Podcast appearances and mentions of King Richard

A deadly shooting in Shrewsbury. Mayor Wu shares results of independent an independent probe into the death of a kindergartener struck by his school bus. King Richard's Faire returns in a new home. Stay in "The Loop" with WBZ NewsRadio.

Robin Hood by Henry Gilbert 词汇提示1.enormous 巨大的2.staff 拐杖原文Chapter Two: Robin meets Little JohnOne day, Robin came to a stream with a small bridge.When he began to cross it, he heard a loud voice say, 'I want to cross the stream first!'Robin turned around and saw an enormous young man.He was very tall.'No,I was first!' answered Robin.'Can you push me off the bridge?' asked the enormous man.He was holding a wooden staff.Robin cut a long branch from a tree and made a staff.Then he began to fight on the bridge.Robin was fast and light.But soon, the enormous man pushed Robin into the water.He was very strong.The enormous man laughed.Then he pulled Robin out of the water.Robin started to laugh too.'You are an honest fighter!' said Robin 'What is your name?''Myname is John little. I am an honest man. I fought with good King Richard's menin the Holy Land. I made King Richard's sword and the swords of his men. He isa great king, but his brother John is cruel and greedy! I don't want to serveKing John. I am looking for Robin Hood. I want to join his outlaws.''Welcome to our merry company of Outlaws! I am Robin Hood!' said Robin, smiling. 'A friend of King Richard is a friend of mine!'John little was very surprised.Then the two men embraced and became good friends.'Now that you are an outlaw, you must change your name. Your new name is Little John.'Robin took Little John to the secret hiding place in the forest.The outlaws welcomed Little John with a big meal.Little John was an expert sword maker.Soon every outlaw had a new sword.The outlaws liked Little John because he was friendly and kind.At night, everyone sat around the fire and listened to his stories.He told them about his adventures in the Holy Land.翻译第二章：罗宾遇见小约翰一天，罗宾带着一座小桥来到一条小溪边。当他准备过河时，他听到一个响亮的声音说：“我想先过河！”罗宾转过身来，看见一个身材魁梧的年轻人。他很高。“不，我是第一个！”罗宾回答。“你能把我推下桥吗？”身材魁梧的人问。他手里拿着一根木棍。罗宾从树上砍下一根长树枝做了一根棍子。然后他开始在桥上战斗。罗宾又快又轻。但很快，这个大块头就把罗宾推到了水里。他很强壮。那个高大的男人笑了。然后他把罗宾从水里拉了出来。罗宾也笑了起来。“你是一个诚实的战士！”罗宾说，“你叫什么名字？”“我叫约翰·利特尔。我是一个诚实的人。我在圣地和善良的理查国王的人并肩作战。理查国王的剑和他手下的剑都是我做的。他是一位伟大的国王，但他的兄弟约翰既残忍又贪婪！我不想侍奉约翰国王。我在找罗宾汉。我想加入他的亡命之徒。”“欢迎加入我们一伙亡命之徒！”我是罗宾汉！罗宾笑着说。“理查国王的朋友就是我的朋友！”约翰·利特尔非常惊讶。然后两人拥抱在一起，成了好朋友。“既然你是个亡命之徒，你就必须改姓。你的新名字是小约翰。”罗宾带着小约翰去了森林里的秘密藏身之处。歹徒们用一顿大餐欢迎小约翰。小约翰是个造剑能手。很快，每个不法之徒都有了一把新剑。亡命之徒们喜欢小约翰，因为他既友好又善良。晚上，大家围坐在火炉旁听他讲故事。他告诉他们他在圣地的冒险经历。

WBZ NewsRadio's Jim MacKay has more.

He's the man behind the greatest tennis story of all time. Rick Macci—Hall of Fame coach, global tennis icon, and the man who coached Venus and Serena Williams from the beginning—joins The Determined Society for an unforgettable deep dive into greatness. In this rare and candid interview, Rick opens up about his early days in Ohio, discovering talent before the world does, and the mindset that turns prodigies into world champions. From Richard Williams' wild conviction to the truth behind King Richard, Rick holds nothing back. This episode covers: -What he really saw in young Venus and Serena -Why talent alone isn't enough—belief, energy, and grit matter more -Stories from coaching Maria Sharapova, Andy Roddick, Jennifer Capriati & more -The difference between a coach and a mentor -What King Richard got right—and what it didn't -Why failure is a requirement on the road to elite -His view on parents, youth sports, and the next generation of champions Connect with me : https://link.me/theshawnfrench?fbclid=PAZXh0bgNhZW0CMTEAAaY2s9TipS1cPaEZZ9h692pnV-rlsO-lzvK6LSFGtkKZ53WvtCAYTKY7lmQ_aem_OY08g381oa759QqTr7iPGA Rick Macci https://www.instagram.com/rickmaccitennis/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

He's the man behind the greatest tennis story of all time. Rick Macci—Hall of Fame coach, global tennis icon, and the man who coached Venus and Serena Williams from the beginning—joins The Determined Society for an unforgettable deep dive into greatness. In this rare and candid interview, Rick opens up about his early days in Ohio, discovering talent before the world does, and the mindset that turns prodigies into world champions. From Richard Williams' wild conviction to the truth behind King Richard, Rick holds nothing back. This episode covers: -What he really saw in young Venus and Serena -Why talent alone isn't enough—belief, energy, and grit matter more -Stories from coaching Maria Sharapova, Andy Roddick, Jennifer Capriati & more -The difference between a coach and a mentor -What King Richard got right—and what it didn't -Why failure is a requirement on the road to elite -His view on parents, youth sports, and the next generation of champions Connect with me : https://link.me/theshawnfrench?fbclid=PAZXh0bgNhZW0CMTEAAaY2s9TipS1cPaEZZ9h692pnV-rlsO-lzvK6LSFGtkKZ53WvtCAYTKY7lmQ_aem_OY08g381oa759QqTr7iPGA Rick Macci https://www.instagram.com/rickmaccitennis/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

