Podcasts about arts london

Nuria Enguita ( Madrid, 1967) é historiadora, editora e curadora. Licenciada em História e Teoria da Arte pela Universidad Autónoma de Madrid (1990), leccionou teoria e gestão da arte em numerosos centros e universidades e publicou numerosos textos em catálogos e revistas de arte contemporânea como Parkett, Afterall e Concreta.. Entre 1991 e 1998 foi curadora do IVAM, em Valência. Como Directora Artística da Fundació Antoni Tàpies, em Barcelona, entre 1998 e 2008, organizou exposições e publicações de Ligya Clark, Chris Marker, Sanja Ivekovic, Ibon Aranberri, Pedro G. Romero e Steve McQueen, entre outros. Trabalhou ainda em projectos como Tour-ismos. A Derrota da Dissidência e Representações Árabes Contemporâneas, dirigido por Catherine David. Entre 2008 e 2015, como curadora independente, organizou exposições em instituições espanholas e portuguesas. Entre 2012 e 2020 foi editora da Revista Concreta. Entre 2000 e 2014 membro do programa arteypensamiento da UNIA-Universidad Internacional de Andalucía, onde em 2009 liderou o projeto "Narrativas de Fuga", com artistas como Alice Creischer ou Pedro Costa. Foi editora do Afterall Journal, Centro de Investigação da University of the Arts London, entre 2007 e 2014. Foi co-curadora da 31ª Bienal de São Paulo, 2014, do Encuentro Internacional de Medellín em 2011, e da Manifesta 4 em Frankfurt em 2002. Entre 2015 e 2020 foi directora do Centro de Arte Bombas Gens, Valência, onde organizou exposições dedicadas à coleção do centro e exposições temporárias de Sheela Gowda, Anna-Eva Bergman e Irma Blank. É directora do IVAM-Institut Valencià d'Art Modern, entre 2020 e 2024, onde estabeleceu um programa de exposições de grande relevância, tanto ao nível da coleção com exposições como popular, Arte en una tierra baldía (1939-1959) assim como no caso de exposições temporárias: Anni e Josef Albers, Asger Jorn, Grupo Zero, Zanele Muholi, Teresa Lanceta, Anna Boghiguian, Otobong Nkanga, entre outras, e de jovens artistas do contexto local. Durante a sua direção, foi desenvolvido o Programa de Estudos Articulacions em colaboração com as duas universidades públicas de Valência, e os programas públicos adquiriram uma dimensão central no museu. É Directora artística do MAC/ CCB desde Maio de 2024. Links: https://expresso.pt/cultura/2024-03-14-Quem-e-Nuria-Enguita-a-curadora-espanhola-escolhida-para-a-direcao-artistica-do-MAC-CCB-0db704c6 https://contemporanea.pt/edicoes/2025/entrevista-nuria-enguita https://www.youtube.com/watch?v=S8u8Yz3NrYA https://www.youtube.com/watch?v=i8uJyFySyPk https://www.youtube.com/watch?v=18SVOyRM3e8 https://galeriamayoral.com/news/68-interviews-with-the-fundacio-antoni-tapies-former-and-interviews-with-the-fundacio-antoni-tapies-former-and/ https://www.artealdia.com/News/NURIA-ENGUITA-NAMED-DIRECTOR-AT-THE-INSTITUT-VALENCIA-D-ART-MODERN https://editorialconcreta.org/en/author/nuria-enguita-mayo/ https://ivam.es/en/articulations-ivam-uv-upv-study-programme/ https://www.p55.art/en/blogs/p55-magazine/nuria-enguita-e-nova-diretora-artistica-do-mac-ccb?srsltid=AfmBOopjPZGTCC-bdXjtTXmtLTkcM9AgqJTD8VrCksH3ybC08eBNZPEs https://elpais.com/espana/comunidad-valenciana/2024-03-14/nuria-enguita-nueva-directora-del-museo-de-arte-de-lisboa-tres-semanas-despues-de-dimitir-en-el-ivam.html Episódio gravado a 27.03.2025 Créditos introdução: David Maranha - Flauta e percussão Créditos música final: Feeling Good, Nina Simone, Letra Anthony Newly e Leslie Bricusse, Produção Hal Mooney, Universal Music Group http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes © Appleton, todos os direitos reservados

Claire chatted to Vali Lalioti from the University of the Arts London about how art, culture and robotics interact. Vali Lalioti is a pioneering designer, computer scientist and innovator. She has a PhD in Computer Science, an MRes in Design and an MBA, and extensive international leadership, research and innovation experience in Silicon Valley, Africa, China, Japan and Europe. Vali is passionate about how technology interacts with society and talks globally on women in tech, art and technology education and her research in societal applications for well-being, healthy ageing and art. She developed the first ever BBC Augmented Reality production in 2003 and has introduced the UK's first Creative Robotics University Degrees. Join the Robot Talk community on Patreon: https://www.patreon.com/ClaireAsher

As we navigate towns and cities, public spaces are all around us. These offer a respite from our often-busy routines. Public spaces are more than just the leftover areas between buildings; they depend on how interests are designed and negotiated, and its success is measured by the interactions that take place in it: the passage of the sun, the root of trees, and even the way they are used by children. However, these areas are constantly threatened by the way local and commercial funding invest in it.Using recent projects, primarily in London and North America, this lecture will invite audiences to think about public space beyond the space between and around buildings; to view public spaces, their design and their constructions, under a new light.This lecture was recorded by Liza Fior on 28th January 2025 at Barnard's Inn Hall, London.Liza Fior is a founding Partner of muf architecture/art, and Professor of Architecture and Spatial Practice at the University of the Arts London. She was previously a visiting professor at Yale University.muf architecture/art are internationally acclaimed for their hyper-local approach to design; exclusively working in the public realm - including on streetscapes, parks and open spaces, buildings masterplans, temporary commissions and furniture. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/public-spaceGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

On this episode of The Talk of Fame Podcast, we're thrilled to chat with Ruby Bell!  Ruby is Australian born, Los Angeles raised, London educated, current New York resident. Did an MA in Fashion Media Practice & Criticism at University of the Arts London. Written full page articles published in Elle UK, taken photographs featured in Vogue and Prada, made her own films that have collected some laurels. Another fun fact about her is that she took Latin for 5 years but at this point she's probably only speaking it as well as a 3 year-old ancient Roman child.Listen in as we discuss Ruby's Journey & working on the Elvis movie. You'll be inspired by her dedication to her craft and helping people with their craft.Links Mentioned:https://www.instagram.com/rubybell/https://www.ruby-bell.com/?fbclid=PAZXh0bgNhZW0CMTEAAaYQ6Y2pYXv5i4XWO-M_r2P8v7mtV1-YWJmtfWgjAnGnU2uHucKOzLhY8Lc_aem_Cv48Pv-kvH__Gmqbrj0ZCgFollow Me:Instagram:@Officialkyliemontigney@TalkoffamepodFacebook:OfficialkyliemontigneyTalkoffameTwitter:@Kyliemontigney4About Me:Hi, I'm Kylie! I'm passionate about sports, spending time with family, traveling, and connecting with people who inspire me. I love listening to people's stories and sharing their journeys with the world!

No dia 21 de setembro de 2024, o Instituto PIPA realizou uma conversa com Hanayrá Negreiros e Luiz Camillo Osorio de tema “Entrelaçando arte e moda em curadorias transnacionais”. Hanayrá foi a curadora premiada com a The PIPA Foundation Residency for Early Career Curators na Chelsea College of Arts and TrAIN na University of the Arts London. No evento, ela contou sobre o período em Londres com a residência; sua trajetória; a pesquisa acerca de histórias do vestir da diáspora africana no Brasil, e debateu com Luiz Camillo Osorio e com o público sobre os desafios de pensar e expor moda hoje nas instituições de arte. Também foi pensado o lugar da moda nos terreiros de candomblé, tema tratado por Hanayrá na dissertação “O axé nas roupas”. 

In this episode of the Conscious Design Podcast, host Ian Peterman talks with Manuel Jiménez García, co-founder and CEO of Nagami, to explore the cutting-edge world of 3D printing technology and recycled plastics. Learn how Nagami turns plastic waste into high-tech 3D printed architecture!. Manuel shares the inspiring origin story of Nagami, the challenges of scaling large-scale 3D printing, and their mission to promote the circular economy. If you're curious about eco-friendly design, reducing plastic waste, or the future of sustainable manufacturing, this episode is for you! Notable Moments: 00:00 - Guest Introduction 00:38 - The Origin Story of Nagami 02:18 - From Research to Real-World Impact 15:01 - Scaling and Exploring New Materials 25:02 - Sustainable and Personalized 3D Printing 35:48 - Future Goals and Architectural Innovations About Manuel Jiménez García and Nagami Manuel Jiménez García is the co-founder and CEO of the robotic 3D printing and design brand Nagami, based in Ávila, Spain. He is also the co-founder of Automated Architecture Ltd (AuAr), a design-tech company specializing in robotically assembled housing based in London, and the founder and principal of madMdesign, a computational design practice also based in London. For over a decade, Manuel has developed a wide variety of projects focused on computational design, automation, and sustainable building methods, particularly large-scale 3D printing using recycled plastics. His work is part of the permanent collection at the Centre Pompidou (Paris) and has been exhibited worldwide in venues such as the Victoria & Albert Museum (London), Canada's Design Museum (Toronto), The Design Museum (London), the Royal Academy of Arts (London), the Zaha Hadid Design Gallery (London), and the Philadelphia Museum of Art. In addition to his practice, Manuel is an Associate Professor of Architecture at The Bartlett School of Architecture, UCL (London). He serves as the Programme Director of the MSc/MRes Architectural Computation (AC) and is the Unit Master of AD-RC4, both part of The Bartlett B-Pro. He is also the co-founder of UCL AUAR Labs and curator of Plexus, a multidisciplinary lecture series focused on computational design. Nagami was founded in 2006 by Manuel Jiménez García, Miguel Ángel Jiménez García, and Ignacio Veguera Ochoa. The company works closely with its partners to meticulously craft every detail, from early ideation through design, development, and production, with boldness and innovation at the core of every creation. The team at Nagami comprises architects, engineers, designers, researchers, and professionals from various fields specializing in technology, robotics, and sustainability. Together, they work daily to push the boundaries of imagination into uncharted territories. Nagami is a multidisciplinary team of brilliant minds with a shared goal: to create a new reality through 3D printing. Learn More about Manuel Jiménez García and Nagami Linkedin: https://www.linkedin.com/company/nagami-design/ Facebook: https://www.facebook.com/Nagami.DesignInstagram: https://www.instagram.com/nagami.design Youtube: https://www.youtube.com/channel/UCaDv9GWjlV9H6hk-RLIomSg Website: https://nagami.design/es/ YouTube Channel: http://bit.ly/3sG7VEi Blog: https://bit.ly/3kltV6s Conscious Design Book: https://www.amazon.com/dp/B09KNMN9BT Join our Newsletter: https://bit.ly/2U8IlMS Visit our website: https://www.petermanfirm.com/ We created this content so that creative entrepreneurs like you can integrate social and environmental responsibility into your brand's DNA through #ConsciousDesign. Ian Peterman, the leading expert in Conscious Design, hosts the Conscious Design podcast and is the co-author of the book "Conscious Design." If you enjoyed this episode, give it a thumbs up, subscribe to our channel, and share it with your network! Let us know in the comments what excites you most about sustainable 3D printing.

