Podcast appearances and mentions of martin stig andersen

Quiz: Where is my mindStop Making SenseReviews:Asher reviewed ‘Inside OST' by SØS Gunver Ryberg, Martin Stig Andersen. Simon Stalenhag AlbumJosh reviewed ‘Spectral Line' by Josh RitterHomework:Josh gave Asher ‘Broken Social Scene' by Broken Social SceneAsher gave Josh ‘Te Deum' by Arvo Pärt. Te Deum textHonourable mentions:Foo Fighters (foo FIGHTers)Brighde CaimbeulThe NationalSilent HillLo fi PopSAD GODS

Chris interviews Dino Patti and Tadej Gregorcic and asks them about the design and development of their middleware multiplayer tool, Coherence. http://media.blubrry.com/caneandrinse/caneandrinse.com/sausage/TSF_Episode443.mp3   Music featured in this episode is drawn from Limbo and Inside, two games one of the guests had an active involvement in creating. The Limbo OST, as composed by Martin Stig Andersen, is available here: https://limbogame.bandcamp.com/album/limbo-original-videogame-soundtrack and the soundtrack to INSIDE is by SØS Gunver Ryberg and Martin Stig Andersen. 1. Limbo - Menu2. INSIDE - Submarine3. Limbo - Gravity Jump The Sausage Factory 443 was edited by Chris O'Regan The Sausage Factory is an interview-based podcast that lifts the lid on the makers of videogames. It examines the way in which games are made by asking the very people who create them, though the questions asked aren't just about game design, they also cover how developers made their start and what inspires them as creators. Split into two halves, the first segment delves into what makes the developers tick by asking about how they started, what and who inspires them and what games they are currently playing, whereas the second part of the show covers the game that they are currently working on and the thought processes behind its development. So, if you really want to hear about a game's gestation in full and frank detail then you have found the right podcast.

My guest today is a legendary British video game designer. While a student at Manchester University, a friend invited him to write a text adventure which led him to work for the video game publishers US Gold and, later, Activision. In 1990 he co-founded Revolution Software in the North of England.After releasing Lure of the Temptress and Beneath a Steel Sky, he began work on Broken Sword, a world-spanning adventure game starring the American patent lawyer, George Stobbart and his French girlfriend, Nicole Collard, a freelance journalist. The game had a witty script, was beautifully illustrated, and featured a soundtrack by Barrington Pheloung, the composer of the Inspector Morse TV series, who my guest first met over a game of cricket.After Sony reluctantly brought the game to PlayStation, it became a smash hit, leading to a string of successful sequels. But the course has not always been easy. “The audience for adventure games is limited,” he once told me. “But that audience is incredibly loyal.” Welcome, Charles Cecil MBE.Clips under discussion:Galaxian (Toshio Kai).Opening Theme (Peter McConnell, Michael Land and Clint Bajakian).Super Mario 64 Main Theme (Koji Kondo).Grand Theft Auto III Theme (Craig Conner).Thing 01 (Martin Stig Andersen).All other music by Simon Parkin. Thank you for listening to My Perfect Console. Please consider becoming a supporter; your small monthly donation will help to make the podcast sustainable for the long term, contributing toward the cost of equipment, editing, and hosting episodes. https://plus.acast.com/s/my-perfect-console. Hosted on Acast. See acast.com/privacy for more information.

Martin Stig Andersen is a video game score composer and game audio specialist. He as provided music and/or sound for such games as Playdead's LIMBO (2010) and INSIDE (2016), as well as Wolfenstien II: The New Colossus (2017) and Control (2019). I have played all of those games and they are some of my all-time favorites. Martin was called out by my past guest Clemens Ruh, sound designer on the incredible INDUSTRIA (2021). In this episode we will discuss the iterative process of developing LIMBO, the role of silence in video game scoring, the difference between music and sound design, are LIMBO and INSIDE connected?, playing music through a human skull, inhabiting the space between music and sound design, sound design influencing game design, the absurdity of Wolfenstein II, combat vs. exploration music, working on a remaster, and much more. Martin's website: https://martinstigandersen.com Martin on Twitter: @martinstigand IGI on Twitter: @IndieGameINTL Consider becoming an IGI Patron: https://www.patreon.com/indiegameINTL IGI is a production of Su Madre Podcasts: https://sumadrepodcasts.com/

The GAH trio is joined by renowned game audio designer and music composer Martin Stig Andersen of Control, Inside, and Limbo fame... but there's more to him than just those titles! Alex, Mike, and Vince pepper him with questions and mostly avoid the usual Black Friday talk on this exciting episode! Notable mentions include: Tristan Murail (French composer) AudioSculpt (software, IRCAM) Studer (manufacturer of professional tape recorders) BX15 and BX20 spring reverbs (AKG) Oddity3 (softsynth, GForce) chipsynth MD (softsynth, Plogue) The Midnight Club (TV series from writer creator Mike Flannagan) Featuring: Alex May, Michael Shapiro, Vincent Diamante, and special guest Martin Stig Andersen Recorded November 25, 2022

Ep. 51La paura è un'emozione primaria.È presente in natura da sempre e da sempre caratterizza la vita del mondo animale. Gli animali impauriti fuggono dinnanzi al più forte, gli animali impauriti attaccano dinnanzi al più piccolo, gli animali impauriti si nascondono con la coda tra le gambe nel tentativo a volte comico di volersi fare più piccoli fino a scomparire.La paura è un emozione primaria e viscerale. Lo sappiamo bene noi, esseri umani, abitanti del mondo da più di 200 mila anni. Con la paura abbiamo dominato, conquistato, distrutto, ucciso.Con la paura abbiamo soggiogato e governato.Con la paura siamo sopravvissuti, ci siamo moltiplicati e ci siamo espansi.Con la paura abbiamo imparato a convivere, a volte a ignorarla, per lo più a far finta che non esista.Eppure c'è, sempre.Non abbiamo paura solo dei mostri, degli zombie, vampiri o tutte quelle creature fantastiche che popolano i nostri incubi e migliaia di storie belle e brutte.Per lo più abbiamo paura di quello che non conosciamo, abbiamo paura del diverso, del misterioso, dell'ignoto, della stanza buia apparentemente priva di pareti, dello sguardo di una persona che riteniamo diversa da noi, di una notte senza luna e senza stelle, della solitudine…La paura allora diviene incontenibile, fluida, ci pervade ogni parte del corpo, ci spinge a gesti sconsiderati, ci acceca,  spesso ci instupidisce, come se venissimo catturati da qualcosa, come se venissimo impossessati da qualcuno.La paura è nera.Buia.Paranormale.Dopo vent'anni dagli eventi assurdi che l'anno separata dal fratello Dylan, Jesse Fayden riesce finalmente a scoprire l'ubicazione del quartier generale del Federal Bereau of Control. Venti anni… fatti di nascondigli, ricerche, sotterfugi, fughe, pianificazioni e paura.Paura di aver perso suo fratello per sempre.Paura di quello che potrebbe scoprire.Paura di quello che le è successo.Ma ora è li, in piedi dall'altro lato della strada mentre guarda quell'imponente palazzo grigio e pensa che finalmente ce l'ha fatta, finalmente l'ha trovato.Viviamo in una stanza e c'è un poster sul muro. Lo fissiamo e pensiamo che sia il mondo intero. La stanza... e il poster. Ma è tutta una bugia. Qualcosa che ci distrae dalla verità. La stanza non è il mondo, il mondo... è molto più grande e molto più strano.Benvenuti o bentornati su mangianastri, io sono Jonathan e oggi parliamo della colonna sonora di Control.SitografiaControl WikipediaControl Wikipedia IngleseBrutalismo WikipediaRemedy Entertainment WikipediaSam Lake WikipediaMartin Stig Andersen WikipediaMartti Suosalo Wikipedia io cantante del Tango finalePetri Alanko Official SitePetri Alanko IMDBMartin Stig Andersen Official SiteControl WikiOld Gods of AsgardControl – making you feel lost in an endless placeControl's Composer Wants You To Know One Thing About Making Game SoundtracksWhy Control's composer burned a piano to make the game's haunting musicControl Is a Paranoiac's Dream Turned Into a VideogameControl & Limbo composer Martin Stig Andersen finds beauty inside the darknessSo you want to be a... videogames composer: Alan Wake and Control soundtrack creator Petri Alanko - "I sometimes think film composers have it really, really, really easy"Control is a fascinating work of video game storytelling that levitates above its limitationWhy Control is my game of the yearControl Full Story Summary and RecapQuesto episodio non è a fini di lucroI diritti dei brani musicali di questo brano non appartengono al sottoscritto.Ogni episodio di LATO A è una lettera d'amore all'industria videoludica, ai suoi produttori, direttori, sviluppatori, ma sopratutto ai suoi compositori. Per questo ogni episodio di LATO A è a scopo divulgativo e informativo.JonathanGrazie per leggere e ascoltare Mangianastri! Iscriviti per non perdere nessun contenuto e per supportare il tuo nuovo podcast preferito :) This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mangianastripodcast.substack.com

Alex and Vince are at it again! This episode features Vince trying to cajole Alex into coming to LA for GameSoundCon, but really it's all a front for how envious he is of Alex being able to hangout with Martin Stig Andersen for dinner while they were at the Reboot conference! Still, there's plenty of other fun stuff, from thoughts about Wwise to piano talk and game recommendations to make this a GAH episode for the ages! Notable mentions include: Reboot Develop Blue (game conference in Dubrovnik, Croatia) Martin Stig Anderson (sound designer) Limbo (Playdead) Back 4 Blood (Turtle Rock Studios) Scars Above (Mad Head Games) Dimitrije Cvetković (audio director) Wurlitzer spinets (half-decent pianos) Mason and Hamlin (American piano manufacturer) Jazz Hanon (piano studies) Aliens: Fireteam Elite (Cold Iron Studios, music by Austin Wintory) 140 (developed by Jeppe Carlsen)

Austin Wintory chats with composer and sound designer Martin Stig Andersen. Together they discuss his thought process behind designing the music behind the intense action packed scenes of Back 4 Blood; how much his classical music background informs his current work; his work on Playdead's LIMBO and INSIDE; and his performance work outside of video games. Martin Stig Andersen is a composer and sound designer with a background in the fields of acousmatic music, sound installations, electroacoustic performance, and video art. He is best known for his work in audio and music across several award winning titles including LIMBO, INSIDE, Control, Shadow of the Tomb Raider, and the recently released Back 4 Blood.  Follow us on Twitter @Official_AIAS, Facebook or visit us at interactive.org.

With Valve moving into the handheld market, we reflect on whether there's a place for a Switch-style PC in this episode. Plus! In a sequel of sorts to our Bad eBay Games Court episode, Big Sammy Holdings and Matthew Castle Productions are moving into the hardware market – hear us conceptualise the (fictional) perfect handheld games console. This week's music is from the Heavy Rain soundtrack by the late Normand Corbeil, the Control soundtrack by Petri Alanko and Martin Stig Andersen, and the Space Harrier soundtrack by Hiroshi Kawaguchi and Yu Suzuki.

No papel de Jesse Faden, o jogador é apresentado a um mundo misterioso através da "Casa mais antiga". Ao longo da progressão ocorrem acontecimentos estranhos e absurdos, de difícil explicação, explorando um espaço que se deforma constantemente. O jogo tem o tiro em terceira pessoa como base, mas a protagonista vai adquirindo poderes paranormais que dinamizam o combate, quanto muda o tipo de movimentação pelos cenários. Músicas: Nihil es simplex por Martin Stig Andersen e Petri Alanko. Twitter: @erickludico Instagram: @levelsecreto

في هذه الحلقة تكلّمنا عن انطباعاتنا للعبة Marvel's Avengers و Control: AWE، بالإضافة الى أخبار ناقشناها مثل اعلانات ماريو الجديدة وغيره!ألعاب تكلمّنا عنها وبالترتيب:Marvel's AvengersControl: AWEالحضور:مشعل الصويّانعمر اليوسفخالد العوبثانيلا تنسون تدعمونا اللايك والـSubscribe.==================================================تابعوا حساباتنا:-قناة بودكاست ألعاب:https://www.youtube.com/channel/UCii1xw-36gToa878MLa9QKwقناة ألعاب الرئيسية:https://www.youtube.com/c/alaabgamingصفحة البودكاست الصوتيhttp://alaab.buzzsprout.comتويتر ألعاب: (@AlaabGaming)http://www.twitter.com/AlaabGamingانستجرام ألعاب: (@AlaabGaming)http://www.instagram.com/alaabgamingتابعوا جميل عبد الأحد على قناته في تويتش:http://www.twitch.tv/jemimaruقناة ألعاب للبث المباشر في تويتش:http://www.twitch.tv/AlaabLIVE==================================================موسيقات الحلقة:-Alaab Network - A Beautiful Day To Play ~Alaab Main Theme~Publisher: Ahmed AlrashedComposer: Tee LopesControl: The Foundation - RetrowavePublisher: Remedy EntertainmentComposer: Petri Alanko, Martin Stig Andersen

In this wide-ranging interview, René speaks with Martin Stig Andersen about the tools and techniques he's used as a designer and composer over the course of his acclaimed career.

