Podcasts about haimovitz

In deze nieuwe aflevering gaan we het hebben over 'Locus of control'. Oftewel: de mate waarin mensen voelen dat ze controle hebben over hun leven of dat alles door buitenaf wordt beïnvloed. Want in hoeverre hebben we hier zelf controle over?Voor meer persoonlijkheidsfeitjes volg ons op Instagram of TikTok!Lees, kijk en luistertips

Are you someone who is caught up in telling yourself what you “should” be doing or achieving? Someone once said, “Perfectionism is a trait that makes life an endless report card on accomplishments or looks.” If you or someone you know struggles with perfectionist behaviors or self-shoulding, this episode is for you. In this episode of “Asking For A Friend," TalkDoc, Meredith and Teighlor identify three types of perfectionism and the danger of high expectations. They identify practical strategies for combating self-shoulding and forcing perfectionism on our children and those around us.    Music by Epidemic sound.   SHOW NOTES: EP 57 : Perfectionism - How to Stop Self Shoulding Experts :   Hewitt and Flett (1991), Ruggeri (2018), Harvard Business Review (2018), Fry and Debats (2006), Bracket and Stern (2020),  Haimovitz and Dweck (2017) Resources : Book : Mindset: The New Psychology of Success-Carol Dweck AFAF EP 4 : Birthday mindset Tools : Three types of perfectionism : Hewitt and Flett (1991) Self-oriented : adhere to strict standards while maintaining strong motivation to attain perfection and avoid failure; engage in stringent self-evaluation. Other-oriented : set unrealistic standards for significant others (e.g., partners, children, co-workers) coupled with a stringent evaluation of others' performances. Socially-prescribed : believe that others hold unrealistic expectations for their behavior (and that they can't live up to this); experience external pressure to be perfect, believe others evaluate them critically. TC4G :   “It's the idea that you don't have to be perfect to be lovable or to be loved.” Find the root cause – which kind of perfectionism are you? (of the three) Understand that your best self doesn't equal your best outcome or accomplishment. Engage in realistic goal setting to reduce your stress. Reward effort over outcomes and celebrate learning new processes Celebrate goals that you meet. 

Pianist (and From The Top host) Christopher O'Riley joins forces with cellist Matt Haimovitz for their latest collaboration: TROIKA – a portrait of artistic rebellion in the face of political suppression. The two sat down with WGTE's Brad Cresswell to talk about the album, which pairs works by Rachmaninoff, Prokofiev and Shostakovich with modern protest songs by Viktor Tsoi, Pussy Riot, and the Beatles.

The new digital album features the first fourteen of 81 new pieces written for Haimovitz, commissioned by THE PRIMAVERA PROJECT. This new initiative asks composers to write in response to Sandro Botticelli's enigmatic painting, Primavera, and the prophetic large-scale triptych, Primavera 2020, by contemporary artist Charline von Heyl. Haimovitz recorded the album in January 2021 at von Heyl's artist studio near downtown Marfa, Texas.Purchase the music (without talk) at:Primavera I - The Wind (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

Matt Haimovitz — Primavera II: The Rabbits (Pentatone) Jump to giveaway form New Classical Tracks - Matt Haimovitz by “Being immersed in this project confirms my belief that we are in a golden age of music,” cellist Matt Haimovitz said. “There's such a range of languages and talent out there. It's really extraordinary.” Haimovitz has taken a few risks in his career. He's tried different things to introduce people to classical music. His latest endeavor focuses on future generations of cellists. It's a large-scale commissioning project, where 81 contemporary composers are invited to share their musical response to two paintings. The second recording in this six-album series, Primavera II: The Rabbits, was recently released. “It centers on two paintings,” Hamiovitz said referring to the inspiration for the album. “One is Sandro Botticelli's Primavera, an iconic painting in the Uffizi Gallery in Florence. When my partner, Jeffrianne Young, and I encountered this painting, we became obsessed with it. We started reading all about its mysteries, stories, narratives and symbolism. “Around that time, we also discovered the Hirshhorn Gallery. We walked into a one-woman show by the great artist Charline von Heyl and were blown away by her work. We met with Charlene and talked about the Botticelli and the state of the world. She created Primavera 2020, a response to the Botticelli, for us. For this album, we asked all the composers to respond and engage those two paintings in any way they want.” Why did you choose to commission 81 works? “It was supposed to be nine, and it was supposed to be tone poems for cello and orchestra. All my orchestral dates dried up, and I was going nuts not having work. Basically, we changed the idea into a solo cello project. The nine composers that we started with recommend the next nine and so on. It became a viral commissioning project, which got nine layers deep.” Can you give an example of where we might hear new and interesting sounds from the cello on this album? “One interesting piece is by Niloufar Nourbakhsh, an Iranian composer. It's called Cyclical Rabbits, and I begin with plucking that sounds like an oud. It sounds like a Persian instrument. She gets that effect by using sticky tack on the string. “I realize how important it is to advocate for these composers and to bring this music to life. I want to be part of the fabric of making sure that classical music is a vibrant living entity.” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now More on Matt Haimovitz Matt Haimovitz welcomes back his cherished cello Matt Haimovitz on residency, Bach and Beethoven Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Matt Haimovitz — Primavera II: The Rabbits (Pentatone store) Matt Haimovitz — Primavera II: The Rabbits (Amazon music) Matt Haimovitz (official site)

Multi-Grammy-nominated cellist Matt Haimovitz's latest recording, PRIMAVERA II the rabbits, features the next 13 of 81 new pieces written for Haimovitz. Commissioned by THE PRIMAVERA PROJECT, also featuring Haimovitz's new arrangement of Josquin de Prez's Kyrie (from Missa Hercules Dux Ferrariae). The project asks composers to respond to Sandro Botticelli's enigmatic painting, Primavera, and the prophetic large-scale triptych, Primavera 2020, by contemporary artist Charline von Heyl. Purchase the music (without talk) at:Primavera II - the rabbits (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

durée : 00:12:51 - Mon ami, mon amour - Mari Kodama, Matt Haimovitz - Le violoncelliste Matt Haimovitz enregistre aux côtés de la pianiste Mari Kodama un disque entièrement consacré à la musique française. Au programme, des œuvres encore peu connues de Fauré, Darius Milhaud ou Lili Boulanger.

Zamir démissionne, Farkash Hacohen le remplace, Mikhael Bitton va la remplacer elle-même. Haimovitz parle de quitter le gouvernement… que se passe-t-il dans les coulisses de Kahol Lavan ? Les réponses avec Jeremy Cimber, au micro de Yael Bornstein. See omnystudio.com/listener for privacy information.

Pianist (and From The Top host) Christopher O'Riley joins forces with cellist Matt Haimovitz for their latest collaboration: TROIKA – a portrait of artistic rebellion in the face of political suppression. The two sat down with WGTE's Brad Cresswell to talk about the album, which pairs works by Rachmaninoff, Prokofiev and Shostakovich with modern protest songs by Viktor Tsoi, Pussy Riot, and the Beatles.

It’s entirely possible that cellist Matt Haimovitz has forgotten that composers other than Bach exist. On his last visit to Classical Classroom, he talked about Anna Magdalena’s (Bach’s second wife’s) transcriptions of Bach’s Cello Suites. On the visit before that, Matt and Christopher O’Riley talked… oh wait – that was about Beethoven. But still! The guy’s obsessed! And we’re glad he is. In this episode, Haimovitz talks about his CD Overtures to Bach, on which he commissioned 6 contemporary composers to essentially build an aural bridge from our time to Bach’s. Learn about Bach and hear amazing new music in this episode.  All music in this episode from Matt Haimovitz’s Overtures to Bach.  Audio production by Todd “Mr. Robot” Hulslander with poorly executed fake hacking sequences by Dacia Clay and assistance from Mark DiClaudio.

Matt Haimovitz joins us in the midst of his Bach Listening Room Tour. On this tour, Haimovitz brings Bach’s cello suites to small, intimate settings throughout the southeast, performing Bach’s Six Suites not in concert halls, but in coffeehouses and music clubs. To conclude the tour, he'll perform all six suites in a single day in Bethesda, Maryland.

Matt Haimovitz joins us in the midst of his Bach Listening Room Tour. On this tour, Haimovitz brings Bach’s cello suites to small, intimate settings throughout the southeast, performing Bach’s Six Suites not in concert halls, but in coffeehouses and music clubs. To conclude the tour, he'll perform all six suites in a single day in Bethesda, Maryland.

Cover of cellist (and – we suspect – part-time lumberjack), Matt Haimovitz’s new CD. Courtesy of Oxingale/Pentatone.   Cellist Matt Haimovitz has grappled with Bach’s Cello Suites for decades. He first recorded them in 2000. He’s dedicated his new second recording of the Suites to Anna Magdalena, Bach’s second wife, who copied Bach’s manuscripts. Haimovitz talks about how Anna Magdalena’s transcriptions became his spirit guide on a quest to gain a greater understanding of the Gospel of Bach. Music in this episode: Excerpts from J.S. Bach, The Cello Suites According to Anna Magdalena. Matt Haimovitz. Excerpts from J.S. Bach, 6 Suites for Cello Solo. Matt Haimovitz. J.S. Bach, Suite 1. Pablo Casals. That one sound effect from Law and Order, created by Mike Post. Philip Glass, Orbit. Matt Haimovitz.Audio production by Todd “Toddtober” Hulslander with smashing of pumpkins by Dacia Clay, and editing by Mark DiClaudio. For more Matt Haimovitz: www.matthaimovitz.com Thumbnail photo by Stephanie Mackinnon. Courtesy of the artist’s website.

The cellist Matt Haimovitz and pianist Christopher O'Riley are quick to emphasize that their recent venture into Baroque period instruments isn't some fusty or antiquated pursuit. The duo's new album, "Beethoven, Period," was recorded at Skywalker Ranch, film director George Lucas's famous studio complex in Northern California. Instead of sheet music they played from iPads. Their Seattle launch concert took place at the Tractor Tavern, a rock club. The experience with very old instruments also forced them to rethink their approach to Beethoven's music. "All of the sudden, the relation between the cello and the piano is completely different," Haimovitz tells host Elliott Forrest. "No longer am I trying to project over the grandeur of a Steinway grand but I'm actually having to make room for the piano." "You have a lot more leeway in terms of expressivity and color, even in the sense of one note having a shape to it," added O'Riley. The album features Beethoven's complete works for cello and keyboard, with O'Riley playing on a fortepiano made in 1823 and Haimovitz outfitting his 1710 Goffriller cello with ox-gut strings, a rosewood tailpiece and a period bow. The duo's performance in the WQXR studio marked a return to (mostly) modern equipment – with a 1940's Steinway and a modern cello bow – but two movements from the Opus 102 No. 2 sonata had a lightness and transparency that suggested time diligently spent in the period-instrument camp. As Haimovitz notes, the Opus 102 sonatas "offer a window into Beethoven's late period where he's deconstructing all of the ideas of the enlightenment and what he inherited from Haydn and Mozart and really finding his own voice complete." Below is the third movement. O'Riley and Haimovitz have previously collaborated on "Shuffle. Play. Listen" (2012), an album of pieces by classical composers (Stravinsky, Janacek, Martinu) along pop acts (Radiohead, Cocteau Twins, Arcade Fire), among others. Both artists have sought to blur the lines between pop and classical over the past decade or more – since Haimovitz began playing Bach in bars and clubs in 2002 and O'Riley started arranging arty rock songs around the same time. Together the duo is planning a future project of pop songs given classical reworkings by contemporary composers. According to O'Riley, it will include John Corigliano's resettings of Bob Dylan and Joni Mitchell songs; Philip Glass arranging the Velvet Underground; and Gunther Schuller taking on the band Guided by Voices. A recording is expected to be out this fall. Haimovitz and O'Riley also don't shy away from lush, romantic works as well, as their final performance in the WQXR studio demonstrates: the Andante from Rachmaninoff's Cello Sonata, Op. 19. Watch that below and listen to the full segment at the top of this page. Video: Kim Nowacki; Sound: Irene Trudel; Text & Production: Brian Wise; Interview: Elliott Forrest