Podcast appearances and mentions of Diana Darke

In this episode, Ismail Patel speaks with Diana Darke about her new book, “Stealing from the Saracens: How Islamic Architecture shaped Europe”. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Ismail Patel speaks with Diana Darke about her new book, “Stealing from the Saracens: How Islamic Architecture shaped Europe”. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In this episode, Ismail Patel speaks with Diana Darke about her new book, “Stealing from the Saracens: How Islamic Architecture shaped Europe”. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

When commentators talk about the relationship, often fraught, between Islam and the west, most start with the mass migration from the Indian subcontinent, North Africa and Middle East to western countries. A few years back, the British foreign secretary announced the greatest culinary delight of the brits was the chicken tikka masala. But many do not recognise the deep, often interconnected relationships between European civilisation and Islamic civilisation and how much Islamic influence contributed to what we today call Romanesque European architecture and broader culture. My guest today Dr Diana Darke is a historian and Middle East cultural expert who wants to set the record straight. Her notable works include Stealing from the Saracens: How Islamic Architecture Shaped Europe (2020), Islamesque The Forgotten Craftsmen Who Built Europe's Medieval Monuments, and The Merchant of Syria: A History of Survival (2018). In 2005, she purchased a 17th-century courtyard house in the Old City of Damascus, reflecting her deep connection to the region.You can find Diana Darke here:Website: https://dianadarke.com/about/X: https://x.com/dianadarkeLet me remind all viewers that to help us continue to engage critical thought at this time, Please consider becoming a Patron. https://www.patreon.com/TheThinkingMuslimYou can also support The Thinking Muslim through a one-time donation: https://www.thinkingmuslim.com/DonateListen to the audio version of the podcast:Spotify: https://open.spotify.com/show/7vXiAjVFnhNI3T9Gkw636aApple Podcasts: https://podcasts.apple.com/gb/podcast/the-thinking-muslim/id1471798762Sign up to Muhammad Jalal's newsletter: https://jalalayn.substack.comPurchase our Thinking Muslim mug: https://www.thinkingmuslim.com/merchFind us on:Patron. https://www.patreon.com/TheThinkingMuslimTwitter: https://twitter.com/thinking_muslimFacebook: https://www.facebook.com/The-Thinking-Muslim-Podcast-105790781361490Instagram: https://www.instagram.com/thinkingmuslimpodcast/Telegram: https://t.me/thinkingmuslimBlueSky: https://bsky.app/profile/thinkingmuslim.bsky.socialHost: https://twitter.com/jalalaynHost IG: https://www.instagram.com/jalalayns/Website Archive: https://www.thinkingmuslim.com Hosted on Acast. See acast.com/privacy for more information.

From Notre-Dame cathedral to the Houses of Parliament, the buildings Europeans have come to love may not be so European after all. A Spectator ‘Book of the Year', Stealing from the Saracens by Diana Darke is the fascinating tale of cultural exchange, shedding new light on some of Europe's greatest landmarks. In today's episode Diana and Quilt.Ai's Angad Singh Chowdhry will be discussing the ‘borrowing' of Islamic architecture, Europe's reluctance to associate with the Muslim world, and the importance of acknowledging cultural debt.

Season 3 is hosted by Dr Angad Singh Chowdhry, anthropologist, entrepreneur, and the co-founder of Quilt.AI, a tech company that uses data and artificial intelligence to understand people better. In each episode, Angad will be in conversation with one of our authors as they explore human behaviour. Learn about the Holocaust survivors who risked everything for a new life in Palestine with Rosie Whitehouse, trace Europe's cultural debt to the Muslim world with Diana Darke, and join Kenneth Payne as he explores how artificial intelligence is going to war and the human responsibility that comes with it. Hear Anne Karpf explain how women can save the planet and why they shouldn't have to, discover the role of big business in building a safer world with Mary Martin, and find out about the life and times of a Chinese millennial from Karoline Kan.