In this wide-ranging interview, René speaks with Martin Stig Andersen about the tools and techniques he's used as a designer and composer over the course of his acclaimed career.

Sam Hughes speaks with composer Petri Alanko, about his recent work on CONTROL, his process and his unique approach to thinking about music composition as well as much more! Petri Alanko (aka Lowland) is a BAFTA nominated Finnish composer, musician and producer. His dynamic repertoire ranges from the haunting orchestral/electronic score for Remedy Entertainment's psycho-thriller, Alan Wake, to elegant and sophisticated classical arrangements for Imaginaerum The Movie, based on the album by symphonic metal band Nightwish. His latest opus is the twisted and ominuous electronic sci-fi score for Remedy's next cinematic blockbuster, Control (composed in co-operation with Martin Stig Andersen), and he composed music for Remedy's critically acclaimed Quantum Break, filled with beautiful haunting and electronic thematic works. Several other titles are currently waiting for their release. Alanko's solo album, “We've Been Here Before”, under his moniker “Lowland” was released in 28th August, 2018. Special thanks to Callum Tennick for editing. Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

In this fantastic podcast episode, Sam Hughes speaks with composer/sound designer, Martin Stig Andersen. They discuss his fascinating career, his philosophy on sound design, music and the lines inbetween, and so much more! Don't miss this in-depth discussion. Full article and more: http://www.thesoundarchitect.co.uk/martin-stig-andersen/ ‎

Topics Covered: 00:03:29 - Super Mario Odyssey 00:11:52 - Danganronpa V3 00:24:12 - Monument Valley 2 00:29:58 - Wolfenstein 2: The New Colossus 00:44:15 - Voice acting strike is over 00:50:03 - Playstation Trophies can earn discounts 00:55:41 - Telltale Lay offs Email us at: email@saveourprogress.com Wednesday Let's Plays over at youtube: https://www.youtube.com/saveourprogress Check out our Twitch for future streams: https://www.twitch.tv/saveourprogress Follow us on Twitter at: https://twitter.com/SaveOurProgress Or follow the hosts on twitter at: Craig - https://twitter.com/SearosCanoel Paul - https://twitter.com/pomorales Pete - https://twitter.com/HalfTuckPete Zac - https://twitter.com/AronZacField Logo by Natalie Fang Dai Mixed by Zachary Field Opening Theme https://www.youtube.com/watch?v=yJEPTk7FLmk Pamgaea by Kevin MacLeod [Check out more of Kevin MacLeod over at http://incompetech.com/] Ending Credits Wolfenstein II: The New Colossus "Überviolence" by Mick Gordon and Martin Stig Andersen

(This program is in Danish) Lyt med, når Niels Malte snakker, diskuterer og spiller computerspil med komponist Martin Stig Andersen og programmør og komponist Jakob Schmid i The Lake Talks. Vi kigger og lytter på lydsiden til de prisvindende spil 'LIMBO', '140' og 'INSIDE', som er blandt de allerstørste danske spil-successer. 'INSIDE' var for nylig nomineret i syv kategorier til dette års BAFTA-prisuddeling, hvor holdet bag hev fire af dem med hjem. Lidt ekstra info om INSIDE ved dette års BAFTA-prisuddeling: The Guardian - https://www.theguardian.com/technology/2017/apr/07/baftas-2017-indie-title-inside-wins-big-but-uncharted-4-takes-best-game

Vous n'allez pas le croire mais oui, voici un nouvel épisode de GITP ! Et pas n'importe lequel. Celui-ci est très particulier pour nous, et ce, pour de nombreuses raisons. Pour la première fois nous avons uniquement enregistré à 2. Will et moi (Geoffrey) aimons la musique de jeu vidéo, nous en parlons à chaque épisode. C'était donc tout à fait logique que nous fassions un jour un HS uniquement consacré aux BO de jeux ! Nous avons choisi 14 titres qui ont de l'importance pour nous. Cette fois-ci, pas de mauvaise surprise, le son est clean, léché (en dehors des moments où nous nous éloignons un peu du micro) pour vous permettre d'écouter cette divine musique dans les meilleures conditions. La petite playlist est disponible ci-dessous ! Nous espérons que vous allez apprécier cet épisode qui compte beaucoup pour Will et moi. Modern par Bignic pour Zombies Courtesy par Chipzel pour Super Hexagon Arranger par Arman Bohn pour Happyland Cider Time par Lifeformed pour Dustforce Luftrausers par Kozilek In Case of Trouble par Darren Korb pour Bastion The Awakening par David Wise pour Tengami Adventure par Disasterpeace pour FEZ Dumb Ways to Die par Tangerine Kitty Boys'Fort par Martin Stig Andersen pour Limbo Society par The Qemists pour Olli Olli Electric Dreams par Perturbator pour Hotline Miami A Time for Change par David Housden pour Thomas Was Alone The Prettiest Weed par Jim Guthrie pour Sword & Sworcery   Où nous retrouver : Games in the Pocket : le site, Twitter, Facebook. Geoffrey est le créateur de Desperate Zombie, et il est @dzombie sur Twitter. Will est @willontheroad sur Twitter.

Totally underrated; also the different endings a game can have! Menu theme by Martin Stig Andersen from Limbo by Playdead; and Your Weapon Is Choice by Jason Graves and Main Theme by Jason Graves and DJ BT (Brian Wayne Transeau) from Alpha Protocol by Obsidian Entertainment.

Opening:"Boing Zoom DAKOTA!" by Shadow, from Rock Candy 1 0:00:31 - 0:03:13 Opening Segment 0:04:00 - 1:46:07 Main Topic Part One: 2012 in Review, featuring Kristina Pino 1:46:35 - 2:39:55 Main Topic Part Two: 2012 in Review, featuring Angel Defana & Austin Blake 2:40:58 - 2:43:08 Closing Segment Closing: "Boing Zoom DAKOTA!" by Shadow, from Rock Candy 1 List of music in order of appearance "Build That Wall (Zia's Theme)" by Darren Korb, from the Bastion OST "Main Theme" by Mahito Yokota, from the Super Mario Galaxy OST "Legend of Zelda Main Theme Medley" by Koji Kondo, from the Legend of Zelda 25th Anniversary Symphony "Misty Mountains" by The Dwarf Cast and Richard Armitage, from The Hobbit: An Unexpected Journey "Mama Told Me" by Big Boi featuring Kelly Rowland, from Vicious Lies and Dangerous Rumors "Madness" by Muse, from The Second Law "The Prettiest Weed" by Jim Guthrie, from the Swords and Sworcery OST "Moonlight Sonata" by Danimal Cannon, from Roots "No Quarter" by Led Zeppelin, from Celebration Day "An End, Once and For All" by Clint Mansell, from the Mass Effect 3 OST "Final Fantasy 2/4 - Boss Battle (Doni's Dubstep Remix)" by Doni, from Button Masher - Dubstep Edition "Derezzed" by Daft Punk, from the Tron Legacy OST "Battle vs wild Pokemon" by Kanto Symphony, from Pokemon Reorchestrated "Bad Things" by Jace Everett, from the True Blood OST "Sweet Drops" by Puffy, from the Usage Drop OST "Zannenkei Rinjinbu Hoshi Futatsu Han" by Tomodachi Tsukuritai, from Boku Wa Tomodachi ga Sukunai "Sakamichi no Melody" by Yuki, from the Sakamichi no Apollon OST "Orion no Nazuro" by Unison Square Garden, from the Tiger & Bunny OST "Skyfall" by Adele, from the Skyfall OST "Drug Lab" by Mike Shinoda & Joseph Trapanese, from The Raid:Redemption OST "Battle Ghirahim" by Koji Kondo, from The Legend of Zelda: Skyward Sword OST "I Am Alive and Not Alone" by Sam Hulick, from the Mass Effect 3: Extended Cut OST "Noveria" by Jack Wall, from the Mass Effect OST "Final Fantasy XIII-2 Overture" by Masashi Hamauzu, from the Final Fantasy XIII-2 OST "Menu" by Martin Stig Andersen, from the Limbo OST "Goes With Everything" by A_Rival, from the Street Fighter X Mega Man OST "Main Theme" by Yoko Shimamura, from the Xenoblade OST "I Dreamed a Dream" by Anne Hathaway, from the Les Miserable OST "Ballad of Gears (Out of Time)" by Viking Guitar, from Vampire Variations "Aoi Shiori" by Galileo Galilei, from the AnoHana OST "Doctor Who Main Theme 2012" from the Doctor Who Christmas Special "JoJo - Sono Chi no Sadame" by Hiroaki Tominaga, from the Jojo's Bizarre Adventure OST "Artificial Nocturne" by Metric, from Synthetica