-Young Enterprises, transplanted the series to television in 1954--without the questioning marker--where it ran until 1963, appearing at various times on each of the three networks. Young and Rodney, friends since 1935, based the series on experiences each had with wives and children; thus, to them, the show represented "reality." Indeed, careful viewing of each of the series' 203 episodes reveals that the title was actually more figurative than literal. Despite the lack of an actual question mark, father didn't always know best. Jim Anderson could not only lose his temper, but occasionally be wrong. Although wife Margaret Anderson, played by Jane Wyatt, was stuck in the drudgery of domestic servitude, she was nobody's fool, often besting her husband and son, Bud (played by Billy Gray). Daughter Betty Anderson (Elinor Donahue)--known affectionately to her father as Princess--could also take the male Andersons to task, as could the precocious Kathy (Lauren Chapin), the baby of the family.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s. The brainchild of series star Robert Young, who played insurance salesman Jim Anderson, and producer Eugene B. Rodney, Father Knows Best first debuted as a radio sitcom in 1949. In the audio version the title of the show ended with a question mark, suggesting that father's role as family leader and arbiter was dubious. The partner's production company, Rodney-Young Enterprises, transplanted the series to television in 1954--without the questioning marker--where it ran until 1963, appearing at various times on each of the three networks. Young and Rodney, friends since 1935, based the series on experiences each had with wives and children; thus, to them, the show represented "reality." Indeed, careful viewing of each of the series' 203 episodes reveals that the title was actually more figurative than literal. Despite the lack of an actual question mark, father didn't always know best. Jim Anderson could not only lose his temper, but occasionally be wrong. Although wife Margaret Anderson, played by Jane Wyatt, was stuck in the drudgery of domestic servitude, she was nobody's fool, often besting her husband and son, Bud (played by Billy Gray). Daughter Betty Anderson (Elinor Donahue)--known affectionately to her father as Princess--could also take the male Andersons to task, as could the precocious Kathy (Lauren Chapin), the baby of the family. TODAY'S SHOW: Time For A New Car (06-08-50) and The Skunk Must Go (10-12-50)

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.