RobinHood by Henry Gilbert 词汇提示1.Early 伯爵2.crusade 十字军东征3.greedy 贪婪的4.arrogant 傲慢5.brutal 残忍6.Sheriffs 治安官7.outlaws 法外之徒8.caverns 山洞9.archers 弓箭手原文Chapter one: Robin Hood becomes an outlawRobin Hood was born near the end of the 12th century.His real name was Robert.He was the son of the Earl of Huntingdon.At that time, England had many problems.King Richard was away on a crusade in the Holy Land.He was away many years.Hisbrother, John, became King.Hewas a cruel and greedy King.His men were arrogant and brutal.The poor people of England suffered a lot.They paid very high taxes to King John and his Sheriffs.Many families died of hunger!One day, the cruel Sheriff of Nottingham killed Robin's father, and took away his lands.Young Robin lost his father, his home, his lands and all his possessions.He escaped to Sherwood Forest with his loyal servants.They decided to live as free men in the forest.They didn't want to be slaves of King John.However,the king considered them outlaws.When Robin and his men reached Sherwood Forest, they sat down to rest.Robin Hood smiled at his loyal servants.Then he said to them, 'My friends, Sherwood Forest is our new home. Now we are free but we are outlaws. Everyone in the kingdom is against us!''Master,we are not afraid because you are with us,' said Much.'Yes,I will stay with you, but you must do what I tell you. We must not become robbers. We must never harm the poor, the old, women or children. We must respect and protect them. We take only from rich merchants, noblemen and fat churchmen! Here is my plan: when rich travelers come into Sherwood Forest, we invite them to eat with us. Then, they must pay for their food. They must giveus half of everything they have! We then give this money to the poor. Do you promise to do what I tell you?''Yes,we do!' they cried.Robin and the outlaws lived in caverns in the forest.The caverns were a perfect hiding place.They were warm and dry in the winter.In the summer, they were cool.They were happy in the forest.They all wore green clothes and carried bows and arrows.Robin had a horn to give signals.Soon,other honest men joined the outlaws of Sherwood Forest: NAT, Will Scarlett and others.The outlaws were excellent archers.Robin Hood's became the best Archer in the region.In the forest, Robin and his men practiced with their bows and arrows.翻译第一章：罗宾汉变成了亡命之徒罗宾汉出生于12世纪末。他的真名叫罗伯特。他是亨廷顿伯爵的儿子。当时，英国有很多问题。理查国王在圣地参加十字军东征。他离开了很多年。他的兄弟约翰成为了国王。他是一个残忍而贪婪的国王。他手下的人傲慢而残暴。英国的穷人受了很多苦。他们向国王约翰和他的郡长们交了很高的税。许多家庭死于饥饿！一天，残忍的诺丁汉郡长杀死了罗宾的父亲，并夺走了他的土地。年轻的罗宾失去了他的父亲，他的家，他的土地和所有的财产。他和他忠诚的仆人逃到了舍伍德森林。他们决定在森林里过自由人的生活。他们不想做约翰国王的奴隶。然而，国王认为他们是不法之徒。当罗宾和他的手下到达舍伍德森林时，他们坐下来休息。罗宾汉微笑着看着他忠诚的仆人。然后他对他们说：“我的朋友们，舍伍德森林是我们的新家。现在我们自由了，但我们是亡命之徒。全国的人都反对我们！”“主人，我们不害怕，因为你和我们在一起。”“是的，我会和你在一起，但是你必须照我说的去做。我们不能成为强盗。我们绝不能伤害穷人、老人、妇女和儿童。我们必须尊重和保护他们。我们只收富商、贵族和胖教士的钱！我的计划是这样的：当有钱的旅行者来到舍伍德森林时，我们邀请他们和我们一起吃饭。然后，他们必须支付他们的食物。他们必须把他们所有的东西分给我们一半！然后我们把这些钱给穷人。你答应照我说的去做吗？”“是的，我们能！”他们叫道。罗宾和亡命之徒住在森林的洞穴里。洞穴是绝佳的藏身之处。冬天，它们温暖干燥。在夏天，它们很凉爽。他们在森林里很快乐。他们都穿着绿色的衣服，拿着弓箭。罗宾用喇叭发出信号。很快，其他诚实的人加入了舍伍德森林的亡命之徒：纳特、威尔·斯佳丽和其他人。那些亡命之徒都是优秀的弓箭手。罗宾汉成了当地最好的射手。在森林里，罗宾汉和他的同伴们练习弓箭。

Prepare-se para entrar em um universo distópico onde a única regra é correr, e a pena para a derrota é a morte. No episódio de hoje, mergulhamos no clássico "O Concorrente", escrito por Richard Bachman, o aclamado pseudônimo de Stephen King.Nós vamos explorar a jornada de Ben Richards, um homem desesperado que se candidata para o mais popular — e letal — reality show do futuro: "A Corrida". Discutiremos a crítica afiada do livro à sociedade do espetáculo, a obsessão por audiência e a desumanização causada pela busca por entretenimento a qualquer custo.E para completar, vamos analisar a adaptação mais recente desse livro que vai chegar aos cinemas em Novembro desse ano.Dê o play e descubra por que "O Concorrente" continua a ser uma das distopias mais impactantes e relevantes de Stephen King.Apresentação:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@liviamulder⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Edição: Lívia LeãoEmail: lihnumlivro@hotmail.com

extraordinarilyReinaldo is a writer, director and producer. He most recently directed and wrote Paramount's BOB MARLEY: ONE LOVE, which premiered on February 14. Starring Kingsley Ben-Adir, the film garnered a whopping $146 million worldwide and debuted number one at the box office. Green is best known for directing the critically acclaimed Warner Bros. film KING RICHARD starring Will Smith. Green helmed the film, which was named one of the Top 10 Films of the Year by both AFI and the National Board of Review and earned many accolades, including six Academy Awards nominations including Best Picture, four Golden Globes nominations and four BAFTA nominations. The film earned Smith his first Oscar win for Best Performance by an Actor in a Leading Role, in addition to his Golden Globe, BAFTA and SAG wins.Resources:⁠Reinaldo Marcus Green IMDBAcademy Top 5 Interview────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting

Send us a textWelcome to Celebrate Creativity - Episode 429 _ How to Say NoName Signs as Clarifiers: Which Side Is He On?One common practice when interpreting a play is for t when mythological references are used the interpreter needs well needs to be able to be creative yes be creative add to avoid finger spelling and therefore breaking the meter the interpreter excuse me just a second here he interpreter to come up with a sign to signify a character - this is much faster - much faster - then finger spelling the name each time. And a name sign is also easier for a member of the death audience to see. Name signs can be introduced while the interpreter speaks with the Deaf audience a few minutes prior to the beginning of a play. This not only serves as a time to introduce the characters and helps the Deaf audience make the transition into Shakespeare's world, but gives the Deaf audience an opportunity to become accustomed to the signing style of the interpreter.An interpreter should not “overload” the Deaf audience with name signs.  In many cases, a character can be referred to by their relationship or role, such as “nurse” or “servant.”  If the character is on stage, the interpreter can point to that person.  If the character is offstage, and is referred to again, the interpreter may establish a position on stage, “assign” the location to a character, and when he quickly points to that area, the audience knows that specific character is being mentioned.   Name signs can even be used to clarify relationships between characters in a Shakespearean play.  In the Blackfriars production of The Life and Death of King Richard the Third, the characters who supported the House of York had name signs on the left side of the body, while the characters who supported of the House of Lancaster  had name signs on the right side of the body.   That night, the Deaf individuals were perhaps the only people in the audience unfamiliar with English history who were easily able to follow the political intrigues of the play!  Thank you for experiencing Celebrate Creativity.

Will Smith stod på toppen av sin karriär 2022. Han hade vunnit flera priser för sin roll i ”King Richard” och skulle bara håva in det finaste priset av alla, Oscarstatyetten. Det är nog få som har glömt att Will Smith slog programledaren Chris Rock mitt under direktsändningen av Oscarsgalan det året. Will Smith vägrade först be om ursäkt men vann sedan pris för bästa huvudroll. Efteråt beslutade Oscars-organisationen att Will Smith inte får komma till galan på tio år. Efter händelsen på Oscarsgalan har det ändå varit rätt tyst om Will Smith. Men tidigare i somras talade han ut om hur det varit de senaste åren. Hur har det gått efter allt som hände? Vad har han för rykte i dag och är han helt cancelled? Gäst: Stefan Hedmark, filmrecensent på Aftonbladet. Programledare och producent: Jenny Ågren. Klipp från: The Guardian, Youtube, Oscars. Kontakt: podcast@aftonbladet.se.

Nesta edição especial, falamos de filmes que retratam o esporte. Linha de Passe mostra que o estrelato no futebol é para poucos? King Richard romantiza a história do pai e mentor de duas das maiores tenistas de todos os tempos? Nyad retrata bem o protagonismo feminino no esporte? Tudo isso e muito mais você acompanha neste programa especial do Radar Esportivo! Esse programa não foi vinculado na rádio universitária em função dos debates entre as chapas que concorrem à reitoria da UFSM, que foram transmitidos na UniFM 107.9, nos dias 6 e 11 de junho por volta das duas da tarde, que é o nosso horário habitual de ir ao ar.Mediação e roteiro de Alexandre La Bella e comentários de Gabriela Bina, Isadora Juliatto e Mariana Camargo.

This week, we focus on The King ... Richard Petty! We're sharing our Richard Petty interview and then NOT discussing it. What could WE say about Richard Petty that hasn't already been said a million time? Instead, we're going to share some of the stories ABOUT Richard from some of our past interview guests that aren't quite as common as so many of the accolades he receives. NOTE: This show is not associated in any way with American City Business Journals, owner of the Scene brand. Be sure to check out the latest and greatest stories from the world of NASCAR at dailydownforce.com! Interested in The Scene Vault Podcast T-shirts? Check out thescenevault.com and click on SHOP to see what we have available! Please consider supporting this show via: patreon.com/thescenevaultpodcast paypal.me/thescenevaultpodcast venmo.com/thescenevaultpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Is Edaville Railroad cursed? Why is King Richard's Faire moving down the street? Does Fish like trains as much as Andy & Hanna think he does?  Intro music is from "Across the Line" by the Wellington Sea Shanty Society.

Threevisiting on the Tues: Scott, Paul & Lauren discuss King Richard and scatting before playing Gift Master. Send Threetures and emails to threedomusa@gmail.com.Leave us a voicemail asking us a question at hagclaims8.comFollow us on Instagram @ThreedomUSA.Listen ad-free and unlock bi-weekly THREEMIUMS on cbbworld.comGrab some new Threedom merch at cbbworld.com/merchSee omnystudio.com/listener for privacy information.

What is the most exciting tennis match legendary tennis coach Rick Macci has ever watched? What did he think of the King Richard movie? What is the most memorable moment on the court for Rick as a player and as a coach? We explore these topics and more in our on going conversation with Rick Macci!Rick Macci has trained and worked with Serena and Venus Williams, Andy Roddick, Maria Sharapova, Jennifer Capriati, and many more! Five of his players have reached number one in the world and he has coached eight Grand Slam Champions.  His junior players have won 322 USTA National Championships and currently over 60 WTA and ATP players work with Rick on a regular basis.You can contact Rick at info@rickmacci.com or learn more about programs at https://rickmacci.com.We would greatly appreciate a 5 star rating wherever you listen to podcasts! Please contact us - Website: secondservepodcast.com Instagram: second_serve_tennis_podcastFacebook: secondservetennispodcast Use our referral link to get a FREE Swing Stick ($100 value) with your first year of SwingVision Pro. The bundles are only $159.99 (previously $179.99). This is a limited time offer that you won't want to miss! We are excited to team up with Michelle from Tennis Warehouse and her "Talk Tennis" podcast to bring you a "TW Tip of the Week!" Use the code SECONDSERVE to get $20 off clearance apparel when you spend $100 or more.

Robin Hood & Heist Movies: Why Do We Love Stealing from the Rich?Matthew and Riki dive into the enduring appeal of Robin Hood stories and modern heist films. Sparked by Riki's rewatch of Dungeons & Dragons: Honor Among Thieves, the conversation explores why stories about stealing from the wealthy continue to resonate across centuries—and why the ultra-rich who run Hollywood keep funding them.Why does the Robin Hood myth remain so powerful?The hosts trace the origins of Robin Hood back to the 12th-13th centuries, noting how the original tale wasn't about overthrowing the system entirely but rather supporting what was seen as legitimate authority (King Richard) against corrupt power (King John and the Sheriff of Nottingham). This pattern continues in modern heist stories, where criminals often end up supporting the status quo rather than truly revolutionizing society.How do heist films differ from traditional Robin Hood stories?Modern heist films like Ocean's Eleven often maintain the "steal from the rich" element but abandon the "give to the poor" aspect. Instead, protagonists typically keep the money for themselves or use it to help a small circle of associates. Nevertheless, audiences still root for these thieves because they target wealthy individuals who are portrayed as having obtained their fortune through questionable means.Why do wealthy studios keep making movies about stealing from the rich?Matthew and Riki suggest these films might function as "bread and circuses"—entertainment that distracts the masses while preserving existing power structures. Most heist narratives conclude by restoring the status quo rather than challenging it fundamentally, allowing wealthy stakeholders to profit from stories of rebellion without promoting actual systemic change.Other topics discussed:The evolution of the "putting together a team" trope in heist filmsHow heist movies typically avoid lethal violence, unlike many Robin Hood adaptationsThe "heart of gold" outlaw character archetype in pirate stories and Star WarsThe pattern of former antagonists joining the hero's team in franchises like The Fast & the FuriousHow the Robin Hood brand has been co-opted for everything from financial transaction taxes to cryptocurrency platformsModern adaptations like Green Arrow and Leverage that continue the Robin Hood traditionThe Robin Hood narrative has shown remarkable staying power because it speaks to fundamental human desires for justice and fairness. While these stories rarely champion revolutionary change, they provide a satisfying fantasy of accountability in a world where economic inequality continues to grow. Whether through traditional tales or modern heist films, the thrill of watching the wealthy and powerful get their comeuppance remains an enduring part of our storytelling tradition. **************************************************************************This episode is a production of Superhero Ethics, a The Ethical Panda Podcast and part of the TruStory FM Entertainment Podcast Network. Check our our website to find out more about this and our sister podcast Star Wars Generations.We want to hear from you! You can keep up with our latest news, and send us feedback, questions, or comments via social media or email.Email: Matthew@TheEthicalPanda.comFacebook: TheEthicalPandaInstagram: TheEthicalPandaPodcastsTwitter: EthicalPanda77Or you can join jump into the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want to get access to even more content while supporting the podcast? Become a member! For $5 a month, or $55 a year you get access to bonus episodes and bonus content at the end of most episodes. Sign up on the podcast's main page. You can even give membership as a gift!You can also support our podcasts through our sponsors:Purchase a lightsaber from Level Up Sabers run by friend of the podcast Neighborhood Master AlanUse Audible for audiobooks. Sign up for a one year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

Sinema Kulübü'müzün 20inci buluşmasında Reinaldo Marcus Green'in yönettiği başrolünde Will Smith'in oynadığı 2021 yılı yapımı orijinal adı “King Richard” olan, bizde “Kral Richard” adıyla gösterime giren filmi konuştuk.Film tenis dünyasının iki süperstarı Venus ve Serena Williams'ın olağanüstü yükselişinin arkasındaki adam olan babaları Richard Williams'ın hikayesini anlatıyor. Film, Richard'ın azmi, vizyonu ve sıra dışı antrenman yöntemleriyle kızlarını Compton gibi zorlu bir mahalleden çıkararak dünya sahnesine taşımasını konu ediyor. Gerçek olaylara dayanan bu biyografik film, bir babanın hayalleriyle, sistemle mücadelesi ve ailesine olan sarsılmaz inancı etrafında dönüyor.Öncelikle Will Smith'in bu rolü ile En İyi Erkek Oyuncu Oskar'ını kazandığını hatırlatalım. Ancak o törende tarihe geçen bir an daha olmuştu; bu ödülü almasından 40 dakika önce, yaptığı espiri nedeniyle Chris Rock'a sahnede bir tokat atmıştı. Sonrasında Akademi ona 2032 yılına kadar uzaklaştırma cezası vermişti.Olay sonradan çok tartışıldı ama ne tuhaftır ki, Smith'in filmdeki rolü de böyle bir şiddete başvurma seçeneği ile karşı karşıya kalıyor ama o farklı sonuçlanıyor, izlerseniz göreceksiniz. Öte yandan kadının yani annenin rolünü biraz arka planda bırakmasına da takıldık biraz.Film tüm ebeveynlerin kendine sorduğu bir soruyu çağrıştırıyor. Çocuklarımızı potansiyelleri için mi, yoksa bunu kendi meselemiz haline getirdiğimiz için mi zorluyoruz?Filmde bunun uç bir örneğini görüyoruz belki de; Richard sanki hiçbir zaman keyif almakla ilgili değil sonuca odaklanmış bir disiplinle çocuklarını çalıştırıyor. Serena ve Venus böyle koşullandıkları ve zafere ulaştıkları için belki mutlular ama bu soru içimizde hep var, çocuklar ebevynlerini veya başkalarını mutlu etmek, beklentilerini karşılamak için mi kendilerini paralıyorlar, yoksa içten istedikleri için mi? Bu bir noktada acısı çıktığı zaman anlaşılıyor. Onlar gerçek hikayelerinde bunu çok da ele vermiyorlar gibiyse de geçen ay kitap kulübünde okuduğumuz Gabor Maté'nin Normal Efsanesi kitabında bir bölümün girişinde Venus Williams'ın şu sözü var. “Çoğu zaman kendimi kötü hissettiğimde kendimi iyi hissediyormuş gibi davranmak zorunda kaldım”Hollywood sinemasında bazı filmlerde bastırılmış olmanın ezilen olmanın etkilerini görüyoruz. Umudunu kaybetme'de, bu filmde veya Michael Jordan'ın hikayesinin anlatıldığı Nike Air filminde, bu sınıfların varını yoğunu ortaya koyup çalışması var. Bu Amerikan sinemasının özürü mü yoksa Amerikan rüyası propagandası mı bilmiyorum ama hep kendini yoktan var eden insanların, özellikle Afro Amerikalıların böyle zafer hikayeleri var. Avrupa sinemasından (ve tabii kültüründen de) böyle ayrılıyor sanırım, zira  Avrupa sineması daha çok gerçekliği yüzümüze vurur, rahatlatmak yerine rahatsız edicidir ve “çözüm yok ama farkında olun” der.Biz yine de filmi izlemeye değer bulduk, size de tavsiye ederiz.(03:20) Belgin Elmas (09:10) Uğur İyidoğan (12:24) Burcu Hanım (14:13) Feyza Demir (18:06) Burcu Hanım (18:50) Elif Burcu YılmazSupport the show

America is in the midst of a constitutional crisis with a President who clearly wants to be king no matter what the Constitution says and ironically the constitution says nothing about what to do in this kind of crisis. Dr. Helen Castor, medieval historian, sees in America's current situation echoes of a constitutional crisis six hundred years ago in England when King Richard the Second put himself above the law and defied anyone to do anything about it. Give us 44:43 to explain it to you.

In this week's episode, we take a look at professional development for writers, and examine both the benefits and the pitfalls. We also take a look at my advertising results for March 2025. This week's coupon code will get you 50% off the audiobook of Dragonskull: Curse of the Orcs, Book #4 in the Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store: ORCCURSE50 The coupon code is valid through April 25, 2025. So if you need a new audiobook for spring, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 246 of The Pulp Writer Show. My name is Jonathan Moeller. Today is April 4, 2025, and today we are looking at professional development for writers. Before we get to our main topic, we'll have Coupon of the Week, an update on my current writing and audiobook projects, Question of the Week, and then a look back at how my various ads performed for March 2025.   So let's start off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Curse of the Orcs, Book Four in the Dragonskull series (as excellently narrated by Brad Wills) at my Payhip store. That coupon code is ORCCURSE50. As always, you can find the coupon code and the links to my store in the show notes. This coupon code is valid through April 25th, 2025. So if you need a new audiobook for spring, we have got you covered.   Now for an update on my current writing projects. I'm very pleased to report that the rough draft of Shield of Battle is done, 102,800 words written in 22 days. That will be the second to last book in the Shield War series. If all goes well, I'm still hoping to have that out and edited and published before the end of the month. I'm now working on a currently untitled short story that newsletter subscribers will get for free in ebook form when Shield of Battle comes out. So this might be a great time to sign up for my new release newsletter. I am also 10,000 words into Ghost in the Corruption and that will be my main project after Shield of Battle is out.   Recording is still underway for Shield of Deception and Ghost in the Assembly. That is Brad Wills and Hollis McCarthy narrating, respectively. So I am looking forward to having those audiobooks out for you to listen to and then Shield the Battle and Ghost in the Corruption available for you to read, but I just have to get back to work on them.   00:01:48 Question of the Week   Now it's time for Question of the Week. Question of the Week is intended to inspire enjoyable discussions of interesting topics. This week's question, what games (if any) are you currently playing? No wrong answers, including “I don't play video games”. The inspiration for this question was that the fact that Nintendo was having this big Switch 2 announcement on April 2, which is amusing to me personally on a meta level because people have been speculating wildly about a Switch successor for years. Baseless Switch 2 rumors have been a clickfarm industry for years. Probably Nintendo had to have it on April 2 so no one would think it was a really elaborate April Fool's Day joke. Justin says: Online it would be World of Warcraft Classic. Otherwise, it is Conquest of the New World. Like me, my games are old and dated.   I can relate to Justin because I'm currently playing a game that was first made in 1994, but more on that later.   Sam says: Currently dancing between two games, my long-term love game, Final Fantasy 14 and Dragon Age: the Veilguard. The Veilguard was a massive disappointment for me, unfortunately, but it still has its reasonably okay points, but man, the developers dropped the ball in the worst way since Cyberpunk's disastrous release.   That's interesting because I've actually encountered a couple different people who have played Dragon Age: Veilguard and they either love it or hate it. There is just no in-between. So that does seem to be the kind of game where you either love the thing or you just hate it. Todd says: Enjoying No Man's Sky, waiting for Light No Fire. Continuing to grind World of Warcraft retail. Recently played the re-release of Half Life. Today, I also installed Lands of Lore, gotta love Patrick Stewart as King Richard!   I had forgotten that Patrick Stewart voiced King Richard back in the ‘90s in the Lands of Lore game. His most famous video game part (I think) is playing Emperor Uriel Septim in the Elder Scrolls IV: Oblivion.   JKM says: Monster Hunter Wilds and Star Citizen.   Jesse says: Been doing an on and off run on Enshrouded. The story hasn't hugely gripped me as yet, but the mechanics are fun if you like Breath of the Wilds-esque world exploration.   Michael says: I'm currently playing Star Traders: Frontiers, which is a 2D indie space trading/exploration/crew management game in a vaguely Dune-like setting. It has turn based squad combat in Darkest Dungeon style too. Originally a mobile game but mechanics are surprisingly deep. It's good fun.   Randy says: Wizardry Remaster. Ironic because I didn't play the original.   For myself, I am kind of alternating between three current games. I am playing the Master of Magic remake on the PC and I'm determined to finally beat a campaign at that. I am still playing Iratus: Lord of the Dead and drawing closer to the final level. And when I'm really tired and don't want to do anything else that requires a lot of brain power, I still fire up some Starfield and go really mess up the day of some procedurally generated space pirates.   So watch my website and Facebook for Question of the Week if you want to have your comment read on the show as well.   00:04:39 Ad Results for March 2025   Now let's look at how my ads for my books did in March 2025, which is interesting because I changed things up a fair bit for ads in March. The reason I did this is because the economy isn't great and not likely to improve for several years. I saw someone arguing that all the policy decisions in the Covid era will have a 15 year economic hangover into which we're only five years, and I think that argument might have some merit to it. So because of that, I thought it might be prudent to move some older series into Kindle Unlimited. So I did that with the Demonsouled books and with Cloak Games, though not with Cloak Mage, which will remain wide as new books come out. I might do it with Silent Order as well, but I haven't decided. My thinking is that as people are looking to economize, subscription services will probably offer better value than direct book sales.   So let's see how we did. For Facebook ads, I did Cloak Games/Cloak Mage and The Ghosts. For Games/Cloak Mage, I got $4.14 back for every $1 spent, with 10% of the profit coming from the audiobooks. For The Ghosts, I got back $8.73 for every dollar spent, with 6% of the profit coming from the audiobooks. Obviously the total for The Ghosts might be inflated because of Ghosts in the Assembly, which did well. Thanks, everyone! Without Ghosts in the Assembly, The Ghosts still would've done $3.68 for every dollar spent, with 15% for the profit coming from the audiobooks. So still pretty good.   For Amazon ads, I mostly focused on Half-Elven Thief. Remember that for an Amazon ad to be successful, it needs to get a sale or a complete Kindle Unlimited read for every six to eight clicks. So for Half-Elven Thief, I got back $3.41 for every $1 spent, with a sale or a complete KU read for every 0.84 clicks, which is a really good result. However, it was not all roses in Amazon ads because I gave up on advertising Stealth and Spells Online: Creation. I've realized I fundamentally misunderstood what readers in the LitRPG actually want. I'm still going to finish the series this summer with the final book. I am 75,000 words into it as of this recording, but I don't think I'm going to advertise the series anymore.   For Demonsouled, I did a combined Facebook/Amazon ads campaign and for a combined campaign like that, it's easiest just to track the return. So for Demonsouled, I got back $2.53 for every dollar spent on Facebook and Amazon ads. So that was pretty close to how it did in February.   I also did some BookBub ad campaigns for The Ghosts and Sevenfold Sword on Apple. For The Ghosts, we got back $9.24 for every dollar I spent and for Sevenfold Sword, I got back $6.76 back for every dollar spent. So those are some very good results.   Finally, I've begun experimenting with BookBub ads for Google Play. I tried out Sevenfold Sword first and for Sevenfold Sword on Google Play with BookBub ads, we got back $3.86 for every dollar. So that is a promising beginning and I might try more experiments with BookBub ads and Google Play in May. So a good month all in all. Thanks for reading, everyone. Hopefully I'll have more new books for you soon.   00:07:46 Main Topic: Professional Development   So our main topic this week will be part three of our series on writing adjacent activities, and that is professional development. As I mentioned on past episodes, I'm working on a new podcast series on what I call writing adjacent activities. What do I mean by this? I'm talking about the tasks that seem like they're a part of the writing process but really belong in a different category. These tasks are important, but they can also be a pitfall if you spend too much time on them or don't use that time correctly. In this series, we'll focus on a few of these tasks and how they can benefit or hinder your writing process, even though they seem like good uses of time and may in fact be beneficial in proper amounts.   In this episode, we'll talk about professional development for writers. Those working in education, healthcare, or the corporate world will be very familiar with this concept. For those who aren't familiar with professional development, let's explain what it is. What is professional development and what is it for writers specifically? Professional development generally means gaining skills or knowledge that can help someone stay current in their field and grow in their work. In some fields like teaching or healthcare, professional development is required and must be done regularly. Some examples of typical professional development tasks include learning a new programming language, attending conferences, and reading professional journals. Writers have many of these same opportunities. Ther are a slew of conferences, workshops, webinars, videos, courses, and books available for writers to hone their craft, pick up marketing skills, and learn the ever evolving technical skills needed to self-publish and have an online presence. Some of these options, especially conferences and retreats, can be very expensive and time consuming while others are free and quick to consume, such as blog posts or podcast episodes.   How can you benefit from professional development? There are five ways.   #1: You can learn information and techniques that can help you improve your writing. An example would be a workshop session presenting data on when readers typically give up when starting a new book, which can help you think about how your book is structured.   #2: You can learn about technology and software that can make your work more efficient or look more professional. An example of this would be tutorials on how to use formatting software to turn Word documents into a formatted ebook.   #3: In-person professional development can help you network with others in your field. For example, if one of your priorities is being added to group promotion, meeting other authors at a workshop or a conference could lead to more promising leads than just emailing people.   #4: You can keep up with the constant changes in the field and adjust your strategies and plans accordingly. For example, Amazon's policies for KDP change constantly, sometimes monthly, it feels like. Writing blogs and podcasts can often explain these changes in a practical way that's more efficient than trying to parse long legal documents yourself.   #5: Finally, and fifthly, some people find professional development motivational or it helps them to feel more excited about their work. An example is a phenomenon called the post conference high, when someone returns from a conference with a high level of excitement and a list of plans a mile long. It's easy to get bogged down in the day-to-day tasks of work and sometimes professional development can shake things up in a positive way.   So professional development can be a good thing, but there are ways it can hinder your writing process. So we'll look at four ways that professional development can get in the way of you actually sitting down and getting some writing done.   #1: One of the downsides of being a writer is that professional development must be self-funded or you must pursue your own scholarships or grants for it, which are pretty limited compared to professional development in other fields. It is quite easy to spend tens of thousands of dollars on it each year, so each opportunity must be carefully considered. It's important not to spend money without a clear plan for how to turn it into action and without researching less expensive (but still effective) options that might serve your purposes. It's also important to look carefully to see if you can find lower cost options before registering for something. For example, instead of going to a weeklong residential bootcamp to learn WordPress, you could find a community education class or a LinkedIn Learning class (which many libraries provide to their patrons). Do you need a full course offered by another author or are you only interested in one portion of it and can learn that information from a YouTube channel? There is a lot of nonsense on the Internet of course, but one of the advantages of living in the modern era is that there is an abundance of good free information. You just have to find it.   My podcast transcriptionist has something that she likes to call the Two Buck Chuck Principle. It is named after the store brand of wine from Trader Joe's. That's way back when it was $2 a bottle, hence the popular nickname for it. Many people refuse to stray from this cheapest available option at the store because they find it meets their alcohol related needs and refuse to buy more expensive bottles.   The point of this principle is that like those Trader Joe's shoppers, my podcast transcriptionist will search for the free and low cost option for something first and then see what is missing from them that a more expensive option offers before buying the more expensive option. For example, if you're just starting out as a writer, you may be tempted to pay $3,000 or $4,000 for consulting sessions about advertising strategies because you read a convincing testimonial. Realistically, if you only have one or two books with only a handful of reviews and you're not willing to throw thousands of additional dollars on a professional style ad campaign, this would be severe overkill.   Applying the Two Buck Chuck Principle to this person's ad spending, it would make more sense to learn the basics first through webinars and blog posts on the topic. Something like Brian Cohen's Five Day Amazon Ad Challenge would teach the basics of using the interface and some strategies that keep a rookie from overspending or straying from their target audience. Once a writer has a few years of sales and several books in the same series, then perhaps it might be wise to progress to something more advanced and expensive, like hiring a consultant.   For most professional development, if you're paying money, you're either paying for being in a physical location or you're paying for the time someone else took to assemble and present the knowledge for you (in the case of a conference or workshop, both). For the latter, you can usually apply this Two Buck Chuck Principle by taking the time to assemble the knowledge yourself or find others who have through blogs, podcasts, and lower cost books. Someone like Joanna Penn or David Gaughran provides a wealth of sensible advice through these types of much lower cost options.   #2: Professional development, like many other writing adjacent activities, can give you the illusion of progress. Knowing about something and actually doing it are very different things. You have to have a specific plan for how you will implement your professional development. The sooner you start after completing your professional development activity, the more likely you are to benefit from it. Even five minutes a day working on it helps keep the knowledge fresh and gives you the confidence to continue.   #3: The number of available options for professional development can be paralyzing and it can be easy to feel like you have to do it all. The fear of missing out is a very real phenomenon, but it's necessary to combat it by being intentional with your time. Start by making your goals for the next year and then seeing what professional development you need to further those goals. For example, if creating video content is not part of your goals for the year, then it doesn't make sense to watch webinars on creating Instagram Reels or TikTok videos, even if you feel like it might be useful or you have a fear of missing out on the information. Your professional development, your goals, and your output all need to be in harmony in order to progress as a writer.   I have talked before about how a certain degree of tunnel vision is necessary to write at the pace that I do. Because I want to publish frequently, I often ignore conference and workshop opportunities because travel actively hinders my main goal of getting down as many words as possible each day.   #4: Professional development can take up so much time that it keeps you from the priority of writers, which is actually writing. Like the other writing adjacent activities out there, they expand to the size you'll allow. Planning your professional development goals for the year when you've created your writing goals can help you be disciplined in choosing the activities that will serve you best and fit with the time you can give them.   For example, if your goal is to set up an author website in May, you can allocate a little block of time each day for that month to watching tutorials, reading instructions, checking out other author sites for inspiration, and testing out the software. You wouldn't want to attend a three week intensive writing retreat in May because that would likely derail your progress on your other goal.   So finally, what do I personally do for professional development? What has helped me? I think the biggest help I had in terms of writing advice was a book called Billion Dollar Outlines by David Farland. It's well worth reading and a good look at story structure and understanding story structure that I think would be very helpful if you're struggling to finish an outline and write a book. Most of my professional development since then has been aimed towards the goal of trying to sell as many books as possible. So I took the Self-Publishing Formula course on advertising for Facebook, which was very helpful. I read a couple of different books on Facebook advertising, which was helpful. What was really helpful was a course on Photoshop I took in 2020 and 2021 that really increased my Photoshop skills and gave me the ability to do my own covers, which is very helpful because you often have to book a cover designer out well in advance. So that was very useful. And beyond that, I keep an eye on the various writing podcasts and Facebook groups. I don't really participate in the Facebook groups because that can be a huge time sink. Arguing with random people over the internet is not a productive use of time, but it is a good way to keep an eye on news within the indie author space and what people are doing and what trends you can expect to see. So that's what I do.   In short, professional development, like so many other writing adjacent activities, is a good thing that can hinder your progress if it's not done with intentionality and clear goals. As I said earlier in the podcast, your professional development, your goals, and your output all need to be harmonized in order to progress as a writer.   So that is it for this week. Thank you for listening to the Pulp Writer Show. I hope you found the show useful. And a quick note of thanks to my podcast transcriptionist for helping me to pull together the research for this episode. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Send us a textA surprise birthday prank takes a turn for the worse when an aspiring teen filmmaker casts the perfect leads for his breakout zombie film: his favorite undead podcast hosts! On Episode 661 of Trick or Treat Radio we are joined by CreepyGirl for a Patreon Takeover! This time she has selected the films All You Need Is Blood and Milk and Serial for us to discuss! We also talk about microbudget horror, films about making films, and older actors who can play much younger roles. So grab your handheld camcorder, plan an elaborate prank that is sure to get the heat on your tail, and strap on for the world's most dangerous podcast!Stuff we talk about: Best Horror films of 2010 - 2019, What We Do In the Shadows, NECA, Toony Terrors, Patreon Takeover, Creepygirl, couch angels, Stranger Things, The Electric State, The Russo Brothers, Cobra Kai, Joe Seo, Ralph Macchio, Giancarlo Esposito, King Richard's Faire, David Robert Mitchell, It Follows, Maika Monroe, They Follow, Nightmare Beach, Umberto Lenzi, Crossroads, Summer We Died, The Girl With the Needle, micro budget horror, Shiver Me Timbers, Popeye Horror, Screamboat, David Howard Thornton, Martin Kove, All You Need is Blood, Cooper Roberts, Mena Suvari, Logan Riley Bruner, Eddie Griffin, Dice Rules, smashing up a Ferrari, getting more eyes on your art, Ed Wood, Aliens vs. Kids, Fido, Milk and Serial, Curry Barker, Cooper Tomlinson, pranking friends on social media, the toxicity of social media and its effects on us, Astron-6, Trey Parker and Matt Stone, found footage films, Cannibal Mukbang, Aimee Kuge, Hundreds of Beavers, Tubi, making dams, Creepygirl Movie Reviews on TikTok, and I Like Turtle Zombies.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

WBZ's Jim MacKay reports.

‘If ever a book of history was blessed with contemporary relevance, this one is', writes Andrew O'Hagan of Helen Castor's The Eagle and the Hart (Allen Lane). ‘The dumbfounding, delusional, narcissistic King Richard; the white-knuckle ride of Henry IV, dogged all the way by notions of illegitimacy. I feel these men could have been ripped from today's headlines.' Castor, whose 2010 book She-Wolves was adapted for television by the BBC, discussed Richard and Henry with Mary Wellesley, author of Hidden Hands: Lives of Manuscripts and their Makers and co-presenter of the medieval strand of the LRB's Close Readings​ podcast series. Hosted on Acast. See acast.com/privacy for more information.

Like most of America, Hollywood has a…weird relationship with the rest of the world. The land of The Oscars, Westerns, Matt Damon and Ben Affleck is afraid of subtitles and loves to remake an international hit in English. Say bonjour to the NOBODY KNOWS ANYTHING episode all about foreign films! Guests: Writer Zach Baylin (“King Richard,” “The Order”); actress and writer Stephanie Koenig (“English Teacher”); and actress and comedian Alyssa Limperis (“What We Do in the Shadows,” “Dexter: Original Sin”). NOBODY KNOWS ANYTHING is a production of The Black List and LAist Studios, in partnership with The Ankler. This episode is presented by FX. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 on weekends.

Like most of America, Hollywood has a…weird relationship with the rest of the world. The land of The Oscars, Westerns, Matt Damon and Ben Affleck is afraid of subtitles and loves to remake an international hit in English. Say bonjour to the NOBODY KNOWS ANYTHING episode all about foreign films! Guests: Writer Zach Baylin (“King Richard,” “The Order”); actress and writer Stephanie Koenig (“English Teacher”); and actress and comedian Alyssa Limperis (“What We Do in the Shadows,” “Dexter: Original Sin”). NOBODY KNOWS ANYTHING is a production of The Black List and LAist Studios, in partnership with The Ankler. This episode is presented by FX. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 on weekends.

Like most of America, Hollywood has a…weird relationship with the rest of the world. The land of The Oscars, Westerns, Matt Damon and Ben Affleck is afraid of subtitles and loves to remake an international hit in English. Say bonjour to the NOBODY KNOWS ANYTHING episode all about foreign films! Guests: Writer Zach Baylin (“King Richard,” “The Order”); actress and writer Stephanie Koenig (“English Teacher”); and actress and comedian Alyssa Limperis (“What We Do in the Shadows,” “Dexter: Original Sin”). NOBODY KNOWS ANYTHING is a production of The Black List and LAist Studios, in partnership with The Ankler. This episode is presented by FX. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 on weekends.

Like most of America, Hollywood has a…weird relationship with the rest of the world. The land of The Oscars, Westerns, Matt Damon and Ben Affleck is afraid of subtitles and loves to remake an international hit in English. Say bonjour to the NOBODY KNOWS ANYTHING episode all about foreign films! Guests: Writer Zach Baylin (“King Richard,” “The Order”); actress and writer Stephanie Koenig (“English Teacher”); and actress and comedian Alyssa Limperis (“What We Do in the Shadows,” “Dexter: Original Sin”). NOBODY KNOWS ANYTHING is a production of The Black List and LAist Studios, in partnership with The Ankler. This episode is presented by FX. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 on weekends.

Introduction Everyone loves a good story about a good king. We love the story to contain some drama and fighting with the good guys coming out on top. One of these stories that has been handed down through time is the story of Robin Hood and the Sheriff of Nottingham. King Richard the Lionheart Prince…

Southwest is basically Spirit Plus now, which makes this podcast Spirit Minus, but don't worry– we'll never charge you for all that baggage you're carrying around. Zero guarantees this plane stays on course, because right after liftoff we veer right into King Richard III, Baltimore ice cream trucks, and our favorite variations of the Mandela Effect. Also, a couple of us signed up for the JFK 50 Miler, for better or for worse. Finally, we talk about the Tracksmith Eliot Racer, a surprisingly capable race day shoe with a super bouncy, dual layer ATPU and PEBAX midsole. Support our sponsors!SAYSKY X PUMAExperience the premium quality and unique design of the PUMA x SAYSKY collection. Check it out now at saysky.com and use code DROP15 to save. SWIFTWICKThe best running socks in the game, Swiftwick just launched their new spring collection this week, and Drop listeners can get 15% off their first purchase with code BELIEVE15. Shop here: https://swiftwick.com/collections/believeWAHOO FITNESS We've got a new series on YouTube that follows Thomas' training to London using the Wahoo Kickr Run Treadmill. Follow along every Frida, and watch episode 2 here. You can learn more about the runner-focused treadmill (including seamless elevation and pace changes) and purchase one here.LMNTIt's warming up, which means you're sweating more, which means you need more salt. Like, a lot more. Luckily, LMNT has 1000 mg of the stuff, as well as potassium and magnesium. Get your free 8-count LMNT Sample Pack with any purchase: http://drinklmnt.com/thedropINDEX00:00 - Intro4:11 - Richard III found under parking lot 18:43 - Baltimore Ice Cream Trucks21:28 - Southwest Airlines newest baggage policy 27:41 - Nerds Gummy Clusters30:58 - JFK 50 Miler42:58 - Training Talks / Wahoo Kickr RUN56:21 - The Mandela Effect1:00:46 - Horror Movies1:02:47 - Puma x Saysky 1:06:47 - Canadian Bacon vs. Bacon1:12:00 - Shoe talk (Tracksmith Eliot Racer)

On this episode, we sit down with Kevin Childress, award-winning editor, producer, and creative director, and Craig Hagedorn, editor and creative director at Wild Card Creative Group. Together, they explore the craft of movie trailer editing, from storytelling and music selection to navigating industry changes. What We Discuss: How Kevin and Craig broke into the trailer industry through unconventional paths. The impact of early influences and collaborations on their creative development. The importance of storytelling, rhythm, and music in crafting compelling trailers. The challenges and opportunities in working remotely vs. in-office collaboration. Behind-the-scenes stories on iconic trailers, including Memento, Detroit, Mission: Impossible – Ghost Protocol, King Richard, and Bike Riders. Episode Highlights: [00:01:00] – Kevin Childress' journey from MTV commercials and music videos to cutting some of the most iconic trailers of all time. [00:05:00] – How Memento's innovative trailer structure was developed, including the idea behind its unique graphic treatment. [00:09:00] – Craig Hagedorn's transition from long-form marketing content to trailer editing, including his early work at New Wave Entertainment. [00:14:00] – The impact of working at Trailer Park and later Wild Card, learning from some of the best in the industry. [00:25:00] – Advice for young editors: the importance of collaboration, learning from experienced creatives, and staying open to feedback. [00:42:00] – The making of Detroit: how a minimalistic approach created maximum tension. [00:55:00] – How King Richard's trailer evolved with the addition of Beyoncé's song, transforming the emotional impact. [01:03:00] – The use of unexpected music in Amsterdam and how it shaped the final piece. [01:04:00] – The process of discovering the perfect "button" for Bike Riders and why it worked so well. Featured Quotes: “We're all in this together. Success for one of us is success for all of us.” – Kevin Childress “Music is the rocket fuel of a great trailer.” – Craig Hagedorn “Being in a creative space with others pushes you to think differently and get better at your craft.” – Kevin Childress “The right music can unlock a trailer and change everything.” – Craig Hagedorn References Mentioned: Kevin Childress: www.kevinchildresscreative.com Craig Hagedorn: www.instagram.com/craigh55 Wild Card Creative Group: www.wildcardcreativegroup.com   Our Sponsors:  Make It Universal and Rotten Tomatoes presents SEEN on the SCREEN: https://www.youtube.com/playlist?list=PLuq_rgCzEP_Ne0W0nk6R66sYFGr1Jrzqe  The Golden Trailer Awards: goldentrailer.com/   Brent Allen Hagel: www.brentallenhagel.com Soundstripe: app.soundstripe.com   Call to Action: Please leave us a rating and review:  https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods!

This week on The Fin podcast, senior reporter Max Mason and Chanticleer columnist James Thomson discuss WiseTech’s tumultuous five months, Richard White’s second coming and whether he should stay in charge.Further reading:‘I am WiseTech’: How Richard White regained control of his companyOn one side was a group of independent directors with their reputations on the line. On the other, a powerful founder with everything to lose.The billionaire, his lawyer wife – and the secrets of their explosive relationshipRichard White says he would “take a bullet” for his wife but many of the billionaire’s long-time friends are unhappy about the marriage and the couple’s volatile history.King Richard’s return gives WiseTech investors a stark choiceIncredibly, Richard White has more power at WiseTech than at any time since it listed in 2016. But that comes with some big consequences for investors.See omnystudio.com/listener for privacy information.

Having valuable insights and experiences is one thing, but getting them noticed in a crowded space is another challenge entirely. With so much content out there, it's easy to feel like your voice is getting lost, no matter how much you have to offer. Ghostwriting can be a powerful way to bring your ideas to life in a clear, compelling way—helping you reach the right audience without the struggle of writing alone. The right words, in the right hands, can turn your expertise into something that truly stands out. Richard Lowe Jr. is a renowned ghost writing expert who has authored and published 63 books, including two Kindle bestsellers. He has also ghost written over 48 books and written more than 1000 articles for blogs and social media platforms. Today, Richard shares his expertise in the world of ghost writing, discussing his focus on crafting books for C-level executives, coaches, and individuals looking to write memoirs. He delves into the collaborative process he uses to capture the unique voice and emotions of his clients, ensuring their message resonates with their intended audience. Stay tuned! Resources Connect with Richard Lowe Jr. on LinkedIn Ghostwriting Guru: Transform Your Vision into a Best-Selling Legacy The Writing King: Your Book, Your Story: Ghost Writing To Authority

For this month's primary source, our excerpt follows the infamous Easter Revolt* in 1192. After the Templars purchased Cyprus from King Richard the Lionheart, they initiated the heavy-handed exploitation of Cyprus, culminating in a revolt against the Templars and the subsequent transfer of Cyprus back to Richard. This will springboard us into my next interview with Professor Emeritus, Peter Edbury, and the Templar Rule in Cyprus.  *This excerpt comes from the The Estoire d'Eracles -- an anonymous Old French chronicle and a continuation to William of Tyre's, "History of Deeds Done Beyond the Sea." The chronicle begins with the reconquest of Jerusalem in 630 CE during Roman emperor Heraclius' reign (hence the name, Heraclius' History) and ends with Saladin's conquest of Jerusalem. 

Natasha Willings (Limitless Learning education services) and Sarah McDowell (The SEO Mindset Podcast) return to Flixwatcher to review Natasha's choice King Richard. King Richard (2011) is a biographical sport drama directed by Reinaldo Marcus (Monsters and Men) Green. It tells the story of tennis legends Venus and Serena Williams from the point of view of their father and coach Richard Williams. It stars Will Smith as Richard, Saniyya Sidney as Venus, Demi Singleton as Serena, Aunjanue Ellis-Taylor as Oracene ‘Brandy' Price, the sisters mother and Jon Bernthal as Rick Macci, the sisters tennis coach. King Richard earned Will Smith his first Oscar, an achievement that is perhaps overshadowed by the slap he gave Chris Rock at the Oscars. Some of the criticism of the film is that the story focuses more on Richard than it does the achievements of the sisters. Scores for Kind Richard acknowledged it is a interesting watch but felt it leaned too much into Richard and would have been more engaging if its sole focus was Venus and Serena. Slightly lower scores for repeat viewing gives an overall rating of 3.82. [supsystic-tables id=385]     Episode #371 Crew Links Thanks to the Episode # 371 crew of Natasha Willings () and Sarah McDowell (@SarahMcDUK) You can find their website here https://linktr.ee/sarahmcduk   And at https://x.com/seomindsetpod  Please make sure you give them some love   More about King Richard For more info on King Richard can visit King Richard IMDB page here or King Richard Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor, producer, and host Jake Jensen recently captivated audiences with his portrayal of Finn Larsen in the film "Challengers." Directed by Luca Guadagnino and featuring Zendaya and Josh O'Connor, Jensen delivered a compelling performance in this intense sports drama. Jake is an actor, model, producer, radio host, and sports psychology consultant based in the greater Los Angeles area. Jake has booked roles in films such as Alone Yet Not Alone and King Richard. Jake has a lead role in the upcoming feature film Believe, where he also served as an executive producer. Jake is also a professor of sport and performance psychology at California State University, Northridge, and earned his PhD in sport psychology from the University of Tennessee.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

The spectacular downfall of King Richard II, followed by the successors Henry IV and then Henry V, are famously depicted in Shakespeare's plays. The Life and Death of King Richard II is a prequel to what's known as Shakespeare's Henriad plays, or the Henry Plays, consisting of Henry IV Part 1, Henry IV part 2, and Henry V. Richard II is believed to have been written around 1595, and while the plays tow the line in terms of what Tudor monarchs would have wanted you to believe the histories of these men, there are some places where Shakespeare's version conflicts with known history about Richard II and Henry IV. Our guest this week has recently completed a book on both these Kings of England, titled appropriately, THE EAGLE AND THE HART: The Tragedy of Richard II and Henry IV, in which she details the real history of two of the most famous, yet also two of the most often misunderstood (thanks in no small part to Shakespeare) Kings of England. To help us wade into Shakespeare's history plays and sort out fact from fiction, we are delighted to welcome Helen Castor to the show today.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

mike and travis discuss the following topics…. peesport holds 3 pees….. the Luigi murder man…. master p's son stole fridges…. king Richard's voice….. hippo update! gwen Stefani's prayer app…. potw: angel studios/the comeback well, bye.

Screenwriters Peter Straughan (Conclave) and Zack Baylin (The Order) discuss their latest projects and previous work, their process, and much more. Peter Straughan is a writer and playwright. His most recent screenplay is the 2024 film Conclave. Before Conclave, Peter's screenwriting credits have include The Goldfinch, Our Brand is Crisis, Frank and Tinker Tailor Soldier Spy, the latter of which received several accolades including a 2011 Academy Award nomination for Best Original Screenplay. In addition, he wrote the 2015 television adaptation of Wolf Hall, which earned him a nomination for the Primetime Emmy Award for Outstanding Writing for a Miniseries, Movie or a Dramatic Special. Zach Baylin is a writer whose 2024 credits include The Order and Bob Marley: One Love. His other credits include Gran Turismo, Creed III and King Richard, the last of which earned him an Academy Award nomination for Best Original Screenplay. --- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast  

Following her Oscar nod for King Richard and celebrated lead turn in Origin, Ellis-Taylor is back in the awards race for Nickel Boys—and ready for the tough conversations that come with it: “I wish I had the volume of choices that my white women contemporaries have.” Learn about your ad choices: dovetail.prx.org/ad-choices

“I find action scenes really hard to write, I usually save them for the end. I need to get very caffeinated and then just try and get into the adrenaline of what they should feel like. With this [film] in particular, those robberies and the heist… I kind of like to really understand an environment and a landscape before I can write an action sequence. Because if I can't figure out when a car is overtaking another car or where characters are in relation to it, then it's impossible to write dialogue. I really try and map out the choreography of things and when to have those spikes of violence. I think you just feel it. You feel it on the page where hopefully you've built the tension. There needs to be some kind of release. And that's maybe a gunshot or maybe it's a line of dialogue that pulls someone in another direction. I'm pretty prescriptive in the way I write action and I write it in the way I hope it will be shot and it's not just like an overview of a scene,” says screenwriter Zach Baylin on writing action sequences in his new film, The Order.  The Order stars Jude Law and Nicholas Hoult and tells the true story of an FBI agent (Law), who's determined to bring down a group of domestic terrorists in the Pacific Northwest in the 1980s.  In this episode of the podcast, we talk with Zach Baylin about writing action sequences and also his film King Richard, for which he was nominated for an Academy Award. He also shares this advice for writing a period film that might have parallels to today's society: “In terms of keeping things entertaining and not wanting to be preachy and didactic, I think that the approach that I took was just to try and tell the story of what happened in 1983 and ‘84 accurately and not to over relate it to today. The parallels to today are so obvious that if we were to throw in lines about things that felt like they were alluding to the present, it would totally take out both the veracity and the intention, which was, I want to tell this story correctly. And if I do, then you'll walk out of it, both having been entertained and informed,” says Baylin.  The Order is in theaters now. To hear more about Baylin's writing process, listen to the podcast.   

The Talisman is a gripping tale set near the end of the Third Crusade. King Richard the Lionheart is grievously ill, and all around him the leaders from allied countries plot and scheme to gain personal power, putting the future of the crusade in jeopardy. Sir Kenneth of Scotland finds himself caught up in events, and finds both his honour and his life are now on the line. Can a cure be found for the King? Can Kenneth redeem his honour?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Talisman is a gripping tale set near the end of the Third Crusade. King Richard the Lionheart is grievously ill, and all around him the leaders from allied countries plot and scheme to gain personal power, putting the future of the crusade in jeopardy. Sir Kenneth of Scotland finds himself caught up in events, and finds both his honour and his life are now on the line. Can a cure be found for the King? Can Kenneth redeem his honour?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Talisman is a gripping tale set near the end of the Third Crusade. King Richard the Lionheart is grievously ill, and all around him the leaders from allied countries plot and scheme to gain personal power, putting the future of the crusade in jeopardy. Sir Kenneth of Scotland finds himself caught up in events, and finds both his honour and his life are now on the line. Can a cure be found for the King? Can Kenneth redeem his honour?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Talisman is a gripping tale set near the end of the Third Crusade. King Richard the Lionheart is grievously ill, and all around him the leaders from allied countries plot and scheme to gain personal power, putting the future of the crusade in jeopardy. Sir Kenneth of Scotland finds himself caught up in events, and finds both his honour and his life are now on the line. Can a cure be found for the King? Can Kenneth redeem his honour?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Talisman is a gripping tale set near the end of the Third Crusade. King Richard the Lionheart is grievously ill, and all around him the leaders from allied countries plot and scheme to gain personal power, putting the future of the crusade in jeopardy. Sir Kenneth of Scotland finds himself caught up in events, and finds both his honour and his life are now on the line. Can a cure be found for the King? Can Kenneth redeem his honour?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Talisman is a gripping tale set near the end of the Third Crusade. King Richard the Lionheart is grievously ill, and all around him the leaders from allied countries plot and scheme to gain personal power, putting the future of the crusade in jeopardy. Sir Kenneth of Scotland finds himself caught up in events, and finds both his honour and his life are now on the line. Can a cure be found for the King? Can Kenneth redeem his honour?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Talisman is a gripping tale set near the end of the Third Crusade. King Richard the Lionheart is grievously ill, and all around him the leaders from allied countries plot and scheme to gain personal power, putting the future of the crusade in jeopardy. Sir Kenneth of Scotland finds himself caught up in events, and finds both his honour and his life are now on the line. Can a cure be found for the King? Can Kenneth redeem his honour?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

While we all know the tale of the Yeoman archer who defied Prince John, did he actually exist? From Sherwood Forest to Robin Hood's Bay, the North of England is full of claims to his story but with so many places claiming Robin as their own, how can we be sure who the real ‘man in tights' was? The earliest mentions appear in 1377 but the details don't always match the legend. Did he rob the rich to give to the poor? Maybe not! Was he King Richard's contemporary? That may not be the case. Listen to our latest episode and let us know what you think. Was Robin a real crusading archer? Or simply a story told one night around a campfire?Join our Patreon for extra WEEKLY content!You can purchase Spill the Mead merchandise https://www.etsy.com/shop/SpilltheMeadPodcast/Music is composed by Nicholas Leigh nicholasleighmusic.comFind us on Instagram, and Facebook @spillthemeadpodcastFind Madi @myladygervais on InstagramFind Chris @chrisrileyhistory on InstagramFind Betsy @betsy.hegge on Instagram

In this episode of Camp Counselors, we are talking about their trip to King Richard's Renaissance Faire, throwing pufflings off cliffs, Fergie, and so much more!Bonus Content: patreon.com/campcounselors This episode is sponsored by Factor. Go to FactorMeals.com/camp50 and use code camp50 to get 50% off your first box plus 20% off your next box. Works Cited:➜ Anastasia Markela Dana. “Woman Set Fires in Greece ‘to Watch Firefighters and Flirt.'” Greek Reporter, 28 Aug. 2024.➜ Halisia Hubbard. “Why It's Perfectly Normal to See Baby Puffins Thrown off Cliffs in Iceland Each Year.” NPR, 26 Sept. 2022. Check out our website: campcounselorspodcast.comSubmit your advice needed, juicy gossip, confessions, and horror stories at campcounselorspodcast.com Camp Songs Spotify Playlist: https://spoti.fi/3qyK0riCamp Songs YouTube Playlist: https://youtube.com/playlist?list=PLg9-jhcwB2oYDvLR8zGn8t8rS0q_umm8J Camp Counselors TikTok: https://www.tiktok.com/@campcounselorspodCamp Counselors Instagram: https://www.instagram.com/campcounselorspod/Camp Counselors Twitter: https://twitter.com/_campcounselors

In The Supremes at Earl's All-You-Can-Eat, Ellis-Taylor plays the outspoken ringleader among three women whose friendship spans several decades. Her previous films include Origin and King Richard. She talks with Tonya Mosley about growing up in rural Mississippi, buying two billboards, and getting into acting to stave off adulthood. Also, Maureen Corrigan reviews A Wilder Shore, by Camille Peri.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy