Secession Podcast

Stein ist in unser aller Leben omnipräsent, nicht zuletzt in Form der Architekturen, in denen wir wohnen und arbeiten. Mit deren Utopien und Widersprüchen beschäftigt sich Aglaia Konrad in Filmen, Fotografien und Skulpturen. Die Künstlerin ist in den Alpen aufgewachsen. Seitdem begleitet Stein als Urmaterial, das Felsformationen, Berglandschaften, aber auch Architektur bildet, ihr Schaffen. Mehr erfahren

This episode of Secession Podcast: Members features artist Florian Pumhösl in conversation with artist colleague Elisabeth Kihlström. It was recorded at the Secession on 7 November 2024. Florian Pumhösl, born 1971, is an artist based in Vienna and Munich. Focussing on abstract vocabulary he has been working mostly on reliefs and drawings for the past years. Recent solo exhibitions have been held at Miguel Abreu Gallery in New York, Galerie Buchholz in Berlin, and at Dvir Gallery, Paris.   Elisabeth Kihlström, born 1988 in Sundborn, Sweden, is a visual artist based in Vienna. Working with sculpture, textile, installation, performance, and film, her recent practice focuses on handwoven sculptures made from metal and horsehair. She was awarded the Dorothea von Stetten Art Award in 2024. Recent presentations include Kunstmuseum Bonn, Contemporary Art Factory Kyoto, Black Forest Institute (BIA) and MUMOK Kino. In June 2025, she will present new work at BEK Forum, Vienna. Kihlström is also co-editor of Agency, a Vienna-based publishing initiative. Secession Podcast: Members is a series of conversations featuring members of the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Jeanette Pacher

This episode is a conversation between the artist Ana Vaz and the curator Damian Lentini. It was recorded on 7 March, 2025 in the context of the exhibition: Ana Vaz Meteoro  8.4. – 18.5.2025 In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth. The deconstruction of the grand narrative of Western modernity that imposes itself across vast territories on this planet lies at the heart of her filmography. In her exhibition at the Secession, Vaz showcases her new film series Meteoro (2023–). Predominantly focusing on Paris and Porto, European cities are depicted as on the verge of collapse or on the path to extinction. More Ana Vaz is an artist and filmmaker born in the Brazilian midwest inhabited by the ghosts buried by its modernist capital: Brasília. Originally from the cerrado and wanderer by choice, Ana has lived in the arid lands of central Brazil and southern Australia, in the mangroves of northern France and in the northeastern shores of the Atlantic. Her filmography activates and questions cinema as an art of the (in)visible and instrument capable of transforming human perception, expanding its connections with forms of life — other than human or spectral. Her film-poems are marked by a constant experimental defiance to the poetic forms of contemporary cinema, highlighting the profound contradictions of our time and questioning, above all, the destructive practices of colonial modernity. Consequences or expansion of her cinematography, her activities are also embodied in writing, critical pedagogy, installations or collective walks. Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Production: Damian Lentini, Jeanette Pacher

This episode looks back at one of the central artistic positions in the group exhibition Forms of the Shadow. Minouk Lim's Currahee – Stand Alone, a floor-to-ceiling installation of painted military blankets, created a striking division of space and, in the context of the exhibition, could also be read in terms of the divided situation on the Korean peninsula, but also in the broader context of military conflicts, and as such this work is exemplary of current political crises and the latent danger of military escalation. More On the occasion of this group exhibition, a spontaneous series of conversations with the artists who attended the opening in Vienna has evolved into a podcast mini-series. This conversation took place on 19 September 2024. Forms of the Shadow Curated by Sunjung Kim 20.9. – 17.11.2024 The publication is available for free download here Exhibition talk with Sunjung Kim, Adrián Villar Rojas and Jane Jin Kaisen, moderated by Noit Banai With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon The work of Minouk Lim (b. 1968, Daejeon, KR) extends personal experiences into a broader social realm, combining the intense political context of historical discontinuity and trauma with challenging yet sensory poetic narratives. Ranging from sculptures in non-fixed, fragile forms using organic materials, to video and performance that reposition fact and fiction, to multifaceted installations incorporating drawings, paintings, text, and sound, the artist's work transcends the boundaries of genres and categories of media, reaching the point where each medium intersects and translates one another. Lim's works engage in a “reconfiguration of the sensible” that seeks to uncover history's hidden voices and forms. Her media is based on questions about modernity, issues of community and memory, and reflections on places concealed by time and space. Lim's work is considered a “mediumistic media” that explores forms that revitalize endangered relationships in unfinished structures. Since 2008, Bettina Spörr is a curator at the Secession, where she engages in close collaboration with artists to conceptualise and realise exhibitions that explore the profound impact of contemporary art on society. Throughout her career, she has worked with numerous artists on solo exhibitions and, in 2010, curated the group show where do we go from here? at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

This episode was recorded on 7 March 2025 in the context of the exhibitions: Yuki Okumura. Yuki Okumura and Big White Playground  With Miriam Bachmann; Mario Batram; Paul Buschnegg; Said Gärtner; golden salamturtle; Grzegorz Kielawski; Emine Koza; Niklas Hofstetter; Yuki Okumura; Flavio Palasciano; Alex Pasch; Cristina Rüesch; Sebastian Scholz; Paul Spendier; Johanna Steiner; Lorenz Sutter; Kai Philip Trausenegger; Hans Weinberger; Marit Wolters; Márton Zalka  The so-called white cube is a seemingly “neutral” and “pure” space with plain-white walls that is supposed to ensure the undisturbed autonomy of art. The Hauptraum, the largest gallery of Secession, is one of the earliest and most representative examples of it. Like many artists who have exhibited here, Yuki Okumura took its empty state as a departure point for his working process. But instead of bringing works to this ideal backdrop to isolate art from the world, the artist conceived three site-specific projects to rediscover the space as a lived room interconnected with the world marked by its own conditions and contexts. For each project, Okumura designed a playful procedure and asked people related to the Hauptraum to enact it. More A publication featuring an essay by James Gatt and a conversation with Yuki Okumura and Aaron Amar Bhamra & Monika Georgieva from the Vienna-based independent art space Laurenz accompanies the exhibition. download publication The exhibitions are on view until 18 May, 2025. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

The idea that natural elements can serve as witnesses to history is central to my work. When you look at the landscapes in my projects – what I refer to as ‘landscapes of violence' or ‘geographies of violence' – you see how these environments bear witness to historical trauma and conflict. (Ali Cherri) This episode was recorded on 19 February 2025 in the context of the exhibition: Ali Cherri How I Am Monument 6.12.2024 – 23.2.2025 Ali Cherri was born in Beirut and lives and works in Paris. Spanning film, performance, sculpture, drawing, and installation, his work is inspired both by archaeological artefacts and the natural world, exploring the temporal shifts between ancient civilisations and contemporary societies. Using artefacts as a starting point, he investigates the boundaries of ideologies that underpin the foundations of nations and the myth of national progression. His work considers the links between archaeology, historical narrative and heritage, and the processes of excavation and relocation of cultural objects into museums. Reflecting on different geographies of violence in his native Lebanon but also in the broader region, he interrogates the ways in which political violence disseminates into people's bodies and the physical and cultural landscape. More Jeanette Pacher is a curator for contemporary art and has worked at the Secession since 2007, where she has developed numerous exhibitions in a sustained dialogue with artists, often supporting them in the production of new works, and has edited and contributed to related publications. She lectures regularly at the Department of Site-Specific Art at the University of Applied Arts Vienna and, since 2023, has served as a jury member for KÖR – Art in Public Space Vienna. Previously, she was part of the editorial team for the Ö1 Kunstradio radio show and began her curatorial career at Kunsthalle Wien in the mid-1990s. A publication featuring an essay by Tom Houlton and a conversation with Ali Cherri, Emma Dean, and Jeanette Pacher accompanies the exhibition. https://secession.at/publikation_ali_cherri_EN Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Jeanette Pacher    

Diese Folge des Secession Podcast: Members präsentiert die Künstler*innen Helmut und Johanna Kandl im Gespräch mit Kathrin Becker, der Direktorin des KINDL – Zentrum für zeitgenössische Kunst in Berlin. Johanna Kandl ist seit 1984 Mitglied und war von 1999 bis 2003 und von 2006 bis 2007 im Vorstand der Secession. Das Gespräch wurde am 11. Oktober 2024 in der Secession aufgenommen. HELMUT & JOHANNA KANDL Seit 1997 verheiratet und gemeinsame Arbeit, vor allem bei partizipativen und Rechercheprojekten. Leben und arbeiten in Wien und Berlin. https://www.hjkandl.at Helmut Kandl (geb. Schäffer) Geboren 1953 in Laa an der Thaya. Er verfolgt einen zum Angewandten hin offenen Kultur- und Kunstbegriff, der sich von der Schaffung von Kulturvermittlungseinrichtungen (GALERIE BRÜNNERSTRASSE, „FLUSS – NÖ Fotoinitiative“, Kunsthalle Krems) über Wohnprojekte Amtsstraße 28 bis zur Beschäftigung mit dem Kochen erstreckt. Im Bereich Recherche und  Dokumentation verwendet er vorrangig die Medien Fotografie und Video, oft unter Einbeziehung von Archiven und privater Fotografie. Johanna Kandl Geboren in Wien. Arbeitet im Bereich Recherche und Dokumentation in den Medien Malerei und Video. Der Fokus der letzten Jahre liegt auf historischen und zeitgenössischen Malmaterialien und ihrem sozioökonomischen Kontext. Studium Konservierung und Technologie Akademie der bildenden Künste Wien, Malereistudium an der Akademie der bildenden Künste Wien und der Akademija Likovna Umetnosti Beograd. Professur an der Universität für angewandte Kunst Wien 2005-2013. Im Vorstand der Secession von 1999 bis 2003 und von 2006 bis 2007. Einige Ausstellungen (hk Helmut Kandl, Jk Johanna Kandl, hjk helmut & Johanna Kandl, P Personale) 1996 Centre National de la Photographie, Paris, Antagonism, (hk); 1999 Wiener Secession (jk, p), 2003 Kunstverein Basel Painting on the Move, (jk); 2007 Hayward Gallery, London, The painting of Modern Life, (jk); 2010 Pavillon Populaire, Montpellier, Aires de jeux, champs de tensions: figures de la photographie urbaine en Europe depuis 1970, (hk), 2017, Deichtorhallen Hamburg Wunder, 2010 (hjk), Albertina Wien (Österreich. Fotografie 1970−2000, (hk); 2019 Belvedere Wien Womit gemalt wird und warum, (jk,p), 2021 Kunsthaus Graz, Palette, (hjk, P); NÖ Landesgalerie, Krems, Viva Archiva, (hjk, P) Berlin, After the butcher, Was sind alle Kornblumen…, 2023 (hjk, P) Kunst im Öffentlichen Raum 2024 Ringturmverhüllung Mit den besten Zutaten, (jk, P); Willi-Resetarits-Hof, Wien, Wandmalerei Be a Mensch (jk, P) Kathrin Becker arbeitet seit Februar 2020 als künstlerische Direktorin des KINDL – Zentrum für zeitgenössische Kunst. Bis 2019 war sie Leiterin des Video-Forums des Neuen Berliner Kunstvereins (n.b.k.) und dessen Geschäftsführerin und Kuratorin. Sie studierte Kunstgeschichte und Slawistik an der Ruhr-Universität Bochum und an der Staatlichen Leningrader Universität. Themen ihrer kuratorischen Arbeit sind interkulturelle und transnationale Fragestellungen, die Rolle der bildenden Kunst in der Gesellschaft sowie der Komplex der Exklusion und Inklusion in zeitgenössischen Kulturen. Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Bettina Spörr

In dieser Folge hören Sie den Künstler und ehemaligen Präsidenten der Secession, Matthias Herrmann im Gespräch mit Rike Frank, aufgezeichnet am 17. Juni 2024. Matthias Herrmann (*1963 in München) war von 1986 bis 1988 Mitglied des Balletts der Wiener Staatsoper. Von 1988 bis 1993 studierte er konzeptuelle Kunst bei Prof. Ernst Caramelle und Brigitte Kowanz an der Hochschule für angewandte Kunst in Wien. Von 1997 bis 1999 war er Mitglied des Vorstands der Wiener Secession, zu deren Präsident er 1999 (als jüngster Präsident seit Gustav Klimt) gewählt wurde. Von 2006 bis 2012 war er Professor für Kunst und Fotografie an der Akademie der bildenden Künste Wien, wo er nach Beendigung seiner Professur von 2013 bis 2018 als Mitglied des Universitätsrats tätig war. Seit 1999 wird er als Künstler von der Galerie Steinek (www.steinek.at) vertreten und lebt heute in Wien und Riparbella (Italien), wo er mit seinem Mann eine biologische Landwirtschaft betreibt. Rike Frank interessiert sich seit den 1990er Jahren für institutionelle Modelle, ist als Kuratorin tätig, publiziert und unterrichtet gelegentlich Ausstellungsgeschichte und kuratorische Praxis. Seit 2020 ist sie Geschäftsführerin des Berliner Programm Künstlerische Forschung und leitet zusammen mit Vanessa Joan Müller die European Kunsthalle. Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Bettina Spörr

“Lately, I have been considering how to get out of a structure in which I am forced to make sense. So, I've been thinking about the ways in which 20th century Caribbean poetry did a lot of work around nonsense. (…) I guess it's very dadaist in a way: destroying the order around you, clearing a path so that other kinds of relationships between objects, ideas and places can happen.” Beatriz Santiago Muñoz in an interview with Andreas Petrossiants, published in Frieze, No. 248, 2024 This episode was recorded on 6 December, 2024 in the context of the exhibition: Beatriz Santiago Muñoz Elogio al disparate 6.12.2024 – 23.2.2025 Beatriz Santiago Muñoz is a firm believer in the transformative potential of the camera to re-imagine and re-signify the world. At the center of her three films shown at the Secession is, of all things, nonsense. The newly produced works that were shot on 16 mm stock and then transferred to video use free association and formal play to build relationships between sound and image that are not to be grasped by “making” rational sense.  More Beatriz Santiago Muñoz is an artist whose expanded moving image work is entangled with Boalian theater, expanded cinema and feminist practices. She tends to work with non-actors, and incorporates improvisation into her process. Her recent work is on the sensorial unconscious of anti-colonial movements and language experiments. Recent solo exhibitions include: Ottilia at Crac-Alsace, Oriana in PIVO, Sao Paulo, and argos in Brussels. She lives in San Juan, Puerto Rico. Since 2008, Bettina Spörr is a curator at the Secession, where she engages in close collaboration with artists to conceptualise and realise exhibitions that explore the profound impact of contemporary art on society. Throughout her career, she has worked with numerous artists on solo exhibitions and, in 2010, curated the group show where do we go from here? that took up the format of Secession's ‘Young Scene' exhibitions, presenting around 30 upcoming artists from Austria and Central Europe. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession.  Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

This episode is a conversation between the artist Rochelle Feinstein and the curator Damian Lentini. It was recorded on 3 December, 2024 in the context of the exhibition: Rochelle Feinstein The Today Show 6.12.2024 – 23.2.2025 For over forty years, the American painter Rochelle Feinstein has developed an oeuvre that infiltrates abstract painting with political, social and environmental concerns. Throughout a series of diverse yet thematically interwoven groups of works, Feinstein cuts, flips, and rearranges printed gestural marks that are then collaged into paintings; she also makes sculptures and prints out of everyday materials. The Today Show presents a range of newly created works that circulate around the question of how to connect canvas, color and gesture with the specific personal and public conditions of our time. More Rochelle Feinstein is a painter navigating the terrain of abstract painting as it unfolds across diverse and thematically interwoven bodies of work. Geometric forms—the modernist trope of the grid is a regular presence—and vibrant chroma become tools to explore notions of artistic value and production, societal structures, and feminist idioms. Though it takes myriad forms, her singular project always centers painting within culture at large. While drawing upon the conventions embedded in painting practices as much those of contemporary culture, her works incorporate drawing, photography, printmaking, sculpture, and video. Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Production: Damian Lentini, Bettina Spörr

On the occasion of the group exhibition Forms of the Shadow, a spontaneous series of conversations with the artists who attended the opening in Vienna has evolved into a podcast mini-series. These audio recordings offer fascinating background information on the works and diverse artistic approaches. “My work deals with tourism, militarism, colonialism, imperialism—forms of power” says Vancouver-based artist Jin-me Yoon. In her conversation with Bettina Spörr, she revealed that her first university degree was in psychology, a field of study that deeply influenced her artistic practice. She talks among many other topics about her work Beneath (2012) that was filmed in Vienna. Through a seemingly simple action—pushing her body on a moving platform from Sigmund Freud's former home and office to Heldenplatz, where Hitler was welcomed by thousands during Austria's annexation in 1938—Yoon directly addresses a profound national trauma. More The conversation was held on the 21st of September 2024 as part of the exhibition: Forms of the Shadow Curated by Sunjung Kim 20.9. – 17.11.2024 With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon Jin-me Yoon (b. 1960, Seoul, KR) is a Vancouver-based artist whose work explores the entangled relations of tourism, militarism, and colonialism. Since the early 1990s, she has used photography, video, and performance to situate her personal experience of migration in relation to unfolding historical, political, and ecological conditions. Through experimental cinematography and the performative gestures of family, friends, and community members, Yoon reconnects repressed pasts with damaged presents, creating the conditions for different futures. Staging her work in charged landscapes, Yoon finds specific points of reference across multiple geopolitical contexts. In so doing, she brings worlds together, affirming the value of difference. Bettina Spörr is a curator at the Secession and was instrumental in bringing the exhibition to fruition. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

With his strategically prominent installation The End of Imagination III (2024), presented at the entrance to Forms of the Shadows, Adrián Villar Rojas created a work specifically for this exhibition, referencing the Apollo 11 mission and the race for space dominance. The work captures this historical moment while also thinking beyond it in a visionary way. In this episode, the artist shares his thoughts and motivations that inspired this impressive and meticulously executed sculpture. Adrián Villar Rojas as part of the exhibition Forms of the Shadow Curated by Sunjung Kim 20.9. – 17.11.2024 With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon Bettina Spörr is a curator at the Secession and was instrumental in bringing the exhibition to fruition. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Programmed by the board of the Secession Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

This episode within the Forms of the Shadow podcast series is dedicated to Lee Kit and his site-specific installation In Broad Daylight (2024). For Lee, whose practice is rooted in painting, the space has become a canvas, and the creation of the work a process of editing the space and himself, similar to the editing of the videos on view. His installations often create an intimate, almost meditative atmosphere with a strong emotional impact. In this way, he succeeds in translating the essence of painting into new artistic forms, creating a fluid experience between image and space. Forms of the Shadow Curated by Sunjung Kim 20.9. – 17.11.2024 With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon Bettina Spörr is a curator at the Secession and was instrumental in bringing the exhibition to fruition. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Programmed by the board of the Secession Audio Editor: Paul Macheck Executive Producer: Bettina Spörr  

