Podcasts about design museum london

In this episode of the Conscious Design Podcast, host Ian Peterman talks with Manuel Jiménez García, co-founder and CEO of Nagami, to explore the cutting-edge world of 3D printing technology and recycled plastics. Learn how Nagami turns plastic waste into high-tech 3D printed architecture!. Manuel shares the inspiring origin story of Nagami, the challenges of scaling large-scale 3D printing, and their mission to promote the circular economy. If you're curious about eco-friendly design, reducing plastic waste, or the future of sustainable manufacturing, this episode is for you! Notable Moments: 00:00 - Guest Introduction 00:38 - The Origin Story of Nagami 02:18 - From Research to Real-World Impact 15:01 - Scaling and Exploring New Materials 25:02 - Sustainable and Personalized 3D Printing 35:48 - Future Goals and Architectural Innovations About Manuel Jiménez García and Nagami Manuel Jiménez García is the co-founder and CEO of the robotic 3D printing and design brand Nagami, based in Ávila, Spain. He is also the co-founder of Automated Architecture Ltd (AuAr), a design-tech company specializing in robotically assembled housing based in London, and the founder and principal of madMdesign, a computational design practice also based in London. For over a decade, Manuel has developed a wide variety of projects focused on computational design, automation, and sustainable building methods, particularly large-scale 3D printing using recycled plastics. His work is part of the permanent collection at the Centre Pompidou (Paris) and has been exhibited worldwide in venues such as the Victoria & Albert Museum (London), Canada's Design Museum (Toronto), The Design Museum (London), the Royal Academy of Arts (London), the Zaha Hadid Design Gallery (London), and the Philadelphia Museum of Art. In addition to his practice, Manuel is an Associate Professor of Architecture at The Bartlett School of Architecture, UCL (London). He serves as the Programme Director of the MSc/MRes Architectural Computation (AC) and is the Unit Master of AD-RC4, both part of The Bartlett B-Pro. He is also the co-founder of UCL AUAR Labs and curator of Plexus, a multidisciplinary lecture series focused on computational design. Nagami was founded in 2006 by Manuel Jiménez García, Miguel Ángel Jiménez García, and Ignacio Veguera Ochoa. The company works closely with its partners to meticulously craft every detail, from early ideation through design, development, and production, with boldness and innovation at the core of every creation. The team at Nagami comprises architects, engineers, designers, researchers, and professionals from various fields specializing in technology, robotics, and sustainability. Together, they work daily to push the boundaries of imagination into uncharted territories. Nagami is a multidisciplinary team of brilliant minds with a shared goal: to create a new reality through 3D printing. Learn More about Manuel Jiménez García and Nagami Linkedin: https://www.linkedin.com/company/nagami-design/ Facebook: https://www.facebook.com/Nagami.DesignInstagram: https://www.instagram.com/nagami.design Youtube: https://www.youtube.com/channel/UCaDv9GWjlV9H6hk-RLIomSg Website: https://nagami.design/es/ YouTube Channel: http://bit.ly/3sG7VEi Blog: https://bit.ly/3kltV6s Conscious Design Book: https://www.amazon.com/dp/B09KNMN9BT Join our Newsletter: https://bit.ly/2U8IlMS Visit our website: https://www.petermanfirm.com/ We created this content so that creative entrepreneurs like you can integrate social and environmental responsibility into your brand's DNA through #ConsciousDesign. Ian Peterman, the leading expert in Conscious Design, hosts the Conscious Design podcast and is the co-author of the book "Conscious Design." If you enjoyed this episode, give it a thumbs up, subscribe to our channel, and share it with your network! Let us know in the comments what excites you most about sustainable 3D printing.

Today on Mushroom Hour we have the opportunity to speak with Maurizio Montalti. Maurizio Montalti is a designer, researcher, educator and entrepreneur. Working at the junction of design and biotech, he is one of the early pioneers committed to the study and development of wide-ranging mycelium-based technologies and products. Maurizio is Chief Mycelium Officer, Chairman, and co-Founder of SQIM, the (bio)technology company developing innovative processes and products by unravelling the potential of mycelium as key biofabrication agent and technology, for application and use across different industries, as fundamentally rooted in the valorisation of residual materials' streams by means of microbial fermentation. As (bio-)technological holding, today SQIM serves its two verticals/brands: MOGU (biomaterials/products dedicated to interior design and architecture) and EPHEA (biomaterials/products dedicated to fashion, automotive, etc.). Maurizio's work has been honoured with multiple awards, widely featured in the global media, and exhibited worldwide in prestigious musea, galleries, and institutions, including Museum of Modern Art (New York), Centre Pompidou (Paris), Design Museum (London), Triennale (Milano), MAXXI (Rome), and MAK- Museum of Applied Arts (Vienna), among others.   TOPICS COVERED:   Into the Spiraling Vortex of Mycelium   From Degradation of Waste to Regenerative Materials   Mogu Acoustic Collection   Selecting Fungal Species & Strains as Materials   Standardizing Unpredictable Myco-Materials   Can Organisms Retain Agency when Enlisted to Human Scientific and Economic Endeavour?   Wild Genetic Variation within Fungal Species   Fungal Strains SQIM Collaborates With   Becoming Fluent in the Language of Fungi    Living Buildings & Autonomous Biowelding   “Ephea” Leather and Fabric Product Lines   Scaling SQIM & Modular Mycelium Production   Circular Production Processes, Seeing Waste as a Resource   Fungi in Space   EPISODE RESOURCES:   Mogu Website: https://mogu.bio/   Mogu IG: https://www.instagram.com/mogumycelium/   Fungal Architecture Project: https://www.fungar.eu/   Officina Corpuscoli: https://www.corpuscoli.com/   Schizophyllum commune (AKA Split Gill Mushroom): https://en.wikipedia.org/wiki/Schizophyllum_commune   "Braiding Sweetgrass": https://milkweed.org/book/braiding-sweetgrass   "Designs for the Pluroverse": https://www.dukeupress.edu/designs-for-the-pluriverse   "Mushroom at the End of the World": https://press.princeton.edu/books/paperback/9780691220550/the-mushroom-at-the-end-of-the-world   

Osman Yousefzada is a celebrated multi-disciplinary artist whose global fashion label is worn by celebrities including Beyoncé, Lupita Nyong'o, Thandiwe Newton, Gwen Stefani, Emma Watson and Freida Pinto. In The Go-Between, his coming-of–age memoir, he describes his upbringing amidst a conservative Pakistani/Afghan Pashtun community. Living in the red-light district of central Birmingham, he had to balance Western school teachings with cultural traditions, weaving between worlds and struggling with the dual burdens of racism and community expectations. Osman has exhibited at the Victoria & Albert Museum, Design Museum London, Ringling Museum in Florida and Cincinnati Art Museum in Ohio. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

Martí Guixé (*1964) ist ein spanischer Designer, der in Barcelona und Berlin lebt. Studium der Innenarchitektur an der Elisava in Barcelona und des Industriedesign an der Scuola Politecnica di Design di Milano. 2001 etablierte er den Begriff "Ex-Design", um sich gegen die begrenzten Möglichkeiten des traditionellen Designers zu positionieren. Er lehnt Design als stilisiertes Objekt und Form ab. Anstatt bestehende Produkte umzugestalten, will er unsere Art und Weise des Sehens und Denkens verändern. Sein Ansatz spiegelt sich in der häufigen Verwendung von Wegwerf- oder Billigmaterialien und dem flüchtigen Charakter vieler seiner Arbeiten. Seine Sensibilität für schnell verfügbare, auf den Massenkonsum ausgerichtete Materialien, hat ihn zu einem wichtigen Innovator im Food-Design gemacht. Er verstand das Food-Design als Möglichkeit, Strukturen rund um Lebensmittel, die Industrie und den Verbraucher neu zu bewerten und zu gestalten. Er arbeitete im kommerziellen Bereich für Marken wie Camper, Alessi, Danese, Dentsu, Desigual, Drill, Droog Design, Magis, Nani Marquina, Vitra und andere. Auf er anderen Seite weckten seine Arbeiten raschweckten das Interesse der Kunstwelt. Seine Entwürfe, Installationen und Performances wurden in zahlreichen internationalen Gruppen-Asusstellungen und Einzelprojekten gezeigt, darunter im MOMA, Centre Georges Pompidou, Design Museum London, Centre d'Art Contemporain Genève, National Art Center Tokyo und Museum für angewandte Kunst.

What will the future hold for cities, work and mobility? Will the car continue to dominate the urban landscape or are new ways of doing things possible? And if new ways are possible, what will that mean for the way we live and work? In this episode of the Brain for Business, Brain for Life podcast we talk to Professor Jeffrey Schnapp, Chief Visionary Officer of Piaggio Fast Forward and discuss how new forms of mobility will change the way we live and work. About Jeffrey... Founder/faculty director of metaLAB (at) Harvard and faculty co-director of the Berkman Klein Center for Internet and Society, Jeffrey Schnapp holds the Pescosolido Chair in Romance Literatures and Comparative Literature, and is on the teaching faculty in the Department of Architecture at Harvard's Graduate School of Design. His most recent books include The Electric Information Age Book([Princeton Architectural Press 2012]); The Library Beyond the Book (Harvard University Press 2014), a publication co-authored with Matthew Battles that explores future scenarios for libraries in the digital age; Digital Humanities (Egea 2015), an essay on cultural heritage management issues recently published in Italian in the Meet the Media Guru series; Forthcoming in late 2016 is an extended essay on mobility and the 130 year history of the Piaggio Group, entitled FuturPiaggio (Rizzoli). He is the editor of the metaLABprojects series with MIT Press. After three years of service as co-founder and CEO at Piaggio Fast Forward, Schnapp assumed the new position of Chief Visionary Officer effective June 2018. Piaggio Fast Forward is a subsidiary of the Milan-based Piaggio Group, known throughout the world for iconic vehicles like the Vespa and iconic brands like Aprilia and Moto Guzzi. Piaggio Fast Forward's first generation of robotic vehicles has received worldwide coverage on television, radio, and the www. Its mobile-carrier gita has also won numerous design and engineering awards, including selection as one of the 2018 Beazley Best Designs of the Year at the Design Museum (London) and a 2020 Red Dot award for “Best of the Best” in innovative new products. gita was launched on the US market in late 2019 and is undergoing further testing at the UK's UK National Innovation Centre for Ageing at Newcastle University. For more information visit https://mygita.com/

Once every series I dispense with the show’s material-based format and devote an episode to someone with an overview of the field. And I can think of few people with more knowledge about design and architecture than Deyan Sudjic. The former Blueprint and Domus editor is currently director of the Design Museum London, as well as being a prolific author, essayist and curator.Over the course of our chat we touch on an array of subjects including: becoming an Oz Kid in the ’70s and the obscenity trial that ensued; growing up with his Yugoslavian parents; why he was a useless architecture student; starting Blueprint magazine from his Docklands flat; taking over the Design Museum in controversial circumstances; the decision to move the museum; and how our arts institutions should be funded in the future. It is by turns eclectic, insightful and fascinating stuff from a man who really knows his design onions.

20 years after the death of American director Stanley Kubrick, the Design Museum London opens 'Stanley Kubrick: The Exhibition'. 2001: A space Odyssey, Full Metal Jacket, A Clockwork Orange, The Shinning… Adrienne Groen, co-curator of the show, talks to us about what the 'Kubrick method', from his obsession with details to the use of new technologies, as well as drawing on famous painters and designers to create his sets.   www.culturealt.com Instagram @maiamorgen

Dr. Helga Schmid ist eine Design Researcherin sowie Kommunikations- und Experience Designerin aus Deutschland. Seit einigen Jahren lebt und arbeitet sie in London. Helga hinterfragt mit gestalterischen Experimenten das herkömmliche westliche Verständnis von Zeit. Momentan ist sie Designer in Residence im Design Museum London, und Senior Tutor in Communication Design am Royal College of Art. - In dieser Folge angesprochene Themen: 04:36 — Vorstellungsrunde 14:36 — Chronodesign 17:08 — Circadianer Rhythmus 17:53 — Uchronie als temporale Utopie 20:10 — 8-Tage-Woche 22:02 — Buckminster Fuller — Uberman Prinzip 22:28 — Polyphasic Sleep Society 23:59 — Der Tag in 7 Phasen 27:20 — Der Zeitgeber 33:06 — Unlearning Time | Olafur Eliasson 34:56 — Chronobiologe Jürgen Aschoff 37:06 — Der circadiane Raum - »Gesprächszeit« ist ein Teil unserer Masterthesis »Gestaltungsmöglichkeiten subjektiver Zeitempfindung«. Wenn Du mehr erfahren willst, kannst du unter http://dominikus-frank.com/masterthesis/ tiefer in die Wolke der Zeitempfindung eintauchen.

Studio Banana TV interviews Deyan Sudjic, acclaimed architecture critic and director of the Design Museum London.

From sleek laptops to shiny new cars, objects enthrall us. Objects seem capable of manipulation and seduction, building and sustaining a desire for design, even over performance, function and a fair price. Deyan Sudjic, Director of the Design Museum London and author of The Language of Things: Understanding the World of Desirable Objects, visits Zócalo to explore the power of design and what it means for art and commerce.