Podcasts about Ruggeri

ROMA (ITALPRESS) - In questa edizione: - Ruggeri e Casadei alla prima convocazione azzurra - Thiago Motta, la fiducia della Juve sembra finita- La Ferrari verso la Cina per dimenticare Melbourne - Nba, Fontecchio torna grande protagonista con 23 punti - Hockey pista, Trissino e Matera alzano al cielo la Coppa Italia/gtr

Sanpellegrino, azienda leader nel settore delle acque minerali e delle bibite non alcoliche, ha annunciato la nomina di Ilenia Ruggeri come nuovo Direttore Generale. La manager comasca, classe 1971, porta con sé una ventennale esperienza all'interno del Gruppo Nestlé e una profonda conoscenza del settore beverage, competenze che metterà a disposizione per guidare la crescita dell'azienda sul mercato italiano.

Terminando esta série de pregações, vemos a última menção da expressão "Tu, porém" feita por Paulo, em 2 Timóteo 4. Aqui, nos últimos momentos de vida do apóstolo, o ensinamento que ele deixa a Timóteo faz alusão aos últimos ensinamentos do próprio Cristo antes de ascender aos céus: "Tu, porém, pregue a palavra, quer seja oportuno, quer não."

Que lugar a Palavra de Deus tem ocupado em nossos corações? Quais mecanismos temos colocado em prática para nos aproximarmos mais dela? Amar as Sagradas Letras é testemunho da nossa obediência ao Senhor, sendo necessário não apenas a simples leitura, mas, antes de tudo, permanecer nas Escrituras, pois apenas elas podem nos tornar sábios por meio da salvação em Cristo. Na segunda carta a Timóteo, Paulo nos convida a nos alimentarmos das Sagradas Escrituras, a fim de que tenhamos a vida transformada pelas verdades de Deus, para que possamos ser luz neste mundo. Diante de tempos sombrios, permaneçamos na luz das Sagradas Letras.

Na segunda mensagem da série Tu, porém, baseada em 2 Timóteo 3:10-13, Paulo exorta Timóteo a suportar o sofrimento como parte da caminhada cristã. Ele alerta sobre a maldade dos últimos dias e a inevitável perseguição daqueles que permanecem fiéis a Cristo. O verdadeiro discípulo não sofre por abandonar seus valores, mas por escolhê-los, mantendo-se firme diante das provações. Seguir Jesus significa enfrentar oposição, mas também carregar um testemunho que diferencia os salvos do mundo. "Tu, porém, suporta os sofrimentos!”

In this episode of the RCP Medicine Podcast, Dr. Rohan Mehra, an Infectious Diseases/Microbiology SPR, discusses the critical role of behavioural science in addressing health inequalities. Decreased vaccine uptake and lack of engagement with healthcare services are pressing issues, particularly among those affected by health disparities. To shed light on these challenges, Rohan  is joined by Professor Susan Michie, a leading expert in health psychology and behaviour change from University College London. With her extensive research and practical expertise, Professor Michie explores how we can apply behavioural science to improve healthcare engagement and design effective interventions. Tune in to discover how understanding human behaviour can drive meaningful change in health outcomes.References:A synthesis of evidence for policy from behavioural science during COVID-19, Ruggeri et al.https://www.nature.com/articles/s41586-023-06840-9The human behaviour change project www.humanbehaviourchange.orgComplex Systems for Sustainability and Health https://www.ucl.ac.uk/complex-urban-systems/cussh.Behaviour Change Wheel: A Guide to Designing Interventions www.behaviourchangewheel.comWHO behavioural science grouphttps://www.who.int/initiatives/behavioural-sciences 

Começa aqui uma série de pregações que têm como objetivo estudar as aparições de “Tu, porém” na Bíblia. A expressão é empregada por Paulo nas epístolas pastorais e aparece pela primeira vez em 1 Timóteo 6:11. O contraste estabelecido pelo apóstolo diz respeito às finanças, indicando que aqueles que buscam bens materiais como prioridade máxima naufragam na fé. Os salvos por Cristo, por outro lado, devem fugir disso e combater o bom combate. Em síntese: tu, porém, investe no que é eterno.

Unlock the secrets to modern market strategies that are reshaping the financial landscape. Join us as we sit down with Fabio Ruggeri, former Bloomberg professional and current AI-driven finance innovator, to uncover the shift from traditional fundamental analysis to technical and alternative data in market strategies. Through Fabio's journey, we explore how major events like the credit crisis and the COVID-19 pandemic have catalyzed the adoption of alternative data sources, such as geolocation and credit card information, fundamentally transforming how we predict market movements and create quantitative trading strategies.Discover how the world of options trading has transformed over the past decade, fueled by retail traders seeking more accessible and simplified strategies. Options have not only become pivotal in market liquidity and volatility but have also seen their volumes sometimes surpass traditional equities. This episode uncovers the critical role of options in shaping market dynamics, with zero DTE options emerging as key players in driving sudden market shifts and enabling institutional strategies like covered calls. Our discussion highlights the innovative ways derivatives are now integral to market analysis.Immerse yourself in the cutting-edge tools and educational resources provided by MenthorQ, designed to democratize complex options data analysis for retail traders. From advanced features like gamma level analysis to intuitive option data visualizations, learn how MenthorQ's platform is revolutionizing the trading experience. Fabio shares insights on the importance of education in mastering options trading, using real-world examples like NVIDIA's earnings to demonstrate the power of MenthorQ's tools. We also spotlight the platform's growth journey, the role of community engagement, and Fabio's invaluable contributions to advancing market analysis.DISCLAIMER – PLEASE READ: This is a sponsored episode for which Lead-Lag Publishing, LLC has been paid a fee. Lead-Lag Publishing, LLC does not guarantee the accuracy or completeness of the information provided in the episode or make any representation as to its quality. All statements and expressions provided in this episode are the sole opinion of MenthorQ and Lead-Lag Publishing, LLC expressly disclaims any responsibility for action taken in connection with the information provided in the discussion. The content in this program is for informational purposes only. You should not construe any information or other material as investment, financial, tax, or other advice. The views expressed by the participants are solely their own. A participant may have taken or recommended any investment position discussed, but may close such position or alter its recommendation at any time without notice. Nothing contained in this program constitutes a solicitation, recommendation, endorsement, or offer to buy or sell any securities or other financial instruments in any jurisdiction. Please consult your own investment or financial advisor for advice related to all investment decisions. Sign up to The Lead-Lag Report on Substack and get 30% off the annual subscription today by visiting http://theleadlag.report/leadlaglive. Foodies unite…with HowUdish!It's social media with a secret sauce: FOOD! The world's first network for food enthusiasts. HowUdish connects foodies across the world!Share kitchen tips and recipe hacks. Discover hidden gem food joints and street food. Find foodies like you, connect, chat and organize meet-ups!HowUdish makes it simple to connect through food anywhere in the world.So, how do YOU dish? Download HowUdish on the Apple App Store today:

Hi Mamas!This week is a double episode as I wind up the poddy for 2024 and beyond. It has been nothing less than an absolute privilege to share space with all my wonderful guests as they share some of their most intimate truths about what mothering has been like for them.I have been creating this podcast for 2 years now and for the time being it going to be on pause while I shift focus to some other projects happening at Life After Birth Psychology. I do plan to bring the podcast back but I'm not quite sure when. So for now its goodbye.. until some time later. Thank you so much for all the support I have received in the time I've been creating the show so far. Wishing you a wonderful Holiday season! In this episode I chat with Amanda Ruggeri, an award-winning journalist with a focus on psychology, parenting, and child development. I love the way Amanda breaks down parenting research into relatable insights, but today she joins us to explore her personal journey into motherhood.In this episode, Amanda opens up about how her non-traditional homeschooling background shaped her worldview, her experience navigating birth and motherhood during COVID, and the lessons she's learned about patience, connection, and self-discovery.We chat about:Amanda's reflections on how her upbringing influenced her parenting styleThe challenges of building a support system while parenting far from familyHer journey through loss and how it shaped her perspective on pregnancy and motherhoodHow becoming a mother deepened her empathy and understandingThe importance of fostering a parenting relationship rooted in connection rather than perfectionAmanda's story is a beautiful reminder of the resilience and strength found in the everyday experiences of motherhood. Connect with Amanda:Find Amanda on Instagram and TikTok, or visit her website at www.amandaruggeri.com.Here is where you can find out more about me (Yara), how to work with me and some resources:Free Inner Critic WorkbookFree Values Aligned Living WorkbookWhy Am I So Angry Workshop*** Waitlist for The Rebirth, Group Coaching for Mamas *** This is my signature 3 months online group coaching container for mothers which covers family of origin, inner child work, nervous system basics, anger, boundaries and much more. Waitlist For Bloom: Perinatal Therapist Membership@lifeafterbirthpsychology  www.lifeafterbirth.com.auLooking for support for anger while you mother? To access my Why Am I So Angry Workshop click HERE

Un viaggio tra storia e gusto In questa puntata di Viaggiando e Mangiando Abbiamo intrapreso un percorso alla scoperta di territori ricchi di storia e tradizioni, dove il gusto diventa un vero e proprio viaggio nel tempo. Da Corinaldo, avvolta nell'atmosfera magica del Gran Natale, ci siamo spostati verso Roma, illuminata dalle suggestive installazioni di "Trame di luce".Ogni tappa è stata l'occasione per esplorare sapori autentici: dal Vulcano Serprino, un vino che racconta la storia del territorio padovano, ai due eccellenti Valdobbiadene DOCG della cantina Ruggeri, fino ad arrivare alla storia visionaria dell'azienda Ronchi di Castelluccio.Un itinerario che ci ha permesso di apprezzare la diversità dei nostri territori e la passione di chi li vive e li racconta attraverso i propri prodotti. Non perdere l'appuntamento con #ViaggiandoEMangiando per scoprire le nostre nuove avventure!Lista puntata degli argomenti:Corinaldo: Gran NataleHotel La Perla: Apertura stagione invernaleRoma: Trame di luceTeolo (PD): Vulcano SerprinoValdobbiadene: Degustazione RuggeriRonchi di Castelluccio: Storia e futuro dell'aziendaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/viaggiando-e-mangiando--3286496/support.

It's time for part 2 of our iodine series. If you haven't listened to the previous episode on what iodine does in the body, why it's so important, and how to test your levels, I recommend starting there. Today I will be covering who iodine may be a good fit for, considerations when supplementing, and long term use of iodine. As always, this podcast episode is for educational purposes only. If anything resonates with you, I hope it encourages you to talk with your provider before you make any changes. I cover:Populations that are generally a good fit for iodineWhy iodine should be avoided for Hashimoto's4 steps to supplementing with iodine, including cofactors Recommendations for long term use of iodine (6 months and 6-12+ months)How often to retest your labs, including thyroid blood panel and HTMAFunctional Thyroid Mini Course: https://hormonehealingrd.com/opt-in/free-functional-thyroid-mini-course-podcast/Links/resources:Thyroid antibodies:https://pmc.ncbi.nlm.nih.gov/articles/PMC8106604/#:~:text=This%20study%20also%20found%20an,for%20thyroid%20autoimmunity%20%5B69%5D.https://www.optimaldx.com/blog/hashimoto-thyroiditis-iodine#:~:text=Excess%20iodine%20can%20exacerbate%20autoimmune,major%20cause%20(Ruggeri%202021). https://pubmed.ncbi.nlm.nih.gov/25050783/ Fertilityhttps://pmc.ncbi.nlm.nih.gov/articles/PMC6454505/ https://pmc.ncbi.nlm.nih.gov/articles/PMC3063534/https://pmc.ncbi.nlm.nih.gov/articles/PMC3257674/Iodine and breasts:https://pmc.ncbi.nlm.nih.gov/articles/PMC3063534/https://pmc.ncbi.nlm.nih.gov/articles/PMC5327366/ https://pubmed.ncbi.nlm.nih.gov/15239792/ Iodine and prostate:https://www.mdpi.com/1422-0067/22/3/1228#:~:text=Our%20group%20has%20found%20similar,tissues%20that%20take%20up%20iodine. https://pubmed.ncbi.nlm.nih.gov/31284874/ https://www.larabriden.com/iodine-for-breast-pain-ovarian-cysts-and-pms/Connect with Me: Patreon: https://www.patreon.com/hormonehealingrd Free Thyroid Training: https://hormonehealingrd.com/opt-in/free-functional-thyroid-mini-course-podcast/Feminine Periodical (weekly newsletter): http://bit.ly/2tWOBtw Master Your Minerals course: https://www.hormonehealingrd.com/master-your-minerals-course

The 2024/25 Champions League matchday one group stage fixture between Atalanta and Arsenal takes place on Thursday 19 September at 21:00 CET in Italy at Gewiss Stadium. Carlo Garganese and Nima Tavallaey preview the big game. We look at the probable XIs, injuries and suspensions, and break down the game tactically before offering our predictions.This is a bonus preview episode of The Italian Football Podcast which is available on Spotify, Apple Podcasts and Google podcasts.To listen to this & all other full episodes of The Italian Football Podcast (with no ads), go to Patreon.com/TIFP OR now also available on Spotify to become a Patron for only $2.99 USD per month (excluding VAT).Follow us: Twitter, Facebook, Instagram, YouTube

António Augusto Carvalho Monteiro is usually described as a rich eccentric who used his money building his dream home, which he did. But he was also an accomplished naturalist, something that has been largely ignored until recent years. Research: Britannica, The Editors of Encyclopaedia. "The Lusiads". Encyclopedia Britannica, 5 Feb. 2018, https://www.britannica.com/topic/The-Lusiads Britannica, The Editors of Encyclopaedia. "Sintra". Encyclopedia Britannica, 19 Aug. 2024, https://www.britannica.com/place/Sintra Campos, Antonio Luis, and Goncala Pereira Rosa. “Quinta da Regaleira, the mansion and the philosopher.” National Geographic Portugal. March 29, 2022. https://www.nationalgeographic.pt/historia/quinta-da-regaleira-a-mansao-e-o-filosofo_3009 “Cultural Landscape of Sintra.” UNESCO World Heritage Convention. https://whc.unesco.org/en/list/723/ Hernandez, Jo Farb. “QUINTA DA REGALEIRA.” 2016. https://www.spacesarchives.org/explore/search-the-online-collection/antonio-augusto-carvalho-monteiro-luigi-manini-quinta-da-regaleira/ Judice, Jose. “Portuguese Fake Gothic for Sale.” The Daily Times. Jan. 3, 1988. https://www.newspapers.com/image/722763006/?match=1&terms=%22Carvalho%20Monteiro%22 “No Sedition Among Army and Navy.” Machester Courier and Lancashire General Advertiser. Oct. 23, 1913. https://www.newspapers.com/image/800244390/?match=1&terms=%22Carvalho%20Monteiro%22 “Palace and Quinta da Regaleira.” Visit Sintra. https://visitsintra.travel/en/visit/monuments/palace-and-quinta-da-regaleira “Pocket-sized Wonder.” Evening Star. March 16, 1958. https://www.newspapers.com/image/869772337/?terms=%22Carvalho%20Monteiro%22 “A Remarkable Watch.” The Wells Journal. Feb. 2, 1905. https://www.newspapers.com/image/812346661/?match=1&terms=%22Carvalho%20Monteiro%22 Reed, Bill. “A Magical Place.” Guelph Mercury. Oct. 2, 2010. https://www.newspapers.com/image/1078331285/?match=1&terms=%22Carvalho%20Monteiro%22 Ruggeri, Amanda. “The Hidden World of the Knights Templar.” BBC. Feb. 24, 2022. https://www.bbc.com/travel/article/20160510-the-hidden-world-of-the-knights-templar Silva, Lara. “The Portuguese Revolution of 5 October 1910.” Portugal.com. August 25, 2022. https://www.portugal.com/history-and-culture/the-portuguese-revolution-of-1910/ “Tact of American Ambassador Increases International Ties.” The Miami News. Jan. 20, 1913. https://www.newspapers.com/image/298526714/?match=1&terms=%22Carvalho%20Monteiro%22 Teixeira, Fernando and Izabela Cardosa. “The Mysterious Inverted Tower Steeped in Templar Myth.” BBC. Feb. 21, 2020. https://www.bbc.com/travel/article/20200220-the-mysterious-inverted-tower-steeped-in-templar-myth “A Watch That Tells All.” The Ottowa Citizen. March 29, 1958. https://www.newspapers.com/image/456918242/?match=1&terms=%22Carvalho%20Monteiro%22 Worral, Simon. “The Templars Got Rich Fighting for God, Then Lost It All.” National Geographic. Sept. 23, 2017. https://www.nationalgeographic.com/history/article/knights-templar-crusades-dan-jones?loggedin=true&rnd=1724727570075 See omnystudio.com/listener for privacy information.

PALERMO (ITALPRESS) - "Siamo stati molto contenti della prima edizione. Abbiamo portato 50-60 corporate che hanno lasciato un valore all'interno del territorio: Messina si è inserita nel contesto nazionale e quest'anno vogliamo mettere un altro mattoncino, in questo senso abbiamo chiesto uno sforzo in più". Così Roberto Ruggeri, a margine della presentazione, a Palazzo dei Normanni a Palermo, del "Sud Innovation Summit" di cui è fondatore. La seconda edizione dell'evento si svolgerà a Messina, al Palacultura, il 3 e 4 ottobre. "A livello di novità - spiega - avremo la Sud Innovation Champions per start-up e progetti di ricerca: c'è ancora un gap da colmare con le altre regioni e, come ha detto Draghi alcuni giorni fa, se non ci sbrighiamo alcune imprese falliranno. Ognuno tende a proteggere il suo territorio, mentre noi puntiamo a fare sistema con azioni concrete: c'è tanta intelligenza artificiale, cosicché si possa colmare il gap anche sul piano informativo". L'idea di fondo del Summit è proprio far emergere il Mezzogiorno come soggetto attivo nello sviluppo delle nuove tecnologie: "Tutte le azioni che stiamo ponendo in essere chiamano alle armi i player e gli stakeholders dell'ecosistema meridionale - aggiunge Ruggeri -. Messina sta iniziando adesso a proporsi come polo di innovazione, Catania e Palermo sono più avanti ma nessuna città può prescindere dalle altre: dobbiamo trasferire insieme il messaggio che il meridione c'è e che dai problemi nascono le opportunità". xd8/vbo/gtr

ROMA (ITALPRESS) - "I porti stanno diventando hub energetici, dei punti fisici - in alcuni casi, anche virtuali - in cui si scambiano delle merci. Sono ovviamente una parte essenziale della catena di trasmissione delle merci che per il nostro Paese sono di assoluta rilevanza strategica, ma stanno diventando anche grandi consumatori energetici per i loro consumi interni e per la capacità di fornire energia ai mezzi navali in stazionamento e in transito". Lo ha detto Elio Ruggeri, presidente di Assocostieri, intervistato da Claudio Brachino per il magazine televisivo Italpress Economy. sat/fsc/gsl

Welcome back Linda Ruggeri to The TufFish Show, a place to help writers and aspiring authors get out of their own way to leave a legacy by telling the stories they want to share through writing their own books and confidently sharing them with others. The writing process can be tough and the business side can feel scary, but TufFish makes both feel smoother and achievable. Visit https://www.jennifermilius.com/tuffish to learn more. There's a huge opportunity for expanding your readership in a meaningful way through publishing your books in different languages, yet that can feel like a daunting project. So many questions can creep up that might stop you from even starting. But it doesn't have to be that way if you have it in your heart to see your book published in a different language. It is possible, and just like you learned how to get your story idea turned into a published work, this is another opportunity to learn and grow. And this conversation with Linda Ruggeri is the perfect place to start getting the juices going and start fleshing out what's needed to make that a reality for you. Linda Ruggeri is a bilingual (EN/SP) nonfiction editor and writer based out of Los Angeles. Her first book Networking for Freelance Editors won a IBPA Benjamin Franklin Silver Medal Award. Linda is the co-founder of The Networking Studio and 3 Vías Creativas. When she's not editing, she's gardening, baking, or being a fun mom, and would gladly trade any night out for a good nonfiction book. Visit - http://www.theinsightfuleditor.com Book purchase link - https://thenetworkingstudio.com/collections/books Episode resource: https://www.theinsightfuleditor.com/post/6-tips-to-translate-your-work-effectively

Episode 48: Sleep Training: What we Know (and what we DON'T KNOW) from the Research with Mandy Ruggeri This week Rachael and Mandy Ruggeri, a journalist specializing in psychology, parenting, and child development, discuss the ever controversial topic: sleep training. Mandy speaks about her articles on baby sleep and sleep training and the research behind them. Here's what they discuss inside this episode: Understanding biologically normal, healthy baby sleep The problematic messaging around sleep training Are we just extinguishing baby's signaling? Is sleep training truly teaching self-settling skills? Is the sleep quality or duration better for babies who are sleep trained vs not? The importance of providing parents with the full picture & allowing them to make informed decisions The cultural differences in attitudes towards baby sleep, bed sharing etc. Social media misinformation, biases and logical fallacies The problem with overly relying on internet “experts” and “data” for parenting decisions & so much more! Mandy Ruggeri is a multi award-winning journalist specializing in psychology, parenting, and child development. She also covers media and science literacy, including on her Instagram page and in her column for the BBC, "How Not to Be Manipulated". As a triple-citizen who has lived in four countries, she's especially interested in breaking topics down from not only a scientific, but a cross-cultural, anthropological, and historical, perspective. Her stories on infant sleep - including the science of healthy baby sleep and what we do and don't know about sleep training - have been read by more than 3 million people worldwide. You can find her work most frequently on the BBC's science section, Scientific American, New Scientist, and the Jacob Foundation's BOLD.expert, as well as on her Instagram page @mandyruggeri. Mentioned in this episode: Mandy's website: https://www.amandaruggeri.com/  Mandy's instagram: @mandyruggeri  What really happens when babies are left to cry it out?  The Science of Healthy Baby Sleep  Learn more about your ad choices. Visit megaphone.fm/adchoices

MESSINA (ITALPRESS) - "Con la seconda edizione del Sud Innovation Summit, puntiamo a passare dall'ispirazione all'azione. Lo scorso anno abbiamo avviato un percorso che vuole fare di Messina un punto di riferimento per l'innovazione. Quest'anno, vogliamo tradurre queste idee in azioni concrete attraverso iniziative come stage, tirocini formativi e una startup competition. Vogliamo mostrare come si passa da un'idea alla creazione di una startup di successo". Così Roberto Ruggeri, il fondatore del Sud Innovation Summit, a margine della conferenza stampa di presentazione della seconda edizione del Sud Innovation Summit nella Sala Giunta di Palazzo Zanca, a Messina. Ruggeri ha inoltre sottolineato l'importanza delle attività previste per questa edizione: "Oltre ai workshop, dedicheremo una giornata intera all'intelligenza artificiale e organizzeremo panel specifici. È un percorso che, negli anni, porterà Messina a diventare un centro nevralgico dell'innovazione", ha concluso.col3/gsl (Fonte video ufficio stampa Sud Innovation Summit)

durée : 00:05:26 - Déjà debout - Vivian Ruggeri propriétaire d'une écurie active est l'invité déjà debout

durée : 02:00:19 - Le 5/7 - par : Mathilde MUNOS, Amaury Bocher, Elise Amchin - Vivian Ruggeri et Pascal Bovéro sont les invités du 5/7

durée : 00:05:26 - Déjà debout - Vivian Ruggeri propriétaire d'une écurie active est l'invité déjà debout

durée : 00:05:26 - Déjà debout - Vivian Ruggeri propriétaire d'une écurie active est l'invité déjà debout

John Ruggeri's office is unlike most others. It does not have traditional air conditioning. But it does have a massive fan. That fan pushes him and his guests through a massive lake surrounded by alligators. He is a captain at Boggy Creek Airboat Adventures and has been taking people on tours of Lake Tohopekaliga for the past 15 years. Florida Fish and Wildlife recently reported Lake Toho, as the locals call it, has 6,316 gators in it. That's the 11th most of any body of water in the state of Florida. With so many, you might think it would be easy to spot an alligator, but Ruggeri told Matt Austin and Ginger Gadsden on Florida's Fourth Estate, that spotting one during the late spring and summer months is harder because it's hot and the gators are doing everything they can to stay cool. That includes camping out under lily pads in the shallow area of the lake. So when you think you are looking at a rock, it may just be a 12-foot alligator. Ruggieri, who has been piloting airboats since 2008 said, “It's not so much by training your eye as it is training your brain. Once you can lock in and learn what those signatures are it becomes second nature after that.” Ruggie said his passion for taking pictures of wildlife has also trained him to spot the small eyes and tip of the alligator's nose poking out among the plants in the water. If you hop aboard a ride with Ruggieri you may not come out an expert, but he will use his expert skills to help you spot the wildlife in their natural territory. Don't be surprised when you hear him shouting out, “Hey guys look over here to your right,” “It looks like a rock with eyeballs,” and “That's a gator's head right there” much like he did when he took Matt and Ginger on a ride into natural Florida. You can learn more about Ruggieri, how he went from the Bronx to the Sunshine State, and how he accidentally became an airboat captain when he got here, on Florida's Fourth Estate. You can download the podcast from wherever you listen to podcasts or watch any time on News 6+. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome Linda Ruggeri to The TufFish Show, a place to help writers and aspiring authors get out of their own way to leave a legacy by telling the stories they want to share through writing their own books and confidently sharing them with others. The writing process can be tough and the business side can feel scary, but TufFish makes both feel smoother and achievable. Visit https://www.jennifermilius.com/tuffish to learn more. Whether you're an author or an editor, networking and making intentional connections will help you grow your business. In this conversation, Linda Ruggeri shared: how editors strengthen your manuscript and questions you can ask how volunteering can be instrumental in making intentional connections the difference between intentional and transactional networking how to do intentional networking, even if you're introvert Part of growing your business involves getting out of your comfort zone, getting visible, and making intentional connections that are win-win for you and the other person. Let this episode shift how you view networking, so you are open to new opportunities and look forward to attending. Linda Ruggeri is a bilingual (EN/SP) nonfiction editor and writer based out of Los Angeles. She's the author of recently published Networking for Writers, and the co-author of Networking for Freelance Editors which won an IBPA Benjamin Franklin Award in 2022. She graduated cum laude from Loyola Marymount University with a degree in Communications and Fine Arts. She's directed the Editorial Freelancers Association Welcome Program, the Professional Editors Network mentorship program, and has presented at writing and publishing conferences across the US. She is a founding member of The Networking Studio as well as the Argentinean-based writer community Tres Vías Creativas (@3vc .crea). Born to immigrant parents in Los Angeles, Linda is Latinx and a first-generation American. She loves to travel and has lived in Córdoba (Argentina), Naples and Salerno (Italy), Windsor (Canada), Green Lake (Wisconsin), and Torrance (California). Besides being an editor, Linda is an avid urban gardener and baker, a writer and a mom, and would gladly trade any night out for a good nonfiction book and sleeping bag in her treehouse. Visit http://www.theinsightfuleditor.com Book purchase links: Networking for Writers Networking for Freelance Editors Networking para Editores (Spanish Edition)

La finale di Coppa Italia vinta dalla Juventus contro l'Atalanta, il voto alla stagione dei bianconeri, la preview della finale di Europa League tra i bergamaschi e il Bayer Leverkusen e come Gotti ha cambiato il Lecce.

Rispondo alle Tue Domande in Diretta con Phil Mer (Pooh, Zucchero, Pino Daniele, M.Ayane, Ron, F.Renga, E.Ruggeri).Evento a Trento il 10/5 - Prenotati qui► I miei Corsi Online 