Aufbauend auf dem Gespräch mit der Gastkuratorin Sunjung Kim konzentriert sich diese Podcast-Reihe zu Forms of the Shadow auf die einzelnen Künstler*innen der Ausstellung und beleuchtet ihre Werke. Diese Folge widmet sich dem Installations- und Soundkünstler Joon Kim, seiner Arbeitsweise mit field recordings und geht Fragen nach Komposition, Manipulation und Arrangements von Klängen nach. Am Ende des Gesprächs sind die drei Tonspuren der Installation in voller Länge zu hören. In der Secession präsentiert er The Hidden Treasures (2024), ein Soundscape-Projekt, das eine Sammlung von Klängen und Bildern aus Dörfern in der Nähe der sogenannten Demilitarized Zone (DMZ) zusammenführt. Kim erfasst den „Klang“ des natürlichen Ökosystems, das durch die Teilung Koreas lange Zeit von Menschen beinahe unberührt erhalten geblieben ist. Auf diese Weise führt das Projekt das Publikum indirekt an unbekannte Orte, die es noch nicht erlebt hat. Joon Kim hat in Bielefeld, Kassel und an der Akademie der Künste in Berlin studiert, weshalb diese Folge auf Deutsch aufgezeichnet wurde. Forms of the Shadow Kuratiert von Sunjung Kim 20.9. – 17.11.2024 Mit Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon Bettina Spörr ist Kuratorin an der Secession und war maßgeblich an der Umsetzung der Ausstellung beteiligt. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Programmiert vom Vorstand der Secession Schnitt: Paul Macheck Produzentin: Bettina Spörr

Following a conversation with guest curator Sunjung Kim, this podcast series now focuses on the individual artists in the exhibition, alongside their works. Recorded on 19 September 2024, this episode focuses on the filmic work of the Danish/Korean artist Jane Jin Kaisen and her operatic multichannel work Burial of this Order – on display in the Gallery of the Secession – as well as her wider practice. At the end of the discussion, four brief audio clips from the film will be played to engage the listener in the artist's seductive and operatic world. Forms of the Shadow Curated by Sunjung Kim 20.9. – 17.11.2024 With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others.   The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Programmed by the board of the Secession Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Young In Hong is working across installation, sound, performance, textile and drawing. Her practice often focuses on undervalued cultural practices and seeks for a sense of equality that gently undermines ruling hierarchies. In recent years, Hong has increasingly examined notions of inter-species communication, symbolism and the hybridity of sound, movement and objects in the context of other-than-human voices. More Young In Hong is one of 18 artists and artist groups featured in Forms of the Shadow, and one of four artists whose works are shown at the Secession and its partner, the Korean Cultural Centre in Vienna. In this episode, recorded on September 20, 2024, the artist discusses her installation Double Encounter (2009), on view at the Secession, as well as her new work White Cranes and Snowfall (2024), presented at the Korean Cultural Centre. Further conversations with Jane Jin Kaisen, Joon Kim, Lee Kit, Minouk Lim, Adrián Villar Rojas, Ramiro Wong, Tomoko Yoneda, Jin-me Yoon, and Min Yoon were conducted and will be released in the coming weeks during the exhibition: Forms of the Shadow Curated by Sunjung Kim 20.9. – 17.11.2024 With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon   Bettina Spörr is an in-house curator at the Secession, where she played a key role in bringing the exhibition Forms of the Shadow to fruition. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Programmed by the board of the Secession Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Forms of the Shadow is the first group exhibition at the Secession since 2018, continuing the loose series of guest-curated thematic shows held there at irregular intervals. In this podcast, recorded on 20 September 2024, the day after the opening, Bettina Spörr speaks with Sunjung Kim about her REAL DMZ PROJECT and how Forms of the Shadow evolved from it. Their conversation also explores Sunjung Kim's personal motivation to engage with the political division of North and South Korea, as well as her journey to becoming one of South Korea's most influential curators. This episode is the first in a series accompanying the exhibition, offering deeper insights into the artists and their work. Individual conversations with Kyungah Ham, Young In Hong, Jane Jin Kaisen, Joon Kim, Lee Kit, Minouk Lim, Adrián Villar Rojas, Ramiro Wong, Tomoko Yoneda, Jin-me Yoon, and Min Yoon were conducted and will be released in the coming weeks throughout the exhibition:   Forms of the Shadow Curated by Sunjung Kim 20.9. – 17.11.2024   Forms of the Shadow casts light on contemporary shadows unveiled by the global pandemic, the climate crisis, and geopolitical tensions. Through this thematic lens, it invites viewers to reflect upon the interconnectedness of our world and the complexities of navigating through turbulent times. By shedding light on the ever-shifting nature of shadows and their metaphorical significance in witnessing the passage of time, the exhibition prompts reflection on the intricate layers of human existence. More Sunjung Kim is currently the artistic director of Art Sonje Center in Seoul (2022–), the chair of ICOM Republic of Korea (2023–), and a board member of ICOM ASPAC (International Council of Museums Asia-Pacific Alliance). She was the president of the Gwangju Biennale Foundation (2017–2021), director of Art Sonje Center (2016–2017), the artistic director of ACC Archive & Research at the Asia Art Culture Center (2014–2015), and chief curator and deputy director (1993–2004) of Art Sonje Center. Additionally, she is the founder and artistic director of the REAL DMZ PROJECT, an art and research project designed to cross the boundaries of the museum and launched in 2011 to explore the (in)visible borders of the Demilitarized Zone through the critical lens of art and to raise awareness about the division of Korea. Bettina Spörr is a curator at the Secession (2008-present), where she engages in close collaboration with artists to conceptualize and realize exhibitions. Throughout her career, she has worked with numerous artists on solo exhibitions and, in 2010, curated where do we go from here?, another edition of Secession's Young Scene, presenting around 30 artists from Austria and Central Eastern Europe. She worked at the Generali Foundation (2002-2008) and spent a year in Singapore (2001-2002), where she worked in a contemporary art gallery.   The Dorotheum is the exclusive sponsor of the Secession Podcast.   Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Programmed by the board of the Secession Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Katrin Hornek, Karin Pauer, Sabina Holzer, Zosia Hołubowska, and Jeanette Pacher in conversation testing grounds is an immersive live installation conceived by Katrin Hornek and developed in a collaborative process involving artists as well as researchers and scientists from different fields. It addresses the measurable evidence and effects of radioactive fallout dispersed around the world as a result of heavy testing of nuclear weapons, especially during the Cold War era. Listen to the artist Katrin Hornek, choreographer Karin Pauer, writer and dancer Sabina Holzer, sound artist Zosia Hołubowska, and the curator Jeanette Pacher talk about the project and its coming about from their respective perspectives, but also what it means to work collaboratively so closely. The conversation was recorded on May 13, 2024 in the context of the exhibition. Katrin Hornek testing grounds In collaboration with Karin Pauer, Sabina Holzer, and Zosia Hołubowska 8.3. – 2.6.2024 With her artistic oeuvre and curatorial practice, Katrin Hornek playfully engages with the strange paradoxes of living in the age of the Anthropocene, that is, the new geologic epoch where the effects of capitalism, colonialism, and extractivism are written into the body of the earth. She asserts a more complex understanding of the entwinement of so-called nature and culture that recognizes that our bodies and cultures are substantially and spiritually connected with other creatures and the elements that make up our world. As an artistic strategy, Hornek follows the stories and traces of the material world into their countless networks to create narratives. More Katrin Hornek (*1983, Austria) studied performative art and sculpture in Vienna and Copenhagen. She is a member of the Anthropocene Commons network and teaches at the University of Applied Arts Vienna (Department of Site-Specific Art). Recent exhibitions at Ar/Ge Kunst, Bolzano (2022), Kunstraum Lakeside, Klagenfurt (2021), Riga Biennale (2020), Kunsthalle Wien, Vienna (2019). Awarded the Msgr. Otto Mauer Prize (2021). www.katrinhornek.net Karin Pauer (*1983, Austria) is a performer and choreographer. The exploration of relations, in-betweens, empathy, and togetherness informs all her works. She negotiates these notions combining embodied choreographic practices with language, visual arts, and live music. Her works have been shown in various Viennese institutions as well as at local and international festivals. www.karinpauer.com Sabina Holzer (*1966, Austria) works as a dancer, choreographer and author in the field of extended choreography. She is concerned with practices of community, ecology, philosophy, materiality, science fiction and poetry. Her collaborative performances, interventions and texts are shown and published locally and internationally. www.cattravelsnotalone.at Zosia Hołubowska (1988, Poland) is a sound artist, queer music activist, researcher, and producer. With performances, sound installations, radio works and soundscapes, they work on topics of queering archives, healing practices, and interspecies intimacy.   Performance: Martina De Dominicis, Cat Jimenez, Mani Obeya, Karin Pauer The Dorotheum is the exclusive sponsor of the Secession Podcast.   Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Katrin Hornek Editor: Paul Macheck Programmed by the board of the Secession Produced by Jeanette Pacher

Rosa Hausleithner erzählt im Gespräch mit Sophie Thun von ihren Anfängen als Künstlerin, ihrer Zeit an der Akademie in der Bildhauerklasse von Bruno Gironcoli und wie sich ihre Arbeiten von ortspezifischen, skulptural-architektonischen Interventionen zu gemalten Raumkompositionen entwickelt haben. Diese Folge wurde am 7. Juni 2024 im Podcast-Studio der Secession aufgenommen. Rosa Hausleithners polychrome Bildräume formieren sich primär in ihren Gedanken. Als kleine, skizzenhafte Linienzeichnungen werden sie mit Blei- und Farbstiften auf Papier fixiert, um dann in Acryl auf Leinwand ausformuliert zu werden. Von der Bildhauerei kommend, baut die 1952 in Wien geborene Künstlerin mit ihren Gemälden fiktionale Farbräume, die sich den perspektivischen Regeln gezielt widersetzen. „Die Farbgebung, einmal opak, oftmals luzid, verstärkt und / oder verführt den Blick des Betrachtens, bis hin zur Imagination eines Kippeffekts. Dadurch entstehen im Zusammenspiel der verschiedenen Bildbausteine immer wieder neu definierte Standpunkte.“ (Rosa Hausleithner über ihre Arbeit anlässlich der Verleihung des 2020 von der Secession vergebenen Gmoser Preises). Rosa Hausleithner absolvierte 1984 ihr Bildhauereistudium bei Bruno Gironcoli an der Akademie der bildenden Künste in Wien und stellte u. a. in der Neuen Galerie Graz, im Künstlerhaus Salzburg, in der Secession, der Kunsthalle Krems und im Museum auf Abruf in Wien aus. Sie war im Vorstand der IG Bildende Kunst tätig und Beiratsmitglied des Kulturrat Österreich. Seit ist sie 1987 Mitglied der Secession. Sophie Thun (*1985, lebt und arbeitet in Wien) arbeitet vor allem mit Techniken der analogen Fotografie, ihren Räumen, Prozessen sowie Produktions- und Ausstellungsbedingungen. Aufgewachsen in Warschau, absolvierte Thun ihr Masterstudium an den Akademien der bildenden Künste in Wien und in Krakau. Thun ist seit 2021 im Vorstand der Secession, wo sie 2020 eine Einzelausstellung hatte; von 2023 bis 2025 ist sie Interims-Professorin der Klasse für Fotografie an der Kunstakademie Düsseldorf.   Secession Podcast: Artists ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts.   Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Bettina Spörr, Jeanette Pacher Programmiert vom Vorstand der Secession

The black dome of the Secession attracted everyone's attention in June 2024. The work, entitled Statement, was a highly visible symbol of the dignity of black women. It was part of the exhibition Achievement by Cuban artist Susana Pilar Delahante Matienzo, whose work articulates feminist, anti-racist and anti-colonial counter-visions, highlighting the achievements of black women and advocating a form of healing. In this conversation with Bettina Spoerr, recorded on 21 June 2024, the artist talks about how she fell in love with the golden dome of the Secession and was inspired to activate the architecture.   Susana Pilar Delahante Matienzo Achievement 21.6. – 8.9.2024   The reinvention of memory and the critical engagement with archives are central to Delahante Matienzo's research and a strategy that lets her recover the identities and legacies of people who were denied the right to record their own histories. As a Cuban-born artist with African and Chinese roots, she knows from her own family's experience that, for the longest time, oral traditions were the only available sources on which to draw for one's lineage and heritage. In Achievement, she presents a fictional and speculative archive that features Black women as prominent, affluent, and esteemed members of society and as hardworking and self-determined businesswomen. In so doing, she not only undertakes a critique of history, she also takes a vital step toward a more nuanced consideration—ultimately, a reprogramming—of beliefs that have seemed impossible to dislodge. Defying the colonial gaze, the artist charts assertive alternative representations. More   Susana Pilar Delahante Matienzo, born 1984 in Havana, Cuba, has lived and worked in the Netherlands since 2021. She describes her work across photography, video, and performance as a preoccupation with creating “symbolic solutions and personal responses” to the history of violence against women. She sees her body as an archive of the forced displacement of people from Africa and Asia to Cuba. Her critical works take a personal perspective as a starting point. Resistance, struggle, family archive, mothers, Black women, Negritude - these are the themes along which the artist's profound work unfolds.   Collaborating in close dialogue with artists to conceive and realise exhibitions together, and reflecting on the impact contemporary art can have on our society are key to Bettina Spörr's practice as a curator and writer. Recent collaborations include Susana Pilar Delahante Matienzo and her spectacular intervention on the Secession's golden dome (2024), or the Secession exhibition of Delaine Le Bas (2023) for which the artist has been nominated for the 2024 Turner Prize.   Secession Podcast: Artists features artists exhibiting at the Secession. Programmed by the board of the Secession The Dorotheum is the exclusive sponsor of the Secession Podcast.   Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editor: Paul Macheck Production: Bettina Spörr

Zhou Siwei translates the contradictions of living and working in contemporary China into playful, personally fragmented and nonlinear works on canvas and painted objects. This podcast was recorded on 19 June 2024 in the context of the exhibition: Zhou Siwei I Sold What I Grow 21.6. – 8.9.2024 Probing the ambivalence of digital technologies, the unceasing global traffic in goods, and the sleeplessness of the late-capitalist era, Zhou interweaves diverse visual and cultural influences in ways that make everyday items and signs feel at once familiar and alien, accommodating a wide range of interpretations. More Zhou Siwei is an artist whose work focuses on the interrelation between people's understanding of culture and the effects of culture on people. Zhou completed a BA in Oil Painting from Sichuan Fine Arts Institute in 2005 and currently lives and works in Shanghai. Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. EberhardEditor: Paul Macheck Production: Damian Lentini, Bettina Spörr

In dieser Folge hören Sie den Architekten Hermann Czech im Gespräch mit Andreas Spiegl, aufgezeichnet am 25. April 2024. Hermann Czech ist Ehrenmitglied der Secession und Preisträger des Großen Österreichischen Staatspreises 2024.   Hermann Czech (*1936 in Wien), studierte Architektur an der TH Wien und an der Akademie der bildenden Künste in Wien bei Ernst A. Plischke. 1958 und 1959 nahm er an den Seminaren von Konrad Wachsmann an der Salzburger Sommerakademie teil. Erste architektonische Arbeiten ab 1960, von 1963 bis 1967 schrieb er architekturkritische Texte für Die Furche. Ab den 1970er-Jahren Projekte und Realisierungen in verschiedenen Planungsmaßstäben. Veröffentlichung der frühen Schriften 1978 unter dem Titel Zur Abwechslung (erweiterte Neuauflage 1996), 2021 folgte Ungefähre Hauptrichtung. Schriften und Gespräche zur Architektur (beides Löcker Verlag). Hermann Czech war Gastprofessor an der Harvard University in Cambridge/USA, der ETH Zürich, an der TU Wien und der Akademie der bildenden Künste in Wien. Für sein architektonisches Werk erhielt er Preise und Auszeichnungen. 1980, 1991, 2000 und 2012 nahm er an der Architekturbiennale in Venedig teil, zuletzt 2023 gemeinsam mit dem Kollektiv AKT. Hermann Czech lebt und arbeitet in Wien.   Andreas Spiegl lehrt und forscht als Senior Scientist am Institut für Kunst- und Kulturwissenschaften an der Akademie der bildenden Künste Wien, an der er von 2003 bis 2011 die Funktion als Vizerektor für Forschung und Lehre innehatte. Von 2015 bis 2022 war er Leiter des Instituts für Kunst- und Kulturwissenschaften und seit 2022 hat er die Aufgabe als Senatsvorsitzender übernommen. Er publizierte zahlreiche Texte an den Schnittstellen von zeitgenössischer Kunst, Medien- und Raumtheorien.       Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern, programmiert vom Vorstand der Secession. Das Dorotheum ist exklusiver Sponsor dieser Podcast-Serie.   Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Programmiert vom Vorstand der Secession Produktion: Bettina Spörr, Christian Lübbert  

Secession Podcast: Artists Simone Fattal in conversation with Jeanette Pacher Secession Podcast: Artists features artists exhibiting at the Secession. This episode is a conversation between Simone Fattal and Jeanette Pacher, the curator of the exhibition. It was recorded on June 19, 2024 in the context of the exhibition: Simone Fattal metaphorS 21.6. – 8.9.2024 In her exhibition metaphorS, Simone Fattal presents bodies of work from different periods in her career and in a variety of media, including fired clay and ceramic sculptures, paintings, and collages. With her works, she tells stories of humanity, culture, history, and the present. Conflict, consensus, nature, faith, and trust are central concerns. Despite (or precisely because of) the artist's nomadic life, her oeuvre is deeply rooted in the millennia-old culture and history of the Middle East—she was raised in Damascus and Beirut—and the epic literature, poetry, archaeology, and landscapes of this region are both vital sources of inspiration and central themes. More Simone Fattal (*1942) was raised in Damascus and Beirut, studied archaeology and philosophy in France and began painting in Beirut in the early 1970s. After years of civil war, she left Lebanon in 1980 and settled in California, where she founded the Post-Apollo Press; for the next thirty years, she dedicated herself to publishing literature and poetry, including many books by her partner Etel Adnan. In the late 1980s, she studied sculpture at the San Francisco Art Institute and fell in love with working with clay. Meanwhile, she also started making collages that combine pictures of archaeological sites and relics with contemporary photographs. Today, Simone Fattal lives and works in Paris. Jeanette Pacher is a curator for contemporary visual arts and has been working at the Secession since 2007. She is a regular lecturer in the Department of Site-Specific Art at the University of Applied Arts Vienna, and since 2023, a jury member of KÖR – Art in Public Space Vienna. She was part of the editorial team of Ö1 Kunstradio and began working in the curatorial field at Kunsthalle Wien in the mid 1990s.   The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Jeanette Pacher Editor: Paul Macheck Produced by Jeanette Pacher  

Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. In dieser Folge hören Sie die Künstlerin Carola Dertnig im Gespräch mit der Kunsthistorikerin und Kunstkritikerin Sabeth Buchmann, aufgezeichnet am 16. April 2024.   Carola Dertnig lebt und arbeitet in Wien. Seit 2006 leitet sie den Fachbereich Performative Kunst an der Akademie der bildenden Künste Wien. Sie nahm 1997 am Whitney Independent Study Program in New York teil und war als Gastprofessorin am California Institute of the Arts (CalArts) in Los Angeles tätig. Dertnigs Arbeiten wurden in zahlreichen Ausstellungen in Museen und Galerien gezeigt, darunter die Landesgalerie Niederösterreich, Krems; Galerie CRONE, Wien/Berlin; Galerie Andreas Huber, Wien; die Solyanka Gallery, Moskau; das REDCAT CalArts Theater, Los Angeles; das MoMA PS1, New York; Artists Space, New York; das Museum of Modern Art, New York; das mumok – Museum moderner Kunst Stiftung Ludwig Wien; die Galerie für Zeitgenössische Kunst, Leipzig, und die Secession, Wien. Im Jahr 2024 wird ihr Werk in einer Midcareer-Ausstellung Dancing through Life im OK_Linz inklusive einer Publikation präsentiert. 2013 erhielt sie den Österreichischen Kunstpreis. 2005 veröffentlichte sie gemeinsam mit Stefanie Seibold das Buch Let's Twist Again: Was man nicht denken kann, das soll man tanzen zur lokalen Performancegeschichte Wiens von den 1960er-Jahren bis heute. Sie war Mitglied des Forschungsprojekts Troubling Research: Performing Knowledge in the Arts (2009–2011) und publizierte ihr eigenes Buch Perform Perform Perform (2011). 2014 erschien die Publikation Performing the Sentence: Research and Teaching in Performative Fine Arts, herausgegeben mit Felicitas Thun-Hohenstein.   Sabeth Buchmann (Berlin/Wien) lehrt seit 2004 Kunstgeschichte der Moderne und Nachmoderne an der Akademie der bildenden Künste Wien. Sie ist Mitherausgeberin von PoLyPen, eine Buchreihe zu Kunstkritik und politischer Theorie (b_books, Berlin), und Beiratsmitglied von Texte zur Kunst, der European Kunsthalle sowie des documenta Instituts und publiziert regelmäßig in Kunstzeitschriften, Sammelbänden und Ausstellungskatalogen. 2008 erhielt sie den österreichischen Art Critics Award. Zuletzt erschienen: Kunst als Infrastruktur (2023) sowie die von ihr mitherausgegebenen Bände Broken Relations: Infrastructure, Aesthetics, and Critique (2022) und Putting Rehearsals to the Test: Practices of Rehearsal in Fine Arts, Film. Theater, Theory, and Politics (2016).   Das Dorotheum ist exklusiver Sponsor des Secession Podcasts.   Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnittregie: Carola Dertnig & Sabeth Buchmann Schnitt: Paul Macheck Programmiert vom Vorstand der Secession Produziert von Christian Lübbert, Bettina Spörr

Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Diese Folge ist ein Gespräch zwischen dem Künstler Werner Würtinger und der Künstlerin Claudia Märzendorfer. Das Gespräch wurde während mehrerer Treffen im Jänner und Februar 2024 im Atelier von Werner Würtinger in den Praterateliers aufgezeichnet.   Werner Würtinger (geb. 1941 in Hallein) ist ein Bildhauer, der in Wien lebt und arbeitet. Sein Studium der Bildhauerei schloss er an der Akademie der bildenden Künste Wien ab. In seiner darauffolgenden beinahe 30-jährigen Tätigkeit als Lehrender ebendort war er eine prägende und wichtige Integrationsfigur für mehrere Generationen von Künstler*innen und von 2001 bis 2002 Vizerektor der Akademie. Von 1995 bis 1999 war er Präsident der Wiener Secession; 2021 wurde er von dieser zum Ehrenmitglied ernannt. Er ist Herausgeber etlicher Publikationen. 2012 erhielt unter anderem das Buch Arkadien und angenehme Feinde. Die Bildhauerateliers im Prater von Revolver Publishing, Berlin (2011), das Prädikat „schönste Bücher“ Österreichs.   Claudia Märzendorfer (geb. 1969 in Wien) ist bildende Künstlerin. Ihr Studium der Bildhauerei schloss sie an der Akademie der bildenden Künste Wien ab. In ihren Arbeiten zerlegt sie Situationen und konstruierte Bedingungen und setzt diese zumindest gedanklich neu zusammen. Sie versteht die Welt als (ihr) Material. Die daraus resultierenden Bilder sind gründlich recherchiert und behalten sich dennoch einen Pop-Effekt vor, der zum unmittelbaren Verständnis führt. Zwei zentrale Aspekte ihres Werks sind Zeit und Musik, welche die Künstlerin als die einzigen neutralen Währungen betrachtet.   Das Dorotheum ist exklusiver Sponsor des Secession Podcasts.   Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard.   Schnittregie: Claudia Märzendorfer Schnitt: Claudia Märzendorfer, Paul Macheck Programmiert vom Vorstand der Secession Produziert von Christian Lübbert

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the member Thomas Feuerstein and the artist Lucie Strecker. It was recorded on February 17, 2024.   Thomas Feuerstein is a visual artist. His oeuvre encompasses sprawling installations, process-based sculptures, drawings, audio plays, and biological and internet art. Central concerns include the conjunction of linguistic, visual, and material elements, the uncovering of latent superimpositions of fact and fiction, and the nexus between art and science. Feuerstein's method of “conceptual narration” interweaves art, architecture, philosophy, literature, and philosophy with economics, politics, and technology. Since the mid-1990s, he has harnessed biotechnologies and artificial neuronal networks to create projects that examine the interplay between individuality and sociality, an aesthetics of entropy, and a cybernetic “daimonology” of cultural processes.   Lucie Strecker's trans-media practice investigates experimental systems in art and the sciences, exploring a post-anthropocentric conception of performativity. Her work has been shown at festivals and galleries and in museums. She is a fellow at the Berlin University of the Arts and a founding member of the Applied Performance Lab at the University of Applied Arts in Vienna, where she has led artistic research projects since 2016 and taught performance art in the Art and Communication Practices division since 2020.   The Dorotheum is the exclusive sponsor of the Secession Podcast.   Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard   Editing Director: Thomas Feuerstein & Lucie Strecker Editor: Paul Macheck   Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Zach Blas and the curator Christian Lübbert. It was recorded on March 8, 2024 in the context of the exhibition:   Zach Blas CULTUS 8.3. – 9.6.2024   Zach Blas's practice spans moving image, computation, installation, theory, performance, and fiction. As an artist, filmmaker, and writer, Blas draws out the philosophies and imaginaries residing in computational technologies and their industries. For his exhibition at the Secession, he developed CULTUS, a new installation that features AI-generated imagery, text, and sound, alongside computer graphics and motion-capture performances. More   The Dorotheum is the exclusive sponsor of the Secession Podcast.   Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard   Editing Director: Zach Blas & Christian Lübbert Editor: Paul Macheck   Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Imran Perretta and the curator Bettina Spörr. It was recorded on March 8, 2024 in the context of the exhibition: Imran Perretta tears of the fatherland 8.3. – 9.6.2024 Imran Perretta's transdisciplinary practice spans moving image, sound, composition, performance art, and poetry. His works examine questions around power, state surveillance, alterity, neo-coloniality, and the process of identity formation in young people of Muslim heritage in Western countries in the post-9/11 era. His approach to these concerns is informed by his own experience: as a British citizen with Muslim roots, he is familiar with the challenges his works grapple with. More Bettina Spörr is a curator at the Secession since 2008. Previously she was assistant curator and exhibition coordinator at the Generali Foundation Vienna. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Joshua Simon, Christian Lübbert & Francesco Finizio Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the curator Joshua Simon, the curator Christian Lübbert (Secession) and the artist Francesco Finizio. It was recorded on February 18, 2024 in the context of the exhibition: SLIME Curated by Joshua Simon 16.2. – 30.6.2024 SLIME is a unique hybrid on-line and on-site project about our hybrid realities. Taking place at the Secession as an on-site event and as an on-line program, it includes commissioned and historic artworks, talks and performances, screenings and workshops (including one for making actual slime). Taking its name from the children's toy—a metastable plasma-like substance that has both unique material and tactile features and a constant presence online through tutorials and documentation of people playing with it—SLIME tackles the social, cultural, political, and sensory operations of digital hybridity. More Joshua Simon, born in Tel Aviv-Jaffa, Israel in 1979, lives and works in Tel Aviv-Jaffa and Lüneburg, Germany. Christian Lübbert holds the position of the Junior Curator at the Secession. He has worked with art institutions such as Tate Modern, the Institute for Contemporary Arts, Chisenhale Studios, the Royal Academy of Arts, and the Delfina Foundation in London, as well as Studio Simon Denny, Galerie House of Egorn, and the Brandenburg Art Prize. Since 2017, he runs Arnis Residency, an annual residency for international artists. Francesco Finizio was born in the United States to Italian immigrants. He studied at School of Visual Arts and the Hunter College MFA program and left the US shortly thereafter for France where he is based today. He has worked several times with Joshua Simon since 2010. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Joshua Simon, Christian Lübbert & Francesco Finizio Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the member Dorit Margreiter Choy and the corresponding member Sabine Breitwieser. It was recorded on December 13, 2023. Dorit Margreiter Choy lives and works in Vienna. She studied fine arts at the University of Applied Arts in Vienna. Extended study visits and scholarships have brought her to Tokyo, Berlin and Los Angeles, among other places. Her work has been shown in numerous international and national museums, exhibitions, and biennials, including extensive solo exhibitions at the Museum moderner Kunst Stiftung Ludwig Wien (2019), the Museo Nacional Centro de Arte Reina Sofía in Madrid (2011), the MAK Center for Art and Architecture in Los Angeles (2009), the Galerie für Zeitgenössische Kunst in Leipzig (2006), the Galerie im Taxispalais in Innsbruck (2001), and, most recently, the Plečnik Museum in Ljubljana (2023), as well as in exhibitions at the EUCA Annex in London (2023), the MACBA in Barcelona (2009), the Museo Tamayo in Mexico City (2012), and the Museum of Modern Art in New York (2012). She represented Austria at the 53rd Biennale di Venezia (2009), the Cairo Biennale (2008), and the Liverpool Biennale (2004). She has been professor of fine arts at the Academy of Fine Arts Vienna since 2006. She also taught at Cal Arts in Valencia near Los Angeles (2005–2006), the Art Centre College of Design in Pasadena (2005), and elsewhere. Sabine Breitwieser is an internationally active independent curator, scholar, and museum professional with decades of professional experience. She is currently based in Vienna. She was a 2020–2021 Getty Scholar at the Getty Research Institute in Los Angeles with a research project that she was able to pursue further in 2022. From 2013 until 2018, she held the position of artistic director and CEO at the Museum der Moderne Salzburg. Previously, from 2010 until 2013, she served as chief curator of media and performance art at the Museum of Modern Art in New York. From 1988 until 2007, she was the founding director and chief curator of the Generali Foundation in Vienna, where she also oversaw the construction of the foundation's home. She has organized and directed more than 150 monographic and thematic exhibitions throughout Europe and the United States and has also edited and published about 100 catalogues and books as well as numerous essays. In 2012, Sabine Breitwieser received the Yoko Ono Lennon Courage Award for the Arts in New York. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Dorit Margreiter Choy & Sabine Breitwieser Editor: Christian Lübbert Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the member Marianne in conversation with the members Christine and Irene Hohenbüchler. It was recorded on December 11, 2023. Marianne Maderna (b. 1944) lives and works in Vienna and Lower Austria. Her interdisciplinary installations, environments, and performances grapple with socially relevant concerns that address the human condition and devise novel ways to frame patterns of human behavior and hierarchical systems. Her work has been featured in exhibitions including RADICAL BUSTS, Arkadenhof, University of Vienna (2015); HUMANIMALS, Zeitkunst NÖ, Dominikanerkirche Krems (2013); Das erste Haus, Architekturzentrum Wien, Vienna (1996); Raum und Ausgang, Secession, Vienna (1990–91); and Maderna, Secession, Vienna (1982). She was awarded the Grand Decoration of Honor for Services to the State of Lower Austria in 2018; the Prize of the City of Vienna for Sculpture in 1996; and the Honorary Award for Visual Arts of the State of Lower Austria in 1991. Christine and Irene Hohenbüchler live in Eichgraben near Vienna. They have been partners in life and art since 1990; the idea of “multiple authorship” plays a central role in their work. In the 1990s, they primarily worked with socially marginalized groups: prisoners, people with mental illnesses, and individuals with additional needs. Their creative practice subsequently shifted toward collaborations with children and school and university students. In addition to these group works, they have made art engaging with its historical, social, and political context and produced participatory projects that underscore the visitors' or users' active involvement in creative processes. Large-format drawings have flanked their work throughout the years. Christine has been professor of drawing and visual languages at the Institute of Art and Design in TU Wien's Faculty of Architecture and Planning since 2002. Irene has led the class in cooperative strategies at the University of Fine Arts Münster since 2011. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Marianne Maderna, Christine and Irene Hohenbüchler Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the Agency of Singular Investigations (Anna Titova and Stanislav Shuripa) and the curator Annette Südbeck. It was recorded on December 15, 2023 in the context of the exhibition: Agency of Singular Investigations On New Thinking And Other Forgotten Dreams 1.12.2023 – 25.2.2024 Anna Titova and Stanislav Shuripa founded Agency of Singular Investigations (ASI) in 2014 to take a stand on the dramatic changes in Russia's political reality and cultural atmosphere and to respond to the advent of the postfactual age by thinking about alternative ways of harnessing images and means of communication for the construction of identities and worldviews. At the Secession, ASI present the new installation On New Thinking and Other Forgotten Dreams. It is the first part of their wide-ranging research project The Park of Mind Revolutions, which investigates the history of subjectivity and the forms and functions of Russia's self-image in the twentieth and twenty-first centuries. Organized as a dialogue between the worker Grigoriy Zamzin and a pickle about the meaning of Russia's most recent history, the installation comprises four sculptures, a sprawling wall diagram, and a blue carpet. Taking inspiration from the interwar literature of magical realism, the artists employ carefully selected fantastic elements, irrational events, and metaphors to frame a critical perspective on the complexity of their country's historical evolution. Playing with hybrid dimensions of reality and collisions between historical forces, they expose the energies that shape the psychological, technological, and social system. More Dr. Annette Südbeck is managing director and curator at the Secession. She studied Fine Arts, German Studies and Arts in Braunschweig. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Annette Südbeck and ASI Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Charlie Prodger and the curator Jeanette Pacher. It was recorded on December 1, 2023 in the context of the exhibition: Charlie Prodger The Offering Formula 1.12.2023 – 25.2.2024 Charlie Prodger (b.1974) is a Scottish artist working with moving image, photography, sculpture and drawing. She won the 2018 Turner Prize and represented Scotland at the 2019 Venice Biennale. She is currently a 2023–24 Fellow at the Radcliffe Institute for Advanced Study, Harvard University. Broadly, Prodger's work orbits histories - from the weight of deep geological time to more contingent forms of narrative such as anecdote and oral history. Through the prism of queer subjectivity, her work explores intertwined relations between the body, landscape, language, technology and time. More Jeanette Pacher is a curator at the Secession and lecturer at the University of Applied Arts Vienna / Site-Specific Art department. She was part of the editorial team of Ö1 Kunstradio and began working in the curatorial field at Kunsthalle Wien. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Jeanette Pacher Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist collective and association Mai Ling and the curator Christian Lübbert. It was recorded on November 3, 2023 in the context of the exhibition: Mai Ling NOT YOUR ORNAMENT 15.9. – 12.11.2023 Founded in Vienna in 2019, Mai Ling is an artists' collective and association dedicated to facilitating dialogues on experiences of racism, sexism, homophobia, and any kind of prejudgment, particularly against Asian FLINT* (women, lesbian, inter, non-binary, and trans). Rooted in solidarity against patriarchal and racial discrimination, the group offers a space and growing network to give voice to the many individuals affected by such discrimination and foster new forms of collaboration. As an anonymous collective and a multi-hybrid figure, with everyone identifying as “Mai Ling,” the group employs a variety of artistic and discursive formats such as performances, texts, videos, sound, installations, talk series, interventions, and protests. More Christian Lübbert is a curator at the Secession. He has worked with art institutions such as Tate Modern, the Institute for Contemporary Arts, Chisenhale Studios, the Royal Academy of Arts and the Delfina Foundation in London, as well as Studio Simon Denny, Galerie House of Egorn and the Brandenburg Art Prize in Berlin. Since 2017, he runs Arnis Residency, an annual residency for international artists. In 2020, he organised Afloat Assembly, a residency for contemporary art on a sailing boat. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Christian Lübbert & Mai Ling Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the members Sabine Bitter and Helmut Weber in conversation with Elke Krasny. It was recorded on October 18, 2023. Sabine Bitter & Helmut Weber live in Vienna and Vancouver. They have worked, primarily in the medium of photography, on the politics of how cities, architectures, and urban territories are negotiated through images since 1994. Recent works on Educational Modernism include the research project “Performing Spaces of Radical Pedagogies” (SFU, Vancouver, 2020), contributions to the exhibitions “Education Shock” (HKW Berlin, 2021), and their current exhibition “Darkroom of Educational Modernism” (station urbaner kulturen, nGbK Hellersdorf, Berlin, 2023/2024). Elke Krasny, PhD, is Professor of Art and Education at the Academy of Fine Arts Vienna. Krasny's research focuses on concerns and matters of care. Combining feminist care ethics and social reproduction theory, Krasny researches emancipatory practices concerned with counteracting social and environmental in/justices in architecture, art, urbanism, memory work, and curatorial practices in museums and urban spaces. In 2023, her book Living with an Infected Planet. Covid-19, Feminism, and the Global Frontline of Care was published. (transcript). The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Sabine Bitter, Helmut Weber & Elke Krasny Editor: Christian Lübbert Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Mykola Ridnyi and the board member and artist Anna Witt. It was recorded on September 15, 2023 in the context of the exhibition: Mykola Ridnyi 15.9. – 12.11.2023 Mykola Ridnyi's generation of Ukrainians grew up in a climate of increasing orientation toward the West and the European Union. This emancipation from Russia found expression in the 2004 Orange Revolution and was defended in the Euromaidan events of 2013–14. It was a process that went hand in hand with the emergence of a confident Ukrainian arts scene, among whose leading exponents Ridnyi ranks. Long before graduating from the Kharkiv State Academy of Design and Arts in 2008, he was instrumental to the formation of a politically active arts scene, both as an artist in his own right and as a curator and author. He was a founding member of the art collective SOSka, whose SOSka gallery-lab, an artist-run space that existed from 2005 until 2012, was a key contribution to the local artistic infrastructure. Ridnyi's curatorial project Armed and Dangerous (2017–2021) prompted him to begin developing a platform for collaborations between Ukrainian moving-image artists and filmmakers. In 2022–23, he curated several Ukrainian film and video art screening programs at DAAD-Galerie, Berlin; MAXXI, Rome; Museum Folkwang, Essen; and the National Gallery, Sofia. More Anna Witt, born in Germany in 1981, lives and works in Vienna and Berlin. Her artistic practice is performative, participatory, and political. She creates situations that reflect interpersonal relationships and power structures as well as conventions of speaking and acting. Her work has been shown at the SEMA Seoul Museum of Art; the Secession, Vienna; the 1st Vienna Biennale at MAK; the Gallery of Contemporary Art Leipzig; Museum Ludwig, Cologne; the Austrian Cultural Forum in New York; Kunstmuseum Bern; and the MOCA Museum of Contemporary Art Taipei, among others, and she has had solo exhibitions at Museum Belvedere 21 Contemporary, Vienna; Kunst Halle Sankt Gallen, and Gallery Tanja Wagner, Berlin, at Marabouparken konsthall, Stockholm and Stacion—Center for Contemporary Art, Prishtina, Kosovo. She took part in Aichi Triennial in 2019 and 2013; the Lux/ICA Biennial of Moving Images, London; the 6th Berlin Biennale of Contemporary Art, and Manifesta 7 in northern Italy, and is the winner of the Outstanding Artist Award of the Austrian Federal Ministry of the Arts, Culture, the Civil Service and Sport (2020), the Otto Mauer Prize (2018), the Art Prize ‘Future of Europe' (2015), the BC21 Art Award (2013), and the Art Prize of the Columbus Art Foundation (2008). The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Mykola Ridnyi & Anna Witt Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Chen Chieh-jen and the curator Meiya Cheng and the curator Jeanette Pacher. It was conducted in Mandarin and recorded on June 30, 2023 in the context of the exhibition: Chen Chieh-jen Worn Away 30.6. – 3.9.2023 A long-time denizen of Taiwan's art world, Chen Chieh-jen's work from the 1980s to the present has been exhibited internationally. To the local scene, he became renowned for Dysfunction No. 3, an interventionist performance on Taipei's streets in the early 1980s. Wandering along dressed as hooded inmates, Chen and his contemporaries rejoinded government control through civil disobedience, forging a public sphere during times of oppression: From 1949 to 1987, the country was subjected to martial law, an emergency state governance banning free speech and public assembly. Distancing Taiwan from the neighboring People's Republic of China, the innately anti-communist martial law coerced power through a one-party system, with the military and secret police assuming control. In Chen's multifaceted work, the Japanese rule over Taiwan in the first half of the 20th century, the country's kinship with the US during the Cold War, and its present-day neoliberalization feature as periodic points of departure. More Meiya Cheng is a curator from Taipei. Before co-founding the Taipei Contemporary Art Center (TCAC), an experimental art association and independent art space in 2010, she worked as a curator at the Museum of Contemporary Art, MoCA, Taipei. As chair of the TCAC association from 2012 to 2014, she initiated exhibitions, forums, residencies and publications with contributions of Asian art workers that were presented in Taipei, New York, and Southeast Asia. She co-curated Trading Futures with Pauline Yao at Taipei Contemporary Art Center (2012), the  6th Queens International with Hitomi Iwasaki at Queens Museum, New York (2013), and The Great Ephemeral with the New Museum team at the New Museum, New York (2015). Her research on Southeast Asian art was presented in the exhibition Public Spirits at the Center for Contemporary Art Ujazdów Castle, Warsaw (2016). Jeanette Pacher is a curator at the Secession and lecturer at the University of Applied Arts Vienna / Site-Specific Art department. She was part of the editorial team of Ö1 Kunstradio and began working in the curatorial field at Kunsthalle Wien. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Meiya Cheng Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the member Florentina Pakosta and the curator Melissa Lumbroso and the curator Jürgen Tabor. It was recorded on May 16, 2022. Florentina Pakosta (b. 1933) is an Austrian artist and pioneer of the feminist avant-garde. Initially active as an artist working with drawing, a socio-critical realism prevailed at first, successively leading through the reduction of forms to her characteristic, abstract-geometric tricolour paintings. From 1952 to 1960 she studied at the Academy of Fine Arts in Prague and Vienna. In 1971 she became a member of the Secession and from 1975 to 1983 she was its first female board member. In 1978 she curated the exhibition Secessionistinnen. Since 1975, the artist has published numerous short stories and art-theoretical texts. Her works are represented in renowned collections and museums, including the Albertina and the Museum der Moderne Salzburg. In 2023 she received the Austrian Art Prize. Jürgen Tabor has been curator of the Generali Foundation Collection – Permanent Loan to the Museum der Moderne Salzburg since July 2019. He studied art history as well as English and American studies at the University of Innsbruck. Until 2017 he was curator, deputy and interim director of TAXISPALAIS, Kunsthalle Tirol, then curator of the Klocker Foundation and the Biennale Innsbruck International. As a freelance curator he realized projects in Bolzano, Madrid, Vienna, Budapest and Dornbirn, among others. He is the author of numerous texts on 20th century and contemporary art and has taught at the universities of Innsbruck and Graz. Melissa Lumbroso (b. 1980 in Paris) is assistant curator at the Albertina in Vienna, where she has collaborated on several group exhibitions, e.g. Drawing Now: 2015, as well as on large-scale exhibitions dedicated to Keith Haring, Florentina Pakosta, Hermann Nitsch, Xenia Hausner, Ai Weiwei and Yoshitomo Nara. She established “Kunst@IHS” in 2017, a series of exhibitions with contemporary artists at the Institute for Advanced Studies in Vienna. Since 2020, Lumbroso has been developing an online catalogue raisonné with over 3,000 drawings and paintings by Florentina Pakosta with the launch planned for the fall of 2023. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Melissa Lumbroso, Florentina Pakosta & Jürgen Tabor Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Discourse is a series of conversations with a focus on current discourses which the Secession addresses, too. In the first episode, board members Ricarda Denzer and Axel Stockburger discuss the benefits and opportunities of podcasts as a medium based on sound and listening. It was recorded on March 23, 2023. Ricarda Denzer is an artist and teaches at the University of Applied Arts Vienna since 2013, where she graduated with a diploma in graphics in 1993. She has been a member of the Secession since 2000 and of its board since 2020. Axel Stockburger is an artist who works as associate professor for Art and Cultural Studies at the Academy of Fine Arts, Vienna. He is a member of the research group Technopolitics and board member of the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Ricarda Denzer & Axel Stockburger Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Lazar Lyutakov and the curator Annette Südbeck. It was recorded on July 7, 2023 in the context of the exhibition: Lazar Lyutakov 1 Million Random Numbers 30.6. – 3.9.2023 Many of Lazar Lyutakov's works appropriate ordinary articles of our modern mass culture and simple industrial products, presenting them in a way that probes their meanings and ambiguities. He carefully selects the objects and adapts and enhances them with targeted interventions in an effort to analyze contemporary conditions of production and forms of consumption, flows of capital and commodities, and aesthetic mass phenomena and to reflect on values, productivity, quality, and utility in a post-capitalist industrialized world. More Dr. Annette Südbeck is managing director and curator at the Secession. She studied Fine Arts, German Studies and Arts in Braunschweig. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Annette Südbeck & Lazar Lyutakov Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Delaine Le Bas and the curator Bettina Spörr. It was recorded on June 26, 2023 in the context of the exhibition: Delaine Le Bas Incipit Vita Nova. Here Begins The New Life/A New Life Is Beginning 30.6. – 3.9.2023 Delaine Le Bas works in a transdisciplinary way: she combines visual, performative and literary practices to create an artistic oeuvre that encompasses all areas of life. In her works she deals with many facets, political as well as private and emotional, which involve belonging to the Rom*nja people, their history and rich cultural heritage. On the one hand, she uses "classical" forms and techniques, especially textile techniques such as embroidery and appliqué, which, in conjunction with large-flowered fabrics and fantastic imagery, are immediately associated with clichés and stereotypes. At the same time, Le Bas subverts her own decorative aesthetic by openly exploring her struggles, thus defying stereotypical limitations. More Bettina Spörr is a curator at the Secession since 2008. Previously she was assistant curator and exhibition coordinator at the Generali Foundation Vienna. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Delaine Le Bas Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Members Carl Pruscha in conversation with Bettina M. Busse Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the member Carl Pruscha and the art historian and curator Bettina M. Busse. It was recorded on April 5, 2023. Carl Pruscha (b. 1936 in Innsbruck) studied architecture at the Academy of Fine Arts in Vienna with Lois Welzenbacher and Roland Rainer and urban planning at Harvard University with José Luis Sert. In 1976 Pruscha became university professor and head of his institute at the Academy of Fine Arts Vienna. From 1988 to 2002, he was the rector of the academy. An important project from this period was the reconstruction of the so-called Semper Depot. From 2001 to 2005, Pruscha transitioned to the position of professor in Design and Habitat, Environment & Conservation. At the invitation of the Getty Institute in Los Angeles, he wrote critical analyses of architectural developments in countries of the Global South. From 2005, he realised the new school building for the organisation "One World Foundation" in Sri Lanka. Carl Pruscha was Chairman of the Advisory Board for Art and Building in the Ministry of Science, Art and Research, is a sought-after jury member in art and architecture competitions, and has been awarded the Austrian Decoration for Science and Art and the Gold Decoration for Services to the City of Vienna, among others. Bettina M. Busse is an art historian and curator at Kunstforum Wien. Before that, she worked for many years as a curator at MAK Museum of Applied Arts/Contemporary Art, Vienna. She has curated numerous exhibitions on Contemporary and Modern Art, including Joseph Beuys, Anish Kapoor, Jannis Kounellis, Jenny Holzer. The Cindy Sherman Effect. Identity and Transformation in Contemporary Art, Kunstforum Wien, 2020, Rebecca Horn, 2021 and David Hockney Insights, Kunstforum Wien, 2022. In 2003, together with Kasper König, she was responsible for the Austrian Pavilion at the Venice Biennale (Bruno Gironcoli). Co-founder and director of the Bruno Gironcoli Estate. She is currently working on the most comprehensive retrospective of Marina Abramovic's work to date, which will be shown at Kunstforum Wien in 2025. Bettina M. Busse is author and editor of numerous texts and publications. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Christian Lübbert Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the former and first female president of Secession Barbara Holub and the curator Rainer Fuchs. It was recorded on December 13, 2022. Barbara Holub lives and works in Vienna. Following her studies in architecture at the Technical University of Stuttgart, Holub developed a socio-politically engaged art practice. In 1999 she founded the collective transparadiso with Paul Rajakovics, which operates at the interface of art, architecture and urban intervention. From 2006 to 2007 Barbara Holub was president of the Secession. Since 1997, Holub has taught at the UIC/ School of Art and Design, Chicago, at the Vienna University of Technology, f+f School of Design and Media Design, Zurich, and the Universidad Católica, Valparaíso in Chile, among others. She has been a visiting professor at the University of Applied Arts Vienna, where she is currently a Senior Lecturer. She is a member of the editorial board of the journal dérive and a partner in the EU project SPACEX. Barbara Holub has been awarded numerous prizes (including the Austrian Art Prize, 2018) and has been part of international juries and advisory boards. In 2022, she most recently published the book Silent Activism. Rainer Fuchs (b. 1959 in Judenburg) studied art history, history, and philosophy in Graz. Since 1991, he has been the chief curator at mumok - Museum of Modern Art Foundation Ludwig Vienna. Past exhibitions include: Exhibition, 1994; Self Construction, 1996; Felix Gonzalez-Torres, 1998; Lois Weinberger, 1999; Öffentliche Rituale – Video/Kunst aus Polen, 2003; John Baldessari, 2005; Ryan Gander, 2006; Keren Cytter, 2007; Mind Expander, 2008; Painting: Process and Expansion, 2010; Aktionsraum 1, 2011; Dan Flavin 2012, Poetry of Reduction, 2012; Marge Monko, 2013; Space and Reality, 2014; Pakui Hardware, 2016, Nikita Kadan, 2017, Natural Histories – Traces of the Political, 2017; Ingeborg Strobl, 2020; Emília Rigova, 2022; On Stage, 2023.  Publikationen und Vorträge zur Kunst seit der Moderne. He has published publications and given lectures on art since the modern era. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director & Editor: Christian Lübbert Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Vivian Suter and the curator Jeanette Pacher. It was recorded on May 4, 2023 in the context of the exhibition: Vivian Suter A Stone in the Lake 28.4. – 18.6.2023 The Secession's iconic light-filled main gallery, which opens onto a small park behind the building, would appear to be the ideal setting for a presentation of the painter Vivian Suter's oeuvre The Argentinean-Swiss artist has lived on a former coffee plantation in Panajachel on the shore of Guatemala's volcano-ringed Lago de Atitlán since the early 1980s, at a far remove from the art world, which for years paid her little attention. More recently, however, she has garnered considerable acclaim and her work has been shown around the world, including, most prominently, at documenta 14 in Athens and Kassel (2017). More Jeanette Pacher is a curator at the Secession and lecturer at the University of Applied Arts Vienna / Site-Specific Art department. She was part of the editorial team of Ö1 Kunstradio and began working in the curatorial field at Kunsthalle Wien. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Jeanette Pacher Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the Indigenous media group Karrabing Film Collective (represented by Cecilia Lewis, Elizabeth Povinelli and Akaydia Lee), the curator Bettina Spörr. It was recorded on April 27, 2023 in the context of the exhibition: Karrabing Film Collective They pretending not to see us... 28.4. – 18.6.2023 The Karrabing Film Collective is an intergenerational grassroots media group of around thirty Indigenous filmmakers and Elizabeth Povinelli, who has known and worked with Karrabing members and their parents and grandparents for almost forty years. Karrabing lands stretch along the coast from across the Darwin harbor to Anson Bay, Northern Territory. Karrabing's films reflect their multidimensional relationships with each other, their land, their ancestors, and human and more-than-human life. They tell stories of their fraught relations with the Australian government, the lingering effects of white settler capitalism, repression by the police and authorities, and white Australians' failure to recognize Indigenous ways of life. More Bettina Spörr is a curator at the Secession since 2008. Previously she was assistant curator and exhibition coordinator at the Generali Foundation Vienna. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Christian Lübbert Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Margaret Salmon and the curator Annette Südbeck. It was recorded on April 5, 2023 in the context of the exhibition: Margaret Salmon Monument 28.4. – 18.6.2023 Margaret Salmon creates films, photographs, and objects that weave together poetry and non-fiction. Often focusing on individuals in their everyday activities, her work captures the minutiae of daily life and infuses them with gentle grandeur, touching upon universal human themes. In her exhibition Monument, Salmon presents two new complementary film installations that explore questions of masculinity. The 35mm film projection Boy (winter) (2022) portrays various children in Glasgow in stages of physical and psychological development, from infant to teenager; the second work, Study for a Film About Monuments (2023), displayed as an installation with monitors, originally shot on 35mm film, focuses on grownup men in a series of silent films, including one about a First-World-War memorial in Penpont, Scotland. More Dr. Annette Südbeck is managing director and curator at the Secession. She studied Fine Arts, German Studies and Arts in Braunschweig. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Annette Südbeck & Margaret Salmon Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the former Secession president Edelbert Köb and Dr. Thomas Mießgang. It was recorded on December 2, 2022. If you want to know more about Edelbert Köb, his presidency at the Secession and his stories on matters such as the renovation of the Secession with the architect Adolf Krischanitz or the founding of the Friends of the Secession with the president of the Friends Sylvia Liska, listen to this episode. Edelbert Köb (b. 1942 in Bregenz) lives and works in Vienna. He is a graduate of the Academy of Fine Arts Vienna and the University of Vienna. From 1966 onwards, he devoted himself mainly to sculpture, but ended his artistic activity in 1992. From 1973 to 2002, he was a professor at the Academy of Fine Arts in Vienna, and its vice-chancellor from 1985 to 1995 and 1998 to 2000. From 1982 to 1991 he was president of the Secession and from 1990 to 2000 founding director of the Kunsthaus Bregenz. Between 2002 and 2010 he was director of the Museum of Modern Art (MUMOK). Beyond that, Köb was an active editor, author and member of numerous juries and councils. Dr. Thomas Mießgang is a journalist, cultural publicist and independent curator. He has worked for magazines such as Falter, profil as well as Die ZEIT and is at present primarily active as part of the radio programme by Ö1 (Diagonal, Radiokolleg). Recent exhibition projects were „Ganz Wien. Eine Pop-Tour“ (2017) at the Wien Museum and „Griaß eich die Madln, servas die Buam! Das Phänomen Heinz Conrads“ (2021/22) at the Wienbibliothek im Rathaus. In the 1980s, Mießgang played in the band of the recently deceased media artist and theorist Peter Weibel. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director & Editor: Christian Lübbert Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Anna Daučíková and the curator Jeanette Pacher. It was recorded on October 22, 2022 in the context of the exhibition: Anna Daučíková 16.9. – 6.11.2022 Anna Daučíková is a pioneer of feminist-queer art in Slovakia and the Czech Republic. Teaching for many years at art academies in Bratislava and Prague, and in recent years at the Salzburg Summer Academy, she counts to the most influential forward thinkers in the area of queer theory and practice. More Jeanette Pacher is a curator at the Secession and lecturer at the University of Applied Arts Vienna / Site-Specific Art department. She was part of the editorial team of Ö1 Kunstradio and began working in the curatorial field at Kunsthalle Wien. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Jeanette Pacher Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Christine Sun Kim and the curator Bettina Spörr. It was recorded on February 16, 2023 in the context of the exhibition: Christine Sun Kim Cues on Point 17.2. – 16.4.2023 Christine Sun Kim's art brims with rhythm and dynamic energy. Small-format drawings and sprawling murals, internet memes, text messages in public spaces, and banners towed across the sky by airplanes pack a punch and seem to want to explode the confines and constraints of their media. Her drawings are graphical and spare and largely fall into one of two categories: one utilizes the aesthetics of infographics, while the other adopts the formal repertoire of comic strips, notably speed lines to convey action and reaction. More Bettina Spörr is a curator at the Secession since 2008. Previously she was assistant curator and exhibition coordinator at the Generali Foundation Vienna. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Christine Sun Kim & Bettina Spörr Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert Transcript - Download

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Jordan Strafer, the curator Marti Manen and the curator Christian Lübbert. It was recorded on February 17, 2023 in the context of the exhibition: Jordan Strafer LOOPHOLE 17.2. – 16.4.2023 New York-based artist Jordan Strafer's primary medium is video. Her part-autobiographical, part-fictitious work reflects the complex nature of racial identity, gender, sexuality, class, and ‘Americanism.' A key aspect of her practice is the thoughtful yet playful choreography of seemingly antagonistic emotions—both comical and tragic, intimate and factual, familiar and unfamiliar, repulsive and appealing situations appear in an unusually fluid manner. Drawing from true stories, she makes visible that realities are rarely dualistic. More Marti Manen is Director of Index - The Swedish Contemporary Art Foundation in Stockholm. He has curated exhibitions at the Museo de Historia Natural (Mexico City), Aara (Bangkok), Sala Rekalde (Bilbao), Konsthall C (Stockholm), CA2M (Madrid), and Fundació Miró (Barcelona). Manen was the curator of the Spanish Pavilion at the 2015 Venice Biennale, and curated Momentum10 (Biennale in Moss, Norway, 2019). In the 1990s, he curated five years of exhibitions in his room located in a student flat in Barcelona. Christian Lübbert is a curator at the Secession. He has worked with art institutions such as Tate Modern, the Institute for Contemporary Arts, Chisenhale Studios, the Royal Academy of Arts and the Delfina Foundation in London, as well as Studio Simon Denny, Galerie House of Egorn and the Brandenburg Art Prize in Berlin. Since 2017, he runs Arnis Residency, an annual residency for international artists. In 2020, he organised Afloat Assembly, a residency for contemporary art on a sailing boat, for the first time. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Christian Lübbert Programmed by the board of the Secession Produced by Christian Lübbert

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Kresiah Mukwazhi and the curator Jeanette Pacher. It was recorded on February 17, 2023 in the context of the exhibition: Kresiah Mukwazhi Kirawa 17.2. – 16.4.2023 In Kirawa, her first solo exhibition at an Austrian institution, Kresiah Mukwazhi presents a new body of work consisting of textile paintings and video works. Her mixed-media collages, sculptures, videos, and performances are informed by her personal experiences and observations of gender-based violence, exploitation and abuse in her native Zimbabwe. In vibrant textile works, female figures perform seemingly vulgar and obscene gestures, hinting at the artist's inquiries into the arduous working and living conditions of female sex workers in Zimbabwe's patriarchal society. Against this backdrop of precarization and marginalization, Mukwazhi uses her powerful work as a form of visual activism, scrupulously carving out forms of resistance and self-empowerment. Mutual support and encouragement, together with humour as a weapon and means of resistance, are recurring themes in her work. More Jeanette Pacher is a curator at the Secession and lecturer at the University of Applied Arts Vienna / Site-Specific Art department. She was part of the editorial team of Ö1 Kunstradio and began working in the curatorial field at Kunsthalle Wien. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Jeanette Pacher and Kresiah Mukwazhi Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert