Canadian singer and songwriter
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3 episodes with Emily Haines
2 episodes with Emily Haines
2 episodes with Emily Haines
2 episodes with Emily Haines
2 episodes with Emily Haines
6 episodes with Emily Haines
Steve Adubato is joined by Nadine Wright-Arbubakrr, Founder & Executive Director of Nassan's Place, to examine the needs of children with autism and the future goals of her organization. Then, Steve Adubato is joined by Mariekarl Vilceus-Talty, President and CEO, and Emily Haines, Chief Nursing Officer, from the Partnership for Maternal and Child Health of […]
Join our PATREON for bonus episodes. This week we have Andy and Jay from Love Letter on to talk about Home For An Island by The Exit. We also talk about: the Greenvans fleet, teaching bands to pump oil, our first Piebald records, label hot streaks, trying all the presets, ice-t coin, Bill Gates future video, teaching drums, Pale Moon Ranch, writing the Love Letter record, not listening to hardcore, allowing to love, it's hard to be done, the Hellogoodbye/Paramore tour, Emily Haines, Dan must not be a fan of drumming, Jason McGerr, our last Alkaline Trio record, and so much more. ________ Order our post-hardcore hat here! // Follow us at @danbassini, @mysprocalledlife, @loveletterhq and @runintotheground.
This week's Talkhouse Podcast came together in a fun way, when a new-ish artist referenced the work of a more established band in a song, and the head of a legendary indie label thought they should meet. That sounds complicated, but don't worry I'll explain. Our guests are Claire Rousay and Kevin Drew. Kevin Drew is best known as one of the founders of Broken Social Scene, the influential Canadian band slash collective that's been around for 25 years now. The band has amassed an incredible catalog that broke out with 2002's unstoppable You Forgot It In People but all of its records reward a deep dive—as does the solo work that Drew has also released over the years. Last year he released a moving record about loss—among other things—called Aging, and as you'll hear in this conversation, he hopes to reignite Broken Social Scene for one more run that includes some of the collective's members that have gone on to big careers outside the band, like Leslie Feist and Emily Haines. I personally would love to see it. I imagine the other half of today's conversation, Claire Rousay, would as well. The impetus for this conversation is her song “Lover's Spit Plays in the Background.” In case you're not familiar with the aforementioned Broken Social Scene album, You Forgot It In People, it features a song called “Lover's Spit.” Rousay's song is from her fantastic new album Sentiment, just out on Thrill Jockey Records, on which she leans more into song structure than on past releases, which have been tagged “emo ambient.” Rousay uses found sounds, hazy atmospherics, and Auto-Tune to tell sometimes crushingly depressing stories in a way that somehow turns out gorgeous. Check out “Lover's Spit Plays in the Background” right here. This conversation ended up happening because Thrill Jockey's Bettina Richards reached out to Drew to let him know about the nod on Rousay's song, and the rest is history: As you'll hear, they connected pretty quickly, and they chat about blackout curtains, influential record labels, the death of Kevin's mom, and what Drew dubs Claire's “beautiful, vulnerable, shadowy womb/sleeping bag of a record.” Enjoy. 0:00 - Intro 2:29 - Start of the chat 4:49 - On Claire's unusual introduction to Broken Social Scene's music 9:24 - On music as a lifesaver 13:47 - On the future of Broken Social Scene 17:35 - On being jealous of your peers 21:42 - On blackout curtains 31:27 - On signing to Thrill Jockey 36:46 - On negativity and career expectations Thanks for listening to the Talkhouse Podcast, and thanks to Claire Rousay and Kevin Drew for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the goodness at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
This week we are look at the indie Canadian electro pop duo, Metric, featuring Emily Haines and James Shaw also of Broken Social Scene. The two albums we will be reviewing are 2007's Grow Up and Blow Away and 2009's Fantasies. Interestingly, Grow Up and Blow Away was the band's 3rd record when it released in 2007, but it was recorded and shelved 7 years earlier. This makes for an interested contrast between that record and the fourth released record, Fantasties. The latter album is near perfect, and we absolutely loved it.For feedback, please email DownOnHighPodcast@gmail.com
We're back to get the answer to last week's cliffhanger and find out what happened to Scott Pilgrim, and where did he take off to? How does this spin on the story in this episode make sense? How amazing is Knives Chau as a character? Is New York in America? Why are Brie Larson and Emily Haines of Metric swapping vocals again? What 20 year old movie did the fight scene between Gideon and Matthew borrow from? And does being vegan really give you powers? Whether this episode is new to you, or if the only thing you remember is "Lets party" we have the recap for you to download, so listen now..... and lets party. ★ Support this podcast on Patreon ★
Welcome back, everyone. It's been a minute, but it looks like that minute is up—the tenth season of The Anhedonic Headphones Podcast is upon us. It's the 54th episode overall since the show began, and in the first episode of the new season, Kevin welcomes his first in person guest in three years, Anastasia Stier. The two talk about poor mental health, how you never grow out of being an emo kid, and fixating on Julien Baker. For additional information about Anhedonic Headphones, please click here; or follow Kevin on Instagram and on Twitter. And please give the podcast he co-hosts with Alyssa Savino, A Reasonable Day, a listen. Intro Music: “6 Underground,” written by John Barry, Chris Corner, Liam Howe, and Ian Pickering; performed by Sneaker Pimps. Becoming X, Clean Up, 1997. Closing Music: “Numb,” written by Beth Gibbons, Geoff Barrow, and Adrian Utley; performed by Portishead. Dummy, Go Disc, 1994. Music Credits: “I Won't Stay Long,” written by Sam Nash; performed by Sixpence None The Richer. Sixpence None The Richer, Squint, 1997. “Telethon,” written by Emily Haines; performed by Emily Haines and The Soft Skeleton. What Is Free to A Good Home?, Last Gang, 2007. “Reckless” written and performed by Tilly and The Wall. Wild Like Children, Team Love, 2004. “This Is Our Emergency,” written and performed by Pretty Girls Make Graves. The New Romance, Matador, 2003. “Empty,” written and performed by Metric. Live It Out, Last Gang, 2005. “Sea of Love” written by Philip Baptiste and George Khoury; performed by Cat Power. The Covers Record, Matador, 2000. “Buttoned Down,” written and performed by Straylight Run. The Needles The Space, Universal, 2007. “This is The Last Time,” written by Aaron Dessner, Bryce Dessner, and Matt Berninger; performed by The National. Trouble Will Find Me, 4AD, 2013. “Hurt Less,” written and performed by Julien Baker. Turn Out The Lights, Matador, 2017 “I'll Never Smile Again,” written by Ruth Lowe; performed by Tommy Dorsey and His Orchestra and Frank Sinatra. Victor, 1940.
"Lana Del Rey, in my opinion, changed female-led pop in the music industry with her release of Born To Die in 2012. Listening to it now, you can hear how she influenced a handful of today's biggest pop stars and even though the album has some...flaws....I still enjoy listening to it today. Personally, I discovered Del Rey when the rest of the world did- via YouTube. Her whole aesthetic captivated a 21-year-old Abby and became part of my personality. I was really excited to put this album before Matt and Iain to see what they thought of an artist that continues to break the mould." -Abby Thank you so much for listening to this episode of the Album Files! We will be back in two weeks to talk about Iain's pick Summer Moon by There Will Be Fireworks, please listen along! We'd love to hear your thoughts, if you want to send us a voice memo to include in the show you can find our social media links below. What we've been listening to lately... Matt: Luca Brasi - The World Don't Owe You Anything, Dua Lipa - Houdini Iain: Søndag Søndag - Søndag, (also mentioned) Emily Haines & The Soft Skeleton - Our Hell, Hayley Mary covers Lana Del Rey 'Chemtrails Over The Country Club' Abby: Jacob Collier - Witness Me (feat. Shawn Mendes, Stormzy & Kirk Franklin), Heavy Diamond Ring - All Out Of Angels, Mama Magnolia - Dear Irvington, Alasdair Fraser & Natalie Haas, The Last Dinner Party - My Lady of Mercy You can find a playlist of the music we discussed in episode 20 of The Album Files here. You can find us on social media @abimickey, @iaintreloar and @climbingcyclist.