Giovanni Battista Rogeri has often been confused with other makers such as the Rugeri family, because of his name, and Giovanni Paolo Maggini, because of his working style. Trained in the famous workshop of Nicolo Amati in Cremona, Rogeri set out to make a name for himself in Brescia creating a Cremonese Brescian fusion. Learn all about this often mistaken maker in this first episode on the life of Giovanni Battista Rogeri.   This is the story of Giovanni Battista Rogeri the Cremonese trained violin maker who made it big in Brescia and has since been confused with other makers throughout history. Florian Leonhard talks about the influences Rogeri pulled on and exactly why his instruments have for so long been attributed to Giovanni Paolo Maggini.   Transcript    Far, far away in a place called Silene, in what is now modern day Libya, there was a town that was plagued by an evil venom spewing dragon, who skulked in the nearby lake, wreaking havoc on the local population. To prevent this dragon from inflicting its wrath upon the people of Silene, the leaders of the town offered the beast two sheep every day in an attempt to ward off its reptilian mood swings. But when this was not enough, they started feeding the scaly creature a sheep and a man. Finally, they would offer the children and the youths of the town to the insatiable beast, the unlucky victims being chosen by lottery.  As you can imagine, this was not a long term sustainable option. But then, one day, the dreaded lot fell to the king's daughter. The king was devastated and offered all his gold and silver, if only they would spare his beloved daughter.  The people refused, and so the next morning at dawn, the princess approached the dragon's lair by the lake, dressed as a bride to be sacrificed to the hungry animal.  It just so happened that a knight who went by the name of St George was passing by at that very moment and happened upon the lovely princess out for a morning stroll. Or so he thought. But when it was explained to him by the girl that she was in fact about to become someone else's breakfast and could he please move on and mind his own business he was outraged on her behalf and refused to leave her side.  Either she was slightly unhinged and shouldn't be swanning about lakes so early in the morning all by herself, or at least with only a sheep for protection, or she was in grave danger and definitely needed saving. No sooner had Saint George and the princess had this conversation than they were interrupted by a terrifying roar as the dragon burst forth from the water, heading straight towards the girl. Being the nimble little thing she was, the princess dodged the sharp claws.  As she was zigzagging away from danger, George stopped to make the sign of the cross and charged the gigantic lizard, thrusting Ascalon, that was the name of his sword, yep he named it, into the four legged menace and severely wounded the beast. George called to the princess to throw him her girdle, That's a belt type thing, and put it around the dragon's neck. From then on, wherever the young lady walked, the dragon followed like a meek beast.  Back to the city of Silene went George, the princess, and the dragon, where the animal proceeded to terrify the people. George offered to kill the dragon if they consented to becoming Christian. George is sounding a little bit pushy, I know. But the people readily agreed and 15, 000 men were baptized, including the king. St. George killed the dragon, slicing off its head with his trusty sword, Ascalon, and it was carried out of the city on four ox carts. The king built a church to the Blessed Virgin Mary and St. George on the site where the dragon was slain and a spring flowed from its altar with water that it is said would cure all diseases.  This is the story of Saint George and the Princess. It is a classic story of good versus evil, and of disease healing miracles that would have spoken to the inhabitants of 17th century Brescia. The scene depicting Saint George and the Princess is painted in stunning artwork by Antonio Cicognata and was mounted on the wall of the Church of San Giorgio.  Giovanni Battista Rogeri gazed up at this painting as family and friends, mainly of his bride Laura Testini, crowded into the church of San Giorgio for his wedding. Giovanni was 22 and his soon to be wife, 21, as they spoke their vows in the new city he called home. He hoped to make his career in this town making instruments for the art loving Brescians, evidence of which could be seen in the wonderful artworks in such places as this small church. Rogeri would live for the next 20 years in the parish of San Giorgio. The very same George astride an impressive white stallion in shining armour, his head surrounded by a golden halo. He is spearing the dragon whilst the princess calmly watches on clad in jewels with long red flowing robes in the latest fashion. In the background is the city of Brescia itself, reminding the viewer to remember that here in their city they too must fight evil and pray for healing from disease ever present in the lives of the 17th century Brescians. Hello and welcome to the Violin Chronicles, a podcast in which I, Linda Lespets, will attempt to bring to life the story surrounding famous, infamous, or just not very well known, but interesting violin makers of history.  I'm a violin maker and restorer. I graduated from the French Violin Making School some years ago now, and I currently live and work in Sydney with my husband Antoine, who is also a violin maker and graduate of the French school, l'Ecole Nationale de Luthierie in Mircourt. As well as being a luthier, I've always been intrigued with the history of instruments I work with, and in particular, the lives of those who made them. So often when we look back at history, I know that I have a tendency to look at just one aspect, but here my aim is to join up the puzzle pieces and have a look at an altogether fascinating picture. So join me as I wade through tales not only of fame, famine, and war, but also of love. Artistic genius. Revolutionary craftsmanship, determination, cunning and bravery, that all have their part to play in the history of the violin.  Welcome to this first episode on the life of Giovanni Battista Rogeri. After having spent the last few episodes looking at the life of the Ruggeri family, we will now dive into the life of that guy who almost has the same name, but whose work and contribution to violin making, you will see, is very different. And we will also look at just why, for so many years, his work has been attributed erroneously to another Brescian maker. The year was 1642, and over the Atlantic, New York was called New Amsterdam. The Dutch and the English were having scuffles over who got what. Was it New England? New Netherlands? In England, things were definitely heating up, and in 1642, a civil war was in the process of breaking out. On one side there were the parliamentarians, including Oliver Cromwell, and on the other side were the Royalists, who were the supporters of King Charles I. This war would rage on for the next 20 years, and not that anyone in England at this time really cared, but the same year that this war broke out, a baby called Giovanni Battista Rogeri was born in Bologna, perhaps, and for the next 20 years he grew up in this city ruled by the Popes of Italy. He too would witness firsthand wars that swept through his hometown. He would avoid dying of the dreaded plague, sidestep any suspicion by the Catholic church in this enthusiastic time of counter reformation by being decidedly non Protestant. And from an early age, he would have been bathed in the works of the Renaissance and now entering churches being constructed in the Baroque style. Bologna was a city flourishing in the arts, music and culture, with one of the oldest universities in the country.  But for the young Giovanni Battista Rogeri, to learn the trade of lutai, or violin maker, the place he needed to be was, in fact, 155. 9 km northwest of where he was right now. And if he took the A1, well, today it's called the A1, and it's an ancient Roman road so I'm assuming it's the same one, he could walk it in a few days. Destination Cremona, and more precisely, the workshop of Niccolo Amati. An instrument maker of such renown, it is said that his grandfather, Andrea Amati, made some of the first violins and had royal orders from the French king himself.  To be the apprentice of such a man was a grand thing indeed. So we are in the mid 1600s  and people are embracing the Baroque aesthetic along with supercharged architecture and paintings full of movement, colour and expression. There is fashion, and how the wealthy clients who would buy instruments in Cremona dressed was also influenced by this movement. Emily Brayshaw. You've got these ideas of exaggeration of forms and you can exaggerate the human body with, you know, things like high heels and wigs and ribbons and laces. And you've got a little bit of gender bending happening, men wearing makeup and styles in the courts. You know, you've got dress and accessories challenging the concept of what's natural, how art can compete with that and even triumph over the natural perhaps. You've got gloves trimmed with lace as well. Again, we've got a lot of lace coming through so cravats beauty spot as well coming through. You've got the powder face, the, the wig. Yeah. The makeup, the high heels. Okay. That's now. I actually found a lovely source, an Italian tailor from Bergamo during the Baroque era. The Italians like really had incredibly little tailors and tailoring techniques. And during this sort of Baroque era. He grumbles that since the French came to Italy not to cut but to ruin cloth in order to make fashionable clothes, it's neither possible to do our work well nor are our good rules respected anymore. We have completely lost the right to practice our craft. Nowadays though who disgracefully ruin our art and practice it worse than us are considered the most valuable and fashionable tailors.  So we've got like this real sort of shift. You know, from Italian tailoring to sort of French and English tailoring as well. And they're not happy about it. No, they are not happy about it. And this idea that I was talking about before, we've got a lovely quote from an Italian fashion commentator sort of around the mid 17th century. His name's Lam Pugnani, and he mentions the two main fashions. meaning French and Spanish, the two powers that were ruling the Italian peninsula and gradually building their global colonial empires. And he says, “the two main fashions that we have just recorded when we mentioned Spanish and French fashion, enable me to notice strangeness, if not a madness residing in Italian brains, that without any reason to fall in love so greatly Or better, naturalize themselves with one of these two nations and forget that they are Italian. I often hear of ladies who come from France, where the beauty spot is in use not only for women, but also for men, especially young ones, so much so that their faces often appear with a strange fiction darkened and disturbed, not by beauty spots, but rather by big and ridiculous ones, or so it seems somebody who is not used to watching similar mode art”. So, you know, we've got people commentating and grumbling about these influences of Spain and France on Italian fashion and what it means to be Italian. When we sort of think about working people, like there's this trope in movie costuming of like peasant brown,  you know, and sort of ordinary, you know, people, perhaps ordinary workers, you know, they weren't necessarily dressed.  In brown, there are so many different shades of blue. You know, you get these really lovely palettes of like blues, and shades of blue, and yellows, and burgundies, and reds, as well as of course browns, and creams, and these sorts of palettes. So yeah, they're quite lovely. And I'm imagining even if you didn't have a lot of money, there's, I know there's a lot of flowers and roots and barks that you can, you can dye yourself. Yeah, definitely. And people did, people did. I can imagine if I was living back there and we, you know, we're like, Oh, I just, I want this blue skirt. And you'd go out and you'd get the blue skirt. The flowers you needed and yeah, definitely. And people would, or, you know, you can sort of, you know, like beetroot dyes and things like that. I mean, and it would fade, but then you can just like, you know, quickly dye it again. Yeah, or you do all sorts of things, you know, and really sort of inject colour and, people were also, you know, people were clean. To, you know, people did the best they could  keep themselves clean, keep their homes clean. You know, we were talking about boiling linens to keep things fresh and get rid of things like fleas and lice. And people also used fur a lot in fashion. And you'd often like, you know, of course you'd get the wealthy people using the high end furs, but sometimes people would, you know, use cat fur in Holland, for example, people would trim their fur. Their garments and lined their garments with cat fur.  Why not? Because, you know, that's sort of what they could afford.  It was there. Yeah, people also would wear numerous layers of clothing as well because the heating wasn't always so great. Yeah. You know, at certain times of the year as well. So the more layers you had, the better. The more, the more warm and snug you could be. As do we in Sydney. Indeed.  Indeed.  Canadians complain of the biting cold here. I know. And it's like, dude, you've got to lay about us. It's a humid cold. It's awful. It's horrible. It just goes through everything. Anyway. It's awful. Yeah. So at the age of 19, Giovanni Battista Rogeri finds himself living in the lively and somewhat crowded household of Niccolo Amati. The master is in his early 60s and Giovanni Battista Rogeri also finds himself in the workshop alongside Niccolo Amati's son Girolamo II Amati, who is about 13 or 14 at this time.  Cremona is a busy place, a city bursting with artisans and merchants. The Amati Workshop is definitely the place to be to learn the craft, but it soon becomes clear as Giovanni Battista Rogeri looks around himself in the streets that, thanks to Nicolo Amati, Cremona does indeed have many violin makers, and although he has had a good few years in the Amati Workshop, Learning and taking the young Girolamo II Amati the second under his wing more and more as his father is occupied with other matters. He feels that his best chances of making a go of it would be better if he moved on and left Cremona and her violin makers. There was Girolamo II Amati who would take over his father's business. There were the Guarneri's around the corner. There was that very ambitious Antonio Stradivari who was definitely going to make a name for himself. And then there were the Rugeri family, Francesco Rugeri and Vincenzo Rugeri whose name was so familiar to his, people were often asking if they were related.  No, it was time to move on, and he knew the place he was headed. Emily Brayshaw.  So, you've also got, like, a lot of artisans moving to Brescia as well, following the Venetian ban on foreign Fustian sold in the territory. So Fustian is, like, a blend of various things. Stiff cotton that's used in padding. So if you sort of think of, for example someone like Henry VIII, right? I can't guarantee that his shoulder pads back in the Renaissance were from Venetian Fustian, but they are sort of topped up and lined with this really stiff Fustian to give like these really big sort of, Broad shoulders. That's how stiff this is. So, Venice is banning foreign fustians, which means that Cremona can't be sold in these retail outlets. So, Ah, so, and was that sort of That's fabric, but did that mirror the economy that Brescia was doing better than Cremona at this point? Do you, do you think? Because of that? Well, people go where the work is. Yeah. Cause it's interesting because you've got Francesco Ruggeri, this family that lives in Cremona. Yeah. And then you have about 12 to 20 years later, you have another maker, Giovanni Battista Rogeri.  Yeah. He is apprenticed to Niccolo Amati. So he learns in Cremona. And then he's in this city full of violin makers, maybe, and there's this economic downturn, and so it was probably a very wise decision. He's like, look, I'm going to Brescia, and he goes to Brescia. He would have definitely been part of this movement of skilled workers and artisans to Brescia at that time, sort of what happening as well. So, you know, there's all sorts of heavy tolls on movements of goods and things like that. And essentially it collapses. And they were, and they were heavily taxed as well. Yeah, definitely. Definitely. It was the fabulous city of Brescia. He had heard stories of the city's wealth, art, music and culture, famous for its musicians and instrument makers. But the plague of 1630 had wiped out almost all the Luthiers and if ever there was a good time and place to set up his workshop, it was then and there. So bidding farewell to the young Girolamo Amati, the older Nicolò  Amati and his household, where he had been living for the past few years. The young artisan set out to make a mark in Brescia, a city waiting for a new maker, and this time with the Cremonese touch. Almost halfway between the old cathedral and the castle of Brescia, you will find the small yet lovely Romanesque church of San Giorgio. Amidst paintings and frescoes of Christ, the Virgin and the Saints, there stands a solemn yet nervous young couple, both in their early twenties. Beneath the domed ceiling of the church, the seven angels of the Apocalypse gaze down upon them, a constant reminder that life is fragile, and that plague, famine and war are ever present reminders of their mortality. But today is a happy one. The young Giovanni Battista Rogeri is marrying Laura Testini.  And so it was that Giovanni Battista Rogeri moved to Brescia into the artisanal district and finds himself with a young wife, Laura Testini. She is the daughter of a successful leather worker and the couple most probably lived with Laura's family. Her father owned a house with eight rooms and two workshops. This would have been the perfect setup for the young Giovanni to start his own workshop and get down to business making instruments for the people of Brescia. He could show off his skills acquired in Cremona, and that is just what he did. Since the death of Maggini, there had not been any major instrument making workshops in Brescia. Florian Leonhard  Here I talk to Florian Leonhard about Giovanni Battista Rogeri's move to Brescia and his style that would soon be influenced by not only his Cremonese training, but the Brescian makers such as Giovanni Paolo Maggini I mean, I would say in 1732. The Brescian violin making or violin making was dead for a bit,  so until the arrival of Giovanni Battista Rogeri, who came with a completely harmonised idea,  into town and then adopted  features of  Giovanni Paolo Maggini and Gasparo da Salo. I cannot say who, probably some Giovanni Paolo Maggini violins that would have been more in numbers available to him, have influenced his design of creating an arching. It's interesting that he instantly picked up on that arching  because Giovanni Battista Rogeri always much fuller arched. The arching rises much earlier from the purfling up. Right. So he came from the Cremonese tradition, but he adopted the, like, the Brescian arching idea. He, he came from Niccolo Amati and has learned all the finesse of construction, fine making, discipline, and also series production. He had an inside mould, and he had the linings, and he had the, all the blocks, including top and bottom block.  And he nailed in the neck, so he did a complete package of Cremonese violin making and brought that into Brescia, but blended it in certain stylistics and sometimes even in copies with the Brescian style. For a long time, we have had Before dendrochronology was established, the Giovanni Paolo Magginis were going around and they were actually Giovanni Battista Rogeris. Brescia at this time was still a centre flourishing in the arts and despite the devastation of the plague almost 30 years ago, it was an important city in Lombardy and was in the process of undergoing much urban development and expansion.  When Giovanni Rogeri arrived in the city, There were efforts to improve infrastructure, including the construction of public buildings, fortifications and roads. The rich religious life of the city was evident, and continued to be a centre of religious devotion at this time, with the construction and renovation of churches in the new Baroque style.  The elaborate and ornate designs were not only reserved for churches, but any new important building projects underway in the city at this time. If you had yourself the palace in the Mula, you were definitely renovating in the Baroque style. And part of this style would also be to have a collection of lovely instruments to lend to musicians who would come and play in your fancy new pad. Strolling down the colourful streets lined with buildings covered in painted motifs, people were also making a statement in their choice of clothing. Another thing that the very wealthy women were wearing are these shoes called Chopines, which are like two foot tall. And so you've got like this really exaggerated proportions as well. Very tall. I mean. Very tall, very wide. So taking up a lot of space. I'm trying to think of the door, the doorways that would have to accommodate you. Yes. How do you fit through the door? So a lot of the time women would have to stoop. You would need to be escorted by either servants.  And then you'd just stand around. I did find some discussions of fashion in the time as well.  Commentators saying, well, you know, what do we do in northern France? We either, in northern Italy, sorry, we either dress like the French, we dress like the Spanish, why aren't we dressing like Italians? And kind of these ideas of linking national identity through the expression of dress in fashion. So, we're having this But did you want to, was it fashionable to be to look like the French court or the, to look like the Spanish court. Well, yeah, it was, it was fashionable. And this is part of what people are commenting about as well. It's like, why are we bowing to France? Why are we bowing to Italy? Sorry. Why are we bowing to Spain? Why don't we have our own national Italian identity? And we do see like little variations in dress regionally as well. You know, people don't always. Dress exactly how the aristocracy are dressing. You'll have your own little twists, you'll have your own little trimmings, you'll have your own little ways and styles. And there are theories in dress about trickle down, you know, like people are trying to emulate the aristocracy, but they're not always. Trying to do that. Well, yeah, it's not practical if you're living, you know, if you're and you financially you can't either like some of these Outfits that we're talking about, you know with one of these hugh like the Garde in Fanta worn by Marie Theresa that outfit alone would have cost in today's money like more than a million dollars  You can't copy these styles of dress, right? So what you've got to do is, you know, make adjustments. And also like a lot of women, like you, these huge fashion spectacles worn at court. They're not practical for working women either. So we see adaptations of them. So women might have a pared down silhouette and wear like a bum roll underneath their skirts and petticoats and over the top of the stays. And that sort of gives you a little nod to these wider silhouettes, but you can still move, you can still get your work done, you can still, you know, do things like that. So that's sort of what's happening there. Okay, so now we find a young Giovanni Battista Rogeri. He has married a local girl and set up his workshop. Business will be good for this maker, and no doubt thanks to the latest musical craze to sweep the country. I'm talking about opera.  In the last episodes on Francesco Ruggeri, I spoke to Stephen Mould, the composer. at the Sydney Conservatorium about the beginnings of opera and the furore in which it swept across Europe. And if you will remember back to the episodes on Gasparo Da Salo at the beginning of the Violin Chronicles, we spoke about how Brescia was part of the Venetian state.  This is still the case now with Giovanni Battista Rogeri and this means that the close relationship with Venice is a good thing for his business.  Venice equals opera and opera means orchestras and where orchestras are you have musicians and musicians have to have an instrument really, don't they? Here is Stephen Mould explaining the thing that is opera and why it was so important to the music industry at the time and instrument makers such as our very own Giovanni Battista Rogeri. Venice as a place was a kind of Gesamtkunstwerk.  Everything was there, and it was a very, it was a very modern type of city, a trading city, and it had a huge emerging, or more than emerging, middle class. People from the middle class like entertainment of all sorts, and in Venice they were particularly interested in rather salacious entertainments, which opera absolutely became. So the great thing of this period was the rise of the castrato.  Which they, which, I mean, it was, the idea of it is perverse and it was, and they loved it. And it was to see this, this person that was neither man nor, you know, was in a way sexless on the stage singing  and, and often singing far more far more virtuosically than a lot of women, that there was this, there was this strange figure. And that was endlessly fascinating. They were the pop stars of their time. And so people would go to the opera just to hear Farinelli or whoever it was to sing really the way. So this is the rise of public opera. As opposed to the other version. Well, Orfeo, for example, took place in the court at Mantua, probably in the, in the room of a, of a palace or a castle, which wouldn't have been that big, but would have been sort of specially set up for those performances. If I can give you an idea of how. Opera might have risen as it were, or been birthed in Venice. Let's say you've got a feast day, you know, a celebratory weekend or few days. You're in the piazza outside San Marco. It's full of people and they're buying things, they're selling things, they're drinking, they're eating, they're having a good time. And all of a sudden this troupe of strolling players comes into the piazza and they start to put on a show, which is probably a kind of comedia dell'arte spoken drama. But the thing is that often those types of traveling players can also sing a bit and somebody can usually play a lute or some instrument. So they start improvising. Probably folk songs. Yeah. And including that you, so you've kind of already there got a little play happening outside with music. It's sort of like a group of buskers in Martin place. It could be very hot. I mean, I've got a picture somewhere of this. They put a kind of canvas awning with four people at either corner, holding up the canvas awning so that there was some sort of shade for the players. Yeah. That's not what you get in a kid's playground these days. You've almost got the sense. Of the space of a stage, if you then knock on the door of one of the palazzi in, in Venice and say to, to the, the local brew of the, of the aristocracy, look, I don't suppose we could borrow one of your rooms, you know, in your, in your lovely palazzo to, to put on a, a, a show.  Yeah, sure. And maybe charged, maybe didn't, you know, and, and so they, the, the very first, it was the San Cassiano, I think it was the theatre, the theatre, this, this room in a, in a palace became a theatre. People went in an impresario would often commission somebody to write the libretto, might write it himself. Commissioner, composer, and they put up some kind of a stage, public came in paid, so it's paying to come and see opera.  Look, it's, it's not so different to what had been going on in England in the Globe Theatre. And also the, the similar thing to Shakespeare's time, it was this sort of mixing up of the classes, so everything was kind of mixed together.  And that's, that's why you get different musical genres mixed together. For example, an early something like Papaya by Monteverdi, we've just done it, and from what, from what I can gather from the vocal lines, some of the comic roles were probably these street players,  who just had a limited vocal range, but  could do character roles very well, play old women, play old men, play whatever, you know, caricature type roles. Other people were Probably trained singers. Some of them were probably out of Monteverdi's chorus in San Marco, and on the, on when they weren't singing in church, they were over playing in the opera, living this kind of double life.  And That's how  opera  started to take off. Yeah, so like you were saying, there are different levels. So you had these classical Greek themes, which would be more like, you're an educated person going, yes, yes, I'm seeing this classical Greek play, but then you're someone who'd never heard of Greek music. The classics. They were there for the, you know, the lively entertainment and the sweet performers. Yes. So the, the, the Commedia dell'arte had, had all these traditional folk tales. Then you've got all of the, all of the ancient myths and, and, and so forth.  Papaya was particularly notable because it was the first opera that was a historical opera. So it wasn't based on any ancient myths or anything. It was based on the life of Nero and Papaya. And so they were real life a few hundred years before, but they were real. It was a real historical situation that was being enacted on the stage.  And it was a craze. That's the thing to remember is. You know, these days people have to get dressed up and they have to figure out how they get inside the opera house and they're not sure whether to clap or not and all of this sort of stuff and there's all these conventions surrounding it. That wasn't what it was about. It was the fact that the public were absolutely thirsty for this kind of entertainment.  Yeah. And I was seeing the first, so the first opera house was made in in about 1637, I think it was. And then by the end of Monteverdi's lifetime, they said there were 19 opera houses in Venice. It was, like you were saying, a craze that just really took off. They had a few extra ones because they kept burning down. That's why one of them, the one that, that is, still exists today is called La Fenice. It keeps burning down as well, but rising from the ashes. Oh, wow. Like the, yeah, with the lighting and stuff, I imagine it's So, yeah, because they had candles and they had, you know, Yeah, it must have been a huge fire hazard. Huge fire hazard, and all the set pieces were made out of wood or fabric and all of that. Opera houses burning down is another big theme.  Oh yeah, it's a whole thing in itself, yeah. So then you've got These opera troupes, which are maybe a little, something a little bit above these commedia dell'arte strolling players. So, you've got Italy at that time. Venice was something else. Venice wasn't really like the rest of Italy. You've got this country which is largely agrarian, and you've got this country where people are wanting to travel in order to have experiences or to trade to, to make money and so forth. And so, first of all if an opera was successful, it might be taken down to Rome or to Naples for people to hear it. You would get these operas happening, happening in different versions. And then of course, there was this idea that you could travel further through Europe. And I, I think I have on occasion, laughingly. a couple of years ago said that it was like the, the latest pandemic, you know, it was, but it was this craze that caught on and everybody wanted to experience. Yeah. So you didn't, you didn't have to live in Venice to see the opera. They, they moved around. It was, it was touring. Probably more than we think. That, that, that whole period, like a lot of these operas were basically unknown for about 400 years. It's only, the last century or so that people have been gradually trying to unearth under which circumstances the pieces were performed.  And we're still learning a lot, but the sense is that there was this sort of network of performers and performance that occurred.  And one of the things that Monteverdi did, which was, which was different as well, is that before you would have maybe one or two musicians accompanying, and he came and he went, I'm taking them all. And he created sort of, sort of the first kind of orchestras, like  lots of different instruments. They were the prototypes of, of orchestras. And Look, the bad news for your, the violin side of your project, there was certainly violins in it. It was basically a string contingent. That was the main part of the orchestra. There may have been a couple of trumpets, may have been a couple of oboe like instruments. I would have thought that for Venice, they would have had much more exotic instruments.  But the, the, the fact is at this time with the public opera, what became very popular were all of the stage elements. And so you have operas that have got storms or floods or fires. They simulated fires. A huge amount of effort went into painting these very elaborate sets and using, I mean, earlier Leonardo da Vinci had been experimenting with a lot of how you create the effect of a storm or an earthquake or a fire or a flood. There was a whole group of experts who did this kind of stuff. For the people at the time, it probably looked like, you know, going to the, the, the first big movie, you know, when movies first came out in the 20s, when the talkies came out and seeing all of these effects and creating the effects. When we look at those films today, we often think, well, that's been updated, you know, it's out of date, but they found them very, very, very compelling. What I'm saying is the money tended to go on the look of the thing on the stage and the orchestra, the sound of the orchestras from what we can gather was a little more monochrome. Of course, the other element of the orchestra is the continuo section. So you've got the so called orchestra, which plays during the aria like parts of the opera, the set musical numbers. And you've got the continuo, which is largely for the rest of the team. And you would have had a theorbo, you would have had maybe a cello, a couple of keyboard instruments, lute. It basically, it was a very flexible, what's available kind of. Yeah, so there was they would use violines, which was the ancestor of the double bass. So a three stringed  one and violins as well. And that, and what else I find interesting is with the music, they would just, they would give them for these bass instruments, just the chords and they would improvise sort of on those. Chords. So every time it was a little bit different, they were following a Yes. Improvisation. Yeah. So it was kind of original. You could go back again and again. It wasn't exactly the same. And look, that is the problem with historical recreation. And that is that if you go on IMSLP, you can actually download the earliest manuscript that we have of Papaya.  And what you've got is less than chords, you've got a baseline. Just a simple bass line,  a little bit of figuration to indicate some of the chords, and you've got a vocal line. That's all we have. We don't actually know, we can surmise a whole lot of things, but we don't actually know anything else about how it was performed. I imagine all the bass instruments were given that bass line, and like, Do what you want with that. So yeah, it would, and it would have really varied depending on musicians. Probably different players every night, depending on, you know,  look, if you go into 19th century orchestras, highly unreliable, huge incidents of drunkenness and, you know, different people coming and going because they had other gigs to do. Like this is 19th century Italian theatres at a point where, you know, It should have been, in any other country, it would have, Germany had much better organized you know, orchestral resources and the whole thing. So it had that kind of Italian spontaneity and improvised, the whole idea of opera was this thing that came out of improvisation. Singers also, especially the ones that did comic roles, would probably improvise texts, make them a bit saucier than the original if they wanted for a particular performance. All these things were, were open.  And this brings us to an end of this first episode on Giovanni Battista Rogeri.  We have seen the young life of this maker setting out to make his fortune in a neighbouring city, alive with culture and its close connections to Venice and the world of opera. I would like to thank my lovely guests Emily Brayshaw, Stephen Mould and Florian Leonhardt for joining me today.   ​ 

Did you know that studies show that in the past few decades there has been a 30% increase in people exhibiting perfectionist traits?  I never considered myself a perfectionist but I am starting to see areas of my life where I have a perfectionist mindset and how paralyzing it has been for me.And I believe that perfectionism is a form of chronic stress that is rooted in a belief of "not enough"In this episode:What exactly is perfectionism?Why "healthy perfectionism" is a myth Perfectionism as way of thinking of yourself vs. a set of behaviorsHow perfectionism has held me back in being seen and heardThree types of perfectionismPerfectionism in parentingPerfectionism is aggravated pitta in the mindCompassion as an antidote for perfectionismRelated Episodes: Being With What Is (in life and relationships) with Chandra CantorOh Pitta, You're Hot!Parenting is HardWhy What You Think MattersThe Nuts and Bolts of the Stress Response Cycle (and how to complete it)Resources:Nourished For Resilience Workbook Book a free Exploratory CallReferences:Curran T, Hill AP. Perfectionism is increasing over time: A meta-analysis of birth cohort differences from 1989 to 2016. Psychol Bull. 2019 Apr;145(4):410-429. doi: 10.1037/bul0000138. Epub 2017 Dec 28. PMID: 29283599.Ruggeri, A. (2018, February 20). The Dangerous Downsides of Perfectionism. BBC. https://www.bbc.com/future/article/20180219-toxic-perfectionism-is-on-the-riseCherry, K. (2023, March 6). What Is Perfectionism? (Definition and Examples). Explore Psychology. https://www.explorepsychology.com/perfectionism-definition-examples/Find me at www.nourishednervoussystem.comand @nourishednervoussytem on Instagram

Amanda Ruggeri is a multi-award-winning journalist and editor who spent eight years on the BBC's international features team. During that time, she was editor of BBC Future (bbc.com/future; a website devoted to in-depth, evidence-based features), managing editor of the BBC.com features teams (managing a team of 20+ editorial and production staff), and a senior journalist. A graduate of Yale (B.A., history) and Cambridge (M.Phil, international relations), Amanda previously worked as a political reporter in Washington, D.C. Now freelance, her beats include the science of parenting, child development, history, and archaeology. She is frequently interviewed as an expert in history documentaries on Ancient Rome, including for Netflix and the History Channel. She has reported, written, and presented long-form online features and television documentaries from as far afield as Tajikistan and China. These included a half-hour documentary on Maya ruins called Guatemala's Lost World, which won silver in the 2021 Lowell Thomas SATW awards, a written feature on Guatemala's ruins which won gold in the same awards,  and a long-form story on Miami's fight against sea level rise, which won the 2019 Journalist Award from the European Meteorological Society. Her website: https://www.amandaruggeri.com Her Instagram: https://www.instagram.com/mandyruggeri⁠⁠⁠⁠ _______________________________________ Join my free online Discord chat room here: ⁠https://discord.gg/DfjFwN3rGX⁠ Follow me on Instagram @LongDistanceLoveBombs: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/longdistancelovebombs⁠⁠⁠⁠⁠⁠⁠⁠⁠. Sign up for my weekly newsletter!  Each week, I share a personal story and my favorite books, tunes, articles, and ideas. Click here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://longdistancelovebombs.mykajabi.com/email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. It's easy and takes five seconds. Check out a list of 120 of my favorite books here, including MY BOOK, and many my guests have written and recommend reading: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amazon.com/shop/longdistancelovebombs.⁠⁠⁠⁠⁠⁠⁠⁠⁠ Here is all of my favorite stuff on the planet: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.longdistancelovebombs.com/favorites⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/longdistancelovebombs/message

Ancora a Roma. Si parte con il litigio tra Luca Boccoli (Alleanza Verdi-Sinistra), Andrea Ruggeri e il conduttore. Finisce con la consegna della maglietta. Ruggeri offrirà 500 euro a Ultima Degenerazione.Laura Tecce è pro sex-toys, Mirko de Carli li schifa. Una grande indagine sociologica.Lo Stratega e il lavoro del tipster.Shinsekai e il modello della terra.Max LeJeSonFe e la criogenesi di Silvio Berlusconi.Maria Sofia Federico non si lava. Evviva.

Interior designer Kelly Ruggeri of Kelly Ruggeri Designs gives designing tips and discusses the latest trends in home decor. Plus, she shares easy budget-friendly ways to update a room. Her Story is hosted by Kathy Romano and airs Sunday mornings on 95.7 BEN-FM. 

Giuseppe in studio a Roma. Senza Parenzo lì. Ma c'è Ruggeri. Il Sindaco di Terni, Stefano Bandecchi gira con la pistola. Ha ricevuto minacce. Lui però non è aperturista.Il Brasiliano è in scioltezza e parla di Pa-Parenzo. Sei tutto...Flavia Vento, i dieci anni di castità e le visioni della Madonna.Gran duello in studio da Concita Ruffo Borrelli e Donatella Zaccagnini Romito. Disfida tra nobildonne.

Restaurants Revisited Start Name Artist Album Year Comments That's A Plenty Dave Quinlan Concert: Rudy's Supper Club, Vallejo 1972-06-25 1972 2-6 Wurlitzer, Rudy's Supper Club, Vallejo, CA; Originaly El Campanile Theatre, Antioch, CA; recorded by Tim Kirkpatrick 1972-06-25 4:34 Baby Elephant Walk Don Croom On With The Show [Upbeat Records KM 4474] 3-23 Wurlitzer, Pizza And Pipes, Fresno, CA with ARP 2600 Synthesizer; formerly Shea's Hippodrome, Buffalo, NY 7:59 You're Gonna Hear From Me David Reese You're Gonna Hear From Me [Concert Recording CR-0149] 1976 3-17 Wurlitzer, Pipe Organ Pizza, Tustin CA; ex-Million Dollar Theatre, Los Angeles 13:03 The Candy Man Candi Carley Candi [Minx MXRC2001] 1978 2-15 Wurlitzer, Great American Wind Machine Restaurant, Reseda, Los Angeles; formerly 2-10 Beverly Hills Theatre; Candi's first LP 17:03 Can't Help Lovin' Dat Man Chris Gorsuch Many Melodies from the Majestic Morton! [Doric DO 1412] 1980 4-20 Robert Morton, Plantation Restaurant, Solana Beach, CA; ex-Midland Theatre, Kansas City, MO (1927) 21:41 Under The Sea Kevin King By The Slice [Cassette] 3-18 Wurlitzer Hybrid, Bella Roma Pizza, Martinez, CA 25:10 My Melody Of Love Donn Clayton Mr. Entertainer [Concert Recording CR-0140] 3-17 Wurlitzer, Cap'ns Galley, Seattle, WA; ex-Paramount Theatre, Salem, MA (1929) 28:18 Phantom's Theme Jonas Nordwall Bits, Bytes & Pipes Vol. 2 [JN-110CD] 4-47 Wurlitzer, Organ Grinder, Portland, OR 33:26 Speak Low Bob Read Big Music From The Beef Eaters [Stereo-Pipes BR-2001-S] 3-18 Marr & Colton-Wurlitzer Hybrid, Beef Eaters Restaurant, Phoenix, AZ 37:12 Ain't She Sweet? Jim Riggs Private: Organ Stop Pizza, Tucson 1982-12-23 1982 4-24 Wurlitzer, Organ Stop Pizza, Tucson, AZ; from Riviera Theatre, Omaha, NE; Now nucleus of Sanfilippo Wurlitzer; Recorded December 23, 1982 40:09 Music Box Dancer Bill Van Ornum We Get Requests [Stereo LP] 3-19 Wurlitzer, Pipe Organ Pizza, Houston, TX; ex-Palace Theatre, Memphis 3-11 (Sytle 235) 42:20 Blaze Away Trevor Bolshaw Contrasts [Pipe Organ Presentations POP 130] 3-25 Wurlitzer, Music Grinder Restaurant. Marietta, Georgia; Formerly North Park Theatre, Buffalo, NY; Currently in storage. 45:53 Don't Blame Me Tom Wibbels Cavatina [Impro Cassette] 1985 3-25 Wurlitzer; Tweedy Brown's Restaurant, Mishawaka, IN 50:41 Around The World Stan Kann The Pipes Of Stan [Norman NS 324] 1966 3-18 Wurlitzer, Ruggeri's Restaurant, St. Louis, MO; Originally 13 ranks, enlarged to 18. 53:56 I'm Forever Blowing Bubbles Ray Young An Evening With Ray Young [Recorded Publications Company Custom] 3-13 Wurlitzer, Three Coins Restaurant, Louisville, CO; ex-Piccadilly Theatre, Rochester, NY 57:25 My Honey's Lovin' Arms Craig Stevens Just Another NIght [Pipe Organ Presentations CRS-001] 3-12 Hybrid (Hinners Console), Organ Grinder Pizza, Toronto, Ontario 60:27 Take Me Home, Country Roads James Lauck Lee's Quay Presents [Progressive PP1018] 3-9 Marr & Colton, Lee's Quay Restaurant, Kalamazoo, MI; ex-Lenox Avenue Theatre, Philadelphia, PA

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Trentesima puntata della quarta stagione della rubrica, nel canale spreaker J-TACTICS, dedicata alle women ed alle giovanili della Juventus, J-WORLD.Gol e spettacolo al Vismara: Milan e Juve onorano lo spettacolo e pareggiano 3-3.Un pareggio che, per le bianconere, è anche il passo decisivo per conquistare matematicamente la qualificazione alla prossima Champions League.L'Under19 vince sotto il diluvio una partita importantissima con la Roma e porta a casa tre punti d'oro nella rincorsa al post season.Nonge e Bonetti le firme del successo per 2-1.Vittoria importante per l'under16 di Mister Rivalta che, con il successo di domenica 30 aprile per 1-2 in trasferta sui pari età della Sampdoria, supera il play-off in gara unica e si qualifica per gli ottavi di finale.Le reti decisive dei bianconeri, entrambe arrivate nel corso della prima frazione, portano la firma di Contarini, autore di una doppietta dal peso specifico elevato.A nulla vale il gol in apertura di secondo tempo di Rosciglione.Con una netta vittoria per 0-5 sul campo della Lazio la Primavera di Coach Piccini chiude la regular season al primo posto in classifica.In gol per le bianconere: Moretti, autrice di una doppietta, Zamboni, Ruggeri e Berveglieri, quest'ultima autrice di una doppietta.Ora testa alla Final Four Scudetto!Domenica 30 aprile l'under15 di Mister Vood ha vinto 5-0 contro le pari età del Monza in un match della Fase Interregionale del campionato di categoria.In gol per le bianconere Lauriola, Fabozzi, Demuru, Messa e Campasso.Non mancherà poi uno sguardo ai prossimi impegni delle women e delle giovanili:Juve-Inter Women,Sabato 06 maggio, ore 14:30.Lecce-Juve Under19,Sabato, 06 maggio, ore 13.Juve-Lazio Under15,Domenica 07 maggio, ore 11.Inter-Juve Under17 femm.,Domenica 07 maggio, ore 10:15.Torino-Juve Under15 femm.,Sabato 06 maggio, ore 15.Anche quest'anno sarà nostra guida nel mondo Juve, il sempre competente e preciso amico Roberto Loforte, Fuori rosa TV.

