Podcasts about Leos Carax

Le Pont-Neuf s'apprête à changer de visage pour devenir… une caverne. C'est l'artiste français JR, notamment connu pour ses immenses trompe-l'œil sur la pyramide du Louvre ou devant la Tour Eiffel, qui a imaginé ce nouvel habit pour le plus vieux pont de Paris.L'installation a été pensée comme un hommage à Christo et Jeanne-Claude, le couple d'artistes qui avait déjà emballé le Pont-Neuf dans plus de 40 000 de m2 de tissu doré en 1985. Avant eux, d'autres artistes ont été inspirés par le Pont-Neuf, comme les peintres Auguste Renoir et Raoul Dufy ou encore le cinéaste Leos Carax.Cet épisode de Code source est raconté par deux journalistes du Parisien : Yves Jaeglé, du service Culture, et Paul Abran, reporter à l'édition de ParisÉcoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Barbara Gouy et Clara Garnier-Amouroux - Réalisation et mixage : Pierre Chaffanjon - Photo : LP/Fred Dugit - Archives : INA, JR - Musiques : François Clos, Audio Network. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices

Continuing with the cycle theme of “Offbeat Musicals”, Julian and Madeline draw from the conception of their friendship with a joint suggestion - Leos Carax's “Annette” (2021). Joining Emilio as a first-time viewer is actor and puppeteer Kelly Autry, a friend of Madeline's since tweendom. Our two seasoned Sparks fans share their background with the musical duo, who write and compose the music for this film, and try their best to initiate those who are new to the band's unique musical style. Although many may know “Annette” as “the Adam Driver puppet musical”, the group digs into themes of originality, self-sabotage, and the nature of performance. Their opinions of the film may vary, but the group agrees that “Annette” becomes richer with a discussion among friends, and in the value of “simple stories expressed unconventionally”, in the words of past guest Shaun Seneviratne.Kelly Autry is an actor, singer, dancer, and puppeteer, who can be seen performing around New York City. Follow him on IG: @kelly_a_autryIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!Follow us on YouTube, IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Simon Helberg is best known for playing Howard in the hit sitcom "The Big Bang Theory" for 12 seasons, but he has also built a notable and varied film career working with people like Leos Carax, the Coen Brothers, and a stand-out performance opposite Meryl Streep in "Florence Foster Jenkins." For his latest, he returns to television in Jonathan Glatzer's Silicon Valley series "The Audacity" on AMC. On this episode, he talks about why he's "precious" about the first read of a script, ponders the paradox of character vs. self, shares some tidbits he gleaned from Ms. Streep, sums it all up with three important words: "Expect and Affect," plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Subscribe to Back To One on Substack Follow Back To One on Instagram

"Quand on est un homme costumier, on est un créateur. Quand on est une femme costumière, on est une couturière. Moi, je ne sais pas coudre."Anaïs Romand a créé les costumes de 49 films.Elle a redonné vie à Marguerite Duras, Charles de Gaulle, Sarah Bernhardt, Isadora Duncan ou encore Louis XVI.Nommée 9 fois aux Césars, elle en a remporté 3 en 5 ans pour Saint Laurent, L'Apollonide et La Danseuse.Formée à l'école de restauration de Rome, elle a fait ses armes auprès des grands maîtres italiens, Ezio Frigerio et Franca Squarciapino, avant de signer ses premiers costumes de films pour le cinéma français.Au micro de Céleste Touboul Durante, Anaïs revient sur sa formation italienne et son influence durable sur sa pratique, ses collaborations avec Bertrand Bonello, Guillaume Nicloux et Léos Carax, les coulisses de Saint Laurent tourné sans accès aux archives de la Fondation, et les fameux costumes lumineux de Holy Motors.Elle parle aussi avec franchise des inégalités salariales et de la méconnaissance persistante du métier de créateur·rice de costumes en France.Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Touboul Durante Logo : agence SilenzioMontage : Benjamin TouboulHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:56:05 - Les Nuits de France Culture - par : Albane Penaranda - Michel Piccoli, au micro de Serge Daney dans "Microfilms" en novembre 1986, revenait sur ses collaborations avec Leos Carax pour "Mauvais sang" et Jacques Doillon pour "La Puritaine". Il en profitait pour expliquer l'évolution de son tempérament d'acteur, nourrie par sa soif perpétuelle d'apprendre. - réalisation : Virginie Mourthé - invités : Michel Piccoli Acteur et réalisateur (1925-2020)

