Podcasts about Agra

Agra Namibië en Swiftvee het 'n vennootskap gesmee om aanlyn-veilings na die boerderygemeenskap te bring. SwiftVee beskryf homself as die baanbreker van aanlyn-veehandel in Suid-Afrika en die grootste onafhanklike vee-handelsplatform. Kosmos 94.1 Nuus het gesels met Russel Luck, AgriVee se uitvoerende hoof.

Welcome to Season 4 of Travel Stories with Moush everyone!  In this inspiring episode, we're joined by travel visionary Haitham Mattar - a pioneer in tourism leadership and the CEO of IHG Hotels (Middle East, Africa and West Asia). From shaping Ras Al Khaimah into an adventure hub to transforming Saudi Arabia's tourism story, Haitham shares powerful insights, incredible travel stories, and a peek into his new book "Pots, Pans, and Five-Year Plans."Destination Highlights:Saudi Arabia, Red Sea Cruise Experience – Haitham joined the first-ever cruise ship to sail in the Red Sea post-pandemic. He visited untouched islands like Sindalah, witnessed crystal-clear waters and vibrant corals and cruised past the Wadi ad-Disah, believed to be where Moses split the sea.           He also believes that Saudi Arabia is a tourism powerhouse in the making.AlUla, Saudi Arabia - A “living museum” with tombs carved into mountains, echoing the Nabataean civilization. According to Haitham, it's a stargazing paradise and one of the most peaceful, spiritual places on earth.Petra, Jordan – A must-visit destination.Lebanon –  He celebrates the ancient city of Byblos, which is one of the oldest continuously inhabited cities in the world and loves the buzz of Beirut, with its diversity, gastronomy and the unique way expats adopt Lebanese culture. The rich history, stunning Mediterranean coastline and enduring charm of Lebanese villages is what makes the country even more special.Oman – An underrated gem according to Haitham. He believes that Oman has major untapped potential in sustainable and adventure tourism.Island of Palau – A sustainability model and a standout example of tourist accountability and community-first tourism.Six Senses Zighy Bay, Oman - A hidden gem offering tranquility, indulgent spa experiences, and adrenaline sports like paragliding.         https://www.sixsenses.com/en/hotels-resorts/middle-east-africa/oman/zighy-bay/Agra, India – Haitham is deeply moved by the Taj Mahal and the profound story of love behind it. He also highlights the Agra Fort as an underrated gem, rich in Mughal architecture and history.Six Senses Barawara, Rajasthan, India – A place where he would like to keep going back to and one that holds a very special place in his heart.                                                                                                                                                                                                                             https://www.sixsenses.com/en/hotels-resorts/asia-the-pacific/india/fort-barwara/Connect with Haitham at:haitham.mattar@ihg.comThank you everyone for tuning in today. I hope our conversations have fueled your wanderlust and inspired you to explore the world in new and exciting ways. Please don't forget to hit that subscribe button on your favorite podcasting channel to keep up with our latest episodes. I would love to know what you think…what kind of travel stories and guests you would like me to cover. So, please do leave a comment, a rating or a review. Do follow me on Instagram and find out who's joining me next week. I'm at @moushtravels. You can also find all the episodes and destinations mentioned by all the guests on my website www.moushtravels.com as well as on the episode show notes. Thanks for listening and until next time safe travels and keep adventuring.  "Want a spotlight on our show? Visit https://admanager.fm/client/podcasts/moushtravels and align your brand with our audience."Connect with me on the following:Instagram @moushtravelsFacebook @travelstorieswithmoushLinkedIn @Moushumi BhuyanYou Tube @travelstorieswithmoush

Suïcidi en 3D. Crítica teatral de l'obra «Anatomia d'un suïcidi (Anatomy of a Suicide)», d'Alice Birch. Traducció de Víctor Muñoz Calafell. Intèrprets: Marta Ossó Castillón. Maria Ribera, Patrícia Bargalló, Eduardo Lloveras, Jaume Madaula Izquierdo, Ester Cort, Jacob Torres, Abriel Julien, Andrea Portella Fontbernat i Ramon Pujol. Escenografia: Ona Grau. Vestuari: Marta Rafa. Il·luminació: Sylvia Kuchinow. Espai sonor: Àlex Polls. Videoescena: Alfonso Ferri Parres. Caracterització: Àngels Salinas. Moviment: Ariadna Montfort. Ajudanta de vestuari: Mireia Sintes. Ajudant d'escenografia: Albert Ventura. Ajudanta de caracterització: Sara Rigola. Alumne en pràctiques de l'Institut del Teatre de la Diputació de Barcelona (direcció): Marcos Xalabarder Aulet. Alumna en pràctiques del Màster Universitari en Estudis Teatrals (MUET): Gaia Bautista Jogovic. Construcció de l'escenografia: Pascualín Estructures Stage Technology. Acabats de l'escenografia: Taller d'Escenografia Castells. Producció: Teatre Nacional de Catalunya. Agraïments: Alba Knijff, Maria Bascompte, Sílvia de Quadras i Carles Bernal. Equips tècnics de gestió del TNC. United Agents és l'agència propietària dels drets de les obres d'Alice Birch. Ajudanta de direcció: Gina Surià Gúdel. Direcció: Glòria Balañà Altimira. Sala Petita, Teatre Nacional de Catalunya, Barcelona, 15 maig 2025. Veu: Andreu Sotorra. Música: L'equilibrio è un miracolo. Interpetació: Patrizia Laquidara. Composició: antonio Cantó, E. Cirillo i Patrizia Liquidara. Àlbum: Funambola, 2007.

Die noorde van Namibië, spesifiek die Grootfontein omgewing, kry lekker en goeie winterreën. Sosiale media loop oor van plasings oor die reën wat uitgesak het. Kosmos 94.1 Nuus het met Andries Van Der Merwe van die Agra in Grootfontein gepraat wat meer vertel.

És quan dormo que hi veig clar. Crítica teatral de l'obra «Una mena d'Alaska», de Harold Pinter. Traducció de l'anglès de Cristina Genebat. Música original: Aida Oset. Intèrprets: Mireia Aixalà, Andrés Corchero, Carles Martínez i Aida Oset. Coreografia: Andrés Corchero. Escenografia: Sílvia Delagneau. Vestuari: Maria Armengol. Caracterització: Núria Llunell. Il·luminació: Jaume Ventura. Vídeo: Anna Oset. Espai sonor: Damien Bazin. Ajudanta d'escenografia: Bàrbara Roig. Alumnes en pràctiques de l'ITB: Pau Sanroman (vestuari) i Marina Valls (direcció). I els equips del Teatre Lliure. Agraïments: Núria Botia, Iris Abancó, Marine Zimmer, Violeta Sugranyes, Pepe Hernández i Òptica Sanabre. Producció: Teatre Lliure. Ajudanta de direcció: Rita Molina Vallicrosa. Direcció: Ivan Benet. Espai Lliure, Teatre Lliure Montjuïc, Barcelona, 9 maig 2025. Veu: Andreu Sotorra. Música: Tema musical. Interpretació: Aida Oset. Composició: Aida Ost i Damien Bazen. Àlbum: Una mena d'Alaska, 2025.

Buscant el centre de gravetat permanent. Crítica teatral de l'obra «Alícia en un món real». Adaptació teatral i dramatúrgia: Isabel Franc i Teresa Urroz. A partir del còmic d'Isabel Franc (text) i Susanna Martín (il·lustracions). Intèrprets: Roser Batalla, Joan Bentallé, Susana Egea, Blanca Pàmpols, Sílvia Sabaté i Mireia Tejero. Música en escena i espai sonor: Mireia Tejero, Rai Jiménez. Titellaire: Joan Bentallé. Moviment escènic: Viviane Calvitti. Escenografia: Meritxell Muñoz López. Ajudant d’escenografia: Sergi Corbera Gaju. Construcció d'escenografia: Albert Ventura. Il·luminació i coordinació tècnica: Sergi Cerdan Aguado. Disseny de so: Carles Bernal i Iker Rañé. Construcció del titella: Martí Doy. Vestuari: Mariel Soria. Confecció de vestuari: Goretti Puente. Caracterització: Fafá Franco. Assessorament per a la dramatúrgia escènica: Marta Momblant. Fotografia i disseny gràfic: Lola Puyalto, Chus Gómez. Videocreació: Carme Puche. Equips tècnics i de gestió de la companyia: Equip d’audiovisuals: Sergio Álvarez-Napagao, Gabriela Sánchez Momblant, Javier Rueda, Albert Alemany, Fatima Kamaso Navarro, Nuna Ibernón. Direcció de producció: Raül Perales, Xavier Granada. Producció executiva: Raül Perales, Alba Gómez Celdrán. Distribució: Àngels Nogué, Helena Barragán - Magrana Escena. Una coproducció de Cia. La Briana, Magrana Escena, Raül Perale i Teatre Nacional de Catalunya. Amb el suport de Institut Català d’Empreses Culturals – Generalitat de Catalunya i la Fundació Catalunya La Pedrera. Amb la col·laboració de Fabra i Coats – Fàbrica de creació i Grifols SA. Agraïments: Espai Actua, Raúl Beldarrain Espina, ACEC, AISGE, ICO, Lourdes Guanter, Marqués Damaret, Àngels Palomar, Sílvia Pimienta, Scuba Stunt Services – InExtremis: Urtus Albert Rovira, Eva Ponce i Lucía Osorio, Amanda Sans Pantling i Jordi Ravascall Madrid. Equips tècnics i de gestió del TNC. Ajudanta de direcció: Ariadna Martí. Direcció: Teresa Urroz. Sala Tallers, Teatre Nacional de Catalunya, Barcelona, 8 maig 2025. Veu: Andreu Sotorra. Música: Centro di gravità permanente. Interpretació: Franco Battiato. Composició: Franco Battiato i Giusto Pio. Àlbum: Correnti Gravitazionali, 2022.

Transfer aur 15 Minute | Written and Narrated by Nausheen KhanNausheen Khan is from Agra and currently living in New Delhi. She is a Multimedia ProducerCurator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ramrotiaaloo@gmail.com or WhatsApp at +91 9818098790.Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Take inspiration from the sample recording by narrator Munish (attached).Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!Cover: IrfanWe respect creative ownership. If you believe this is your work or if appropriate credit hasn't been given, kindly get in touch at ramrotiaaloo@gmail.com

«La tercera fuga». Idea original de Victoria Szpunberg. Col·laboració en l'escriptura del text: Albert Pijuan. Intèrprets: Sasha Agranov, Emma Arquillué, Anna Castells, Marc Joy, Olga Onrubia, Carles Pedragosa, Carles Roig, Biel Rossell Pelfort, Fede Salgado, Magalí Sare. Clara Segura Crespo, Sergi Torrecilla i Ton Vieira. Escenografia: Max Glaenzel Sílvia Delagneau. Vestuari: Sílvia Delagneau. Il·luminació: Pedro Yagüe. Coreografia i assessorament en el moviment escènic: María Cabeza de Vaca. Composició i direcció musical: Dani Espasa. Espai sonor i composició de la cançó «Rina»: Lucas Ariel Vallejos. So: Iker Rañé. Caracterització: Àngels Salinas. Assessora d’accent argentí: Romina Cocca. Traducció i assessora de l’ídix: Golda van der Meer. Ajudanta d’escenografia: Paula González Infante. Ajudant de vestuari: Marc Udina Duran. Alumnes en pràctiques de l’Institut del Teatre de la Diputació de Barcelona: Andrea Castells Fernández (direcció- ESAD), Karen Carreño (dramatúrgia-MUET), Clea Granados (escenografia). Construcció d’escenografia: Carles Piera, Showtex. Confecció de vestuari: Goretti Puente. Confecció del cavall i dels esquelets: Laura Garcia Martos. Construcció de les màscares: Eudald Ferré Serra. Producció: Teatre Nacional de Catalunya. Agraïments: Família Szpunberg Witt, Jorge Spunberg, Miquel Cabal Guarro, Arnau Pons, Juan Villareal, Leo Hipaucha Serenelli, Giacomo Passalacqua, Martina Vilarasau, Josefina Torino, Leila Amorós, Manel Fortià. Equips tècnics i de gestió del TNC. Ajudant de direcció: Iban Beltran. Direcció: Victoria Szpunberg. Sala Gran, Teatre Nacional de Catalunya, Barcelona, 29 abril 2025. Veu: Andreu Sotorra. Música: Un vals a París. Interpretació: Ariel Hernandez, Dermor Dunne, Iona Petcu-Colan, Lucas Gonzalez. Malachy Robinson. Composició: Lunfardia Dublin. Àlbum: Acollarados, 2010.

This week's guest is someone who many of us will feel we already know. A calm and trusted presence in our living rooms each evening, she's one of the most familiar faces in British broadcasting - BBC News presenter, correspondent, and author, Reeta Chakrabarti.Raised in Birmingham, Reeta spent part of her teenage years in Calcutta, India - an experience that would later shape her global perspective both as a journalist and a writer.Her career has taken her all over the world, from covering the war in Ukraine from Lviv, to reporting on the 70th anniversary of Indian and Pakistani independence and most recently, covering the Pope's funeral from Rome. She began her career behind the scenes in radio before making the leap to become a correspondent, and finally landing in the iconic BBC News presenting chair - at the age of 49, no less. Proof that there's no one path to success and it's never too late to pivot.Her travel diaries today take us from Italy to Chile, Greece to India and much more.Destination Recap:Holly -Cothelstone Manor, Somerset, EnglandReeta -Calcutta, India Rome, Italy St Peter's Basilica, Rome, Italy Castel Sant'Angelo, Rome, Italy Lahore, Pakistan Santiago, ChileValparaiso, ChileFranceLviv, UkraineParis, FranceTaj Mahal, Agra, India Amorgos, GreeceBrazilArgentinaFinding Belle by Reeta Chakrabarti, published by HarperFiction, out in hardback, ebook and audio on 8th May*COMPETITION*For your chance to win a 3 night all inclusive stay at LUXME hotel on the Greek island of Kos, head to my Instagram @hollyrubenstein. The winner will be announced on May 20th, T&Cs apply!With thanks to my sponsors today - Citalia - Discover the real Italy with Citalia, the UK's leading Italian holiday specialists. Let the Italy Experts craft the perfect holiday for you and experience Italy like a Citalian.Airbnb - Visit Airbnb.com and find out more. Prospective Hosts can learn more about how much they can earn sharing their space through the What's My Place Worth Tool.Saily - Download the SAILY app and use our code TRAVELDIARIES at checkout to get an exclusive 15% off your first purchase Thanks so much for listening today. If you want to be the first find out who is joining me on next week's episode come and follow me on Instagram I'm @hollyrubenstein, and you'll also find me on TikTok. Hosted on Acast. See acast.com/privacy for more information.

Tam giác vàng Ấn Độ – bao gồm New Delhi, Agra và Jaipur – là tuyến đường nổi tiếng dẫn du khách qua những công trình kiến trúc đặc sắc như đền Taj Mahal, pháo đài Agra và cung điện Hawa Mahal. Trong Cẩm nang du lịch kỳ này, Chinh Nguyễn sẽ chia sẻ những trải nghiệm trên cung đường này, cũng như những điều cần lưu ý khi khám phá Ấn Độ.

Ja podem tirar l'arròs! Crítica teatral de l'obra «La paella dels dijous», de Cristina Clemente. Intèrprets: Jordi Andújar, Lloll Bertran (2025) / Lluïsa Castell (2023-2024) i Núria Cuyàs. Escenografia: Elisenda Pérez. Figurinisme: Maria Albadalejo. Disseny il·luminació: Xavi Gardés. Disseny so: Damià Duran. Tècnica llum i so: Maria Martín. Estudiant en pràctiques e direcció: Mar Mañez (Timbal). Coordinació de producció de la trilogia: Montse Farrarons i Clara Cols. Producció executiva: Jofre Blesa, Marina Marcos i Sergio Matamala. Coordinació artística: Adrià Aubert, Jofre Blesa i Sergio Matamala. Comunicació i premsa: Rafaela Rivas, Ester Cánovas, Anna Castillo i Elisenda Riera. Imatge cartell: Emilio Lorente. Imatges promoció: Sergi Panizo. Vídeo: Marta Caravaca. Disseny gràfic: Laia Alsina. Agraïments: NOMEN. Coproducció: El Maldà, Sala Flyhard, Sala Versus Glòries i On el teatre batega. Amb el suport de: Grec Festival de Barcelona, Iberescena, Ajuntament de Barcelona, Departament de Cultura de la Generalitat de Catalunya. Direcció de l'espectacle: Muguet Franc. Grec 2023. Primera i segona temporades: El Maldà i Espai Texas. Reposició tercera temporada: El Maldà, Barcelona, del 24 d'abril al 18 de maig 2025. Veu: Andreu Sotorra. Música: Dijous paella. Interpretació: Dijous paella. Composició: Xavier Capdevila i Francesc Ribera. Àlbum: Dijous paella, 2006.

El meu pes en llet. Crítica teatral de l'obra «La cadena del fred», de Yaiza Berrocal Guevara. Intèrprets: Montse Esteve, Pep Planas, Manel Sans i Valèria Sorolla. Col·laboració especial en off: Edu Tudela. Escenografia i vestuari: Joana Martí. Caracterització: Claudia de Anta. Espai sonor: Nacho López. Vídeo: Joan Rodón. Coreografia: Marta Gil Polo. Fotografia: Kiku Piñol. Cap tècnic: Quim Otero. Regidoria: Bibi Guzman. Producció: Júlia Simó i Maria G. Rovelló. Distribució: Guillem Albasanz. Estudiant en pràctiques: Bet Cullell. Agraïments: Dissenys Papeti (Cessió de maquetes) i Santi Ricart. Una producció de la Sala Beckett, Cassandra Projectes Artístics i Teatre Auditori de Llinars. Ajudant de direcció: Edu Tudela. Direcció: Marta Gil Polo. Sala Baix, Sala Beckett, Barcelona, 24 abril 2025. Veu: Andreu Sotorra. Música: Societat de consum. Intèrpret: Raimon. Composició: Raimon. Àlbum: Campus de Bellaterra, 1974.

