Podcasts about Docklands

Jeffrey Gibb Kennett AC (born 2 March 1948) is an Australian former politician who served as the 43rd Premier of Victoria between 1992 and 1999, Leader of the Victorian Liberal Party from 1982 to 1989 and from 1991 to 1999, and the Member for Burwood from 1976 to 1999. He is currently a media commentator. He was previously the president of the Hawthorn Football Club, from 2005 to 2011 and again from 2017 to 2022. He is the founding Chairman of beyondblue, a national mental health advocacy organisation. Early life The son of Kenneth Munro Gibb Kennett (1921–2007), and Wendy Anne Kennett (1925–2006; née Fanning), he was born in Melbourne on 2 March 1948. He attended Scotch College; and, although an unexceptional student academically, he did well in the school's Cadet Corps Unit. He also played football (on the wing) for the school.  His failure to rise above the middle band academically almost led him to quit school in Fourth Form (Year 10 – 1963), but he was persuaded to stay on. His Fifth and Sixth Forms were an improvement, but he was still described in school reports as "[a] confident and at times helpful boy. Sometimes irritates. Sometimes works hard" (1964), and "[a] keen, pleasant, though sometimes erratic boy" (1965). After leaving school, Kennett was persuaded by his father Ken to attend the Australian National University in Canberra, but lost interest and left after one year of an economics degree. He returned to Melbourne and found work in the advertising department of the retail giant Myer – kindling an interest for advertising that would one day earn him his living. Kennett's life in the regular workforce was cut short when, in 1968, he was conscripted into the Australian Army.[9] Kennett was selected for officer training and graduated third in his class from the Officer Training Unit, Scheyville (OTU), near Windsor, New South Wales, outside Sydney. He was posted to Malaysia and Singapore as Second Lieutenant, commander of 1st Platoon, A Company, 1st Battalion, Royal Australian Regiment (1RAR). This military career (and his earlier experience in the Scotch College Cadet Corps) has been noted by many biographers as an essential formative influence on the adult Kennett's character. His sense and regard for hierarchical loyalty, punctuality, and general intolerance of dissent or disobedience may be traced to this period. Kennett returned to civilian life in 1970, reentering a divided Australian society, split by the Vietnam War, of which Kennett was a firm supporter. Having returned to Myer, Kennett became impatient with his work, and so with Ian Fegan and Eran Nicols, he formed his own advertising company (KNF) in June 1971. Thereafter, in December 1972, Kennett married Felicity Kellar, an old friend whom he had first met on a Number 69 tram on the long trips to school. Their first son was born in 1974, followed by a daughter and two more sons. Political career Kennett was elected as a Liberal Member of the Victorian Legislative Assembly (MLA) for Burwood in 1976, having had an interest in local politics since the early 1970s.[14] His preselection for the seat reportedly irritated then Premier Dick Hamer, who disliked Kennett's campaigning style, and had endorsed the sitting member, Haddon Storey. However, by 1981, Kennett was promoted to Cabinet as Minister for Housing and Minister of Immigration and Ethnic Affairs. He was one of several younger MPs whom Hamer promoted to Cabinet in a bid to renew his government. Kennett retained his post when Hamer was replaced as Liberal leader and Premier by Lindsay Thompson in June of that year. Following the defeat of the longstanding Liberal government in 1982, Kennett was the leading candidate to replace Thompson despite being the youngest member of the outgoing government. On 26 October, he was elected leader of the Liberal Party and hence Leader of the Opposition. He took an aggressive posture against the Cain government, and was often criticised for his "bull-in-a-china-shop" style and his anti-government rhetoric. Under his leadership, the Liberals were heavily defeated by Labor in 1985. Afterwards he faced a challenge to his leadership of the party from Ian Smith. Kennett survived easily, but increasingly, he was seen as an erratic and unapproachable leader. He faced two more challenges to his leadership in 1986 and 1987. In 1987, in one notable incident Kennett referred to the Federal Liberal leader John Howard as a 'cunt' in a mobile telephone conversation with Howard rival Andrew Peacock. The car-phone conversation damaged both Howard and Kennett politically, but aided Peacock in his push to return as Federal Liberal leader (1989). Toward the end of its second term the Cain government had lost support and the Liberals were expected to win the 1988 election. The Liberal vote indeed rebounded strongly – they won a majority of the two-party vote – however much of this margin was wasted on landslide majorities in their heartland. As a result, the Liberals took only one seat from Labor in the capital, and were left four seats short of a majority. Failing to become premier, Kennett was again criticised within his own party, and in 1989 he was deposed in favour of a little-known rural MLA, Alan Brown. Kennett's performance during his first stint as Liberal leader is a matter of debate. Economou sees his 1985 and 1988 election campaigns as weak, while Parkinson believes he was a significant asset in pushing the Labor government of John Cain in several key seats. First term as premier Kennett publicly pledged never to attempt a return to the Liberal leadership. However, when Brown proved unable to challenge the government effectively, he allowed his supporters to call a spill in 1991. Brown realised he didn't have enough support to keep his post and resigned, allowing Kennett to retake the leadership unopposed. With Victoria facing billions of dollars of debt, Kennett was seen as "Premier-in-waiting" from the moment he retook the leadership. Cain had resigned a year earlier in favour of Deputy Premier Joan Kirner, who was unable to regain the upper hand despite being personally more popular than Kennett. The Liberals' advantage was strengthened by an important decision taken during Brown's brief tenure as leader—negotiating a Coalition agreement with the National Party. The Liberals and Nationals have historically had a strained relationship in Victoria; they had sat separately for most of the second half of the 20th century. It had been believed that Kennett had been denied victory in 1988 due to a large number of three-cornered contests in rural seats. The Coalition went into the October 1992 state election as unbackable favourites, having been ahead in opinion polling by large margins for almost two years. They stoked the voters' anger with a series of "Guilty Party" ads, targeting many Labor ministers and highlighting concerns in their portfolios. In the second-largest defeat that a sitting government has ever suffered in Victoria, the Coalition scored a 19-seat swing, attaining a 16-seat majority in the Legislative Assembly. The Liberals won 52 seats, enough for a majority in their own right. Nevertheless, Kennett supported his coalition partner, retaining the Nationals in his cabinet. State school closures In the first three years of office, funding for public schools and the Department of Education was substantially reduced. 350 government schools were closed, including every Technical High School ("Tech") in Victoria, and 7,000 teaching jobs eliminated. The Tech School closures had a widespread, delayed effect two decades later when a skilled labour shortage in the state was declared by the government, attributable largely to the generation of children who were denied a trade-focused high school education, significantly reducing the number of school leavers commencing trade apprenticeships. The few who did so were insufficient to counterbalance the number of retiring tradespeople in the coming years. This directly resulted in the number of Skilled Migrant (subclass 190) visas being made available each year increasing to 190,000 from 2012 and an active campaign to entice migrants with trade qualifications to Victoria. Public transport Other controversial moves included the sacking of 16,000 public transport workers in a major technological upgrade of the system, and the initiation of a major scheme for privatisation of state-owned services, including the electricity (SECV) and gas (Gas and Fuel Corporation of Victoria) utilities, the ambulance service, as well as several prisons and other minor services. The sale of the Totalisator Agency Board raised $609 million. Between 1995 and 1998, $29 billion of state assets in gas and electricity alone were sold to private enterprise (for statistics, see Parkinson, Jeff, 1999) In the wake of these changes, investment and population growth slowly resumed, though unemployment was to remain above the national average for the duration of Kennett's premiership. While the benefits to the State budget figures were indisputable in the short term, the social and longer-term economic cost of the Kennett reforms have been questioned by many commentators, academics and those who suffered economically through the period of reform. This campaign of privatisations and cutbacks led to governmental acts of privatisation by splitting up Melbourne's rail (Hillside, Bayside, V/Line and West Coast Rail) and tramways (Yarra and Swanston) or budget-cutting becoming popularly known as being "Jeffed". He also cut back many regional rail services including The Vinelander (ran to Mildura, services later restored to Maryborough as a regular V/Line service in 2011) and services to Leongatha, Bairnsdale (returned in 2003), Dimboola (services later returned to Ararat in 2004). The largest public protest in Melbourne since the Vietnam War Moratorium occurred on 10 November 1992, with an estimated 100,000 people marching in opposition to the retrenchment of many workers and the large State budget cutbacks. Kennett was undeterred by this protest, and famously commented that though there were 100,000 outside his office at Parliament that day, there were 4.5 million who stayed at home or at work. High-profile capital works projects This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2025) (Learn how and when to remove this message) The Kennett government also embarked on a series of high-profile capital works projects, such as the restoration of Parliament House, construction of a new $250 million Melbourne Museum and IMAX theatre, and a new $130 million Melbourne Convention and Exhibition Centre. Other projects included a $160 million expansion of the National Gallery of Victoria; $100 million for refurbishment of the State Library of Victoria; $65 million for a new Melbourne Sports and Aquatic Centre (MSAC); and $130 million for the construction of a new civic square on the site of the old Gas and Fuel Buildings, to be known as Federation Square. The relocation of the Formula 1 Grand Prix from Adelaide in 1993 was a particular coup for Kennett, who had worked hard with his friend Ron Walker, the Chairman of the Melbourne Major Events Company, helped deliver Melbourne the hosting rights for the event from Adelaide in 1993. The most controversial project of the Kennett era was the $1.85 billion Crown Casino and Entertainment Complex, a gambling and entertainment centre on Melbourne's Southbank. Initial plans for a casino had been made under the Labor government, however the tendering process and construction occurred under Kennett. A$2 billion project to redevelop Melbourne's derelict Docklands area to include a new football stadium was also undertaken, in addition to the large CityLink project, a project resurrected from the 1969 Melbourne Transportation Plan, aimed at linking Melbourne's freeways, easing traffic problems in the inner city, and reducing commuting times from the outer suburbs to the CBD. Macedonian name dispute Kennett speaking at a event In the mid-1990s, Premier Kennett backed the Greek position over the Macedonian question in his attempts to shore up local electoral support. Kennett's stance gained him supporters from the Melburnian Greek community, whereas he was referred to as "Kennettopoulos" by the Macedonian community. At Kennett's insistence, his state government in 1994 issued its own directive that all its departments refer to the language as "Macedonian (Slavonic)" and to Macedonians as "Slav Macedonians". Reasons given for the decision were "to avoid confusion", be consistent with federal naming protocols toward Macedonians and repair relations between Macedonian and Greek communities. It was accepted that it would not impact the way Macedonians self identified themselves. The decision upset Macedonians, as they had to use the terms in deliberations with the government or its institutions related to education and public broadcasting. The Macedonian Community challenged the decision on the basis of the Race Discrimination Act. After years of litigation at the Australian Human Rights and Equal Opportunity Commission (HREOC), the Federal Court and High Court, previous judicial rulings were upheld that found Kennett's directive unlawful as it caused discrimination based on ethnic background and was struck down from usage in 2000. Second term as premier Kennett's personal popularity was mostly average to high through his first term, though that of the government as a whole went through peaks and troughs. Without a by-election in the previous four years, the 1996 state election shaped up as the first test of the 'Kennett Revolution' with the electorate. The Coalition was expected to win a second term at the 30 March election, albeit with a somewhat reduced majority. At the federal election held four weeks earlier, while Labor was heavily defeated, it actually picked up a swing in Victoria. However, to the surprise of most commentators, the Coalition only suffered a two-seat swing, allowing it to retain a comfortable 14-seat majority. The Coalition actually picked up modest swings in Melbourne's outer suburbs, which have traditionally decided most state elections. Several negative trends (for the Liberals) were obscured somewhat by the euphoria of victory. The government's sharp cuts to government services were particularly resented in country Victoria, where the Liberals and Nationals held almost all the seats. The loss of the Mildura seat to independent Russell Savage was an indication of this disaffection, and when in February 1997 independent Susan Davies was elected to the seat of Gippsland West, this trend seemed set to continue. However, the verdict of many was that the 'Kennett Revolution' was far from over – indeed it was seemingly set in stone with the opening of the Crown Casino in May 1997. Kennett's profile continued to grow as he became a major commentator on national issues, including urging the new government of John Howard to introduce tax reform, and actively opposing the rise of the One Nation Party of Pauline Hanson. In this last case, Kennett did not shy away from criticising the media, but also the decision of the Howard government to not actively oppose Hanson's agenda. Kennett was influential in Melbourne bidding for the 2006 Commonwealth Games. Three cities initially expressed interest in hosting the event; Melbourne, Wellington and Singapore. Singapore dropped out before its bid was officially selected by the Commonwealth Games Federation, leaving only two candidate cities. In the weeks prior to the announcement of the 2006 host, Wellington withdrew its bid, citing the costs involved with matching the bid plan presented by Melbourne, which became the default host without members of the Federation going to vote. The government lost ground over the next few years, with high-profile disagreements with the Director of Public Prosecutions Bernard Bongiorno, and Auditor-General Ches Baragwanath fuelling criticism of Kennett's governmental style. Kennett's perceived antipathy to Baragwanath led to 1997 legislation to restructure the office of the Auditor-General and set up Audit Victoria. While Kennett promised the independence of the office would be maintained, many saw his government's actions as an attempt to curb the Auditor-General's power to criticise government policy. Widespread community debate and substantial public dissent from Liberal MPs and Party members ensued, with MLA Roger Pescott resigning from Parliament at the height of the debate; citing his disagreement with this Bill and Kennett's style in general. The Liberal Party lost the by-election in Mitcham. Further scandals involving the handling of contracts for the state emergency services response system damaged the credibility of Kennett in 1997–1998, while rural dissent continued to grow. Personal difficulties also began to affect Kennett and his family. The strains of public life led to a trial separation between Felicity and Jeff in early 1998 (patched up by the end of the year), while earlier in Kennett's first term, public scrutiny had led to the forced sale of the KNF Advertising Company, despite all Kennett's involvement having been transferred to his wife's name. There were rumours in 1998 that Kennett might retire from politics; these were mostly centred around Phil Gude, his party deputy. These eventually came to nothing. In July 1998, Liberal MP Peter McLellan, Member for Frankston East, resigned from the party in protest over alleged corrupt Liberal Party Senate preselection, changes to WorkCover and the auditor-general's office. Again, Kennett failed to pick up the warning signs of declining support for his style of leadership. Labor leader John Brumby took care to capitalise on each of Kennett's mistakes over this period, though his absences in rural electorates were misunderstood by many Labor MPs, and led to his replacement by Steve Bracks in early 1999. Bracks, who came from Ballarat, was popular in rural areas and was seen as a fresh alternative to Brumby, who nevertheless remained a key figure in the shadow Cabinet. 1999 election loss Despite Bracks' appeal, Kennett entered the 1999 election campaign with a seemingly unassailable lead, and most commentators and opinion polls agreed that the Coalition would win a third term. However, in a shock result, the Coalition suffered a 13-seat swing to Labor. While there was only a modest swing in eastern Melbourne, which has historically decided elections in Victoria, the Coalition suffered significant losses in regional centres such as Ballarat and Bendigo. ABC elections analyst Antony Green later said that when he first saw the results coming in, it looked so unusual that he thought "something was wrong with the computer." Initial counting showed Labor on 41 seats and the Coalition on 43; a supplementary election had to be held in Frankston East following the death of sitting independent Peter McLellan. The balance of power rested with three independents-Russell Savage, Susan Davies and newly elected Craig Ingram. Negotiations began between the Coalition and the three independents. While Kennett acceded to all but two of their demands, his perceived poor treatment of Savage and Davies in the previous parliament meant that they would not even consider supporting a Coalition minority government headed by Kennett. On 18 October, two days after Labor won the supplementary election in Frankston East, the independents announced they would support a Labor minority government. The agreement entailed Labor signing a Charter of Good Government, pledging to restore services to rural areas, and promising parliamentary reforms. Kennett's supporters urged the Coalition to force a vote of 'no confidence' on the floor of the parliament in a last-ditch effort to force Savage, Davies and Ingram to support Kennett. However, with the Liberals divided on Kennett's future role, Kennett retired from all of his offices, saying he wished to have no further involvement in politics. Labor won the ensuing by-election in Burwood. Rumoured returns to politics Following the Liberals' second successive defeat in the 2002 election, rumours began that Kennett was planning a comeback to politics. The issue came to a head in May 2006 after the sudden resignation of Kennett's successor, Robert Doyle, when Kennett announced he would contemplate standing in a by-election for Doyle's old seat of Malvern and offering himself as party leader. His stance was supported by Prime Minister John Howard, who rated him as the party's best hope to win the November 2006 state election. But within 24 hours Kennett announced he would not return to Parliament rather than running against Ted Baillieu, whom Kennett had been grooming for the top post since 1999. John Howard was reported to have been "embarrassed" by having publicly supported Kennett before his decision not to re-enter politics. In 2008, it was rumoured that Kennett was planning to stand for Lord Mayor of Melbourne. Despite endorsing future Lord Mayor John So in the 2001 mayoral elections, Kennett was quoted as saying "I think the city is ready for a change". Kennett claimed he had been approached by "a range of interests" to run for the position, but in the end did not do so. Former Liberal leader Robert Doyle ultimately won the election. 2020: Indigenous voice to government On 15 January 2020, it was announced that Kennett would be one of the members of the National Co-design Group of the Indigenous voice to government. Life after politics Kennett at the 2018 VFL Grand Final In 2000, Kennett became the inaugural chairman of beyondblue (the National Depression Initiative), a body that was largely formed by the efforts of the Victorian State Government. On 24 June 2008, he announced that he would be stepping down from his role at beyondblue at the end of 2010. This did not happen. After 17 years as the chair of beyondblue, he stood down in 2017, handing the reins to former PM Julia Gillard. He stated "beyondblue is part of my DNA, outside my family, it has been my most important role. Kennett has previously served on the boards of Australian Seniors Finance, a reverse mortgage company, and SelecTV, which was a satellite television group. Kennett has said in an interview that he rarely thinks about the media or "bloody history", though he regrets the "disastrous" introduction of the Metcard ticketing system for trains and trams. Kennett angered gay rights groups in July 2008 when he supported the Bonnie Doon Football Club in their sacking of trainer Ken Campagnolo for being bisexual; and compared homosexuality to pedophilia. Anti-discrimination campaigner Gary Burns pursued an action in the NSW Administrative Decisions Tribunal against Kennett for making the following statement: "The club felt that once this had been pointed out and you had this gentleman there who was obviously close to young men – massaging young men – it ran an unnecessary risk, and that's why it decided it was best that he not perform those duties again. So the club was trying to do the right thing," The case was dropped due to Gary Burns' lack of funds to pursue the case. Hawthorn FC presidency On 14 December 2005, Kennett was made president of Hawthorn Football Club, taking over from Ian Dicker. Following the exit of the St Kilda Football Club from the Tasmanian AFL market in 2006, Kennett was president when the Hawthorn Football Club negotiated a five-year sponsorship deal with the Tasmanian state government. The sponsorship deal was worth an estimated $12 million for which the Tasmanian government bought naming rights to the club's guernsey, and the HFC committed to playing an agreed number of pre-season and four regular season "home games" at York Park.[56] Kennett was instrumental in Hawthorn's 2007 5-year business plan titled "five2fifty", the core idea being that in the next five years the club will target to win 2 premierships and have fifty thousand members. As part of the plan, the football club wants to be seen as the most professional club in the AFL, and places great emphasis on the welfare of the people associated with the club. Following Hawthorn's 2008 AFL Grand Final victory over Geelong, Kennett claimed that the Cats "lacked the mentality to defeat Hawthorn", this being in reference to the Cats' inability to counter-attack the running game of the Hawks in the aforementioned Grand Final. Kennett's comments led to the subsequent eleven-match losing streak for Hawthorn against Geelong becoming known as the "Kennett curse". He stepped down at the end of his second three-year term in 2011, he also changed the club's constitution so that presidents could only serve two 3-year terms. Second stint Kennett at an AFL Women's match in 2023 In what Fox Footy described as a "stunning return",[59] Kennett was announced as the president of the Hawthorn Football Club on 4 October 2017 following the sudden resignation of the incumbent president Richard Garvey. Garvey had taken criticism on the hiring and later sacking of club CEO Tracey Gaudry. Kennett subsequently appointed Justin Reeves as the club's new CEO. On 4 October 2017 he announced that he would serve the position for a full 3-year term. Soon after his re-appointment, Kennett and the club released a vision statement outlining the future of the club up to 2050. The first five-year strategic plan titled 'Dare to be Different' will drive the club's priorities from 2018 to 2022. Kennett said: "Hawthorn we aren't ones to sit back and wait, we work hard to achieve and deliver exciting results, on and off the field. Our vision for our strategic plan, "Dare to be Different", encapsulates this as we continue to strive for excellence. "We have set ourselves some ambitious targets but all are within our grasp if we continue to innovate, grow and forge new frontiers within the AFL industry." On 6 July 2021, Kennett and the Hawthorn board announced that they would not be renewing head coach Alastair Clarkson's contract following its expiry at the conclusion of the 2022 AFL Premiership season. It was announced that Box Hill Hawks and Hawthorn development coach, former player Sam Mitchell had been chosen by Kennett and the board to become the Hawthorn coach at the end of Clarkson's reign. Chairman of The Original Juice Company On 12 December 2022, The Original Juice Company announced that it would appoint Kennett as Chairman and Non-Executive Director. Honours In the Australia Day Honours of 2005, Kennett received Australia's then highest civilian honour, when he was made a Companion of the Order of Australia (AC). The honour was for "service to the Victorian Parliament and the introduction of initiatives for economic and social benefit, to business and commerce, and to the community in the development of the arts, sport and mental health awareness strategies." In May 2000, he was also awarded an honorary doctorate – DBus (Honoris Causa) – by the University of Ballarat. Media work For a brief period during 2002, Kennett was a radio presenter for Melbourne station 3AK, continuing an interest in mass communication which was also a feature of his premiership. Since 2010, Kennett has been a regular contributor to Neil Mitchell's 3AW radio program every Thursday, as a social commentator. On 28 March 2013 it was announced that Kennett had joined the Seven television network as national political commentator which will involve him appearing on breakfast show Sunrise every Tuesday and on Seven news as required. On 12 February 2017 Jeff Kennett engaged ex-Seven West Media employee on Twitter over leaked documents potentially breaching the company's own gag order on Amber Harrison.  

In this week's Podiatry Legends Podcast, I had the pleasure of sitting down with James Ferrie, a sports and musculoskeletal podiatrist from My Sports Podiatry in Docklands, Victoria, to discuss point-of-care ultrasound and its benefits for our patients.  Whether you're just starting out in practice or looking to enhance your existing clinic, this episode will give you the tools and knowledge to incorporate ultrasound into your diagnostic toolkit. Nine Key Takeaways from the Episode: Point-of-care ultrasound enhances diagnostic accuracy by providing real-time imaging of soft tissues and bones. Ultrasound helps podiatrists make clinical decisions immediately during patient appointments. It's a powerful tool for ruling out common diagnoses, such as plantar fasciitis, and identifying rare conditions like stress fractures or DVT. Ultrasound improves patient outcomes by helping podiatrists tailor treatments to individual needs. The learning curve for ultrasound can be steep, but with practice and proper training, it becomes an invaluable skill. Podiatrists can use ultrasound for more than just musculoskeletal injuries, including nerve assessment and injection guidance. The handheld ultrasound devices are a good starting point, but may not be sufficient for complex procedures or advanced diagnostics. The ability to visualise structures during patient care makes ultrasound an extension of the clinical exam. Proper training and practice are essential for interpreting ultrasound images accurately and avoiding common errors. If you want to know where and when James Ferrie's workshops are being held, I suggest contacting him on LinkedIn.  My Upcoming Events - https://www.podiatrylegends.com/upcoming-events/ If you have any questions about this episode or want to contact me, please email me at tyson@podiatrylegends.com. Do You Want A Little Business Guidance?  A podiatrist I spoke with in early 2024 earned an additional $40,000 by following my advice from a 30-minute free Zoom call. Think about it: you have everything to gain and nothing to lose, and it's not a TRAP. I'm not out to get you, I'm here to help you.  Please follow the link below to my calendar and schedule a free 30-minute Zoom call. I guarantee that after we talk, you will have far more clarity on what is best for you, your business and your career. MY SCHEDULE  Yes, I Do Business Coaching I offer three coaching options: Hourly Sessions, Monthly Ongoing Sessions, and On-Site Training Days.   But let's have a chat first to see what best suits you. ONLINE CALENDAR Subscribe to my YouTube Channel – Tyson E Franklin  FACEBOOK GROUP - Podiatry Business Owners Club  MY BOOK is available on AMAZON - It's No Secret, There's Money in Podiatry 

It had to happen: the Empire podcast has finally gone to hell — quite literally in this case, as this particular show is episode 666. Perhaps appropriately, James is in the driving seat for this one, embracing this demonically anointed episode to bring you such thematically-relevant discussions as a Mount Rushmore of movie Satans and an off-topic discussion as to why subtitles are also the devil's work. But that's not all, because while Chris isn't here in body, having hopped over to Ireland for a few rounds of golf, he is here in spirit, not least of all as he interviews all of this week's guests, specifically three of the Thunderbolts — Hannah John-Kamen, Wyatt Russell and David Harbour (approx 57:36-1:13:09)— Another Simple Favour director Paul Feig (approx 11:21-23:48), and Ryan Coogler (at the very end) in a little tease of our Sinners spoiler special episode, which is available now on the Spoiler Specials subscription feed. Joining James and Helen this week is John ‘The Nuge' Nugent, who does his best to justify his three-star review of Thunderbolts*, plus we review Another Simple Favour, Paolo Sorrentino's Parthenope, and Die Hard in the Docklands film Cleaner.

Matt Clinch and Cameron Ling wrap up a Saturday of upsets as Richmond won against the previously undefeated Gold Coast and Melbourne tasted victory for the first time this season.Tigers midfielder Thomson Dow joins the team to tell us about how Adem Yze's side manufactured the win.

Aprilia Seseray is a super smart auditor who volunteers at the West Papua office in Docklands. She was born among mountains, lakes and forest fruits and then at some stage she moved to Yogyakarta, Indonesia, for studies. It was a totally different culture, different language and different food from her homeland. Aprilia was bullied every single day throughout high school, but she succeeded despite the odds, and now has a Masters of Auditing from Monash. It was fascinating to hear her story. Thank-you for joining us this week, Aprilia.

What's it like to shape London's property landscape for nearly 40 years?

The Big Bash League player movement window has closed, and the Melbourne Renegades were very active securing fast bowlers Jason Behrendorff and Brendan Doggett, as well as top order batsman Caleb Jewell. Despite securing some more top end talent, Renegades coach Cameron White says it is a challenge to attract players due to the surface at the Renegades home ground of Docklands.

