Podcasts about hugh lane

60 Years of a Hard Day's Night - Night Dances - New acquisition by the Hugh Lane Gallery - Three Colours trilogy

Irish Film Director, Screenwriter and Novelist Neil Jordon joins Ray to chat about becoming a donor to the Hugh Lane Gallery.

We speak to Vincent Fremont, Co-Founder of the Warhol Foundation

Episode 549: Listen to my chat with American painter in Ireland, Lee Welch. Lee has exhibited his paintings in the Hugh Lane gallery. I was able to see one of his pieces here in the states with his mom. He’s got a fabulous style! Check out his Insta. All images used with permission. This episode […] The post Listen to my chat with American painter in Ireland, Lee Welch appeared first on Let's Talk Art With Brooke.

Film reviews with Declan Burke and Arlene Hunt, What's Love Got to do With It // Broker // Creature - Reconstructing Mondrian at Hugh Lane - Louis Stewart Legacy

Louise Kennedy and Wendy Erskine - John Francis Flynn with Ross Chaney on drums - Jessica Fahy - Art and Writing at the Hugh Lane

Writer/Director Philly McMahon discusses Party Scene, from theatre company THISISPOPBABY - Paddy McAloon turns 65, Colm O'Callaghan takes a look at his work - David Bolger CoisCéim, This month, the IFI celebrates the work of director Bob Fosse with a retrospective of his films - 19th century French artist, Eva Gonzales exhibition.

Welcome to episode 22 in The Hugh Lane Concert series, Near FM's long running music concert series, recorded in the beautiful surrounds of Dublin's Hugh Lane gallery. In this episode we are delighted to present Yonit Kosovske, Jessica Brown and Julie Comparini, performing Lough Derg 1 &2, featuring Watershed and Hermit Songs, two song cycles […]

Sarah Cecilia Harrison (1863–1941) lived many lives in one. A Suffragist, a social campaigner, a nationalist and an artist, she was closely aligned with Hugh Lane in the battle for a modern art gallery in London. The first female member of Dublin Corporation, she is the subject of a new study. Editor Margarita Cappock joins me to discuss her importance.

“Pride and Passion: Vistas of South America” ARTISTS: Degani Piano Trio, featuring Rachel Quinn (piano), Alan Smale (violin), Annette Cleary (cello) with special guest artist Donna Anita Nikolaisen (narrator) Programme for ‘Pride and Passion: South American Vistas'... 42 mins ‘The Rose'- by Gabriela Mistral Summer from the Four Seasons of Buenos Aires for Piano Trio by Astor Piazzolla ‘Pinewoods' by Gabriela Mistral Autumn from the Four Seasons of Buenos Aires for Piano Trio by Astor Piazzolla ‘The Wind' by Gabriela Mistral Winter from the Four Seasons of Buenos Aires for Piano Trio by Astor Piazzolla ‘Fire' by Gabriel Mistral Spring from the Four Seasons of Buenos Aires for Piano Trio by Astor Piazzolla ‘Song of those who seek to forget' by Gabriela Mistral ‘Danza de la Moza Donoso' for Piano Solo by Alberto Ginestera ‘The Ones not Dancing' by Gabriela Mistral Danza del Viejo Boyero' for Piano Solo by Alberto Ginestera ‘Odeon- Tango Brasilero' for Piano Solo by Ernesto Nasareth ‘Nightfall' by Gabriela Mistral Oblivion for Piano Trio by Astor Piazzolla

In which two Irish art students commit a daring daylight museum heist with virtually no planning, and somehow get away consequence-free. Sources links and more on our website: https://order-of-the-jackalope.com/more-lovely-and-more-temperate/ Follow us on social media! https://orderjackalope.tumblr.com/ https://twitter.com/orderjackalope https://www.instagram.com/orderjackalope/  

Cara O' Doherty & Paul Whitington review films, Sequin in a Blue Room, A Common Crime & the multi Oscar nominated Sound of Metal, Northern Ireland band New Pagans, debut album The Seed, The Vessel, The Roots & All, , historian Roy Foster on Hugh Lane, the extraordinary art collector, Citizen Lane a 2018 drama documentary is available digitally

Barbara Dawson, Director of the Hugh Lane Gallery, discusses the new agreement with the National Gallery, London.