L'home de la maleta. Crítica teatral de l'obra «El venedor de fum», de Piti Español i Joan Font. Intèrpret: Joan Font. Direcció tècnica: Joan Raga. Disseny il·luminació: Verónica Salatino. Tècnic d'il·luminació: Jordi Ventosa. Vestuari: Joan Font. Escenografia: Joan Raga i Joan Font. So: Joan Gil. Agraïments: La Máquina de Teatro de València. Producció de Comediants, Teatre La Màquina i Anexa. Equip Teatre Akadèmia: Direcció artística: Guido Torlonia. Gerència i Cap de producció: Meri Notario. Cap de premsa i assistència a la direcció artística: Fernando Solla. Cap de màrqueting i comunicació: Ana Flores. Comunicació i públics: Vinyet Vila. Cap tècnic: Lluís Serra. Tècnic auxiliar: Víctor Castro. Taquilla: Xavi Gómez. Community Manager: Eladi Bonastre. Direcció de l'espectacle: Joan Font. Estrena a Fira de Tàrrega 2023. Gira per diversos escenaris 2024. Reposició: Teatre Akadèmia, Barcelona, 24 abril 2025. Veu: Andreu Sotorra. Música: Viatge del sol. Interpretació: Comediants. Composició: Comediants. Àlbum: Sol, solet, 1983.

Babur, a descendant of Timur and Genghis Khan, had established a power base in Kabul but the victory at Panipat gave him control of Delhi and Agra, allowing him to establish the foundations of what would become the Mughal Empire in ...

El realisme màgic de Joan Yago. Crítica teatral de l'obra «El futur». Dramatúrgia de Joan Yago. Intèrprets: Berta Bähr, Cristina Baró, Julia Calzada, Martí Costa i Xènia Sellarés. Espai sonor: Guillem Rodríguez. Il·luminació: Júlia Bauer. Vestuari: Cristina Baró i Xènia Sellarés. Assessoria de moviment: Davo Marín. Locució: Marina Monràs. Fotografies: Nü Giménez Rius. Audiovisuals idisseny gràfic: Berta Bähr. Producció: Cia. La Bandarra, Sonder Produccions i La companyia. Comunicació: Martí Costa. Projecte en creació a la Nau Ivanow. Ha col·laborat en aquest espectacle: Eòlia I+D. Agraïments: Miquel Llull, Aura Foguet, Uri Callau, Fina Portell, Els Pirates Teatre, Dagoll Dagom i La Virgueria. Ajudanta de direcció: Julia Calzada. Direcció: Júlia Valdivielso. Sala Versus Glòries, Barcelona, 24 abril 2025. Fitxa artística primera versió 2019: Dramatúrgia de Joan Yago. Intèrprets: Berta Bähr, Cristina Baró, Júlia Calzada, Martí Costa, Aura Foguet, Uri Callau i Xènia Sellarés. Veu: Marina Monràs. Coreografies: Xènia Sellarés. Audiovisuals: Berta Bähr. Espai sonor: Guillem Rodríguez. Fotografies: Genia Badano. Direcció: Joan Yago. Sala Joan Brossa, Escenari Joan Brossa Barcelona, 22 setembre 2019. Veu: Andreu Sotorra. Música: Bolero M81. Interpretació: André Rieu i Johann Strauss Orchestra. Composició: Maurice Ravel. Àlbum: La vie est belle, 2000.

Fluent Fiction - Hindi: Unlocking Taj Mahal's Secrets: अनिका's Journey to Self-Discovery Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hi/episode/2025-04-17-22-34-01-hi Story Transcript:Hi: अनिका ने आगरा की ट्रेन से बाहर कदम रखा।En: अनिका stepped out of the train in Agra.Hi: बसंत के मौसम में ताजमहल की यात्रा करने का उसका सपना आख़िरकार पूरा हो गया।En: Her dream of visiting the Taj Mahal in the spring season had finally come true.Hi: वह एक युवा वास्तुकार थी, ऐतिहासिक इमारतों के प्रति उसके दिल में विशेष मोहब्बत थी।En: She was a young architect, with a special love for historical buildings.Hi: लेकिन उसके अंदर एक गहरी इच्छा भी उठती रहती थी - कुछ ऐसा रचना जो वक्त के साथ हमेशा के लिए बने रहे।En: But there was also a deep desire within her — to create something that would last forever with time.Hi: फिर भी, उसे खुद पर भरोसा करने में कठिनाई होती थी।En: Yet, she found it difficult to trust herself.Hi: अनिका ने ताजमहल की ओर ध्यान से देखा।En: अनिका looked intently towards the Taj Mahal.Hi: संगमरमर की सफेद चमक उसकी आँखों को भा गई।En: The white shine of the marble pleased her eyes.Hi: वह सोचने लगी, इसी इमारत ने सदियों से कितने लोगों को प्रेरित किया है।En: She began to think about how this building has inspired so many people for centuries.Hi: उसके आस-पास का बगीजा खिलखिलाता था, और हल्की ठंडी हवा उसकी हिम्मत को बढ़ा रही थी।En: The surrounding garden was blossoming, and the cool gentle breeze was boosting her courage.Hi: वह अपने ड्राइंग बुक और कलम के साथ बगीचे के किनारे बैठ गई।En: She sat at the edge of the garden with her drawing book and pen.Hi: उसे शक था कि क्या वह कुछ अद्वितीय रच सकेगी।En: She doubted whether she could create something unique.Hi: उसके दिमाग में तरह-तरह के सवाल थे।En: Her mind was filled with various questions.Hi: क्या उसका डिज़ाइन भी ताजमहल की तरह लोगों के दिल छू सकेगा?En: Would her design also touch people's hearts like the Taj Mahal?Hi: वह बैठकर लंबे समय तक संगमरमर की नक्काशी और गुंबद की बारीकी को देखती रही।En: She sat for a long time, observing the marble carvings and the dome's intricacies.Hi: उसके दिल में आत्मविश्वास के बीज अंकुरित हो रहे थे।En: Seeds of confidence were sprouting in her heart.Hi: जब सूरज ढलने लगा, तो आसमान गुलाबी रंग से भर गया।En: As the sun began to set, the sky filled with a pink hue.Hi: अनिका ने उस अद्भुत दृश्य की ओर देखा और जैसे ही उसने स्केच बनाना शुरू किया, एक नया ख्याल उसके मन में आया।En: अनिका looked at that amazing view and as she started to sketch, a new thought came to her mind.Hi: उसने महसूस किया कि सुंदरता नकल का नहीं, बल्कि अपनी अनूठी छाप छोड़ने का नाम है।En: She realized that beauty is not about imitation, but about leaving one's unique mark.Hi: ताजमहल के प्रभाव से हटकर उसने अपनी रचनात्मकता को कोरे पन्ने पर उकेरने का साहस पाया।En: Moving away from the influence of the Taj Mahal, she found the courage to carve her creativity onto the blank page.Hi: घर वापस आते समय, अनिका के मन में नया जोश और आत्मविश्वास था।En: While returning home, अनिका had newfound enthusiasm and confidence in her heart.Hi: उसने सीखा कि उसकी खुद की दृष्टि और रचनात्मकता ही उसकी सबसे बड़ी शक्ति है।En: She learned that her own vision and creativity were her greatest strengths.Hi: वापस अपने स्टूडियो में पहुंचकर, उसने अपने नए डिज़ाइन पर काम शुरू किया।En: Upon reaching her studio, she began working on her new design.Hi: अब अनिका को विश्वास था कि उसका योगदान भी इतिहास में एक अमिट छाप छोड़ेगा।En: Now अनिका was confident that her contribution would leave an indelible mark in history.Hi: ताजमहल ने उसे यह सिखाया था कि स्थायी सुंदरता हमारे भीतर ही होती है।En: The Taj Mahal had taught her that enduring beauty lies within us. Vocabulary Words:architect: वास्तुकारhistorical: ऐतिहासिकtrust: भरोसाintently: ध्यान सेpleased: भा गईinspired: प्रेरितblossoming: खिलखिलाताgentle: हल्कीbreeze: हवाcourage: हिम्मतobserve: देखनाcarvings: नक्काशीintricacies: बारीकीconfidence: आत्मविश्वासsprouting: अंकुरितhue: रंगimitation: नकलmark: छापcreativity: रचनात्मकताenthusiasm: जोशstrengths: शक्तिcontribution: योगदानindelible: अमिटenduring: स्थायीbeauty: सुंदरताvision: दृष्टिunique: अद्वितीयrealize: महसूस करनाlasting: हमेशा के लिएsurrounding: आस-पास

A doctor does more than prescribe medicine—he offers healing through touch, wisdom through words, and hope through actions. In this special episode, we journey into the extraordinary life of Padma Shri Dr. Radhe Shyam Pareek, a pioneer who not only elevated homeopathy to global recognition but also redefined the very meaning of service in medicine.From a modest upbringing in Agra to treating over 2.3 million patients across the world, Dr. Pareek's story is one of deep devotion, tireless service, and quiet revolution. He trained thousands of doctors, championed community healthcare in rural India, founded the Sevakunj Mission Hospital, and brought the light of Indian culture and spirituality to countless lives through Satsang Sudha.About Padma PridePadma Pride is an inspiring audio series by The Good Sight and Rise Against Hunger India, celebrating Padma Awardees and their extraordinary impact. Every Sunday, webring you the story of a changemaker shaping India's future. (Narration: Shalini Singh, The Good Sight).

