Podcast appearances and mentions of ryan gander

This is a free preview of a paid episode. To hear more, visit www.thegallerycompanion.comShortlisted for the Independent Podcast Awards 2023. Subscribe to receive exclusive weekly content at www.thegallerycompanion.comIn this episode I discuss our diminishing capacity for sustained attention and how we get diverted by the stuff going on on our screens, by email, social media and different apps. There's nothing wrong in theory with having down time: our minds can't be working on hard stuff all the time. We need to do simple, mindless activities every so often to pause and clear our heads. The problem comes for those of us who spend too much time getting diverted.It's a sign that we are not valuing our time, which is our greatest asset. This is an idea that the artist Ryan Gander is interested in and I discuss some of the ideas he has talked about, especially the clarity that he finds in his creative thinking when he is not able to physically hold his phone. He has his best ideas when he can't be distracted by the internet. That's something many of us can relate to, but how do we make it happen in practice?The Gallery Companion is hosted by writer and historian Dr Victoria Powell. It's a thought-provoking dive into the interesting questions and messy stuff about our lives that art explores and represents.To see the images and watch the videos discussed in the podcast visit www.thegallerycompanion.com. This is where you can subscribe to The Gallery Companion, share your thoughts and join the conversation.

Alan Bleasdale's Boys From The Blackstuff is widely regarded as television drama at its best with a cultural footprint that led to the phrase “Gi's a job” being heard up and down the country. Forty years on from the first broadcast, James Graham, known for plays such as This House, about the UK's hung parliament of the 1970s, and Dear England about the England football team, has adapted Alan's screenplays for a stage production at the Royal Court theatre in Liverpool. He discusses why now was the right time to revisit and remodel. Chester Contemporary is a new visual arts biennial curated by artist Ryan Gander who was born and raised in Chester and has created a citywide event that features some of the visual art world's biggest names. Front Row visited Chester on the opening weekend to talk to Turner Prize-nominated artist Fiona Banner, emerging artist William Lang, Chester native Tim Foxon whose art pops up all over the city centre, and Turner Prize-winning artist Elizabeth Price, about their creations for the cathedral city. The renowned conductor John Eliot Gardiner has cancelled all his appearances for the rest of this year after allegedly slapping and punching a singer backstage after a performance. He is far from the only conductor linked to reportedly bad behaviour. But as society puts conductors on a cultural as well as physical podium, and addresses them as ‘maestro', perhaps such behaviour isn't surprising. Perhaps, too, marshalling a large orchestra requires dictatorial leadership. Igor Toronyi-Lalic, music critic of The Spectator, and the conductor Ben Gernon join Nick Ahad to discuss how conductors conduct themselves, and how they should. Presenter: Nick Ahad Producer: Ekene Akalawu Lorne Campbell 1:30 James Graham 6:09 Conductors 16:33 Chester Art 29:36

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the former and first female president of Secession Barbara Holub and the curator Rainer Fuchs. It was recorded on December 13, 2022. Barbara Holub lives and works in Vienna. Following her studies in architecture at the Technical University of Stuttgart, Holub developed a socio-politically engaged art practice. In 1999 she founded the collective transparadiso with Paul Rajakovics, which operates at the interface of art, architecture and urban intervention. From 2006 to 2007 Barbara Holub was president of the Secession. Since 1997, Holub has taught at the UIC/ School of Art and Design, Chicago, at the Vienna University of Technology, f+f School of Design and Media Design, Zurich, and the Universidad Católica, Valparaíso in Chile, among others. She has been a visiting professor at the University of Applied Arts Vienna, where she is currently a Senior Lecturer. She is a member of the editorial board of the journal dérive and a partner in the EU project SPACEX. Barbara Holub has been awarded numerous prizes (including the Austrian Art Prize, 2018) and has been part of international juries and advisory boards. In 2022, she most recently published the book Silent Activism. Rainer Fuchs (b. 1959 in Judenburg) studied art history, history, and philosophy in Graz. Since 1991, he has been the chief curator at mumok - Museum of Modern Art Foundation Ludwig Vienna. Past exhibitions include: Exhibition, 1994; Self Construction, 1996; Felix Gonzalez-Torres, 1998; Lois Weinberger, 1999; Öffentliche Rituale – Video/Kunst aus Polen, 2003; John Baldessari, 2005; Ryan Gander, 2006; Keren Cytter, 2007; Mind Expander, 2008; Painting: Process and Expansion, 2010; Aktionsraum 1, 2011; Dan Flavin 2012, Poetry of Reduction, 2012; Marge Monko, 2013; Space and Reality, 2014; Pakui Hardware, 2016, Nikita Kadan, 2017, Natural Histories – Traces of the Political, 2017; Ingeborg Strobl, 2020; Emília Rigova, 2022; On Stage, 2023.  Publikationen und Vorträge zur Kunst seit der Moderne. He has published publications and given lectures on art since the modern era. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director & Editor: Christian Lübbert Programmed by the board of the Secession Produced by Christian Lübbert

Episode Summary:At ZG19 we believe that the New Year should start with revisiting our relationship with nature and our planet, because we ARE the planet, an integral part of our ecosystem. This is why our first episode in 2023 is dedicated to an acclaimed SuperNatural exhibition at the Eden Project, a cross-disciplinary cultural leader, that runs till 26 February. The show brings together a range of international artists, including Ai Weiwei, Kedisha Coakley, Iman Datoo, Patricia Domínguez, Ingela Ihrman and Eduardo Navarro, who explore humankind's ever-evolving understanding of ourselves as a part of the natural world, the interdependencies between humans and plants, and the systems that inform our varying perspectives. In this interview the Senior curator Misha Curson and curator Hannah Hooks guide us through the exhibitions, mentioning global cultural activism, and stating that in order to develop a planet fit for the future, we need to nurture creative perspectives. Other two ladies that join the conversation are Iman Datoo and Patricia Dominguez. While an interdisciplinary artist Datoo expands on her curious practice that brings together botany and cartography, Domínguez tells us how she merges socio-political and economic matters with mysticism and ancient botanical knowledge.About Eden Project:Owned by the Eden Trust, the Eden Project is a global arts, science and educational charity with a social and environmental mission: to create a movement that builds relationships between people and the natural world to demonstrate the power of working together for the benefit of all living things. Eden champions creativity and critical thinking, and presents thoughtful and thought-provoking cross-disciplinary cultural, community and education programmes on-site and across local and national communities. Founded as a Millennium Project in 2001, Eden welcomes over one million visitors each year, it has a digital reach of several million and as Eden Project establishes new sites across the UK and in China, Australia and New Zealand, its reach is growing. Eden is at the forefront of emerging cultural practices in regeneration, conservation, sustainability, horticulture, architecture, community outreach and education. The organisation has an extensive network of scientific expertise and partners at leading local, national and international universities and research bodies.The world-famous Biomes house a living ethno-botanical collection. To date Eden has commissioned and exhibited such world-revered and diverse artists as El Anatsui, Wolfgang Buttress, Hayden Dunham, Ryan Gander, Jenny Kendler, Julian Opie, Peter Randall-Page, Tim Shaw and Studio Swine. Eden is a hybrid of gallery, museum, garden, venue, laboratory and university – a cross-disciplinary cultural leader for the 21st century, uniquely placed to offer transformative opportunities to artists engaged with social-environmental subjects.Follow Eden Project 's journey on InstagramHosts: Farah Piriye & Elizabeth Zhivkova, ZEITGEIST19 FoundationFor sponsorship enquiries, comments, ideas and collaborations, email us at info@zeitgeist19.com Follow us on InstagramHelp us to continue our mission and to develop our podcast: Donate