The sixth and final programme in the third series, features Xenia Pestova and Ed Bennett playing a programme of piano and electronic arrangements by Leo Chadburn, Annea Lockwood, Ed Bennett, Gayle Young and Alvin Lucier. This radio programme features concert excerpts interspersed with interviews with the performers and Hugh Lane gallery director Barbara Dawson. Produced […]

An early work by Dorothy Cross, Simeon's Hut (1986) anticipates the artist's later tendency to incorporate found objects, such as boats, animal or shark skins, in her oeuvre. Comprising a mix of materials, the work can be read from the gravity of lead at its base, with gilded steps leading upwards towards a narrow, vertically placed shaft of timber surmounted by a modest hut.If we are to seek a narrative context for the work, its form coupled with its title can be taken to refer to Simeon Stylites (c.390-459). This fifth-century ascetic saint lived for 37 years on a platform atop a column near modern-day Aleppo, Syria. Does Simeon's Hut therefore propose a site of solitary meditation away from busy communal life?Dorothy Cross (b.1956) is one of Ireland's leading contemporary artists and her work has been described as “moving from opera to object in a territory between idea and nature.”Educated at the, then, Crawford Municipal School of Art, Leicester Polytechnic, and San Francisco Art Institute, Cross represented Ireland at the Venice Biennale in 1993. She was awarded an honorary doctorate by University College Cork in 2009. Her work is also in the collections of the Irish Museum of Modern Art, National Gallery of Ireland, The Hugh Lane, Ulster Museum, and TATE. See acast.com/privacy for privacy and opt-out information.

The Art of Collaboration The fourth programme in the third series of Hugh Lane Concerts was recorded in Dublin’s Hugh Lane gallery, as part of the Playing to the Gallery series, a continuation of the Sundays at Noon series, during the great pandemic Lock Down in June 2020. Near FM  present The Art of Collaboration, a unique […]

Listen back to Dublin: One City, One Book 2018, when we celebrated The Long Gaze Back, and the female voice in Irish literature. This anthology of 30 short stories is edited by Sinead Gleeson. In this episode, Jessica Fahy, examines the choices made in the portrayal of significant women from Irish history by leading artists of the day, and how these images may still inform our opinions today. The remarkable women featured in Jessica's talk include Countess Markievicz, Eva Gore Booth, Maud Gonne, Grace Plunkett and Sarah Cecilia Harrison. Image: Self-portrait by Sarah Cecilia Harrison (1889) courtesy of The Hugh Lane, where you can see many of the artists and portraits mentioned in the talk. Recorded at The LexIcon on 23 April 2018, with thanks to Dun Laoghaire Rathdown Libraries for making the audio available to us. If you’re interested in podcasts and learning more about the literature and history of Dublin and Ireland, we recommend the Dublin Festival of History and the new City of Books podcast with Martina Devlin. Our theme tune is Dream of the forest (jazzy mix) by articom (c) copyright 2020 Licensed under a Creative Commons Attribution (3.0) license. dig.ccmixter.org/files/articom/61177

Listen back to Dublin: One City, One Book 2018, when we celebrated The Long Gaze Back, and the female voice in Irish literature. This anthology of 30 short stories is edited by Sinead Gleeson. In this episode, art historian Jessica Fahy looks at portraits of Irish women authors featured in the Collections of Dublin City Gallery, The Hugh Lane. Recorded at Dublin City Gallery The Hugh Lane on 15 April 2018. Our theme tune is Dream of the forest (jazzy mix) by articom (c) copyright 2020 Licensed under a Creative Commons Attribution (3.0) license. dig.ccmixter.org/files/articom/61177

Sundays @ Noon at the Hugh Lane presents ‘Becket Into Music’ by Benjamin Dwyer and Barry Guy, Chamber Choir Ireland sings Bach, Anne Boyd and Julia Wolfe, and the Workmans Club presents an improvised ‘sonic response to political dystopia’ curated by Olesya Zdorovetska.

Hugh Lane amassed a collection of pictures with his brilliant eye for art. A man whose life was surrounded by the sort of controversy which was only equalled by his untimely death onboard the Lusitania in 1915. The fate of 39 paintings has been a bone of contention between British and Irish governments that still remains unsolved. (1980)

Samuel F.B. Morse is perhaps best known for his invention of the single-wire telegraph system and the co-inventor of Morse code. However, he was also an artist, and his work, The Gallery of the Louvre, is the subject of today’s episode, a conversation with Morna O’Neill, Associate Professor of Art History at Wake Forest University. Professor O’Neill discusses Morse’s identity as an artist, his intentions in creating The Gallery of the Louvre, his relationship to technology, and the questions this particular painting raises for contemporary audiences. Professor O’Neill will also moderate the special event for Wake Forest Faculty, “Decoding Morse”: Cross-Disciplinary Conversation and a Viewing of Samuel F. B. Morse’s Gallery of the Louvre at 3:00pm on Friday, February 24th. You can find more information about this event at humanitiesinstitute.wfu.edu/decodingmorse. Morse’s painting is on display during the exhibition Samuel F. B. Morse’s Gallery of the Louvre and the Art of Invention at the Reynolda House Museum of American Art, which opens Friday, February 17th and runs through June 4, 2017. Visit www.reynoldahouse.org for more information. Samuel F. B. Morse’s Gallery of the Louvre and the Art of Invention was organized by and with support from the Terra Foundation for American Art. Reynolda House is grateful for the generous sponsorship of this exhibition from Major Co-Sponsor Wake Forest Innovation Quarter and Wake Forest University Baptist Medical Center, Contributing Sponsors the Terra Foundation for American Art and an anonymous donor, and Exhibition Partners Joia Johnson and Jeff and Sissy Whittington. Morna O'Neill is associate professor of art history in the Department of Art at Wake Forest University, where she teaches courses in eighteenth and nineteenth-century European art and the history of photography. Prior to her arrival at Wake Forest, she taught in the History of Art Department at Vanderbilt University and served as a postdoctoral research associate in the Department of Research at the Yale Center for British Art. Her scholarship addresses the conjunction of art, design, and politics at the end of the nineteenth century. She is the author of Walter Crane: The Arts and Crafts, Painting, and Politics (Yale University Press, 2011). She also curated the exhibition 'Art and Labour's Cause is One:' Walter Crane and Manchester, 1880-1915 (Whitworth Art Gallery, University of Manchester, August 2008-June 2009). She is currently preparing a book manuscript on the art dealer Hugh Lane (1875-1915) and the rise of the global art market. She is the co-editor, with Michael Hatt (University of Warwick), of The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910 (Yale University Press, 2010).

Your host Angus Beef takes you on a tour of Dublin’s magnificent Hugh Lane Gallery. Stream or download the show below. Download: Episode 1 Read: Credits Image: Hugh Lane Gallery by Fiona MacGinty Comment at our facebook page. Recorded at Near FM in Dublin.

Under the direction of Barbara Dawson in August 1998, The Hugh Lane team removed Bacon's studio and its entire contents from London to Dublin. Dawson joins us to talk about this undertaking, which involved moving 7000 objects, and of its implication to subsequent exhibitions of Bacon's work.

Barbara Dawson, director of Dublin City Gallery, The Hugh Lane Dawson secured the donation of Bacon's studio and its contents for Dublin. She has contributed to many books on Bacon, most recently Francis Bacon and the existential condition in contemporary art (2012), and co-curated Francis Bacon: a terrible beauty (2009) with Martin Harrison - the first exhibition to specifically examine the artist's processes and materials. She is also a partner in the research project Bacon's books: Francis Bacon's library and its role in his art, a collaboration between The Hugh Lane and Trinity College Dublin.

What makes Francis Bacon’s paintings so compelling? And why is the time ripe for a retrospective of his work in Australia? Join ABC Classic FM’s Emma Ayres as she speaks with a line-up of Bacon experts about his extraordinary work, his ramshackle London studio (now preserved in Dublin City Gallery The Hugh Lane) and his connection to Australian artists, from Roy de Maistre to Brett Whiteley. The panelists are exhibition curator Anthony Bond (assistant director, curatorial, Art Gallery of NSW), Dr Margarita Cappock (head of collections, Dublin City Gallery, The Hugh Lane), Dr Rebecca Daniels and Martin Harrison (respectively, researcher and editor of the Francis Bacon catalogue raisonné).

A drama-documentary on the life of Hugh Lane, best know for establishing Dublin's Municipal Gallery of Modern Art, the first known public gallery of modern art in the world. He died in 1915 onboard the ill fated Lusitania. (First Broadcast 1961). A drama-documentary on the life of Hugh Lane, best know for establishing Dublin's Municipal Gallery of Modern Art, the first known public gallery of modern art in the world. He died in 1915 onboard the ill fated Lusitania. (First Broadcast 1961).