Podcasts about andrew whiteman

Send us a textJason welcomes writer & rock star Andrew Whiteman (of Broken Social Scene, Apostle of Hustle, & Bourbon Tabernacle Choir fame) for a wide-ranging interface about giant Greek eyes, secretly grooving to Sade, the glory of Prince, being possessed by the guilty spirit of Dostoevsky's Raskolninov, the split self, spontaneous eruptions, & Frank O'Hara. Join the early sh*t chat at https://www.facebook.com/WRTESpodcast & on Instagram @writersreadtheirearlyshit. Thanks to Wayne Emde for the artwork, Joe Emde for help with the intro, DJ Max in Tokyo for the wizard music, and you, wherever & whoever & however you are, for listening. Support the show

NBN host Hollay Ghadery speaks with cultural icons, Anne Waldman (The Iovis Trilogy: Colors in the Mechanism of Concealment) and Andrew Whiteman (Broken Social Scene) who have collaborated to create Your Devotee in Rags—a metamorphic sonic poetry LP released by Siren Recordings in 2025 and is available from Spotify. The conversation starts with a discussion of Anne's epic, The Iovis Trilogy (Coffee House Press, 2011). Published for the first time in its entirety, this major epic poem assures Anne Waldman's place in the pantheon of contemporary poetry. The Iovis Trilogy, Waldman's monumental feminist epic, traverses epochs, cultures, and genres to create a visionary call to poetic arms. Iovis details the misdeeds of the Patriarch, and with a fierce imagination queries and subverts his warmongering. All of Waldman's themes come into focus—friendship, motherhood, politics, and Buddhist wisdom. This is epic poetry that goes beyond the old injunction “to include history”—its effort is to change history. Your Devotee in Rags is a missive to this age of patriarchal power, its songs and poems are designed to specifically confront that power and hold it to account. Taking such activist inspiration from musicians like Lido Pimienta and Tanya Tagaaq, musically YDIR blends acoustic and electronic genres, waltzes, laments, and Pauls Boutique-era Beastie Boys mash-ups all with the intent of creating a new artistic headspace: sonic poetry. The cultural direction is forward, the earbuds open up the stereo field, listening to YDIR is, in a word, empowering. More about Your Devotee in Rags: Your Devotee in Rags is a sonic poetry collaboration between Anne Waldman and Andrew Whiteman; an act of desire and metamorphosis expanding the performative vision of being at the horizon of new experience, stripped down, exploring the turf, through poetry and spiritual yearning. Anne says: “Wizard Hal Willner would be proud of us companions in the vibrational matrix. Comrades in a studio of subtle suspense, and where were we headed? A magnificent voyage! Tender, rugged, true. I met Andrew Whiteman, genius player, composer, scholar, in one of Hal's unpredictable alchemical laboratories. We instantly bonded as mavens of poetry and its attendant orality, dedicated to the passion of epic life that is the source of this album, the 1000 plus pages of the feminist canto: Iovis Trilogy: Colors in the Mechanism of Concealment; passages plucked to be re-imagined in ambient explosive word-sound. On the Yantzse, in a strip club, a maelstrom of memory honoring precursor male poets, dressed in the rags of Celtic hags, so much more as mendicant, witty siren, compassionate lover, exploding empires of patriarchy and war. A kind of mythic hospitality.” Andrew says: “It was filmmaker Ron Mann and producer Hal Wilner who showed me the way. Hal was my guiding presence—whip smart, funny, gentle, empathic. This album is dedicated to him.” More about Anne Waldman: Anne Waldman is a living legend. Poet, performer, professor, editor, cultural activist, grandmother, and co-founder with Allen Ginsberg of the Jack Kerouac School of Disembodied Poetics. Former director of the Poetry Project. Tireless author of over 40 books, her trademark energy coils ever outward, always seeking to reveal the four-fold vision that we have largely lost. More about Andrew Whiteman: Andrew Whiteman is a musician and mythopoetics scholar from Montreal, Canada. He writes and performs in Broken Social Scene, Apostle of Hustle, AroarA, and Poets' Workout Sound System. He is a co-founder of Siren Recordings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

NBN host Hollay Ghadery speaks with cultural icons, Anne Waldman (The Iovis Trilogy: Colors in the Mechanism of Concealment) and Andrew Whiteman (Broken Social Scene) who have collaborated to create Your Devotee in Rags—a metamorphic sonic poetry LP released by Siren Recordings in 2025 and is available from Spotify. The conversation starts with a discussion of Anne's epic, The Iovis Trilogy (Coffee House Press, 2011). Published for the first time in its entirety, this major epic poem assures Anne Waldman's place in the pantheon of contemporary poetry. The Iovis Trilogy, Waldman's monumental feminist epic, traverses epochs, cultures, and genres to create a visionary call to poetic arms. Iovis details the misdeeds of the Patriarch, and with a fierce imagination queries and subverts his warmongering. All of Waldman's themes come into focus—friendship, motherhood, politics, and Buddhist wisdom. This is epic poetry that goes beyond the old injunction “to include history”—its effort is to change history. Your Devotee in Rags is a missive to this age of patriarchal power, its songs and poems are designed to specifically confront that power and hold it to account. Taking such activist inspiration from musicians like Lido Pimienta and Tanya Tagaaq, musically YDIR blends acoustic and electronic genres, waltzes, laments, and Pauls Boutique-era Beastie Boys mash-ups all with the intent of creating a new artistic headspace: sonic poetry. The cultural direction is forward, the earbuds open up the stereo field, listening to YDIR is, in a word, empowering. More about Your Devotee in Rags: Your Devotee in Rags is a sonic poetry collaboration between Anne Waldman and Andrew Whiteman; an act of desire and metamorphosis expanding the performative vision of being at the horizon of new experience, stripped down, exploring the turf, through poetry and spiritual yearning. Anne says: “Wizard Hal Willner would be proud of us companions in the vibrational matrix. Comrades in a studio of subtle suspense, and where were we headed? A magnificent voyage! Tender, rugged, true. I met Andrew Whiteman, genius player, composer, scholar, in one of Hal's unpredictable alchemical laboratories. We instantly bonded as mavens of poetry and its attendant orality, dedicated to the passion of epic life that is the source of this album, the 1000 plus pages of the feminist canto: Iovis Trilogy: Colors in the Mechanism of Concealment; passages plucked to be re-imagined in ambient explosive word-sound. On the Yantzse, in a strip club, a maelstrom of memory honoring precursor male poets, dressed in the rags of Celtic hags, so much more as mendicant, witty siren, compassionate lover, exploding empires of patriarchy and war. A kind of mythic hospitality.” Andrew says: “It was filmmaker Ron Mann and producer Hal Wilner who showed me the way. Hal was my guiding presence—whip smart, funny, gentle, empathic. This album is dedicated to him.” More about Anne Waldman: Anne Waldman is a living legend. Poet, performer, professor, editor, cultural activist, grandmother, and co-founder with Allen Ginsberg of the Jack Kerouac School of Disembodied Poetics. Former director of the Poetry Project. Tireless author of over 40 books, her trademark energy coils ever outward, always seeking to reveal the four-fold vision that we have largely lost. More about Andrew Whiteman: Andrew Whiteman is a musician and mythopoetics scholar from Montreal, Canada. He writes and performs in Broken Social Scene, Apostle of Hustle, AroarA, and Poets' Workout Sound System. He is a co-founder of Siren Recordings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

NBN host Hollay Ghadery speaks with cultural icons, Anne Waldman (The Iovis Trilogy: Colors in the Mechanism of Concealment) and Andrew Whiteman (Broken Social Scene) who have collaborated to create Your Devotee in Rags—a metamorphic sonic poetry LP released by Siren Recordings in 2025 and is available from Spotify. The conversation starts with a discussion of Anne's epic, The Iovis Trilogy (Coffee House Press, 2011). Published for the first time in its entirety, this major epic poem assures Anne Waldman's place in the pantheon of contemporary poetry. The Iovis Trilogy, Waldman's monumental feminist epic, traverses epochs, cultures, and genres to create a visionary call to poetic arms. Iovis details the misdeeds of the Patriarch, and with a fierce imagination queries and subverts his warmongering. All of Waldman's themes come into focus—friendship, motherhood, politics, and Buddhist wisdom. This is epic poetry that goes beyond the old injunction “to include history”—its effort is to change history. Your Devotee in Rags is a missive to this age of patriarchal power, its songs and poems are designed to specifically confront that power and hold it to account. Taking such activist inspiration from musicians like Lido Pimienta and Tanya Tagaaq, musically YDIR blends acoustic and electronic genres, waltzes, laments, and Pauls Boutique-era Beastie Boys mash-ups all with the intent of creating a new artistic headspace: sonic poetry. The cultural direction is forward, the earbuds open up the stereo field, listening to YDIR is, in a word, empowering. More about Your Devotee in Rags: Your Devotee in Rags is a sonic poetry collaboration between Anne Waldman and Andrew Whiteman; an act of desire and metamorphosis expanding the performative vision of being at the horizon of new experience, stripped down, exploring the turf, through poetry and spiritual yearning. Anne says: “Wizard Hal Willner would be proud of us companions in the vibrational matrix. Comrades in a studio of subtle suspense, and where were we headed? A magnificent voyage! Tender, rugged, true. I met Andrew Whiteman, genius player, composer, scholar, in one of Hal's unpredictable alchemical laboratories. We instantly bonded as mavens of poetry and its attendant orality, dedicated to the passion of epic life that is the source of this album, the 1000 plus pages of the feminist canto: Iovis Trilogy: Colors in the Mechanism of Concealment; passages plucked to be re-imagined in ambient explosive word-sound. On the Yantzse, in a strip club, a maelstrom of memory honoring precursor male poets, dressed in the rags of Celtic hags, so much more as mendicant, witty siren, compassionate lover, exploding empires of patriarchy and war. A kind of mythic hospitality.” Andrew says: “It was filmmaker Ron Mann and producer Hal Wilner who showed me the way. Hal was my guiding presence—whip smart, funny, gentle, empathic. This album is dedicated to him.” More about Anne Waldman: Anne Waldman is a living legend. Poet, performer, professor, editor, cultural activist, grandmother, and co-founder with Allen Ginsberg of the Jack Kerouac School of Disembodied Poetics. Former director of the Poetry Project. Tireless author of over 40 books, her trademark energy coils ever outward, always seeking to reveal the four-fold vision that we have largely lost. More about Andrew Whiteman: Andrew Whiteman is a musician and mythopoetics scholar from Montreal, Canada. He writes and performs in Broken Social Scene, Apostle of Hustle, AroarA, and Poets' Workout Sound System. He is a co-founder of Siren Recordings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

NBN host Hollay Ghadery speaks with cultural icons, Anne Waldman (The Iovis Trilogy: Colors in the Mechanism of Concealment) and Andrew Whiteman (Broken Social Scene) who have collaborated to create Your Devotee in Rags—a metamorphic sonic poetry LP released by Siren Recordings in 2025 and is available from Spotify. The conversation starts with a discussion of Anne's epic, The Iovis Trilogy (Coffee House Press, 2011). Published for the first time in its entirety, this major epic poem assures Anne Waldman's place in the pantheon of contemporary poetry. The Iovis Trilogy, Waldman's monumental feminist epic, traverses epochs, cultures, and genres to create a visionary call to poetic arms. Iovis details the misdeeds of the Patriarch, and with a fierce imagination queries and subverts his warmongering. All of Waldman's themes come into focus—friendship, motherhood, politics, and Buddhist wisdom. This is epic poetry that goes beyond the old injunction “to include history”—its effort is to change history. Your Devotee in Rags is a missive to this age of patriarchal power, its songs and poems are designed to specifically confront that power and hold it to account. Taking such activist inspiration from musicians like Lido Pimienta and Tanya Tagaaq, musically YDIR blends acoustic and electronic genres, waltzes, laments, and Pauls Boutique-era Beastie Boys mash-ups all with the intent of creating a new artistic headspace: sonic poetry. The cultural direction is forward, the earbuds open up the stereo field, listening to YDIR is, in a word, empowering. More about Your Devotee in Rags: Your Devotee in Rags is a sonic poetry collaboration between Anne Waldman and Andrew Whiteman; an act of desire and metamorphosis expanding the performative vision of being at the horizon of new experience, stripped down, exploring the turf, through poetry and spiritual yearning. Anne says: “Wizard Hal Willner would be proud of us companions in the vibrational matrix. Comrades in a studio of subtle suspense, and where were we headed? A magnificent voyage! Tender, rugged, true. I met Andrew Whiteman, genius player, composer, scholar, in one of Hal's unpredictable alchemical laboratories. We instantly bonded as mavens of poetry and its attendant orality, dedicated to the passion of epic life that is the source of this album, the 1000 plus pages of the feminist canto: Iovis Trilogy: Colors in the Mechanism of Concealment; passages plucked to be re-imagined in ambient explosive word-sound. On the Yantzse, in a strip club, a maelstrom of memory honoring precursor male poets, dressed in the rags of Celtic hags, so much more as mendicant, witty siren, compassionate lover, exploding empires of patriarchy and war. A kind of mythic hospitality.” Andrew says: “It was filmmaker Ron Mann and producer Hal Wilner who showed me the way. Hal was my guiding presence—whip smart, funny, gentle, empathic. This album is dedicated to him.” More about Anne Waldman: Anne Waldman is a living legend. Poet, performer, professor, editor, cultural activist, grandmother, and co-founder with Allen Ginsberg of the Jack Kerouac School of Disembodied Poetics. Former director of the Poetry Project. Tireless author of over 40 books, her trademark energy coils ever outward, always seeking to reveal the four-fold vision that we have largely lost. More about Andrew Whiteman: Andrew Whiteman is a musician and mythopoetics scholar from Montreal, Canada. He writes and performs in Broken Social Scene, Apostle of Hustle, AroarA, and Poets' Workout Sound System. He is a co-founder of Siren Recordings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

SUMMARYIn this first episode of Season 6, producer Andrew Whiteman invites listeners to step into an arena of collaboration between poetry and sound. We all know it when we hear it, and we have mixed feelings about it. Why does the archaic meeting place of music and poem hit such a nerve? Is this art form literature or is it music? Surely, it's not song, is it? And if poems already carry their prosodic intentions within themselves – why bother supplementing them with extraneous audio?" These questions are answered by Siren Recordings, a new digital-DIY sonic poetry label run by Kelly Baron and Andrew Whiteman.*SHOW NOTESAudio played in the episode“Happy Birthday Ed Sanders Thank You!”, written and performed by Edward Sanders ( from "This is the Age of Investigation Poetry and Every Citizen Must Investigate” part of the “Totally Corrupt Dial-a-Poem Series by John Giorno. Found at https://www.ubu.com/sound/gps.html ) and Andrew Whiteman. Unreleased track. Audio clips of Amiri Barak, Helen Adam, and the Four Horseman from Ron Mann's 1980 film Poetry in Motion. found at https://vimeo.com/14191903.“The Great Reigns” written and performed by Erica Hunt ( from Close Listening with Charles Bernstein at WPS1 Clocktower Studio, New York, June 20, 2005, available at https://writing.upenn.edu/pennsound/x/Hunt.php ), and Andrew Whiteman. “#7” by Alice Notley and AroarA. Unreleased track. Text taken from Notley's book “In The Pines”, Penguin Books. 2007.“ Pinbot” and “Abu Surveillance” by Anne Waldman and Andrew Whiteman. Unreleased track. Text taken from Waldman's book “Iovis: the Trilogy”, Coffeehouse Press. 2011.“How I wrote Certain of my Books” by David UU and the Avalettes.  from the casette Very Sound (Sound Poems By David UU). Underwhich Audiographic Series, No.18. 1984.  "whn i first came to vancouvr” by bill bissett. from the cassette Sonic Horses. Underwhich Audiographic Series, No.19.1984. "From The Life & Work Of Chapter 7 (For Steven Smith)” by Tekst. from the cassette "Unexpected Passage”.Underwhich Audiographic Series – No. 15. 1982. “ Canto One” by Andrew Whiteman featuring Robert Duncan, Ezra Pound, Richard Sieberth, Al Filreis. buried somewhere at Penn Sound. https://writing.upenn.edu/pennsound/. Unreleased track.*PRODUCER BIOAndrew Whiteman is a founding member of the indie-rock collective Broken Social Scene, and a PhD student at Concordia University investigating the confluence of mythology and experimental poetics. He is a musician, producer and sound artist with special interest in Sonic Poetics, and has collaborated on recordings with Alice Notley (In The Pines, 2013) and Anne Waldman (IOVIS, 2023) among others. This work has led directly to the creation of Siren Recordings, a boutique sonic poetry label, hub and ever-growing archive he runs with Kelly Baron and Brandon Hocura.  His divinatory practice is located at https://intarotgate.com.

Ariel Engle discusses the brilliant new album, XO Skeleton, by La Force, Paris and fandom, family ties that bind, grief and reflection, making heavy pop music, cynical mysticism, working with Andrew Whiteman, Shahzad Ismaily, and Warren Spicer, cigar box guitars, "Song a Day" and Feist, touring, new music, other future plans, and much more.Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

This week I have my talks with André Olbrich of Blind Guardian about the new album The God Machine & Andrew Whiteman of Antisaint and the re-release of their debut album/3 EP release, Vaticinate. I also talk about the horror movie, Glorious, up on Shudder, The Saints Row (2022) reboot game, and no it's not the crappy game everyone else says it is, the outside looking in falling apart of AEW, and of course my mental health check in talking about this past weekend and the hell that came with it. Episode 23 Soundtrack Links to Everything Heavy Debriefings --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/heavydebriefings/message

Get ready for some booze and I do's, cause we're at a southern (kinda) wedding, y'all (you + all). Guests include a car factory employee and mother of two who aspires to be a farmer, a woman who works at an appliance company who's sick of getting injured on the job, and the lovely newlyweds who met when the bride went on a Bumble Binge. Recorded on 6/4/22 during Sam Hall and Andrew Whiteman's wedding at the Louisville Nature Center in Kentucky. Go to http://feals.com/outside to get 50% off your first order plus free shipping. Go to http://betterhelp.com/outside to get 10% off your first month! TIX TO OUR AUSTIN SHOW: https://www.prekindle.com/event/63211-podcast-but-outside-but-inside-live-austin Tickets to Andrew's shows: http://andrewmichaan.com/live

We dive into records linked across space and time. Alex Wyder joins us to talk about his love for BSS and the life of a music manager. Cause = AvA.   

In this episode, New Aural Cultures is delighted to be collaborating with the SpokenWeb podcast. Produced by a collective of researchers who are dedicated to the discovery and preservation of sonic artefacts that have captured literary events of the past, SpokenWeb is both a vital resource for the analysis of the spoken word history in Canada and beyond, and a vital intervention into the present and future of literary performance, communication and knowledge exchange from critical and pedagogical perspectives. The podcast is hosted and produced by previous New Aural Cultures guests Hannah MacGregor and Stacey Copeland respectively. The episode we bring you is entitled Cylinder talks and features Director of the SpokenWeb Network and Professor at Concordia University – Jason Camlot – in conversation with SpokenWeb podcast supervising producer and Simon Fraser University PhD candidate – Stacey Copeland – and explores how sound studies is being taken up in the literary classroom. Together we listen back to select “Cylinder Talk” sound production assignments created by Concordia graduate students, and unpack the experiences, ideas and discussions that the production and study of sound can incite across disciplines. A 3-minute audio project assigned to students in Jason’s most recent graduate seminar – Literary Listening as Cultural Technique – the Cylinder Talk draws on a history of early spoken sound recordings, inviting us into an embodied sonic engagement with literature studies.The episode features sound work by Alexandra Sweny, Sara Adams, Aubrey Grant and Andrew Whiteman. Cylinder Talks Featured: Alexandra Sweny, “Ethics of Field Recording in Irv Teibel’s Environments Series” — Sound Clips: Original recordings of Montreal by Alexandra Sweny. Sara Adams, “Henry Mayhew and Victorian London” — Sound Clips: “Victorian Street.” British Library, Sounds, Sound Effects. Collection: Period Backgrounds. Editor, Benet Bergonzi. Published, 1994. Aubrey Grant, “Poe’s Impossible Sound” — Sound Clips: Lucier, Alvin. I Am Sitting in a Room, Lovely Music Ltd., 1981. Andrew Whiteman, “Bronze lance heads” — Sound Clips: —“Robert Duncan Lecture on Ezra Pound” March 26, 1976, U of San Diego; accessed from Penn Sound Robert Duncan’s author page. (https://writing.upenn.edu/pennsound/x/Duncan.php) —“Ezra Pound recites Canto 1” 1959; accessed from Penn Sound Ezra Pound’s author page (https://writing.upenn.edu/pennsound/x/Pound.php) — —“The Sound of Pound: A Listener’s Guide” by Richard Siebruth, interview with Al Filreis May 22, 2007. (https://writing.upenn.edu/pennsound/x/Pound.php) — Sampled 1940s film music; date and origin unknown. — Original music; composed by Andrew Whiteman, Dec 2020. Click here to visit the episode's website. --- Send in a voice message: https://anchor.fm/newauralcultures/message

Together we listen back to select "Cylinder Talk" sound production assignments created by Concordia graduate students, and unpack the experiences, ideas and discussions that the production and study of sound can incite across disciplines. A 3-minute audio project assigned to students in Jason's most recent graduate seminar - Literary Listening as Cultural Technique - the Cylinder Talk draws on a history of early spoken sound recordings, inviting us into an embodied sonic engagement with literature studies.The episode features sound work by Alexandra Sweny, Sara Adams, Aubrey Grant and Andrew Whiteman.SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.Episode Producers:Jason Camlot (SpokenWeb director) is Professor in the Department of English and Research Chair in Literature and Sound Studies at Concordia University in Montreal. His critical works include Phonopoetics (Stanford 2019), Style and the Nineteenth-Century British Critic (2008), and the co-edited collections, CanLit Across Media (2019) and Language Acts (2007). He is also the author of four collections of poetry, Attention All Typewriters, The Animal Library, The Debaucher, and What the World Said.Stacey Copeland  is a media producer and Communication Ph.D. candidate at Simon Fraser University in Vancouver, Canada. She received her MA from the Ryerson York joint Communication and Culture program and a BA in Media Production from Ryerson University. She is currently the podcast project manager for The Spokenweb Podcast and the supervising producer of Amplify Podcast Network. website: http://staceycopeland.com/Cylinder Talks Featured:Alexandra Sweny,  “Ethics of Field Recording in Irv Teibel's Environments Series”Sound Clips:  Original recordings of Montreal by Alexandra Sweny.Sara Adams,  “Henry Mayhew and Victorian London”Sound Clips: “Victorian Street.” British Library, Sounds, Sound Effects. Collection: Period Backgrounds.  Editor, Benet Bergonzi.  Published, 1994.Aubrey Grant,  “Poe's Impossible Sound”Sound Clips: Lucier, Alvin. I Am Sitting in a Room, Lovely Music Ltd., 1981.Andrew Whiteman,  “Bronze lance heads”Sound Clips:“Robert Duncan Lecture on Ezra Pound” March 26, 1976, U of San Diego; accessed from Penn Sound Robert Duncan's author page. (https://writing.upenn.edu/pennsound/x/Duncan.php)“Ezra Pound recites Canto 1” 1959; accessed from Penn Sound Ezra Pound's author page (https://writing.upenn.edu/pennsound/x/Pound.php)—“The Sound of Pound: A Listener's Guide” by Richard Siebruth, interview with Al Filreis May 22, 2007. (https://writing.upenn.edu/pennsound/x/Pound.php)Sampled 1940s film music; date and origin unknown.Original music; composed by Andrew Whiteman, Dec 2020.References:Eidsheim, Nina Sun.  The Race of Sound: Listening, Timbre and Vocality in African Music. Duke UP, 2019.Feaster, Patrick. “'The Following Record': Making Sense of Phonographic Performance, 1877-1908.” PhD Dissertation.  Indiana University, 2007.Hoffman, J. “Soundscape explorer: From snow to shrimps, everything is a sound to Bernie Krause.” Nature, vol. 485, no. 7398, 2012, p. 308, doi:10.1038/485308a.Kittler, Friedrich. Grammophone, Film, Typewriter, trans. Geoffrey Winthrop-Young and Michael Wutz, Stanford University Press, 1999.Krause, Bernie. The Great Animal Orchestra: Finding the Origins of Music in the World's Wild Places. Little Brown, 2012.Peter Miller, “Prosody, Media, and the Poetry of Edgar Allan Poe,” PMLA 135.2 (March 2020): 315-328.Mayhew, Henry. London Labour and the London Poor, 1851.Picker, John.  Victorian Soundscapes.  Oxford University Press, 2003.Poe, Edgar Allen. “The Bells”, Complete Poems and Selected Essays, ed. Richard Gray, Everyman Press, 1993, pp. 81-84.Robinson, Dylan.  Hungry Listening: Resonant Theory for Indigenous Sound Studies. University of Minnesota Press, 2020.Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Inner Traditions/Bear and Co., 1993.Siegert, Bernhard. Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Rea. Trans. Geoffrey Winthrop-Young.  Fordham UP, 2015.Stoever, Jennifer Lynn. The Sonic Color Line: Race and the Cultural Politics of Listening.  New York University Press, 2016.Teibel, Irv. Environments 1: Psychologically Ultimate Seashore. LP Record. Syntonic Research Inc., 1969.World Soundscape Project - Sonic Research Studio - Simon Fraser University. https://www.sfu.ca/sonic-studio/worldsoundscaperoject.html. Accessed 31 Jan. 2021.Additional Sound Clips:Camlot, Jason.  Ambient Music for “Cylinder Talks”.“A Christmas Carol in Prose (Charles Dickens: Scrooge's awakening )(w Carol Singers [male quartet]).” Bransby Williams, performer. Edison 13353, 1905."Big Ben clock tower of Westminster - striking half past 10, quarter to 11, and 11 o'clock" (Westminster, London, England). July 16, 1890. Recorded by: Miss Ferguson and Graham Hope, (for George Gouraud). Edison brown wax cylinder (unissued). NPS object catalog number: EDIS 39839.bpayri. “crowd chattering students university loud”, Freesound, 2015.Humanoide9000. “Glacier break”, Freesound, 2017.“Micawber (from ‘David Copperfield').” William Sterling Battis, performer. Victor 35556 B, 12”disc, 1916.New, David, director. R. Murray Schafer: Listen, National Film Board of Canada, 2009.sbyandiji. “short alarm bell in school hall”, Freesound, 2014.Spliffy. “Hallway of University in silence”, Freesound, 2015.“Svengali Mesmerizes Trilby.” Herbert Beerbohm Tree, performer. Gramophone Concert Record, 10” Black Label Disc, GC 1313, 1906.“The Transformation Scene From Dr. Jekyll and Mr. Hyde.” Len Spencer, performer. Columbia matrix, [1904] 1908.Udall, Lyn. “Just One Girl.” Popular Songs of Other Days, 2012/1898.Westerkamp, Hildegard. “Kits Beach Soundwalk.” Transformations, Empreintes DIGITALes, IMED 1031, Enregistrements i Média (SOPROQ), 1989/2010. https://electrocd.com/en/piste/imed_1031-1.3.

Guitarist of ANTISAINT talks NHL playoffs, the world of music, and some memories of our time in Red Tide Rising ANTISAINT: Website: https://antisaint.bandcamp.com/ Instagram: https://www.instagram.com/antisaintband/ Aether’s Oath: Website: https://aethersoath.com/ Instagram: https://www.instagram.com/aethers_oath/ Joey Reddix: https://www.instagram.com/mightyjoemetal/ Zie: https://www.instagram.com/zie303/ Mosaic: Spotify: https://open.spotify.com/artist/6toSkL3liTv3mUZ3QlAVzp Instagram: https://www.instagram.com/mosaic_band_official/ Red Queen: Website: https://redqueenband.com/ Spotify: https://open.spotify.com/artist/6ZNCoJ1GWVDg3UqRdLNne4 Gunpowder Empire: Spotify: https://open.spotify.com/artist/4NPq9BDXMjdNhlXTL1Vd2P Apple Music: https://music.apple.com/us/artist/gunpowder-empire/1475728003 Bandcamp: https://gunpowderempire.bandcamp.com/

Andrew Whiteman is a musician and songwriter out of Toronto. He plays guitar in Broken Social Scene and has a number of other projects including Sonic Poetry and AroarA.  Andrew is about to embark on a tour with Broken Social Scene, as they release a new album on July 7th. We spoke about creativity, change, and performing on Stephen Colbert's late night show.  Listen on iTunes or Stitcher or Google Play Support the Podcast on Patreon Show Notes: Broken Social Scene Sonic Poetry AroarA Apostle of Hustle Morning Becomes Eclectic DJ Rupture Muse Exchange Sonic Poetry: Broken Social Scene performing on David Letterman's show: AroarA, Andrew's collaboration with his wife, Ariel:

Simone White, Sophia Le Fraga, and Andrew Whiteman join Al Filreis to discuss Ed Dorn's "The Sundering U.P. Tracks."

Hosted by Al Filreis and featuring Simone White, Sophia Le Fraga, and Andrew Whiteman.

AroarA is a unique two-piece band that hails from Montreal and consists of married musical couple, Ariel Engle and Andrew Whiteman. You might recognize Whiteman’s name from his work in Broken Social Scene, Apostle of Hustle, and the Bourbon Tabernacle Choir among other entities. Though lesser known, Engle is an equally accomplished musician and a […]

Big Dog Radio Welcomes Andrew from Red Tide Rising & Nick from October Rage Tune in tonight at 7:00 PM CST, as Big Dog Radio gives the rock fans a special two for Tuesday, as your hosts, the Big Dog Benny Henderson Jr. and, David Divine Brooks features, not one, but two guests on the program. First, BDR welcomes, guitarist for Red Tide Rising, Andrew Whiteman. Red Tide Rising are four young men who hail from Denver, who are kicking major ass in the music world. You can check them out at www.reverbnation.com/redtiderising. Coming on at 7:30 PM CST, with be Nick Roberts, the singer for the hard rocking band from Australia, October Rage. Nick will be speaking out on the band, their new album, tour and more. Check them out at www.octoberrage.com. To speak with the hosts or the guests, call in at 347-202-0832.

Artistic Director Kerry Clarke interviews 2009 Festival artists for their road stories. This episode: Emily Wells, Andrew Whiteman of Apostle of Hustle, Carolyn Mark.