Podcasts about Deyan Sudjic

For the British architect John Pawson, minimalism isn't just a design philosophy, but a life philosophy—with his 1996 book, Minimum, serving as a defining jumping-off point. Over the course of more than four decades, Pawson has quietly amassed a global following by distilling spaces, objects, and things down to their most essential. With projects ranging from his career-defining Calvin Klein Collection flagship store on Madison Avenue in New York City, completed in 1995, to a remote monastery complex in the Czech Republic he's been building for Cistercian monks of the Trappist order for more than 25 years; from hotels in Los Angeles, Madrid, and Tel Aviv to London's Design Museum; from private homes in Colorado, Greece, Japan, Sweden, and beyond, to a chair and cookware; from lamps and linens to doorknobs, bowls, to even a steak knife, Pawson's tightly focused yet seemingly boundless practice places him in a category all his own.On the episode—our fourth “site-specific” taping of Time Sensitive, recorded at Pawson's country home in the Cotswolds—he discusses the problems he sees with trying to turn minimalism into a movement; his deep-seated belief in restraint, both in life and in architecture; and his humble, highly refined approach to creating sacred spaces.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:[08:06] Tetsuka House (2005)[08:06] “John Pawson's Approach to Making Life Simpler”[08:06] Shiro Kuramata[08:06] Katsura Imperial Villa[08:06] North York Moors[12:41] “Minimum” (1996)[12:41] Sen no Rikyū[17:35] Calvin Klein Collections Store (1995)[17:35] Ian Schrager[17:35] Paul Goldberger[17:35] Cathay Pacific (1998)[20:59] “Elements of Style” (1959) by William Strunk Jr. and E.B. White[20:59] “Plain Space” (2010)[20:59] Raymond Carver[23:08] Bruce Chatwin[23:08] “Wabi”[23:08] Chatwin Apartment (1982)[26:26] Deyan Sudjic[28:12] Ryōan-ji[31:11] “John Pawson: Making Life Simpler” (2023)[30:16] Neuendorf House (1989)[30:16] Tilty Barn (1995)[37:19] Claudio Silvestrin[37:51] Philip Johnson[40:49] Home Farm (2019)[40:49] “Home Farm Cooking” (2021)[47:18] Bill Brandt[55:46] Hester van Royen Apartment (1981)[56:36] Casa Malaparte[56:36] Mies van der Rohe[56:36] Barcelona Pavilion[59:356] The Design Museum (2016)[59:356] Farnsworth House[59:356] “Inside the Brick House, Philip Johnson's Private Playground”[1:02:26] Pawson House (1999)[1:05:53] The Feuerle Collection (2016)[1:10:33] Abbey of Our Lady of Nový Dvůr (2004)[1:21:54] Pieter Jansz. Saenredam 

Look at any can of cooking spray and it will say on the label that it has zero calories. How can that be? It can't be. Listen as I explain how they get away with saying that when it isn't really true and I'll reveal how many calories there actually are. https://cheatdaydesign.com/how-many-calories-does-cooking-spray-really-have/ No doubt you have heard of Ozempic. It is a drug that allows a lot of people to lose weight. While it is extremely effective, there are risks and concerns. But what is the bigger risk – the risks of taking the drug or the risks of remaining overweight? That's the question I explore with Johann Hari. He is a writer and journalist who has written for The New York Times, The Guardian, and other newspapers. His TED Talks have been viewed over 70 million times, he is the author of some bestselling books and he has taken Ozempic and lost weight. He has also thoroughly researched all sides of the debate on these drugs and the results of his work are in his book Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs (https://amzn.to/3WMpdC7). All the conveniences of living in a digital world are hard to argue with. Still, all these digital gadgets have made many cherished analog things obsolete. Think about how your smartphone has replaced the need for a watch, or camera or a bookstore or record store – even a map. Everything is digital now. This segment isn't about longing for “the good old days” of analog but rather looking at how important our analog world was a few decades ago and how some analog things still persist because they are still the better way (think of a pencil and a piece of paper). Joining me to talk about all things analog is Deyan Sudjic, Director Emeritus of the Design Museum in London, professor of Design Studies at the University of Lancaster in the UK and author of the book, The World of Analog: A Visual Guide (https://amzn.to/4dMnXEW). No matter what language people speak, when they get hurt they say “OUCH!” or something very close to it. Listen as I explain the reason and purpose of OWWW or OUCH! Source: Jonathan Goldman author of The 7 Secrets to Sound Healing (https://amzn.to/3V6vVR9). PLEASE SUPPORT OUR SPONSORS! Indeed is offering SYSK listeners a $75 Sponsored Job Credit to get your jobs more visibility at https://Indeed.com/SOMETHING NerdWallet lets you compare top travel credit cards side-by-side to maximize your spending! Compare & find smarter credit cards, savings accounts, & more https://NerdWallet.com TurboTax Experts make all your moves count — filing with 100% accuracy and getting your max refund, guaranteed! See guarantee details at https://TurboTax.com/Guarantees Luckily for those of us who live with the symptoms of allergies, we can Live Claritin Clear with Claritin-D! eBay Motors has 122 million parts for your #1 ride-or-die, to make sure it stays running smoothly. Keep your ride alive at https://eBayMotors.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

The cheeky, happy-go-lucky spirit of the British fashion designer Paul Smith can be felt across everything he does, from his own clothing designs to his multifarious collaborations—Maharam textiles, Mini cars, Burton snowboards, and a suite at the Brown's Hotel in London among them. Though Smith may run a business with expert tailoring and a mastery of color at its core, everything he creates seems to suggest, with a wink, “Don't take yourself too seriously.” Beyond designing clothes, Smith also serves as a mentor to the next generation of designers. In 2020, he launched Paul Smith's Foundation, through which he helps guide young creatives as they develop their careers. Fifty-four years into his business, which opened its first store in Nottingham, England, in 1970, Smith now operates shops in more than 70 countries around the world, from New York and Los Angeles to Paris and Hong Kong.On this episode, he discusses his deep, 40-plus-year engagement with the country of Japan; his long-view approach to building a business that transcends time; his ever-growing collection of rabbit ephemera; and the metamorphic impact of music and humor on his life and work.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:[3:31] Paul Smith[6:33] Rei Kawakubo[12:55] Elle Decor Japan[21:41] Deyan Sudjic[21:41] John Hegarty[23:48] Paul Smith's Foundation[24:00] Studio Smithfield Fashion Residency[24:00] John Galliano[24:00] Alexander McQueen[24:22] Jony Ive[31:30] Bauhaus[34:50] Beeston Road Club[40:30] The Mini Strip[48:24] Paul Smith Nottingham Store[53:30] Maharam collaboration[53:30] Burton collaboration[53:30] The Rolling Stones[54:19] Brown's Hotel Sir Paul Smith Suite[54:39] David Bowie[54:39] Patti Smith[54:39] Eric Clapton[54:39] Jimmy Page[1:01:57] Jean-Luc Godard

Rumours abound about the so-called “billionaire” city planned by a former banker and his backers in Solano County California. Is California Forever, as the project is known, a money-making scheme for those disillusioned with San Francisco's rocketing prices and accumulating problems? Or is it just America's answer to Milton Keynes? Author and broadcaster Deyan Sudjic joins the podcast to discuss the California Forever and what it illustrates about how capitalism grapples with the crisis in affordable housing. Read Deyan's piece here. Hosted on Acast. See acast.com/privacy for more information.

In Episode 19/3 of A is for Architecture, John Pawson speaks about his design education, work, ethos and practice. John is recognised as the preeminent minimalist architect of the age, with work including Calvin Klein shops, St John at Hackney Church (2020), the Abbey of Our Lady of Nový Dvůr, Czech Republic (2004) the Moritzkirche, Augsburg (2013) and the Sackler Crossing at Kew (2006). Last year, a new book was published on John's work – John Pawson: Making Life Simpler, published by Phaidon, and written by Deyan Sudjic. His 1996 book, Minimum, was something like a phenomenon. You can find John on Instagram, and on his practice website. Available on Spotify, iTunes, Google Podcasts, Amazon Music, YouTube and Facebook . Thanks for listening. + + + + + + + + + + + + + + + Music credits: Bruno Gillick + + + + + + + + + + + + + + +

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Host: Larry Bernstein. Guest is Deyan Sudjic.

The New Curator: Exhibiting Architecture and Design (Routledge, 2021) examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator'. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation' provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian' or ‘expert' but with the intent to create a shared space of encounter with audiences. To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento. Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The New Curator: Exhibiting Architecture and Design (Routledge, 2021) examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator'. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation' provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian' or ‘expert' but with the intent to create a shared space of encounter with audiences. To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento. Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

The New Curator: Exhibiting Architecture and Design (Routledge, 2021) examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator'. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation' provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian' or ‘expert' but with the intent to create a shared space of encounter with audiences. To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento. Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Design is one of those frustratingly elusive terms which seemingly evades concrete, tangible examples; yet it's effects are felt and lived by all of us.

En este episodio JD platica con Kassim Vera, Jefe de Diseño y Multidisciplina en la Secretaría de Cultura del Gobierno de Jalisco sobre la importancia del diseño llevado a la ciudadanía.Kassim es Jefe de Diseño y Multidisciplina en la Secretaría de Cultura del Gobierno de Jalisco y Profesor de Diseño en el Tecnológico de Monterrey. Fue uno de los seleccionados por el British Council México y la University of the Arts London para cursar el primer Creative Leadership Programme en Reino Unido. Fundó Emerge MX, plataforma de crítica de diseño, en donde moderó discusiones públicas con personas como Alice Rawsthorn y Deyan Sudjic. Dirigió el Programa Académico de Campamento Feria de Diseño junto a Lorena Canales. Ha escrito para Mexico Design y form Design Magazine en Alemania, además de editar la primer publicación de BKT mobiliario urbano.Puedes Seguir a Kassim Verawww.instagram.com/kassimveraShow Notes y Links relacionados a este episodiohttp://designaholic.mx/episodios/kassim-vera/No te pierdas nuestros episodios, publicamos todos los Martes y Jueves a las 7pmSiguenos en: Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmx Suscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://bit.ly/30yyPD0Nuestra página web es: http://designaholic.mxTambién te dejo mi cuenta personal donde además de publicar sobre mi estudio y los proyectos que hacemos, comparto mucho más sobre Arte, Arquitectura y Diseño. Instagram https://www.instagram.com/jd_etienneTwitter https://www.twitter.com/jd_etienne See acast.com/privacy for privacy and opt-out information.

[Design] Resenha de “A linguagem das coisas”, do escritor Deyan Sudjic. Aqui o link para a resenha escrita e aqui o link para o curso da Fah Maioli, que comento no início.

Deyan Sudjic likely needs no introduction. From 2006 to 2020, he was the director of London’s Design Museum, he was a founding editor of Blueprint, editor of Domus from 2000 to 2004, and was an architecture and design critic for The Observer and The Guardian. He’s also published a handful of books and has taught at both Kingston University and The Royal College of Art. In this conversation, Jarrett and Deyan talk about the threads that unify all this work, the power of museums, and how each generation of design writers are responding to the generation before it. Links from this episode can be found at scratchingthesurface.fm/186-deyan-sudjic.

On this episode, Antariksh is joined by returning panelists Utsav (host of the Postcards From Nowhere podcast) and Vinay, and first time panelist Deep, to talk about some of the most haunted places in the world and in India. They talk about, ofcourse, Aarey Milk Colony, the typical 'white saree lady' ghost, a supposed highly talked about haunted building in Santa Cruz West in Mumbai, Bhangarh Fort in Rajasthan, the Island of Dead Dolls in Mexico, and tons more. They also reminisce about watching the horror TV shows like Aahat and Zee Horror Show back in the 90's. Tune in for a terrifying and hilarious episode.As usual, in the first half, the guys give some awesome recommendations - Utsav recommends the book 'Language of Citie' by Deyan Sudjic, Vinay recommends a music album titled 'Harmoica Andromeda' by Kshmr aka Niles Hollowell-Dhar, Deep recommends Nexpo the YouTube channel, and Antariksh talks about the X-Force comics by Marvel Comics.Check out the Postcards From Nowhere podcast: https://ivmpodcasts.com/postcards-from-nowhereUtsav can be found on Instagram @whywetravel42, and @utsavmamoria on Twitter: https://instagram.com/whywetravel42 and utsavmamoriaFollow Deep on Instagram:Follow Vinay on Instagram: https://instagram.com/imvinyaFollow Antariksh on Instagram: https://instagram.com/antarikshtHave topics or things that you'd like for us to cover on the show? Reach out to us at talktous@indusvox.comYou can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.

Stuart Haygarth is an artist and designer who works with the stuff that other people throw away. After beginning his career as a photographer and illustrator, he burst onto the design scene in 2005 at Designersblock in London’s Shoreditch with a pair of extraordinary chandeliers. Millennium was made from a series of party poppers he’d collected on the first morning of the year 2000, while Tide comprised of flotsam and jetsam picked up over several years from the Kent coastline. Subsequently other pieces have used the tail lights of cars and spectacle frames.He has exhibited around the globe, including: the V&A and Gallery Libby Sellers in London, The Lighthouse in Glasgow and DesignMiami. There has also been a solo show at the Carpenters Workshop Gallery in Paris. As the critic and former director of the Design Museum, Deyan Sudjic, has written, Stuart ‘has a gift for placement and a colour sense that give the mundane a sumptuous, tactile quality… He finds richness in the traces that wind and weather leave on humble materials and that can give dignity to even the most tawdry of things.’In this episode we talk about: his interest in abandoned objects; why he’s neither a designer nor a fine artist; his obsession with collecting; not being an eco-designer; walking 500 miles along England’s south coast to pick up detritus; the problem with German beaches; and trying to make sense of the world through his work. You can find out more about Stuart hereAnd you can sign up to my newsletter hereSupport the show (https://www.patreon.com/materialmatters?fan_landing=true)

Los Angeles, November 2019. Blade Runner's future is now ours. Ridley Scott's 1982 classic future film of replicants escaping to a retrofitted Earth and meeting their end at the hands of the washed out, titular Blade Runner, Harrison Ford as Rick Deckard, is adapted from Philip K. Dick's equally classic 1968 novel Do Androids Dream of Electric Sheep. Both film and book are meditations on what it is to be human but we have been looking through the eyes of the film ever since it plunged us into its acid rain, neon coated, West Coast nightmare of flaming night skies, commercial ziggurats, flying cars and fake animals. Now its future is our present. We live in a world of mass species die off, environmental crisis, rapidly developing A.I., all powerful corporations and extreme divides between rich and poor. Just that neon umbrellas never caught on and flying cars are still a luxury. Film and book have bled into our culture in many different ways and in this series of the Essay, we mark the year of Blade Runner, in the month of Blade Runner. Five writers explore what it is to be human or a machine, the sonic reaches of the film, the contradictions of sex robots, the cinematic legacy and we begin with Deyan Sudjic, director of the Design Museum, considering the filmic city of Blade Runner's Los Angeles and its bleed out beyond the screen into architecture and design. "The film offers a deeply ambiguous spectacle. Blade Runner is a vision of a world in which mankind has blotted out the sun, and nature has gone extinct. We know that we are meant to be horrified. And yet at the same time it's thrilling to look at, like taking in the view at midnight from a bar on the 60th floor of a Shanghai skyscraper, nursing a vodka martini in an iced glass." Producer: Mark Burman

A conversation on the future of mobility between Deyan Sudjic, director of Design Museum of London and Philipp Rode, director of the LSE Cities research centre at the London School of Economics.

Once every series I dispense with the show’s material-based format and devote an episode to someone with an overview of the field. And I can think of few people with more knowledge about design and architecture than Deyan Sudjic. The former Blueprint and Domus editor is currently director of the Design Museum London, as well as being a prolific author, essayist and curator.Over the course of our chat we touch on an array of subjects including: becoming an Oz Kid in the ’70s and the obscenity trial that ensued; growing up with his Yugoslavian parents; why he was a useless architecture student; starting Blueprint magazine from his Docklands flat; taking over the Design Museum in controversial circumstances; the decision to move the museum; and how our arts institutions should be funded in the future. It is by turns eclectic, insightful and fascinating stuff from a man who really knows his design onions.

Deyan Sudjic is Director of the Design Museum in London “A friend of mine once said to me no magazine you’ll ever want to read will ever sell more than 8000 copies a month […] What was startling to find is that, when Zaha Hadid was by no means the establishment we did a show with her in my early days at the Design Museum, which sold 75,000 tickets. No book on architecture would ever sell that many copies - and it’s interesting what it is that makes this physical experience work in ways which text doesn’t.” This episode was recorded as part of the Architecture Foundation's Dodecanalle Summit in April 2019.

We meet journalist and author Will Storr to discuss his new book ‘The Science of Storytelling’. Plus: musician Káryyn talks us through her album ‘The Quanta Series’ and we meet Deyan Sudjic and Adrienne Groen, curators of The Design Museum in London’s new Stanley Kubrick exhibition.

Aleks sits down with Isabel Ettedgui, owner of Connolly England, a discreet British brand with a reputation for timeless design. It was founded in 1878 as a coach hood maker’s makers and saddler. Isabel spotted Connolly’s potential to be a successful retail brand in the 1990s, and has transformed Connolly into a modern British fashion house, synonymous with luxurious and versatile menswear.We sat down to unpack what makes Connolly unique today, how Isabel has built and rebuilt the brand over the years, and why independent retailers need supporting today now more than ever.---HandCut Radio is produced in collaboration with Birch, a London and New York based creative agency. Our theme music is by Joe Boyd.---Show NotesConnolly — Instagram | Website [2:29] Joseph Ettedgui[3:15] Connolly Leather[3:20] The First Rolls Royce[4:10] RMS Queen Mary Ship[4:17] King George’s ‘Gold State Coach’[5:07] Jaguar E-Type, Petrolicious[5:45] Andrée Putman[5:48] Ross Lovegrove[6:40] Deyan Sudjic[13:03] Jaguar E-Type Limited Edition (x6)[16:31] Nicholas Foulkes[20:13] Marc Audibet

Front Row pays tribute to Les Murray, Australia’s foremost contemporary poet, who died today aged 80. Unlike famous compatriots such as Germaine Greer and Clive James, Murray stayed in Australia and spent his last years on the farm in Bunyah, New South Wales, that had been his family’s home. Murray reacted against modernism, believing poetry should be accessible. He wrote poems about Australian people, animals and landscape in plain, lively and demotic language and so became known as the country’s Australia’s bush-bard. His books were always dedicated ‘to the glory of God’. Louis de Berniere’s best-selling novel, Captain Corelli’s Mandolin has been adapted for the stage and will be touring the UK. Sam Marlowe joins Samira to review the play and discuss how it compares with the book (and the film). The shortlist for the Women's Prize for Fiction 2019 has been announced.Critics Sarah Shaffi and Toby Lichtig comment on the six novels that made it through from the longlist of 16. A major new exhibition celebrating the life and work of one of the most significant figures in the history of British film - director Stanley Kubrick - has just opened at the Design Museum in London. Samira is joined by the show’s co-curator and director of the Design Museum, Deyan Sudjic, as well as Kubrick’s daughter Katharina who worked on several of the director’s projects Presenter: Samira Ahmed, Producer: Oliver Jones

The Burning Chambers is the latest historical novel from bestselling author of Labyrinth and co-founder of the Women's Prize for Fiction, Kate Mosse. Set in sixteenth century Languedoc it is the first in a new quartet that covers three centuries of religious conflict. Kate Mosse explains the inspiration for the books and her fascination for medieval France.Kanye West is never far away from controversy and this time the US rapper has caused a public outcry with his comments about slavery. Jacqueline Springer and Katie Puckrik discuss Kanye's recent provocative remarks. The results of the Loewe Craft Prize are announced and Samira talks to the man behind it, fashion designer Jonathan Anderson, Deyan Sudjic, the director of the Design Museum which is exhibiting the entries, and the winner of the prize. Presenter: Samira Ahmed Producer: Harry Parker.

Cosa accade al lusso, in un'età caratterizzata dalla sistematica obsolescenza degli oggetti tecnologici e nella quale ogni cosa è a portata del compratore, assuefatto agli attuali ritmi convulsi dello shopping? Deyan Sudjic Lusso La seduzione delle cose festivalfilosofia 2017 | arti Domenica 17 Settembre 2017 Modena

Cosa accade al lusso, in un'età caratterizzata dalla sistematica obsolescenza degli oggetti tecnologici e nella quale ogni cosa è a portata del compratore, assuefatto agli attuali ritmi convulsi dello shopping? Deyan Sudjic Lusso La seduzione delle cose festivalfilosofia 2017 | arti Domenica 17 Settembre 2017 Modena

Deyan Sudjic, Director of London's Design Museum on the ten year quest to find a new building that would showcase the UK’s design industry.

Ricky Burdett, Enrique Peñalosa, Sir Richard Rogers and Deyan Sudjic discuss the book 'The Endless City', which takes six major cities as its focal point and examines the key social, structural and economic factors critical to creating a thriving city

Design Museum director Deyan Sudjic and curators Hans-Ulrich Obrist and Victoria Walsh join Anne McElvoy to discuss the display of art and design. As Prospect magazine launches the long list for its poll of World Thinkers for 2014, Serena Kutchinsky, Digital Editor of Prospect, joins Anne to debate what makes a leading intellectual. And lawyer and political activist Raja Shehadeh outlines the arguments he will be putting forward in this year's Edward Said London Lecture: Is there a Language of Peace? The programme was broadcasted from a pop-up studio at London's Southbank Centre where Radio 3 is broadcasting live every day for two weeks.

As the 10th edition of the London Design Festival launches, designer Tom Dixon, London Design Museum director Deyan Sudjic and designer and online thinktank founder Rabih Hage discuss its impact with FT Architecture critic Edwin Heathcote See acast.com/privacy for privacy and opt-out information.

As the 10th edition of the London Design Festival launches, designer Tom Dixon, London Design Museum director Deyan Sudjic and designer and online thinktank founder Rabih Hage discuss its impact with FT architecture critic Edwin Heathcote See acast.com/privacy for privacy and opt-out information.

Studio Banana TV interviews Deyan Sudjic, acclaimed architecture critic and director of the Design Museum London.

Deyan Sudjic is the director of the Design Museum in London, and the author of The Language of Things. He talks about the history and significance of design.

From sleek laptops to shiny new cars, objects enthrall us. Objects seem capable of manipulation and seduction, building and sustaining a desire for design, even over performance, function and a fair price. Deyan Sudjic, Director of the Design Museum London and author of The Language of Things: Understanding the World of Desirable Objects, visits Zócalo to explore the power of design and what it means for art and commerce.