Hello and welcome back to Fashion and Founders The Podcast. This week I spoke with Jen Keane the Co-Founder and CEO of Modern Synthesis. Modern synthesis is a London-based biotech company bringing life to new materials by working with bacteria to produce an entirely new class of nanocellulose based materials for fashion without using any plastic or animal inputs. Jen's background leading up to founding her own company is so impressive and she has accumulated so many experiences in textiles and circularity. She did her undergraduate degree at Cornell University with a major in fiber, science and apparel design. She then worked at Adidas for five years getting so much experience in this large company. And then did a masters in material futures at Central Saint Martins of University of Arts London.If you are interested in the bio technology and material innovation side of fashion Tech, this episode is for you.They've worked on some really cool projects like “growing a shoe.” A collaboration with Ganni on their iconic Bou Bag, and theres so much more to come so let's get into the episode.Follow Fashion & Founders:InstagramWebsiteYoutubeTikTokSubstackFollow Modern Synthesis:InstagramNewsletterThey're hiring!WebsiteFollow Baggy:InstagramWebsiteThank you for listening!

In the first of our Graphic Medicine Conference podcasts, Dr. Christopher Dwyer interviews John Miers. John is a cartoonist, illustrator, academic and teacher. He is lecturer in illustration at Kingston School of Art, a member of the Comics Research Hub at University of the Arts London, and co-organiser of Transitions. John’s website:  https://johnmiers.com/Comics Our podcast host, Christopher Dwyer, is a psychology researcher, who specializes in the fields of cognition and education, with international expertise in the field of Critical Thinking. He is the author of the book Critical Thinking: Historical Perspectives & Practical Guidelines, published by Cambridge University Press; authors... Read More

Mark Farid, a visionary artist and researcher, discusses his provocative projects on digital privacy and surveillance. He shares his experience of giving away all his passwords for six months, aiming to live without a phone or computer, which led to social and financial isolation. Farid also describes "Poisonous Antidote," where he broadcasted all his online activities, revealing personal habits and validating his behavior. His latest project, "Invisible Voice," funded by the European Commission, aims to empower individuals by providing information on companies' environmental impacts, corporate accountability, and more, promoting collective action and influencing external narratives.   In this episode, you will hear: Identity, performance, perception, and the self. The relationship between anonymity, privacy, and agency. Living life as a 23-year-old without a phone or computer. Data privacy and protection, and where the weak points are for you. The cultural changes happening day-to-day and how our technology usage keeps us connected. Solitude, loneliness, and being alone. Being known intimately and continually. The big and small ways to have accountability in our lives. The power of collective action.     Mark Farid is an Artist, Researcher, and Lecturer in Fine Art at Central Saint Martins, University of the Arts London. He specializes in the intersection of the virtual and physical world, and the effect new technologies have on the individual and their sense of self. Farid's work embodies hacker ethics, such as a focus on privacy policies, use of surveillance technologies, and campaigning for data privacy and protection. His work forms a critique of social, legal, and political models.   Farid graduated from Kingston University, London, with a First Class (Hons) degree in Fine Art (2014), and has since given talks and participated in group and solo exhibitions in England, France, Germany, Spain, Denmark, Finland, Slovenia, UAE, and Japan. He gave a TEDx talk in 2017 about his first two projects, “Data Shadow” (2015) and “Poisonous Antidote” (2016). Farid was selected for the Sundance Institute's 'New Frontier' Fellowship in Utah, USA (2016), for his ongoing VR project, “Seeing I”. "Seeing I" was piloted as a solo exhibition at Ars Electronica Digital Arts Festival (2019), and was selected for the European Media Artist Residency Exchange, as part of the Creative Cultures Programme of the European Union (2020/21). In 2022, Farid received European Commission Horizon 2020 research and innovation funding to develop his browser extension, "Invisible Voice”, which was later presented at the Pompidou Centre, FR (2022). In 2023-24, Farid received European Commission ST+ARTS funding to further develop "Invisible Voice" into a mobile phone app, a cross-device platform, and an interactive artwork. This will be exhibited at Ars Electronica Digital Arts Festival, AT (2024).   Farid's projects have been covered by media outlets worldwide. He frequently engages in art and technology conversations appearing on Fox News, Sky News, France24, Arte, BBC Radio 4, BBC 5Live, Times Radio, The Telegraph, The Guardian. In 2021, Farid featured as the contemporary “Surrealist Artist” on “Great British Railway Journeys” on BBC2.   Connect with Mark Farid: Website: markfarid.com Twitter: x.com/MorkForid TedxWarwick:  Data Privacy: Good or Bad? | Mark Farid: youtube.com/watch?v=pKD5rxMonBI   Connect with R Blank and Stephanie Warner: For more Healthier Tech Podcast episodes, and to download our Healthier Tech Quick Start Guide, visit HealthierTech.co and follow instagram.com/healthiertech Additional Links: EMF Superstore: https://ShieldYourBody.com (save 15% with code “pod”) Digital Wellbeing with a Human Soul: https://Bagby.co (save 15% with code “pod”) Youtube: https://youtube.com/shieldyourbody Instagram: https://www.instagram.com/bagbybrand/ Tiktok: https://www.tiktok.com/@bagby.co Facebook: https://www.facebook.com/shieldyourbody

Today's guest, Kate Carr, is an accomplished sound artist and field recordist whose recent work grapples with issues of communication and longing—themes we can all relate to in the Covid era.  In part one of the show, we mark Phantom Power's three-year anniversary and 25th episode. Mack does a little thinking out loud about the different kinds of audio work that we've featured over the past three years. The terminology and practices for audio work always seem to be in flux—and people can have completely different terms for similar kinds of work. Mack imagines a spectrum of sound work, from more materialist genres like musique concrete to more conceptual or idealist genres like the audiobook, which emphasize meaning over form. In the end, the spectrum eats its own tail—the material is always conceptual and the conceptual is always material. Sound is always both resonance and meaning and the two can never be completely teased apart. Signal and noise are one.  In part two, we meet Kate Carr, an artist the critic Matthew Blackwell describes as a “sound essayist.” Since she began it in 2010, Kate Carr's work as a musician and field recordist has taken her around the world, from her native Australia to a doctoral program at University of the Arts London. She's been featured in The New York Times, The New Yorker, The Wire, and Pitchfork. She also runs the field recording label Flaming Pines.  Since slightly before the pandemic, the theme of communication at a distance—always implicit in field recording—has taken center stage in her work. We examine three such pieces by Kate Carr. Each one explores how sound helps us communicate at a distance and how it comforts us in moments of loneliness: “Contact”—a meditation on sonic connection through radio, morse code, and digital technology. “Where to Begin”—a study of love letter writing, which Carr says has profound similarities with field recording. “For Some Odd Reason”—an exploration of the kinds of noise we came to miss during social distancing and the mediated ways we've tried to add it back.  Together, these three pieces—one from before the pandemic, one from its beginning, and one from its interminable middle—explore how earnestly we try to connect across distance—and how heightened these attempts have become over the past year. Huge thanks to our co-producer on this episode, Matthew Blackwell. He is a Visiting Assistant Professor of English at the University of Iowa and a freelance music writer. He writes and edits Tusk Is Better Than Rumours, a newsletter that covers the discographies of experimental musicians.  He is also a contributor to Tone Glow, a newsletter featuring interviews with experimental musicians.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest, Kate Carr, is an accomplished sound artist and field recordist whose recent work grapples with issues of communication and longing—themes we can all relate to in the Covid era.  In part one of the show, we mark Phantom Power's three-year anniversary and 25th episode. Mack does a little thinking out loud about the different kinds of audio work that we've featured over the past three years. The terminology and practices for audio work always seem to be in flux—and people can have completely different terms for similar kinds of work. Mack imagines a spectrum of sound work, from more materialist genres like musique concrete to more conceptual or idealist genres like the audiobook, which emphasize meaning over form. In the end, the spectrum eats its own tail—the material is always conceptual and the conceptual is always material. Sound is always both resonance and meaning and the two can never be completely teased apart. Signal and noise are one.  In part two, we meet Kate Carr, an artist the critic Matthew Blackwell describes as a “sound essayist.” Since she began it in 2010, Kate Carr's work as a musician and field recordist has taken her around the world, from her native Australia to a doctoral program at University of the Arts London. She's been featured in The New York Times, The New Yorker, The Wire, and Pitchfork. She also runs the field recording label Flaming Pines.  Since slightly before the pandemic, the theme of communication at a distance—always implicit in field recording—has taken center stage in her work. We examine three such pieces by Kate Carr. Each one explores how sound helps us communicate at a distance and how it comforts us in moments of loneliness: “Contact”—a meditation on sonic connection through radio, morse code, and digital technology. “Where to Begin”—a study of love letter writing, which Carr says has profound similarities with field recording. “For Some Odd Reason”—an exploration of the kinds of noise we came to miss during social distancing and the mediated ways we've tried to add it back.  Together, these three pieces—one from before the pandemic, one from its beginning, and one from its interminable middle—explore how earnestly we try to connect across distance—and how heightened these attempts have become over the past year. Huge thanks to our co-producer on this episode, Matthew Blackwell. He is a Visiting Assistant Professor of English at the University of Iowa and a freelance music writer. He writes and edits Tusk Is Better Than Rumours, a newsletter that covers the discographies of experimental musicians.  He is also a contributor to Tone Glow, a newsletter featuring interviews with experimental musicians.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Today's guest, Kate Carr, is an accomplished sound artist and field recordist whose recent work grapples with issues of communication and longing—themes we can all relate to in the Covid era.  In part one of the show, we mark Phantom Power's three-year anniversary and 25th episode. Mack does a little thinking out loud about the different kinds of audio work that we've featured over the past three years. The terminology and practices for audio work always seem to be in flux—and people can have completely different terms for similar kinds of work. Mack imagines a spectrum of sound work, from more materialist genres like musique concrete to more conceptual or idealist genres like the audiobook, which emphasize meaning over form. In the end, the spectrum eats its own tail—the material is always conceptual and the conceptual is always material. Sound is always both resonance and meaning and the two can never be completely teased apart. Signal and noise are one.  In part two, we meet Kate Carr, an artist the critic Matthew Blackwell describes as a “sound essayist.” Since she began it in 2010, Kate Carr's work as a musician and field recordist has taken her around the world, from her native Australia to a doctoral program at University of the Arts London. She's been featured in The New York Times, The New Yorker, The Wire, and Pitchfork. She also runs the field recording label Flaming Pines.  Since slightly before the pandemic, the theme of communication at a distance—always implicit in field recording—has taken center stage in her work. We examine three such pieces by Kate Carr. Each one explores how sound helps us communicate at a distance and how it comforts us in moments of loneliness: “Contact”—a meditation on sonic connection through radio, morse code, and digital technology. “Where to Begin”—a study of love letter writing, which Carr says has profound similarities with field recording. “For Some Odd Reason”—an exploration of the kinds of noise we came to miss during social distancing and the mediated ways we've tried to add it back.  Together, these three pieces—one from before the pandemic, one from its beginning, and one from its interminable middle—explore how earnestly we try to connect across distance—and how heightened these attempts have become over the past year. Huge thanks to our co-producer on this episode, Matthew Blackwell. He is a Visiting Assistant Professor of English at the University of Iowa and a freelance music writer. He writes and edits Tusk Is Better Than Rumours, a newsletter that covers the discographies of experimental musicians.  He is also a contributor to Tone Glow, a newsletter featuring interviews with experimental musicians.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Today's guest, Kate Carr, is an accomplished sound artist and field recordist whose recent work grapples with issues of communication and longing—themes we can all relate to in the Covid era.  In part one of the show, we mark Phantom Power's three-year anniversary and 25th episode. Mack does a little thinking out loud about the different kinds of audio work that we've featured over the past three years. The terminology and practices for audio work always seem to be in flux—and people can have completely different terms for similar kinds of work. Mack imagines a spectrum of sound work, from more materialist genres like musique concrete to more conceptual or idealist genres like the audiobook, which emphasize meaning over form. In the end, the spectrum eats its own tail—the material is always conceptual and the conceptual is always material. Sound is always both resonance and meaning and the two can never be completely teased apart. Signal and noise are one.  In part two, we meet Kate Carr, an artist the critic Matthew Blackwell describes as a “sound essayist.” Since she began it in 2010, Kate Carr's work as a musician and field recordist has taken her around the world, from her native Australia to a doctoral program at University of the Arts London. She's been featured in The New York Times, The New Yorker, The Wire, and Pitchfork. She also runs the field recording label Flaming Pines.  Since slightly before the pandemic, the theme of communication at a distance—always implicit in field recording—has taken center stage in her work. We examine three such pieces by Kate Carr. Each one explores how sound helps us communicate at a distance and how it comforts us in moments of loneliness: “Contact”—a meditation on sonic connection through radio, morse code, and digital technology. “Where to Begin”—a study of love letter writing, which Carr says has profound similarities with field recording. “For Some Odd Reason”—an exploration of the kinds of noise we came to miss during social distancing and the mediated ways we've tried to add it back.  Together, these three pieces—one from before the pandemic, one from its beginning, and one from its interminable middle—explore how earnestly we try to connect across distance—and how heightened these attempts have become over the past year. Huge thanks to our co-producer on this episode, Matthew Blackwell. He is a Visiting Assistant Professor of English at the University of Iowa and a freelance music writer. He writes and edits Tusk Is Better Than Rumours, a newsletter that covers the discographies of experimental musicians.  He is also a contributor to Tone Glow, a newsletter featuring interviews with experimental musicians.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Writers Salon: Bohemia Theme – Brought to You from the Colony Room Green, London Welcome to the first-ever Writers Salon, hosted at the Colony Room Green, an artist-run bar in London. The theme was Bohemia, with tales of 1980s art models, 19th-century stage acts, clubbing in Tenerife, and a famous musician dying in hospital. Thanks to all the amazing writers who participated; our next event will be on November 11th. Featured Writers: Kristin Burniston Kristin Burniston, an MA Screenwriting graduate from University of the Arts London, has had her short film scripts TREE and HAIRY MARY selected by festivals like City of Angels and Best-Script London. Kristin is working on a children's animation, a crime fiction TV series, and a feature film based on her novel. Lindsay Gillespie Lindsay Gillespie, from South Wales, now resides in the South Downs. She has lived in New Delhi, Washington DC, France, and Tokyo, where she taught English. A Costa 2021 Short Story Award finalist, she was also a finalist for the 2022 Bridport Short Story Prize, with stories shortlisted in Fiction Factory, Exeter, and Oxford Flash Fiction. Find her on Twitter @LindsGillesp14. Darren Coffield Darren Coffield, an artist and author, studied at Goldsmiths, Camberwell School of Art, and Slade School of Art. His exhibitions have appeared at the Courtauld Institute and National Portrait Gallery. His books include Tales from the Colony Room and Queens of Bohemia, which celebrates the brilliant women of Soho. He shared readings from Queens of Bohemia. Goran Baba Ali Goran Baba Ali, a writer and journalist, has published in Kurdish, Dutch, and English. His debut English-language novel The Glass Wall draws from his experience as an ex-refugee from Iraqi Kurdistan. He is the founder of Afsana Press. Miki Lentin Miki Lentin completed an MA in Creative Writing at Birkbeck and was a finalist for the 2020 Irish Novel Fair with Winter Sun. His short stories have been published in Litro and Story Radio. He released his short story collection Inner Core in 2022, and his debut novel Winter Sun was published by Afsana Press. Martin Nathan Martin Nathan's short fiction and poetry have appeared in various journals. His novel A Place of Safety is published by Salt Publishing. His dramatic writing has been shortlisted for the Nick Darke Award and the Woodward International Prize. Tabitha Potts Tabitha Potts is a short story writer and novelist, recognised with an Honourable Mention in the Alpine Fellowship Writing Prize. Her debut novel will be published by Rowan Prose Publishing in 2026. Simon Roberts Simon Roberts, based in West London, writes short stories and flash fiction. His story Dirty Chicken & Rice was a 2024 Plaza Prizes finalist, and his adaptation of The Slaves of Solitude was produced by Questors Theatre in 2024. He was longlisted for the 2022 Fish Short Story Prize. Photos courtesy of Miki Lentin. Some sexual swearwords are used in these readings so the episode has been marked as Explicit.

Tiffany Roubert is a French analog photographer based in London (UK). After completing a Masters in Documentary Photography at the University of the Arts London she began a career shooting internationally. Her commercial and personal photography has an incredible look and feel.More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

●YouTube影片● https://voh.psee.ly/6ezbhz ●FB粉專影片 ● https://voh.pse.is/6ezbjk 本集主題：室內設計 訪問：張意 畢業大學 : 天主教輔仁大學_應用美術系 室內設計組 畢業碩士 : University of the Arts London 倫敦藝術大學_空間設計研究所 博士就學中 : 台北科技大學_設計博士班一年級 現職 : 1) 橙漾室內設計主理人 2) 輔仁大學_室內設計學程大三室內設計課程講師_ 兩年 經歷 : 魏德聖導演電影美術組_模型師 亞卡默設計_設計師 柏寬_設計師 成舍企業股份有限公司 (台灣最大分公司最多的室內設計公司) _設計師 相關專業證照 : 1) 建築物室內設計乙級技術士(125-0008460) 2) 建築物室內裝修工程管理乙級技術士(126-0021557) 官網IG：https://voh.pse.is/6cv27j #李基銘 #李基銘主持人#fb新鮮事#生活有意思#快樂玩童軍 #廣播之神#廣播之神李基銘#漢聲廣播電台 YouTube頻道，可以收看 https://goo.gl/IQXvzd podcast平台，可以收聽 SoundOn　https://bit.ly/3oXSlmF Spotify　https://spoti.fi/2TXxH7V Apple　https://apple.co/2I7NYVc Google　https://bit.ly/2GykvmH KKBOX　https://bit.ly/2JlI3wC Firstory　https://bit.ly/3lCHDPi 請支持粉絲頁 廣播之神：  / voh.god  李基銘主持人粉絲頁：  / voh.lee  李基銘的影音頻道粉絲頁：  / voh.video  -- Hosting provided by SoundOn

In April 2025, a herd of animals will travel from Central Africa to the northern tip of Norway—drawing attention to climate change. Forced out of their natural habitats due to global warming, they will be displaced and traversed through cities and urban environments to meet the people there. But they won't be real animals—they are puppets. Along the route, animals native to the countries they are traveling through will join the group, meaning that by the time they get to Norway, they will have assembled around 150 animal puppets. Amir Nizar Zuabi is the artistic director of the project called The Herds. "I don't know if what we add to the conversation will change the world. Most probably it won't. Doesn't matter. It's worth trying. But the idea of creating a project that deals with climate change from an emotional stance, from a sensory experience and not from, 'This is the science." And while the herd of puppets won't set off on the 20,000-km (12,427-mile) route until next spring, the teams behind the project are busy now working on the logistics of this series of traveling theatrical events. Students at Wimbledon College of Art (part of the University of the Arts London) have been helping to construct the first animals in recycled materials like metal and cardboard. "It's been really interesting to use cardboard as material, and trying to find ways to strengthen it that still keeps it within its kind of recyclable image." After that, it's time for the puppeteer and performance arts students to learn how to move the animals. Zuabi is also happy for The Herds project to be used by advocacy groups who are on the frontlines of climate change campaigns. "These projects, in a way, are our attempt to become useful," he says. "The way these projects work is we create a very, very thick layer of partnerships in each place: climate activists, climate organizations, arts organizations, civic society. So we try and create an ecosystem, for lack of a better word." This article was provided by The Associated Press.

Series FourThis episode of The New Abnormal podcast features the designer, researcher, and educator Lesley-Ann Noel, who is the author of Design Social Change and co-editor of The Black Experience in Design. She's also created several design tools for critical reflection, such as The Designer's Critical Alphabet and the Positionality Wheel. Lesley-Ann has a bachelor's in Industrial Design from Universidade Federal do Paraná in Brazil, a Master's in Business Administration from the University of the West Indies in Trinidad and Tobago, and a PhD in Design from North Carolina State University. She was awarded honorary doctorates for service to the field of design by the University of the Arts London and the Pacific Northwest College of Art. Lesley-Ann is the Dean of Design at OCAD University (Aug 2024). Before OCAD-U, she taught at North Carolina State University, Tulane University, Stanford University, and the University of the West Indies.In this deeply interesting conversation, she outlines her dynamic work, and discusses her book which has just been selected by McKinsey as one of their '2024 Annual Book Recommendations' as chosen by CEO's, founders, editors in chief, and other global leaders... 

Tawana, 21, had no idea she was eight months pregnant. She joins Jonelle and Kirsty in the studio with her partner Emmanuel, and their one-year-old baby River to share their story. So what are cryptic pregnancies? How often do they happen? And who is most likely to experience them? BBC health reporter Elena Bailey explains all. Plus, Jonelle hits the red carpet to ask your favourite Bridgerton stars about the Genny Lec. And, who is winning the political PR war? Kirsty speaks to the experts for their take on the TikTok race on our For You pages. What would you like Kirsty and Jonelle to investigate next? DM them, or send your ideas to reliablesauce@bbc.co.uk. You can listen to the latest episode of Reliable Sauce anytime on your smart speaker by asking Alexa for “Reliable Sauce on BBC Sounds”. With thanks to Tom Rouse, Associate Lecturer at University of the Arts London and Thea Parnell, Head of Digital at MHP group. Technical producer: Mike Regaard | Producers: Keiligh Baker, Paige Neal-Holder and Nayana Mena | Editor: Ben Mundy | Senior News Editor: Sam Bonham00:45 Parties up their TikTok game 04:00 The Ton on the genny lec 06:55 "I didn't know I was having a baby" 17:15 The science behind a cryptic pregnancy

This week on the podcast Rishi Sunak has called a general election for July 4th - so we think about the issues, the pitfalls and landmines for universities, students, SUs and the sector, we talk tactics for the regulated period and we even turn our attention to what might happen after the election. With Andy Westwood, Professor of Government Practice at the University of Manchester, Polly Mackenzie, Chief Social Purpose Officer at University of the Arts London, Mark Leach Editor in Chief at Wonkhe, Michael Salmon, News Editor at Wonkhe and presented by Jim Dickinson, Associate Editor at Wonkhe. Hosted on Acast. See acast.com/privacy for more information.

Having a knock-out creative career five decades long is one thing. Setting up a charity to inspire the same creativity in the next generations is another. But the iconic British design duo, who are also husband and wife - Sir John Sorrell CBE and Lady Frances Sorrell CBE - have done just that. Frances and John started their lives in design both aged of 14 when, in different parts of London, they attended free Saturday morning classes at their local colleges of art and design. Neither were from well-off families. John had never been to an art gallery and most of his peers were dropping out of school aged 15 to get jobs. The experience was a revelation that paved the way for full-time study and their careers in design. It was also the prime motivation for the formation of the Sorrell Foundation in 1999 with the aim of inspiring creativity in young people to change their lives and make the world a better place. After meeting through work, the Sorrell's launched their now legendary design studio, Newell and Sorrell, in 1976. They've redesigned some of the UKs most high-profile organisations, including British Airways, The BBC and the Royal Mail. After 25 years in business, they sold to Omnicom, and have spent the past 25 working to give young people pathways to higher education in the creative industries. Their achievements and accolades are too long to list. John is co-founder and chairman of London Design Festival and co-founder of London Design Biennale and is a UK Business Ambassador, appointed by successive prime ministers to help promote Britain's creative industries abroad. John was appointed CBE in 1996, was awarded the Royal Society of Arts Bicentenary Medal in 1998 and holds numerous honorary fellowships and degrees. John was awarded a knighthood in the 2008 New Year Honours List for services to the creative industries. Frances is a tour de force in her own right. She is Chancellor of the University of Westminster, London, has Honorary Fellowships from the Royal Institute of British Architects, Falmouth University, Hereford College of Arts and Plymouth College of Art. She holds Honorary Doctorates from the Open University, Coventry University and University for the Creative Arts, and has been a visiting Professor at University of the Arts London. As Creative Director at Newell and Sorrell she won over a hundred awards for creativity and effectiveness. Listen in as Vince, Sir John and Lady Frances Sorrell discuss; cold calling BP fresh out of art school and designing their exhibition stand at the Paris Air Show six weeks later, growing up on the same working-class council estate as Rod Stewart, and why you have to put your money where your mouth is if you really believe in something. See omnystudio.com/listener for privacy information.

Dr. Ghadah W. Alharthi is an international Cultural Adviser based in London, as well as an Associate Professor and Director specializing in Culture and Innovation at Central Saint Martins, University of the Arts London. With a PhD in International Management, she is passionate about protecting and sharing Saudi Arabia's heritage and traditions both within the Kingdom and abroad. She has worked on UNESCO sites and giga-projects in the Middle East, including NEOM and Diriyah Gate. In this episode, she defines cultural diplomacy, highlights the astounding progress of Vision 2030 thus far, reflects on the growing workforce of women in the country, and expands on the importance of tourism and cultural exchange. She is fueled by the success stories of local Saudis and looks forward to the bright future ahead. 0:00 Introductions1:51 UNESCO9:35 Saudi's image in mainstream media14:00 Vision 203015:48 World Economic Forum17:27 Aha moment21:50 Soft power25:25 Overcoming challenges27:10 Research, storytelling, locals32:30 Saudi women in the workforce36:08 Fears, optimism, happiness43:10 Teaching44:30 Advice, exhibits, travels51:24 Exciting events coming up53:10 Closing words

Eleven-and-a-half months ago, Mary didn't know she had sisters. Now, at her home in Hove on England's South Coast, they meet to scatter their mother Anne's ashes. This episode was written, directed, and produced by Kristin Burniston. Kristin is a graduate of the MA Screenwriting program at the University of Arts London. In 2023, her short film scripts TREE and HAIRY MARY were selected by the City of Angels Film Festival, WOFFF (where HAIRY MARY placed 2nd), and Best-Script, London. Recently, Kristin‘s script EGGS was made into a short film and will soon be released on to the festival circuit. Currently, Kristin is working on a London-based children's animation, a crime fiction TV series, and a feature film script based on her menopausal rite-of-passage novel. ANNE was published in 2022 in Brighton and Beyond: A West Hill Writers Anthology under the pseudonym “Maggie Winters”. Mary read by Elly Tipping María read by Iniki Mariano Marguerite read by Florentia Antoniou Lucas and Joe read by Theo Greenwood Photo by Richard Burniston Written, read and produced by Kristin Burniston Sound recording by Holywell Studio Sound design by Christopher Nathan Post-production and mixing by Duncan Illing Executive Producer – H Howard As there are swearwords in this episode, we have rated it as Explicit.

In episode 309 UNP founder and curator Grant Scott is in his shed reflecting on the universal availability of post-production software, the siloed nature of photography and the continued thinning out of experience amongst photography commissioners. Plus this week, photographer Mandy Williams takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' London based Mandy Williams uses photography, video and sound to expand traditional representations of landscape. She studied for a Graduate Diploma Communications Film, at Goldsmith's College, a BA (Hons) History of Art, Warwick University and a MA Photography at LCC, University of the Arts London. Williams approaches socio-political issues in an experimental, aesthetic style, seeking to comment on urgent narratives through unexpected, diverse visualisations. Her project, England, examines the exclusionary politics of contemporary England through the metaphor of landscape and includes video, a photographic series and a free newspaper with fold-out posters and interview texts. In the sequence of black and white photographs coastal landscapes are merged with alien geographies accessed from NASA, representing a landscape that has become unstable, and which causes harm. While some projects reference personal history, memory and the passage of time, others reflect on contemporary socio-political and environmental concerns. This includes her ongoing photographic series, Disrupted Landscapes, and video, Chalk, both of which explore contemporary politics in England through the metaphor of landscape, specifically focusing on the landscape of the Kent coast. https://mandywilliams.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on pre-sale. © Grant Scott 2024

In this episode, Tina talks with Suj, who teaches UX design to kids. Suj combines design and empathy to inspire new thinking. We'll explore Suj's journey, his work's impact, and its significance. The discussion also highlights the connection between design and spirituality.

#62 - Подкаст RusLon в Instagram: @podcast_rus_lonПодписывайтесь на чат подкаста в Telegram: https://t.me/+IgPMQvH2Prc5NjZkВ TikTok: @podcastruslonYouTube подкаста: https://youtube.com/@ruslonpodcast8051 В гостях у подкаста RusLon искусствовед, музыковед, основательница платформы Arts+London, человек, который провёл  не одну экскурсию в Лондоне, интереснейший собеседник Марианна Хаселдайн. В интервью рассуждаем о Йоко Оно и Джоне Ленноне, о женщинах Пикассо, Гале и Дали.Мариана Хэселдайн в Инстаграм: @marianahaseldineКанал Arts+London в Telegram: https://t.me/ArtsandlondonSupport the show

James Purnell has been the president and vice-chancellor of the University of the Arts London since 2021. He joined UAL after a career that included key positions at the BBC (as director of strategy and digital, and director of audio and education) and as a research fellow on the Institute of Public Policy Research's media project. He has served as special adviser on the knowledge economy to UK prime minister Tony Blair and as an MP and cabinet minister. This wide-ranging Campus interview draws on Purnell's wealth of knowledge of public policy, the digital landscape and the creative industries. The conversation covers universities' social purpose, the potential of online to widen access to a creative education, what AI could mean for the arts, and how government policy could be shaped to better support students. He also talks about how urban development can foster creativity, and how his experience as a film producer shaped his view of the arts' potential to make a difference in the world.

In this SSPI-WISE Presents podcast, guest host Divya-Kala Bhavani, General Manager for PR, Communications & Marketing at Dhruva Space and co-chair of the SSPI-WISE Elevating Women Working Group interviews Pramoda Hegde, former Mission Director of the Indian Space Research Organisation (ISRO). They discuss Pramoda's journey from a small coastal village in India to Mission Director at the ISRO and how she continues in retirement to tour different villages across India to speak with young engineering hopefuls about the space industry. A note for non-Indian listeners of this podcast: the convention "Pramoda Ma'am" is an expression of respect for a female elder that is common in India. Divya-Kala Bhavani oversees the Public Relations, Communications & Marketing activities at Dhruva Space, a full-stack Space engineering company and the first private Space-Technology company in India. Divya-Kala has previously worked as a journalist and National Technology Features Editor at The Hindu, one of India's largest and oldest English daily newspapers. Divya-Kala holds a Master's degree in Media & Communications Governance from London School of Economics, and a Bachelor's (Hons) in Journalism from London College of Communication, University of the Arts London. Divya-Kala is an active member of HAPS Alliance and of Space and Satellite Professionals International and SSPI-WISE, where she is the Co-Chair of the Elevating Women Working Group. Dhruva Space has been recognized twice by the Government of India, having been awarded the National Startup Award for its efforts in Satellite and Space Technology, and having been awarded the Pandit Deendayal Upadhyaya Telecom Excellence Award 2022 for the company's work in the field of Satellite Communications. On 24 June 2022, Dhruva Space became one of the first private companies to receive authorization from IN-SPACe. The company has since completed three Space missions within 12 months; including the history-making Thybolt Mission, which saw the launch of India's first two private satellites, Thybolt-1 and Thybolt-2, authorized by IN-SPACe, to be successfully deployed into orbit. In January 2024, Dhruva Space also successfully validated its P-30 Nanosatellite platform, which kicks off the company's LEAP initiative of hosted payload solutions for the global market. Pramoda Hegde is a former Mission Director at the Indian Space Research Organisation. Her career at ISRO spanned 32 years, during which she played pivotal roles in some of India's historic Space missions. In 2011, Pramoda was designated as Mission Director for the GSAT-12 mission; this was the first time a woman was designated as Mission Director for a GEO Mission in ISRO's history; additionally, this was also the first time all three key positions of a mission were handled by women. Pramoda also took on the roles of Project Manager, Operations Director, and Deputy Project Director for many other Geostationary satellite missions: INSAT-4A and INSAT-4B, GSAT-9 GSAT-12, GSAT-18, and GSAT-31. After retiring from ISRO, Pramoda frequently delivers lectures at various research institutes across India, and is also known for her 'From Village to Space' storytelling sessions where she recounts her journey of growing up in Muroor, a small farming village in India, and eventually joining ISRO.

Join Roger in this week's Liberty + Leadership Podcast as he speaks with FOX News correspondent, Benjamin Hall. Roger and Benjamin discuss his recent book, "Saved: A War Reporter's Mission to Make It Home.” The book details the story of his survival, his dramatic rescue along with his arduous and ongoing recovery from a horrific missile attack that critically wounded him and killed several of his colleagues while they were reporting from the war in Ukraine. Benjamin recounts the intensity of that day, his long road to recovery and both the physical and emotional challenges he will face for the rest of his life. Additionally, they discuss Benjamin's experiences reporting from areas of conflict including Syria, Iraq, and Afghanistan, as well as an especially intense interaction with Ugandan special forces in Mogadishu.Throughout his tenure with the network, Benjamin has covered numerous breaking news stories, including reporting from the front lines in Ukraine during the Russian invasion, providing coverage in Syria and Iraq during the battle against ISIS and covering wars in Afghanistan and Gaza. Previously, he was a foreign correspondent based in London, England. In this capacity, he covered President Biden's first overseas trip to Europe. He also reported on President Trump's first overseas trip to Saudi Arabia and was in Singapore for the 2019 summit between President Trump and North Korean leader Kim Jong Un. He also contributed to the network's coverage of Prince Harry and Meghan Markle's wedding as well as Prince Philip's funeral. He has covered elections in numerous countries, interviewed presidents, prime ministers, foreign ministers, U.S. commanders, ISIS prisoners, and survivors of the genocide against Uyghurs in China. Additionally, Benjamin's breaking news coverage has included reporting on numerous terror attacks, from Paris, to Brussels, Nice, Munich and Istanbul; the Russian poisoning of dissidents, and the death of Saudi journalist Jamal Khashoggi; the release of U.S. prisoners abroad, the use of chemical weapons by the Assad regime, and negotiations between U.S. and Iran ahead of the nuclear agreement; BLN protests and the origins and fallout of the global pandemic. Benjamin is the 2023 recipient of TFAS's Kenneth Y. Tomlinson Award for Courageous Journalism and was an honorary recipient of the Foreign Press Awards from The Association of Foreign Press Correspondents. Benjamin received a bachelor's degree from Duke University, a bachelor's degree from Richmond American University in London and a graduate degree in television journalism from the University of the Arts London.The Liberty + Leadership Podcast is hosted by TFAS president Roger Ream and produced by kglobal. This episode was recorded at TFAS's headquarters in Washington, D.C. If you have a comment or question for the show, please send us an email at podcast@TFAS.org. To support TFAS and its mission, please visit TFAS.org/support. Benjamin's Books:Saved: A War Reporter's Mission to Make It Home(https://a.co/d/f2w1XxP)Inside ISIS, The Brutal Rise of a Terrorist Army(https://a.co/d/bQK9JkL)Support the show

From Iraq and Afghanistan and news headlines today back to earlier battles in the Spanish Civil War and World War Two, the relationship between war, photography and the press has affected attitudes towards conflicts. In the annual Remembrance discussion organised in partnership with the Imperial War Museum, Free Thinking presenter Anne McElvoy's panel are: Toby Haggith Senior Curator, Department of Second World War and Mid 20th Century Conflict; Irish Iraqi artist Jananne Al-Ani, whose work explores surveillance, aerial reconnaissance and exodus after warfare; Charlie Calder-Potts, who was an official war artist with the British Army in Afghanistan 2013/14; and Caroline Brothers, author of War and Photography: A Cultural History. The Blavatnik Art, Film and Photography Galleries at IWM London include around 500 works from the museum collections including John Singer Sargent's painting Gassed, Steve McQueen's response to the 2003 war in Iraq, Queen and Country, and works by artists including Paul Nash, Laura Knight, Peter Jackson, Olive Edis and Omer Fast. Charlie Calder-Potts works with aluminium, wasli, wood panel and vellum (calf skin); combining photography, painting and drawing and has worked in Afghanistan, Iraq, Pakistan, Iran and Russia. Jananne Al-Ani is an Irish Iraqi artist who teaches at the University of the Arts London. Her video piece Timelines which was on display at the Towner Art Gallery Eastbourne last year and has recently been seen at the Ab-Anbar Gallery, London, explores Armistice Day 1918 in the town of al-Hindayyah in what is now modern-day Iraq. Caroline Brothers is the author of War and Photography A Cultural History. Producer: Torquil MacLeod You can find a collection of episodes exploring war and conflict on the Free Thinking programme website which include past discussions organised in partnership with the IWM.

Ruby Bell is an Australian-born, LA-raised, London-educated, and current New York resident. She holds an MA in Fashion Media Practice & Criticism from the University of the Arts London. Her diverse talents include writing full-page articles published in Elle UK, taking photographs featured in Vogue and Prada, and creating her own films that have garnered critical acclaim and collected laurels. Ruby was also the still photographer for Baz Luhrmann's 8-time Oscar-nominated 2022 film, "Elvis," which starred Austin Butler and Tom Hanks. In addition, she served as the assistant to the cinematographer on the 2020 live-action Disney remake of "Mulan."Connect with the Film School'd Podcast:– Facebook: https://www.facebook.com/filmschoold– Instagram: https://www.instagram.com/filmschooldpod/– Twitter: https://twitter.com/FilmSchooldPod– YouTube: https://www.youtube.com/channel/UCdgrswiL4AGviAOcbzfYCAwContinue the Conversation in the Official Film School'd Discussion Group: https://www.facebook.com/groups/filmschoold

Artist and Stage Designer, Es Devlin's work explores biodiversity, linguistic diversity and collective ai-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. Her canvas ranges from public sculptures and installations at Tate Modern, V&A, Serpentine, Imperial War Museum and United Nations General Assembly, to kinetic stage designs at the Royal Opera House, the National Theatre and the Metropolitan Opera, as well as Olympic ceremonies, Super-Bowl half-time shows, and monumental illuminated stage sculptures for Beyoncé, The Weeknd, Dr Dre, Kendrick Lamar and U2. She is the subject of a major new monographic book, An Atlas of Es Devlin, described by Thames & Hudson as their most intricate and sculpturalpublication to date, and a retrospective exhibition at the Cooper Hewitt Smithsonian Museum of Design in New York. She was the first female designer of the UK pavilion at Expo 2020 and her practice was the subject of the Netflix documentary series Abstract: The Art of Design. She has been awarded the London Design Medal, three Olivier awards, a Tony award, an Ivor Novello award, Doctorates from the Universities of Bristol, Kent and the University of the Arts London as well as Royal Designer for Industry by the Royal Society of Arts and CBE.Visit: https://EsDevlin.com/ and Follow @EsDevlinBuy Es Devlin's major new book An Atlas of Es Devlin at all good bookstores including Waterstone's.Published by Thames & Hudson: https://www.thamesandhudsonusa.com/books/an-atlas-of-es-devlin-hardcover Hosted on Acast. See acast.com/privacy for more information.

Surprise! Today Cierra reflects on the triumphant and spiritual journey that led her to London. Different from an “A-ha! Moment”, this life change was evoked through a whisper, a subtle suggestion that directed her intuition towards a different country. Make sure to stick around to hear the full scoop on University of the Arts London and the Masters Program(me) of Cierra’s dreams.

If you've ever felt stumped as to what to do with all those field recordings you've been making… Or like experimental music sometimes lacks a human touch… this episode is a must listen because Isobel is joined by Cathy Lane, an artist, composer and academic inspired by everyday experiences and, in particular, how ‘hidden histories' can be investigated from a feminist perspective. Inside, Cathy shares so many gems from her vast experience and knowledge as one of the most highly regarded artists and academics in her field.Cathy has worked with composed sound for the last three decades and has developed a practice that combines oral history, archival recordings, spoken word and environmental recordings in formats ranging from gallery installations to books, essays and concert presentations. A Professor of Sound Arts at University of the Arts London and directs Creative Research in Sound Arts Practice (CRiSAP), Cathy shares how this work is also deeply influenced by her beginnings in grass-roots community-run learning spaces.This episode is a real treat so get comfy and plug in!EPISODE HIGHLIGHTS{00:00} Intro{05:08} How Cathy got started using music technology{09:29} Cathy on the women-only groups she was involved in, and the acceptability of these spaces.{14:55} Her PhD and access to technology{18:59} What is electroacoustic music?{27:06} Cathy's PhD thesis, on using space in composition{34:47} Using field recordings in composition to convey meaning{38:37} Her discovery of field recording{45:07} Cathy on her piece, Am I Here?{51:43} Cathy on her piece, Here We All Are{59:41} Using field recordings as part of the compositional process{01:09:09} Cathy's technology setup{01:16:05} Episode SummaryCheck out Cathy's Website >> Cathy's CRiSAP profile >> Find Cathy on Facebook >> Say hello to Cathy on Instagram >>Boss it in the recording studio

Zafirios Georgilas is a writer, musician, voiceover artist, and content creator born in Vancouver, Canada, who spent part of his childhood in his father's northern Greek village. He later moved to London, England, but returned to Vancouver in between sojourns in New York and Montreal. Georgilas has a BA in English Literature (with additional studies in Classical Greek and Latin) from the University of British Columbia and an MA in Publishing from the University of the Arts London. Georgilas is also the singer, songwriter, and guitarist of the Vancouver band Zafirios. Their debut album, Summer Sand, was released in 2022 and the band regularly performs live at venues around Vancouver. Download our free app: https://www.greekradio.app

We're so delighted to share this conversation with Ethel Brooks! We discuss feminism, Romani history, women's labor, fortune telling, and more! Ethel Brooks is Chair of Women's, Gender, and Sexuality Studies and Associate Professor of Women's, Gender and Sexuality Studies and Sociology at Rutgers University. Brooks is a Tate-TrAIN Transnational Fellow at the University of the Arts London, where, in 2011-2012, she was the US-UK Fulbright Distinguished Chair. Brooks was appointed under President Obama to the United States Holocaust Memorial Council, where she served from 2015-2020. She is Chair of the Board of the European Roma Rights Centre and member of the Bavarlipe Academy of the European Roma Institute for Arts and Culture, the RomaMoma Think Tank, and the US Delegation to the IHRA and its Roma Genocide Working Group. In 2022, Brooks was a curator for One Day We Shall Celebrate Again, the RomaMoma/OffBiennale contribution to Documenta 15 and contributed art and performance to Documenta 15 and to the 2022 and 2019 Venice Biennales. From 2022-2023, Brooks served as an editorial consultant for the Los Angeles TimesPodcast, Foretold.  Since 2007, she is co-Director of the annual Feminist Critical Analysis course in Dubrovnik, Croatia. Brooks is the author of the award-winning Unraveling the Garment Industry: Transnational Organizing and Women's Work. Her current book project focuses on encampment, claim-staking, and Romani futures.Our Romani crush this episode is all Romani women. You can follow Ethel Brooks on Instagram and Twitter.Thank you for listening to Romanistan podcast.You can find us on Instagram @romanistanpodcast, and on Facebook under the same name, and on Twitter @romanistanpod. Join our Patreon for extra content. We started a Ko-fi fundraiser to help us grow. We would love it if you could contribute and spread the word. Ko-fi.com/romanistan.Please rate, review, and subscribe. It helps us so much. If you would like to advertise with us, email us at romanistanpodcast@gmail.com. We offer sliding-scale for Romani, Sinti & related businesses, so reach out!You can find Jez on Instagram @jezmina.vonthiele, and on Twitter, TikTok, and Patreon, and you can find Jez's vintage and curiosities shop Evil Eye Edit on Instagram @evileyeedit & Etsy.You can find Paulina Verminski on Instagram @_paulina_v_ and at https://romaniholistic.com/. Follow Paulina's store, Romani Holistic, in Newport Beach, CA, on Instagram @romaniholistic Romanistan is hosted by Jessica Reidy/Jezmina Von Thiele and Paulina VerminskiConceived of by Paulina VerminskiEdited by Viktor PachasWith Music by Viktor PachasAnd Artwork by Elijah Vardo

No episódio de hoje, convidei a Carollina Lauriano para trocar uma ideia sobre arte e um pouco do universo dela. A Carol é formada em comunicação social com ênfase em jornalismo. Tem extensão em Pesquisa e Análise de Tendências (em arte, design e moda) pela Central Saint Martins/University of the Arts London (ual) e atua como curadora independente desde 2017. Esperamos que amem. Nos sigam: @majutrindade @carollinalauriano _ Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Edição de podcast e Assistente de som: Pedro Side (@pedro_side) Trilha: Pedro Zimmer: (@pfzimmer) Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz) Assistente de contrarregra: Daniel Ferreira (@dani.blaack) Beauty: Luísa Galvão: (@lugalvao_beauty) Assistente de Beauty: Fernanda Hiataki (@fe.hlataki) Assistente de Beauty: Vinne Negrão (@vinnenegrao) Styling: Jessica Neves: (@jessicaneves_) Jaqueta: (@shopginger) Gola preta: (@gloriacoelhobr) Brincos: (@skull_official) Camareira: Nadia Martins: (@_martinsnadia) Fotografia Still: Kim Costa Nunes: (@kimcostanunes) Design: Gabriella Campana: (@gabriella__campana) Edição Teaser e cor: Diolinha: (@diolinha) Apoio: Cinesala: (@cinesala) Estúdio Iquiririm: (@estudioiquiririm)

Ana Maria Caballero is a first-generation Colombian-American poet and artist. Her work explores how biology delimits societal and cultural rites, ripping the veil off romanticized motherhood and questioning notions that package sacrifice as a virtue. She is the recipient of the Beverly International Prize, Colombia's José Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, and a Sevens Foundation Grant. Her Pushcart Prize and Best of the Net-nominated work has been widely published and exhibited internationally, recently at Gazelli Art House in London and at L'Avant Galerie Vossen in Paris. Recognized as a Web3 poetry pioneer, her work with poetry on the blockchain has been covered by major media outlets, and she's been a speaker at events organized by the University of the Arts London, Sovereign Nature Institute, Untitled Art Fair, Refraction Festival, and the International Women of Blockchain Conference. She has three books forthcoming in 2023, written in the hours before the world wakes up. Much of what she writes in the dark can be read at anamariacaballero.com. Co-founder of digital poetry gallery theVERSEverse.com.   Learn more: https://twitter.com/caballeroanama https://www.instagram.com/anamariacaballero   Connect more:  https://www.chonacas.com/podcast/ https://www.instagram.com/shesallovertheplacepodcast/ https://www.linkedin.com/in/katiechonacas/   Thank you, I hope you enjoyed the episode, please share with one person.  Please leave a 5 star and review on Apple Podcasts as it really supports me as an Independent Podcaster :)  

Nazlican Goksu is a Design Director at IDEO, the design studio behind breakout products like Apple's first usable mouse, the Simplisafe Security System, and Ford's next-gen vehicles. She has collaborated and supported the launch of IDEO's Climate Portfolio, where she leads a team of designers in building products, services, and ventures that help advance climate goals. Sustainability, climate action, and circular design are all passion areas for her, and she believes design can play a critical role in addressing today's global challenges. Before joining IDEO, she co-founded her own design studio in New York which she successfully ran for four years. Her background in Design Research and Industrial Design has helped her develop a deep understanding of the design process and the importance of human-centered design.  She earned her B.A. in Product Design from Central Saint Martins, University of the Arts London and Post Baccalaureate Program in Human Sciences at Columbia University.  About VSC Ventures: For 20 years, our award-winning ⁠⁠PR agency VSC⁠⁠ has worked with innovative startups on positioning, messaging, and awareness and we are bringing that same expertise to help climate startups with storytelling and narrative building. Last year, general partners Vijay Chattha and Jay Kapoor raised a $21M fund to co-invest in the most promising startups alongside leading climate funds. Through the conversations on our show CLIMB by VSC, we're excited to share what we're doing at VSC and VSC Ventures on climate innovation with companies like ⁠⁠Ample⁠⁠, ⁠⁠Actual⁠⁠, ⁠⁠Sesame Solar⁠⁠, ⁠⁠Synop⁠⁠, ⁠⁠Vibrant Planet⁠⁠, and ⁠⁠Zume⁠⁠ among many others.

Anab Jain is a filmmaker, designer and futurist. She co-founded Superflux, a pioneering speculative design and experiential futures company in London, UK, working for clients and commissioners such as V&A, Google, Red Cross, UNDP, IKEA, Deepmind and many more. Anab has delivered prolific talks at TED, Skoll, NEXT, House of Lords and House of Commons UK, and shown work at MoMA New York, V&A London, National Museum of China and Museum of the Future Dubai. Profiles on Anab and Superflux can be found in Wall Street Journal, Business Insider and Financial Times.  Anab and Jon, co-founders of Superflux, have recently been awarded Royal Designers for Industry in speculative design, UK's highest accolade for design. Anab also received an honorary doctorate from the University of Arts London for her contributions to the field.  Anab serves as a Professor for Design Investigations at the University of Applied Arts, Vienna, for the last six years. She hopes to instil a culture of radical enquiry in her students so they can become active designers-translators-catalysts for a complex and uncertain world.  In this episode, Anab shared great insights on Design for futures; we started the episode by defining design for the futures and what is the design process when working on a project focused on the future. Then we discussed navigating that uncertainty in work and how designers can balance the need for innovation and creativity with practicality and functionality in their designs. Later, we discussed why ethical considerations are critical when designing for the future and how do designers ensure their work is inclusive and representative of different perspectives and experiences. Book Recommendation by Anab Jain RDI Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning - Karen Barad Correspondences - Tim Ingold Thank you for listening to this episode of Nodes of Design. We hope you enjoy the Nodes of Design Podcast on your favourite podcast platforms- Apple Podcast, Spotify, Google Podcasts, Amazon Music, and many more. If this episode helped you understand and learn something new, please share and join the knowledge-sharing community #Spreadknowledge. This podcast aims to make design education accessible to all. Nodes of Design is a non-profit and self-sponsored initiative by Tejj.

On this episode of the Lead With Purpose podcast host, Tze Ching Yeung talks to Sabinna Rachimova, founder of her own sustainable fashion brand, Sabinna to talk about her career and what drives her. KEY TAKEAWAYS I don't have a family background in fashion or the creative industry. I learned traditional Tartar handcraft from my grandmother who was a teacher but was very into making, because back in the USSR you didn't have the money to buy anything so you had to teach yourself those skills. This is how I got into fashion and why I wanted to work in the industry. I didn't know anyone in the industry, so I had to start from scratch building my network, understanding how it worked, getting support and backing from people. It's always been about handcraft for me: I wanted to be a designer, creating beautiful things, selling my products.  I always knew I wanted to start my own business. I went out there and saw how other people did things, how corporations worked, how luxury worked, how fast fashion worked. You have to walk the walk to talk the talk, especially without the background or contact in the industry. Being an immigrant child probably helped because that's exactly what you're doing for your entire childhood when you move a lot with your family. I saw how the entire fashion industry worked and was able to apply that to my own business in terms of what I can change. I'm actually quite an introverted person. As a child I never wanted to talk because most of my childhood I had to cope with language barriers and I would not always be very confident in speaking the language of where I was living at that time. I was desperate because I had something to say and if I didn't up my game and advocate for myself nothing would happen. Every year that you work in the industry you have higher exposure, bigger network, and with that comes responsibility. It's not only that you should be using it for yourself but what can you actually do to create more spaces for marginalised groups or your own communities. How can you make sure people from different backgrounds are heard? BEST MOMENTS‘I have a naive approach towards the industry, but not in a negative sense, more that I only saw the magical lens of the beauty of creating something, connecting your emotions, your story, the heritage of your family that has been passed on.'‘Sustainability is rooted in my thoughts since I always had that huge focus on the maker, it just never crossed my mind that for other professionals this wasn't the case.'‘In the first three years of the business there was a lot of trial and error and a journey of finding myself, my voice and the confidence to actually communicate properly what we need in terms of change in our industry.'‘People created space for me which is why I'm so big on mentoring programmes, passing on my knowledge and expertise, and supporting the next generation where I can. People like me profited a lot from all these approaches.' ABOUT THE GUESTSabinna Rachimova is an opinion leader for the future generation of creatives. After graduating from Central Saint Martins College of Art and Design, she worked for the leading fashion house Christian Dior and contemporary London brand Mary Katrantzou. As a child, she learned traditional soviet handcraft from her grandmother, developing a deeply ingrained appreciation for the craft. This early influence was a key inspiration for her namesake brand. As a double immigrant (born in Central Asia, raised in Europe, and now based in London) Sabinna is incredibly passionate about inclusivity and equal opportunities.In addition to her work as an acclaimed designer, Sabinna is a public speaker, spreading the word about both fashion tech and sustainable fashion, as well as a consultant with a focus on fashion start-ups and education across Europe and the UK. Since 2018, she has lectured at the University of Arts London, teaching on the MA Fashion Entrepreneurship & Innovation course, focusing on sustainable business concepts to encourage her students to disrupt the industry. In 2019, Sabinna was named one of Forbes 30 under 30 DACH for her achievements as an entrepreneur in the sustainable fashion industry.Website: https://www.sabinna.com/ LinkedIn: https://www.linkedin.com/in/sabinna-rachimova/ Instagram: @sabinna_rachimova ABOUT THE HOSTTze Ching started her entrepreneurial journey back in 2007 with the launch of a sustainable clothing and home furnishing ecommerce business. Next, she created a sustainable fashion brand.In 2019, she launched a social enterprise to help raise awareness about the negative impact of fashion at schools and colleges. Through the 15-year journey, she learned so much, but easily the most meaningful lesson learned was about the importance of marketing. She now focuses on channelling those insights to help others succeed, through We Disrupt Agency, a business coaching, mentoring and digital marketing company. Tze Ching's mission is to create a community of global change makers and to contribute to positive change in both people and planet. CONTACT DETAILSTze Ching's website: https://wedisruptagency.com Facebook: https://www.facebook.com/wedisruptagency Instagram: https://www.instagram.com/wedisruptagency/Twitter: https://www.twitter.com/wedisruptagency LinkedIn: https://www.linkedin.com/in/tzechingyeung/ 

Mlado oblikovalko je britanska prestolnica po magisteriju na University of the Arts London tako očarala, da se je odločila svoje bivanje tam podaljšati za (za zdaj) nedoločen čas. Dejstvo, da je Sara Stiplovšek tja odšla tik pred izstopom Velike Britanije iz Evropske Unije, je pripomoglo k temu, da s pridobivanjem viz in preostalo izseljensko birokracijo ni imela posebnih težav. Aktivno išče priložnosti za projektno delo v svoji dejavnosti, tj. oblikovanju in vizualnih komunikacijah, vmes pa posega tudi po delih, ki so ji manj pisana na kožo. Ker je preživeti vendarle treba.

Perfumers from Colombia and Sweden tell Kim Chakanetsa about inventing fragrances that evoke emotion and nostalgia. Adriana Medina is a Vice President Perfumer at one of the world's biggest fragrance companies, Givaudan. She grew up in Colombia and after a Masters degree in Cosmetic Science, she attended the Givaudan Perfumery School in Paris. Her creations include 3121 for Prince and Meow for Katy Perry as well as Bombshell for Victoria's Secret – one of the most popular perfumes in US for more than a decade. Born in Västerås Sweden, Maya Njie moved to the UK to study at the University of the Arts London. She started making her own fragrances as part of her art and as interest grew among friends and fellow artists she founded Maya Njie Perfumes in 2016. Her scents are deeply rooted in her Swedish and West African heritage. Produced by Jane Thurlow (Image: (L) Adriana Medina, courtesy Givaudan. (R) Maya Njie, courtesy Maya Njie.)

From unboxing and influencers to circular fashion and a new artwork unveiled for Earth Day: New Generation Thinker Xine Yao from University College London hosts a conversation about sustainable fashion ideas. How does the London College of Fashion experiment with materials and teach design practices and fashion media which focus on sustainability? Monica Buchan-Ng is the Acting Head of Knowledge Exchange at the Centre for Sustainable Fashion and she tells us about online courses and innovations including material made from algae https://www.futurelearn.com/partners/lcf Lucy Orta has been a Professor since 2002 and is currently the Chair of Art and the Environment at the University of the Arts London, where she founded the Art for the Environment Artist in Residency Program. She also runs her own studio in partnership with George Orta https://www.studio-orta.com/ Her artwork Fabulae Naturae, comprises three 60-foot draperies adorning the Granary Building behind Kings Cross station. A programme of events is taking place across Earth Day on April 22nd https://www.kingscross.co.uk/event/earth-day-at-kings-cross This New Thinking episode of the Arts & Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI https://www.ukri.org/opportunity/ukri-circular-fashion-and-textile-programme-networkplus/ UCL is home to a People and Nature Lab https://www.ucl.ac.uk/biosciences/gee/people-and-nature-lab East Bank is the new cultural quarter which is home to UCL, London College of Fashion, BBC Music Studios and other cultural partners https://www.queenelizabetholympicpark.co.uk/east-bank You can hear on BBC Radio 3 and BBC Sounds a special Earth Day concert featuring the music of Max Richter and find a whole collection of conversations about Green Thinking on the Radio 3 Free Thinking programme website https://www.bbc.co.uk/programmes/p07zg0r2 and if you want more discussions about fashion check out these New Thinking podcasts Arts & Ideas: Fashion Stories in Museums https://www.bbc.co.uk/programmes/p096hw0q Arts & Ideas: Fashion AI and sustainability https://www.bbc.co.uk/programmes/p07nhbrd

WELCOME BACK TO SEASON 9 of The GWA PODCAST! This week, we interview one of the most influential and groundbreaking artists alive, SONIA BOYCE! Born and raised in London, where she still lives today, Boyce has been taking the art world by storm since the 1980s when she and other trailblazing artists – such as Lubaina Himid and Claudette Johnston – emerged collectively onto the art scene as the Black Arts Movement. Putting images of women and their stories centre stage, they exhibited in shows such as Five Black Women in 1983 at the Africa Centre, Thin Black Line at the ICA in 1985, and The Other Story at the Hayward in 1989.  Since then, Boyce's indefatigable practice – spanning drawing, printmaking, photography, installation, video and sound – has constantly evolved, focusing on collaboration, often with an emphasis on improvisation as she works with other artists to create immersive installation environments. Taking on a broader ethos of "collage" and what it means today – both literally and metaphorically – Boyce's practice has brought together a multitude of people, places and perspectives to provoke invaluable conversations about the world we live in today. Often involving sound pieces, when I find myself amongst one of Boyce's works, it becomes easy to lose oneself inside this very special, unusual but gripping world.  Since 2014 Boyce has been a professor of Black Art and Design, at the University of Arts London. In 2016, she was made a Royal Academician, in 2019 received an OBE for her services to art, and of course in 2022 became the winner of the Golden Lion award at the Venice Biennale, which she won for Feeling her Way – an immersive exhibition filled with bejewelled wallpaper and improvisatory song by women musicians – which is currently on view at Turner Contemporary in Margate before travelling to Leeds and later the Yale Centre for British Art.  https://turnercontemporary.org/bio/sonia-boyce/ https://www.tate.org.uk/art/artists/sonia-boyce-obe-794  https://www.theguardian.com/artanddesign/2018/mar/19/hylas-nymphs-manchester-art-gallery-sonia-boyce-interview  https://www.royalacademy.org.uk/article/sonia-boyce-ra-magazine-venice-biennale  https://www.nytimes.com/2022/05/13/arts/design/sonia-boyce-venice-biennale.html https://www.bbc.co.uk/iplayer/episode/m001f0q7/imagine-2022-sonia-boyce-finding-her-voice  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Mikaela Carmichael  Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits. About the Contributors: Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scene of the Postmodern", explored the history of Caedmon Records, a company that pioneered the recording of the spoken word. She teaches critical theory and modern and postmodern American poetry. Other interests include sound recording history and acoustical poetics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Brief summary of episode:Charley Peters lives and works in London and exhibits internationally, showing recently at Saatchi Gallery (London), Meakin + Parsons (Oxford), Hauser & Wirth (London), Z20 Sara Zanin Gallery (Rome), Yantai Art Museum (Yantai), Art 2 (New York) and National Museum of Gdansk (Gdansk). Her clients include House of Vans, Facebook, ITV, Centrepoint, Wembley Park and Hospital Rooms. Peters completed a PhD in Fine Art Theory and Practice and has contributed writing about art to online and print publications. She is a visiting tutor in Fine Art at City & Guilds of London Art School, a visiting painting mentor at Turps Art School and a Postgraduate Senior Lecturer at University of the Arts London.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. Mentioned in this episode:Charley Peters To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.SPONSORSforaged. a hyper-seasonal eatery: Farm-fresh seasonal plates, beer & wine served in a warm, casual space lined with greenery. each item on the menu is comprised of local and seasonal ingredients. the concept is true to chef Chris Amendola's ethos in the kitchen, one that is deeply rooted in the woods. foragedeatery.com ★ Support this podcast ★

Présentation des invitées : Excellence, éco-responsabilité, rareté et féminité, telles sont les valeurs de la maison de couture parisienne The Ethiquette. Fondée par Elena Feit et Alexia Hanemian, The Ethiquette transforme des chutes de tissu et des fins de rouleau de maison de haute-couture, en pièces uniques ou en éditions limitées fabriquées à Paris pour des femmes élégantes et cosmopolites qui cherchent à concilier mode et préservation de l'environnement. Découvrez dans cet épisode le parcours de ces deux entrepreneures et comment elles sont parvenues à concilier luxe et durabilité dans un monde qui aurait plutôt tendance à les dissocier. « Ethiquette est un jeu de mot entre éthique et étiquette : c'est ce nouvel art de vivre à la française qui se doit d'être plus responsable tout en restant sexy, élégant et parisien. » Ce que vous allez apprendre dans cet épisode : Le parcours d'Elena, puis d'Alexia Leur premier business model Comment gérer les débuts d'une marque malgré le Covid Leur principe du “prêt-à-couture” Comment réussir à convaincre lorsque l'on vend sur internet L'évolution de leur stratégie Leur ouverture à l'international Ce qu'elles auraient voulu savoir avant de se lancer dans le wholesale Leur plateforme de marque Leurs différents canaux d'acquisition Leurs ateliers de confection parisiens Leurs projets futurs Qui elles souhaiteraient entendre dans ce podcast « L'image de la femme The Ethiquette, c'est une femme qui entre dans un évènement et tout le monde s'arrête et la regarde. » « À partir du moment où les clientes ont vu la pièce en vrai, elles connaissent notre qualité et vont naturellement sur notre site pour continuer d'acheter d'autres pièces. » « On veut vraiment rester sur une production parisienne, car d'un côté, il y a le local, le savoir-faire français et de l'autre, une certaine flexibilité où pour chaque production lancée, on peut facilement aller checker l'intégralité des pièces. » N'oubliez pas de vous inscrire à la newsletter de Entreprendre Dans La Mode, les industries créatives et l'art de vivre sur www.entreprendredanslamode.com Aussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m'aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode ! Références : L'ESSCA : https://www.essca.fr/ L'Atelier de Sèvres : https://www.atelierdesevres.com/ L'IFM (anciennement l'École de la Chambre Syndicale de la Couture Parisienne) : https://www.ifmparis.fr/fr/opinion/decouvrez-l-ecole-de-la-chambre-syndicale-et-ses-programmes UAL (University of the Arts London) : https://www.arts.ac.uk/colleges/central-saint-martins Fashion Revolution : https://www.fashionrevolution.org/europe/france/ Première Classe : https://whosnext.com/fr/premiere-classe La Caserne : https://www.lacaserneparis.com/ Modemonline : https://www.modemonline.com/

Présentation des invitées : Excellence, éco-responsabilité, rareté et féminité, telles sont les valeurs de la maison de couture parisienne The Ethiquette. Fondée par Elena Feit et Alexia Hanemian, The Ethiquette transforme des chutes de tissu et des fins de rouleau de maison de haute-couture, en pièces uniques ou en éditions limitées fabriquées à Paris pour des femmes élégantes et cosmopolites qui cherchent à concilier mode et préservation de l'environnement.Découvrez dans cet épisode le parcours de ces deux entrepreneures et comment elles sont parvenues à concilier luxe et durabilité dans un monde qui aurait plutôt tendance à les dissocier. « Ethiquette est un jeu de mot entre éthique et étiquette : c'est ce nouvel art de vivre à la française qui se doit d'être plus responsable tout en restant sexy, élégant et parisien. » Ce que vous allez apprendre dans cet épisode : Le parcours d'Elena, puis d'Alexia Leur premier business model Comment gérer les débuts d'une marque malgré le Covid Leur principe du “prêt-à-couture” Comment réussir à convaincre lorsque l'on vend sur internet L'évolution de leur stratégie Leur ouverture à l'international Ce qu'elles auraient voulu savoir avant de se lancer dans le wholesale Leur plateforme de marque Leurs différents canaux d'acquisition Leurs ateliers de confection parisiens Leurs projets futurs Qui elles souhaiteraient entendre dans ce podcast « L'image de la femme The Ethiquette, c'est une femme qui entre dans un évènement et tout le monde s'arrête et la regarde. » « À partir du moment où les clientes ont vu la pièce en vrai, elles connaissent notre qualité et vont naturellement sur notre site pour continuer d'acheter d'autres pièces. » « On veut vraiment rester sur une production parisienne, car d'un côté, il y a le local, le savoir-faire français et de l'autre, une certaine flexibilité où pour chaque production lancée, on peut facilement aller checker l'intégralité des pièces. » N'oubliez pas de vous inscrire à la newsletter de Entreprendre Dans La Mode, les industries créatives et l'art de vivre sur www.entreprendredanslamode.comAussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode. Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m'aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode ! Références : L'ESSCA : https://www.essca.fr/ L'Atelier de Sèvres : https://www.atelierdesevres.com/ L'IFM (anciennement l'École de la Chambre Syndicale de la Couture Parisienne) : https://www.ifmparis.fr/fr/opinion/decouvrez-l-ecole-de-la-chambre-syndicale-et-ses-programmes UAL (University of the Arts London) : https://www.arts.ac.uk/colleges/central-saint-martins Fashion Revolution : https://www.fashionrevolution.org/europe/france/ Première Classe : https://whosnext.com/fr/premiere-classe La Caserne : https://www.lacaserneparis.com/ Modemonline : https://www.modemonline.com/

What does zero carbon look like if you are planning a new housing development in your town. The UK's building stock is one of the oldest in Europe, accounting for nearly 40% of the nation's total carbon emissions, so how possible is it for our cities to cut them to zero before 2050? Lecturer Lara Salinas explains how she has worked with local residents in the borough of Southwark in South London, encouraging them to take up zero carbon building design and retrofit. Professor Ljubomir Jankovic describes working with Welwyn Hatfield Borough Council, supporting their thinking about how housing developments could be built in future and how to build in net zero principles as part of the design process. New Generation Thinker Des Fitzgerald hosts the conversation. Ljubomir Jankovic is Professor of Advanced Building at the University of Hertfordshire and leads the Zero Carbon Lab. Lara Salinas is Lecturer in the Design School at London College of Communication and Senior Research Fellow in Knowledge Exchange at University of the Arts London. Professor Des Fitzgerald is a New Generation Thinker who has co-written a book called The Urban Brain: Mental Health in the Vital City. This New Thinking episode of the Arts and Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. If you want to dig out other episodes you can find a collection called Green Thinking on the website of BBC Radio 3's Free Thinking programme – there are discussions about a range of topics including climate justice, energy, trees and transport. https://www.bbc.co.uk/programmes/p07zg0r2 For more information about the research the AHRC's supports around climate change and the natural world you can visit: Responding to climate change – UKRI or follow @ahrcpress on twitter. Producer: Jayne Egerton