Purchase Diana Darke's book direct from the publisher at a 25% discount. They will deliver to anywhere in the world. The code for the 25% discount is SARACENS25.https://www.hurstpublishers.com/book/stealing-from-the-saracens/Support this podcast at — https://redcircle.com/blogging-theology/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Greg Olear talks to the Arabist and cultural expert Diana Darke, author of “Stealing from the Saracens: How Islamic Architecture Shaped Europe” and a number of other books on the Middle East, on the history of Syria, the current situation with the Assad regime, and what Putin learned from Russia's involvement. Plus: a new film by Stanley Kubrick. Follow Diana Darke: https://twitter.com/dianadarke Her site: https://dianadarke.com/ Buy her books: https://www.amazon.com/Diana-Darke/e/B001KI82JM?ref=sr_ntt_srch_lnk_1&qid=1649346031&sr=1-1 https://www.youtube.com/watch?v=JJYpUtjHpdA Subscribe to the PREVAIL newsletter: https://gregolear.substack.com/about Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we hear from Diana Darke, author and broadcaster on culture in the Middle East. She has written a number of books on Syria and you can find her articles in the Guardian, the Financial Times, and many other places. We discuss her most recent book, Stealing from the Saracens: How Islamic Architecture Shaped Europe, published by Hurst in 2020. In the book, Darke argues that the influence of Islamic architecture on European architecture has been greatly overlooked. Writing against Islamophobia and Western supremacy, Darke argues that it's time Europe acknowledged how Islamic culture led to some of Europe's most iconic buildings, including the Houses of Parliament in London and Notre Dame in Paris.

IBF 2020 Stealing From The Saracens By Diana Darke by RR365

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent's Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he's a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent's Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he's a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent's Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he's a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent's Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he's a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”. Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing." In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Ismail Patel speaks with Diana Darke about her new book, “Stealing from the Saracens: How Islamic Architecture shaped Europe”.

A thought-provoking discussion, chaired by Venetia Porter, Curator of Islamic & Contemporary Middle East Art at the British Museum (currently on furlough), with Scott Redford, Professor of Islamic Art & Archaeology at SOAS, and Diana Darke, author of this new book. Described by The Guardian as “exhilarating and meticulously researched”, the book has created something of a stir, roundly attacked on social media by alt-right groups for whom European architecture represents ‘the pinnacle of civilisation’. The book uncovers the long yet often overlooked history of architectural ‘borrowing’, revealing the Arab and Islamic roots of Europe’s architectural heritage. Ideas and styles are traced as they passed from vibrant Middle Eastern centres like Damascus, Baghdad and Cairo, entering Europe via gateways like Muslim Spain, Sicily and Venice through the movement of pilgrims, bishops, merchants and medieval Crusaders. It is a rich tale of cultural exchange, shedding new light on the backstory of some of Europe’s iconic landmarks. About the speakers: Diana Darke is a Middle East cultural expert and Syria specialist who has lived and worked in the Middle East and Turkey for over 30 years, with both government and commercial sectors. She graduated in Arabic from Oxford University, holds an MA in Islamic Art & Archaeology from SOAS and is the author of many books including My House in Damascus and The Merchant of Syria. Venetia Porter is a curator (currently on furlough) of Islamic and Contemporary Middle East art at the British Museum where she has been since 1989. Among her exhibitions are Word into Art (2006) and Hajj: journey to the heart of Islam (2012) and she was lead curator for the Albukhary Foundation Gallery of the Islamic World which opened in October 2018. Recent publications include Thea Porter’s scrapbook (Unicorn Press 2019) and Reflections: contemporary art of the Middle East and North Africa with Natasha Morris and Charles Tripp, is published by British Museum Press in November 2020. Scott Redford is Nasser D. Khalili Professor of Islamic Art & Archaeology at SOAS. He's a medievalist, working on the art, archaeology, and architecture of the eastern Mediterranean in the period of the Crusades. Current writing projects include edited volumes on the architecture and history of Rumkale/Hromkla/Qal'at al-Rum and the archaeology of Kinet Höyük, both sites in south east Turkey.

Throughout August, we are revisiting our books roundups from previous years, and today we’re returning to last year’s suggestions. In 2019, our contributor Diana Darke said in the paper: "A lot of things need saving this summer – tangible things like bees, Notre-Dame, water … and intangible things like democracy, humanitarian ideals, community". Among the many subjects under discussion here are Oulipo, impeachment, and climate change. We’ll be back with new weekly episodes from September 10th. Until then, head to the website – the-tls.co.uk – to keep up with the weekly magazine. See acast.com/privacy for privacy and opt-out information.

From the Notre-Dame and Saint Marks Cathedrals to Big Ben and Westminster Abbey. They are all symbols of the western world. But according to a new book, Gothic architecture might not be as European as we think. Diana Darke, Author of 'Stealing from the Saracens'​ 00:46 #Gothic #IslamicArchitecture​#Architecture

From Notre-Dame Cathedral to the Houses of Parliament, European architecture is indebted to the Muslim world. Diana Darke joined me on the pod to discuss how medieval crusaders, pilgrims and merchants encountered Arab Muslim culture on their way to the Holy Land. This early artistic interaction continued a long history of arrchitectural 'borrowing' and cultural exchange, including Sir Christopher Wren’s inspirations in the ‘Saracen’ style of Gothic architecture.Subscribe to History Hit and you'll get access to hundreds of history documentaries, as well as every single episode of this podcast from the beginning (400 extra episodes). We're running live podcasts on Zoom, we've got weekly quizzes where you can win prizes, and exclusive subscriber only articles. It's the ultimate history package. Just go to historyhit.tv to subscribe. Use code 'pod1' at checkout for your first month free and the following month for just £/€/$1. See acast.com/privacy for privacy and opt-out information.

From Notre-Dame Cathedral to the Houses of Parliament, European architecture is indebted to the Muslim world. Diana Darke joined me on the pod to discuss how medieval crusaders, pilgrims and merchants encountered Arab Muslim culture on their way to the Holy Land. This early artistic interaction continued a long history of arrchitectural 'borrowing' and cultural exchange, including Sir Christopher Wren’s inspirations in the ‘Saracen’ style of Gothic architecture.Subscribe to History Hit and you'll get access to hundreds of history documentaries, as well as every single episode of this podcast from the beginning (400 extra episodes). We're running live podcasts on Zoom, we've got weekly quizzes where you can win prizes, and exclusive subscriber only articles. It's the ultimate history package. Just go to historyhit.tv to subscribe. Use code 'pod1' at checkout for your first month free and the following month for just £/€/$1. See acast.com/privacy for privacy and opt-out information.

Den syriske forfattaren Khaled Khalifa er ein av få som kan forlate Syria, men som ikkje vil det. Han blir rekna som ein av Syrias største nolevande forfattar, og er ein kronikør av den pågåande krigen. Hans nyaste roman, Døden er eit slit, handlar om ein grotesk og burlesk road-trip frå Damaskus til Anabiya med eit lik i bagasjen. Khaled Khalifa møter Syria-kjennar, journalist og forfattar Diana Darke til samtale om kva som skjer når døden blir daglegdags. Samtalen vil vere på engelsk.Den syriske forfattaren Khaled Khalifa er ein av få som kan forlate Syria, men som ikkje vil det. Han blir rekna som ein av Syrias største nolevande forfattar, og er ein kronikør av den pågåande krigen. Hans nyaste roman, Døden er eit slit, handlar om ein grotesk og burlesk road-trip frå Damaskus til Anabiya med eit lik i bagasjen. Khaled Khalifa møter Syria-kjennar, journalist og forfattar Diana Darke til samtale om kva som skjer når døden blir daglegdags. På engelsk. På Bergen internasjonale litteraturfestival for sakprosa og skjønnlitteratur (LitFestBergen) gir vi deg internasjonal og norsk litteratur på sitt aller beste. Her oppdagar du ny sakprosa og skjønnlitteratur frå alle verdsdelar.

Syrian author Khaled Khalifa is one of the few who can leave his homeland but chooses not to. He ranks as one of Syria’s greatest living authors, and a chronicler of the present war. His most recent novel, Death is Hard Work, deals with a grotesque and burlesque-like road trip from Damascus to Anabiya with a corpse in the baggage. Khalifa meets Syria expert, journalist and author Diana Darke for a conversation on what happens when death becomes commonplace. In English.

Diana Darke talks to Julia Wheeler about her new book, The Last Sanctuary in Aleppo. It's an incredible true story, seeing war-torn Aleppo from the view of an ambulance driver who cares for the people and animals caught in the crossfire and goes on, amidst the chaos and ruin, to create a cat sanctuary. The Last Sanctuary in Aleppo by Diana Darke.

Diana Darke talks to Julia Wheeler about her new book, The Last Sanctuary in Aleppo. It’s an incredible true story, seeing war-torn Aleppo from the view of an ambulance driver who cares for the people and animals caught in the crossfire and goes on, amidst the chaos and ruin, to create a cat sanctuary. The Last Sanctuary in Aleppo by Diana Darke.

Austria has sworn in its first female chancellor but Brigitte Bierlein is unlikely to be there for long. She heads a caretaker government appointed because the previous Chancellor, Sebastian Kurz lost a confidence vote after his far- right coalition partner was caught in a video sting scandal. Bethany Bell reports from Vienna on the current political turmoil. As fighting continues in Syria's Idlib province, author Diana Darke who knows Syria well, has been to the Korean Peninsular and discovers how close the ties are between President Bashar al_Assad and North Korea's Kim Jong-un . Chris Haslam meets the Nicaraguan university rector with a price on his head - but it's not enough for his would-be assassin. Sarah Raynsford sees both sides of Baku, the capital of Azerbaijan when the football fans were in town. And in Ireland thousands of visitors flock to towns and villages every summer as the music festival season gets underway. Kieran Cooke goes along too and reflects on how the country has held onto its traditions of music and dance.