In this episode, we get to meet Kevin Drew. Best known as the sort of de facto captain of indie rock superstars Broken Social Scene, Kevin has just put out his brand new solo album, Aging. In this chat, he and I discuss the album, and its myriad dark, deep, personal themes, as well as what led to its conception and its status as a very piano-led record (which isn't something we've previously associated much with his music). We touch upon Broken Social Scene, and their recent celebration of the 20th anniversary of their landmark record You Forgot it in People. We talk what those songs mean to him now, the music industry at large, and also the staggering glory of Emily Haines and "Anthems for a 17-Year-Old Girl". It's a lovely, very candid conversation, and I appreciate the warmth and kindness Kevin brought to our talk. Thank you for listening.
Twenty years ago, Metric burst onto the scene with an undeniably infectious album called “Old World Underground, Where Are You Now?” Metric's Emily Haines and Jimmy Shaw tell Tom about the early days of the band, their unlikely hit that changed everything, and their new album, “Formentera II.”
Metric has become one of those bands that have paved the way for independence, along with Aimee Mann, Chance The Rapper and the other self-releasing copyright owning pioneers. Their fifth album Synthetica (2012) as it turns out, is a favourite of the band's front woman and main co-writer Emily Haines. Even though it didn't reach the commercial heights predecessor Fantasies did, it was a mature and ambitious record, setting the tone for Metric's accomplished and reliably strong catalogue. It brings us to the band's recent projects Formentera (2022) and this year's sibling album Formentera II, neither of which miss a beat - not a weak track among the combined 18 songs. If consistency is what you're after, Metric should be your new favourite band. It was refreshing to hear that there was no particular logic to the selection and scheduling of both the Formentara albums - no grand design - just the sound of the band hitting their stride enough for a double album (even if it is released in two seperate packages). “We had made a body of work and knew we had a double album. When we rejoined civilization after our Doomscroller tour, we thought this was the most fun way to release it. I've always envied the surprise release. So we announced on the one year anniversary of Formentera, there is a second album”. This magnum opus came with other influences too, including the “impossible-made-possible” stylings of British filmmaker Terry Gilliam, in particular his 1985 cult masterpiece Brazil. Once you understand the connection between Formentera and Gilliam, you are reminded of a deep artistic sensibility behind Metric that sets this band apart. But what is Metric's secret to making such consistently strong material?“It's terrifying to me that we don't really know what we are doing. Everything we do from a sonic standpoint, to a visual, to lyrical themes…it all comes down to this feeling. All I know is that when I feel it I know it, and if I don't, it will never see the light of day”. No wonder Metric's catalogue is such an entertaining ride.Full text at https://www.songsommelier.com/Support the showGet more related content at: https://www.songsommelier.com/
Emily Haines talks NYC in the 2000s, moving to the West Coast, journaling and one coat hanger frenzied morning. Formentera II is out now. Learn your favourite song and download AMPOLLO - the FREE app that lets you practice at home with songs, using its AI stem-removing super smart tech: https://apps.apple.com/app/apple-store/id1659856412?pt=125376217&ct=Giles&mt=8 Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's Talkhouse Podcast we have the pleasure of reuniting two intensely creative individuals who first worked together decades ago: Emily Haines and Olivier Assayas. Haines is, of course, the singer and primary songwriter for the band Metric, which she's been fronting for the past 20-plus years, and which sprang from the same fertile Canadian scene that gave the world Broken Social Scene and Stars, among many others—in fact, it's Haines' voice that you hear on Broken Social Scene's biggest (and I would argue best) song, “Anthems for a Seventeen-Year-Old Girl.” But her primary focus over the years has of course been Metric, which just released their ninth album of thought-provoking indie-rock anthems, Formentera II. It's a sequel to the excellent album they released exactly a year prior, and another collection of danceable, fantastic songs. Check out “Just the Once,” from Formentera II, which Haines describes as “regret disco.” So what does a catchy Canadian indie band have to do with a fearless French filmmaker like Olivier Assayas? A lot, as it turns out. Back when Assayas was prepping his 2004 film Clean, he needed a band to perform in a scene, and when he saw Metric, everything clicked: You can see the band perform their early hit “Dead Disco” in the movie, and Haines and Assayas hit it off after working together. Like Metric, Assayas has created an incredible body of work over the years, and done it—again like Metric—by following his own muse. His best-known films include Irma Vep, Clouds of Sils Maria, and 2016's Personal Shopper, for which he was proclaimed Best Director at the Cannes Film Festival. In a strange twist, he was asked to re-created Irma Vep as a TV series for HBO, which he did under the condition that he have total artistic freedom. That came out last year, and it's definitely worth checking out. These two get right into a great discussion about how they approach creating their art: Both rely on instinct rather than any desire for commercial success. They talk about the real Formentera—it's an island in Spain—versus the one Haines created for these albums. They touch on Haines' father, a well-known poet, and how that might have figured into her creative growth. Also, you'll learn from this chat that every piano has one great song in it. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Emily Haines and Olivier Assayas for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
Metric's Emily Haines discusses the band's new album Formentera II and reflects on 20 years making music.
Making a Scene Brings you Gerry Casey's Interview with SlybootsSlyboots' unique yet cohesive sound can be attributed to their different tastes, but similar inspirations. Despite their wide-ranging influences: The Beatles, The Kinks, The Smiths, The Cure – their shared admiration for strong females that have paved the way, e.g., Talking Heads' Tina Weymouth, Metric songwriter Emily Haines and Tiffany's favorite, Barbara Streisand, binds them together.
It was perhaps inevitable that Emily Haines would become a writer/lyricist and musician; her dad (Paul Haynes), was a revered Avant Garde poet and musician. Emily formed her first band at age 15 (Edith's Mission) with school pal Amy Millan (STARS). She spent her University years in Vancouver (UBC) and Montreal (Concordia) before meeting James (Jimmy) Shaw in 1997 and forming the band that would become Metric. 2023 finds the group celebrating the 20th anniversary of their debut album 'Old World Underground, Where are You Now' and releasing their ninth full length LP, 'Formetera II'.
In a new dump of documents from Anchorage PD, the research team finds new interviews with Keyes, new evidence photos, and a whole host of other new info that answers questions and begs new ones; not just in the Koenig case, but many of the most compelling cases we've looked into over the past five years of the show. Next episode: April 27, 2023 / April 25 for Patreons at $4+ With additional research by: Jordan Taylor, Shana Wilensky, and Michelle Tooker. And research assistance by: Andrew French, Kaz, and Kim K. With special thanks to Jordan Taylor, Jessica Alihodzic, and Jillian Natale. Patreon producers: Amelia Hancock, Amy Basil, Annette, Benjamin Cioppa-Fong, Casey Jensen-Richardson, Dr. Jill Cooper, Drew Vipond, Elizabeth Weidner, Hallie Reed, Jillian Natale, John O'Leary, Kendall C, Kimberly K, Lauren F, Lindsay Kurtis, Lynnlie Tuschoff, Manolis Boukolus, Meggan Capps-Seawel, Mike Sherman, Nicole and Dennis Henry, Sara C, Sarah King, SC, Shannon Foster, Shelly Brewer, Tuesdi Woodworth, Zack Ignatowicz Warren, and Lydia Fiedler.Join the Patreon team and support the investigation: patreon.com/truecrimebsFor more info: truecrimebullshit.comMusic by: William Hellfire, Yehezkel Rez, Sergey Cheremisinov, Radical Face, Lee Rosevere, Raz Burg, and Yotam Agam Featured music by: Emily Haines & The Soft Skeleton
After three years of no touring, Metric is back on the road promoting their latest album Formentera. With advice from their label, the band also waited to put out the record in 2020 stating the pandemic. The themes of the album aren't all heavy and pandemic related, but it's a "coming to terms" album says lead singer Emily Haines. There are moments on the album that make you want to hold loved ones close and reflect on the world and everything that matters most to the listener. Watch as Host Will Carlan brings up old memories for the band and explores the thoughts behind the latest album. Special stripped down performances of tracks from Formentera and their very first album Fantasies.
In most workplaces, falling asleep on the job is not a good thing. But if you're in Metric, Emily Haines says it's a great thing. In fact, she and her bandmates love it when they catch each other napping in the studio. Because that means they're being productive. Listen to the latest episode now!
Lewis Allan Reed (March 2, 1942 - October 27, 2013) was an American musician, singer, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. In this episode a compilation of Reed's final two playlists curated by himself (for a popular online music streaming platform that shall remain unnamed), before he passed in 2013, revealing what he was listening to in his final days. Lineup: Nicki Minaj, Albert Ayler, Roy Orbison, Prince, Fucked Up, The King Khan & BBQ Show, Waylon Jennings, Georgia Anne Muldrow, Captain Beefheart & His Magic Band, of Montreal, Ricky Nelson, Tom Waits, Miles Davis, Deerhoof, Antony and the Johnsons, Howlin' Wolf, Lonnie Johnson, Otis Redding, Emily Haines & The Soft Skeleton, Perfume Genius, Ty Segall, Leonard Cohen, Dr. Dog, Napalm Death, Eddy Current Suppression Ring, Daughter, Robyn
Emily Haines and Jimmy Shaw stop by the studio to talk about their show at Budweiser Stage on August 26th with Interpol and Bartees Strange, and their new album Formentera.
“Here's two the next 20 years,” Emily Haines concludes with a laugh. Nearly a quarter-century into Metric's existence, the band's frontwoman is looking forward at the lifelong project. As many of their peers burned out or faded away, the Canadian indie-rock darlings have continued to release some of their strongest work, including 2022's Formentera. A meditation on a rough couple of years for the world, the album finds Haines and co. laying the groundwork for what's to come. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Indie rock royalty joins us on the pod today, as our guests are Emily Haines and Jimmy Shaw from Metric! The Canadian indie-rock icons have been at it for over 20 years, winning both hearts and JUNO awards along the way. After letting go of what they could not control over the last 18-24 months, they recently released their brilliant eighth studio record Formentera. In today's episode, we're speaking with Emily and Jimmy about why this is some of their most urgent work yet, the return of Indie Sleaze, songwriting during COVID, living in a New York left with members of Yeah Yeah Yeahs & TV on the Radio, and if they play to visit Oz anytime soon.You can buy Formentera here.You can listen to Metric here.Metric Instagram: @metricMetric Facebook: @metricThanks again to Metric for their time. We also want to give a special shout out to Jo from Jo Corbett Publicity for her assistance with this episode.You can help support This Song Is Yours at our Patreon here.You can follow us on the socials below:TSIY Insta: @thissongisyoursTSIY FB: @thissongisyoursTSIY TikTok: @thissongisyours See acast.com/privacy for privacy and opt-out information.
Emily Haines is my guest on this week's That's How I Remember It. Emily is the lead singer and a songwriter in Canadian rock band Metric who have a 20 year career and recently released their powerful new record Formentera. She's also released solo music as Emily Haines & The Soft Skeleton. We talked about writing love songs to friends, searching for a past version of NYC, working out your problems in a song, the '90s, the very many ways you can have your heart broken in modern times, being in a band for two decades, and her performance with Broken Social Scene at Lollapalooza 2006. Huge thanks to Emily for joining, it was a lot of fun and I hope you'll listen and subscribe.
Emily is the lead singer, keyboardist, and songwriter of the band Metric, as well as a member of The Broken Social Scene, and Emily Haines & The Soft Skeleton. Emily has risen to success through a fiercely committed dedication to her artistry. Metric, for example, was theeee first band ever to have a US TOP 20 commercial radio hit without the backing of a label. They also went on to win “Best Alternative Album Of The Year” at the 2010, and 2013 Juno Awards. Eight albums, 20 years. Emily does not need a further introduction. She's Emily Fucking Haines.
They're not many bands out there who can say that they excel at challenging listeners, let alone themselves. But legendary Canadian indie band Metric have done just that and the proof is all over their latest offering, Formentera; the band's 8th album. Named after an idyllic island off the coast of Spain, the album explores that universal desire to escape from the madness of life. But is that even possible, especially during a time where so much is in our faces, 24/7? Emily Haines and Jimmy Shaw join me on the first summer bonus episode that'll bridge seasons 4 and 5 (which begins in September). Metric will be touring North America extensively this summer and autumn, be sure to visit ilovemetric.com for all tour dates.
Die kanadische Band Metric ist schon seit Ende der 90er aktiv und vielen aus dem Film „Scott Pilgrim vs. The World“, wo ihr Song „Black Sheep“ zum Einsatz kam. Ihr Sound liegt irgendwo in der Mitte zwischen Indie, Pop und Electro und wird vor allem durch den Gesang und die Texte von Emily Haines besonders. Songs wie „Gold Guns Girls“, „Monster Hospital“ oder auf dem neuen Album „Doomscroller“ verhandeln das Private und das Politische, die ja immer irgendwie zusammenhängen. Das neue Album „Formentera“ ist in der letzten Woche erschienen und sozusagen der vertonte Ausweg aus der Pandemie-Depression. Emily Haines und Co-Produzent, Gitarrist und Keyboarder James „Jimmy“ Shaw besuchten uns kürzlich im DIFFUS-Studio für einen ausführlichen Talk über die Entstehung des Albums, ihre Erfahrungen in den letzten Jahren, ihren Blick auf die Welt und auf das gemeinsame Musikmachen.
In this episode, we get to mee Emily Haines. Emily Haines is best known as the lead singer and lyricist of Canadian indie rock band Metric. In this chat, Emily and I discuss a wide range of things, including their brand new record Formentera, as well as the band's back catalog and beginnings, which began with a bit of a false start. We talk about her solo work, her ideas on music and what Metric's true ethos and values are, as well as the queasiness of the constant news cycle. (Note: we recorded this on the day Roe v. Wade was overturned in America.) It's a discursive but wholly enlightening and enjoyable talk, and I thank you for listening.
Emily Haines is the lead singer, keyboard player and one of the songwriters in the band Metric. Metric is 100% independent, the band has done it all itself and as a result follows its own muse and answers to no one. This is Emily's story, her journey from the hinterlands to a worldwide fan base. Emily opines in depth about what it's like to be an artist in today's environment, you'll want to hear what she has to say. See omnystudio.com/listener for privacy information.
We dive into records linked across space and time. Alex Wyder joins us to talk about his love for BSS and the life of a music manager. Cause = AvA.
Teagan Johnston - the artist formally known as Little Coyote - is a Toronto-based singer-songwriter with a penchant for melancholy melodies that sing from her piano. Jonhston's latest singles: "Blue Monday" and “Slash to hurt, Stab to kill” are dripping with dark imagery and are sure to be cornerstones of her upcoming album due to be released at the end of the month. Her despondent pop music puts her piano and her introspective vocals at its centre and judging by her love of Emily Haines and the Soft Skeleton, she comes by that sound naturally. Be sure to check out our playlist on Spotify!
Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1493129598921428993 CW: Emotionally and physically abusive relationships, Manipulation, Gaslighting, Suicide, Rape It's Valentine's Day and that means it's Toxic Relationships Week on Pod Sematary! Chris & Kelsey play couples-therapists to murderous dolls and a love triangle! Plus, Kelsey is very pleased with herself for coming up with so many relevant break-up songs! The Classic Film: Bride of Chucky (1998) "Chucky, the doll possessed by a serial killer, discovers the perfect mate to kill and revive into the body of another doll” (IMDb.com). Believe it or not: we really enjoyed the Tiffany/Chucky dynamic and the silly/serious juxtaposition, but you can see where the franchise is headed and, based on the last scene, we're not looking forward to it. The Modern Film: My Valentine (2020) "A pop singer's songs and artistic identity have been stolen by her ex-boyfriend/manager and shamelessly pasted onto his new girlfriend/protégé. Locked together in a small concert venue after hours, the three of them confront the emotional abuses of the past...until things turn violent” (IMDb.com). The filmmakers responsible for My Valentine may not have made the most original product themselves (especially when you know the real story), but at least the fun they were having bleeds out of the screen (and the speakers). Audio Sources: "Black Sheep" written by Emily Haines & James Shaw and performed by Metric "Chicago" (2002) produced by Miramax, et al. "Clue" produced by Paramount Pictures, et al. "deja vu" written by Olivia Rodrigo, et al., and performed by Olivia Rodrigo "Heartbeats" written by Karin Dreijer & Olof Dreijer and performed by The Knife "I Want You Back" written by The Corporation and performed by The Jackson 5 "I Will Survive" written by Freddie Perren & Dino Fekaris and performed by Gloria Gaynor "Irreplaceable" written by Beyoncé Knowles, et al., and performed by Beyoncé "The Lion King" (1994) produced by Walt Disney Pictures & Walt Disney Animation Studios "My Name is Bruce" produced by Dark Horse Entertainment & Image Entertainment "My Valentine" (Into the Dark S02E05) produced by Blumhouse Television & Hulu "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "The Scientist" written by Chris Martin, et al., and performed by Coldplay "Sweatpants" written by Donald Glover, et al., and performed by Childish Gambino ft. Problem "Thank You for Smoking" produced by Room 9 Entertainment "We Are Never Ever Getting Back Together (Taylor's Version)" written by Taylor Swift, et al., and performed by Taylor Swift "With or Without You" written and performed by U2
On this episode of LaunchLeft, artist Kevin Drew of Broken Social Scene and K.D.A.P. joins Rain to talk about his new instrumental album and influences. They talk about his experiences as an artist, collaborating with others, and how social media affects music and artists today. Stay tuned to the end of the episode to hear Dooms Dive, a song from his new album. ----------------- LAUNCHLEFT OFFICIAL WEBSITE https://www.launchleft.com LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft TWITTER https://twitter.com/LaunchLeft INSTAGRAM https://www.instagram.com/launchleft/ FACEBOOK https://www.facebook.com/LaunchLeft --------------------- LaunchLeft is an alliance of left-of-center artists, a label, a podcast, a curation engine. LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism that enlists famed creatives to launch emerging bands. LaunchLeft begins with music, but ultimately aims to launch left-of-center artists in all creative fields. --------------------- IN THIS EPISODE: [01:10] Kevin talks about his journey in creating his instrumental album [05:00] The magic and importance of collaborating with others [10:00] Social media and its effect and influence on artists [15:00] Finding new systems and putting things into place [22:00] Kevin talks about how music found him [25:00] Hear Kevin's song from his new album, Dooms Dive KEY TAKEAWAYS: It truly takes a village to work together and learn what does and doesn't work in the music world. Collaboration with others can create amazing things, as long as you are willing to compromise and deal with obstacles to accomplish your goals together. Having more failures than successes isn't a bad thing. It's how you learn and grow as an artist and leads to better collaborations. It helps you create what you really want to and helps you not care about the critics. ARTIST LINKS: https://kevindrewmusic.com https://www.instagram.com/kevinselection https://www.facebook.com/kevinselection https://kevindrew.bandcamp.com/album/influences https://brokensocialscene.ca https://www.instagram.com/brokensocialscene https://twitter.com/bssmusic https://www.facebook.com/brokensocialscene https://www.youtube.com/channel/UCy0NJ35DKvV05GD3KEUW83g ABOUT KEVIN DREW: As a founding member of the experimental indie pop group Broken Social Scene, as well as a member of the label that puts out its music, Arts & Crafts, Kevin Drew worked with ten or more musicians in a collective that helped usher in the chamber pop movement. He grew up in Toronto and got his creative start attending high school at the prestigious Etobicoke School of the Arts along with two future members of BSS, Emily Haines and Amy Millan. After his interests changed from acting to music, he teamed up with Charles Spearin for a recording project called K.C. Accidental and released two records. The duo gradually blossomed into the more ambitious Broken Social Scene, and in 2007 he recorded his first solo release, Spirit If..., the first in a proposed series of solo records by various members of the mega-group. His second solo record wouldn't appear until seven years later, following the success, and eventual 2011 hiatus, of Broken Social Scene. While recording his solo follow-up, Drew began working with Canadian singer/songwriter Andy Kim of classic pop group the Archies, which reignited his creative flair and inspired him to finish his second offering Darlings, which was released in March 2014. See omnystudio.com/listener for privacy information.
Curious about this podcast and what we actually discuss? So are we! We have distilled it down to the time you're with us to be a 'theoretical theme that never happens.' This theme ranges from being a dad to restoring bikes.... and everything in between. In this episode, Alix, Steve, Ian and Sid discuss the music we are listening to, such as Panthurr, War on Drugs, and Emily Haines from Metric. We also talk about kids teaching you guitar and slow-clapping when you get the riff right. Also, a quick note about betting with friends who have musical knowledge. Even if you're over-confident going in, it's ok when you lose a bet of great bourbon. It's ok. It's totally ok. We're doing our first giveaway to all the dedicated fans out there of our newly created podcast. Hit us up on our Instagram and let us know what you like and how we can create the structure of Dads + Bikes. We will gather all the feedback and send one lucky (maybe more) a free Satan's Chauffeurs T-shirt! We have a new website where you can buy our merch! Check it out here.
While writing the music for what would become Metric's 2015 record, Pagans in Vegas, front-woman Emily Haines traveled to Nicaragua and Spain, while guitarist Jimmy Shaw holed up at home in Toronto and fiddled with the knobs on synthesizers and pedals. The result of this mashed-up approach to songwriting is an album with tight, taut songwriting, but also the surface sheen of krautrock and 80s synth-rock idols. The band stops by the studio to play a few songs and talk about their latest approach to record-making.
Reupload from archive: 01. Steve Aoki - I'm in the house (Club Mix) 02. Mika - Rain (Benny Benassi Mix) 03. Shakira feat Kid Cudi - Did it again (Benassi Mix) 04. David Guetta feat Estelle - One love (Chuckie and Fatman Scoop Mix) 05. Space Cowboy feat Paradiso Girls - I came 2 party (DJ Dan Vocal Mix) 06. Rasmus Faber feat Melo - Get over here (Axwell Mix) 07. Exhibit A - G Minor (Soul Avengerz Mix) 08. Chic - Everybody dance 09. R.I.O feat Liz Kay - Watching you (Extended Mix) 10. Livin' Joy - Dreamer (Rollo's Big Mix) 11. Shapeshifters - Pusher (Chus and Penn Vocal Mix) 12. Lil Jon feat Kee - Give it all you got (Radio Edit) 13. Ne-Yo - Because of you (Sunfreakz Mix) 14. Ciara - Get up (Moto Blanco Club Mix) 15. Cerrone - Supernature (Joachim Garraud Mix) 16. Bad Boy Bill feat Alyssa Palmer - Do what u like (Bad Boy Bills Push That Feeling Mix) 17. DJ Gregory and Sidney Samson - Dama S Salon feat Dama S (Main Mix) 18. The KLF - It's grim up north 19. Mr V - Put your drink down (Bob Sinclar Mix) 20. Dr Kucho and Gregor Salto - Can't stop playing (Amsterdam Funk Mix) 21. Julien Jabre - Swimming places (Sebastian Ingrosso Re Edit) 22. Ralphi Rosario - Brinca (Nick Terranova and Austin Leeds Mix) 23. Tiesto feat Nelly Furtado - Who wants to be alone (Robbie Rivera Juicy Mix) 24. Milk Inc - Blackout (Danny Corten Mix) 25. Johnny Crockett - Electro express (Hi Tacks Fleischmann Mix) 26. Tiesto feat Emily Haines from Metric - Knock you out (Club Mix) 27. Room 5 - Make Luv (Laurent Konrad Edit) 28. Lady Gaga - Paparazzi (Dave Aude Club Mix) 29. Dennis Christopher feat Chappell - Through my eyes (Original MIx) 30. Aaron Smith feat Lauren Ritchie - You'll never find (Aaron Smiths Original Mix)
Reupload from archive: 01. Steve Aoki - I’m in the house (Club Mix) 02. Mika - Rain (Benny Benassi Mix) 03. Shakira feat Kid Cudi - Did it again (Benassi Mix) 04. David Guetta feat Estelle - One love (Chuckie and Fatman Scoop Mix) 05. Space Cowboy feat Paradiso Girls - I came 2 party (DJ Dan Vocal Mix) 06. Rasmus Faber feat Melo - Get over here (Axwell Mix) 07. Exhibit A - G Minor (Soul Avengerz Mix) 08. Chic - Everybody dance 09. R.I.O feat Liz Kay - Watching you (Extended Mix) 10. Livin’ Joy - Dreamer (Rollo’s Big Mix) 11. Shapeshifters - Pusher (Chus and Penn Vocal Mix) 12. Lil Jon feat Kee - Give it all you got (Radio Edit) 13. Ne-Yo - Because of you (Sunfreakz Mix) 14. Ciara - Get up (Moto Blanco Club Mix) 15. Cerrone - Supernature (Joachim Garraud Mix) 16. Bad Boy Bill feat Alyssa Palmer - Do what u like (Bad Boy Bills Push That Feeling Mix) 17. DJ Gregory and Sidney Samson - Dama S Salon feat Dama S (Main Mix) 18. The KLF - It’s grim up north 19. Mr V - Put your drink down (Bob Sinclar Mix) 20. Dr Kucho and Gregor Salto - Can’t stop playing (Amsterdam Funk Mix) 21. Julien Jabre - Swimming places (Sebastian Ingrosso Re Edit) 22. Ralphi Rosario - Brinca (Nick Terranova and Austin Leeds Mix) 23. Tiesto feat Nelly Furtado - Who wants to be alone (Robbie Rivera Juicy Mix) 24. Milk Inc - Blackout (Danny Corten Mix) 25. Johnny Crockett - Electro express (Hi Tacks Fleischmann Mix) 26. Tiesto feat Emily Haines from Metric - Knock you out (Club Mix) 27. Room 5 - Make Luv (Laurent Konrad Edit) 28. Lady Gaga - Paparazzi (Dave Aude Club Mix) 29. Dennis Christopher feat Chappell - Through my eyes (Original MIx) 30. Aaron Smith feat Lauren Ritchie - You’ll never find (Aaron Smiths Original Mix)
Join us in the studio as we talk to a few of the people very involved in the making of this tribute ..I also want to thank BMG for there help in making this interview happen along with the Special guests who also played a HUGE role in helping to bring this to the airwaves .. “AngelHeaded Hipster,” a long-percolating tribute album to Marc Bolan and T. Rex — featuring U2, Elton John, Nick Cave, Joan Jett, Lucinda Williams and Father John Misty, and which is a companion to a forthcoming documentary film on the legendary rocker The project features Nick Cave, Marc Almond, Helga Davis, Jesse Harris, Joan Jett, Kesha, BØRNS, Gavin Friday, Maria McKee, Father John Misty, Devendra Banhart, Perry Farrell, Beth Orton, U2 with Elton John, Todd Rundgren, John Cameron Mitchell, Charlotte Kemp Muhl, Nena, Gaby Moreno, Emily Haines, King Khan, Lucinda Williams and Victoria Williams with Julian Lennon and more.
Emily Haines and Jimmy Shaw from Metric talk about hearing "Teardrop" by Massive Attack early in their musical partnership and how it inspired them, terrified them and helped them find a collaborative way of making music that still works for them today.
Emily Haines and Jimmy Shaw from Metric talk about hearing "Teardrop" by Massive Attack early in their musical partnership and how it inspired them, terrified them and helped them find a collaborative way of making music that still works for them today.
How deep is this hole I'm in?Written, researched, edited, and produced by Josh Hallmark .Music by William Hellfire, Radical Face, LaBon, Lee Rosevere, Sergey Cheremisinov, Metric, and Emily Haines & the Soft Skeleton.Sources: The Charley Project, NAMUS, USA Today, Refinery 29
We examine Israel Keyes's ability to be both nowhere and anywhere, and how he may have used that to conceal his crimes.Written, researched, edited, and produced by Josh Hallmark .Music by William Hellfire, Radical Face, LaBon, Lee Rosevere, Sergey Cheremisinov, and Emily Haines & the Soft Skeleton.Sources: The Charley Project, NAMUS, US Census Bureau, Vox, OurBlackGirls.com
Our hearts are beating like hammers. Why? Because you're still with us with episode two of Now Hear This. Paul throws Metric's Fantasies into our faces and we lay back and enjoy it because it's a near perfect album. Emily Haines, James Shaw, Joshua Winstead, and Joules Scott-Key turn in possibly their best collection of well produced songs in 2009 and we sink our teeth right in. For some reason, Ryan and Paul spend an awful amount time talking about breakfast cereal. Will we make it to episode three? (Spoiler alert: yes.). Is this new-new wave? Will you hear from Bruce McMouse? Will you get answers to these questions and more? Probably. Now hear this: "Help I'm Alive," "Gold Guns Girls," "Gimmie Sympathy," and "Stadium Love."Have something to say? Email us: nowhearthisofficial@gmail.comIf you want to listen to the music discussed on the show, then subscribe to this playlist: https://nowhearthis.lnk.to/theplaylist See acast.com/privacy for privacy and opt-out information.
Jill Power chats with Emily Haines of the band Metric about their latest album, their journey as a band, and what we can expect to see at their St. John's show on Sept 12! Chill with Jill is available on 93.5 CHMR-FM, 99.3 QCCR-FM, 93.9 CJBI-FM. You can stream Chill with Jill anytime on Spotify and Apple Podcasts. ~~~ FOLLOW ME! Twitter: twitter.com/thejillpower Facebook: www.facebook.com/thejillpower Instagram: www.instagram.com/thejillpower
We had the opportunity to interview The Beaches! "There has always been an undeniable, almost preternatural connection between The Beaches and music. Each member of the Toronto garage rock group remembers being drawn to their instrument casually until developing a specific, important need to create and perform their own work. Miller sisters Jordan and Kylie remember picking up the guitar as young as six years old, eventually going to practices together. Jordan admits that Sheryl Crow’s appearance on Kid Rock’s “Picture” was her inspiration to learn how to strum. Soon, the pair would find themselves immersed in their own original works. “We ended writing songs at an early age and found a passion for that,” Kylie says. Eliza Enman-McDaniel remembers being taught the guitar by her father at a young age, too. Her curiosity grew and from there she discovered other instruments, most importantly the drums, which she says she found in the comfort of her grandmother’s home. “My grandmother had a drum kit in her basement so I was able to go next door and play whenever I wanted, jamming on my own,” she says. And Leandra Earl had a connection so profound to the piano that, after 12 years of playing, she was going to dedicate her postsecondary education to classical piano. The sisters Miller, along with Eliza, would eventually become a band – a best friend’s dream. Casually, one day, while walking to school, Jordan and Kylie asked if Eliza would be interested in joining their band. “She came to our studio and we ended up jamming together. The three of us have been playing ever since then,” Kylie explains. The trio would then be in another band at the time called Done With Dolls—a pop punk creation by Disney affiliate, Family Channel. But, as Kylie explains, it really wasn’t exactly they wanted to do long-term. “In high school we decided to change our sound and the name of the band and that’s when we got our friend Leandra to join,” she says. This is the genesis of The Beaches. There is a real and important specialness to a group of young girls being drawn to rock and pop music as a creative pursuit. Their love of the genre and of forming a real relationship with their instruments—eventually foundational for their enormous fan base—was clear from the beginning. Named appropriately after the Toronto neighbourhood they all hail from, The Beaches is as authentically rock ‘n’ roll as it comes. Their 70s aesthetic, vivacious attitude, and electrifying sounds all fit harmoniously in a modern rock context. Rock music is an experience; it’s a visceral reaction to a moment, emotion, or a mood. And all of that is all built upon the foundation of live performance. The Beaches prioritize and emphasize instruments, not backing tracks, when they are onstage, beckoning their audience to go on a hypnotic journey only live music can accomplish. “When people come see us live, they are only going to hear that live version of the song,” Jordan says. “It’s going to be slightly different each time. And that’s sort of a powerful thing to experience.” The Beaches released their sizzling debut LP, Late Show, in October 2017 via Universal Music Group Canada. Late Show is representative of the band’s unity. After some time spent in Los Angeles, working on other tracks with a variety of rock and pop producers, The Beaches came back to Toronto, bringing the lessons of those sessions back with them. Working with Toronto Aughts rock legends Emily Haines and Jimmy Shaw of Metric—and occasional Broken Social Scene members—The Beaches were able to truly define themselves as a rock ‘n’ roll project on their own turns. They are a fusion of past and present, defiantly placing them in a modern and future context where rock prevails. Now, on their newest EP, The Professional, out May 16, The Beaches have further evolved as songwriters and musicians. On The Professional, the band worked with legendary producer Garrett “Jacknife” Lee. Lee has worked with important modern pop and rock musicians like The Killers, Snow Patrol, Bloc Party, and U2, as well as produced Taylor Swift’s eponymous 2012 record, Red. “We pulled from a lot of different influences because [Lee] is such a talented musicians and pulls from so many different genres of music,” Kylie explains. “We referenced Blur, obviously The Strokes are big for us. We were also listening to James Brown and a lot of 70s funk records. We listened to David Bowie.” For “Fascination,” Jordan says she listened to and referenced The Bangles a bit, tapping into all-girl band rock history. Kylie continues: “[This EP is] definitely an evolution for us because it was a bit more of a collaborative experience, which we enjoy doing. Lee is such a lovely person and I feel like we all learned a lot about writing and music and grew as a band.” Lee, who had never been up to Toronto before in this capacity, worked on a couple songs with a group in the city. But the band, traveling back to Los Angeles for the first time since their early years trying on songs written by others, wrote the majority of the EP at Lee’s Topanga Canyon house. Perhaps there is a touch of California’s breeziness woven through this latest EP. There is an admirable quality for making music and creating a space for an audience to find themselves in based on your own positive experiences in the genre. For The Beaches, rock is refuge. And this is exactly what they are providing now to a new generation of hungry fans." Credits: Theme Song: Scott Russo & Design: Oscar Rodriguez We want to hear from you! Please email Tera@BringinitBackwards.com https://www.bringinitbackwards.com/
Thank you so much for tuning in to another episode of the #SalesDevSquad Podcast. Today we will be chatting with the amazing Emily Haines, SDR Manager @ Handshake based out of San Francisco, CA. Emily is a University of Arizona alumnus with a prior background in Social Media, Video Production, and Account Management. She was also one of the first SDRs at Houzz even before the original "SDR" term was coined. How does Handshake help students, universities, and employers across the United States? 3:00 How did Emily navigate her way into Sales Development? 4:30 How does Emily find creative ways to keep her team engaged? 5:30 What drove Emily to return back into a Sales Management role? 8:11 What does Emily wish someone had told her when she started as an SDR? 10:00 What are some resources Emily recommends to her team do become better reps? 15:38 What are some of the challenges Emily faced when she progressed in Sales management? 20:00 What are some tips that Emily has for someone considering the SDR role? 32:31 Tune in to find out! Emily Haines: https://www.linkedin.com/in/emily-hai... Handshake Career Opportunities: https://joinhandshake.com/join-us/ Are you a current SDR, SDR Manager, or a Director making waves in the Sales Development Community? We would love to feature YOU in our next podcast. Feel free to reach out to salesdevsquad@melvira.us for more info. If you've enjoyed our podcast today feel free to like, comment, share and subscribe. Facebook: https://www.facebook.com/salesdevsquad LinkedIn: https://www.linkedin.com/company/sale... --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sdssalestraining/support
Salut à tous, On se retrouve pour le 9ème épisode de Mes Disques à Moi et j'ai le plaisir de recevoir Christophe Ernault a.k.a. Alister, co rédacteur en chef de la revue trimestrielle Schnock. Nous parlerons également de son parcours musical. Vous pouvez également le lire dans Rock & Folk tous les mois, ainsi que dans l' "Anthologie des bourdes et autres curiosités de la chanson française" (2014), l' "Anthologie des méchants et autres salauds du cinéma français" (2015) et "La femme est une dandy comme les autres" (2018). Nous parcourons ensuite ses choix musicaux : 1960 : The Beatles - Rubber Soul extrait : Drive my car 1970 : The Kinks - Musswell Hillbillies extrait : 20th century man 1980 : Prince - Sign O the times extrait : Sign O the times 1990 : Frank Black - Frank Black extrait : Los Angeles 2000 : Emily Haines - Knives don't have your back extrait : Our hell 2010 : MGMT - Congratulations extrait : It's working Morceau de cloture : Granny Smith extrait de l'album "Mouvement perpétuel" paru en 2017 Retrouvez la revue Schnock en librairie tous les 3 mois http://boutique.la-tengo.com/9-schnock Episode enregistré le 10 juillet 2019 au Café des Arts (Boulogne) Générique : "It was 3am I was looking up at the sky" by Springtide (www.springtide.jp)
On this week's Eight One Sixty, Chris chats with the band Mess, as they get ready to celebrate the release of their full-length debut, "Learning How To Talk." They'll talk about their big show on Saturday, March 30 at The Rino, preview some music from the new album and hear some stories about it. After that, we hear from two musicians who used to call KC home and are coming back for gigs — Supa Flowa tonight at The Encore at Uptown Theater and Payge Turner on Thursday at The Rino. We hear a new song from DeMaur, who is playing tonight at The Rino. We also hear the new single from Berwanger — it's so catch you'll be humming the chorus all night after you hear it. And if we have time, we'll throw in a little Metric as Emily Haines brings her band to The Truman on Thursday.
We review Captain Marvel. Also, I swear I know the difference between Brie Larson and Bree Olson. Thanks to Clash at Demonhead, Emily Haines, James Shaw and ABKO for our intro song, “ Black Sheep” Show Notes Andres Loza Memorial Anime Minute 14:51.5- Game of Thrones first official trailer 20:36.5- Arrow 22:50.4- Shortlist of Actors for Batman 25:55.0-Brightburn trailer 27:44.5-Suicide Squad News Idris Elba new Deadshot New Suicide Squad members Florida News 38:51.0-Captain Marvel Captain Marvel Box Office Captain Marvel Controversy How Captain Marvel differs from the comics Support the Show Merchandise, buy our shit!!! Subscribe and give us a little help on Patreon For a one time donation on Paypal- nerdworldorder2@gmail.com Any comments or suggestions for the show, email us at nerdworldorder2@gmail.com Check us out on YouTube!
Metric couldn’t care less about the zeitgeist. They're a rock band from Toronto sounding vibrant as can be, blasting through songs and proclaiming that now is not the time to retreat. Their latest album, "Art of Doubt," very much a rock record, with 12 essential songs powered by massive guitars and that blend of soaring synthesizers, mesmerizing rhythm and raw/smooth vocals that are instantly identifiable as Metric. The band took the BUILD stage to talk about the record and play a few songs.
Dans cet épisode, j’ai reçu une bonne amie à moi, Raphaëlle Auger. On a jasé de Wikipedia et j’ai un peu massacré l’histoire de la fontaine d’Armand Vaillancourt en voulant me penser ben hot. Je vous invite à consulter Wikipedia afin de vérifier les faits véridiques (j'ai payé pour vous!). Raph nous a fait une « chronique culturelle de la semaine » en nous parlant d’un groupe qui s’appelle l’Or du Commun et je vais vous faire écouter une toune d’eux qui s’appelle Léon. Dans la section débat nous avons débattu si Pierre Brassard est un acteur ou pas, et vous allez pouvoir admirer à quel point nos skills de résolution de problèmes sont développés. On a parlé de Emily Haines et de Metric et ça a mené à une discussion sur comment que le monde vivent derrière leur cells, de la grosse philosophie. On a parlé de notre mois sans alcool, du restaurant Jarry smoked meat, le Lafrenaie et de notre fameuse visite au Maxi. Nous avons conclut avec une histoire touchante de mes échecs avec les applications de rencontre. Bref, quelques bières, quelques tops, quelques accrochages de micros. Je vous laisse nous écouter dire pas grand-chose au final!
Metric feiert 2018 ihr 20-jähriges Bestehen. Im Interview erzählt Sängerin Emily Haines von den Anfängen in der legendären Williamsburgh WG, wie sie so lange durchgehalten haben und warum sie heute politischer denn je sind.