Democratic Colorado Gov. Jared Polis signs FOUR gun control bills into law | Colorado lawmakers stand with Zooey Zephyr of Montana | Anti-hate groups worry domestic extremists will be training Arizona police under new rule | A chance to see her bee business take off | Jason Isbell and the 400 Unit at Red Rocks and on HBO Max documentary Song playsIntro by hostWelcome to High Country - politics in the American West. My name is Sean Diller; regular listeners might know me from Heartland Pod's Talking Politics, every Monday.Support this show and all the work in the Heartland POD universe by going to heartlandpod.com and clicking the link for Patreon, or go to Patreon.com/HeartlandPod to sign up. Membership starts at $1/month, with even more extra shows and special access at the higher levels. No matter the level you choose, your membership helps us create these independent shows as we work together to change the conversation.Alright! Let's get into it: COLORADO NEWSLINE: Democratic Colorado Gov. Jared Polis signs four gun control bills into lawGOVERNMENTBY: SARA WILSON - APRIL 28, 2023 11:54 AMThe Governor, surrounded by gun-control advocates at a bill signing ceremony said, “Coloradans deserve to be safe in our communities, in our schools, our grocery stores, nightclubs and everywhere in between,” The new laws raise the minimum age to buy a gun to 21, impose a three-day waiting period for gun purchases, expand the state's Extreme Risk Protection Order law and make it easier for gun violence survivors to sue the gun industry.Under Senate Bill 23-170, district attorneys, educators, mental health professionals and other medical providers will be able to petition a judge to confiscate guns from a potentially dangerous person. Previously, only law enforcement and family members had that power under the state's Extreme Risk Protection Order law, also known as the red flag law, which was created in 2019.The expansion aims to increase utilization of the process and extend the petition authority to people who interact with an at-risk person regularly. It is a recognition that some law enforcement officials have been reluctant to use the red flag law when potentially appropriate due to concerns over the Second Amendment.Senate Bill 23-169 raises the age to purchase any gun to 21 years old. Previously, the age restriction was 18 to buy a long gun and 21 to buy a handgun. There are exceptions for members of law enforcement and the military.House Bill 23-1219 imposes a three-day waiting period for people to get a gun after they pay for it. Bill sponsors said that the delayed access to firearms will provide a cooling-off period for people in crisis who might harm themselves or others.Cities will be able to establish longer waiting periods if they choose. If the purchaser's background check takes longer than three days — which it rarely does — they would still need to wait until the background check clears to get their gun.Finally, Senate Bill 23-168 removes a state protection for gun and ammunition dealers and manufactures against lawsuits. Previously, plaintiffs had to pay the legal fees for defendants in dismissed cases involving gun sellers. That is no longer the case.The law makes the gun industry susceptible to lawsuits under the Colorado Consumer Protection Act.bill sponsor Sen. Sonya Jaquez Lewis, a Longmont Democrat, said, “​​We finally, after 23 years of waiting, can open up Colorado courtrooms to gun violence victims and survivors seeking justice,” Less than an hour after the bill signing, Rocky Mountain Gun Owners leader Taylor Rhodes announced on Twitter that the group had already filed lawsuits challenging the minimum age requirement and waiting period laws. He said they are seeking plaintiffs who could establish standing against the other two new laws.Lawmakers are also considering a bill that would outlaw unserialized firearms, also known as ghost guns. Another firearm bill that would have banned semi-automatic weapons in the state died in its first committee hearing last week.The Legislature adjourns on May 8.COLORADO NEWSLINE: Colorado lawmakers stand with Zooey ZephyrDemocratic state Rep. Brianna Titone of Arvada led over 75 Colorado elected officials - including two Republicans - in sending a letter to Montana lawmakers condemning the removal of Rep. Zooey Zephyr and calling for her to be allowed back in the Montana House chamber.In the letter, Rep. Titone said the removal was an attempt to erase trans people amid growing violence against them and an increase in anti-trans laws being passed in state legislatures.Titone said “As elected officials, it is our responsibility to act with integrity and defend our democracy, and we are deeply concerned with erosion of democratic norms we see proliferating in statehouses across the country. Regardless of your personal stance on these issues, she is still a colleague and a duly elected and sworn representative of the people of Montana. Her voice is no less important than yours.”The letter was joined by two Republican lawmakers, state Reps. Ron Weinberg of Loveland and Rick Taggart of Grand Junction.On Tuesday, Montana House Republicans posted a notice announcing they would take up disciplinary measures against Zephyr, Montana's first openly transgender representative, after she said that legislators who voted for a bill that bans gender-affirming care for minors would have blood on their hands, in reference to suicide rates among trans youth. The Montana House voted along party lines Wednesday to bar Zephyr from entering the House floor or gallery for the remainder of the legislative session, only allowing her to participate in votes via Zoom.Rep. Titone made history in 2018 when she was elected the first openly transgender state legislator in Colorado. As chair of the Colorado Legislative LGBTQ caucus, she's worked alongside members of the House and Senate to expand and protect LGBTQ rights in the state.In the letter, Titone applauded Zephyr for her efforts in the Montana Legislature, saying that she has “placed a spotlight of truth on the very real damage anti-trans legislation could have on Montanans who are already struggling with discrimination and growing fear of physical harm.”The Montana state legislative session ends on May 10, and Zephyr is unlikely to be reinstated before the end of the session. Aside from state Rep. Brianna Titone, here are the elected officials from Colorado who signed Titone's letter to the Members of the Montana House of Representatives:Statewide officials:Colorado Secretary of State Jena GriswoldColorado State Treasurer Dave YoungColorado state senators and representatives:House Speaker Julie McCluskieSenate President Steve FenbergHouse Majority Leader Monica DuranSenate Majority Leader Dominick MorenoRep. Ruby DicksonRep. Jenny WillfordRep. David OrtizRep. Kyle BrownRep. Sheila Lieder Rep. Cathy KippRep. Lindsey DaughertyRep. Steven WoodrowRep. Mary YoungRep. Barbara McLachlanRep. Meg FroelichRep. Lorena GarciaRep. Steph VigilRep. Jennifer Lea ParentiRep. Michael J. WeissmanRep. Mandy LindsayRep. Junie Joseph Rep. Karen McCormickRep. Said SharbiniRep. Elizabeth VelascoRep. Regina EnglishRep. Serena Gonzales-Gutierrez Rep. Elisabeth Epps Sen. Lisa A CutterRep. Tammy StoryRep. Naquetta RicksRep. Dafna Michaelson JenetRep. Andrew Boesenecker Rep. Iman JodehRep. Emily SirotaRep. Shannon BirdRep. Marc SnyderRep. Meghan LukensRep. Jennifer BaconRep. Chris deGruy KennedySen. Janet Buckner Sen. Julie GonzalesSen. Nick HinrichsenSen. Janice MarchmanRep. Eliza Hamrick Rep. Matthew MartinezRep. Ron Weinberg Sen. Rhonda FieldsSen. Faith WinterRep. Javier MabreyRep. Judy AmabileRep. William LindstedtSen. Rachel ZenzingerRep. Leslie HerodRep. Bob MarshallRep. Rick TaggartRep. Tisha MauroSen. Sonya Jaquez LewisSen. Chris HansenSen. Dylan RobertsSen. Jeff BridgesRep. Alex ValdezSen. Jessie DanielsonSen. Tony ExumLocal government:Castle Pines City Councilman Roger D. HudsonBroomfield Mayor Guyleen CastriottaArvada City Councilmember Randy MoormanArvada City Councilmember Lauren SimpsonErie Trustee Emily BaerErie Trustee Daniel HobackErie Mayor Justin BrooksBoulder County Commissioner Ashley StolzmannGreeley City Councilor Tommy ButlerGreeley City Councilor Member Deborah L DeBoutezBoulder Mayor Aaron BrockettDouglas County Commissioner Abe LaydonARIZONA MIRROR: Anti-hate groups worry about Arizona law enforcement trainingBY: ISAAC STONE SIMONELLI/AZCIR - MONDAY MAY 1, 2023 11:32 AMWarnings issued by high-profile civil rights and advocacy groups to Arizona's governor and attorney general failed to stop a rule change that effectively lowers the bar for extremist organizations attempting to radicalize law enforcement officers through government-funded training.Letters sent in March by the Institute for Constitutional Advocacy and Protection, the Anti-Defamation League and the Southern Poverty Law Center warned the rule creates a loophole that could be exploited by domestic extremist groups.The contentious rule change, as first reported by AZCIR in 2022, shifted the responsibility of continuing education training oversight from the Arizona Peace Officer Standards and Training Board to local law enforcement heads. In their letters, the groups cited an increase in extremist and conspiratorial rhetoric espoused by Arizona public officials, specifically, publicly elected sheriffs. “We are deeply concerned by the possibility that this amended rule will open the door for Arizona peace officers to receive training from adherents of the ‘constitutional sheriffs' movement and other actors who urge local law enforcement to assume authorities beyond those allowed by law,” wrote Mary McCord, the executive director of Georgetown University Law Center's ICAP, a nonpartisan institute focused on constitutional rights and protecting democratic processes.McCord warned that such taxpayer-funded trainings “would place residents at risk of improper activity by county peace officers” and pose a particular threat to brown and Black communities, “who are at the greatest risk of harm from abuses by law enforcement.”The letters cited previous reporting about so-called “constitutional sheriff” groups, which include the Constitutional Sheriffs and Peace Officers Association. The group is part of a national movement built on the idea that a local sheriff's power supersedes that of higher government entities including the U.S. president and the U.S. Supreme Court, and that sheriffs have a duty to nullify laws they interpret as unconstitutional.The civil rights and advocacy organizations highlighted numerous connections between the CSPOA and a variety of hate groups, with the NAACP denouncing some CSPOA members as “prominent antisemites, QAnon conspiracists, white nationalists and neo-confederates.”Sarah Kader, community manager for ADL Arizona, a state-level branch of a national organization that combats hate groups in the U.S., wrote “If the revised rule goes into effect, we fear that domestic extremists, based on their previous actions, will rush to take advantage of the opportunity,” Rachel Goldwasser, a senior research analyst for the Southern Poverty Law Center, warned that the rule change could be used as a blueprint for creating workarounds allowing extremist organizations to train law enforcement in other states.Neither the governor, Democrat Katie Hobbs nor the attorney general, Democrat Kris Mayes, directly addressed concerns about neo-confederates and other domestic extremists running law enforcement trainings.ADL confirmed it did not receive a response from Gov. Hobbs' office until after the rule change took effect, though a spokesperson indicated the group had “every reason to believe that the Governor's office understands the concerns we have raised in our letters and is taking them seriously.” In their letters, ADL, SPLC and the NAACP all expressed concerns that more than half of Arizona sheriffs are at least partially aligned with the constitutional sheriff movement—connections AZCIR highlighted in its 2022 reporting.Rachel Goldwasser of SPLC said “Arizona has a large extremist presence in the Legislature, sheriffs' offices and among the public, unfortunately. They'll exploit any opportunity for these extremists to spread their ideology.”Three of the four letters also issued a warning about Pinal County Sheriff Mark Lamb, who has known ties to CSPOA and is the frontman for Protect America Now, another so-called “constitutional sheriff” organization.Lamb, who announced a bid for the U.S. Senate in April, has developed a national presence by appearing on a slew of fringe right-wing news networks and podcasts, including those espousing QAnon conspiracies. Lamb did not respond to a request for comment.Sarah Kader of ADL said “In recent years, extreme ideologies have been mainstreamed and normalized at an alarming pace. This is due in large part to the growing number of elected officials and other high-profile individuals who traffic in conspiracies and hate.”This article first appeared on Arizona Center for Investigative Reporting and is republished here under a Creative Commons license.DENVER WESTWORD: How Hard Can it Bee? ZzzzzzBee Here Now: Capella Ranch Has a Honey of an IdeaCATIE CHESHIRE APRIL 25, 2023 6:53AMIn countries like Germany and Slovenia, inhaling the aerosol created by bees in an apiary, or collection of beehives, is an authorized treatment for respiratory diseases. But in the United States, there are only three places that offer the experience: one in Georgia, one in Michigan, and Capella Ranch in Lafayette Colorado, which just opened for its second season.Carolyn Peterson, who owns the ranch with her family said “I'm going to be out here all summer, talking to people and enjoying them and hearing their stories. They're going to come stressed out, and then they're going to leave relaxed.”Capella Ranch currently has sheep, Nigerian dwarf goats, Nubian goats, ducks, chickens, a few turkeys and, of course, bees, the first of which arrived in 2018. To create their bee therapy Shangri-la, the Petersons started by building two cedar huts shaped like irregular pentagons. The cedar contributes to the aroma in the huts, although its durability in the Colorado weather is its chief asset here. The slanted roof of the hut concentrates the aerosol so people can breathe it in while they're lying flat. “Everyone comes out with a different experience,” Carolyn says. “They get in there. They lie down. They take in the whole thing, and then they just sort of concentrate on the humming of the bees.”When bees make honey, there's a lot of water in it at first, so the insects work to reduce the moisture content by flapping their wings. As it evaporates, the moisture is carried into the air to form an aerosol that people find therapeutic.The bees also create an electromagnetic field with their vibration, which is at a frequency that's calming to the human parasympathetic nervous system - a network of nerves that helps relax the body. Some people can feel the field, but most notice the smell first. Underneath the scent of cedar, there is the aromatic tang of the bees at work. Almost like the smell of a newborn baby, but with an extra oomph.“That is all the pollen, nectars, amino acids and essential oils that the bees are bringing in to make the honey,” Carolyn says. “It's just kind of an odd smell, and it's supposed to be very good to breathe in.”In Slovenia, the bee experience has been used to calm firefighters after hard jobs, children who have behavioral problems at school, and parents of those children, who might need some relaxation as well. The Petersons note that they aren't medical professionals, so they don't consider their huts medicinal.“If it happens to help, great,” Carolyn says. “It's relaxing. It's thirty minutes of nobody bugging you.”One person who says the bee huts have helped is Marsha Ruggeri, who lives in Lafayette. She went to Capella Ranch four times during its inaugural season.She first came with a friend who'd bought a deal on Groupon. After struggling with heightened asthma symptoms the past two years — which she attributes to wildfires and air pollution — Ruggeri was excited to learn of a potential way to alleviate her symptoms.And, it worked!“I'm not saying it was a panacea,” she says. “It felt like I was actually doing something that wasn't an inhaler or medication and I was regaining some control over how my body was reacting to all this shit in the air.”On Ruggeri's third visit, she experienced the electromagnetic field produced by the bees.“I was laying on my side, and then all of a sudden, I could feel it,” she says. “It really deserves more than one treatment. It's kind of like people who go for acupuncture, and they're like, ‘Well, it didn't do anything for me.' You really need to try it more than once.”Along with the eight hives in the huts, there are six to eight more near a special pond on the ranch where the bees drink. Last summer, over a hundred people came to Capella Ranch to check out the bees; a TikTok Charlie made announcing that the huts were open has gained about 20,000 views.One of those visitors, a reiki and yoga teacher from Fort Collins named Yarmey, found Capella Ranch on Instagram. “I'm really interested in energy and grounding and our connection to nature,” she says. Reiki is a practice of directing energy to help facilitate healing.After her first visit, Yarmey came back a second time, when she says she was really able to share a meditative space with the bees, reveling in their presence in a way that humans rarely get to do with other species.“When else in your life do you get to share space with a million other beings who all are very clear about their purpose and their path and what they need to be doing? Everything felt a little slower, more grounded.”The huts are now open for a second season; anyone is welcome except those allergic to bee or wasp stings. A thirty-minute session is $35; an hour runs $60. CONCERT PICK OF THE WEEKDENVER POST: Jason Isbell and the 400 Unit, with Angel Olsen - this Thursday and Friday night at Red Rocks.By JOHN WENZEL | jwenzel@denverpost.com | The Denver PostApril 28, 2023 at 6:00 a.m.Jason Isbell's voice can be a strapping, mournful thing, muscular and dripping with vulnerability as he chronicles his life in song. And on this day, it's still waking up.“This time of year I drink my black coffee cold so I can get it down quicker,” the 44-year-old singer-songwriter said over the phone from his Nashville porch on Monday. “I've spent so many years working late at night that it makes it hard for me to get on with normal life. It's tough, you know? But I think it's tough no matter how you do it.”Isbell's family and acclaimed music career test his resolve while giving him motivation to stay sober and productive. He has won a quartet of Grammy Awards since 2018 — about a decade after getting kicked out of his former alt-country band, Drive-By Truckers, for drinking and drugs In the HBO Max documentary “Music Box: Jason Isbell — Running with Our Eyes Closed,” which was released on April 7, we're afforded a close-up on his life as he records the album “Reunions” with his band, the 400 Unit. His intimate musical and romantic partnership with wife Amanda Shires (who is an acclaimed solo artist herself), his love of his daughter Mercy Rose, his past divorce, and the shock of the pandemic are all there in vivid cross-section.“If you're a recording artist or entertainer with any kind of success, you don't want to spend too much time looking back,” said Isbell, who was born in Green Hill, Ala., to a 17-year-old mother. “It's a self-centered way of living. But one thing I was surprised by watching the (documentary) is that I'd forgotten how hard those old days were, growing up where I did and having addiction issues. It was nice to see but painful to watch, that all of this was real and really happened to me, even if it's long in the rearview.”Isbell will headline Red Rocks Amphitheatre May 3 and 4 with the 400 Unit, on tour for their new album “Weathervanes,” to be released June 9. The lead single “Death Wish” has already been covered by Jack White and featured on “American Idol.” Isbell's melodies channel Americana, folk, country, and rock and roll. His lyrics are cutting, urgent, and full of visceral metaphors. On “Death Wish,” he sings:“I wanted action, she wanted answers / Sunrise with the dealers and the dancers / It takes a whole lot of medicine to feel like a little kid.”Jason Isbell and the 400 Unit With Angel Olsen, Two shows, May 3 and 4, at Red Rocks Amphitheatre. Tickets at axs.com, and I think Adam may have an extra still, too. Welp, that's it for me! From Denver I'm Sean Diller. Original reporting for the stories in today's show comes from Colorado Newsline, Arizona Mirror, Denver Post, and Denver's Westword.Thank you for listening! See you next time.