Dawn Chatty, author of ‘Syria: The Making and Unmaking of a Refuge State’ and Diana Darke, author of ‘The Merchant of Syria: A History of Survival’ will each give a presentation on their recent books. Together, these talks will explore Syria’s historical embrace of refugees of all hues - Christian, Muslim and Jewish and its impact on its people. Using individual case studies, they will illustrate the complex web of social interactions that Syria’s people have developed over time to counter the fallout from colonial and regional wars and from political turbulence in their region. Both books begin with the late Ottoman Empire and Greater Syria (Bilad al-Sham) as it has been known for centuries and trace the unique social resilience of Syrians right up to the present crisis.

Keep America Great’ has replaced ‘Make America Great’ as the favoured slogan among some Donald Trump supporters. Ahead of the US mid-term elections, James Cook meets those who think the President is winning and can’t wait to vote for him again. Kate Adie introduces this and other stories from around the world. In Mexico, Will Grant has been traveling with the caravan made up of the thousands of Central American migrants hoping to reach the US. From Damascus, Diana Darke reflects on what her own family’s experience after World War One reveals about what life might be like in Syria when the conflict there finally ends. John Murphy is in Tunisia, once held up as one of the Arab Springs greatest successes but where people now have little to celebrate. And Pip Stewart reveals why a flesh-eating parasite from Guyana has made a quiet mark on her.

Amidst the violence, there are signs of a small but growing peace movement in Afghanistan. Kate Adie introduces stories and insight from correspondent around the world: "This has again become, largely, an Afghan war," says Kate Clark in Kabul, " it is now overwhelmingly Afghans killing Afghans," but she has also noticed growing public exasperation at the conflict. Diana Darke joined the British peers and priests recently granted access to Syria by the government, but as an Arabic speaker, who knows the country well, she was able to look beyond the official narrative and what her guides wanted her to see. In a refugee camp in Bangladesh, home to some of the hundreds of thousands of Rohingya people who have fled violence in Myanmar, Aisha Gani stumbled across an unlikely scene. As they prepare their makeshift homes for the monsoon season, young men still find time to party. Kevin Connolly has been rummaging through his attic and wondering what the changing design of matrioshka, or Russian, dolls reveal about Russia today. And Sophie Raworth explains what it’s like to run 150 miles through sand dunes and over rocky cliffs in the Moroccan desert - carrying everything you need to survive for six days.

Diana Darke on “The Merchant of Syria: A History of Survival” (Hurst). The book traces the life of Abu Chaker, a textile merchant from Homs who lived from 1921 to 2013, in parallel with the story of the modern history of Syria - examining the social, cultural and political context that shaped him. It also touches on the emergence of the ongoing war, which Darke herself witnessed as she was living in a historical courtyard house in Damascus’ old town until a few years ago. Become a Turkey Book Talk member to support the podcast, getting full transcripts (in English and Turkish) of every interview upon publication, transcripts of the entire Turkey Book Talk archive (in English), and access to an exclusive 30% discount on over 200 Turkey/Ottoman history titles published by IB Tauris.

Kate Adie introduces correspondents' stories. Christopher Lamb on the opposition to Pope Francis within the Vatican - visible for all to see in the streets. Humphrey Hawksley, on the Taiwanese island of Kinmen, hears how President Trump must understand the importance of face to China. Pay respect and give compliments because no-one wants it to end in blood. Diana Darke is in the southern Lebanese city of Tyre, the birthplace of Queen Dido, where the different communities have grown weary of war and are now seeking to build together. Daniel Pardo marvels at the resilience he witnesses in Chile, in the face of the worst forest fires the country has faced in its recent history. And Bethany Bell, with an intoxicating sense of giddiness, on why the Blue Danube Waltz - now 150 years old - is Austria's second national anthem.

With Stig Abell and Thea Lenarduzzi – Eimear McBride on the dark side of bad sex writing and why a new anthology is nothing to be snickered at; Diana Darke on the stories of two young women who have fled war in the Middle East and the new pressures they face; and Jenny Hendrix joins us from New York to discuss new works of imaginative cartography that portray that city – indeed any city – in full, kaleidoscopic complexity. Discover more at www.the-tls.co.uk See acast.com/privacy for privacy and opt-out information.

The past looms large over Afghanistan's new leader -- Fergal Keane says the scale of the task he faces is immense; as civil war rages in Libya, Tim Whewell finds a corner of calm and tolerance amid a country full of discord and violence. Do institutions like the European Union make nationhood increasingly irrelevant? That was on Martin Buckley's mind in Corsica where an armed struggle for independence seems to be losing support. As Tehran and the West sit down to talk about Iran's nuclear ambitions, Diana Darke's been finding out how Iranians revel in the words of a poet who's been dead for six hundred years. And Hugh Schofield knows how to unearth the secrets of a stately home with a history -- he asked the butler!!

Jeremy Bowen laments the loss of everyday freedoms in Baghdad; Hilary Andersson investigates the mistreatment of prison inmates with mental health problems in the UDA; Alex Preston ventures into the biggest jade market in the world in Mandalay; Diana Darke meets Syriac christians rebuilding communities in their ancestral homeland in southeast Turkey; and Alex Marshall goes 'dumb walking' with his smartphone in Tokyo.

Libby Purves meets former athlete Sir Roger Bannister; professor of cybernetics Kevin Warwick; actor Rachael Stirling and writer Diana Darke. Kevin Warwick is a professor of cybernetics and deputy vice-chancellor for research at the University of Coventry. Since 1998 he has been implanting computer chips into his body, some directly communicating with his nervous system. He was dubbed the world's first cyborg when he had a silicon chip implanted in his arm and is currently attempting to get ethical approval to have a chip implanted into his brain. Sir Roger Bannister CBE is a former Olympic athlete who is best-known for being the first person to run the mile in under four minutes in 1954. In his new autobiography, Twin Tracks, Sir Roger tells the full story of the dedication and talent that led to his unprecedented achievement and of his professional life as a distinguished doctor and neurologist. Twin Tracks is published by Biteback. Diana Darke is a writer and translator who has specialised in the Middle East for over 30 years. In 2005 she bought and restored a house in the heart of Damascus. In September 2012, as fighting intensified and millions were forced to flee their homes, she offered her house as a sanctuary to Syrian friends. Up to 40 people continue to find refuge there today. My House in Damascus: An Inside View of the Syrian Revolution is published by Haus Publishing. Actor Rachael Stirling is currently starring in Mike Bartlett's new play, An Intervention, about two friends who make very different decisions in life. Her acting credits range from The Bletchley Circle and Tipping the Velvet on television to theatre productions The Recruiting Officer and An Ideal Husband. Intervention is at the Watford Palace Theatre. Producer: Paula McGinley.

Correspondents' despatches: Jeremy Bowen in Damascus reflects on the lessons a reporter learns after more than twenty years covering conflicts around the world; Steve Evans meets a lady down on her luck in a Baltic port city as Germany prepares for new elections; Diana Darke looks at Turkey's huge 'GAP' water project and wonders if it will work for or against the country's Kurdish population; near Toulouse in France they've found a crashed German wartime aircraft in a cave -- and some locals, it seems, weren't all that keen on digging up its history and can Emma Thomas really get to grips with the Danish language without looking at textbooks or going to classes? All will be revealed. Tony Grant produces From Our Own Correspondent

Will the Egyptian army move in to break up the camp in Cairo set up by supporters of the ousted president, Mohamed Morsi? Caroline Wyatt has been meeting residents of a city which is bitterly divided. Christians are leaving Syria in their thousands. Diana Darke's been learning that they're being greeted with enthusiasm in neighbouring Turkey. Jonathan Head says there's been a conciliatory mood in Burma as people gathered this week to mark the anniversary of an uprising which launched the country's pro-democracy movement. There are some in Gibraltar who feel the British government's not doing enough for them - Tom Burridge is on the Rock as the latest chapter in a 300-year-old row unfolds and the BBC's new man in Australia, Jon Donnison, explains why he's finding it hard coming to terms with the sheer size of his new patch. From Our Own Correspondent is produced by Tony Grant

What's happened to her house in the Old City in Damascus? Diana Darke hears how it's fared during the ongoing conflict in Syria. David Shukman is in Prescott, Arizona, a community devastated after 19 firefighters lost their lives battling a forest fire. Kinshasa in DR Congo is Africa's fastest-growing city - Jonny Hogg's been finding out how law and order's fast collapsing there too. Natasha Breed, who lives in Kenya and regularly films lions there, is shocked at the conditions a lion's forced to endure at a circus in France. And, on a lighter note, Rajan Datar, high in the Caucusus mountains of Georgia, is invited to try his hand, or rather his larynx, at the ancient art of polyphonic singing.