Metric’s frontwoman Emily Haines talks to Kyle Meredith about the band’s new concert film, Dreams So Real, which goes behind the scenes to show what goes into staging a Metric arena show. She also speaks about the perks of playing full albums in concert, reflects on 20 years of Metric, and promises that the band will be playing new songs on their upcoming tour. For information regarding your data privacy, visit acast.com/privacy
Drew Khan & Sarah Burke head to the Field Trip Music & Arts Festival at Fort York in Toronto. Emily Haines & Jimmy Shaw from Metric join Drew & Sarah to talk about revisiting their 2009 album 'Fantasies' to headline the festival while dropping some hints about their new album along the way. https://www.ilovemetric.com/ Charlie & Katie are from Dizzy out of Oshawa, and they join Bands 'n Buds to talk about finding their songwriting skills during high school and being on the same poster as the Foo Fighters for Festival D'ete during a busy summer of shows. https://www.dizzytheband.com/' Music Heard In Episode: The Passion HiFi - Untouchable - Rap Beat / Instrumental Freehiphopbeatsforyou – Free-the-passion-hifi-untouchable-boom-bap-beat-instrumental
“The thing that is the product is the excrement,” Emily Haines posits, loosely paraphrasing English writer, Jeanette Winterson. “The thing that is of value is the experience.” We’ve only got half an hour for an interview, as she rolls through town to promote her latest solo project, Choir of the Mind, and by the end it feels as though we’re racing to cram as many ideas as possible into that brief window of time. The Metric front woman and Broken Social Scenester is a self-proclaimed “bad meditator,” but she clearly has no issues living in the moment. She’s equally reflective, as well — an artist who’s clearly thankful for where her skills have helped her get. Haines’ first solo in 11 years in an exploration of memory, the result of returning home to Toronto after years spent in New York City. It’s the story of the cyclical nature of one’s life confronted by the realization that we’re invariably vastly different people than we were the last time we set foot on a familiar block. Fresh off a limited run of solo shows, Haines is happy to be back in the city she once called home, if only for a few moments. And from the sound of it, she wouldn’t have it any other way.
Chris, Steve, and Andy take shelter from the chilly winter weather. Listen in to what they all thought of Crocodile, the latest episode in their coverage of the fourth season of Netflix's Black Mirror. Skip ahead to your favorite segments! 00:01:44 - What We've Been Streaming. 00:08:00 - Our Feature Presentation (spoiler free review). 00:12:10 - Spoiler filled review. 00:39:01 - Chocolate Puddings (Our top 3 favorite moments of the episode). Song used: "Planets" by Emily Haines & The Soft Skeleton from the album Choir of the Mind. If you want to check out Kinsey, you can do so by following this link (probably NSFW): https://vimeo.com/217324020 Follow us all on Twitter! @StreamThingPod to follow the show. @cmichaelrudd for Chris @inkwellverbal for Andy @stevemay13 for Steve Check out some of Steve's work at stevemayfilms.com Join the conversation at streamingthingspod@gmail.com Follow us on Facebook at strangerthingspodcast Please take a moment to subscribe, rate, and review our podcast. The mothership is located at www.idogaf.com
Pas d'invité cette fois-ci, mais plutôt un conte de naelle bien personnel. Humour et confidence. Puis retour sur RS 2017, à chaque invité reçu : ma suggestion. Musicalement : 1-Les frères Brosse - Y neize 2-Emily Haines and the soft skeleton - Fatal gift 3-Loud - Hell, what a view 4-Caveboy - Raconteur 5-Peaches - Serpentine 6-»Ani Difranco - Soft shoulder 7-Lederhosen Lucil - Best dishwasher I ever had
Pas d'invité cette fois-ci, mais plutôt un conte de naelle bien personnel. Humour et confidence. Puis retour sur RS 2017, à chaque invité reçu : ma suggestion. Musicalement : 1-Les frères Brosse - Y neize 2-Emily Haines and the soft skeleton - Fatal gift 3-Loud - Hell, what a view 4-Caveboy - Raconteur 5-Peaches - Serpentine 6-»Ani Difranco - Soft shoulder 7-Lederhosen Lucil - Best dishwasher I ever had
Mike, Max and Shane discuss Arkells connecting with American audiences, an “Ice Cream Sandwich” update and how “guys night” took an emotional turn after watching Taylor Swift’s performance on The Tonight Show. Jordan Miller and sister Kylie of The Beaches (”Money,” “Give It Up”) tell Mike about sibling dynamics, childhood, Done With Dolls, working with Raine Maida and Chantal Kreviazuk, negative attention, writing “Loner,” advice from Emily Haines, leadership roles, playing live and their goals. Brett Emmons and brother Jay of The Glorious Sons (“Everything is Alright,” “Mama”) Tell Mike about the band’s aspirations and dynamic, writing process, their lifestyle on tour, recording “Young Beauties and Fools” in LA and their goals. For dessert, Shane describes his goal to interview Nathan Fielder, an attempt to spark a social media movement and shares a personal update that puts things into perspective.
Invité : Christian Tanguay (Membre du groupe Le Bourbon : Le village mérite mieux que ça également directeur général du centre communautaire LGBTQ+ de MOntreal et de la bibliothèque À livre ouvert. On disctute de le mobilisation pour ne pas que soit construits des condos de luxe à la place du Complexe Bourbon mais peut-être bien, un centre culturel... Puis des activités proposer par le centre communautaire. Ainsi qu'un retour sur le documentaire La ferme et son état de Marc Séguin. Musicalement : 1-Yma Sumac - Jungla 2-Loud - Hell, What a view 3-Emily Haines and the Soft Skeleton - Planets 4-Daddy - Car ride home 5-St Vincent - Pills 6-LederHosen Lucil - Mollasses trip http://www.cclgbtqplus.org/
Invité : Christian Tanguay (Membre du groupe Le Bourbon : Le village mérite mieux que ça également directeur général du centre communautaire LGBTQ+ de MOntreal et de la bibliothèque À livre ouvert. On disctute de le mobilisation pour ne pas que soit construits des condos de luxe à la place du Complexe Bourbon mais peut-être bien, un centre culturel... Puis des activités proposer par le centre communautaire. Ainsi qu'un retour sur le documentaire La ferme et son état de Marc Séguin. Musicalement : 1-Yma Sumac - Jungla 2-Loud - Hell, What a view 3-Emily Haines and the Soft Skeleton - Planets 4-Daddy - Car ride home 5-St Vincent - Pills 6-LederHosen Lucil - Mollasses trip http://www.cclgbtqplus.org/
Writing great code isn’t always the only part of our jobs. In order to impact changes on our teams or the business, we need to be able to persuade others to buy into your ideas. This could be in the form of migrating to a new technology, process or even adding a new feature to a product. In this episode, we are joined by Shirley Wu to help us discuss how we can best sell our ideas and make an impact on our teams or clients. Guests: Shirley Wu - @sxywu Panelists: Ryan Burgess - @burgessdryan Augustus Yuan - @augburto Brian Holt - @holtbt Stacy London - @stacylondoner Picks: Shirley Wu - D3 Unconf Shirley Wu - The Stormlight Archive Ryan Burgess - Social Network soundtrack Ryan Burgess - American Vandal Augustus Yuan - Essential Image Optimization Augustus Yuan - LeetCode Articles Brian Holt - size-limit Brian Holt - Choir of the Mind by Emily Haines & The Soft Skeleton Stacy London - Vallis Alps - Oceans Stacy London - Beeple
Invitée : Catherine Duclos, présidente de GRIS Montréal, on discute du GRIS, de sa mission...Également, retour sur la comédie musicale Demain matin, Montréal m'attend. Puis un « J'en ai trop su'a tomate » sur la fameuse question Top ou Bottom? Musicalement : 1-Hercules and the love affair avec Sharon Van Etten - Omnion 2-Jaakko Eino Kalevi - Deeper Shadows 3-Le Tigre - Don't drink poison 4-Ani Difranco - Napoleon 5-Chicks on speed avec Miss Kittin - Shick Shaving 6-Emily Haines and The soft skeleton - Nihilist Abyss http://www.gris.ca/
Invitée : Catherine Duclos, présidente de GRIS Montréal, on discute du GRIS, de sa mission...Également, retour sur la comédie musicale Demain matin, Montréal m'attend. Puis un « J'en ai trop su'a tomate » sur la fameuse question Top ou Bottom? Musicalement : 1-Hercules and the love affair avec Sharon Van Etten - Omnion 2-Jaakko Eino Kalevi - Deeper Shadows 3-Le Tigre - Don't drink poison 4-Ani Difranco - Napoleon 5-Chicks on speed avec Miss Kittin - Shick Shaving 6-Emily Haines and The soft skeleton - Nihilist Abyss http://www.gris.ca/
This week our guest is multidisciplinary artist and designer, Justin Broadbent. For more than a decade, Justin has forged a successful career creating murals, art installations, t-shirts, album covers, and music videos with clients ranging from Absolut Vodka to Facebook to the Junos. Today, we talk to him about directing a series of music videos for Emily Haines and the Soft Skeleton, how Midnight Marauders provides his go-to soundtrack in the studio, and curating a bat-shit crazy Instagram account.
Let's be honest: Hug Of Thunder, for all of its good intentions, kind of sounds like something made by Hasbro: perhaps a giant, fluffy, crime-fighting machine—the likes of which, for all we know, could actually be one of the members of Broken Social Scene, the Toronto-based and terribly talented music collective that burst on the scene with an iconoclastic by way of shamelessly celebratory catalogue years ago, until momentum finally waned with a substandard release in 2010. The good news is that they're back, and inspired to move listeners to action (or at least empathy) in response to the terrorist attacks in Paris, they reconvened to knit together a stripped-down by way of purposeful collection of tracks. Many of the usual players are here, your Kevin Drew, Leslie Feist, Emily Haines and so on. It's an all hands on deck setting, and while Hug Of Thunder may not pack the unique punch of their best early work, this is the sound of musicians (however many multitudes) on the same page, enlightened and emboldened. We also play a rousing game of 'Broken Social Scene, Odd Future or a Town in Saskatchewan,' so that's something too. Buy This Week's Vinyl on Amazon A Few Minutes With [**Sneaker Pimps** - 6 Underground][2] A Current Affair [**Sneaks** - Look Like That][3]
Today The Menace's Attic/Just Another Menace Sunday 11am-1pm EST 8am-10am PDT Followed by New Menace's Attic Show 1pm-2pm EST 10am-11am PDT bombshellradio.com Bombshell Radio Hour 1: A Conversation from the very much still available band VHS Collection and their Musical Sandwich! Hour 2: New Melodic Rock and Roll from: The Clientele (!!!), Ariel Pink, Grouplove, Emily Haines & The Soft Skeleton, Shout Out Louds, Neon Trees, Broncho, Joywave, Alice Merton, Pom Poms, Trailer Trash Tracys, El Te Eleven feat. Emile Mosseri and The Cribs! Repeats Friday 3pm-5pm EST 12am-2am PDT
Actualidad: Purity Ring, 1991, Eva K, Emily Haines, Susanne Sundfør, Tender, Paul Draper, Avernessus, Ariel Pink, etc... Bonus Track: Röyksopp, Bill Nelson ¡Entra en nuestro Facebook y dale a Me Gusta! https://www.facebook.com/HospitalNeptuno/
In this week's episode, guest host Jasmine Frolick of ERA Architects steps in for Allison while she is touring Europe. She and Vass talk to TIFF's Chandler LeVack about #feministlivereads -- what started with an casual tweet has come to lady-championing life and reminds us of the lack of quality roles for women. Solution? DIY. In our second segment, we are joined by Art Spin's Layne Hinton to talk about the transformative in/future festival coming up at Ontario Place. How did such a novel site become so irrelevant to Torontonians? Gear up for 10 days with a Jurassic Park vibe. Lastly, we discuss the NXT City Prize competition that opened this week with Mackenzie. Under 35? Then re-imagine public space in a cheap and cheerful and win $5,000. There's a party, too! Jasmine is reading a book about the Pope called "The Great Reformer," and trying to figure out why so many men whisper HEY after doing it with you (Jezebel). Vass loved "Homegoing" and is reading “Serial Monogamy" by Kate Taylor and trying to figure out why the Globe & Mail featured it not one, not two, but three times. TUNES: Albatross by the Besnard Lakes; Mind Over Matter by TUNS; A Maid Needs a Maid by Emily Haines.
On this week's Wits, actor and comedian David Koechner becomes Dutch, who, with his brother Small Eric, try to help the town they live in with their repair businesses. Plus, a Pop Song Correspondence to Lady Gaga from Lord Gaga of Gaga Manor, and Charlie Brown and Snoopy finally have a heart-to-heart. And, Emily Haines and Jimmy Shaw of Metric perform a stunning stripped-down set of songs, including a pair of Lou Reed covers.
"When I was asked to record a mix for the new DISTRIKT podcast, I tried to take myself back to the playa and the dusty daytime action that DISTRIKT creates. In my own interpretation I felt the need for tribal aspects of dirty progressive breaks, funk tech Electro and smooth driving basslines. Not only because some of my favorite sets at DISTRIKT consisted of DJs playing these styles, but I tried to imagine myself playing at DISTRIKT with all the dusty, beautiful people ready to get down and what I would play at that very moment. The track selection, style and all out emotion of this mix plain and simply explains myself and what I would one day love to bring to the atmosphere that is DISTRIKT." - Influence Track List 1. Colombo – Summit 2. Hedflux - Revolve 3. Colombo – CousCous 4. Brainkiller – One Shot 5. Future Frog & Perfect Cell – It’s We 6. Utku S. – Move With Me (BioBlitz Remix) 7. Alex Mind & Frederik Olufsen – RIO To CPH (Alex Kidd Remix) 8. Emily Haines & Tiesto – Knock You Out (Keemerah Remix) 9. Kloe, Imprintz, J. Scott G – Return Of The King (Lazy Rich Remix) 10. Lazy Rich – No More Games feat. Cassandra Nantel (Alex Kidd Remix) 11. Mord Fustang – Lick The Rainbow 12. Hypster – Neon Teens For more information on Influence visit www.strategiksf.com For more information on DISTRIKT, and to make a donation, visit www.distriktcamp.com DISTRIKT artwork and Podomatic page design by Tricia O'Connor Hamon DISTRIKT voice promos courtesy of Sarah Tancer (www.sarahtancer.com)
The Inspired Mix>> Track List 1) Come Back Clean (Kaskade Extended Remix) The Crystal Method (feat. Emily Haines) 2) So Far Away (feat. Haley) Kaskade & Seamus Haji 3) See The Sun (Aurosonic Remix) Matt Darey Pres. Urban Astronauts Feat. Kate Louise Smith 4) Walking on a Dream - Empire of the Sun 5) Tiesto - Escape me (Alex Gaudino) (Jason Rooney Remix) 6) Late Night Alumni - Finally Found (DJ Eco Extended Remix) 7) Light to Lies (Gareth Emery Mix) Fabio XB & Andrea Mazza The Armada 8) Lovesong (Cosmic Gate Remix) Jes 9) Sunrise At Palamos 2009 (Gareth Emery Remix) M.I.K.E. 10) Irufushi (Original Mix) Super8 & Tab 11) The White Room (Myon and Shane 54) Adam White & Andy Moor 12) Made of Love (Super8 & Tab Remix) Ferry Corsten Made of Love (feat. Betsie Larkin)
Girl Talk, The Knife, Emily Haines & The Soft Skeleton, Here Comes Little Naked Me, Helene Smith, The Arcade Fire, Spank Rock
Metric are an enigmatic, shape-shifting band -- always has been, always will be. Born out of Canada in 2001, they have built a discography that now spans eight studio albums that are difficult to box into any one genre (or two, for that matter). Part indie rock, part pop punk, part dance, part electronic -- why even try to put a label on it? The point is that it all works.At the center of it all is Emily Haines, who sings, writes songs, and plays synths and other instruments. Haines rocks it effortlessly with authenticity, energy, and swagger, despite confessing to suffering from deep bouts of stage fright. It's actually a topic she addressed on Metric's breakout single "Help I'm Alive," with its thumping beats and searing lyrics like, "I tremble, I tremble/ They're gonna eat me alive/ If I stumble."Haines joins The Story Behind the Song host Peter Csathy to talk about "Help I'm Alive" and how it and Metric's fourth album, 2008's Fantasies, helped save the band. Also on this episode, Haines discusses the dark but euphoric "Doomscroller," the 10-minute track that kicks off Metric's latest album, Formentera.Listen the the latest episode of The Story Behind the Song now, or watch the full discussion via Consequence. This is the first of a trio of Halloween-themed bonus episodes coming this month on TSBTS, with future episodes centered on Blue Oyster Cult's "(Don't Fear) The Reaper" (October 17th) and Danny Elfman discussing Oingo Boingo's "Dead Man's Party" (October 31st). So, make sure to like, review, and subscribe to the show wherever you get your podcasts to be alerted when each new episode drops.You can also keep an eye on the Consequence Podcast Network for updates on all our series, and follow host Peter Csathy on Twitter @pcsathy and at Creative Media.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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