JK Cast # 218 - Crise de Liquidez Global à Vista? CEITEC, Reforma Agrária, Brasil Quintal dos EUA

How many mitzvahs is korban pesach

Les mares de la llum. Crítica teatral de l'obra «La veritat sobre la llum», d'Audur Ava Ólafsdóttir. Adaptació d'Anna Maria Ricart Codina. Traducció de Macià Riutort (a partir de la versió islandesa). Intèrprets: Maria Casellas, Roger Julià, Andrea Portella Fontbernat i Rosa Renom. Il·luminació: Ferran Utzet. Escenografia: Sergi Corbera Gaju. Vestuari: Giulia Grumi. Espai sonor: Guillem Rodríguez. Suport il·luminació i cap tècnic: Àngel Puertas. Producció executiva: Els Telers Produccions. Suport a la producció: Arnau Nadal. Fotografies: Felipe Mena. Fotografia d’assaig: Alba Lajarín. Agraïments: Pilar Artigas, Josep Caselles, Llàtzer Garcia, Montserrat Tolosa, Fundació AISGE, La Perla 29, Centre d’Arts Santa Mònica i Roberto Montes (trezze.23). Una coproducció d’Els telers produccions i Teatre Akadèmia. Amb el suport de l’ICEC i la Diputació de Barcelona. Equip Teatre Akadèmia: Direcció artística: Guido Torlonia. Gerència i cap de producció: Meri Notario. Cap de premsa i assistència a la direcció artística: Fernando Solla. Cap de màrqueting i comunicació: Ana Flores. Comunicació i públics: Vinyet Vila. Cap tècnic: Lluís Serra. Tècnic auxiliar: Víctor Castro. Taquilla: Xavi Gómez. Community Manager: Eladi Bonastre. Coproducció d'Els Telers i Teatre Akadèmia. Ajudanta de direcció de l'espectacle: Clara Moraleda. Direcció de l'espectacle: Ferran Utzet. Teatre Akadèmia, Barcelona, 9 abril 2025. Veu: Andreu Sotorra. Música: Sofðu unga ástin mín. Interpretació: Svavar Knútur. Composició: Jóhann Sigurjónsson (cançó de bressol islandesa). Àlbum: Vögguvísur, 2012.

Viatge al paradís de la disbauxa. Crítica teatral de l'obra «Cancun», de Jordi Galceran. Intèrprets: Agnès Busquets, Gemma Deusedas, Màrius Hernández i David Olivares. Staff resort: Glòria Gendre. Escenografia: Oriol Prat. Vestuari: Núria Llunell. Disseny de llums: Ferran Costejà. Fotografia i cartell: Sergi Panizo. Producció: Anna Carreño. Ajudants de producció: David García i Alba Iglesias. Distribució: Cristina Ferrer – Tot Produccions. Una producció de Buganvilia. Agraïments: Max Villanueva Garachana, Bea Fenollar, Gataro, Centre Cívic El Carmel, Albert Parera. Direcció: Susanna Garachana. Teatre Gaudí Barcelona, Barcelona. Del 30 de març al 17 de maig. Veu: Andreu Sotorra. Música: Cumbia del Carib. Interpretació: Benetia, Orquestra d'Edmundo Arias. Composició: Edmundo Arias. Àlbum: Caribe Mix, 2000.

The Sign of Four by Arthur Conan Doyle chapter 12 The Strange Story of Jonathan Small, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.patreon.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSUMMARY: Watson heads back to Baker Street and shows Jones and Holmes the empty Treasure Chest. Small barks a laugh, and says that he emptied the gems into the river when he realised that they were going to catch him, and says that the only people with a right to the treasure and the men that make up "the Sign of the Four."Holmes then presses Small to start his story. He was born into a poor farmer family in Worcestershire. He joined the British army after getting into some trouble with a girl, and was sent to India. After leaving training, his leg was bitten off by a crocodile, and was forced to leave the forces. After recovering, his superior got him a job on a plantation looking over the workers. His boss was kind, but soon a revolt started in India, and the workers turned against the masters and Small was forced to flee to Agra. In Agra he joined a volunteer corps set up in an old fort. He served here as a guard, and had two Punjabi men under his command. One night, the two ambushed him, and told him to be either with or against them. When he agreed, they told him about the treasure, and told him that a man was coming that night to Agra. When the man arrived, they attacked the man with the chest, and hid both the body and the treasure after making a tally of the jewels inside. Sadly for the men, the body was soon found, and they were all arrested and sent to work camps, and after a while were sent to the Andaman Islands. Here, Small was given a bit more freedom, and became close to the doctor. He over heard the doctor and the army guards playing cards, and heard two of them slowly lose more and more money, Morstan, and Sholto.Small then told the two about the treasure, and said that if they could go and get the treasure and help the members of the Sign of the Four escape, then they could have their fair share of the treasure too. Sholto goes to collect the Treasure, and then doesn't return... Small knows that he has stolen the Agra Treasure, and vows to get his revenge. He soon came into contact with one of the Natives, and helped heal him back to health after being wounded. He soon told the man, Tonga, of the Treasure, and asked to help him escape in his canoe. The two escape, and after a long while, make their way to London. Small finds out about Sholto, and goes to investigate; Sholto passes away when he see's Small's face in the window. Small then employs a man inside the house to give him information about the Treasure. One day he hears that it was found, and he takes Tonga with him to take it back. They get the treasure, Sholto is taken out, and then Holmes' chase began.SEO stuff that I really don't want to have to do...Join me for another immersive narration of this classic detective story from Sir Arthur Conan Doyle

Special Episode Servas Travel Here is your FAQ: Have you done any couch surfing? My followers asked me this question.   Special Episode topic: Servas travel   Travel mistakes: Making the age limit in a restaurant   Travel Tips: Daily schedule for exercise    FAQ response:   Have you done any couch surfing? My followers asked me this question.   Answer: No, but I have been using SERVAS for three years as a member. I stayed in 6 homes and did a day host in one country, too. Listen here for more on that.   Special episode on SERVAS   I'm planning another around-the-world trip in 2025 and will contact hosts in South America, Africa, Europe, and Canada. I will email them, introduce myself, and tell them my travel dates. If they respond, we may have a match. If you happen to be a SERVAS host, please let me know.   The countries where I did make great matches were the Philippines (day host), India (Kerala and Agra for 1-2 nights), Israel (Tel Aviv 2 nights), Italy (Naples 2 nights), Ireland (Dublin 2 nights), and Scotland (Glasgow, three homes, 5 nights total). The irony is that some of the Scottish hosts also hosted Dick this year. Small world. https://servas.org/   https://usservas.org/ https://en.wikipedia.org/wiki/Servas_International   SERVAS International was founded in 1949 by Bob Luitweiler, a pacifist and peace activist. Here are some of the organization's history and how it can benefit solo women travelers. I'll share the history, the goals, and the benefits for travelers, especially women and especially solo women. History Origins: SERVAS was established after World War II to promote peace through cross-cultural understanding and dialogue. Vision: The name "SERVAS" means "to serve" in Esperanto, reflecting its commitment to building bridges between cultures and fostering mutual respect. Global Reach: It operates in over 100 countries and territories, creating a worldwide network of travelers and hosts dedicated to peace and goodwill. Goals Promoting Peace: SERVAS encourages cultural exchange and understanding to combat prejudice and conflict. Fostering Dialogue: Hosts and travelers engage in meaningful conversations about their lives, cultures, and beliefs, promoting mutual understanding. Sustainability: The organization values eco-friendly and low-impact travel, aligning with global efforts to protect the planet. Empowering Women Travelers: SERVAS provides a safe and supportive environment for women, including solo travelers, by connecting them with verified and trustworthy hosts.     Benefits for Solo Female Travelers Safe Accommodation: SERVAS connects travelers with hosts who have undergone a screening process, adding a layer of security for solo women. Cultural Immersion: Staying with local hosts allows you to experience the authentic culture of your destination, often away from tourist hubs. Cost-Effective Travel: Accommodation with SERVAS hosts is free, reducing travel expenses. Community and Connection: Emphasizing meaningful conversations provides opportunities for enriching educational experiences. Supportive Network: For solo travelers, especially women, SERVAS offers a built-in community of like-minded individuals who value safety, trust, and connection. Flexible and Global: The network spans various countries, offering unlimited travel opportunities.     How SERVAS Works You must apply for SERVAS membership, which involves an interview process to ensure alignment with the organization's values. Members receive a document that introduces them to hosts and verifies their commitment to SERVAS principles. SERVAS provides a directory of hosts in participating countries, detailing their interests, location, and availability. Travelers arrange stays with hosts in advance, typically for 1-2 nights, to encourage meaningful interaction rather than transient lodging.     Tips for Using SERVAS as a Solo Woman  Choose hosts with detailed profiles and positive reviews to ensure compatibility. Discuss expectations, house rules, and interests with your host before your visit via email. SERVAS is built on trust, so always trust your instincts and prioritize your safety. Keep in touch with someone back home and share your itinerary and host details. As a solo female traveler who values meaningful travel experiences and cultural exchange, SERVAS aligns perfectly with my interests. It offered me a unique way to connect with real locals, experience destinations authentically, and travel safely. The organization's commitment to peace and sustainability adds a deeper purpose to my journeys. I would recommend this to any of our listeners Travel mistakes: Making the age limit in a restaurant   Travel Tips: Daily schedule for exercise      Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest onYouTube In the news  

El càncer de mama no és rosa. Crítica teatral de l'obra «Dones de ràdio», de Cristina Clemente. Intèrprets: Sara Diego, Sara Espígul i Àngels Gonyalons. Veus en off: Jordi Boixaderas, Anna Carreño, Marta Codina, Laura Fité, Yolanda Fuster, Andrés Herrera, Gemma Martínez, Montse Rodríguez, Núria Sanmartí. Escenografia: Max Glaenzel. Construcció escenografia: Taller d’Escenografia Castells. Vestuari i caracterització: Núria Llunell. Il·luminació: Kiko Planas. Espai sonor: Jordi Bonet i Efrén Bellostes. Direcció de producció: Josep Domènech. Cap de producció: Blanca Arderiu. Producció executiva: Macarena Garcia. Coordinació tècnica: AP7 Projectes Tècnics. Regidoria: Montse Alacuart. Tècnica de llums: Cristina Rodríguez. Tècnic de so: Efrén Bellostes. Maquinària: Carles Hernández ‘Xarli’. Cap tècnica del teatre: Marta Pérez. Màrqueting i comunicació de la companyia: Bitò Màrqueting. Comunicació del teatre: La Villarroel. Agraïments: Yolanda Fuster Martínez, Aïda Cerdanya Segura, Loli Guart Caparrós, Mireia Ros Lara, Rosa Romero García, Sílvia Loque Delgado, Íngrid Icra i Salicrú, Patrícia Moya Martín i Laura Iglesias Trafach. Amb el suport de: Generalitat de Catalunya – ICEC Institut Català de les Empreses Culturals. Distribució i producció: Bitò. Ajudant de direcció: Roc Esquius. Direcció: Sergi Belbel. La Villarroel, Barcelona, 26 març 2025. Veu: Andreu Sotorra. Música: Dreaming (Radio Edit). Interpretació: Good Vibes. Composició: Steve Lorber. Àlbum: Música relaxant, 2025.

Ondanks verskeie uitdagings, het Agra Namibia noemenswaardige finansiële groei in die eerste ses maande van die finansiële jaar gerapporteer. Die maatskappy het 'n toename van 12 persent in omset na 1,53 miljard Namibiese dollar behaal, vergeleke met 1,36 miljard dollar die vorige jaar. Dit is bereik ondanks die uitdagende toestande wat landbou en die breër ekonomie beïnvloed het. Kosmos 94.1 Nuus het gesels met Phillip Maas, Agra se uitvoerende finansbestuurder, wat meer inligting gee.

Agra waarsku perde-eienaars om nie hul diere teen Afrika-perdesiekte voor Junie in te ent nie, aangesien perde slegs na veelvuldige entstofrondes sterk immuniteit ontwikkel. Jong perde van ses maande en ouer het twee rondes per jaar tot vier jaar oud nodig, maar inentings moet slegs tussen Junie en Oktober gedoen word. Vroeër inentings vergroot die risiko vir uitbrekings, aangesien steekvliegies die verswakte virus in 'n dodelike vorm kan versprei. Kosmos 94.1 Nuus het gesels met veearts Theuns Laubscher van die Windhoek Veearts-kliniek, wat 'n waarskuwing rig.

Èxtasi del totxo amb casc de protecció. Crítica teatral de l'obra «Suite nº 4. Do not disturb». Autoria: HOTEL col·lectiu escènic. Dramatúrgia: Jordi Oriol. Intèrprets: Laia Duran, Rober Gómez, Anna Hierro, Èlia López, Lorena Nogal. Coreografia: Col·lectiu intèrprets conjuntament amb l’equip de direcció. Espai escènic: Joan Galí Sanarau. Espai sonor i composició original: Carles Pedragosa Torres. Il·luminació: Andreu Fàbregas Granés. Vestuari: Laura Garcia. Coordinació so: Rai Segura. Veus en off: Pep Molina, Teresa Vallicrosa, Olga Onrubia, Anna Maruny, Rita Molina i Vallicrosa, Carles Pedragosa Torres, Jordi Oriol. Solo de bateria: Aleix Burgués. Construcció d’escenografia: Benoît Duchesne, Oriol Corral. Confecció de vestuari: Amaranta Albornoz. Equips tècnics i de gestió de la companyia. Equip de gestió d’Indi Gest: Marc Permanyer, Manon Almellones. Imatge del cartell i fotografies d’assaig: Ana Calero Heras. Fotografies d’escena: Jofre Moreno. Producció executiva: Helena Font Barbero, Gina Aspa Miralta. Producció: Indi Gest, HOTEL col·lectiu escènic, Teatre Nacional de Catalunya. Amb la col·laboració de Fabra i Coats - Fàbrica de creació, Dansa Metropolitana. Agraïments: Gian Aimi Duran, Nara Aimi Duran, Arnau Rodríguez, Orió Hierro. Equips tècnics i de gestió del TNC. Espectacle dins el Festival Dansa Metropolitana . Ajudanta de direcció: Rita Molina i Vallicrosa. Direcció: Jordi Oriol. Sala Tallers, Teatre Nacional de Catalunya, Barcelona, 13 març 2025. Veu: Andreu Sotorra. Música: Obertura. Interpretació: Cologne Chamber Orchestra i Helmut Müller.Brühl. Composició: Johann Sebastian Bach. Àlbum: Bach Overtures Suites 1-4, 2000.

Un poema simfònic amb auriculars. Crítica teatral de l'obra «Arribaràs i serà de nit». Idea original: Marc Chornet Artells i Projecte Ingenu. Dramatúrgia i llibret: Marc Artigau. Música original: Neus Pàmies Juárez i Gerard Marsal Norte. Producció musical i espai sonor: Gerard Marsal Norte. Intèrprets: Paula Jornet, Neus Pàmies Juárez, Isabel Soriano i Toni Guillemat. Vestuari: Laura Sanz. Espai: Marc Chornet i Laura Sanz. Il·luminació: David Bofarull i Lluís Serra. Cap tècnic: Lluís Serra. Assessoria de moviment: Georgina Avilés i Anna Pérez Moya. Fotografia: David Ruano. Vídeos promocionals: Albert Rué. Comunicació i producció: Xavier Torra. Cap de producció: Júlia Simó. Una creació de Projecte Ingenu. Una producció de Marlia Produccions S.L. amb el suport de l'ICEC del Departament de Cultura de la Generalitat de Catalunya . Agraïments: La Virgueria, Nau Ivanow i Sala Atrium per acollir diferents moments del procés d’assaig de l’espectacle. Ajudant de direcció: Toni Guillemat. Direcció: Marc Chornet Artells. Sala Atrium, Barcelona, 11 març 2025. Veu: Andreu Sotorra. Música: Transhuman. Interpretació: Aleix Bové, Gerard Marsal i Sara Sambola. Composició: Sara Sambola. Àlbum: TRanshuman, 2021.

Die vierde Agra Pro-Vision-graduering vind op 7 Maart in Windhoek plaas. Die gegradueerdes het studeer aan die Agra Landbou Akademie, 'n onafhanklike akademie wat Suid-Afrikaanse kwalifikasies-owerheid-geakkrediteerde opleiding bied. Die Akademie werk nou saam met die landbou-sakesektor om studente bloot te stel aan die nuutste tegnologie en produkte. Kosmos 94.1 Nuus het gesels met Chrislemien Stroh, die hoof van Agra Pro-Vision en bemarking.

Welcome to this month's Pete's Pub Quiz! In this free episode, we've put together 10 fantastic trivia questions to challenge your knowledge and keep you entertained. Can you name the iconic building in Agra that's a UNESCO World Heritage site? Or identify which British TV show celebrated its 60th anniversary in 2023? From the history of Napoleon's defeat at Waterloo to the invention of a popular soft drink in the 1880s, this episode is packed with fun and fascinating facts! Exciting news: Starting this month, Pete is playing Sound Charade with listeners! Join the fun and test your skills in this brand-new interactive game.

Henry St. Claire Fredericks, Jr., aka Taj Mahal is 82 years of age, and like that monument in Agra, he stands as an ageless edifice of blues - rock grace. On his latest recording he croons in that familiar rasp: “I'm too young to be this old,” and there's no denying the truth of that declaration. As the years have passed, it's gratifying to contemplate that, 60 years ago, Taj and Ry Cooder combined forces in the seminal, interracial rock group The Rising Sons, then went their separate ways to establish themselves as the foremost living treasures of Americana and world music.  I would venture to say that, similarly to the white British rockers who influenced a generation when they recycled the blues back to America, Taj and Ry did the same thing, on their home soil, with more humility..I have a distinct memory of being ensconced during an arduous Iowa winter, laboring to get this song down for my set at the student union: one man, one guitar,- trying to catch the funky groove of the thing. The syncopation between Al Kooper's piano, Jesse Ed Davis's guitar and Gary Gilmore's bass, propels this cut forward, moving it along a track of joy - even as the singer is bemoaning his lost love. That's the thing about Taj: his ever-present, infectious humor is fundamental to his magical appeal. And, the fact that he took his name in tribute to Gandhi, a man of peace, speaks mightily to his personal mission to make us all happy.

(00:00) INTRO: Schlesinger-Prozessauftakt - Abendschau, 15.01.2025 | (02:16) RBB: Schlesinger-Prozess begann - Steffen Grimberg, DJV Berlin/JVBB, KNA-Mediendienst | (13:52) TTT: Causa Mischke wird von der ARD aufgearbeitet - Hubert Krech, AGRA | (22:33) HATEAID: Neue Studie: Digitale Gewalt schreckt Menschen ab, politische Verantwortung zu übernehmen - Janina Steinert, TU München | (32:30) PLATTFORM: Europäische Plattform-Idee wichtiger den je - Matthias Pfeffer, Publizist, Lehrbeauftragter und Direktor Council for European Public Space | (43:00 ) BONUS: HateAid-Pressekonferenz zur Studie „Angegriffen & alleingelassen: Wie sich digitale Gewalt auf politisches Engagement auswirkt. Ein Lagebild.“, 15.01.2025, Berlin || Jörg Wagner

1° comediante do mundo a fazer vídeos interativos no youtube. Instagram: @nilagra

Passats uns dies, la presidenta de la comissió de Reis, Vinyet Planas, ha fet un bon balanç de la cavalcada del passat diumenge, i ha agraït la tasca de tots els voluntaris i voluntàries que hi van participar. Planas també creu que el fet que els Reis rebessin a la canalla al mercat vell, enlloc del vestíbul de l'Ajuntament com era tradicional, va contribuir a la fluidesa i l'accessibilitat en la gestió de la gran quantitat de gent que s'aplega al final de la cavalcada. Preguntada per la possibilitat que continui en el càrrec, Vinyet Planas respon que, de moment, es manté en un dubte interior, que podria decantar-se pel si, si hi ha més pressupost per la cavalcada de l'any vinent. L'entrada La comissió de Reis es mostra satisfeta pel resultat de la cavalcada i agraïda per tota la col·laboració rebuda ha aparegut primer a Radio Maricel.

Within days of his beloved wife's death, Shah Jahan starts designing his grandest architectural project yet to express his love for her. Her mausoleum is to be a domed, symmetrical, bright white building surrounded by aromatic gardens. But the infamous Taj Mahal is not the only beautiful structure the Mughal Emperor commissions. One of the most extravagant examples of his work is the Peacock Throne, a dazzling display of precious gems, including the Koh-i-Noor diamond and the Timur Ruby. And Shah Jahan's architectural vision soon extends beyond Agra. He later leaves the capital, perhaps to escape the grief associated with his wife's death, and embarks on building the city of Shahjahanabad, otherwise known as Old Delhi.  Listen as William and Anita discuss Shah Jahan's magnificent architecture… Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producers: Anouska Lewis & Becki Hills Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

【欢迎订阅】每天早上5:30，准时更新。【阅读原文】标题:Why you're not on holiday in India right nowA fabulous destination for foreign tourists does little to lure them正文：Seeing the Taj Mahal was on Bram van der Meij's bucket list. His wife, however, could not stomach the idea of the long journey. So the 75-year-old Dutch-American made the trip on his own. He took in the “golden triangle” of Delhi (which boasts fine food and architecture), Agra (the Taj Mahal) and Rajasthan (palaces, forts, arts and crafts), before spending a few days among the coconut-fringed backwaters of Kerala. With drivers and guides to ease his way throughout the three-week trip, it should have been the holiday of a lifetime.知识点：bucket list n. /ˈbʌk.ɪt ˌlɪst/a list of the things that a person would like to do or achieve before they die 平⽣梦想单（⼀个⼈在死之前想要做的所有事情的清单）• I have so many things on my bucket list yet to do.在我的平⽣梦想单上还有许多事情都没做过。获取外刊的完整原文以及精讲笔记，请关注微信公众号「早安英文」，回复“外刊”即可。更多有意思的英语干货等着你！【节目介绍】《早安英文-每日外刊精读》，带你精读最新外刊，了解国际最热事件：分析语法结构，拆解长难句，最接地气的翻译，还有重点词汇讲解。所有选题均来自于《经济学人》《纽约时报》《华尔街日报》《华盛顿邮报》《大西洋月刊》《科学杂志》《国家地理》等国际一线外刊。【适合谁听】1、关注时事热点新闻，想要学习最新最潮流英文表达的英文学习者2、任何想通过地道英文提高听、说、读、写能力的英文学习者3、想快速掌握表达，有出国学习和旅游计划的英语爱好者4、参加各类英语考试的应试者（如大学英语四六级、托福雅思、考研等）【你将获得】1、超过1000篇外刊精读课程，拓展丰富语言表达和文化背景2、逐词、逐句精确讲解，系统掌握英语词汇、听力、阅读和语法3、每期内附学习笔记，包含全文注释、长难句解析、疑难语法点等，帮助扫除阅读障碍。

Hello, Hello, Hello Dhruv and Amartya's first foray into this type of episode – that we have consciously avoided up until now – comes courtesy of our new QID member and admin of our Twitter page (https://x.com/qidpodcast) – Cris (https://x.com/limjaeseven). Rather than simply bash films released this year that we unanimously hated, however, we've tried to talk constructively about a variety of films that have proved divisive amongst critics and audiences. There are some high-profile projects directed by well-reputed auteurs and critically well-received at major film festivals that left all of us scratching our heads (Emilia Perez, Disclaimer, and Blitz). But other films – like Jigra, Agra, and, to a lesser extent, Malaikottai Valliban – divided opinion even amongst the three of us. Listen to the full episode to hear a spoiler-filled discussion and/or rant on these 5 films and 1 limited TV series as we – for once – try to make a case against valuing the auteur theory. TIMECODES Introduction - [00:00 – 11:20] “Emilia Pérez” - [11:20 – 37:33] “Blitz” - [37:33 – 54:05] “Disclaimer” - [54:05 – 01:22:19] “Malaikottai Valliban” - [01:22:19 – 01:49:45] “Agra” - [01:49:45 – 02:23:18] “Jigra” - [02:23:18 – 02:41:26] Outro - [02:41:26 – 02:48:29] Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow our Instagram page: ⁠https://instagram.com/queenisdead.filmpodcast⁠. Follow us on Instagram at: Amartya: ⁠https://www.instagram.com/amartya25/⁠ Dhruv: ⁠https://www.instagram.com/terminalcinema/⁠ Cris: ⁠https://www.instagram.com/prdscris/⁠ Follow us on Letterboxd at: Amartya: ⁠https://letterboxd.com/amartya/⁠ Dhruv: ⁠https://letterboxd.com/aterminalcinema/⁠ Cris: ⁠https://letterboxd.com/crislim/⁠ Audio Excerpts are taken from the promotional material for Emilia Perez, Blitz, Disclaimer, Malakottai Valliban, Agra, Jigra & Eyes Wide Shut.

Delhi, India Part 1  In this episode, the FAQ is: My listeners ask: How do I check for the weather where I'm going?    Today's Destination is: Delhi, India   Today's Misstep- Stuck in India and missed the bus   Travel Advice: Ask a group of people for directions   FAQ: You asked me how to get the most reliable weather forecast:   Here's how> Use apps like AccuWeather, weather.com, and windy or local services, with hourly and long-range forecasts, radar maps, and severe weather alerts. For more local alerts, sign up for location-based apps on Google Weather or MyRadar.  Look for seasonal patterns that are already known. Goa, India has monsoons from June to September. Wind and rain forecasts like windy.com will tell you the wind and wave conditions, especially to help with beach plans. Check for Cyclone Warnings in places like coastal India.   Answer: Reliable Weather Apps and Websites: For accurate forecasts, use apps like AccuWeather, Weather.com, Windy, or local Indian weather services (like IMD). Many offer hourly and long-range forecasts, radar maps, and severe weather alerts. Localized Alerts: Sign up for location-based alerts on apps like Google Weather or MyRadar, which provide real-time weather updates for your location. This can be especially helpful for any sudden coastal storms or cyclones. Seasonal Patterns: Since you're going to Goa or nearby coastal regions, familiarize yourself with local weather patterns. For example, Goa experiences the monsoon season from June to September, with dry and sunny weather from October to March. Wind and Rain Forecasts: Coastal areas are affected by both rain and wind speed. Windy.com offers detailed wind and wave conditions, which can help with beach plans. Check for Cyclone Warnings: Especially in coastal India, monitor IMD's cyclone warnings as they provide updates on tropical storms that may affect Goa. Lastly, social media can help by using WhatsApp groups to get firsthand information from locals. Today's destination: Delhi, India Part 1 My visit to Delhi, or New Delhi, India  Which is it? New Delhi when referring to the specific district that serves as India's capital. New Delhi is a planned city developed during British rule and officially designated as the capital in 1931. Delhi refers to the larger metropolitan area, encompassing both New Delhi and other historical and residential parts like Old Delhi, which includes the Red Fort and Jama Masjid. Delhi is the correct term when speaking broadly about the city and its culture, so we will use that one here. After two weeks in India, visiting four southern cities, I flew north to Dehli from Goa, barely missing the seasonal monsoons. My flight had a Female co-pilot who Said hello to me with a big smile, which made me happy to see a woman pilot there.   The flight attendants checked my boarding tickets. Again, getting off the plane! That was a first. Who checks them getting off the plane? Should I take a Bus, train, or taxi to Agra? Even after arriving, I could not decide. I was overwhelmed with the decisions, but I knew I had to get there.  A taxi costs at least $6000 rupees each way, maybe more. Although this sounded like a lot, it was only $72 USD. Bus or train may be best. However, the temperature is

Step into a world of sumptuous fabrics, exotic fumes, and heart-pounding secrets. In this chapter of The Sign of the Four, Holmes and Watson escort the determined Miss Morstan deep into a shabby London corridor, only to find themselves ushered into a dazzling sanctuary of Eastern luxury—tapestries, golden wire, and tiger-skins whispering of wealth and mystery. At the heart of this unexpected oasis stands a quivering, flame-haired figure with a gleaming bald head: Mr. Thaddeus Sholto, a man both curiously nervous and strangely proud, who dangles half-truths and precious clues before them like rare jewels.As the tension crackles in the richly perfumed air, Sholto reveals shocking details about Miss Morstan's father, the disappearance that rattled London's gossip pages, and the fabled “Agra treasure” worth fortunes beyond imagining. Emotions run high—anger, grief, excitement—while the looming shadow of Sholto's formidable brother and eerie visitors with wooden legs raise the stakes ever higher. Every sentence Sholto utters peels back another layer of this intricate puzzle, and Holmes's keen mind hums quietly in the background, absorbing each revelation with razor-sharp focus.This is a chapter drenched in atmosphere and brimming with intrigue, where one man's “little sanctum” holds the key to dark family secrets and unimaginable wealth. Join us in the podcast episode as we unravel Sholto's extraordinary confession and follow Holmes, Watson, and Miss Morstan on their path toward both danger and destiny. Your ears will not believe the twists awaiting in the heart of South London's strangest hideaway.

Fluent Fiction - Hindi: A Poetic Escape: Arun's Journey at the Taj Mahal Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hi/episode/2024-12-10-23-34-02-hi Story Transcript:Hi: ताजमहल की ठंडी सुबह थी।En: It was a chilly morning at the Taj Mahal.Hi: धूप ने ताज की सफेद संगमरमर की चादर पर हल्की सी गर्माहट दी थी।En: The sunlight gave a slight warmth to the white marble sheet of the Taj.Hi: आगरा की ठिठुरन में स्कूल की बस ने छात्रों को मैदान में उतारा।En: The school bus dropped off the students in the grounds amidst the cold of Agra.Hi: चारों तरफ पर्यटकों की भीड़ थी।En: There was a crowd of tourists all around.Hi: ताज की अद्भुत छटा के बीच स्कूल के बच्चे, जिनमें अरुण, प्रिया और उनके शिक्षक श्री रवि भी थे, आकर खड़े हुए।En: Among the remarkable splendor of the Taj, the school children, including Arun, Priya, and their teacher Mr. Ravi, stood.Hi: अरुण एक जिज्ञासु और कल्पनाशील छात्र था।En: Arun was a curious and imaginative student.Hi: उसके पास एक छोटा सा नोटबुक था, जो उसकी भावनाओं का साथी था।En: He had a small notebook, which was a companion to his emotions.Hi: वह उसमें जीवन और प्रेम पर कविताएं लिखता था।En: He wrote poems on life and love in it.Hi: इस ट्रिप का उसका एक ही लक्ष्य था - ताजमहल के किसी कोने में जाकर अकेले में एक कविता लिखना।En: His only goal for this trip was to find a corner of the Taj Mahal to write a poem alone.Hi: श्री रवि ने हिदायत दी, "बच्चों, साथ रहना।En: Mr. Ravi instructed, "Children, stay together.Hi: कोई इधर-उधर नहीं जाएगा।En: No one should wander off."Hi: " प्रिया, अरुण की सबसे करीबी दोस्त, हमेशा उसकी बातों में उलझी रहती थी।En: Priya, the closest friend of Arun, was always entangled in his conversations.Hi: लेकिन अरुण का मन ताज की सुंदरता में खोया हुआ था।En: But Arun's mind was lost in the beauty of the Taj.Hi: उसे अपनी कविता के लिए प्रेरणा चाहिए थी।En: He needed inspiration for his poem.Hi: वह सोचने लगा कि कैसे वह अकेला रह सकता है।En: He started pondering how he could be alone.Hi: ताजमहल के बगीचों में एक गाइडेड सेक्शन था, जहां छात्रों को ले जाया गया।En: There was a guided section in the Taj Mahal gardens where the students were taken.Hi: तभी अरुण ने एक मौका देखा।En: That's when Arun saw an opportunity.Hi: "थोड़ी देर में वापस आऊँगा," ये सोचकर वह भीड़ में से धीरे से निकल गया।En: Thinking, "I'll be back in a little while," he quietly slipped away from the crowd.Hi: उसे अपना आसरा मिल गया।En: He found his haven.Hi: एक शांत कोने में जाकर, उसने अपनी नोटबुक निकाली और लिखने लगा।En: Reaching a quiet corner, he took out his notebook and began to write.Hi: वहां बैठकर, अरुण समय भूल गया।En: Sitting there, Arun forgot the time.Hi: बगीचों का सौंदर्य, यमुना का धीमा स्वर, सबमें बस वह खो गया।En: The beauty of the gardens, the gentle sound of the Yamuna river, he was lost in it all.Hi: लेकिन उसका गायब होना जल्द ही भांप लिया गया।En: But soon, his absence was noticed.Hi: श्री रवि चिंतित हो गए।En: Mr. Ravi became worried.Hi: बच्चे उसे खोजने में लग गए।En: The children set out to find him.Hi: प्रिया, जो अरुण की स्वाभाव को समझती थी, तुरंत खोजने निकल पड़ी।En: Priya, understanding Arun's nature, immediately went to search for him.Hi: आखिरकार, उसने अरुण को गुप्त बगीचे में पाया।En: Eventually, she found Arun in the secret garden.Hi: उसने मुस्कुराकर कहा, "तुझे ढूंढ तो लिया, पर डराया बहुत है।En: Smiling, she said, "I found you, but you gave a good scare."Hi: " प्रिया ने उसकी नोटबुक को देखा और उसकी कविता पढ़ी।En: She looked at his notebook and read his poem.Hi: "शानदार है," उसने कहा।En: "Wonderful," she said.Hi: बिना होहल्ला किए, प्रिया ने उसे समूह के पास वापस ले गई।En: Without any fuss, Priya brought him back to the group.Hi: श्री रवि ने अरुण को एक हल्का सराहना दिया, "अरुण, नियमों का पालन करना जरूरी है।En: Mr. Ravi gave Arun a gentle appreciation, "Arun, it's important to follow rules.Hi: पर तुम्हारी लेखनी उम्दा है।En: But your writing is excellent."Hi: " अरुण को अपनी गलती का अहसास हुआ, लेकिन साथ ही उसे लिखने की अपनी चाह को छुपाने की जरूरत नहीं है, यह भी समझ आया।En: Arun realized his mistake, but also understood that he need not hide his desire to write.Hi: उस दिन के बाद, अरुण ने प्रिया को अपनी कविताएं दिखाना शुरू किया।En: After that day, Arun began showing his poems to Priya.Hi: उसे दोस्ती का मूल्य समझ आया और प्रिया उसका समर्थन करने लगी।En: He understood the value of friendship, and Priya began to support him.Hi: ताजमहल का वो दिन अरुण के लिए अविस्मरणीय बन गया।En: That day at the Taj Mahal became unforgettable for Arun.Hi: एक कवि के रूप में आत्मविश्वास के साथ, उसने अपने शब्दों के माध्यम से दुनिया को दिखाना शुरू किया।En: With confidence as a poet, he began to show the world through his words. Vocabulary Words:chilly: ठंडीremarkable: अद्भुतsplendor: छटाcurious: जिज्ञासुimaginative: कल्पनाशीलemotions: भावनाओंwander: इधर-उधरentangled: उलझीpondering: सोचनेguided: गाइडेडhaven: आसराgentle: धीमाsecret: गुप्तfuss: होहल्लाappreciation: सराहनाhide: छुपानेunforgettable: अविस्मरणीयconfidence: आत्मविश्वासnotebook: नोटबुकinspiration: प्रेरणाopportunity: मौकाabsent: गायबworried: चिंतितwonderful: शानदारrules: नियमोंexcellent: उम्दाmistake: गलतीvalue: मूल्यsupport: समर्थनpoet: कवि

Die voorsitter van Agra se direksie, Ryno van der Merwe, het op die algemene jaarvergadering gesê die afgelope jaar was die derde beste finansiële prestasie in Agra se geskiedenis. Agra se totale omset het met 8,3 persent gestyg, en bruto wins met 7,2 persent. Kosmos 94.1 Nuus het met die landboukenner Wallie Roux gepraat wat sy mening gee waarom Agra so goed gevaar het ten spyte van die droogte.

Snoop & Sniffy travel to Agra, India to visit the Taj Mahal for fun, but while there, are pulled into a high-stakes mystery involving a langur monkey, a quizzical elephant, and a mythical legend.

O convidado do programa Pânico dessa quinta-feira (14) é Nil Agra. Nil Agra é um humorista nascido em Brasília. Ele começou sua carreira em Pernambuco se apresentando nas principais casas de shows da região. Hoje, morando em São Paulo, já rodou o Brasil com cinco shows solo. Nil Agra também já esteve em turnê no Japão, levando seu carisma para as comunidades brasileiras que lá residem. Nil também se apresenta em inglês para eventos e shows corporativos com perfeito domínio da língua. Acumulou uma grande experiência em eventos corporativos para empresas de renome de vários seguimentos, como Johnny Walker, Banco Do Brasil, Caixa Econômica Federal, Marinha do Brasil, Claro, Clube Social, Alcatel, P&G, Gerdal, BBC Londres, Wizard e Yázigi. Em seu quinto especial de comédia intitulado "Sem controle", Nil fala sobre as incongruências da vida moderna e flutua com leveza por temas considerados polêmicos na vida adulta moderna como: identidade de gênero, liberdade sexual, controle de armas e religião levando o público a rir de temas que até então são tabus na sociedade brasileira provando de fato que o limite do humor é a graça. Como comentarista, o programa traz Luiz Philippe de Orleans e Bragança. Deputado federal por São Paulo, cientista político e ativista conhecido por sua atuação em defesa de reformas estruturantes e por seu compromisso com a modernização e estabilidade do Brasil. Em seu segundo mandato, ele se destaca como o primeiro membro da família imperial a ocupar um cargo de relevância na política brasileira, dando continuidade a uma tradição de protagonismo no cenário nacional.

Click Here for the Gold Standard in Artists Brushes https://www.rosemaryandco.com/ Check out the full video version! https://www.tisch.academy/ In this episode of The Creative Endeavour, I sit down with the incredibly talented oil painter, Jimena Agra. Originally from Spain and now living in California, Jimena shares her unique artistic journey and the deep inspirations she draws from the masters before her. Jimena's first time on the Podcast, we delve into the significance behind the artwork and what it means to both the artist and collector. Tune in to hear Jimena's insights on creativity, her artistic process, and the profound influence of classic masters on her work. You won't want to miss this inspiring conversation! https://www.jimenaagra.com/ https://www.instagram.com/himepaints/?hl=en https://www.youtube.com/@jimena_agra

Die Journalistin Mirjam Kottmann wurde Freitagabend mit dem Medienpreis PRIX EUROPA European Journalist of the Year 2024 ausgezeichnet. | Redaktionsausschüsse berieten zum Reformstaatsvertrag: Die Arbeitsgemeinschaft der öffentlich-rechtlichen Redakteursausschüsse (AGRA) von ARD und ZDF positionierte sich auf einer Tagung zum Entwurf des Reformstaatstaatsvertrages zur Reduktion von linearen Angeboten im ÖRR. "Die öffentlich-rechtlichen Sender werden von der Zukunft abgeschnitten. Die geplante Reglementierung von Online-Texten ist wirklichkeitsfremd und de facto ein Kniefall der Politik vor den Zeitungsverlegern." | Osten überwiegend mit negativen Begriffen in Medien charakterisiert: Begleitend zur 90-Minuten-Doku "ES IST KOMPLIZIERT... DER OSTEN IN DEN MEDIEN" veröffentlichte der mdr die Studie "Der Osten in den Medien", eine "Datenerhebung zur Presseberichterstattung über Ostdeutschland von der Wiedervereinigung bis heute".

This is the Catch Up on 3 Things by The Indian Express and I'm Flora Swain.Today is the 11th of October and here are the top stories of the week.The results of Haryana and Jammu and Kashmir Assembly polls were declared by the ECI on Tuesday. The ruling BJP secured a historic third term in Haryana, winning 48 Assembly seats. The Congress, meanwhile, won 37 seats, Independents stood at 3 and the INLD won 2 seats. In the JK UT, The NC-Congress alliance crossed the 46-seat majority mark, securing 49 seats . The NC won the highest number of seats at 42, the Congress took six, and the Communist Party of India (Marxist), which was also part of the alliance, secured one. Meanwhile, the BJP won 29 seats and the PDP bagged three. Seven Independents were declared victorious. The AAP and Jammu & Kashmir People Conference secured one seat each.The final rites of Ratan Tata, the legendary industrialist and Chairman Emeritus of Tata Sons, were performed with full state honors on Thursday evening. Tata, 86, breathed his last on Wednesday night at Mumbai's Breach Candy Hospital. Among those who paid respects to the business tycoon are Union Home Minister Amit Shah, Union Minister Piyush Goyal, Maharashtra CM Eknath Shinde, Deputy CM Devendra Fadnavis, Gujarat CM Bhupendra Patel, and industrialist Mukesh Ambani. Maharashtra Chief Minister Eknath Shinde has proposed that a Bharat Ratna be awarded to Tata, posthumously.Setting the stage for a new tussle between the Aam Aadmi Party and the L-G office, the CMO on Wednesday claimed that Chief Minister Atishi was “forcibly vacated” from the residence at Civil Lines, which was previously occupied by Arvind Kejriwal. “Delhi CMs residence was forcibly vacated at the behest of the BJP as Lt Governor V K Saxena wants to allot it to a saffron party leader,” the CMO said. This comes two day after Atishi was asked to vacate the bungalow by officials from the Public Works Department (PWD)- a department under her own charge. The Aam Aadmi Party claims that Atishi followed all formalities before moving in, but the PWD says that an official “handover” of the property from Kejriwal to the department is yet to take place. The house has now been sealed.Maldives President Muhammad Muizzu reached New Delhi Sunday on his first bilateral State visit and was received at the airport by Minister of State (External Affairs) Kirti Vardhan Singh. During his five-day visit — from October 6 to 10 — he travelled to Agra, Mumbai and Bengaluru. Both Modi and Muizzu launched Rupay card in the Maldives, inaugurated the new runway at the Hanimadhoo International airport and agreed to further strengthen bilateral relations that had hit a rocky patch last year.US President Joe Biden and Israeli Prime Minister Benjamin Netanyahu had a call on Wednesday amid tensions with Iran. The 30-minute call was the first known chat for Biden and Netanyahu since August and coincides with a sharp escalation of Israel's conflict with Iran and the Iran-backed Lebanese Hezbollah, but with no sign of an imminent ceasefire to end the conflict with Iran-backed Hamas in Gaza. The call was "direct and very productive," White House press secretary Karine Jean-Pierre told reporters, while acknowledging the two leaders have disagreements and are open about them.This was the Catch Up on 3 Things by The Indian Express.

This week's monument is the Taj Mahal, a huge, opulent mausoleum in the Indian city of Agra, built by Mughal Emperor Shah Jahan I as a resting place for his wife, Mumtaz Mahal. Tickets for Half-Arsed History Live are available here: https://premier.ticketek.com.au/shows/show.aspx?sh=HALFHIST24 Hosted on Acast. See acast.com/privacy for more information.

To most Westerners, the Mughal Empire is a forgotten stepchild of world history. Even though it produced the Taj Mahal and controlled nearly all modern-day India, the Mughal Dynasty's accomplishments are crowded out by those of the Romans, Chinese, and British. Nevertheless, it was a great Asian power from the 16th-19th centuries, comparable to the Ming Dynasty in wealth, population, and military strength, dwarfing its European contemporaries. And one of the greatest figures in that empire was Princess Gulbadan (1523-1603), a daughter of the first Mughal Emperor who wrote the empire's first history.  Gulbadan was a dynamic and influential figure and a trusted advisor to the Empire. She was part of the peripatetic royal household. The Mughals had moved often across long distances, living for extended periods in the open country in royal tents pitched in gardens, and in citadels. But when Gulbadan was in her 50s, her nephew Akbar the Great established a walled harem in his capital Fatehpur-Sikri near Agra — an effort to showcase his regal authority as Emperor. From behind these walls, Gulbadan longed for the exuberant itinerant lifestyle she'd long known.  With Akbar's blessing, Gulbadan led a remarkable and unprecedented four-year pilgrimage of Mughal women to the distant Muslim Holy Cities of Mecca and Medina and beyond. Amid increasing political tensions, the women were expelled for their “un-Islamic” behavior, a thinly veiled effort to curb Mughal influence in the Holy cities, controlled at the time by the Ottoman Sultans of Turkey. Their travels home included a dramatic shipwreck in the Gulf of Aden.  After her return to India, Akbar asked Gulbadan to record her memories of the Mughal Dynasty to serve as a source for the first official history of the Empire. What she wrote was unparalleled in both form and content. She captured the gritty and fabulous daily lives of ambitious men, subversive women, brilliant eunuchs, devoted nurses, gentle and perceptive guards, captive women, and children who died in war zones.    To explore Gulbadan's life is today's guest, Ruby Lal, author of “Vagabond Princess: The Great Adventures of Gulbadan.”