John Newton of the two JOHNs tells us about setting up their own label Pets Care Records, his art background, Brechtian theory, being an accidental chef, working with the contemporary artist Ryan Gander, being The Wurzels' assistant for the day and lots more! Photo: Paul Grace JOHN's new single 'Hopper On The Dial' is out now - from their upcoming 7" out next month. Get 20% OFF @manscaped + Free Shipping with promo code EARWAX at MANSCAPED.com! #ad #manscapedpod Get your 4 day tickets for 2000 Trees Festival, including Wednesday's Forest Stage Line Up with Bob Vylan, Holding Absence and more. Use '101POD' at checkout for £20 off, FREE MONEY: https://www.twothousandtreesfestival.co.uk/ Songs: JOHN 'Hopper On The Dial', Cock Sparrer ‘Working' Learn more about your ad choices. Visit megaphone.fm/adchoices

Hear Nathan Eden discuss Japan's ski industry, introduce his lodgings in Myoko Kogen (✔ 16m of snow ✔ kids ✔ vegan), describe his business during pandemic winters, explain how his wife's cancer influenced his career, and share best trip memories in Aka-jima (worst too!), Hagi (✔ LGBTQ+), and Yunohira. He recorded and shared his favourite sound (snow clearer), and expands on his favourite taste (iekei ramen) and smell (natto!). Host: Sébastien Duval Guest: Nathan Eden, owner of Myoko House and Myoko Apartments (Niigata prefecture). Support: Jessy Mauco Online highlights: [RYAN GANDER] https://imdb.com/title/tt7010438/ [AKA-JIMA] https://visitokinawajapan.com/destinations/kerama-islands/aka-island/ [HAGI] https://en.japantravel.com/permalink/65293 [YUNOHIRA] https://discover-oita.com/en/destinations/beppu-and-yufuin/yunohira-onsen/ Related episode: "Jerome Lee Interview". Sound effects obtained from https://zapsplat.com.

Welcome back to Where Love Lives, with me, Lulu Le Vay. This is Episode 11, the penultimate in this series, and this show is mega extra special as my guest is artist Ryan Gander in conversation with the lovely Miranda Sawyer. This dynamic pairing wasn't exactly planned, as on the day of the interview I was so sick with Long Covid symptoms I could barely speak, so dear Miranda stepped in and saved the day. I feel very humbled to have such supportive and understanding friends, which reflects what this podcast is all about. Friendships are just as important as romantic relationships, so this show is dedicated to the importance of friends in all of our lives. As Maya Angelou says about what makes proper friendship: ‘Try to be a rainbow in someone's cloud'. So here's a shout out to all the rainbows out there, starting with my guest Ryan Gander who took time out of his very busy schedule to come into the studios at Soho radio last month. Ryan is a self described ‘neo-conceptual' artist and ‘amateur philosopher' whose work ranges from a life size abandoned betting shop made of glass through to animatronic multi expressive googly eyes popping out of walls. What I love about Ryan's work is that it's witty and playful, whilst being able to offer insight and social commentary about the crazy and wonderful world around us. He's also very humble, fun to be around, and not up himself, which makes me like him even more. To explore his work do follow him on Insta and read all about him here. Remember, if you like this podcast do please leave a review on whichever platform you use and share with your friends. Do follow me @drlululevay and remember, I love you.

Welcome back to Where Love Lives, with me, Lulu Le Vay. This is Episode 11, the penultimate in this series, and this show is mega extra special as my guest is artist Ryan Gander in conversation with the lovely Miranda Sawyer. This dynamic pairing wasn't exactly planned, as on the day of the interview I was so sick with Long Covid symptoms I could barely speak, so dear Miranda stepped in and saved the day. I feel very humbled to have such supportive and understanding friends, which reflects what this podcast is all about. Friendships are just as important as romantic relationships, so this show is dedicated to the importance of friends in all of our lives. As Maya Angelou says about what makes proper friendship: ‘Try to be a rainbow in someone's cloud'. So here's a shout out to all the rainbows out there, starting with my guest Ryan Gander who took time out of his very busy schedule to come into the studios at Soho radio last month. Ryan is a self described ‘neo-conceptual' artist and ‘amateur philosopher' whose work ranges from a life size abandoned betting shop made of glass through to animatronic multi expressive googly eyes popping out of walls. What I love about Ryan's work is that it's witty and playful, whilst being able to offer insight and social commentary about the crazy and wonderful world around us. He's also very humble, fun to be around, and not up himself, which makes me like him even more. To explore his work do follow him on Insta and read all about him here. Remember, if you like this podcast do please leave a review on whichever platform you use and share with your friends. Do follow me @drlululevay and remember, I love you.

Amid the swelling cases of infection in Tokyo and the yen falling even further to a 24-year low, Kyoto's Gion Matsuri Festival roles into town on July 17th. Meanwhile, Reina Sugihara's "Frame," a solo exhibition of paintings at Misako & Rosen relays the painter's haptic sense of touch as Ryan Gander's "Killing Time" at Taro Nasu Gallery embraces their own uncertainty by hugging the life out of it. Learn more about your ad choices. Visit megaphone.fm/adchoices

JOHN - "Šibensko Powerhouse" from the 2021 album Nocturnal Manoeuvres on Brace Yourself Records / Pets Care Records. As one YouTuber comically remarked on the footage of JOHN's Live on KEXP Performance from 2019's International Clash Day celebration, “The best band with the worst SEO.” And they're not wrong, trying to find a band that goes by the most common English first name in the world on the internet is an incredibly difficult task. But once discovered, the riches that the duo rewards you with are plentiful. Made up of John Newton and Johnny Healey, the duo are an absolute force to be reckoned with. Their latest album Nocturnal Manoeuvres, released in October, takes the explosive riffs the two Johns have a penchant for and spreads them out into maximalist, psychedelic new territories. Our Song of the Day is the album's early single “Šibensko Powerhouse,” a turbulent thumper that features vocals from none other than IDLES bassist Adam Devonshire for an extra layer of fury.  “The lyrics came from a now-distant memory of visiting a festival in another country,” offers drummer and lead vocalist Newton. “I remembered standing alone in baking 40 degree heat on the hillside outside of my apartment – only to hear a familiar song echoing live in the distance from over the hill's crest. It was a once in lifetime moment that just stuck with me, a reminder of my small scale in the greater scheme of the world.” Nocturnal Manoeuvres follows 2019's Out Here on the Fringes. Watch the Ryan Gander-directed video for “Šibensko Powerhouse” on KEXP.org.  Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

Gander chose Study of a Coloured Tile Path With Red, Black and White Tiles, 1988 due to seeing a shared interest in time and collecting places in moments. It is a meticulous recreation of a randomly chosen area of the earth's surface in resin, fibreglass and mixed media, perhaps representing a front garden path in London.Ryan Gander's work takes many different forms, from sculpture, film, writing, graphic design and performance. He joins Ned McConnell from his Suffolk studio for a conversation about working with your kids, fables and fantasy and the gaps between reality and history.Have questions, comments or want to see more of what the Roberts Institute of Art does? Reach us via therobertsinstituteofart.com, @therobertsinstituteofart and subscribe to our newsletter!

Ryan Gander’s inventive, shapeshifting and associative works materialise in many forms ranging from sculpture and writing to painting and performance. His engagement with histories is not without mischief, in his 2006 work A Future Lorum Ipsom, Gander invented a palindromic word, ‘Mitim’, designed to be inserted without comment into newspapers, magazines, crosswords or everyday speech, meaning ‘a mythical word newly introduced into history as if it had always been there’. In this episode of British Art Talks, an array of artists is enlisted in a quixotic project: a countdown from fifty in bingo calls. The funny, rhyming calls evoke a history of a game of pure chance, based on random numbers, dating from the early eighteenth century in Britain. They include visual puns and enigmatic idiom. They speak of clandestine activity, village halls and commercial leisure. First, a story, part of a beat poem, narrated by Ryan as author, to his daughter, Penny, in a disarming and semi-autobiographical form: a history of the artist navigating, inventing, transforming, ludic, in time.

This week we're discussing artist's websites and more specifically how artists are seen and present themselves and their work online. The artist's websites we discuss are Ryan Gander, Molly Soda, Cecile B. Evans, Eva and Franco Mattes, Imran Perretta, Keiken, nabbteeri, and Marc Horowitz. We also interview Robyn Nichol about her own internet presence and they way she navigates being an artist online.   Robyn Nichol - www.robynnichol.com https://www.instagram.com/robynnichol/   Ryan Gander - https://ryanganderarchive.com/   Molly Soda - https://mollysoda.exposed/   Cécile B. Evans - http://cecilebevans.com/index.php/activities/notes/   Eva and Franco Mattes - https://0100101110101101.org/   Imran Perretta - http://www.imranperretta.com/   Keiken - https://www.instagram.com/_keiken_/?hl=en   nabbteeri - http://www.nabbteeri.com/   Marc Horowitz - http://1833marcive.com/

British artist Ryan Gander discusses a new body of work related to culture, time, mortality and the inability of language to describe the full range and despair of our current human condition. In each work in this trilogy of sculptural installations, an animatronic mouse appears from the debris of a hole in the wall to philosophise, commanding the room with its tiny voice and inviting the visitor to kneel down to hear what it has to say.

To mark the occasion of what would have been the public preview of their exhibitions, Castlefield Gallery curator Matthew Pendergast invited artists Bryony Dawson and Ryan Gander to share some questions and thoughts on their works. Find images of the podcast here: - bit.ly/BaRfiles - bit.ly/BaRimage

Russell & Robert chat to leading conceptual artist Ryan Gander OBE. We explore artist persona, designing a kitchen sink, family ties, the soul of objects and why his art has been so commercially successful in Japan. Ryan reveals how a limited edition Rolex watch transformed into an artwork, why he worked with glow-in-the-dark concrete, the importance of empathy and why we should all ‘let the world take a turn'. For images of works discussed in this episode, visit our Instagram @TalkArt. Ryan’s new BBC Four documentary ‘Me, My Selfie and I’ is available to view on iPlayer until mid April 2019. Please leave us a review and rating if you’ve enjoyed this episode! See acast.com/privacy for privacy and opt-out information.

Simon Amstell directs his first cinema release - Benjamin. The title character is a thinly-disguised version of himself with nervous lack of self esteem who is directing a film about himself. It's all very meta but is it marvellous? Milton Keynes has just reopened its art gallery. Much enlarged and architecturally improved, the first exhibition there is The Lie Of The Land, charting how the British landscape was transformed by changes in free time and leisure The bicentenary of Queen Victoria's birth has seen lots of artistic projects to mark the moment. Norther Ballet has commissioned a work by choreographer Cathy Marston which looks at the Queen's life through her relationship with her youngest daughter. Sadie Jones won the Costa First Novel award for her book The Outcast and her latest The Snakes is set in contemporary London and Burgundy. BBC4 marks the 30th anniversary of the creation of the World Wide Web with programmes including Me My Selfie and I presented by Ryan Gander and How To Go Viral: The Art of the Meme With Richard Clay Tom Sutcliffe's guests are Ellen E Jones, Jen Harvie and Toby Lichtig . The producer is Oliver Jones PodcastExtra recommendations Jen: Carolee Schneemann and Katherine Araniello Ellen: The Dropout podcast Toby: Max Cooper and Country by Michael Hughes Tom: James Mays' BBC documentary on Hornby Trains