Yahoo today announced the official opening of its new offices in Dublin to further enhance its services across the company's corporate functions globally, in Ireland, and across Europe. Based in the EXO building in The Dublin Docklands, Yahoo will use the 3,317 sq m / 35,703 sq ft space to foster collaboration for engineering, research & development, legal, finance, sales, operations, customer care and security roles. "Our new Dublin office will help foster even more collaboration and innovation in the region," said Jim Lanzone, CEO of Yahoo. "With dedicated space for our engineering, sales, security, operations and finance teams, we're better positioned to serve our customers as a trusted guide navigating the digital landscape." The new office is an important milestone in continuing Yahoo's regional presence and a commitment to supporting local talent for the city's growing tech space. "We believe that Ireland is one of the best places in the world to do business," said Edel Murphy, MD Yahoo Ireland. "Dublin is home to a bustling tech scene, and the innovation on offer combined with the diverse mix of talent makes it an important, strategic location for companies like Yahoo. We're looking forward to welcoming our team members to this fantastic space dedicated to helping us deliver innovation to our clients and partners across Ireland and Europe, and for the millions of people who use Yahoo around the world." Minister for Enterprise Trade and Employment Peter Burke said: "Congratulations to Yahoo on the opening of their new offices in the EXO in the Docklands, a significant milestone in the company's history. Thank you for choosing Ireland for nearly 30 years and continuing to invest here. Your unwavering confidence underscores what we know about our offering in Ireland - that we are a reliable location for international businesses to grow and thrive. Best wishes to Yahoo into the future." Michael Lohan, CEO of IDA Ireland said: ''Yahoo has been in Ireland for 29 years and in that time has contributed to Ireland's growth and success in the tech sector. Their continued investment helps position Ireland as a location for long term growth and is a great vote of confidence in the talent that we can offer here. I would like to congratulate Yahoo on the opening of their new office space and wish them continued success.''

Season 17, Ep 18: It's a Final Word tradition. At the end of each year, we sit down and look at the things that worked and the things that didn't, the things that hurt and the things that healed. Also this week, our farewell to colleague Greg Baum as he finishes up his full-time job at The Age, the Bulawayo bat-a-thon, Docklands is Death Valley again, the women's Ashes squads are released, and a few other bits besides. Happy New Year. Come to the last show of our national tour! Sydney January 7 - with SIMON KATICH and GLENN MAXWELL Tickets at linktr.ee/thefinalword Support the show with a Nerd Pledge at patreon.com/thefinalword Maurice Blackburn Lawyers - fighting for the rights of workers since 1919: mauriceblackburn.com.au Sort your super with CBUS on their 40th birthday: cbussuper.com.au Get 10% off Glenn Maxwell's sunnies: t20vision.com/FINALWORD Find previous episodes at finalwordcricket.com Title track by Urthboy Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are delighted to be joined by Erwin Bleskadit this week, a veteran of the Free West Papua movement and OG supporter of the West Papua office here in Docklands ever since it opened its doors in 2014. Erwin was born in Sorong, West Papua, and grew up fishing and using his machete in the jungle. All the kids had machetes. His parents grew corn and cassava. After high school, Erwin moved to the capital and joined the independence struggle, attending protests and walks denouncing trans-migration in his homeland. He and his comrades built a big group. In 2003 he came here as a legal student and stayed with the Sisters of Mercy in Ballarat. He studied English and eventually came to Melbourne. He would really like to become a teacher's aide. Erwin has been singing and dancing for years to promote his culture. He is a current member of the newly-formed West Papuan Community Choir. They are something else. The choir is collecting songs from all the land's tribes and are busy performing at events and fundraisers. You can catch Erwin and friends on the Voice of West Papua, every Tuesday at 6 to 7pm, right here on 3CR. Where else? Thank-you for your contribution to educating us all on the beauty and the struggle of West Papua, Erwin. Thank-you for joining us on the show. Good luck fulfilling your dream of becoming a teacher's aide. We are right behind you.Voice of West Papua - Tuesdays 6 to 7pm on 3CR. 

Vi återvänder till avsnitt 046 från 2021. Ett samtal med techno-pionjären Jesper Dahlbäck som aldrig har haft ett "riktigt jobb" utan dedikerat sitt liv åt dansmusiken. Vi snackar om hans många alias och samarbeten, Globe Studios och Docklands samt om Jespers korta modellkarriär, skogsbad och om låten "What Is The Time, Mr. Templar?". Dessutom tar vi redo på varför han kallas för professorn + mycket mycket mer. ➢ Följ Jesper Dahlbäck: Instagram: www.instagram.com/therealpersuader Facebook: www.facebook.com/jesperdahlback Soundcloud: www.soundcloud.com/jesperdahlback ➢ Supporta Dansmusikpodden via Patreon ➢ Snacka loss i vår Facebook-grupp ➢ Hitta oss på övriga plattformar via vår Linktree ➢ Mejla oss: dansmusikpodden@gmail.com

Nick is in in Hong Kong ahead of HKIR, where he talks to David Hayes, trainer of the world's most exciting sprinter, Ka Yang Rising, to Harry Eustace, whose Docklands continues his world tour, and to Australian radio host Andrew Bensley about increased Aussie participation in the event. Also on today's show, Nick and Neil Channing take a deeper dive into racing's black hole created by the drop in gambling turnover, while Kim Bailey has news of a new jockey for Chianti Classico this weekend plus the latest on Trelawne. Ben Atkins and Molly Armytage join for our weekly point to pointing jaunt.

Listen back to Tony's full review. See omnystudio.com/listener for privacy information.

Paul Byrne chats with Cobh estate agent Johanna Murphy about the planning refusal for a fertiliser facility and its impact on Cork's Docklands regeneration and why Cobh has to be developed. Hosted on Acast. See acast.com/privacy for more information.

National College of Ireland's campus has been buzzing with excitement over the amazing ideas that were put forward during the NASA Space Apps Challenge that the College hosted for the second time, acting as Dublin Mission Control. Runtime Terror has just been announced as this year's Dublin Mission Control NASA Space Apps Challenge Global Nominee. Already recognised by their peers with the Community Choice Award, this talented team created a visually appealing and accurately informative digital orrery to display near-Earth objects. You Can View the Digital Orrery here. This project was described by judges as a creative and inspiring submission that will spark curiosity in space exploration. On Monday, November 4th, 2024, NCI welcomed the members of team Runtime Terror back to Mayor Square to present them with their award plaques and wish them well as the team moves forward to take part in the global phase of this cosmic hackathon. "We are delighted to support NASA International Space Apps Challenge here at National College of Ireland, as their mission inspires collaboration, creativity, and critical thinking, which reflects our ethos. It always amazes us to see the participants' enthusiasm and excitement that is part of this positive application of learning," said Professor Paul Stynes, Dean of NCI's School of Computing. This year's global theme, "The Sun Touches Everything," invited participants to tackle one of 21 Challenges using space data and information. These challenges covered a wide range of topics, from astrobiology to space music, and the design of games for astronauts. "It was a brilliant two days. Everyone enjoyed themselves, and it was inspiring to see the creative energy fill the campus as everyone worked together to create and present their ideas," said Dr Athanasios Staikopoulos, who acted as academic advisor to the event from NCI's School of Computing. Dublin Mission Control at NCI was host to many potential participants, with 9 teams completing projects to submission level, including les intouchables, Starchasers, Sunlit, the Celtic Community Cartographers, Cache Me If You Can, Data Wizz, and Unclebaofans. You can find more about all this year's teams around the world, as well as those participating from Dublin Mission Control on the NASA Space Apps Challenge website. The ingeniousness and quality level of the solutions proposed as well as the creativity and the broad range of media used made it very difficult for the Judging Panel to choose the Global Nominee that will progress to the final stages of the hackathon. This year's Global Nominee runner-up, Alpha Centauri is a multi-disciplinary team from Trinity College Dublin, who worked on a programme to analyse and clean real data from the Apollo missions and the Mars InSIght Lander to identify seismic quakes within the noise. Team members were Ruby Ge, Thomas Creagh, Sean Dignam, Ash Keena, and Angelos Eleftheriou! Dublin's NASA Space Apps Challenge Global Nominee, was team Runtime Terror. This team is made up of six talented members, Firose Shafin, Andrei-Alexandru Tabarna, Aditya Bhargav Akella, Pablo Periañez Cabrero, Maximilian Schöll, and Nithyakamal Ilamurugu. These innovative individuals came together as a team and created something that not only met the hackathon requirements but has the potential to expand. Team Runtime Terror should be immensely proud of their work. Speaking on behalf of the group, Max Schöll said, "We met when we started at UCD together this September, but a two-day intensive hackathon really forms strong friendships! We had a moment where we thought we wouldn't be able to complete the project, and then suddenly everything clicked - if nothing else, we have learned to keep going, keep trying, and you will get there!" Aditya Bhargav Akella added, "We had so much fun and learned so much - the mentors who worked with us through the two days were incredible. The talks were inspiring, and it was really great to be able to chat dire...

For Episode 131 of A is for Architecture I was joined by Professor Sue Brownill, an expert in urban planning and the development of London Docklands to discuss her advocacy, research and writing. As the author of Developing London's Docklands: Another Great Planning Disaster? (1990, SAGE Publications), Sue delves into the complex history of the Docklands' transformation and the socio-economic consequences of one of the UK's most ambitious urban regeneration projects. Professor Brownill provides insightful analysis on the political and economic factors that shaped the area, challenges faced during the regeneration process, and the long-term impact on local communities. She describes how the Docklands evolved from a derelict industrial site into a global financial hub, the triumphs - and failures - of urban regeneration, the role of planning in shaping cities, and the legacy of the London Docklands Development Corporation. Did the LDDC's rhetoric survive reality? And were the promises made in Docklands' planning ever met?  A great episode with a fantastic scholar.  Listen and learn, no doubt. Sue can be found on the OB website above, and is on LinkedIn too. Her book is linked above. +  Music credits: ⁠Bruno Gillick

Voices for Palestine II We hear from Dr Farah Fayyad and Dr Jumana Bayeh at the Sydney Sunday Rally on the 20th Oct here It  was after the bombing of the Al-Aqsa Martyrs Hospital, where the world witnessed a 19 year old called Shaban al Dalou, burning alive with an IV drip still in his arm. This item is dedicated to  Shaban al-Dalou, say his name.We hear Paul Keating here, Secretary of the Sydney Branch of the CFMEU introducing a screening of a documentary The Last Sky by Nicholas Hanna which talks to Palestinian people in Lebanon and Occupied Palestine. (recorded by Viven Langford - Climate Action Show)Your Taxes Fund Weapons Forum here II Gary Middleman from the organising commitee talks to us about 100 Days of Resistance Celebrations here II Refugees who have been encamped at the Home Affairs office in Docklands held a media conference to celebrate the 110 days of resistance and to reiterate their call for permanent visas.This is the Week here II Kevin Healy lines up the week with satire.Anti-Poverty Symposium here II Don Sutherland reports on the recent  Centre of Future Work & the Carmichael Centre Anti-Poverty Symposium and reflects on the issues it raised.

Nick is joined by RTE and Racing TV broadcaster Jane Mangan to spin you through the racing news from around the globe. On the show today, Harry Eustace arrives in Moonee Valley ahead of the Cox Plate and assesses how his horse Docklands might stack up against the locals before outlining an ambitious three race plan. Jessie Harrington ranks Hotazhell up with the best of her career juveniles ahead of this weekend's Futurity at Doncaster, while US-based Brendan Walsh is similarly enthusiastic about his Breeders' Cup Juvenile favourite East Avenue in conversation with Donna Brothers. Dan Barber has the Timeform rundown on British Champions' day, while Kildaragh Stud's Roderic Kavanagh is the man in the Weatherbys Bloodstock hotseat this week. Nick and Jane also take a close look at the annual Return of Mares, discuss the Hanlon appeal/sales timing, and consider the impact of the positive news on vaccination availability.

Nick is joined by RTE and Racing TV broadcaster Jane Mangan to spin you through the racing news from around the globe. On the show today, Harry Eustace arrives in Moonee Valley ahead of the Cox Plate and assesses how his horse Docklands might stack up against the locals before outlining an ambitious three race plan. Jessie Harrington ranks Hotazhell up with the best of her career juveniles ahead of this weekend's Futurity at Doncaster, while US-based Brendan Walsh is similarly enthusiastic about his Breeders' Cup Juvenile favourite East Avenue in conversation with Donna Brothers. Dan Barber has the Timeform rundown on British Champions' day, while Kildaragh Stud's Roderic Kavanagh is the man in the Weatherbys Bloodstock hotseat this week. Nick and Jane also take a close look at the annual Return of Mares, discuss the Hanlon appeal/sales timing, and consider the impact of the positive news on vaccination availability.

Madelaine Burke joined Tom Elliott from the scene. See omnystudio.com/listener for privacy information.

Victoria joined Tom Elliott with more. See omnystudio.com/listener for privacy information.

*Content Warning: This episode of Doin' Time may contain audio images of Aboriginal and Torres Strait Islander people who have died, and discussion of Deaths in Custody.In this episode of Doin Time, Marisa is joined by David Glanz of the Refugee Action Collective to discuss the Sunday Free Palestine protest fromt he 6th of October, marking a year of genocide in Palestine. After, she interviews Nadez from 12,000 Captive Souls about the current state of the refugee encampment in Docklands. 

On today's show:  11am-12pm Financial Advice With Dave McCarthy Bressie will be speaking to us ahead of his Where is My Mind? Live Tour coming to Galway History Talks - We look at the history of the Galway Hookers ahead of the Docklands festival this weekend ‘Galway Talks with John Morley' broadcasts every weekday morning from 9am on Galway Bay FM.

Sydney Pro-Palestine Voice here II  Palestine Rally Sydney Town Hall Sunday September 8th Dr Sarah Abdo. Recorded by Vivien Langford.24 Hr Hunger Strike @ Refugee encampment here II After 61 days of the Melbourne encampment at Home Affairs at 550 Bourke St, Docklands, to raise the issue of refugees left in limbo because they do not have permanent visas, Prashant alerts us to the 24 hour hunger strike beginning on Sunday 15th Sept at 10am. He is calling for people to come and support the refugees and their allies.DLF Reflections here II Annie and Tobi talk through their experience of the police response to the demonstrations against the Land Forces Weapons Expo held at the Melbourne Convention and Exhibition Centre. Vox pop from Wednesday 11th September when the most aggressive police actions occurred.FUSE Festival here II Spring FUSE Festival is the Darebin Council showcase of local artists running from 14th Sept - 22 Sept. We are joined by artist Zena Cumpston talking about her show Return.This is the Week here II Kevin Healy runs through the week with satire.FILEF support CFMEU here II Renata Musolino talks about FILEF's statement of support for the CFMEU.Featured songs:Manifesto (Victor Jara) performed by Bruce SpringsteenSomething has changed - Kate VigoGet me out of here - King Stingray

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/2d3brwty Contact: irishlingos@gmail.com 200 new jobs to be created in Kilkenny, 60 new jobs in Cork. 200 post nua le cruthú i gCill Chainnigh, 60 post nua i gCorcaigh. US human resources firm UKG is to create 200 new jobs in Kilkenny. Tá an comhlacht acmhainní daonna as na Stáit Aontaithe UKG le 200 post nua a chruthú i gCill Chainnigh. The new recruits will mainly work in the field of cyber security, but customer services and research and development will also be involved. Is ag obair i réimse na cibearshlándála is mó a bheas na hearcaigh nua ach beidh seirbhísí custaiméirí agus taighde agus forbairt i gceist chomh maith. The Industrial Development Agency (IDA Ireland) is supporting the new investment. Tá an Ghníomhaireacht Forbartha Tionscail (GFT Éireann) ag tacú leis an infheistíocht úr. UKG president Hugo Sarrazin said that the company has 80,000 customers worldwide and indicated that it was decided to create the new jobs in Kilkenny above all else due to the success of the technology sector in the region already. Dúirt uachtarán UKG Hugo Sarrazin go bhfuil 80,000 custaiméir ag an gcomhlacht ar fud an domhain agus thug le fios gur socraíodh ar na poist nua a chruthú i gCill Chainnigh thar aon áit eile mar gheall ar an rath atá ar an earnáil teicneolaíochta sa réigiún cheana féin. That's true, says GFT Ireland chief executive Michael Lohan, and he added that there are many people who are qualified in cyber security based in Kilkenny. Is fíor sin, arsa príomhfheidhmeannach GFT Éireann Michael Lohan, agus dúirt sé freisin go bhfuil go leor daoine atá cáilithe sa chibearshlándáil lonnaithe i gCill Chainnigh. Taoiseach Simon Harris said he was delighted with the news and he also drew attention to the boom in the technology sector in the region. Dúirt an Taoiseach Simon Harris go mb'áthas leis an scéala agus tharraing sé féin aird chomh maith ar an mborradh atá faoin earnáil teicneolaíochta sa réigiún. It was also announced today that data management company NetApp is to create 60 new jobs in Cork. Fógraíodh inniu freisin go bhfuil an comhlacht bainistithe sonraí NetApp le 60 post nua a chruthú i gCorcaigh. The new jobs will be made available in the company's software development department. Is i rannóg forbartha bogearraí an chomhlachta a chuirfear na poist nua ar fáil. NetApp's international headquarters are based in the Docklands in Cork. Is i gCeantar na nDugaí i gCorcaigh atá ceannionad idirnáisiúnta NetApp bunaithe. RTÉ News and Current Affairs Nuacht agus Cúrsaí Reatha RTÉ

Police are working to recover four Olympic medals which were stolen in the Docklands last week, belonging to rowing champion Drew Ginn from the 'Oarsome Foursome'. See omnystudio.com/listener for privacy information.

The August bank holiday weekend brings a feast of music to west London as Notting Hill Carnival marks its 56th year.The celebration of Caribbean culture runs over three days, with musical styles from calypso to dancehall for over two million expected revellers.Mark Blunden is joined by sound system pioneer and Notting Hill Carnival director Linnet Kamala, whose Lin Kam Art Sound System Futures Programme is developing the next generation of live music talent, from DJs to sound engineers.In part 2, Rachelle Abbott speaks with Joshua Thomson, artistic director of Australian performance art troupe Legs On The Wall.His production Thaw will see members of the daredevil dance troupe suspended above Docklands from a crane atop a 2.5-ton melting block of ice in a bid to urge action on climate change. Hosted on Acast. See acast.com/privacy for more information.

News and labour updates from the Asia Pacific region.We listened back to sounds and speeches from the "Unite to Support the Refugee encampment" rally, a solidarity event held by the Refugee Action Coalition last Friday 16th August in support of refugees camping out in front of the Home Affairs office on Bourke Street in Docklands. The collective of refugees who initiated the encampment are demanding permanent protection from the government and have vowed to stay put until their permanent visas are granted, despite hostilities from police and local council and harassment and intimidation from neo-nazis. Asia Pacific Currents provides updates of labour struggles and campaigns from the Asia Pacific region. It is produced by Australia Asia Worker Links, in the studio of 3CR Radio in Melbourne, Australia.

Welcome to Part 2 of our interview with rising star Pierce O'Leary. Last time we took a stroll around the Docklands as Big Bang told us all about growing up in Sheriff Street and his desire to become even more of a local hero. In this episode we sat down to talk about his career so far which has taken him to the brink of world title honours. Here Pierce discusses his dream fights, beating Darragh Foley last time out in a derby bout, boxing while sick with food poisoning and his enduring love for horses, which has been handed down through the generations on Sheriff Street. Hosted on Acast. See acast.com/privacy for more information.

Here's Emmet Kennedy, George Gorman, and Harry Beard for an in-depth A to Z guide to the Race of the Day: the Juddmonte International at York. We dive into the chances of all the key contenders, including Ambiente Friendly, Bluestocking, Calandagan, City Of Troy, Docklands, Durezza, Ghostwriter, Hans Andersen, Israr, Maljoom, Royal Rhyme, and Zarakem. Expect strong opinions, a tricast, forecast, and a 25/1 outsider tip. Plus, we share insights on the Acomb Stakes and the Great Voltigeur Stakes. Don't miss this expert preview for your best betting edge on Wednesday's racing at York. The Final Furlong Podcast is proudly brought to you by Geoff Banks Bet. Join the excitement and Sign up to Geoff Banks Online now with promo code FFP500 and get 10% of any net losses returned as cash after your first month of betting, up to £500 at geoffbanks.bet.  Its tradition redefined with modern tech and unbeatable odds. This episode is brought to you by BetterHelp. If you're thinking of starting therapy, give BetterHelp a try. It's entirely online, designed to be convenient, flexible, and suited to your schedule. Our listeners get 10% off their first month, so give online therapy a try at betterhelp.com/FURLONG. Apple: https://apps.apple.com/gb/app/geoff-banks-online/id881898186 Android: https://play.google.com/store/apps/details?id=com.geoff_banks.geoffbanks Venatour Racing Social: If your planning a racing trip to Europe or further afield, check out Venatour Racing Social for a large range of bespoke racing holidays at Venatour.co.uk Form Tools: Proform is the essential tool for punters looking to make money from betting on Horse Racing. Our form book covers Jumps and Flat racing in the UK and Ireland. https://www.proformracing.com/ Twitter: @FinalFurlongPod Email: radioemmet@gmail.com In association with Adelicious Podcast Network. Hosted on Megaphone.  Follow us for free on Spotify Podcasts https://open.spotify.com/show/3e6NnBkr7MBstVx5U7lpld Learn more about your ad choices. Visit podcastchoices.com/adchoices

*Content Warning: This episode of Doin' Time may contain audio images of Aboriginal and Torres Strait Islander people who have died, and discussion of Deaths in Custody.In this episode of Doin Time, Marisa crosses live to the 12,000 Captive Souls refugee protest encampment in Docklands for two separate interviews. At 4pm she speaks to Iranian refugee Nades, and then at 4:30pm she speaks to Tamil activist Renuga Inpakumar.

Conor visits the London Museum Docklands to explore a new pop-up beach called 'Seaside in the City' which runs until August 26th. The museum offers a fun, immersive experience celebrating East London's historical ties! Conor tours the museum and has a go at interactive exhibits, including a seaside-themed room filled with toys and climbing structures, a skiff boat, and galleries that recreate 1840s London life.Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

Nick is joined by Lydia Hislop to discuss the latest from around the racing world. On today's show, George Murphy issues a positive bulletin on White Birch, set to work tomorrow before a crucial decision on his participation in the Juddmonte International. Juddmonte's own Barry Mahon refuses to rule out the big one over the Yorkshire Oaks for Bluestocking, while Naohiro Goda has his say on Japanese contender Durezza plus the news that Yutaka Take will ride Al Riffa in the Arc. Harry Eustace talks of York/Australia doubles for Docklands and Crystal Delight, while Tattersalls Marketing Director Jimmy George about the publication of Book One and Aidrie Stud's Bret Jones is this week's Weatherbys Guest.

Nick is joined by Lydia Hislop to discuss the latest from around the racing world. On today's show, George Murphy issues a positive bulletin on White Birch, set to work tomorrow before a crucial decision on his participation in the Juddmonte International. Juddmonte's own Barry Mahon refuses to rule out the big one over the Yorkshire Oaks for Bluestocking, while Naohiro Goda has his say on Japanese contender Durezza plus the news that Yutaka Take will ride Al Riffa in the Arc. Harry Eustace talks of York/Australia doubles for Docklands and Crystal Delight, while Tattersalls Marketing Director Jimmy George about the publication of Book One and Aidrie Stud's Bret Jones is this week's Weatherbys Guest.

This week we're in Sheriff Street in Dublin's capital for Part 1 of an interview with local hero Pierce O'Leary. We take a walk around with unbeaten world title hopeful Big Bang while he spends some time at home between fight dates. Pierce talks about his love for the community, the pride he feels for the area and the drive it gives him to dig deep in his toughest battles. Once the bustling heartland of Dublin's Docklands, industrialisation took its toll and the area became run-down and crime-ridden. To outsiders, the name Sheriff Street became synonymous with lawlessness and criminality - but the community has always stuck together and produced people who've made a significant contribution to Ireland, from Sean O'Casey to Luke Kelly to Jim Sheridan, along with boxing idols like previous podcast guest Gus Farrell and now O'Leary. As we walk around, it's hard to ignore the rapid pace of development in the Docklands. It's changed even since Pierce was a kid and it's not been without controversy. Locals have voiced concern about the loss of community identity, lack of affordable housing, threat of gentrification and the prioritisation of commercial interests over community needs. They fight for the area and they also support their fighters, as witnessed by the celebrations up the road on Killarney Street when another north inner city boxer, Kellie Harrington, brought home her second Olympic gold medal from Paris. We finish up at the statue of Luke Kelly which sits beside the Royal Canal before it enters the Liffey and Pierce allows himself to dream of a statue of himself there beside the Dubliner. Stay tuned for Part 2 where Pierce discusses his dream fights, beating Darragh Foley last time out in a derby bout, boxing while sick with food poisoning and his enduring love for horses, which has been handed down through the generations on Sheriff Street. Hosted on Acast. See acast.com/privacy for more information.

CEO of the Victorian Employers' Chamber of Commerce and Industry, Paul Guerra, thinks the Melbourne Star in the Docklands either needs to be spun, moved or taken down altogether.See omnystudio.com/listener for privacy information.

Join us on the latest episode of Making Tracks as we return to the ExCeL Centre in London's Docklands for MCM London Comic Con, an event that brought thousands of fans from far and wide to the capital for a weekend designed to allow followers of numerous genres the chance to show their love for their favourite things, including Star Wars. On the Main Stage, Brendan Wayne, Tait Fletcher, Emily Swallow and Temuera Morrison talked all things Mandalorian, a panel you can hear on Making Tracks. Remember to tune in to Good Morning Tatooine, LIVE Sunday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook, YouTube, X, Instagram and Twitch and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: https://www.youtube.com/@FanthaTracksTV/ https://links.fanthatracks.com/ https://link.chtbl.com/fanthatracksradio www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks www.twitch.tv/fanthatracks www.threads.net/@FanthaTracks

Victoria Police had the latest update with Mark Allen and Jimmy Bartel. See omnystudio.com/listener for privacy information.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden, CEO of Rubber Cheese.Fill in the Rubber Cheese 2024 Visitor Attraction Website Survey - the annual benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 3rd July 2024. The winner will be contacted via Twitter. Show references:Lego House in BillundSutton Hoo (National Trust)Sutton Hoo at the British MuseumThe Dig on NetflixSutton Hoo mask on Lego IdeasThe Dig: Lego version of Sutton Hoo treasure 'amazing' (BBC News)Events at The Hold IpswitchAndrew Webb is a LEGO enthusiast who uses bricks in outreach programmes for teams and organisations as diverse at Arm, Pinset Mason, The National Trust, English Heritage, and the Scouts. During the UK's second Lockdown in early 2021, He made the 1500 year old Sutton Hoo Helmet out of LEGO bricks and submitted it to LEGO Ideas. The build achieved international media coverage, and has since been donated to the National Trust. Andrew continues to help attractions and institutions with LEGO programmes. By day, he works as a global head of content marketing for a B2B tech company. Find out more at http://teambuildingwithbricks.com Transcription:  Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with Mister attractions. I'm your host, Paul Marden. Today I'm talking to Andrew Webb. By day, Andrew is a content marketer for a tech firm, but in his spare time helps attractions to use Lego as a tool to attract and engage diverse audiences and enable them to interpret history and culture. We're going to talk about what it means to be an building, a model of anglo saxon helmet, and the 24 skills that are used when building with Lego. Paul Marden: So welcome to the podcast. Andrew Webb: Thank you. Paul Marden: On Skip the Queue, we always start with some icebreaker questions that you know nothing about. So let's launch into a couple of those. Book and a pool or museums and galleries for your city break. Andrew Webb: Museum and galleries.Paul Marden: Yeah. I'd expect nothing less given what we're about to talk about. This is one from one of my colleagues, actually, who is really good at icebreakers whenever we do a team building eventually. So he said, “Would you rather have it and lose it or never have it at all?”Andrew Webb: Oh, gosh, I'll have it and lose it for sure. Paul Marden: Yeah, gotta be. That one's from miles. Say thank you, Myles. That was a cracker. Andrew Webb: Do you remember the word there was a great one. Would you rather eat ten donuts or raw onion? Paul Marden: Oh, ten donuts, hand down. I could easily do that. Andrew Webb: I'd get onion. I'd get onion. Every time I would take an onion over ten donuts. I'd be sick after ten donuts. Paul Marden: Oh, no, I reckon I could take that. No problem. Andrew Webb: Okay. Paul Marden: Okay. So we're going to talk a little bit about your adventures in Lego over the last few years. So why don't we kick off and talk a little bit about your original interest in Lego? Because I know it goes back not a long way, because that would be rude. But it goes back to a few years ago, doesn't it? Andrew Webb: It does. I mean, like most people growing up in what we might loosely term the west, I had like, I was a kid, you know, I think most of us grew up with it like that. And then like, you know, growing up in that first age of plastics with Heman, Transformers, Lego, Star wars, all of that sort of stuff. Paul Marden: You're just describing my childhood. Andrew Webb: It's funny because that was. It was all sort of ephemeral, right? I mean, the idea was that the reason why that boom happened, just to dwell on why they're going plastic things. Before that, toys were made out of either tin or wood. So, you know, they were very labour intensive produce there's certainly injection moulding comes along and we could just have anything coupled with the tv shows and the films and all this sort of stuff. So we all grew up in this sort of first age of disposable plastic, and then it all just gets passed down as kids grow up. It gets given away, gets put in the loft and forgotten about. There's a moment when a return of the Jedi bedspread doesn't look cool anymore, right? You hit about 13, 14 and you're like, “Mom, I really want some regular stuff there.”Andrew Webb: So like everybody, you know, I gave it all away, sold it and whatever, but I kept onto my lego and then fast forward, you know, I become a parent and Lego starts to come back into my life. So I'm sort of at a stage where I'm working for a travel startup and I get a press release to go to the Lego House, which if no one has heard about it, where have you been? But also it is a fantastic home of the brick, which Lego built in, opened in 2016. And it is a phenomenal temple to Lego. Not in terms of like a Legoland style approach with rides and things like that, but it's all about the brick and activities that you can do in a brick. Andrew Webb: There is great pools and huge pits of Lego to play with there, as well as displays and all this sort of stuff. They've actually got a Lego duplo waterfall.Paul Marden: Really? Andrew Webb:  Oh, I mean, it's a fantastic attraction. And the way they've done it is just incredible. So they blend a lot of digital things. So if you make a small fish and insert it into this thing, it appears in the tank and swims around and this sort of stuff and the way you can imprint your designs on things. I should just quickly tell you about the cafeteria there as well, just really quickly. So the cafeteria at the Lego House, everyone gets a little bag of Lego and then whatever you build and insert into this sort of iPad sort of slots type thing, and that's what you're. Andrew Webb: So a pink brick might be salmon, a yellow brick might be chicken, whatever, and you put it all in and it recognises it all and then it comes down a giant conveyor belt in a Lego. Giant Lego box and is handed to you by robots. I mean, mind blowing stuff. This is not like with a tray at the National Trust place or somewhere like that for us to come. It is a technological marvel. Absolutely fascinating. So, of course, on the day went, it was a press preview, so there was no canteen workers, so there was no food in the box when me and my daughter, so went without that data, was a bit disappointed. Andrew Webb: But that started that whole reappreciation of Lego, both as a toy to play with my daughter, but also as a way of using Lego in different ways. And that manifests itself in lots of different things. So currently, now, you know, fast forward a little bit. I use Lego for team building exercises, for workshops, for problem solving with organisations, and also just for having fun with adult groups as well as kids. And I think one of the biggest things we've seen since this kind of started around 2000s with the sort of adults reading Harry Potter, do you remember that was like, why are you reading this children's book type of thing? Paul Marden: Yeah. Andrew Webb: And then all the prequel Star wars films came out and Lego made sets about both those two things. And it kind of. I mean, Bionicle saved the company, as only AFOL will know, but it started that whole merchandising thing and adding Lego into that firmament of IP. Right. And we fast forward now, and it's Marvel and Star wars and everything. Paul Marden: You just said AFOL. I know what an AFOL is, but many of our listeners may not know what AFOL is.Andrew Webb: Just to go for acronyms here. So an AFOL is an Adult Fan of Lego. And we've seen actually Lego in the past five years, even earlier. I mean, Lego always had an adult element to it. And one of the original founders used to use it for designing his own house. And there was a whole architectural system called Molodux. So it's always had that element to it. But just recently we've seen, you know, almost retro sets. So we see the Lego Atari 2600 video game system from 1976, which, yeah. Paul Marden: An original NES wasn't there. Andrew Webb: Exactly. NES that's come out. I've got a Lego Optimus prime back here for transformers, you know, all that kind of stuff. So with what's been really interesting is this kidault or whatever, however, call it. And I think that's really fascinating, because if we think about Lego as a toy, we are rapidly approaching the age where we might have three generations of people that have grown up with Lego. Lego first came around in the very late ‘60s, early '70s. And so it's not inconceivable that you might have three generations that had Lego as a child, especially if you grew up in Denmark. A little bit different when it would come to the rest of Europe as they expanded out. So I get to this point, and I'm getting into Lego and doing all this sort of stuff. Andrew Webb: And then, of course, COVID happens and then lockdown happens and we all think the world's going to end and no one knows. Everyone's looking for hobbies, aren't they? They say you were either hunk, drunk or chunk after lockdown. You either got fit, got fat or got alcoholic. So try to avoid those three things. And, you know, everyone's looking for stuff to do, so you have so much banana bread you can bake. And so I stupidly, with my daughter's help, decided to make the Lego Sutton Hoo helmet, the 1500 year old Sutton Hoo helmet found at Sutton Hoo in Suffolk, now in the British Museum. Out of Lego, as you do. Paul Marden: I mean, just exactly. Just as you do. So just a slight segue. I was at the National Attractions Marketing Conference yesterday and there were two people presenting who both talked about their experiences of wacky things that they did during lockdown. There was one person that opened a theatre in her back garden and had various different stars just randomly turn up in her backyard up in North Yorkshire. And you choose to build a Lego Sutton Hoo helmet.Andrew Webb: Lockdown, there will be a time, I think, as we look back, tragic though it was, and, you know, a lot of people died, but it was that moment when society sort of shuffled around a bit and people sort of thought, “Well, if I don't do it now, why not?” People were launching bakeries in their kitchens and serving their community and like. And that element of it. And so people have that. The good side of that, I suppose, is that people did find new outlets of creativity. And Joe Wick's yoga class is in their front row walking groups, you know, all this sort of stuff and beating beaten horsemans and learning to play the violin and dust and stuff. Suddenly we all had to find hobbies because we're all just in. Andrew Webb: No one was going to restaurants, no one's going to bars, no one's going to gigs, nightclubs, theatres. We like to make entertainment at home. It was like the middle ages. So I decided to build the Lego Sutton Hoo helmet, as you do. And so I start this in lockdown, and then, like, I get wind that Netflix is making a film called The Dig. And The Dig is all about, I think it's Lily James and Ray Fiennes in it, and it's all those other people. And it's all about when they found theSutton Hoo helmet. And the guy who found it was called Basil Brown, and he was asked by Edith Pretty, who owned the land, to excavate these humps in the ground that were on her estate. Paul Marden: Okay, so she owns this big estate, in Suffolk, right? And, so she can clearly see there's burial mounds in the back garden, but doesn't know what's in them. Doesn't have any clue that there's treasure locked up inside this. Andrew Webb: I'm not even sure she knew there were anglo saxon burial maps since it was. Paul Marden: They were just lumps of ground in the garden. Andrew Webb: Yeah. I mean, she may have had inkling and other stuff I've turned up over the years and whatever. And some of them were robbed sort of georgian times around then. So some people knew what they were and they were somewhere excavated and gold was taken to fund the polynomial wars and whatnot. But she asked Basil Branson, he was like an amateur archaeologist, right? And so he was just like this local guy would cycle over and do. And the film goes into all that, and the film kind of portrays it as working class. Basil Brown should know his place against the sort of British Museum who are sort of the baddies in this film who think they know what. And of course, this is all set against the backdrop of war. So they escalated it all, then they had to rebury it. Andrew Webb: And then it was used as a tank training ground, so lots of tanks rolled over it. So it's a miracle anything was ever found. But when he did find the Sutton Hoo, who told me and a bunch of other things, clasp brooches, shields, weapons and whatever, when he did find it, so people think it kind of popped out the ground as a helmet, but it didn't. And if you look at the photos, it came out the ground in hundreds of pieces. Paul Marden: Oh, really? So you look at this reconstructed mask that's now in the British Museum, and you think, “Oh, so they just found that in one piece,” lifted out as if it was a Lego hat, you know, for a minifig. In one piece? No, not at all. Andrew Webb: It was actually more like a big parlour Lego in the fact that it was just in hundreds of thousands of pieces. And so there was the first guy to have a go at it was an elderly architect at the British Museum who was, I think, blind in one eye. And he had a go at putting it all together. And he used an armature and clay and pins and whatever, put it all together and said, “Yes, I think it was this.” And then actually it wasn't. He got it all wrong. Lots of different pieces after some more research, and then it falls to this. Nigel Williams is another sub architect, and he was famous for. Andrew Webb: There was a famous Portland vase that was broken in a museum by someone pushing it over as a sort of what you might call, like a just stop oil type of protest now, I can't remember what the call was, but someone smashed an exhibit. And he had painstakingly pieced all this together. He was a total dapper dude. Three piece suit, Chelsea boots, proper swinging sixties, and he had to go and put it all together. His version is the one that's in the British Museum, but he was a massive jigsaw fan. And if you think about Lego, what it is a 3d jigsaw. You get a bunch of pieces and you have to make. Make it into a 3d sculpture. So that was one reason, the dig was the other reason. Andrew Webb: The third reason was that the relationship between East Anglia and essentially Denmark and Billand and Anglo Saxon and Jutland and all that area, I'm talking like Vikings and Anglo Saxons and invasions and all this kind of stuff against the native British, there is essentially a relationship between East Anglia, a trade relationship and a conquest relationship between them. So I built this thing and I frantically put it together and I'm late nights and just losing my marbles trying to get this thing to work. Because Lego is not designed to make, like, spherical shapes, necessarily. It's quite blocky. Right. Everyone knows this. It's the square. Paul Marden: Really easy to make a car, really easy to make a house. A spaceship. Andrew Webb: Houses. Brilliant. Yeah. Square stuff is fantastic. But baking, not only a sort of a semicircle, but a hemisphere, which is what essentially a helmet is. Is even harder because you have to get the Lego to bend in two directions. And so a lot of work went into that just to get the actual face piece came together quite easy. And there was once I had the scale of the pieces under the eyes that formed that sort of thing, and then I could build the nose and face. Ideally, it was going to be so that I could put it on my head. I've actually got a massive head. So in the end, I had to realign that and sort of make it into this sort of child sized head. Paul Marden: But it's a wearable thing, right? Andrew Webb: It is. It is wearable. I mean, at one point, it was probably more fragile than the one in the British Museum because it just kept dropping to pieces. So there's a lot of sub plates that are holding together the outer plate. So it's actually sort of. So just quick Lego terminology here. So bricks, obviously are bricks. The flat things with bubbles on are called plates and then the smoother ones are called tiles. Okay. And used a combination of these to create. There's also a technique called SNOT, which stands for Studs Not On Top. We love acronyms in the Lego community. Right? Paul Marden: Completely.Andrew Webb:  So if you say, “Oh, man, I'm an AFOL covered in SNOT,” people know what you want to know what you mean. So after a night in the tiles, I got covered. Yeah. Andrew Webb: Anyway, so I make the helmet, I make the thing, and then, you know, I get a lot of support from the National Trust, specifically East of England National Trust and Sutton, who site itself because it's there. It's their crown jewels. The British Museum, not so much, because they was like, we've got a billion exhibits here. No, it's just one of them. When you've got the Tippecar moon and the Rosetta stone, it kind of pales into significant. But actually, they were helpful. And one of the curators there, who was on Twitter, who sent me a link to some 3d photos, because if you. If you google it's all pictures at the front. That's fantastic. But what does the back look like? Paul Marden: Oh, right, okay. Andrew Webb: So actually, buried deep in the British Museum's website, in their research department, under a filing cabinet, in the back of a server somewhere, are some quite technical photographic images of it, turning every sort of 30 degrees so that. That it's documented as to what it looks. Because you got to remember that everything on the helmet is symbolic of various different things. There is symbols that mean there's a guy on a horse who's sort of fighting and all this sort of stuff. And it all has quite a lot of meaning. I can occur from different parts of history as well. So there's some sort of roman influencing things there and symbols. And so this whole thing is designed to be not only a battle helmet, but it is also because, remember, crowns haven't been invented yet. Crowns are a later mediaeval sort of invention. Andrew Webb: So this is both a symbol of authority, headwear, like a crown, but also a weapon or a piece of defensive armour and equipment. So it has several functions in its life. So it's quite a complex piece of equipment, that this symbol of authority. So I make all this and then I also submit it to a thing called Lego Ideas. So Lego Ideas is a fantastic programme where anybody in the world, members of the public, can submit Lego Ideas, right? And they go onto a website. There's certain criteria, they have to meet a certain checklist, but then the rest of the public can vote for them. So, I mean, if Taylor Swift just stuck together a load of blocks and said, “Vote for this,” she probably hit the 10,000 threshold instantly. Andrew Webb: But I'm not sure Lego would necessarily take that forward as a build. So there is a judging panel that. But actually, some of the most recent really fantastic sets have come out of Lego Ideas. Members of the public, and they're designing things that the Lego designers wouldn't have thought of themselves. So I think that's been kind of interesting. Sadly, Paul, we didn't make the 10,000 threshold. We did a lot of media coverage. By then, lockdown was over and were sort of getting back to our lives and all this sort of stuff. And my daughter was entering her dark ages. And so it sat in my studio for another sort of year and a half and I thought, “What am I going to do with this?” And so in the end, I thought, “Well, you know what? It's gathering dust here. I'm fed up with it, dustin it.”Andrew Webb: And so I actually approached Josh Ward at the National Trust at Sutton Hoo, who has been a fantastic advocate for Lego and for this particular project, and I have to thank him immensely for that. And they got some money and some funding to build a cabinet and also to house it. So I donated it to National Trust and it is now on display there as part of their firmament of interpretational trail. Paul Marden: That must feel pretty good fow you. Andrew Webb: Yeah, it is quite good looking in there and watching kids go, “Wow.” Because Lego is one of those things instantly recognisable for kids. But certain hill as a site is quite complex for children to contextualise because essentially it's several mounds in the ground. And the helmet itself is at the British Museum. Right. They've got a replica built by the royal armouries. There were several of those. They've got those. They have loads of dress up, they have great explainers and videos and they do a lot of work to show the size and shape and things as a cast iron sculpture, to represent the boat, to show just how big it was when it was pulled up from the sea, because he's buried in a boat. So do a lot of that work, sort of that sort of work as well. Andrew Webb: But having this extra funding in the. They opened up Edith's pretty's house now, and having this room where we've got some other things as well, like crayons and paper and other tools and drawings and colouring in and Lego and big chest of Lego just helps, particularly smaller children who, by the time they've walked from the car park around the site, and it has probably flagged it a little bit. And so just providing that little support for them, it's been a fantastic way to contextualise and another way to interpret that. And I think more and more venues could look into that. When you think, well, how else can we add stuff, particularly for children to help tell the story of this place? Paul Marden: Yeah, absolutely. Absolutely. We went to. It was half term last week and went to the City Museum in Winchester. So they've got some mediaeval, they've got some Roman finds there, and there was lots of fun, but they had. It was full of lots of ways for kids to engage, so there was trails to go around, there was colouring in, make your own mediaeval shield. And all of these things are ways that, you know, my ten year old could engage with it because there's only so many glass cabinets of stuff dug up from the ground that she actually wants to look at. Andrew Webb: I mean, I love. I love pit rivers, right, in Oxford, my favourite museum. Paul Marden: It's crazy, isn't it? I love it. Andrew Webb: But basically, he just went around the world nicking stuff. Right, but as a collection of objects, It's fantastic. Paul Marden: It's deeply unnerving. Andrew Webb: Sorry, sorry if any pit rivers curators are listening there, nick, and stuff about it, but, it is my favourite museum because it's just for kids. It's probably really kind of like, how do you tell that story? I also think there was an article in the garden recently that, you know, the cost of living crisis as well. Parents are looking for value solutions now and so I think it wasn't Peppa Pig World, it was Paddington World. And a family ticket is 170 pounds. That is a huge dent in the family finances for a 70 minutes experience. If you are watching the pennies, if you can afford that and save up for it, whatever. And I know these things are, you know, memory making and all that sort of stuff, and I've been to Harry Potter with my daughter. Andrew Webb: That is not cheap, but it's a fantastic day out because once you're in, you spend the whole day there. If you take a packed lunch, you can save a lot of money on that, on the thing. But I suppose what I'm saying is that, you know, our museums and galleries, particularly traditionally, the what you might call free spaces, public spaces, are facing unprecedented demand in terms of parents looking for cost effective value days out, as well as funding being cut from central government and that sort of. So they have to do a huge amount with less and less for a bigger audience. And that is a strain on any institution and things like that. Other examples of places that get this. Andrew Webb: So obviously with the Sutton Hoo helmet, the hold in Ipswich, which is Suffolk Council's kind of flagship museum in the county town of Ipswich, but instead of calling it, you know, the Museum of Suffolk, they've called it The Hold, which is a reference to the fact it's on, I think it's either because it's on the shore or it's doing sheep, I'm not sure anyway. But a fantastic space, contemporary modern space  had a Lego exhibition a few years ago, borrowed my helmet, had some Lego exhibition stuff to do. And the good thing about that is when these teams have to do quite a lot of comms marketing and, you know, that has a cost as well, but often you see different demographics than perhaps would normally go to a stones and bones museum, if you know what I mean. Right. Andrew Webb: You'll see that it makes it more accessible to the community and to different people who don't like going and looking at the Magna Carta or whatever. For some kids, a day at the British Library is fantastic. Look at all these old books for more, maybe more boisterous children. That's probably not a really great idea. So I think galleries can take a leaf out of this and think, or museums or any institution really can take a leap out of this and think, “How can we do more for less? And what tools can we have that perhaps we haven't considered before, like Lego, as a way to open up our interpretation and our offering?” So this could work in Museum of Docklands, for example. This could work in the royal armouries. Andrew Webb: There's lots of places where if you looking to improve your children's offering that some form of lego, I mean, it ends up all over the floor, it ends up being taken away. Sometimes you've got to watch out for things like that. But that's why I always recommend, like, just the basic blocks and plates, not minifigures and stuff like that, because, you know, they just end up in kids' pockets and trousers. But I do think it is a fantastic tool for developing that interpretation piece. Paul Marden: So I run a coding club using Lego. Okay. So I work with years four, five and six, typically. And we normally start off by the end of two terms, we will be building robotics, programming things, doing amazing things. But we start at the very beginning with just open up a box, and it is amazing what a bunch of seven, eight and nine year olds can do with a two by four red brick just given bricks. Yeah. And they will build amazing things. Yeah. And they will tell you amazing stories. And you also see real diversity in the behaviours of children, because some children, in that free play context, they do not have the skills to do that. And I had one girl recently who hasn't played with Lego, and free play just blew her mind, and she was in tears because she couldn't embrace the creativity of it.Paul Marden: But then the following week, when we were following instructions, she was great at building from a set of instructions, You can do that from a limited palette and give them a mission. Sutton Hoo, build a, I don't know, a sword, build a shield, build something to interpret what you have seen. You're in the transport museum. Build, build. How did you get to the museum this morning? Give them something to do and then let them go. And half an hour later, you will be amazed by what they will have built. Andrew Webb: I actually did something this at the National Archives down in Kew, where they had a kids exhibition. Well, an exhibition in the summer about wacky inventions, because obviously the National Archives holds the patents for all these things, and they've got things like Victorian top hats with umbrellas in, and, you know, all this kind of crazy Heath Robinson style stuff that, you know, forks with four sets of tines, so you can eat four times as much. It just bonkers. Really interesting things. The curators had gone through and found this wacky world, sort of. What's his name? The guy that illustrates Roald Dahl. They got illustrations and all that. Paul Marden: Quentin Blake. Andrew Webb: Yeah, Quentin Blake, yeah. So they had this Quentin Blake sort of stuff, and, like, there was activities. And I came down for some special stuff because they had the first Lego brick patent in the UK. When it was first launched in the UK, 1963, I think it was. That's when they filed the patent. Paul Marden: And I bet. So that patent would be exactly the same as a two by four brick, now, won't it? Andrew Webb: The patent was for a one by four brick. Isometrically dawn. Just three diets. Just three views with what? It was a construction toy. And then the page. Sorry. And the address was just Railway Station Billund.  There wasn't like, just all the mail just went to the railway station in Billund just addressed for attention of Lego. And it's only like. I mean, it's not even a sheet of A4, It's a piece like this. And after it is something like a lamp that won't blow out on a thing, and before it's like some special kind of horse comb, but it's kind of this bonkers catalogue of just these things. But again, it was about, “Right. We did some work. The curators and interpreters looked, you know, had kids analyse the painting to think, what could it be? And look at the dates and structure. Look at that.” Andrew Webb: And then I came out and, like, did some Lego. So we did things like, who can build the longest bridge? Who can build the tallest tower out of a single colour? Those sorts of exercises. But then also the free play was build your own wacky invention. And kids are building automatically dog washers, where the dog ran on a thing and it scrubbed its back. And one kid built something that was like a thing for removing getting pips out of apples. It was just like this sort of like this crazy little tool. They like some sort of problem that he had. Andrew Webb: And I think what this also speaks to is developing those stem skills in children and adults and building that engineering, because I've also ran Lego workshops with explorers who I used to, I thought were between Cubs and scouts, but are actually after scouts. So I did this in my local town, here in Saffron Walden, and was like, “Oh, my God, these kids are like, 15, 16. They're not going to want to play Lego. Some of them are in my daughter's year at school, so. Hello, Amy.” And it was really interesting because we did a series of challenges with them. So the egg drop challenge, can you protect an egg and drop it from the floor? And can you build this and work together? Another good one is looker, runner, builder. Andrew Webb: So you give everybody two sets of the same bricks, and one person is the looker, one person is the runner, one person is the builder. So the looker can't touch, but he can tell the runner. The runner can't look at the model, he can only tell the builder, and the builder can't speak back. And so this is a really useful exercise. And I've done this with teams where, because this is exactly what businesses see, engineering will build a product. Sales or their marketing are like, what the hell is, you know, or whatever it might be. Paul Marden: It's that. It's that classic cartoon of a Swing, yeah. Andrew Webb: Yeah. So it's that, you know, this is what the brief said. Engineering interpreter does this. Marketing saw it. So it's a great tool for things like that. Especially when you put people like the C Suite or CEO's or leaders at the end, because all they're getting is the information and it. It's there and it's how to build communications. Because in life, the fluctuations reverse. A CEO says, “Let's do this.” And by the time it's cascaded down to engineering, who don't get a say, it's not at all what he imagined so, or they imagined so, it's. It's an interesting case of using tools like that. So I did that with these kids and it was fascinating because they're 14, 15, 16.Andrew Webb: A group of three girls won two out of the three challenges and probably could have won a third one if I felt that I couldn't award it to them again because it would just look weird. And they were smashing the looker runner builder thing. They were working together as a team, they were concentrating, they were solving problems, they were being creative, they took some time to prototype, they refined and iterated their design. They were doing all this sort of work. And it's brilliant because 15 year old girls don't often take engineering related STEM subjects at GCSE. Certainly, probably don't take them at a level and more than enough. And I think that I once interviewed Eben Upton, who invented Raspberry Pi, and he said, “We think about the eighties as this sort of like golden age of computing, but actually it was terrible. It was terrible for diversity, it was terrible for inclusion.“Andrew Webb: And he said, “Like growing up, there was one other kid in his town that had a computer, you know, so there was no sort of way to sort of getting other people involved and make this accessible.” And part of the reason now computers have got smaller. Some of the work I did at Pytop was like trying to make technology more accessible and seeing it not just video games and things like that, but actually I can use this in a fashion show, or I can make music, or I can use this to power some lights to do a theatre production, and trying to bring the, I guess, the creative arts into technology. And that's when we start to see the interest application of technology. Andrew Webb: And Lego plays a part in that, in the fact that it is a tool, a rapid prototyping tool that everybody is familiar with. And it is also, you know, clean, safe. There's no, you don't need blow torches and saws and those sorts of things to kind of prototype anything. You don't even need a pair of scissors, you know, it's completely tool free, unless you're using that little mini separator to get your bricks apart. And so I think that just circle back on, like, how the Science Museum or what's the one down there? Isabel Kingdom Brunel Museum and things like that. I can see those guys could be and should be thinking about, “How could we have a Lego programme?“Andrew Webb: You don't have to have a permanent deployment like they've got at Sutton Hoo although that is great because they've got the mast there as the head piece of it. But certainly a programme of events or summer camps or summer events, because I did this with English Heritage at Kenilworth Castle as well. They were having, like, a big Lego build and the public were invited in 15-minute shifts into a big marquee and everyone got given a tile. And the idea was to build the gardens because the gardens at Kenilworth Castle were laid out to impress Elizabeth the first. And so everybody got there was like bunches of stuff and regular bricks, also flowers and this sort of stuff. And it was like, “Come on, we've got to build something to impress a queen.” Andrew Webb: He said to kids, like, “Yeah, you've got to impress. Bling it up, like, dial it to ten.” And were just getting these enormous, like, avatar sized trees with just incredible bits hanging off it. And like, “There she has a teapot because she might want a cup of tea.” And you're like, “Brilliant, excellent. Of course she does.”  And so I think that. And then they moved through. Some of the Legos were selected to be displayed and things like that. So there's different ways you can do it. You can either do it as like. And I'm a big fan of the drop in sessions because kids and parents can just naturally build it into their day rather than the pre built. My child was. We were rubbish at, like, organising things. Andrew Webb: People like, “Oh, great. Half term, it's a chocolate thing, sold out ". And you're like, yeah, because there's 30 spaces for three and a half thousand kids who want to do it. Whereas if it's like a walkthrough or a. In groups phase through and then the activity, small kids kind of conk out after about 20 minutes, half an hour anyway. You get much more people through and much more people get to enjoy the experience rather than the 30 organised people who got up early and booked. So that's my other top tip to any institution, because it's heavily weather dependent as well. Sun comes out, everyone piles pass into the nearest sort of stately home, national attraction. All of those places can definitely benefit English Heritage. Did a really big push this half term, just gone on Lego at several events. Andrew Webb: We had one here at Audley End, there was one at Kenilworth that I was at. There's been pairs of the ones all around the country, because again, you just need a marquee, which most venues have access to because they use them for other things or some sort of space in case it rains. And you just see someone like me and a whole massive tub of Lego and you're off to the races. Paul Marden: Exactly. So we were talking about this at the conference yesterday about ways in which. So for many attractions, people turning up is a literal flip of a coin. Is the weather good or is the weather bad? What can you do to adapt your attraction to be able to deal with when it's bad? And then what can you do to bring people when you have made that adaptation? So, you know, you've now got a marquee and you have a Lego exhibit that you can put into there. So it's just dumping a pile of Lego and a bunch of well trained volunteers or visitor experienced people who can facilitate that, police it, little Johnny sticking minifigs in his pocket. Paul Marden: And then you turn on your Google Adwords and show that you've got this, you know, bad weather reason to go to a stately home that my daughter would turn her nose up to all of a sudden, “Okay, we're going to go and do that. We're going to go and have afternoon tea and you're going to go and play with some Lego and see some animals, maybe.” Yeah, what can you do to attract that extra audience and adapt to the bad weather and service different sorts of people? Andrew Webb: I think that comes down to a bear in mind. I convert some of my Lego lens rather than a venue lens. But I think speaking as a parent and someone who does this is you need a reason to go back to somewhere that you already know. Okay, so you go to Stonehenge, you go and look at the stones, you go, “Wow.” You look at the visitor centre and then it's ticked off. I mean, you see busloads of tourists. Stonehenge is at Cambridge, maybe, or Oxford people, when people do England, Lambeth, Heathrow, London Crown Jewels, Tower Bridge, West End, day trip out on a coach to Stonehenge, maybe to Cambridge, and that's it, off to Paris. Right? So parents like British people like that too. Like why go to Stonehenge four times a year? Or why go to any venue when you're familiar with it? Andrew Webb: It's always about offering something new and something different. Audley End up near where I live, I think, is English Heritage. All through July, every Sunday, they're just doing music. So there's a string quartet or someone with a harp or maybe someone with a guitar or whatever. And you've got a book, but it's. It's not like there's 30 places and it's a bonfight. It's just like, “Oh, wow, they've done something different.” They do a really great thing. Like, they do victorian falconry, for example. So they get someone in who talks about how Victorians use falconry for hunting as a sport, but also for the kitchen table, and they're flying falcons around and doing the whole bit of meat on a string and all this sort of stuff. And everyone, like, “They do a world war two one.”Andrew Webb: I mean, the editorial calendar for any venue's got to look like, “Go and make Christmas food. January, we're closed to kind of dust and clean everything. Valentine's Day, chocolate make you put. It's daffodils”, it's whatever it might be. And then you just build that. Build that programme in and you need. This is why I think that venues now, again, I'll just come back to that. You talk about AdWords, but that, again, is more spend. It's like, how'd you build that mail list? How do you drop into the local Facebook groups and Mumsnet and all that kind of stuff? You know, that's where you can do it organically rather than. Because people don't sit in front of Google necessarily, or think, like, what should we do? Paul Marden: You sit on the sofa on a Thursday night trying to figure out what on earth are we going to do this weekend? Yeah, so you're completely right. The mum's net, the content marketing, is hugely important, isn't it? Andrew Webb: Which is my job. But also it's kind of like how can institutions become part of that? When I say community, if you think about most people travel a thin hour to go somewhere. I mean, people go further afield, you know, but. But basically it's like, what? My mom turns, like, a tea and a pee. So you've got to go somewhere. You've got to have a cup of tea, visit the loos. It's all about tea. It's all about canteens and loos, basically. You could have a World Heritage Site, UNESCO World Heritage site. And it's like, how good's the caf? And are the toilets clean? Yeah, that's what people remember. Gar went hens at dawn. I was awed by the majestic. But that Looney D cleaning, you know, it's not good. It's all that people come home with. Andrew Webb: So, you know, institutions go into place that they are trying to offer different things. Like late nights. We've talked about that. How can we use this space after hours? Because if you think about it, if your institution's open 10 till 6, most people are at work five days a week, you're gonna have students and pensioners who are gonna be not great spenders, either of those two groups. So, late nights, I went to a great one in the National Gallery when the James Bond film. I was kind of sitting royale or whatever. He's still on the top of the National Gallery overlooking Trafalgar Square, and they've got the national dining rooms there and they had Vesper Martini, everyone got a cocktail. Andrew Webb: And then went to look at the fighting Temeraire, which is the bit where he's standing with Q, the new Q, who voices Paddington, whose name escapes me and gives him, like, a gun and a radio, but they're like the fighting Temeraire by Turner is this little thing. And so, you know, you've got to make hay out of that, right? You've got to sort of, like, do a late night, various ones. And so all it was a few cocktails in the cafe next door and are taught by the curator and stuff like that. But 30 people just looking for an experience. And so if venues are clever, of course, the dark side of this is when you get Willy Wonka world up in Scotland. Andrew Webb: Or interestingly, some of the Lego events that have been happening at NEC have caused a massive online backslash in the community for just being exceptionally bad value for money. And so you read about these things that people have said, “Come and visit Santa's grotto, and it's just a muddy field with a tree in it,” so you've got to be careful. But I think those events, those sort of fly by night kind of institutions, don't really work. But how galleries can leverage the creativity of what they're doing? Whether they are come and paint in our, you know, our local gallery, come and have an art class, come and do that. People are looking for stuff to do that is value for money. That isn't always drink lead, you know, it's not always cocktail making or things like that. Andrew Webb: And that comes with a whole heap of other things and dietary requirements for cookery courses and just clean up and the mess and all that kind of stuff. So I think that, yeah, canning organisations, the ones that can really think about that, and I'm happy to help organisations who want to think about this, especially through the life of Lego. They will be the ones that will start to add and build out and develop their. What you might term this whole sector needs a name. The kind of extracurricular offering, we might say, above and beyond their collection and then their traditional interpretation and if they're. Paul Marden: Thinking of doing this. So there's a good why. Yeah, the why is you can reach diverse audiences, helps people with interpretation. Andrew Webb: Quite cheap. Paul Marden: Yeah, absolutely. It's a cheap way of extending your offering and diversifying what you do. You can bring in event elements to this, but how do they do it? Apart from engaging with somebody like you? And I'm going to guess there's not many people like you. So that's going to be a tricky thing for some people to do. But if they were starting from scratch, how would they go about doing this? You said earlier, “Don't go mad with buying the bricks and spending a fortune on.”Andrew Webb: There are people like me that can do all this as well as myself. I think that the first thing is plan it. Plan what you need to do. You can't throw this stuff together. You might be looking at. Already the hold have been contacting me for a late night they're doing in September. They contacted me April. Paul Marden: Okay. Andrew Webb: Because if you're a creator, you're planning exhibitions, you are thinking on that long term cycle. Paul Marden: Yeah, completely. Andrew Webb: And so what you need to do is bake this in as part of that curational process or part of the interpretation of things at the start, rather than like, “Right, we're doing exhibit on Peter Rabbit, let's chuck in a load of fluffy bunnies or whatever.” You know, it's got to be. You've got to think about it and have it contextualised. I think the best things are. What success looks like is, first of all, you need a space. Now you can hire a marquee that comes with a cost. If you're a venue and you've got your own or you've got a hall or a stables or interpretational room or something like that, often spaces, specifically bigger ones, will have classroom spaces for school groups anyway. So that's often that can be where you can host these sorts of events. Kids are very familiar. Andrew Webb: The chairs are all small wall colour, you know, etc. Industrial strength carpet in case stuff gets built. So locations like where you're going to stage this? Paul Marden: Yeah. Andrew Webb: Secondly, I think you need to think about, what do we want people to do? What is the experience? What is the narrative piece? Because you can't just say, here's a big part of Lego. Kids will just build cars and houses, right? You know, they need context. You know, if you give a kid a sheet of paper, you could draw anything. They're like, well, what? And so you need to give them a mission almost. They need a task, I think. Also think about, as I said before, keeping the tasks around 20 minutes, because actually adding the time running out jeopardy element is quite fun for kids because they'll go, “Well, I've only got five minutes left.” And often that's when it all falls apart and then they have to iterate the design. Andrew Webb: So think about that kind of moving people through in 15 to 20 minutes cycles. We had kids at Kenilworth, that would go out the exit and just walk back around and come in the front like that. Like four or five times. One boy came in, he was loving it. So think about that. Think about how you're going to move people through the space. Think about what you need to envisage it. So the Kenilworth, for example, there was me hosting it from dawn toward dusk. We had another builder there who was helping take break it all down and put them against the model that we built. There were two members of staff who were letting people through, so just monitoring it from an entry exit point of view, walkie talkies, in case people had issues and things like that. Andrew Webb: And think about when you're going to do it. Okay, so half term is a good one. It's a good thing to do. We saw a lot of this at Kenilworth, but I've seen other places as well, particularly half terms and things like that. You often see grandparents caring for grandchildren, right? Because parents are at work and grandparents can only walk around the site so much before they want to sit down. So sometimes have it, like, think about where they can. And when I was at Kenilworth, grandparents came in with their two grandkids, and the kids started playing and I was like, you could join in, too. Oh, no, I don't want it. You know, they were almost like, “I can't do this. It's like, come on, get in, get in. Come on, grandma. Come on. I'll show you how it works. “Andrew Webb: By the end of that session, they were memory making. I then took their photo with their phones, they'd have this sort of grandparent. But, you know, you always say it like, my grandfather taught me to fish. Like Sean Connery says in the hunt for red October. This sort of moment where sort of, it's a Hollywood trope that grandfather knowledge is sort of passed on type of thing. Right. And so you can see that where you could have this, almost either the reverse of that, of kids showing grandparents, but also they're all having this event outside of the parental unit. So it's a new type of experience. It adds value, it gets people to play with their grandkids. Paul Marden: Priceless. Andrew Webb: So I think that's kind of an interesting way. So think about when, think about where and think about what will be my three sort of tips for any institution looking to put this together. Paul Marden: You gave one the other day which I thought was priceless, which was, don't give them wheels. Andrew Webb: Oh, yes. Paul Marden: Don't include the wheels. Andrew Webb: Take the wheels out of any sets, unless you are the Transport Museum or the, you know, a car based museum, because kids will do wings as well. I'd probably suggest taking those out because kids have just built cars. Some kids have just built cars, you know, even if you give them a mission. Unless that is the mission. The other thing that I would think that venues could do as well as sort of all day events, because it's quite a time drain, you know, on staff and this sort of stuff, but it is a value. The other thing you can think about is one off evening events for adults. Yes, I've done this. I did this at my local add them shops. Bricks, beers and bubbles challenges supercompass teams. Think of it like a pub quiz with brick is the answer. Andrew Webb: So build me a thing that does that kind of thing. Teams all get together, you can race them, you can see who goes the furthest. You can do all this stuff. And the hold is what I'm doing at the hold in September. I did it at the hold a couple of years ago. And what was interesting was that we had quite diverse groups of adults. We had just couples who were clearly AFOLs and were like, “Yeah, I'm going to go to that.” We had a group of friends. One of them had just come back from years travelling and they didn't want to go sort of straight to the pub and just interrogate him about his travelling, whatever. Andrew Webb: They kind of like, “Well, we wanted something to do where we could have a beer and have a chat, but were doing something else whilst we're doing that.” And that's the joy of Lego. Your hands are doing the work and you're almost like the back of your brain is doing the work and you're like, “Oh, yeah, yeah. Before you kick them.” And the concentration levels are there and then you can kind of get into that state of flow. And so they were just having this lovely chat, had a beer, talking about stuff, but also memory making in terms of when he came back from his travelling. So I think that's really important. Andrew Webb: Did you know that this is your brain, right? And then your brain on Lego, there are 24 discrete skills that are happening in your brain. So Lego research this, things like fine motor skills, cognitive sort of thinking about things, future planning, my favourite emotional regulation that is not going, “Oh, my God, it's not working. And smashing all to pieces.” So I've seen this as well with children, is that when you give them a Lego, if you gave them jelly and a football, they'll all just. They're a high energy kind of things, right? And that's fine, great outdoors, kids want to burn off energy. Here's a load of balls. Go crazy, right? Or ball pits, trampolines, bouncy castles, those sorts of things. When you get on Lego, what actually happens is it's very hard to be anarchic, to use a wrong word, but a word. It's very hard to be anarchic with Lego because you can't really do it. Andrew Webb: And so you can get a group of kids together and they'll almost self invigilate. And at one point, I ran it at a local toy shop and the parents are all hanging about and like, “I've never seen them so quiet.” They were just in the state of flow. And so, I think, you know, again, back to the. Back to the explorers and the scouts, that was one of the best sessions that those kids had done as teenagers because the reason was they were given permission to play with Lego. They still had the muscle memory from when they were smaller children. They were solving. They weren't just being told to play with Lego, they were actually solving engineering challenges. How can you design a bridge that will take this weight? How can you protect an egg? How can you think about this? Andrew Webb: And so you need to think about the challenge and the what. You need to think about that, the where and you think about the when, as I said, and get those right. You can have a very exceptional visitor experience for not a huge amount of effort. It's not highly costly, it's not highly technical, it's just a bit of elbow grease and a bit of forward thinking in terms of what we might need. And I think that parents appreciate just that minute away where they can. It's almost like a 20 minute babysitter, right, where they can just go, “Don't touch that.” You know, you're walking around a stately home, “Don't sit there, don't touch. Mind the lady.” All that kind of no data that parents give out institutions, they can just take a breather and check their phones and whatever. Paul Marden: And the kids are just having an amazing time. Andrew Webb: Yeah. And the kids are happy. And at the end of the day, as a parent, we all do our best and you just want, you know, them to be playing with something screen free, getting along and learning something. And, you know, that is the win. That is the ultimate takeout. You can layer on your own institution in context and rev up the visitor experience, bring in new visitors, attract a more diverse group of people that perhaps wouldn't normally come to a Regency Rococo style villa or whatever it might be, then that's all to the better, because, you know, you can start to use this in your planning and you can do what Suntton Hoo did? And go, right, well, we've done this and it's really worked. Andrew Webb: And then I can apply for funding for it and I can expand and I can make it permanent and then I can sort of say, well, this now becomes a tool and a string and arbo for our educational. It doesn't have to be split between visitor attractions and development. It can, you know, you can split it between several parts of the institution and use it in different ways, use it for educational purposes as well as visitor experience. So the world's your oyster with a bit of thinking. Paul Marden: With a bit of Lego and a bit of thinking. Andrew Webb: Bit of Lego, yeah. A few bricks and a couple of tricks and you're off to the races. Paul Marden: Andrew, this has been brilliant. Thank you ever so much. Andrew Webb: You're welcome. Paul Marden: I've got one more question for you before we finish. Now, you bottled this earlier on when I said we always have a book recommendation from our guests. And in spite of having the fullest bookshelf I've seen in quite a long time, you've bottled it on a book. But you did offer me a favourite movie. And so what would be your movie recommendation of choice? Andrew Webb: My go to movie would probably be Withnail and I, Richard E. Grant's first film. Every line has came down from God on a tablet. I mean, it is just. Yeah. Richard Griffiths as Uncle Monty, Paul McGann. It's just one of my favourite films and, you know, cult classic that no one's really. Well, people have heard of it now, but again, they even make stuff out with Alan Eyright. So you can go and watch a screening of it at the farm at Crow Crag up in Penrith, you know, and everyone dresses up and everyone comes with Mister blathering sets tea and I come on holiday by mistake and Jessie says, Danny. Andrew Webb: And, you know, fortunately, for better or for worse, I know these are tough times, but people try and find the fun in things. They try and at the end of the day, everyone's looking for a good time, whether we're children or an adult. You want something to just have a laugh and take you away for a moment. And if films and culture but also experiences can do that, then that's all for the good. Paul Marden: Well, look, this is going to be a challenge, but listeners, if you would like a copy of Andrew's film recommendation, then when we release the show message on X, if you can retweet that and say, “Give me Andrew's movie”, then the first person that does that, somehow I will get the movie to you. It might be on VHS, it might be on DVD, but somehow we will get you a movie. Andrew Webb: I found a CD the other day from a bar I used to go to in Clapham in the noughties and late ‘90s. I said to my mate, look, I'm great, put it on. And I went, “I can't.” I haven't got a CD player anymore. I had to go dig through a box somewhere in the study to find a portable CD player that plugged into my computer that could. By the end of it, we're just laugh. Forget it. Paul Marden: Andrew, this has been wonderful. Thank you ever so much. Andrew Webb: You're welcome. Cheers. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! Help the entire sector:Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsFill in your data now (opens in new tab)

Terry Henderson joined Racing Pulse after OTI's Docklands ran a gallant second in the Group 1 Queen Anne Stakes at Ascot overnight, OTI have Highland Bling and Deakin racing over the carnival in the coming days. See omnystudio.com/listener for privacy information.

Nick is joined by Jane Mangan to discuss the latest from around the racing world, leading with the news that Wathnan Racing, the brainchild of the Emir of Qatar, is set to have a huge number of runners at the Royal meeting, including the high profile purchases Haatem, Torito, Shartash, Dyrholaey and more. For good measure, they have also purchased leading Irish Oaks fancy Lope de Lilas with more on the way. With the potential for double figure two year olds to join the party, Wathnan's Richard Brown explains the purchases and the mechanics behind the operation. Also on today's show, trainers Harry Eustace and Ed Bethell outline Ascot plans for Docklands and Regional respectively, while Xander Brett brings us a report on the annual Swedish National Day race meeting, JA McGrath is on the Hong Kong beat and Ben Atkins has his weekly pointing update.

In this month's Suburb Trends report for May 2024, we're diving deep into the world of property investment, exploring a critical issue that every investor should be aware of: false positives in property data. With the property market experiencing upward pressure on prices due to low supply, investors risk being misled by appearances, just like the allure of a dimly lit nightclub before the lights come on. Without the ability to distinguish between promising investments and pitfalls, investors may find themselves making pretty costly decisions based on misleading data. To shed light on this topic, Kent Lardner joins us to discuss strategies that will help in discerning between genuine opportunities and false positives. Together, we'll explore strategies for evaluating property data, spotting red flags, and making better investment decisions even in the midst of inflated markets. This is the beer goggles and property episode! Tune in to learn how to spot false positives in property data. Episode Highlights: 00:00 - Introduction 00:56 - How the "lights-on" moment aims to reveal hidden truths in property investments 03:49 - How can one mitigate the impact of external factors on property market analysis? 05:33 - What core factors should owner-occupiers prioritise when assessing property options? 09:35 - Is the current trend of investors targeting affordable properties sustainable? 14:18 - How can market players anticipate and respond to potential downturn scenarios? 19:01 - What are the real factors behind the increase in housing costs 21:03 - How are affordability ratios and wealth interconnected in suburban markets? 25:01 - The importance of macro and micro-level data when considering property investments 29:24 - Key factors influencing investment decisions in the real estate market 31:57 - Is there a risk of social unrest due to housing inequality? 37:26 - What are the current rental housing challenges in Melbourne and Sydney? 47:34 - What are the implications of the Docklands case study for urban development? About Kent Lardner: Kent Lardner is an expert data science and business leader with 30+ years of experience at leading companies like JLL, CoreLogic, and General Electric. He has led teams of 5 to 200 people across Australia and China, driven by his passion for high-growth digital businesses. Kent is also the founder of Suburbtrends, a leading property research firm trusted by major names in Australian property and featured in mainstream media. Connect with Kent Lardner: Kent Lardner's LinkedIn: https://au.linkedin.com/in/kentlardner Kent Lardner's Website: https://suburbtrends.com/ Resources: Visit our website https://www.theelephantintheroom.com.au If you have any questions or would like to be featured on our show, contact us at: The Elephant in the Room Property Podcast questions@theelephantintheroom.com.au Looking for a Sydney Buyers Agent? https://www.gooddeeds.com.au Work with Veronica: https://www.veronicamorgan.com.au Looking for a Mortgage Broker? https://www.blusk.au Work with Chris: hello@blusk.au Enjoyed the podcast? Don't miss out on what's yet to come! Hit that subscription button, spread the word and join us for more insightful discussions in real estate. Your journey starts now! Subscribe on YouTube: https://www.youtube.com/@theelephantintheroom-podcast Subscribe on Apple Podcasts: https://podcasts.apple.com/ph/podcast/the-elephant-in-the-room-property-podcast/id1384822719 Subscribe on Spotify: https://open.spotify.com/show/3Ge1626dgnmK0RyKPcXjP0?si=26cde394fa854765 See omnystudio.com/listener for privacy information.

We chatted with former St Kilda Football Club president, Andrew Plympton, in June 2022, about some of the key moments of his time at the Saints: Moorabbin to Waverley, Plugger, the 1997 Grand Final, Stan Alves and Tim Watson, and the move to Docklands.Sadly, Andrew passed away on the 24th of March, 2024, so this interview is here to serve as his legacy: a wonderful example of the hard work and passion that so many have for the St Kilda Football Club.Vale, Andrew Plympton.

Sarika Shah shares her journey from childhood in Kenya to becoming the principal of a successful Docklands-based practice.   She discusses her transition to the UK for education, her decision to pursue dentistry, and the highs and lows of practice growth.   Sarika explores the importance of patient care, team management, and overcoming obstacles, with insight into the unique challenges faced by women in dentistry.  In This Episode 02.25 - Backstory 08.20 - Discovering dentistry 11.35 - University 18.20 - Professional journey  31.30 - Practice ownership and growth 42.35 - Women in dentistry 51.35 - Parenting and leadership 01.00.50 - Blackbox thinking 01.07.15 - Last days and legacy 01.08.00 - Fantasy dinner party About Sarika Shah Sarika Shah graduated from the University of Manchester in 2006 and completed a Master's degree in Restorative Dentistry at the Eastman Dental Institute, UCL. Sarika established Platinum Dental Care in Canary Wharf in 2017.  

Recycling Victorian clothes, the history of costume design, the messages conveyed in art made from textiles and the stories encoded in ancient embroidery are explored by Shahidha Bari and her guests Isabella Rosner, Rianna Norbert-David, Jade Halbert and Danielle Dove. They also look at exhibitions at the Barbican Gallery in London and the Museum of London in Docklands.Isabella Rosner is the curator of the Royal School of Needlework and a New Generation Thinker. You can hear an Essay from her about Quaker needlework broadcast on BBC Radio 3 in March Jade Halbert is a New Generation Thinker based at the University of Leeds working on the project https://www.constructingcostumehistories.co.uk/ Danielle Dove is a Fellow of the Institute for Sustainability at the University of Surrey researching second hand clothes in the Victorian period Rianna Norbert-David is an assistant curator at the Museum of London and has a MA in textile design from the Royal College of ArtUnravel: The Power and Politics of Textiles in Art runs at the Barbican Art Gallery in London from Tue 13 Feb—Sun 26 May 2024 Fashion City: How Jewish Londoners shaped global style runs at the Museum of London in Docklands until 14 April 2024 Sargent and Fashion runs at Tate Britain in London from 22 Feb - 7 July 2024 Leeds Art Gallery runs monthly stitch art events using works in their collection as the inspiration for textile art. The University is home to the M&S archive https://archive.marksandspencer.com/ Producer: Robyn Read

News Weakly – 24th February, 2024A weekly round-up of the top news stories in Australia, and around the world; punched in the head until they make sense.Written and presented by journalist & comedian Sami Shah.TOP STORIES OF THE WEEKA Swift response to asylum seekers!Also, from the Yarra to the Docklands!All that and more, on News Weakly!News Weakly is an ad-free listener supported podcast.Just go to patreon.com/samishah to support the podcast! Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ameet Bains interview, traffic around Docklands, LINKT tolls account, scams, both Tim and Garry are big fans of Isaac Quaynor, following the relationship with Tim's dogs (Pearl and Brando). Learn more about your ad choices. Visit megaphone.fm/adchoices

Parliamentary service Elected to the House of Representatives for Oxley, Queensland, 1996. Defeated at general elections 1998. Elected to the Senate for Queensland 2016. Re-elected 2022. Committee service Joint Select: Australia's Family Law System served from 19.9.2019 to 23.10.2019; Australia's Family Law System served as Deputy Chair from 24.10.2019 to 22.11.2021 Joint Standing: National Broadband Network served from 11.10.2016 to 18.6.2018 Senate Select: Lending to Primary Production Customers served as Chair from 13.11.2017 to 6.12.2017 Senate Standing: Selection of Bills served from 26.7.2022 to present Parliamentary party positions Independent. Served: 02.03.1996 to 27.06.1997 Pauline Hanson's One Nation. Served: 27.06.1997 to 03.10.1998, 02.07.2016 to present Leader of the Federal Parliamentary Pauline Hanson's One Nation from 2.7.2016. Pauline Hanson's One Nation Whip in the Senate from 2.7.2019. Personal Born: 27.5.1954, Brisbane, Australia Gender: Female Marital Status: Divorced Qualifications and occupation before entering Federal Parliament Mother of four. Small business owner from 1978 to 1997. Local Government service Councilor, Ipswich City Council from 1994 to 1995. Publications Pauline Hanson, the truth: on Asian immigration, the Aboriginal question, the gun debate and the future of Australia, Pauline Hanson, Ipswich, Qld: 1997. Untamed & unashamed: time to explain, JoJo Publishing, Docklands, Vic.: 2007. Pauline: in her own words, Wilkinson Publishing, Melbourne: 2018. Reasons to vote for Albanese's voice, Pauline Hanson's One Nation, Queensland: 2023.

Angry basketball coaches, the old school style of Andy Reid ahead of Kansas City playing in freezing conditions, who would you prefer as a leader – the new/young 34 year old France PM with the 80 year old Joe Biden, why didn't the Docklands work. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are all over the place this week with plenty of bonus pro tips and witty banter. There are some great tips for being aware of scams and some real-life stories of being skeptical when it comes to emails, popups, and phone calls. Enjoy and tech better! Watch on YouTube! Followup: Elon Musk Changes Twitter name and logo to X (01:55) Meta and Microsoft introduce the next generation of Llama (07:15) Stability AI releases Stable Doodle, a Sketch-to-image tool (10:40) Google raising price of YouTube Premium to $13.99 per month (14:30) Dave's Pro Tip of the Week: Threads… General > Keyboards > Character Preview (19:10) Just the headlines: (24:20) FTX lobbyist tried to buy Pacific island of Nauru to create a new superspecies, lawsuit says For the first time in 51 years, NASA is training astronauts to fly to the Moon Hundreds of drones retrieved from Victoria Harbour, Docklands following light show malfunction Facebook, Instagram face Norwegian ban from tracking users for ads Nissan is the next automaker to adopt Tesla-style EV charging plugs Takes: Here's why the best IMAX movies still need a Palm Pilot to work (26:20) Google releases Nearby Share, its Android AirDrop clone for Windows (30:55) Google has an ‘Enhanced Safe Browsing' feature. Should you use it? (34:11) US military emails sent to Mali because of common typo (40:45) Bonus Odd Take: Your favorite addictive Flash games back from the dead (43:15) Picks of the Week:  Dave: Sony SELP18105G E PZ 18-105mm F4 G OSS (Renewed) (45:30) Nate: CarbonKlean Peeps Eyeglass Lens Cleaner - Efficient and Durable Carbon Microfiber Technology - Exclusively Used by NASA - 500 Uses (Injected Purple) (50:45) Find us elsewhere: https://notpicks.com https://www.notnerd.com https://www.youtube.com/c/Notnerd https://ratethispodcast.com/notnerd https://www.tiktok.com/@notnerdpod https://www.twitter.com/n0tnerd/ https://www.instagram.com/n0tnerd https://www.facebook.com/n0tnerd/ info@Notnerd.com Call or text 608.618.NERD(6373) If you would like to help support Notnerd financially, mentally, or physically, don't hesitate to get in touch with us via any of the methods above. Consider any product/app links to be affiliate links.