Democratic Colorado Gov. Jared Polis signs FOUR gun control bills into law | Colorado lawmakers stand with Zooey Zephyr of Montana | Anti-hate groups worry domestic extremists will be training Arizona police under new rule | A chance to see her bee business take off | Jason Isbell and the 400 Unit at Red Rocks and on HBO Max documentary Song playsIntro by hostWelcome to High Country - politics in the American West. My name is Sean Diller; regular listeners might know me from Heartland Pod's Talking Politics, every Monday.Support this show and all the work in the Heartland POD universe by going to heartlandpod.com and clicking the link for Patreon, or go to Patreon.com/HeartlandPod to sign up. Membership starts at $1/month, with even more extra shows and special access at the higher levels. No matter the level you choose, your membership helps us create these independent shows as we work together to change the conversation.Alright! Let's get into it: COLORADO NEWSLINE: Democratic Colorado Gov. Jared Polis signs four gun control bills into lawGOVERNMENTBY: SARA WILSON - APRIL 28, 2023 11:54 AMThe Governor, surrounded by gun-control advocates at a bill signing ceremony said, “Coloradans deserve to be safe in our communities, in our schools, our grocery stores, nightclubs and everywhere in between,” The new laws raise the minimum age to buy a gun to 21, impose a three-day waiting period for gun purchases, expand the state's Extreme Risk Protection Order law and make it easier for gun violence survivors to sue the gun industry.Under Senate Bill 23-170, district attorneys, educators, mental health professionals and other medical providers will be able to petition a judge to confiscate guns from a potentially dangerous person. Previously, only law enforcement and family members had that power under the state's Extreme Risk Protection Order law, also known as the red flag law, which was created in 2019.The expansion aims to increase utilization of the process and extend the petition authority to people who interact with an at-risk person regularly. It is a recognition that some law enforcement officials have been reluctant to use the red flag law when potentially appropriate due to concerns over the Second Amendment.Senate Bill 23-169 raises the age to purchase any gun to 21 years old. Previously, the age restriction was 18 to buy a long gun and 21 to buy a handgun. There are exceptions for members of law enforcement and the military.House Bill 23-1219 imposes a three-day waiting period for people to get a gun after they pay for it. Bill sponsors said that the delayed access to firearms will provide a cooling-off period for people in crisis who might harm themselves or others.Cities will be able to establish longer waiting periods if they choose. If the purchaser's background check takes longer than three days — which it rarely does — they would still need to wait until the background check clears to get their gun.Finally, Senate Bill 23-168 removes a state protection for gun and ammunition dealers and manufactures against lawsuits. Previously, plaintiffs had to pay the legal fees for defendants in dismissed cases involving gun sellers. That is no longer the case.The law makes the gun industry susceptible to lawsuits under the Colorado Consumer Protection Act.bill sponsor Sen. Sonya Jaquez Lewis, a Longmont Democrat, said, “​​We finally, after 23 years of waiting, can open up Colorado courtrooms to gun violence victims and survivors seeking justice,” Less than an hour after the bill signing, Rocky Mountain Gun Owners leader Taylor Rhodes announced on Twitter that the group had already filed lawsuits challenging the minimum age requirement and waiting period laws. He said they are seeking plaintiffs who could establish standing against the other two new laws.Lawmakers are also considering a bill that would outlaw unserialized firearms, also known as ghost guns. Another firearm bill that would have banned semi-automatic weapons in the state died in its first committee hearing last week.The Legislature adjourns on May 8.COLORADO NEWSLINE: Colorado lawmakers stand with Zooey ZephyrDemocratic state Rep. Brianna Titone of Arvada led over 75 Colorado elected officials - including two Republicans - in sending a letter to Montana lawmakers condemning the removal of Rep. Zooey Zephyr and calling for her to be allowed back in the Montana House chamber.In the letter, Rep. Titone said the removal was an attempt to erase trans people amid growing violence against them and an increase in anti-trans laws being passed in state legislatures.Titone said “As elected officials, it is our responsibility to act with integrity and defend our democracy, and we are deeply concerned with erosion of democratic norms we see proliferating in statehouses across the country. Regardless of your personal stance on these issues, she is still a colleague and a duly elected and sworn representative of the people of Montana. Her voice is no less important than yours.”The letter was joined by two Republican lawmakers, state Reps. Ron Weinberg of Loveland and Rick Taggart of Grand Junction.On Tuesday, Montana House Republicans posted a notice announcing they would take up disciplinary measures against Zephyr, Montana's first openly transgender representative, after she said that legislators who voted for a bill that bans gender-affirming care for minors would have blood on their hands, in reference to suicide rates among trans youth. The Montana House voted along party lines Wednesday to bar Zephyr from entering the House floor or gallery for the remainder of the legislative session, only allowing her to participate in votes via Zoom.Rep. Titone made history in 2018 when she was elected the first openly transgender state legislator in Colorado. As chair of the Colorado Legislative LGBTQ caucus, she's worked alongside members of the House and Senate to expand and protect LGBTQ rights in the state.In the letter, Titone applauded Zephyr for her efforts in the Montana Legislature, saying that she has “placed a spotlight of truth on the very real damage anti-trans legislation could have on Montanans who are already struggling with discrimination and growing fear of physical harm.”The Montana state legislative session ends on May 10, and Zephyr is unlikely to be reinstated before the end of the session. Aside from state Rep. Brianna Titone, here are the elected officials from Colorado who signed Titone's letter to the Members of the Montana House of Representatives:Statewide officials:Colorado Secretary of State Jena GriswoldColorado State Treasurer Dave YoungColorado state senators and representatives:House Speaker Julie McCluskieSenate President Steve FenbergHouse Majority Leader Monica DuranSenate Majority Leader Dominick MorenoRep. Ruby DicksonRep. Jenny WillfordRep. David OrtizRep. Kyle BrownRep. Sheila Lieder Rep. Cathy KippRep. Lindsey DaughertyRep. Steven WoodrowRep. Mary YoungRep. Barbara McLachlanRep. Meg FroelichRep. Lorena GarciaRep. Steph VigilRep. Jennifer Lea ParentiRep. Michael J. WeissmanRep. Mandy LindsayRep. Junie Joseph Rep. Karen McCormickRep. Said SharbiniRep. Elizabeth VelascoRep. Regina EnglishRep. Serena Gonzales-Gutierrez Rep. Elisabeth Epps Sen. Lisa A CutterRep. Tammy StoryRep. Naquetta RicksRep. Dafna Michaelson JenetRep. Andrew Boesenecker Rep. Iman JodehRep. Emily SirotaRep. Shannon BirdRep. Marc SnyderRep. Meghan LukensRep. Jennifer BaconRep. Chris deGruy KennedySen. Janet Buckner Sen. Julie GonzalesSen. Nick HinrichsenSen. Janice MarchmanRep. Eliza Hamrick Rep. Matthew MartinezRep. Ron Weinberg Sen. Rhonda FieldsSen. Faith WinterRep. Javier MabreyRep. Judy AmabileRep. William LindstedtSen. Rachel ZenzingerRep. Leslie HerodRep. Bob MarshallRep. Rick TaggartRep. Tisha MauroSen. Sonya Jaquez LewisSen. Chris HansenSen. Dylan RobertsSen. Jeff BridgesRep. Alex ValdezSen. Jessie DanielsonSen. Tony ExumLocal government:Castle Pines City Councilman Roger D. HudsonBroomfield Mayor Guyleen CastriottaArvada City Councilmember Randy MoormanArvada City Councilmember Lauren SimpsonErie Trustee Emily BaerErie Trustee Daniel HobackErie Mayor Justin BrooksBoulder County Commissioner Ashley StolzmannGreeley City Councilor Tommy ButlerGreeley City Councilor Member Deborah L DeBoutezBoulder Mayor Aaron BrockettDouglas County Commissioner Abe LaydonARIZONA MIRROR: Anti-hate groups worry about Arizona law enforcement trainingBY: ISAAC STONE SIMONELLI/AZCIR - MONDAY MAY 1, 2023 11:32 AMWarnings issued by high-profile civil rights and advocacy groups to Arizona's governor and attorney general failed to stop a rule change that effectively lowers the bar for extremist organizations attempting to radicalize law enforcement officers through government-funded training.Letters sent in March by the Institute for Constitutional Advocacy and Protection, the Anti-Defamation League and the Southern Poverty Law Center warned the rule creates a loophole that could be exploited by domestic extremist groups.The contentious rule change, as first reported by AZCIR in 2022, shifted the responsibility of continuing education training oversight from the Arizona Peace Officer Standards and Training Board to local law enforcement heads. In their letters, the groups cited an increase in extremist and conspiratorial rhetoric espoused by Arizona public officials, specifically, publicly elected sheriffs. “We are deeply concerned by the possibility that this amended rule will open the door for Arizona peace officers to receive training from adherents of the ‘constitutional sheriffs' movement and other actors who urge local law enforcement to assume authorities beyond those allowed by law,” wrote Mary McCord, the executive director of Georgetown University Law Center's ICAP, a nonpartisan institute focused on constitutional rights and protecting democratic processes.McCord warned that such taxpayer-funded trainings “would place residents at risk of improper activity by county peace officers” and pose a particular threat to brown and Black communities, “who are at the greatest risk of harm from abuses by law enforcement.”The letters cited previous reporting about so-called “constitutional sheriff” groups, which include the Constitutional Sheriffs and Peace Officers Association. The group is part of a national movement built on the idea that a local sheriff's power supersedes that of higher government entities including the U.S. president and the U.S. Supreme Court, and that sheriffs have a duty to nullify laws they interpret as unconstitutional.The civil rights and advocacy organizations highlighted numerous connections between the CSPOA and a variety of hate groups, with the NAACP denouncing some CSPOA members as “prominent antisemites, QAnon conspiracists, white nationalists and neo-confederates.”Sarah Kader, community manager for ADL Arizona, a state-level branch of a national organization that combats hate groups in the U.S., wrote “If the revised rule goes into effect, we fear that domestic extremists, based on their previous actions, will rush to take advantage of the opportunity,” Rachel Goldwasser, a senior research analyst for the Southern Poverty Law Center, warned that the rule change could be used as a blueprint for creating workarounds allowing extremist organizations to train law enforcement in other states.Neither the governor, Democrat Katie Hobbs nor the attorney general, Democrat Kris Mayes, directly addressed concerns about neo-confederates and other domestic extremists running law enforcement trainings.ADL confirmed it did not receive a response from Gov. Hobbs' office until after the rule change took effect, though a spokesperson indicated the group had “every reason to believe that the Governor's office understands the concerns we have raised in our letters and is taking them seriously.” In their letters, ADL, SPLC and the NAACP all expressed concerns that more than half of Arizona sheriffs are at least partially aligned with the constitutional sheriff movement—connections AZCIR highlighted in its 2022 reporting.Rachel Goldwasser of SPLC said “Arizona has a large extremist presence in the Legislature, sheriffs' offices and among the public, unfortunately. They'll exploit any opportunity for these extremists to spread their ideology.”Three of the four letters also issued a warning about Pinal County Sheriff Mark Lamb, who has known ties to CSPOA and is the frontman for Protect America Now, another so-called “constitutional sheriff” organization.Lamb, who announced a bid for the U.S. Senate in April, has developed a national presence by appearing on a slew of fringe right-wing news networks and podcasts, including those espousing QAnon conspiracies. Lamb did not respond to a request for comment.Sarah Kader of ADL said “In recent years, extreme ideologies have been mainstreamed and normalized at an alarming pace. This is due in large part to the growing number of elected officials and other high-profile individuals who traffic in conspiracies and hate.”This article first appeared on Arizona Center for Investigative Reporting and is republished here under a Creative Commons license.DENVER WESTWORD: How Hard Can it Bee? ZzzzzzBee Here Now: Capella Ranch Has a Honey of an IdeaCATIE CHESHIRE APRIL 25, 2023 6:53AMIn countries like Germany and Slovenia, inhaling the aerosol created by bees in an apiary, or collection of beehives, is an authorized treatment for respiratory diseases. But in the United States, there are only three places that offer the experience: one in Georgia, one in Michigan, and Capella Ranch in Lafayette Colorado, which just opened for its second season.Carolyn Peterson, who owns the ranch with her family said “I'm going to be out here all summer, talking to people and enjoying them and hearing their stories. They're going to come stressed out, and then they're going to leave relaxed.”Capella Ranch currently has sheep, Nigerian dwarf goats, Nubian goats, ducks, chickens, a few turkeys and, of course, bees, the first of which arrived in 2018. To create their bee therapy Shangri-la, the Petersons started by building two cedar huts shaped like irregular pentagons. The cedar contributes to the aroma in the huts, although its durability in the Colorado weather is its chief asset here. The slanted roof of the hut concentrates the aerosol so people can breathe it in while they're lying flat. “Everyone comes out with a different experience,” Carolyn says. “They get in there. They lie down. They take in the whole thing, and then they just sort of concentrate on the humming of the bees.”When bees make honey, there's a lot of water in it at first, so the insects work to reduce the moisture content by flapping their wings. As it evaporates, the moisture is carried into the air to form an aerosol that people find therapeutic.The bees also create an electromagnetic field with their vibration, which is at a frequency that's calming to the human parasympathetic nervous system - a network of nerves that helps relax the body. Some people can feel the field, but most notice the smell first. Underneath the scent of cedar, there is the aromatic tang of the bees at work. Almost like the smell of a newborn baby, but with an extra oomph.“That is all the pollen, nectars, amino acids and essential oils that the bees are bringing in to make the honey,” Carolyn says. “It's just kind of an odd smell, and it's supposed to be very good to breathe in.”In Slovenia, the bee experience has been used to calm firefighters after hard jobs, children who have behavioral problems at school, and parents of those children, who might need some relaxation as well. The Petersons note that they aren't medical professionals, so they don't consider their huts medicinal.“If it happens to help, great,” Carolyn says. “It's relaxing. It's thirty minutes of nobody bugging you.”One person who says the bee huts have helped is Marsha Ruggeri, who lives in Lafayette. She went to Capella Ranch four times during its inaugural season.She first came with a friend who'd bought a deal on Groupon. After struggling with heightened asthma symptoms the past two years — which she attributes to wildfires and air pollution — Ruggeri was excited to learn of a potential way to alleviate her symptoms.And, it worked!“I'm not saying it was a panacea,” she says. “It felt like I was actually doing something that wasn't an inhaler or medication and I was regaining some control over how my body was reacting to all this shit in the air.”On Ruggeri's third visit, she experienced the electromagnetic field produced by the bees.“I was laying on my side, and then all of a sudden, I could feel it,” she says. “It really deserves more than one treatment. It's kind of like people who go for acupuncture, and they're like, ‘Well, it didn't do anything for me.' You really need to try it more than once.”Along with the eight hives in the huts, there are six to eight more near a special pond on the ranch where the bees drink. Last summer, over a hundred people came to Capella Ranch to check out the bees; a TikTok Charlie made announcing that the huts were open has gained about 20,000 views.One of those visitors, a reiki and yoga teacher from Fort Collins named Yarmey, found Capella Ranch on Instagram. “I'm really interested in energy and grounding and our connection to nature,” she says. Reiki is a practice of directing energy to help facilitate healing.After her first visit, Yarmey came back a second time, when she says she was really able to share a meditative space with the bees, reveling in their presence in a way that humans rarely get to do with other species.“When else in your life do you get to share space with a million other beings who all are very clear about their purpose and their path and what they need to be doing? Everything felt a little slower, more grounded.”The huts are now open for a second season; anyone is welcome except those allergic to bee or wasp stings. A thirty-minute session is $35; an hour runs $60. CONCERT PICK OF THE WEEKDENVER POST: Jason Isbell and the 400 Unit, with Angel Olsen - this Thursday and Friday night at Red Rocks.By JOHN WENZEL | jwenzel@denverpost.com | The Denver PostApril 28, 2023 at 6:00 a.m.Jason Isbell's voice can be a strapping, mournful thing, muscular and dripping with vulnerability as he chronicles his life in song. And on this day, it's still waking up.“This time of year I drink my black coffee cold so I can get it down quicker,” the 44-year-old singer-songwriter said over the phone from his Nashville porch on Monday. “I've spent so many years working late at night that it makes it hard for me to get on with normal life. It's tough, you know? But I think it's tough no matter how you do it.”Isbell's family and acclaimed music career test his resolve while giving him motivation to stay sober and productive. He has won a quartet of Grammy Awards since 2018 — about a decade after getting kicked out of his former alt-country band, Drive-By Truckers, for drinking and drugs In the HBO Max documentary “Music Box: Jason Isbell — Running with Our Eyes Closed,” which was released on April 7, we're afforded a close-up on his life as he records the album “Reunions” with his band, the 400 Unit. His intimate musical and romantic partnership with wife Amanda Shires (who is an acclaimed solo artist herself), his love of his daughter Mercy Rose, his past divorce, and the shock of the pandemic are all there in vivid cross-section.“If you're a recording artist or entertainer with any kind of success, you don't want to spend too much time looking back,” said Isbell, who was born in Green Hill, Ala., to a 17-year-old mother. “It's a self-centered way of living. But one thing I was surprised by watching the (documentary) is that I'd forgotten how hard those old days were, growing up where I did and having addiction issues. It was nice to see but painful to watch, that all of this was real and really happened to me, even if it's long in the rearview.”Isbell will headline Red Rocks Amphitheatre May 3 and 4 with the 400 Unit, on tour for their new album “Weathervanes,” to be released June 9. The lead single “Death Wish” has already been covered by Jack White and featured on “American Idol.” Isbell's melodies channel Americana, folk, country, and rock and roll. His lyrics are cutting, urgent, and full of visceral metaphors. On “Death Wish,” he sings:“I wanted action, she wanted answers / Sunrise with the dealers and the dancers / It takes a whole lot of medicine to feel like a little kid.”Jason Isbell and the 400 Unit With Angel Olsen, Two shows, May 3 and 4, at Red Rocks Amphitheatre. Tickets at axs.com, and I think Adam may have an extra still, too. Welp, that's it for me! From Denver I'm Sean Diller. Original reporting for the stories in today's show comes from Colorado Newsline, Arizona Mirror, Denver Post, and Denver's Westword.Thank you for listening! See you next time.

Welcome to Episode 1328; Wine Suite: a tool that helps wineries to increase Direct to Consumer sales Welcome to Wine2Wine Business Forum 2021 Series. The sessions are recorded and uploaded on Italian Wine Podcast. wine2wine is an international wine business forum, held annually in Verona Italy since 2014. The event is a key reference point for wine producers and a diverse variety of wine professionals eager to develop and grow their wine business worldwide. About this Session: Over the past 18 months, more and more wineries have realized how fundamental Direct to Consumer sales are: Italy is one of the leading wine producers in the world but, at the same time, it is still not very competitive in sales to private clients. Matteo Ranghetti, founder of Divinea, will present Wine Suite, the software that exploits the potential of using data to increase sales conversion and improve customer shopping experiences. About the Speaker Matteo Ranghetti After obtaining a Master's Degree in Automation Engineering at the Politecnico di Milano, his professional experience has matured in various countries in Europe, Africa and South America in the Oil & Gas sector. Passionate about wine, lover of the Italian territory and food&wine culture, he returned to Italy in 2019 to found Divinea, where he currently holds the role of CEO. To find out more: Facebook: https://www.facebook.com/divinea.experiences/ Instagram: @divinea_experiences LinkedIn: https://www.linkedin.com/in/matteoranghetti/ About the Moderator: Daniel Pfitscher CEO at PFITSCHER To find out more: Facebook: https://www.facebook.com/daniel.pfitscher Instagram: @danielpfitscher LinkedIn: https://www.linkedin.com/in/daniel-pfitscher-38056a4a/ About the Moderator: Giorgio Bortolin Commercial manager Italia at RUGGERI & C. S.p.a. To find out more: Facebook: https://www.facebook.com/giorgio.bortolin.5 Instagram: @giorgiobortolin7 LinkedIn: https://www.linkedin.com/in/giorgio-bortolin-81043195/ Let's keep in touch! Follow us on our social media channels: Instagram @italianwinepodcast Facebook @ItalianWinePodcast Twitter @itawinepodast Tiktok @MammaJumboShrimp LinkedIn @ItalianWinePodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/ Until next time, cin cin!