For this first episode titled ‘On Time’ Richard Deacon, Richard Wentworth and Ryan Gander have been invited to engage with the theme of “On time.” “On time” forms part of a series of episodes that will occur throughout the podcast. “On demand” and “On reflection” will be broadcast soon. Lisson… ON AIR is written and made by Hana Noorali. Image: Ryan Gander, On slow Obliteration, or Where fun goes to die, (detail) 2017 Coloured flip-dot panel, powder coated aluminium tray frame, rub down transfer 130.3 x 86.1 x 7.8 cm, 51 1/4 x 33 7/8 x 3 1/8 in Courtesy the artist and Lisson Galley

British artist Ryan Gander discusses his complex practice with Carrie Scott at the Miami Beach EDITION hotel. showstudio.com/project/in_your_face_interviews/ryan_gander

Social media is like fast food – rapidly consumed for instant gratification. No wonder social media demeans art. Artworks that instantly seduce online become tedious when contemplated over time in the flesh. Once art goes viral, it gains traction, particularly in the market, and becomes unjustifiably acclaimed. Museums may be keen to reach new audiences, but can great masterpieces really be appreciated on the miniature canvas of your mobile phone screen? Shrink art and you shrink its power – no one can really believe they've experienced an artwork without examining the ideas and the artist's mastery of their medium. And this is an even bigger issue when it comes to experiential artworks such as performance or virtual reality. What nostalgic nonsense, say digital art fans. Attacking social media is like attacking photography in the 19th century. The internet is the medium of the age. To ignore it is to reject the future. For existing masterpieces, social media is the key to all the world’s museums and galleries. No longer are works hidden away in dusty storage rooms in another country. With a simple swipe of your finger you can explore artworks you never knew existed, prompted by suggestions from people you admire. Commercially, the online art market is estimated to have grown to over $3 billion in 2016. At last, art has become truly democratic, open to all to view and buy. This debate took place in Hong Kong on 23rd March 2017. Arguing for the motion were internationally acclaimed artist Ryan Gander and curator for the Encounters sector of Art Basel Hong Kong Alexie Glass-Kantor. Arguing against the motion were the Director of Indonesia's Museum of Modern and Contemporary Art in Nusantara, Aaron Seeto, and international art advisor and founder of FSA Art Advisory, Lisa Schiff. The debate was chaired by Tim Marlow, Director of London's Royal Academy of Arts. See acast.com/privacy for privacy and opt-out information.

Lena Dunham's show skewered millennial culture - but did it revolutionise TV? Plus: artist Ryan Gander on why he never does the same thing twice See acast.com/privacy for privacy and opt-out information.

Prince has been the Executive Director of the Contemporary Art Gallery in Vancouver, Canada, since 2011. Prior to this he was Curator at Ikon Gallery, Birmingham, UK, where he was responsible for an international program, making solo exhibitions and publications with artists including Arturo Herrera, Donald Judd, Olafur Eliasson, Andrea Zittel, Martin Boyce, Shahzia Sikander, Ryan Gander, Victor Man, Marcel Dzama, Steven Shearer and Susan Philipsz amongst many others. His exhibition of paintings and drawings by Cuban artist Carmen Herrera in 2009 was critically heralded as the ’discovery of the decade’ by newspapers The Guardian/Observer in the UK and The New York Times.

We are still playing catch up around the headquarters here, but today's guest, Ryan Gander, certainly isn't. The extremely prolific and hard working artist took the time to sit down with us and talk on the occasion of his opening at David Risley Gallery. We had a warmhearted talk about not being able to turn it off, about the distinction between success and not success and he lays the smack down on state funded art works. In the meantime he also parted the clouds of doubt in Ando's head, and helped spread the universal message of art and change to the world, so don't miss this one. www.undergang.net

We are still playing catch up around the headquarters here, but today's guest, Ryan Gander, certainly isn't. The extremely prolific and hard working artist took the time to sit down with us and talk on the occasion of his opening at David Risley Gallery. We had a warmhearted talk about not being able to turn it off, about the distinction between success and not success and he lays the smack down on state funded art works. In the meantime he also parted the clouds of doubt in Ando's head, and helped spread the universal message of art and change to the world, so don't miss this one. www.undergang.net