Podcasts about equips

In this episode of The Everything ECE Podcast, Carla Ward sits down with award-winning speaker and trainer Chris Danilo to explore the skills that technology can't replace.As artificial intelligence continues to reshape the workplace, many educators are asking the same question: What makes humans irreplaceable?Together, Carla and Chris dive into the human skills that will matter most in the years ahead, why emotional intelligence may become one of the most valuable professional assets we have, and what leaders and educators need to be focusing on right now.This conversation might challenge some assumptions, spark a few questions, and leave you thinking differently about the future of our profession.Because in an AI-powered world, being more human may be the advantage we need most.CHRIS DANILOChris is an award-winning speaker and trainer for the early childhood workforce. He trains ECE leaders and educators on Human Skills like compassionate detachment, self-management, and emotional intelligence that make a real difference in how teams work together.He uses high-energy, roll-up-your-sleeves, experiential workshops to make professional development turn into action.He's worked with organizations in Child Care Aware and Child Care Resource & Referral (CCR&R) groups around the US.LINKSWebsite: chrisdanilo.com/newsletter InstagramLinkedInYouTubeSeed TrainingBooksEmotionally Charged: How to Lead in the New World of Work — Dina Denham Smith & Alicia A. Grandey Oxford University Press · Penn State announcement · Author site Co-written by Penn State psychology professor Alicia Grandey (one of the world's leading researchers on emotional labor) and executive coach Dina Denham Smith. Equips leaders with evidence-based tools for emotional skills at work: emotional labor, authenticity, stress and recovery, emotion regulation, self-compassion. Includes the authors' BRAVE technique (Breathe, Recognize, Accept, Verbalize, Engage) and frameworks like compassionate detachment drawn from caring professions. Especially relevant for ECE directors and center owners managing emotional load on their teams.Emotional Intelligence: Why It Can Matter More Than IQ — Daniel Goleman Amazon ·The 1995 book that introduced the concept of emotional intelligence to a mass audience. Goleman argues that EQ matters as much as IQ for success in relationships, work, and well-being, and outlines five core skills — self-awareness, self-regulation, motivation, empathy, and social skills — that can be taught and cultivated.Researchers & AuthorsDr. Alicia Grandey — Penn State Penn State faculty page · Workplace Emotional Labor and Diversity Lab Professor of Psychology at Penn State and one of the original architects of the modern research literature on emotional labor — the work of regulating your emotions on the job. 25+ years of peer-reviewed research, with multiple papers in the top 1% for citation impact. Co-author of Emotionally Charged. Essential reading for anyone trying to understand why caregiving work — including ECE — is so emotionally taxing.Dina Denham Smith — executive coach and leadership consultant DinaDSmith.com · Book site Founder and CEO with 20+ years coaching senior leaders at companies like Adobe, Netflix, and Stanford. Co-author of Emotionally Charged with Alicia Grandey, bridging the academic research on emotional labor into practical leadership tools.SUBSCRIBE & REVIEWIf you loved this episode, please take a moment to subscribe and leave a review. Your support helps us reach more ECEs who are in the thick of it!. Thanks for tuning in to The Everything ECE.  See you next week! shape their early years.CONNECT WITH CARLAThe ECE Latte LoungeEmail Newsletter: ⁠⁠Click Here⁠ Website: carlatheece.comInstagram: @carlatheece

Lloret de Mar es convertirà aquest cap de setmana en una de les principals seus de la 4a edició de la ’90 Cup’, un torneig de futbol base que reunirà 130 equips procedents de diferents clubs i territoris. La competició es disputarà de manera simultània en diversos municipis de la Costa Brava i assolirà enguany la seva xifra més alta de participació. Segons ha explicat un dels responsables de l'organització, Fran Chamizo, “cada any venen més equips per gaudir d'un cap de setmana ple de futbol, esperem que sigui una gran edició” . La competició manté una línia de creixement constant des de la seva creació. De fet, aquesta edició registra el nombre més elevat d'equips participants des que es va posar en marxa el projecte. A més de Lloret, els partits també es jugaran a Blanes, Santa Susanna, Palafolls, Vidreres, Sant Antoni de Calonge, Santa Cristina d'Aro i Sant Feliu de Guíxols. El torneig comptarà amb set categories diferents, des d'Infantil S13 fins a Juvenil masculí, així com les categories Juvenil i Cadet femení. L'organització destaca que l'objectiu és oferir una experiència esportiva i de convivència als joves futbolistes, combinant la competició amb l'estada a la Costa Brava durant tot el cap de setmana. Pel que fa a Lloret de Mar, els enfrontaments es repartiran entre els tres principals equipaments esportius de futbol del municipi: el Camp Municipal, el camp del Molí i les instal·lacions de les Pistes d'Atletisme. La competició arrencarà dissabte al matí amb la fase de grups i culminarà diumenge a la tarda amb la disputa de les finals de les diferents categories.

A la segona part del programa ens acompanya Edu Albacar, vicepresident i director esportiu del Futbol Formatiu Terres de l'Ebre i Juan José Gilabert, president del Futbol Formatiu Terres de l'Ebre per fer balanç de la temporada.

Crítica teatral de l'obra «Chroniques». Creació de Gabriela Carrizo i la companyia Peeping Tom. Intèrprets: Simon Bus, Seungwoo Park, Charlie Skuy, Boston Gallacher i Balder Hansen. Ajudanta artística: Helena Casas. Escenografia: Amber Vandenhoeck. Espai sonor: Raphaëlle Latini. Il·luminació: Bram Geldhof. Vestuari: Jana Roos, Yi-Chun Liu, Boston Gallacher. Pintura de teló de fons: Seungwoo Park. Ajudanta d'escenografia: Edith Vandenhoeck: Assessorament artístic: Eurudike de Beul, Horacio Camerlingo Amb la col·laboració especial de Lolo i Sosaku. Alumnes en pràctiques: Laura Capdevila Millet, Ivo Hendriksen. Codirecció: Raphaëlle Latini. Equips tècnics i de gestió de la companyia: Coordinació tècnica: Gilles Roosen. Regidor: Filip Timmerman. Tècnics d'escenari: Clément Michaux, Thomas Deptula. Tècnics de llum: Bram Geldho, Kato Stevens. Tècnics de so: Jo Heijens, Wout Clarysse. Cap de producció: Rhuwe Verrept. Direcció executiva: Veerle Mans. Direcció de gires: Alina Benach Barceló. Producció executiva: Helena Casas, Rhuwe Verrept. Comunicació: Ingmar Doumen. Distribució: Frans Brood Productions. Producció i coproducció: Peeping Tom, Teatre Nacional de Catalunya, ExtraPôle Provence-Alpes-Côte d'Azur, Festival d'Avignon, Festival de Marseille, Théâtre National de Marseille - CDN Nice Côte d'Azur, La Criée - CDN, Les Théâtres Aix-Marseille, Anthéa - Antipolis Théâtre d'Antibes, Châteauvallon-Liberté - SN, La Friche la Belle de Mai - Théâtre Les Salins SN Martigues, KVS - Koninklijke Vlaamse Schouwburg Brussels, Tanz Köln Cologne i Festival Aperto /Fondazione I Teatri in Reggio Emilia, Triennale Milano, Torinodanza Festival / Teatro Stabile di Torino - Teatro Nazionale Torino, Le Vilar Louvain-la-Neuve, Centro Danza Matadero Madrid, Théâtre National de Nice - CDN Nice Côte d'Azur, FOG Triennale Milano Performing Arts Festival, La Villette Paris, Schrittmacher Festival Heerlen, Les Théâtres de la Ville de Luxembourg, Emilia Romagna Teatro ERT / Teatro Nazionale. Amb el suport d'EXTRAPOLE, Tax Shelter del Govern Federal de Bèlgica, Ministère de la Culture DRAC PACA, Région SUD PACA, Département des Alpes Maritimes. Agraïments: Franck Chartier, Uma Chartier i Cyrille de Canson. Equips tècnics i de gestió del TNC. Companyia Peeping Tom. Direcció: Gabriela Carrizo. Sala Gran, Teatre Nacional de Catalunya, Barcelona, 4 a 14 juny 2026. Veu: Andreu Sotorra. Música: Look Through You. Interpretació: Jacke Lazovick, Sharleen Chidiac, Isaac Eigar i Max Freedberg. Composició i lletres: Jake Lazovick. Enginyeria de mescla i masterització: Martin Bisi i Ruairi O'Flaherty. Àlbum: Someting Becomes You, 2024.

Crítica teatral de l'obra «Inventari de fugues». Idea i creació: Amaya Galeote, Shaday Larios, Judith Pujol i María Velasco. Dramatúrgia: Judith Pujol i María Velasco. Intèrprets: Xavi Álvarez, Ricard Boyle, Dasha Lavrennikov Laia Marull, Lara Salvador Peydro, La Coral Sant Jordi. Objectes: Shaday Larios. Escenografia: Víctor Peralta. Música: Laia Vallès. Coreografia: Amaya Galeote. Il·luminació: Jou Serra. Audiovisuals: Carme Gomila. Vestuari: Giulia Grumi. Caracterització: Imma Capell. So: Efrén Bellostes. Saxo enregistrat: Carlos Medina. Ajudanta d'escenografia: Eli Siles. Ajudanta de vestuari: Maria Albadalejo. Ajudant d'audiovisuals: Marc Homar. Ajudanta d'il·luminació: Marieta Rojo. Construcció de l'escenografia: Carles Piera. Confecció de vestuari: Ushnye Kardas, Inma Porta, Vicky Sartori. Fotografia: David Ruano. Fotografia cartell: Geraldine Leloutre. Amb l'acompanyament de Convent de les Arts d'Alcover. Producció: Teatre Nacional de Catalunya. Agraïments: Agustina Ruiz Barrea (projecte Santa Mesa); Jorge Moreno Andrés i Julián López, Colectivo Mapas de Memoria (exposicions El cuerpo Errante. Exilio 1939- 1975 i Las Pequeñas Cosas); Patxeque; Gina López Realpe, Evgenei Lavrennikov i a totes les investigacions i persones que apareixen en aquest mapa de fugues. Equips tècnics i de gestió del TNC. Ajudant de direcció: Mauricio Sierra. Direcció: Judith Pujol. Sala Tallers, Teatre Nacional de Catalunya, Barcelona, 28 maig 2026. Veu: Andreu Sotorra. Música: Deliris. Interpretació: Joana Gomila i Laia Vallès. Composició: Joana Gomila i Laia Vallès. Àlbum: Paradís, 2020.

Antididàctica antiantígona. Crítica teatral de l'obra «Contra Antígona». Idea d'Andrea Jiménez. Dramatúrgia d'Andrea Jiménez Victoria Szpunberg. Intèrprets: Jan D. Casablancas, Clara de Ramon, Arantza López Medina, Bruna Luz / Nora Pàmies, Mònica Molins, Olga Onrubia, Xavi Sáez, Marc Soler i Júlia Truyol. Escenografia: Judit Colomer. Vestuari: Sílvia Delagneau. Caracterització: Toni Santos. Il·luminació: Andreu Fàbregas. Música original i so: Lucas Ariel Vallejo. Moviment: Natalia Fernandes. Ajudanta d'escenografia: Idoia Costa. Ajudant de vestuari: Manuel Mateos. Assessora de gestió de grups: Eva Sánchez Díaz. Alumna en pràctiques de direcció: Laura Bono (ITB). Construcció escenografia: Taller d'escenografia Castells i Joan Soler. Vestit d'Antígona: Goretti Puente. Equips del Teatre Lliure. Agraïments: A les més de sis-centes persones que han ajudat a parlar amb el cor. Producció del Teatre Lliure, amb la participació de Condeduque Madrid. Ajudantes de direcció: Rita Molina Vallicrosa / Mònica Molins. Direcció: Andrea Jiménez. Sala Fabià Puigserver, Teatre Lliure Montjuïc, Barcelona, 21 maig 2026. Veu: Andreu Sotorra. Musica: History Repeating. Interpretació: Propellerheads i Shirley Bassey. Composició i lletra: Alex Grifford. Àlbum: Greatest Hits Shirley Bassey, 1997.

Diversos equips i jugadors paretans estaran a finals de 4 i 8 de bàsquet aquest cap de setmana podcast recorded with enacast.com

Fr James Arblaster says God consistently chooses unlikely and flawed individuals for His purposes, then gives them the gifts and strength they need. Pentecost extends beyond the apostles to all believers, each given different gifts for the same shared mission, for the renewal and healing of the world

Gideon couldn't believe the call was for him. His tribe was the weakest. He was the least in his family. And God didn't argue with any of that. He didn't say you're wrong, you're actually quite capable. He simply said I will be with you. The issue was never Gideon's résumé. It was God's presence. That is the consistent logic of calling throughout Scripture. He doesn't call the equipped. He equips the called. And the equipment He provides is Himself. Most of us quietly assume the call is for somebody else, our neighbor, our Sunday school teacher, the more qualified person in the room. But the need you keep noticing might be coming to your attention for a reason. The call is not asking you to be ready. It's asking you to be willing.Pursuing God with Gene Appel is designed to help you pursue God, build community, and unleash compassion. Grounded in Scripture and shaped by Eastside's conviction that God's grace is for everyone, each episode invites you to discover God's presence and activity in your life.

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

Key Outcomes Scott Sullivan and John Spencer (Discipleship Team Leader at Sherwood Baptist  Church in Albany, GA) introduced FORMED, A Discipleship Culture Blueprint, a new resource developed over 2.5 years to help Georgia Baptist churches create disciple-making cultures rather than programs. This resource addresses the core question: How do we reach new people, connect them to the church, move them to spiritual maturity,  and launch them to multiply. Resource Overview FORMED Structure: • Four core elements: Real Relationships, Transformational Teaching, Disciple Making Environments, and Intentional Multiplication • Built from dozens of pastor roundtables identifying common church struggles. • Developed by Scott Sullivan, Ray Sullivan (now Pastor at First Waycross), and PJ  Dunn (overseeing Revitalization at the Georgia Baptist Mission Board) • Will be taught through six regional cohorts led by trained leaders, including John. Key Definitions: • Culture: The shared expression of beliefs, values, and rhythms that define an  organization's identity; "how it feels" rather than just mission or vision• Disciple (Georgia Baptist definition): A committed, passionate follower of Jesus  Christ, based on 2 Timothy 2:1-7's four generations of disciples and three-word pictures (soldier, athlete, farmer) Critical Leadership Questions Three essential questions every pastor should answer: • Do we have a culture of discipleship, and is it working? • Do you have a definition of a biblical disciple for your people? • Does the culture and success of the ministry depend solely on you as the leader? Core Principle: "I hope so is not a strategy" - churches cannot keep running the same play if it's not helping them win. Real Relationships Framework Foundation: Jesus invited disciples into a relationship ("follow me"), not a program - discipleship happens best within relational contexts. The Rebar Principle:• Like rebar tied together before concrete is poured creates tensile strength,  intentionally tied relationships provide reinforcement when storms come • Without tied relationships, ministry cracks under pressure • You cannot pour ministry on top of relationships you never tied together 2:00 AM Friendships: • Deep, loyal, hesed-type Old Testament connections that never walk away • Many mature believers lack these foundational relationships Sherwood Church Model Disciple Definition at Sherwood: Know Christ, Love God, Unite with Believers, Serve the World, and Entrust the Gospel - visible everywhere (classrooms, atrium, new member materials) to maintain cultural focus. Sherwood on Mission Class: • Equips members to live gospel-centered lives daily, not just share gospel facts • Most valuable component: hearing stories of others interacting with people in their  zones (work, home, neighborhood) • Available to share with other churches upon request Practical Implementation: • Michael Catt established Wednesday morning Cracker Barrel group with 5-6 men  who could speak candidly into his leadership • Prayer walking neighborhoods with an online sign-up chart tracking coverage across  Albany • Daily Bible reading groups (using MacArthur Daily Bible) meeting at 6:00 AM Overcoming Barriers to Connection Common Church Barriers: • Poor or insufficient signage around campus • Greeters who overwhelm rather than read people appropriately • "Holy huddles" that look inward rather than outward • Inadequate nursery facilities that parents don't trust • Inefficient processes (coffee stations, check-in) that create frustration. Key Insight: Confused people don't move; they wander - clear signage and processes are essential. Cultural Shift Required: • People want to be noticed, not just noted (Luke 19 - Jesus didn't just see  Zacchaeus, he went to his house) • New member classes must set expectations: "Your job as a disciple-maker is to  welcome people to your life, not just your seat." • Tell stories constantly - in baptisms, classrooms, social media, pulpit - to inspire and  give ideas Intentionality Over RandomnessMinistry Trap Warning: The managerial trap of settling to manage people rather than shepherd and disciple them - easier to manage groups than invest intimately in messy lives. Personal Disciplines for Leaders: • Start with personal abiding - "I can't lead what I don't do." • Distinguish between being in the Bible for your people (sermon prep) versus being in  the Bible for yourself • Pray specifically: "Lord, who do I invite in?" • Most successful ministry comes from one-on-one, one-on-two investments over time. Example: John invested ten years in a man who came hungover most mornings; now that man is leading a college ministry. Multiplication Mindset: • Invite younger leaders into discipleship groups to pass the torch • Equip them to replicate: "Now you go find some guys." • Story: A man moving to North Carolina took extra MacArthur Daily Bibles to start  groups there Practical Opportunities Beyond Sunday Services: • Partner with existing community services (food banks, deliveries) • Prayer walks in neighborhoods • Student car washes • Leverage natural contexts (pickleball example: introvert wife built new friendships,  led couple to church, provided support during medical crisis) Church Facility Design: North Metro Church built a massive foyer/mall effect holding 500 people, transforming culture by giving space for pre-service connection rather than herding people like cattle. Action Items • Georgia Baptist Mission Board Discipleship Team: Launch FORMED resource by the end of April, release four podcast episodes every two weeks for cohesive learning • Regional leaders (including John): Prepare to lead cohorts using  an overview/introduction approach (Matthew Gibb's piece to be distributed) • Churches interested in Sherwood's On Mission materials: Contact John Spencer at johns@sherwoodbaptist.net for manual/digital copies Closing Principle "A church that is easy to attend but hard to connect in will always struggle to multiply.  Bet the farm on relationships - Jesus did."

David reflects on the Worldview Matters Conference with Pastor Brad Reaves of Coming Soon! Ministries. Coming Soon! Ministries also has an upcoming prophecy conference in August titled ‘Abraham to Armageddon.' Coming Soon! Ministries: https://www.comingsoonministries.org/ Abraham to Armageddon: https://www.comingsoonministries.org/conference www.worldviewmatters.tv © FreedomProject 2026

Transformative Truth: God Calls and Equips the Church for Unity Do nothing from selfish ambition or conceit, but in humility count others more significant than yourselves. Philippians 2:3 Let all bitterness and wrath and anger and clamor and slander be put away from you, along with all malice.  Be kind to one another, tenderhearted, forgiving one another, as God in Christ forgave you. Ephesians 4:31-32 In him you also, when you heard the word of truth, the gospel of your salvation, and believed in him, were sealed with the promised Holy Spirit, Ephesians 1:13 For in one Spirit we were all baptized into one body-Jews or Greeks, slaves or free-and all were made to drink of one Spirit. 1 Corinthians 12:13 For this reason I bow my knees before the Father, from whom every family in heaven and on earth is named Ephesians 3:14-15 "that according to the riches of his (God's) glory he may grant you to be strengthened with power through his Spirit in your inner being. Ephesians 3:16 ESV

«El fill», de Jon Fosse. Traducció del nynorsk de Laura Segarra Vidal. Intèrprets: Guillem Balart, Jordi Figueras, Sebastiàn Mogordoy i Mercè Pons. Escenografia: Sebastià Brosa. Vestuari: Giulia Grumi. Il·luminació: Pep Barcons. Espai sonor: Guillem Rodríguez. Locució: Joel Valverde. Ajudanta d'escenografia en pràctiques: Arlet Arànega. Construcció d'escenografia: Fusteria Aguadi, S.L. i Pablo Paz. Equips i producció del Teatre Lliure. Ajudanta de direcció: Clara Moraleda. Direcció: Ferran Utzet. Espai Lliure Montjuïc, Barcelona, 8 maig 2026. Veu: Andreu Sotorra. Música: In the Jailhouse now. Interpretació: The Soggy Bottom Boys i Tim Blake Nelson. Composició i lletra: Jimmie Rodgers. Àlbum: O Brother, Where Art Thou?, 2000.

Fer ralet ralet al gremi teatral. Crítica teatral de l'obra «L'autora», d'Ella Hickson. Traducció de l'anglès de Carlota Subirós. Intèrprets: Javier Beltrán, Nausicaa Bonnín, Ravina Raventós, David Selvas. Amb la participació d'Agnès Balfegó i Amada Bokesa. Escenografia: Judit Colomer. Vestuari: Berta Vallvé. Caracterització: Paula Barjau. Il·luminació: Marc Salicrú. Música: Alejandro Da Rocha. Espai sonor: Carles Bernal. Moviment: Natalia Fernandes. Ajudant d'escenografia: Marc Saborit. Ajudant d'il·luminació: Stefano De Luca. Alumna en pràctiques: Gemma Girbau (MUET). Veu de nadó: Ramona Vallvé Serrano. Construcció d'escenografia: Jorba Miró, Joan Soler i Sra. Diaz vestuari escènic. Reproducció del “Guernica”: © Sucesión Pablo Picasso. VEGAP, Madrid, 2026. Equips del Teatre Lliure. Agraïments: Arnau Vallvé i Taller d'escenografia Castells. Producció: Teatre Lliure. Ajudant de direcció: Esteve Gorina i Andreu. Direcció: Anna Serrano Gatell. Teatre Lliure Gràcia, Barcelona, 7 maig 2026. Veu: Andreu Sotorra. Música: Poema. Interpretació: Alejandro Da Rocha. Composició: Alejandro Da Rocha. Àlbum: L'autora, 2026.

El firmament de l'Abril. Crítica teatral de l'obra «El firmament», de Lucy Kirkwood. Traducció i adaptació de Gara Roda Cendra. Intèrprets: Sílvia Abril, Cristina Arenas, Mila Borràs / Lola Sendrós, Anna Castells, Ester Cort, Montse Esteve, Elena Fortuny, Maria Garrido, María Hernández Giralt, Júlia Jové, Cristina López Vallès, Norbert Martínez, Tafita Miró, Mont Plans, Teresa Vallicrosa. Veus en off: Pepo Blasco i Jordi Bosch. Escenografia: Laura Clos (Closca). Vestuari: Cristina Fernández. Il·luminació: Sylvia Kuchinow. Composició i espai sonor: Andrea Mir. So: Cesc Mojica. Caracterització: Natàlia Albert. Estilista: Sylvia Bonet. Col·laboració artística: Lídia Masllorens. Col·laboració en la traducció per la contextualització de l'època: Yannick Garcia. Construcció d'escenografia: Taller d'escenografia Castells S.L, Kike Blanco. Construcció de mobiliari: Jep Marmiñà i Àngela Cendra. Barreteria: Andrea Vientec. Ajudanta d'escenografia: Marina Calvo. Ajudanta de vestuari: Marta Pell. Coach d'interpretació dels infants: Lídia Linuesa. Alumna en pràctiques de direcció: Via Walsh. Equips tècnics i de gestió del TNC. Producció del Teatre Nacional de Catalunya. Adunta de direcció: Laia Alberch. Direcció: Gara Roda Cendra. Sala Petita, Teatre Nacional de Catalunya, Barcelona, 6 maig 2026. Veu: Andreu Sotorra. Música: Summertime. Interpretació: Andrea Motis (amb Scott Hamilton, Ignasi Terraza, Esteve Pi, Josep Traver i Joan Chamorro). Composició: George Gershwin, 1935. Àlbum: Andrea Motis, 2025.

Start your 14-Day free trial of Commonplace.study here - https://commonplace.study/Order “Offensive Christianity” here - https://offensivechristianitybook.com/jchasedavis.comOrder “Lead Like Jael” here - https://amzn.to/4f1K6lISupport the show!! - https://www.patreon.com/chasedavisSeven Titans Jeans - https://seven-titans.com/discount/PROOFSummaryIn this episode of Full Proof Theology, Chase interview Emma Waters about her new book Lead Like Jael. Emma Waters discusses biblical femininity, the dangers of modern narratives like tradwife, and how women can faithfully navigate their roles in today's culture. She explores the story of Jael and offers practical insights for women seeking to live biblically in a complex world.Support the showSign up for the Patreon - https://www.patreon.com/chasedavisFollow Full Proof Theology on Instagram - https://www.instagram.com/fullprooftheology/Follow Full Proof Theology on Facebook - https://www.facebook.com/fullprooftheology/

https://gifts.churchgrowth.orgPastor Shane teaches that the Holy Spirit gives every believer unique spiritual gifts to serve others and glorify Christ. Though the gifts differ, they all come from the same Spirit and are meant for the common good, not personal recognition. The focus is unity—each person plays an important role in the body of Christ. Believers are called to use their gifts faithfully, trusting the Spirit who gives them.

Class #3

Class #2

A comprehensive five-day workshop focuses on enhancing case management and introducing self-care practices for frontline social service providers.

Quan el batec s'apaga. Crítica teatral de l'obra «Batecs». Idea original de Nídia Tusal. Autoria i dramatúrgia de Nídia Tusal, Alba Florejachs, Ariana Ruglio i Lara Díez Qintanilla. Intèrprets: Belén Barenys, Alba Florejachs, Cristina Plazas, Bàrbara Roig i Sergi Vallès. Escenografia: Laura Clos “Closca”. Vestuari: Nídia Tusal. Il·luminació: Ganecha Gil. Composició musical: Edna Sey. Espai sonor: Sara Vidal Cabré. Moviment: Ana Pérez García. Caracterització: Imma Capell. Ajudant d'escenografia i col·laboració artística: Eduard Casademont. Coordinadora d'intimitat: Cristina Castellà Reverter. Fotografia: Clàudia Serrahima Urgell. Construcció d'escenografia: Punt de Fuga, logística tècnica d'espectacles. Confecció de vestuari: Sra. Díaz vestuari escènic. Equips tècnics i de gestió de la companyia: Cap tècnic: Àngel Puertas. Cap de producció: Sergi Vallès. Producció executiva. Maria G. Rovelló. Ajudanta de producció: Sara Farré. Difusió i distribució: Marta Riera Pi. Equips tècnics i de gestió del TNC. Producció: Kabut i Teatre Nacional de Catalunya. Ajudant de direcció: Ramon Bonvehí. Direcció: Lara Díez Quintanilla. Sala Tallers, Teatre Nacional de Catalunya, Barcelona, 16 abril 2026. Veu: Andreu Sotorra. Música: Res no és mesquí. Interpetació: Joan Manuel Serrat. Composició: Joan Manuel Serrat. Lletra: Joan Salvat-Papasseit. Arranjador: Josep Maria Bardagí. Àlbum: Res no és mesquí, 2000.

Class #1

Òpera amb pistoles i “teiatru” de fogueig. Crítica teatral de l'obra «Els stunmen». Música de Fernando Velázquez. Llibret de Nao Albet i Marcel Borràs. Intèrprets: Nao Albet, Marcel Borràs, Óscar Dorta, Núria Lloansi, Marc Padró, Óscar Pére, Carlos Robles, Cadmi Albet Tamarit / Mael Borràs-Clotet. Cantants: mezzosoprano Sandra Ferrández / Marifé Nogales (mezzosopranos), Gabriel Díaz (contratenor), Vicenç Esteve Madrid (tenor), José Ansaldi (tenor), Josep Ferrer (baix). Especialistes: Daniel Domínguez, Attila Kiss, Andreu Kreutzer, Genís Lama, Adrià Rosell, Pablo Sacristán, Emiliano Sosa i Yeray Vesga. Orquestra: Formació orquestral del Gran Teatre del Liceu: Sergio García Jimenez i Olivia Kucharska (violins), Patricia Torres i Federica Cucignato (violes), Dani Claret i Eduard Raventòs (violoncels), Carlos Garcia Pupo (contrabaix), Paula Martínez (flauta), Israel Román (oboè), Abel Batlles (clarinet), Albert Muñoz (fagot), Pau Riedweg (trompa), David Alcaraz (trompeta), Raül Brenchat (trombó), Pau Buforn (timbales), Javier Delgado (percussió), Laura Marquino (arpa), Laura de Arenzana i Alfred Tapscott (teclat-electrònica). Coordinador d'especialistes: Óscar Dorta. Escenografia: Max Glaenzel. Vestuari: Sílvia Delagneau. Caracterització: Toni Santos. Il·luminació: Andreu Fàbregas. Efectes especials: In Extremis. So: Igor Pinto. Sonorització de l'orquestra: Ignasi Nogueras. Ajudanta de direcció: Anabel Labrador. Ajudanta d'escenografia: Mariona Ubia. Ajudant de vestuari: Manuel Mateos. Assistent a la direcció musical: Rubén Díez. Assistència a la dramatúrgia: Gabriel Ventura. Pianista assistent: Laura de Aranzana. Alumna en pràctiques: Roc Morella (ITB). Confeccions: Javi Navas (guerreres), Manuel Mateos (herois) i Taller d'escenografia Castells (ambientació de sang). Equips del Teatre Lliure. Agraïments: Indi Gest, María Adell, Pedro Azara, Laura Cabello 'Topo', Aina Clotet, Jaume Garrós, Anna Iñigo, Alfredo Ramos, Valentina Viso, Blanca Valletbó, Jokin Piquer i Joan Serinyà. Mencions: Cartell tractat amb IA. Fotografies: Marta Mas. Espectacle amb el suport de la Fundació Banc Sabadell. Coproducció: Teatre Lliure, Gran Teatre del Liceu, Teatros del Canal i Teatro Real de Madrid. Direcció musical: Fernando Velázquez. Direcció escènica: Nao Albet i Marcel Borràs. Sala Fabià Puigserver, Teatre Lliure Montjuïc, Barcelona, 15 abril 2026. Veu: Andreu Sotorra. Música: He Looked So Happy. Interpretació: Fernando Velázquez. Composició: Fernando Velázquez. Àlbum: Lo imposible, 2012.

We will be looking at the call and anointing of Saul as the first king (1 Samuel 10). Through the account, we can look at how God equips His servants. We can draw inspiration that when God calls us to serve, He will anoint us and equip us. He will take care of your needs as we involve ourselves in kingdom business.Hence we ought to see the privilege to serve God and go forth to do so.

Al CPK 349: Tornen els designis dels sers suprems que condicionen la millor lliga del món. Us llegim les seves voluntats, el que hauria de passar per tenir uns playoffs extremadament divertits. Equips decepcionants, sorpreses, històries amb premi, Pokemons, Bob Costas...

Week 2

El meu amic americà. Crítica teatral de l'obra «Giovanni's room», de James Baldwin. Traducció: Eefje Bosch, Manik Sarkar. Adaptació: Eline Arbo, Bart Van den Eynde. Dramatúrgia: Bart Van den Eynde. Intèrprets: Louis van Beek, Jesse Mensah, Eefje Paddenburg, Gijs Scholten van Aschat i Eelco Smits. Escenografia: Roel Van Berckelaer. Vestuari: Rebekka Wörmann. Il·luminació: Varja Klosse. Composició musical: Thijs van Vuure. Caracterització: David Verswijveren. Coach vocal: Wieteke Wijte. Coordinadora d'intimitat: Markoesa Hamer. Ajudanta d'escenografia: Leanne Vandenbussche. Ajudanta de vestuari: Jelena Bondt. Ajudant d'il·luminació: Mike Evers. Ajudant musical. Jonas Meijer (alumne en pràctiques). Equips tècnics i de gestió de la companyia: Producció executiva: Kiki Meijerhoven. Regidor: Kevin Cuyvers. Equip tècnic: Yannick Bruine de Bruin, Daan Kapteijn, Zinzi Kemper, Olga Liashkova, David Logger, Nelis Meijer, Wouter Pieters, Jonas de Vries. Confecció de vestuari: Farida Bouhbouh, Wim van Vliet. Sastreria: Wim van Vliet. Màrqueting i comunicació: Iris Istha. Producció: International Theater Amsterdam, Teatre Nacional de Catalunya. Per acord especial amb Concord Theatricals Corporation. Amb els productors privats: Marcelle i Joost Kuiper, Gabriëlla de Rooij i Hendrik Jan ten Have, Jeroen van Ingen i Jaap Kooijman, Bertil van Kaam, Felix van der Heijden. Amb el suport de Ammodo. Equips tècnics i de gestió del TNC. Ajudanta de direcció: Zorba Huisman. Direcció: Eline Arbo. Sala Gran, Teatre Nacional de Catalunya, Barcelona, 20 març 2026. Veu: Andreu Sotorra. Música: Lullaby. Interpretació: Low. Composició: Alan Sparhawk, Mimi Parker i John Nichols. Àlbum: I Could Live in Hope, 1994.

Week 1

Una de les competicions esportives destacades de la Setmana Santa a Lloret de Mar és el torneig Costa Brava Lloret Cup d'handbol de base. Arriba a la 15a edició i que s'ha presentat aquesta setmana. La inauguració tindrà lloc el diumenge 29 de març a les pistes d'atletisme de Lloret de Mar. La competició començarà l'endemà i acabarà el 2 d'abril, amb les finals. L'epicentre de l'esdeveniment serà a Lloret de Mar, on s'allotjaran tots els equips, però també hi haurà partits a Anglès, Palafrugell, Calonge i Sant Antoni, Sarrià de Ter i Vilablareix. Es duu a terme en un total de tres comarques. En total, hi participaran uns 120 equips de Catalunya, d'arreu de l'Estat -sobretot del País Basc, València i Canàries- i de països d'arreu d'Europa com Suècia, Noruega, Lituània, Letònia i Polònia. La presentació de la competició ha tingut lloc aquesta setmana. El torneig Costa Brava Lloret Cup d'handbol de base comptarà amb més de 1.500 participants des de la categoria alevina fins a la juvenil. L'organització quantifica l'impacte de l'esdeveniment en 1 milió d'euros, tenint en compte que les estades dels equips seran de gairebé una setmana. Tots disputaran un mínim de cinc partits. Clàudia Peña, l'organitzadora del torneig d'hanbdol, ha subratllat que “és un torneig molt especial, amb amistat i proximitat amb els participants, ambient càlid i familiar, els hotels i les instal·lacions de Lloret de Mar hi ajuden molt”. Des de Lloret, el regidor d'Esports, Fede Guich, destaca que “l'hanbdol és un esport no majoritari que té una llarga tradició al territori, estem orgullosos de tenir un any més 1.500 jugadors de tota Europa”. Tots els partits que es disputin a Lloret de Mar es podran veure per streaming, així com les finals a Palafrugell, a través del lloc web oficial del torneig. Presència destacada de l’ambaixador Viran Morros i la padrina Martina Capdevila La quinzena edició del Costa Brava Lloret Cup, que té el suport de la Diputació de Girona, té com a ambaixador Viran Morros. L'exjugador professional, retirat el 2024, va militar en equips de primer nivell (Ciudad Real, FC Barcelona, PSG o Füsche Berlín), amb els quals va guanyar gairebé mig centenar de títols com 3 Lligues de Campions, 10 Lligues i 7 Copes del Rei. Amb la selecció espanyola, va jugar 259 partits i, entre d'altres èxits, va guanyar un mundial, dos europeus i un bronze olímpic. Morros moderarà una taula rodona que reflexionarà sobre la salut mental en l'esport, que tindrà lloc el 31 de març al Casino de Lloret de Mar. Hi participarà la psicòloga esportiva Ana Merayo, juntament amb formadors de base de les comarques gironines. El torneig tindrà de padrina Martina Capdevila. Nascuda a Granollers l'any 2001, ha jugat tota la seva trajectòria a l'equip de la seva ciutat. La temporada passada, va ser la màxima golejadora de la Lliga espanyola (187 gols) i també la van escollir millor central.

A la segona part del programa ens acompanya Màxim Navarro, president de l'Associació de Futbol Sala Deltebre per posar-nos al dia de l'entitat.

El Pi 3,1416 no era només un número. Crítica teatral de l'obra «La nit de les Tríbades», de Per Olov Enquist. Versió de Joan Yago i La Perla 29. A partir de la traducció de Jem Cabanes. Intèrprets: Cristina Arenas, Jordi Llovet, Joan Marmaneu i Clara Mir. Llums: Pep Barcons. So i vestuari: Equips de La Perla 29. Regidoria: Rita Molins. Tècnica funcions: Maria Vaillo. Dibuix cartell: Aran Broggi a partir d'un quadre d'Amedeo Modigliani. Una producció de La Perla 29. Ajudant de direcció: Albert Reverendo. Direcció: Oriol Broggi. Teatre de Sarrià, Barcelona, 6 març 2026. Veu: Andreu Sotorra. Música: Satellite of Love. Intepretació: Lou Reed. Composició: Lou Reed. Àlbum: Transformer, 1972.

Class #2

Class #1 - the 2 views of marriage

As healthcare needs and opportunities grow, Baylor's Robbins College of Health and Human Sciences is responding with innovative approaches to prepare compassionate leaders for the field. Dean Jason Carter shares Robbins Colleges distinctives like interprofessional education, hybrid graduate programs, elite research and cutting-edge technology, highlighting the ways Baylor shapes graduates who serve patients and communities with integrity and excellence.

Chrome now includes always-on AI scanning for evolving cyberthreats. Google says this helps detect anomalies earlier in the attack chain. It adds a stronger defensive backbone to the browser.Get the top 40+ AI Models for $20 at AI Box: ⁠⁠https://aibox.aiAI Chat YouTube Channel: https://www.youtube.com/@JaedenSchaferJoin my AI Hustle Community: https://www.skool.com/aihustleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

La UE Sitges, en el debut de Manel Rodríguez a la banqueta, se la juga al camp del Santboià. El Bàsquet Sitges presentarà demà, a Pins Vens, els seus equips en acabar el partit del sènior A davant el Natació Sabadell, mentre que el CP Subur Sitges s'enfrontarà al Mollerussa, en partit de la 10ª jornada a 2ª Catalana. El Rugby Club Sitges tancarà la primera volta jugant a Palma de Mallorca contra El Toro. L'entrada ESPORTS (la prèvia): la UE Sitges de Manel Rodríguez se la juga amb el Santboià. El Bàsquet Sitges presentarà els seus equips i el CP Subur Sitges rep al Mollerussa a Pins Vens ha aparegut primer a Radio Maricel.

SENT: THE HOLY SPIRIT EQUIPS THE SENT ONE | Mark 5:1-20 | Pastor Jon Susa

Resilience isn't about never falling. It's about learning, adapting, and choosing hope, every time. In this episode, host Peter Fenger speaks with Andy Pierce, Resilience Expert and founder of iBounceUp, a Honolulu-based nonprofit transforming lives in at-risk communities. Andy brings a Master's degree in Performance Psychology and extensive experience working with elite Special Operations Soldiers, Army Rangers, adults in addiction recovery, and resource caregivers. But his work with iBounceUp is deeply personal, born from his brother-in-law Matt's struggle with addiction and untimely death, the organization now serves as both a legacy and a lifeline. In this conversation, Andy reveals the five pillars of mental resilience: self-awareness, self-control, optimism, flexibility, and relationships. He shares powerful stories from Hawaii's rehab centers and sober living facilities, explains why connection matters more than curriculum, and opens up about his own near-fatal surfing accident that tested everything he teaches. Discover why being selective about who we share good news with matters, how our beliefs drive our thoughts, and why flexibility might be the most underrated resilience skill of all. This is a conversation about building strength in broken places, and why showing up consistently changes lives.   For more information about iBounceUp, please visit: https://www.ibounceup.org Consider a donation to iBounceUp and help transform lives: https://www.ibounceup.org/donate-now Connect with iBounceUp on Linkedin at: https://www.linkedin.com/company/ibounce-up/ Connect with iBounceUp on Facebook at: https://www.facebook.com/ibounceup For more information about Andy Pierce and resilience training, please visit: https://www.bounceresilience.com

Julia Zwayne shares about her new book, a collection of poems and reflections shaped by seasons of brokenness and God's comfort. Ray, E.Z., Mark, and Oscar hear how despair often became where the Lord met her most deeply, turning sorrow into hope. The guys reflect on the value of lament, a form of worship often overlooked in the church, as a means that draws believers closer to God. Julia explains how poetry helps her process pain and return to truth, admitting past tendencies to run toward darkness but finding confidence in Christ. One of her poems, “Blank Spaces,” captures life's monotony and resonates with those who feel unseen. Together they affirm that even in despair God is near, His grace is sufficient, and He uses trials to deepen faith, equip His people, and ultimately bring glory to Himself.Send us a textThanks for listening! If you've been helped by this podcast, we'd be grateful if you'd consider subscribing, sharing, and leaving us a comment and 5-star rating! Visit the Living Waters website to learn more and to access helpful resources!You can find helpful counseling resources at biblicalcounseling.com.Check out The Evidence Study Bible and the Basic Training Course.You can connect with us at podcast@livingwaters.com. We're thankful for your input!Learn more about the hosts of this podcast.Ray ComfortEmeal (“E.Z.”) ZwayneMark SpenceOscar Navarro

Welcome to episode 215 of Grasp the Bible. In this episode, we will explore the benefits of topical preaching.• Addresses Immediate Needs Topical preaching allows you to address pressing issues your congregation is facing—whether cultural, spiritual, or personal.  It provides a way for you, as a shepherd, to be sensitive to the particular season or crisis your people are walking through and to show how God's Word speaks directly into those circumstances. • Connects Scripture to Everyday Life Topical preaching often begins with the questions people are asking and then draws them to Scripture for answers. This makes God's Word feel directly relevant and applicable to the struggles, relationships, and decisions of daily life. • Reaches New Believers and Seekers A topical approach can provide an accessible entry point for those unfamiliar with the Bible. Instead of beginning in the middle of a long, unfamiliar book, newcomers are guided into Scripture through themes that connect with their everyday questions and needs. • Allows for Thematic Depth Some biblical truths, like prayer, stewardship, or discipleship, appear across multiple books of the Bible. A topical series allows you to synthesize these themes and give your congregation a fuller, Scripture-wide view of how God unfolds a particular subject throughout redemptive history. • Provides Seasonal Alignment Topical preaching can align with church and cultural calendars—holidays, back-to-school rhythms, or times of national crisis—making the message more timely and impactful. • Equips for Apologetics Topical preaching allows you to engage cultural questions—about truth, morality, justice, or sexuality—through the lens of Scripture. It enables you to anticipate and answer the challenges your people encounter in conversations at school, work, or online. • Reinforces Doctrinal Foundations Topical sermons give you the ability to teach core doctrines systematically—God, sin, salvation, the church, and the future—ensuring your congregation has a balanced theological foundation. • Offers Pastoral Flexibility Not every season in church life is best suited to moving verse-by-verse through one book. Topical preaching allows you to pivot when pastoral needs, cultural circumstances, or church-wide initiatives require a different emphasis.. • Engages Different Learning Styles Expository preaching builds understanding systematically, while topical preaching organizes truth thematically. This variety can engage different types of listeners—those who prefer logical, verse-by-verse flow and those who connect best with themes and categories. • Models Biblical Integration Topical preaching shows your people how to connect passages from across the canon. It demonstrates how to think biblically about life by pulling truth from Genesis to Revelation into one unified theme. Connect with us:   Web site:  https://springbaptist.org   Facebook:   https://www.facebook.com/SBCKleinCampus (Klein Campus)   https://www.facebook.com/SpringBaptist (Spring Campus)   Need us to pray for you? Submit your prayer request to https://springbaptist.org/prayer/      If you haven't already done so, please leave us a rating and review in your podcast provider. 

What happens when a boy grows up in the crossfire of Lebanon's civil war, trains in Israel's military camps, and survives a bomb blast by a miracle? Pastor Pierre Altuna's life is a mix of danger, loss, and unexpected grace. From being kidnapped by the PLO to fighting Hezbollah, his story is filled with moments where death seemed certain - until God intervened. But this is more than a soldier's memoir. It's the journey of a man who knew “Christian” only as a label - until relentless love from his wife and a persistent pastor led him to surrender to Yeshua.  Now leading a vibrant Messianic congregation in northern Israel, Pastor Pierre stands as both shepherd and protector, guiding his flock through rockets, war, and the hope of reconciliation between Jew and Gentile. This is faith forged in fire, hope born in the shadow of conflict, and a call to stand with Israel for the sake of God's Kingdom. Key Takeaways Lebanon's Civil War shaped his identity - and his understanding of survival. Kidnapped by the PLO - rescued only through family intervention. Trained in Israel - learning the mindset of Hezbollah. Survived a bombing - a helmet swap he calls a miracle. From cultural Christian to believer - through his wife's faith and a persistent pastor. Leads a multi-ethnic Messianic congregation in Nahariya, near the Lebanese border. Equips soldiers - providing gear, training, and spiritual encouragement. Sees Israel as a living picture of resurrection after the Holocaust. Prays for peace between Israel and Lebanon like the days of Solomon and King Hiram. Chapter Markers 00:00 – Welcome from Nahariya, Israel 00:54 – Growing up in war-torn Lebanon 02:36 – The political-religious tensions of Lebanon 06:13 – The PLO, Fatahland, and the road to war 07:02 – Kidnapped at a checkpoint 08:24 – Training in Israel during the conflict 10:14 – Marriage, family, and life under fire 12:55 – Crossing into Israel in 2000 14:18 – October 7th and living on the northern front 15:04 – A soldier's life without real faith 19:50 – The bombing that changed everything 23:44 – Coming to faith in Yeshua 24:12 – A congregation like a bouquet of nations 29:35 – Serving the community during war 33:02 – Training IDF soldiers on Hezbollah's mindset 36:19 – Understanding God's purpose in his survival 36:21 – Is God done with Israel? 38:47 – Israel as a living example of resurrection 40:05 – A prayer for Israel, the soldiers, and peace with Lebanon Stand with Israel. Hear the stories behind the headlines. See faith in action at the border.Visit thejewishroad.com to learn more, support the mission, and discover how you can walk the ancient path today.  

What SaaS metrics and financial metrics really matter when you're scaling toward your first $1 million in ARR? In episode #305, Ben Murray breaks down the essential numbers to track using his Five Pillar SaaS Metrics Framework. From building a strong accounting foundation to tracking investor metrics like retention, bookings, and gross profit, this episode gives you the tools to set your business model up for scale and eventual company valuation growth. Whether you're a founder, CFO, or finance lead, you'll learn how to implement the right KPIs before you cross the $1M mark, so you can confidently present metrics to your team and/or investors and operate with clarity. What You'll Learn: SaaSfy Your Accounting Foundation Why your accounting system (QBO, Xero, etc.) needs a SaaS-specific structure. How a clean P&L improves your ability to track revenue, margins, and KPI's. Track Bookings Data Early Why executed contracts (new ARR, expansion ARR, and contraction) are one of the most important SaaS numbers. How bookings feed your go-to-market efficiency calculations and help measure sales ROI. Retention Is Key Gross revenue retention, net revenue retention, renewal rates, and logo retention — and when each matters most. How retention signals product-market fit and impacts valuation. Other Metrics to Watch Gross profit, EBITDA, cash flow forecasting, and cash runway. How do these connect to financial strategy and your long-term investor metrics? Why These Metrics Matter Before $1M ARR: Creates a financial systems foundation for scale. Equips you to benchmark your performance against peers. Builds a data story for fundraising and valuation discussions. Avoids costly gaps in financial modeling once growth accelerates. Resources Mentioned"

This is episode 774. Read the complete transcription on the Sales Game Changers Podcast website here. This is a special episode of the "Office Hours - Sales Professors Unplugged Podcast." The show feature interviews with sales professors at universities with a sales excellence programs. Many of the universities are members of the University Sales Center Alliance. Watch the interview on YouTube here. The Sales Game Changers Podcast was recognized by YesWare as the top sales podcast. Read the announcement here. FeedSpot named the Sales Game Changers Podcast at a top 20 Sales Podcast and top 8 Sales Leadership Podcast! Subscribe to the Sales Game Changers Podcast now on Apple Podcasts! Purchase Fred Diamond's best-sellers Love, Hope, Lyme: What Family Members, Partners, and Friends Who Love a Chronic Lyme Survivor Need to Know and Insights for Sales Game Changers now! Today's show is a special "Office Hours - Sales Professors Unplugged" episode featuring Deirdre Jones Director of the University of Toledo, Edward H. Schmidt School of Professional Sales. Find Deirdre on LinkedIn.  DEIRDRE'S ' TIP: “We create a safe environment where students can fail fast, learn, and get back up stronger. We teach our students to sell with confidence, courage, and compassion."

Have you ever felt like the least qualified person in the room? David Hanegraaff discusses what it is like growing up as the son of the “Bible Answer Man” and how he does his best to say yes to the call of the Lord even when he feels unqualified. David has learned to overcome self-doubt by trusting the Lord and taking those leaps of faith—because when God calls you, he equips you.  Recorded during a talk at the Set Apart retreat for young adults at Gospel for Asia in Wills Point, Texas, this candid presentation by David Hanegraaff offers encouragement for anyone seeking to follow God's will for their life. Interested in serving with Gospel for Asia? Contact young@equip.org, and the CRI team will connect you with GFA.Listen to Hank's podcast and follow Hank off the grid where he is joined by some of the brightest minds discussing topics you care about. Get equipped to be a cultural change agent.Archived episodes are  on our Website and available at the additional channels listed below.You can help spread the word about Hank Unplugged by giving us a rating and review from the other channels we are listed on.

Angie and Susie dive into Ephesians 6:12 and the reality of the spiritual battles we face every day. They will help you recognize the enemy's subtle tactics, stand firm in God's truth, and remember: you never fight alone.When the fire rages, you won't be consumed — because Christ is standing with you.Ephesians 6:12 (NIV)For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms.https://livesteadyon.com/https://susiecrosby.com/https://www.logos.com/https://enduringword.com/https://www.wordhippo.com/https://www.biblegateway.com/https://www.blueletterbible.org/https://biblehub.com/greek/4189.htmVine, W. "Iniquity - Vine's Expository Dictionary of New Testament Words." Blue Letter Bible. 24 Jun, 1996. Web. 17 Feb, 2025.Günther Harder, “Πονηρός, Πονηρία,” in Theological Dictionary of the New Testament, ed. Gerhard Kittel, Geoffrey W. Bromiley, and Gerhard Friedrich (Grand Rapids, MI: Eerdmans, 1964–), 549.Max Anders, Galatians-Colossians, vol. 8, Holman New Testament Commentary (Nashville, TN: Broadman & Holman Publishers, 1999), 190.Robert Jamieson, A. R. Fausset, and David Brown, Commentary Critical and Explanatory on the Whole Bible, vol. 2 (Oak Harbor, WA: Logos Research Systems, Inc., 1997), 357.John D. Barry, Douglas Mangum, et al., Faithlife Study Bible (Bellingham, WA: Lexham Press, 2012, 2016), Eph 6:12.Harold W. Hoehner, “Ephesians,” in The Bible Knowledge Commentary: An Exposition of the Scriptures, ed. J. F. Walvoord and R. B. Zuck, vol. 2 (Wheaton, IL: Victor Books, 1985), 643.Matthew Henry and Thomas Scott, Matthew Henry's Concise Commentary (Oak Harbor, WA: Logos Research Systems, 1997), Eph 6:10.Theme music:Glimmer by Andy Ellison

John Stonestreet has a conversation with the Dean of the Colson Fellows Program, Michael Craven, on being the Church in a time of chaos, creating culture, and the power of a Christian worldview. Learn more about the Colson Fellows Program at colsonfellows.org. 

Download for Mobile | Podcast Preview | Full Timestamps Elden Ring Nightreign: Scholar of the First Chicken Dinner Avowed: I'm Just Here For Hot Fishman Garrus NetEase Learns The Blizzard Sandwich Funko Fusion: A Complete Critical Failure Filled With Piss & Jenkem Doohickey Watch live: twitch.tv/castlesuperbeast Go to http://rocketmoney.com/superbeast to cancel your unwanted subscriptions with Rocket Money. - Click this link https://boot.dev/?promo=CASTLESUPERBEAST and use my code CASTLESUPERBEAST to get 25% off your first payment for boot.dev. Marvel Rivals Support Studio Director Shares That He And His Team Were Just Laid Off They pulled a Blizzard sandwich by announcing season changes and revealing Human Torch and Thing trailers on the same day as the layoffs Xbox: Introducing Muse: Our first generative AI model designed for gameplay ideation Hollow Knight: Silksong listing gone from US eShop Funko Fusion Is Deemed A "Complete Commercial And Critical Failure" Class Zero Seven High school Brawler The Hidden Ones - Naruto Ultimate Ninja Storm like GameStop selling Canadian and French operations as CEO laments 'wokeness and DEI