Forrest, Conan Neutron, and Kristina Oakes are joined by Scott Interrante and Kev Reilly to talk about Annette (2021)Leos Carax first English Language film, a Rock Opera starring Adam Driver and Marion Cotillard written by the Sparks. It took 8 years to make, partially because Adam Driver was cast and then became Kylo Ren in Star Wars. Adam Driver stars as Henry McHenry, a misanthropic Stand Up Comedian who falls in love with Anne, an opera singer and they have Annette, a wooden puppet who can sing. #annette #leoscarax #adamdriver #kyloren #standupcomedy #standup #marioncotillard #filmpodcast #film #moviemusical #sparks We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

Ryan's been on a Kylie kick which means its Anthony's problem to deal with. We didnt watch STREET FIGHTER, nor BIO DOME, no. We went big. French. HOLY MOTORS by Leos Carax, a film we're completely under-equipped to discuss but really loved anyway.Join our supporters club here for access to our first 100 episodes, plus bonus content.https://www.spreaker.com/podcast/bodegaboxoffice--1441069/support

Émission du 2 avril 2025 (00:00) - La scène de la semaine "Taxi 2" de Gérard Krawczyk(01:44) - Le générique d'ouverture(02:48) - Le sommaire(06:16) - News Nos meilleurs films avec des voitures :(22:27) - "Mad Max : Fury Road" de George Miller(28:20) - "The Rover" de David Michôd(33:39) - "Holy Motors" de Leos Carax(43:23) - "Les Muppets, le film" de James Frawley(50:46) - "Taxi" de Gérard Pirès (57:06) - La carte blanche : Quel serait notre film de voitures ultime ? (1:02:52) - Quiz "Les bagnoles au cinéma" (1:11:56) - Les Recos de l'équipe (1:15:23) - Le générique de fin Nos recos de la semaine ⤵️Le film "Le Couperet" de Costa-Gavras : https://www.filmotv.fr/film/le-couper...Le jeu vidéo "WWE 2K25" de 2K Sports : https://www.fnac.com/a21260609/WWE-2K...La Formule 1 : https://www.formula1.com/La série "The Boys" d'Eric Kripke : https://www.primevideo.com/-/fr/detai...La vidéo "LE PLUS GROS PROJET DE MA VIE ( Objectif 500 km/h )" de Sylvain Lyve : • LE PLUS GROS PROJET DE MA VIE ( Objec... Retrouvez The Cinema Show sur ⤵️Facebook : / rcmcinemashowInstagram : / thecinemashow_rcmTwitter : / thecinemashow1 #cinema #radiocampusmontpellier #thecinemashow #tcs #rcm #podcast #radio #film #critique #analyse #movie #débat #quiz #horsserie #madmax #madmaxfuryroad #georgemiller #tomhardy #charlizetheron #therover #davidmichod #guypearce #robertpattinson #holymotors #leoscarax #denislavant #lesmuppets #jamesfrawley #muppet #voiture #car #roadmovie #bagnole #vitesse #taxi #gerardpires #marseille #samynaceri #fredericdiefenthal

durée : 01:02:05 - Club Jazzafip - Le précieux comédien au tempérament de feu, révélé par Leos Carax, prend les rênes de notre programmation et partage ses coups de cœur musicaux.

Rencontre avec Denis Lavant, acteur ( vous l'avez peut-être vu dans un film de Leos Carax) et comédien (dernièrement, Denis Lavant a notamment travaillé sur des pièces de Samuel Beckett). Denis Lavant fascine à l'écran comme sur scène, tant il semble habité par ses personnages, souvent des marginaux, des excentriques. Alors nous avions l'intuition qu'il aurait deux trois choses à nous dire au sujet de la folie. Denis Lavant nous a parlé de son métier, des moments de folie que ce dernier avait pu engendrer, de la place que celle ci pouvait parfois prendre dans sa vie, de sa fascination pour ceux et celles qui avancent en dehors des lignes et de son amour pour les artistes et tout particulièrement pour les poètes qui furent considérés comme « fous ».Vous pouvez nous contacter sur notre adresse mail lesgardefouspodcast@gmail.com ou sur notre compte instagram @lesgardefousOn espère que vous allez toustes au mieuxHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Welcome back for another episode of the GGtMC!!!This week Sammy and Will discuss Bad Blood AKA Mauvais Sang (1986) directed by Leos Carax!!!Emails to midnitecinema@gmail.comAdios!!!

Dans « Spectateurs ! », actuellement en salle, son long métrage hybride, entre l'essai, le documentaire et la fiction, Arnaud Desplechin revient sur la manière dont s'est forgé son intérêt pour le cinéma. Dans ce nouvel épisode du « Goût de M », le réalisateur français de 64 ans prolonge l'exercice lorsqu'il décrit son enfance passée à Roubaix. Dans leur « maison bourgeoise », que son père, représentant de commerce, remplissait de livres et d'objets chinés, il demandait à sa mère de lui raconter les films qu'ils allaient voir et aussi les critiques parues.Aujourd'hui, le cinéaste qui se qualifie à la fois de « critique raté » et de « bon spectateur » se nourrit des discussions avec les autres pour se forger un avis sur une œuvre cinématographique. C'est une conversation sur « Miséricorde », d'Alain Guiraudie, qui lui a permis de mieux apprécier le film. Ses cinéastes fétiches français « n'ont rien à voir » avec son univers. Il s'agit Abdellatif Kechiche et Leos Carax.Bon spectateur, Arnaud Desplechin est aussi un lecteur compulsif, comme en témoigne la bibliothèque de son appartement parisien, où les livres de psychanalyse et les lectures talmudiques d'Emmanuel Levinas, côtoient l'intégrale de Shakespeare traduite au XIXᵉ siècle par François-Victor Hugo. Il conserve d'ailleurs des souvenirs puissants de « La Tempête », mise en scène par Peter Brook, ou de « Hamlet », par Patrice Chéreau.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Juliette SavardRéalisation : Emmanuel BauxMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

En este episodio estaré hablando del nuevo proyecto de Leos Carax, un mediomdtraje en el cual se hace una retrospección a su vida y carrera en el proyecto It's Not Me (C'est Pas Moi)El filme está disponible en The Criterion Channel.

On today's NYFF62 podcast, we welcome director Leos Carax to discuss his film It's Not Me, in an extended conversation with Pulitzer Prize-winning playwright and director Annie Baker. In his new film, the French cinema firebrand lovingly evokes the aesthetics of Jean-Luc Godard, paying aptly cheeky respect to the late New Wave master, his own career, and cinema itself, rummaging through a century of movies to situate his work within a continuum of the medium. To learn more and get tickets for this year's New York Film Festival, visit filmlinc.org. Enjoy this conversation with Leos Carax and Annie Baker.

durée : 00:51:59 - Les Nuits de France Culture - par : Albane Penaranda - "Boy Meets Girl" le premier long-métrage de Leos Carax est sorti en 1984. L'émission "Le cinéma des cinéastes" en profitait pour inviter le réalisateur et le chef opérateur du film Jean-Yves Escoffier. - invités : Leos Carax Réalisateur

durée : 00:07:02 - Le Masque et la Plume - par : Jérôme Garcin - Leos Carax revient avec un film-collage de 40 minutes qui revisite le XXème siècle autour de deux axes : la politique et le cinéma. Si certains critiques y ont vu un grand moment de cinéma, d'autres y ont vu un moyen métrage inconséquent et dépourvu de sens.

durée : 00:47:16 - Le Masque et la Plume - par : Rebecca Manzoni - Faut-il foncer au cinéma pour aller voir "La petite vadrouille" de Bruno Podalydès, "C'est pas moi" de Leos Carax, "Love lies bleeding" de Rose Glass, "Paradis Paris" de Marjane Satrapi et "Rendez-vous avec Pol Pot" de Rithy Panh ? - invités : Jean-Marc Lalanne, Xavier Leherpeur, Florence COLOMBANI, Murielle Joudet - Jean-Marc Lalanne : Critique de cinéma et rédacteur en chef du magazine Les Inrocks, Xavier Leherpeur : Chroniqueur et critique de cinéma (7e Obsession), Florence Colombani : Journaliste et critique cinéma (Le Point), Murielle Joudet : Critique de cinéma - réalisé par : Audrey RIPOULL

durée : 00:58:41 - Plan large - par : Antoine Guillot - Un Plan Large tout entier consacré au cinéma de Leos Carax, en compagnie de son double et muse, Denis Lavant, de sa monteuse, Nelly Quettier, et de son exégète, et étincelle de "C'est pas moi" sorti en salles ce mercredi, Judith Revault d'Allonnes ; et aussi Mathieu Macheret. - invités : Judith Revault d'Allonnes Programmatrice cinéma au Centre Pompidou; Nelly Quettier  monteuse; Denis Lavant Comédien et acteur; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

durée : 00:58:41 - Plan large - par : Antoine Guillot - Un Plan Large tout entier consacré au cinéma de Leos Carax, en compagnie de son double et muse, Denis Lavant, de sa monteuse, Nelly Quettier, et de son exégète, et étincelle de "C'est pas moi" sorti en salles ce mercredi, Judith Revault d'Allonnes ; et aussi Mathieu Macheret. - invités : Judith Revault d'Allonnes Programmatrice cinéma au Centre Pompidou; Nelly Quettier  monteuse; Denis Lavant Comédien et acteur; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

Ep. 256: Amy Taubin on Leos Carax's It's Not Me, The Shrouds, Charles Atlas, Arthur Jafa, Man Ray, and More Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The one and only Amy Taubin comes back to The Last Thing I Saw for a wide-ranging conversation about what she's been watching. That includes at least a couple of Cannes titles—Leos Carax's It's Not Me and David Cronenberg's The Shrouds—and New York repertory highlights from the spring: the enormous Charles Atlas retrospective at Anthology Film Archives (which is still ongoing through June), the Man Ray restorations touring with new Jim Jarmusch–led score, and Arthur Jafa's shattering reimagining of the brutal ending to Taxi Driver, titled “*****”, shown at the Gladstone Gallery. There are also shout-outs to the Antoinetta Angelidi revival in Prismatic Ground, a new Blu-ray of Too Much Sleep, and more. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

On episode 30 of DWTN, I'm joined by of Montreal's Kevin Barnes who has just released their latest album Lady on the Cusp. We dig into the writing and production behind the album, of Montreal's upcoming tour, and Kevin's musical background as well as the music scene in Athens, Georgia. Kevin talks about the lead single Yung Hearts Bleed Free, which was inspired by the 1984 film Boy Meets Girl directed by Leos Carax, and exploring new sonic palettes with the Yamaha TG33 and the Kawai K1M. We discuss Kevin's unique approach to song structure and lyrics, erasure writing exercises, humour and comedy, film, and being a DIY self-produced musician. We also talk about of Montreal's iconic Outback Steakhouse commercial, collaborating with Jon Brion, Solange, and Janelle Monáe, listening to albums front to back, and relocating to Vermont after almost three decades in Athens, GA. Lady on the Cusp is out now on all streaming platforms, and of Montreal begins their next tour on May 31st. Make sure to follow of Montreal on Instagram @of_montreal for cities and tour dates!

Her Perşembe saat 22.00'de Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, ilgimizi çeken konuları tartışıyoruz.00:00 | Giriş05:50 | Furiosa: A Mad Max Saga: İlk İzlenim33:05 | Frieren: Beyond Journey's End: Kısa Yorum37:30 | Netflix Türkiye'de İktidar Değişikliği44:35 | Cate Blanchett'in Cannes'daki Elbisesi50:55 | Güncel Cannes Tablosu1:03:54 | Meryem Uzerli'nin Yeni Dizisi Ru'dan Paylaşılan Görsel1:08:42 | Scarlett Johansson x OpenAI1:16:40 | Yeni X-Men Filmi Geliyor1:20:35 | Lanthimos'un Yeni Filmi 1:22:40 | CNBC-e Geri Dönüyor1:29:03 | NBA Starının Star Wars Hayranlığı1:30:35 | Benny Safdie'nin Yeni filminden İlk Görsel1:34:02 | The Witcher Yeni Sezondan İlk Görsel1:35:58 | Luca Guadagnino'nun Queer Filminden Yeni Bilgiler1:38:03 | Vizyon Filmlerinin Platformlarda Yayın Süresi Kısalıyor 1:42:20 | Beetlejuice Beetlejuice'den Yeni Afiş 1:43:57 | Alien: Romulus'tan Yeni Bir Görsel 1:44:56 | Leos Carax'ın Yeni Filmi C'est pas moi'den Yeni Görseller 1:50:00 | Söylenti: Apple'dan İzlenmeye Göre Ödeme!1:53:28 | Cannes'da NBC Dışında Türkiye'den Bir İsim Niye Yok?  

Joe, Kyle, and Rick are joined by Sam Seagroves to review 2021's Annette directed by Leos Carax with music from the Sparks. The film stars Adam Driver, Marion Cotillard, and Simon Helberg. We respectively ranked 20 songs from the massive soundtrack, as well as picked our favorite lines, characters, performers, and scenes. Enjoy!

Coming out of the COVID-led doldrums of 2020, the Cannes Film Festival loomed large as a “movies are back!!” starting gate for global cinema. Its opening film, Annette, was a long-in-development rock opera with music by cult fave Sparks and directed by visionary auteur Leos Carax, returning to the Croisette with his first film in nearly … Continue reading "278 – Annette"

French actor Juliette Binoche is known for her portrayal of emotionally complex characters. Over a forty year career, her films have included Three Colours Blue, Les Amants de Pont Neuf, Chocolat, and The English Patient, for which she won her Academy Award. Her most recent film is The Taste of Things, a French drama about a cook and the gourmet she works for, in which she stars opposite Benoît Magimel.Juliette Binoche talks to John Wilson about an early moment of revelation, watching Peter Brookes' production of Alfred Jarry's play Ubu Roi at in Paris in 1977, which first made her realise she wanted to act. She explains the influence of her acting coach Véra Gregh, who helped her to understand the difference between "acting" and "being". She also recalls her experiences working with some of the most acclaimed film directors; Jean-Luc Godard on Hail Mary; Leos Carax on Les Amants du Pont-Neuf; Krzysztof Kieślowski on Three Colours: Blue; and Anthony Minghella on The English Patient.Producer: Edwina Pitman

Brady, Josh, and Alison take appointments with Holy Motors - the 2012 French film directed by Leos Carax starring Denis Lavant.Plus!I Know Who Killed Me, The Act of Killing, Sins of the Fleshopoids, Gothic, Visitors From The Arkana Galaxy, alligator franchises, working with lasers and custom motorbikes!Send submissions to our Child Throwing and Man on Fire lists!Leave us a voicemail! We'll play it on the show. Check out the Solid Six Store!Letterboxd: Alison, Josh, BradyEmail us - podcast@solidsix.netFollow us on Instagram, Facebook, and TwitterLeave a review on Apple Podcasts and Spotify!

durée : 00:58:40 - Catherine Deneuve, célébration d'une star (3/3) : Des années 1990 à nos jours - par : Thierry Jousse - Suite et fin de notre saga musicale dédiée à une actrice très aventureuse, Catherine Deneuve, avec quelques incursions dans l'univers de cinéastes plus contemporains tels que Leos Carax ou Lars Von Trier…

Cade, Diane, and Sam Carrico of The Film Fanclub Show discuss two films starring Adam Driver: Annette (2021) and While We're Young (2014). Watch the video version at: ⁠⁠YouTube.com/@CadeThomas/streams⁠⁠ Check out Sam's YouTube channel here: ⁠YouTube.com/@TheFilmFanclub⁠ Double Feature Movie Club is a weekly movie review show with a retro vibe. Two movies. Three people. One rambling conversation. Each film is our first time watching them. We often go off-topic. Annette is a 2021 musical romantic drama film directed by Leos Carax in his English-language directorial debut. The film's story and music were written by Ron Mael, Russell Mael, and Leos Carax, with lyrics co-written by Leos Carax. The film, which has been described as a rock opera, follows a stand-up comedian (Adam Driver) and his opera singer wife (Marion Cotillard), and how their lives are changed when they have their first child. Simon Helberg and Devyn McDowell also appear. While We're Young is a 2014 American comedy-drama film written, produced, and directed by Noah Baumbach. The film stars Ben Stiller, Naomi Watts, Adam Driver, and Amanda Seyfried; its plot centers on a New York–based documentary filmmaker and his wife, a couple in their 40s, who develop a friendship with a couple in their 20s.

paypal.me/LibroTobias Esta semana en nuestra “Sección principal” os hablo de “Holy Motors”, película de culto instantáneo premiada en Cannes que supone el regreso de Leos Carax 13 años después de "Pola X". Está protagonizada por Denis Lavant y Edith Scob. Además en nuestra sección “El callejón oscuro” os traigo a Robert Rhodes, conocido como el “Asesino de la gasolinera” un asesino en serie y violador condenado por tres asesinatos pero del que se sospecha pudo matar a más de 50 personas. Tiempos: Sección principal: del 00:03:50 al 02:18:15 Sección “El callejón oscuro”: del 02:18:16 al 03:15:30 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Pour ce nouvel extrait, Charles Gillibert, producteur de cinéma français et fondateur de CG Cinéma, nous parle des coulisses du fameux film "Annette" de Leos Carax, qui a ouvert le Festival de Cannes en 2021. Comment s'est passé la production du film ? Le lancement ? Quelles ont été les retombées ? Est-ce que ça s'est passé comme prévu ? Découvrez le dans cet extrait passionnant, à l'occasion de la sortie du dernier épisode TheBoldWay. Pour plus d'inspiration et de contenus exclusifs, inscrivez-vous à la newsletter TheBoldWay : https://www.theboldway.fr/newsletter La newsletter TheBoldWay, c'est chaque jeudi un mail court mais impactant avec des contenus exclusifs, des idées et des ressources pour vous aider à progresser et innover. PLUS, lorsque que vous vous inscrivez, vous recevez le best of du podcast : les 12 leçons les plus importantes que j'ai tirées de presque 400 interviews, ainsi que les playlists de mes épisodes préférés et les plus écoutés. Pour vous inscrire, cliquez ici ! Nb: TheBoldWay ou The Bold Way, anciennement connu sous le nom de Entreprendre dans la mode ou EDLM , est un podcast produit et réalisé par Adrien Garcia.

➜ La Newsletter de TheBoldWay : https://www.theboldway.fr/newsletter Plongez dans l'univers passionnant de Charles Gillibert, un producteur de films au parcours audacieux, à travers ce nouvel épisode inédit. De la création de sa propre société de production à 17 ans à sa collaboration avec le prestigieux MK2, Charles partage sa vision unique du cinéma et dévoile les secrets de la production cinématographique. En 2013, il marque un tournant en fondant la société de production CG Cinéma, qui a été derrière la production de nombreux films français à succès. Il a produit des films prestigieux tels que "Mustang" de Deniz Gamze Ergüven, qui a été nommé pour l'Oscar du meilleur film en langue étrangère, ou encore “Annette”, de Leos Carax qui a ouvert le Festival de Cannes en 2021 et a remporté de nombreux prix. En dévoilant comment il a joué un rôle clé dans le lancement de films acclamés et comment il a navigué dans le paysage cinématographique en constante évolution, Charles Gillibert offre un aperçu précieux de son métier de producteur. Que vous aspiriez à entrer dans le monde du cinéma ou que vous soyez simplement curieux des coulisses de la création cinématographique, cet épisode est fait pour vous. ➜ Retrouvez toutes les références et les photos prises lors de l'enregistrement sur www.theboldway.fr Ce que vous allez apprendre dans cet épisode : Le parcours professionnel de Charles Les origines et motivations de son parcours Ses débuts chez MK2 et ses apprentissages avec MK2 Productions La genèse de CG Cinéma Les difficultés rencontrées Comment produire un film et orchestrer le lancement L'histoire du lancement de "Mustang" et d”Annette” L'acquisition de Losange Productions L'histoire derrière "L'Entrepôt" Son rapport au succès Sa gestion de son temps et son rapport à la confiance en soi Ses conseils pour produire son premier film Qui il souhaiterait entendre dans ce podcast Références : Personnalités : Nathanaël Karmitz : Fils du fondateur du Mk2 et associé de Charles Fabrice Gobert : Réalisateur de Revenants qui a participé au Prix Kieslowski Jeff Mills : Pionnier de la musique techno qui a composé pour de nombreux films Nathalie Vallois : Galeriste à la Galerie Georges-Philippe & Nathalie Vallois, rue de Seine Olivier Assayas : Réalisateur de Sils Maria produit par CG Cinéma et L'heure d'été produit par MK2 Productions Leos Carax : Réalisateur français Xavier Dolan : Réalisateur québécois Elsa Keslassy : Rédactrice en chef de Variety Jean Eustache : Réalisateur français de la Nouvelle Vague Alexis Dantec : Producteur de films et directeur de Les Films du Losange avec Charles Gillibert Barbet Schroeder, Éric Rohmer : Fondateurs de Losange Production Stéphane Magnan : Associé de Charles pour l'Entrepôt Leïla Slimani : Journaliste et écrivaine qu'il souhaiterait entendre dans ce podcast Sociétés de production : Nada : Société de production fondée par Charles Gillibert et Nathanaël Karmitz CG Cinéma : Société de production fondée par Charles Gillibert MK2 : Société de production, de distribution et ventes internationales de films, et d'exploitation de salles de cinémas, fondée en 1974 par Marin Karmitz Les Films du Losange : Société de production française, créée par Barbet Schroeder, Éric Rohmer et Pierre Cottrell en 1962, puis rachetée par Alexis Dantec et Charles Gillibert Films : Mustang : Film de Deniz Gamze Ergüven produit par GC Cinéma Annette : Film de Leos Carax produit par GC Cinéma La maman et la putain : Film de Jean Eustache produit par Les Films du Losange L'heure d'été : Film de Olivier Assayas produit par MK2 Productions On the road : Film de Walter Salles produit par MK2 Productions Sils Maria : Film de Olivier Assayas produit par GC Cinéma Festivals et prix : Prix Kieslowski : Concour fondé par Charles Gillibert et Nathanaël Karmitz Festival de Cannes : Festival de cinéma international Les Césars : Récompenses cinématographiques françaises Festival international du film de Toronto : Festival de cinéma annuel non-compétitif qui se tient en septembre à Toronto Autre : Troublemakers : groupe de musique électronique français Entrepôt : Complexe de salles de cinéma français, abritant un restaurant, une salle de concert et une galerie d'exposition, situé à Paris 14e. Maison Chanel : Habilleur officiel des actrices du film Mustang au Festival de Cannes CNC : Centre national du cinéma et de l'image animée TheBoldWay ou The Bold Way, anciennement connu sous le nom de Entreprendre dans la mode ou EDLM, est un podcast produit et réalisé par Adrien Garcia.

We near the end of Jess Byard July, this year all about surrealist films, with a Leos Carax film that flew under our radar for way too long but no longer, Holy Motors. The Projection Booth's Mike White joins the episode to talk about French surrealism, Denis Lavant's performance, and the multilayered interpretation.Starring Denis Lavant as Mr. Oscar, it follows him around the city of Paris as he goes from job to job portraying bizarre, upsetting, and even mundane characters. It's musing on the world of acting and the job that actors play in the media they create. It's more fun than most things you'll see coming out of the big Hollywood system in the ten years.For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2883470/advertisement

durée : 00:53:11 - Certains l'aiment Fip - Après la sortie de leur 26ème album, les frères Mael du groupe culte californien évoquent leur rapport intime avec les musiques de film et le cinéma de Hong Kong, de Jacques Tati, Jacques Demy, Cate Blanchett, Henry Fonda ou Leos Carax.

Join The Kernels as they dissect Leos Carax's 2012 oddball odyssey: 'Holy Motors'.Criticising the choices of Carax, cinematic surrealism, and menacing man-hoods - The Kernels share their likes, dislikes, ratings, & even treat you to both an original song, AND a unique game where they create a movie trailer.Enjoy you flourishing flowers!Thanks for popping by. We hope you enjoy The Podcorn Kernel Podcast. Please get in touch with any praise, criticism, feedback or advice.Compliments will be greeted with kindness. Criticism will be catered to with carnage. Contact us at : thepodcornkernels@gmail.com or find us on us on the following social platforms:Instagram: thepodcornkernelsThreads: thepodcornkernelsTwitter: @podcornkernelsWebsite: thepodcornkernels.co.ukTikTok: @thepodcornkernels

durée : 00:54:49 - Certains l'aiment Fip - Interview et balade autour de l'univers musical du comédien prolifique et icône de Leos Carax.

Patty and JD discuss the strange details of the movie Annette, directed by Leos Carax.

On the return (for the final time?) of FORGOTTEN GEMS? we're watching Denis Levant and Mireille Perrier in Leos Carax's feature debut BOY MEETS GIRL from 1984. Equal parts dark comedy, and tragic (sometimes surreal) romance, the film brings two recently jilted lovers together (eventually) despite the omnipresent distractions of tap dancing, music, pinball, and just trying to exist in your early 20s. It's stirring, odd, and captivating, but did we understand any of it? Listen and find out! 

A note! There is a VERY important message at the top of this show. But, as always, the “Cinephile Cuties” are ready to go to some appointments. That's because they're chatting about the 2012 film by Leos Carax - ‘Holy Motors.' If you like this show, join our Patreon!Follow Farthouse on Twitter and InstagramFollow Patrick and Casey on TwitterAnd follow Patrick and Casey on Letterboxd

Amy Taubin on Tribeca 2022 + Leos Carax's Pola X (extended TV version) + Artists Space Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week I was delighted to catch up with Amy Taubin to discuss the latest edition of the Tribeca festival and other recent viewing. We share some of our highlights from the festival, and we also mull the recently surfaced, extended TV version of Pola X from director Leos Carax. Plus: the Attention Line exhibition at Artists Space. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Elliott Gould plays an “apathist” photographer and Adam Driver a confrontational comedian who take center stage - with varying degrees of enthusiasm -- as we discus Alan Arkin's early ‘70s satire Little Murders and Leos Carax's 2021 musical extravaganza Annette. “ so much of a piece, so consistent on its own terms, that while you're watching it, it doesn't even feel like satire: just real life, a little farther down the road.” -Roger Ebert What does a bleak adaption of a late 60s stage satire about the prevalence of violence in modern US American life have to do with a stylized, surrealistic Sparks-penned musical about two performers in love and their puppet baby? Is heterosexual romantic love doomed to fail? What pivotal events in act two cement the fates of these characters, and the thematic connections between these films? Who is hotter, Elliott Gould or Adam Driver? Join us for urgent answers to these burning questions, and oh so much more! Transcript Here Links Roger Greenspun reviewed Little Murders in the New York Times AO Scott reviewed Annette in the New York Times Shelia O'Malley reviewed Annette for Ebert.com Ebert himself reviewed Little Murders Justine Smith - Annette brings toxic masculinity to the musical rom-com (Cult MTL) Richard Brody - Leos Carax is Limited by Adam Driver's Star Power (The New Yorker) Beatrice Loayza - Leos Carax on Annette and the Cinema of Doubt (The New York Times) Jonathan Romney - Annette Cannes Review (Screen Daily) Ben Sachs - The still-relevant satire Little Murders is the best movie in town this week(Chicago Reader) Rob Hunter - Little Murders is a Bleakly Cynical Gem with Big Laughs (Film School Rejects) Little Murders Review (Film Authority) Marriage Story is on Netflix (watch from 1hr 57 min to 2hrs 4 min to see the two scenes featuring Sondheim songs we discuss) We're also on twitter, instagram, Patreon, and have a website Sean on twitter and IG Nicole on twitter and IG All music in the episode is by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4552-twisted License: http://creativecommons.org/licenses/by/4.0/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thecelluloidmirror/message

Nicole tells you all about what's coming next week from The Celluloid Mirror -- puppet babies and experimental theater via Leos Carax's Annette (2021) starring Adam Driver and Marion Cotillard, and Alan Arkin's Little Murders (1971) starring Elliott Gould and Marcia Rodd! We've got a few clips from that upcoming episode as well as listener feedback on our Josie and The Pussycats/Speed Racer Discussion. Is it fair to call the Speed Racer ninjas "evil"? How about comparing Josie to Luke Skywalker? Let's get into it! Plus, hear about the NYC premiere of Audre's Revenge and Monika Estrella Negra's Bitten, A Tragedy at The Art of Brooklyn Film Fest and upcoming 6/26 screening at Queer Arts Festival in Vancouver. Leave us a voice message to share your thoughts about the show Get TCM episodes before the drop publically plus bonus episodes, uncut video of our recording sessions featuring stuff that didn't make it to the final show, games, invitations to events, Discord access and so much more by subscribing to our Patreon We're also on twitter, instagram and have a website Sean on twitter and IG Nicole on twitter and IG All music in the episode is by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4552-twisted License: http://creativecommons.org/licenses/by/4.0/ --- Send in a voice message: https://anchor.fm/thecelluloidmirror/message

"Annette" premiered earlier this year at the Cannes Film Festival and is now streaming on Amazon Prime Video. The film has confounded audiences with its rock-musical brilliance and mad storytelling from the unique mind of Leos Carax. While a lot of praise was directed towards Carax's vision and Adam Driver's leading performance, we think Simon Helberg deserves some awards consideration for his role as The Accompanist. Simon was kind enough to spend some time talking with us about his work on the film, which can be listened to down below. Enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

This week we're talking about the controversial new Leos Carax film, ‘Annette.' And don't worry, we definitely discuss that one scene – A.K.A. “cunni-sing-us.” Plus, we talk about the unique career of Adam Driver. And, as always, we've got ‘Staff Picks.'In news, Paramount pushes several releases, Lilly Wachowski explains why she's not working on ‘The Matrix Resurrections,' and David Dastmalchian has some homework assignments for everybody.This podcast is sponsored by BetterHelp and Maximum Film listeners get 10% off their first month at BetterHelp.com/MAXFILM.Go to Soylent.com/maxfilm and use code MAXFILM to get 20% OFF your first order.Staff Picks:Ify – La La LandAlonso – The Umbrellas of CherbourgDrea – No Man of GodWith Ify Nwadiwe, Alonso Duralde, and Drea Clark

Let's all take a metaphorical and horrifying trip down to Tampa as we discuss Janicza Bravo's Zola. Based on the viral Twitter thread by A'Ziah “Zola” King, the Maximum Film! gang dissects the movie and discerns whether the filmmaker was successful in adapting the thread to the big screen. Plus, they answer a call from the ‘Hotline' about their favorite “Up All Night” movies. And, as always, we've got ‘Staff Picks.'In news, Adam Driver sings in an “interesting” position for the movie Annette, Colman Domingo is exhausted by depictions of Black trauma, and Tom Hardy gets a “story by” credit on the Venom sequel.Staff Picks:Ify – The Treasure of the Sierra MadreDrea – Werewolves WithinAlonso – ParentsWith Ify Nwadiwe, Drea Clark, and Alonso Duralde