FELIPE RUGGERI | PODFLA #27 by colunadofla.com

Riassunto del crescendo ruggeriano avvenuto sulle reti Mediaset. Applausi a scena aperta. Appello del conduttore a tutti gli amanti delle prostitute e della camporella contro la proposta di legge Cirielli. "Boom Boom Shakalaka Boom Boom" dice Parenzo. Tony da Milano attacca Zelensky, poi ci passa Kevin. E' sempre l'anarcostalinista che vive da mammà. Salvatore Coppola vende caffè e offende Ruggeri. Poi però ha paura e non risponde più Giorgio Cremaschi, di Potere al Popolo, interviene sulla Radio della Confindustria. "E' un bell'ambientino" Intervista al dottor Djordjevic, il medico serbo che vuol far partorire i trans. Per Parenzo è Frankestein. Tutti al circo del Doc. Il fascista Lvciano Svrace il "ricchionesimo" è una religione, una liturgia. Aggiornamenti sul caso cockring a Portogruaro. Il Dottor Nicola Macchione ci spiega i pro e i contro dell'anello per il pene. Parenzo schifato.

Diciassettesima puntata della quarta stagione della rubrica, nel canale spreaker J-TACTICS, dedicata alle women ed alle giovanili della Juventus, J-WORLD.Tornano alla vittoria le Juventus Women: un successo di carattere, in trasferta, una rimonta che tiene la Juve in seconda posizione in campionato, ma soprattutto un ruggito che mai come adesso era fondamentale.Rotonda vittoria delle Juventus Women, che battono in trasferta il Chievo 0-3 e ipotecano il passaggio alle Semifinali di Coppa Italia.Si chiude con una sconfitta di misura per la Juventus Next Gen la semifinale di andata della Coppa Italia di Serie C. Al "Pino Zaccheria" il Foggia supera 2-1 i bianconeri. Decisiva la doppietta di Ogunseye, a segno una volta per tempo.In mezzo il gol del pari firmato da Poli di testa. Un risultato che non sorride alla squadra di Mister Massimo Brambilla, ma che indubbiamente lascia più di una porta aperta per cercare la qualificazione nella gara di ritorno che si giocherà il prossimo 15 febbraio.Secondo pareggio consecutivo in campionato per la Juventus Next Gen che ad Alessandria pareggia 1-1 contro il Renate.Vantaggio bianconero firmato da Sekulov in avvio di ripresa e pareggio dei lombardi arrivato pochi minuti dopo con Baldassin. Un punto per parte e bianconeri che salgono, così, a quota 28 punti dopo 23 gare disputate.Si chiude con una sconfitta per 1-3 il match di Vinovo tra la Juventus Under19 e il Frosinone. Decidono l'incontro la doppietta di Condello e la rete di Bracaglia. Di Anghelè la marcatura bianconera per il momentaneo pareggio. La squadra di Paolo Montero rimane ferma a quota 25 punti in classifica, momentaneamente al sesto posto. Se il risultato non permette di sorridere, una delle note positive della giornata è il ritorno in campo di Mbangula dopo tre partite di assenza. Bella vittoria dell'Under17 allenata da Mister Panzanaro sui pari età del Napoli. A Vinovo finisce 3-1 la sfida contro i partenopei. De Chiara apre le marcature al quarto d'ora, prima della rimonta e del sorpasso della Juve tutto maturato nella ripresa con le reti di Pugno, Boufandar e Biliboc. Con questo successo i bianconeri salgono a 36 punti in graduatoria, sempre in prima posizione con tre lunghezze di vantaggio sul Parma secondo.Sconfitta di misura per l'Under16 di Mister Rivalta.A Vinovo passano 1-2 i pari età blucerchiati. Carlini e Papasergio portano gli ospiti avanti di due reti e il rigore di Merola non permette alla Juventus di uscire dal campo con almeno un punto. La classifica, attualmente, vede i bianconeri al sesto posto a quota 15 punti.A Vinovo la Juventus Under15 cala il poker contro i pari età della Sampdoria e sale a quota 20 punti dopo 10 giornate, al secondo posto in graduatoria. Doppietta per Kaba e reti di Borasio e Suazo. Una gara senza storia alla prima gara ufficiale del 2023.Nella dodicesima giornata di campionato l'Under19 femminile supera con un netto 8-0 il Parma portandosi così a quota 31 punti e al primo posto in classifica in attesa del recupero tra San Marino Academy e Roma (gara rinviata per neve).Tante le bianconere in gol: Bertucci, Mounecif, Ruggeri (doppietta), Berveglieri e Cinquegrana. A completare il tabellino un'autorete delle emiliane.Da segnalare anche l'esordio dal primo minuto per la classe 2008, Giulia Robino.Esordio anche per la classe 2006 Arianna Gallina.Ottima uscita nel campionato regionale per l'Under15 femminile di Mister Lombardi che si è imposta 8-0 sul campo delle pari età del Baveno.Tripletta per Berbotto, doppietta per Gaiardelli e reti di Basciu, Abbondanza e Alice a completare l'elenco delle marcatrici.Non mancherà poi uno sguardo ai prossimi impegni delle women e delle giovanili:Juve-Sampdoria women,Domenica 29 gennaio, ore 12:30.Next Gen-Vicenza,Domenica 29 gennaio, ore 12:30.Genoa-Juve Under17,Domenica 29 gennaio, ore 15.Como-Juve Under16,Domenica 29 gennaio, ore 14:30.Como-Juve Under15,Domenica 29 gennaio, ore 12.Tavagnacco-Juve Under19 femm.,Domenica 29 gennaio, ore 15.Vercelli-Juve Under15 femm.,Domenica 29 gennaio, ore 15.Anche quest'anno sarà nostra guida nel mondo Juve, il sempre competente e preciso amico Roberto Loforte, Fuori rosa TV.

This episode relates the fascinating life story of Cinzia Ruggeri, the artist and fashion designer whose free-spirited creativity saw her achieve extraordinary success during the 1970s and 80s, only for her to walk away, and, since her death, be largely forgotten by the wider creative community. Born in Milan in 1942 into an industrial manufacturing family, Cinzia Ruggeri studied applied arts in Milan, interned for the fashion label Carven in Paris, and worked at her father's tailoring company before setting up on her own and designing successful menswear and womenswear collections throughout the 70s and 80s . Although her work was widely acclaimed and in demand, she became disillusioned with the commercial constraints of retail manufacturing and  left the world of fashion at the end of the 1980s to concentrate on her work as a product designer, and to teach and work on installations. Although she was never formally part of an artistic movement, she was closely connected with the radical design scene in Milan in the late 1970s and was an associate of The Memphis Group, the famous 80s design movement, a connection immediately evident if you look at her work. And the work does feel familiar, even if the artist behind it is not. Perhaps her most recognisable piece is an emerald green dress featuring a stepped zigurat, or zigzag line, along its edge a common motif in post-modern design of the 1980s, which is held in the permanent collection at the Victoria & albert museum.She was one of the first designers to experiment with electronic technologies, incorporating liquid crystals, LED lights and kinetic movement into her garments and artworks. She died in 2019. See the Cinzia Says exhibition catalogue HERE. 

Austin High school varsity head coach and program director Jordan Ruggeri joins the show to discuss the state of lacrosse in Austin, Texas, how much tape the self proclaimed film junkie watches everyday during the off season and in season, his defensive non-negotiables, and more. The Lacrosse Playground Podcast Network is presented by Epoch Lacrosse.  Website: https://lacrosseplayground.com/ Twitter: https://twitter.com/LaxPlayground Instagram: https://www.instagram.com/lacrosseplayground/ Facebook: https://www.facebook.com/LacrossePlayground/ Discount code: PLAYGROUND15 to save 15% on your first order from Rhoback

Are you someone who is caught up in telling yourself what you “should” be doing or achieving? Someone once said, “Perfectionism is a trait that makes life an endless report card on accomplishments or looks.” If you or someone you know struggles with perfectionist behaviors or self-shoulding, this episode is for you. In this episode of “Asking For A Friend," TalkDoc, Meredith and Teighlor identify three types of perfectionism and the danger of high expectations. They identify practical strategies for combating self-shoulding and forcing perfectionism on our children and those around us.    Music by Epidemic sound.   SHOW NOTES: EP 57 : Perfectionism - How to Stop Self Shoulding Experts :   Hewitt and Flett (1991), Ruggeri (2018), Harvard Business Review (2018), Fry and Debats (2006), Bracket and Stern (2020),  Haimovitz and Dweck (2017) Resources : Book : Mindset: The New Psychology of Success-Carol Dweck AFAF EP 4 : Birthday mindset Tools : Three types of perfectionism : Hewitt and Flett (1991) Self-oriented : adhere to strict standards while maintaining strong motivation to attain perfection and avoid failure; engage in stringent self-evaluation. Other-oriented : set unrealistic standards for significant others (e.g., partners, children, co-workers) coupled with a stringent evaluation of others' performances. Socially-prescribed : believe that others hold unrealistic expectations for their behavior (and that they can't live up to this); experience external pressure to be perfect, believe others evaluate them critically. TC4G :   “It's the idea that you don't have to be perfect to be lovable or to be loved.” Find the root cause – which kind of perfectionism are you? (of the three) Understand that your best self doesn't equal your best outcome or accomplishment. Engage in realistic goal setting to reduce your stress. Reward effort over outcomes and celebrate learning new processes Celebrate goals that you meet. 

Rochester Business Connections Episode #113 w/ Kyle Ruggeri of Sober Dogs Recovert - Watch The Full Episode: https://youtu.be/mLwXhCVVbGA - Keep In Touch With Kyle Ruggeri: Website: https://soberdogs.com/ Linkedin: https://www.linkedin.com/in/kyle-ruggeri/ Youtube: https://www.youtube.com/c/SoberDogs - Listen on… Spotify: open.spotify.com/show/6GIUXbsHXx0…8sQLm6JR2vHOUuIw Apple Podcasts: podcasts.apple.com/us/podcast/roch…ns/id1537115928 Our Website: www.realbusinessconnections.com – Follow me… Facebook: www.facebook.com/balbertmarketing Instagram: www.instagram.com/realbenalbert Linkedin: www.linkedin.com/in/balbertmarketing – RBC is made possible by www.balbertmarketing.com

Like many of you, I will sometimes spend time scrolling through Instagram and occasionally a salon design will stop me in my tracks…    This is the case with Salon Ruggeri based in NYC. Every time I see an image they have posted, it's always of a beautifully put together and very stylish salon space that breaks the cookie-cutter salon design mould and gives you a peek into the world and the style of the salon owners.    It always makes me want to just go and hang out there because I know it will be a great experience and a luxury treat for the senses, as well as great hair!   So my guest on today's Podcast is Greg Ruggeri and his husband Craig Longhurst from Salon Ruggeri in New York.   In this episode we discuss: The client experience The importance of attention to detail The meaning of style   And so much more!       In this Episode:   [02:39] A brief overview of what Greg and Craig's joint journey in the salon industry has looked like to date.   [04:05] Greg shares what motivated him to become a hairdresser while he was still in school.  [09:14] How Craig and Greg made their first salon, which was based in Sydney, stand out. [11:32] Factors which drove Greg and Craig to move from Sydney to New York in 2010.  [18:41] Creative methods that Craig and Greg used to build up their client base in New York.  [24:40] The award Greg received during his first year in New York, and the growth that Salon Ruggeri experienced over the months that followed.  [30:23] Why Greg chose to bring injectables into the salon.  [33:31] Craig's approach to designing a salon. [39:42] Why everything in Greg and Craig's third salon was for sale. [42:13] The look and feel of the current Salon Ruggeri space.  [45:12] Greg explains why he decided to further his trichology education when the COVID-19 pandemic began. [49:52] Emotional unloading that commonly occurs in a salon setting, and how Greg has gone the extra mile to provide his clients with support.  [53:22] Mixed feelings that Greg has towards social media.   [56:35] How Craig and Greg define style.  [59:08] Greg and Craig share their thoughts on the salon suite model.     Thanks so much for joining me this week. If you enjoyed this episode, please leave a review. Ratings and reviews are extremely helpful and greatly appreciated!  They do matter in the rankings of the show and help other people find my podcast.  I also love to hear what's been helpful and what you love about the podcast! Just click here to review, scroll to the bottom, tap “Ratings and Reviews” tap to rate with 5 stars and “Write a Review” and let me know what your favourite part of the podcast is. Thank you for your support! Special thanks to Greg and Craig for sharing their story with me for this week's episode. Until next time! Antony   Links and Resources:   Grow My Salon Business    Website | Facebook | Instagram   Salon Ruggeri   Website | Facebook | Instagram  

On today's episode, the lead investment advisor at Ruggeri Financial, Logan Sadler, joins us to discuss his story and how a succession plan helped him transition into his current role after the passing of Ruggeri's founder. As a second-generation financial advisor, Logan joined the industry shortly after finishing school and was brought on as the future succession plan for Ruggeri Financial that lead to a reliable transition for clients. They focused on communication, meaning everyone met and knew Logan through the years, giving them the peace of mind, they needed. We'll discuss the components of an effective succession plan, multi-generational planning, new marketing funnels, and more with Logan.     Key Points:  2:39 – Logan's background story 4:50 – Quick learning moments 6:46 – Ability to think on your toes 8:00 – Succession after Ruggeri's passing 11:02 – Communication and meeting clients 13:23 – Working with small businesses 15:30 – Peace of mind planning 17:38 – Multi-generational planning 19:09 – Documenting your succession plan 22:13 – Doing what you said you would do 24:43 – Surge and Max team 25:36 – New marketing funnels 27:44 – Multi-channel marketing 33:21 – Advice to those starting a succession plan

In this episode, Lauren interviews Amy Ruggeri from the Ruggeri Group where she and her husband, Bob, work as Licensed Financial Coaches. Amy shares how difficult it is for people to discuss the topic of money. Many see the topic of finances as taboo since they have never been educated about planning for the future. Amy said that 31% of people actually worry about money all the time but never really know how to handle their finances. Amy gives our listeners some tips and advice on how to make talking and planning about money easier which can reduce stress. Listen and learn how to take control over your finances.