Podcast appearances and mentions of Stacey Copeland

Will we ever see the likes of Katie Taylor again? On an unforgettable night at Croke Park, she said one final goodbye to boxing in front of 80,000 fans and brought down the curtain on one of the greatest careers the sport has ever seen. Stacey Copeland joins Buncey in Dublin to reflect on an extraordinary farewell and try to put into context what they witnessed. We also hear from Katie, her promoter Eddie Hearn, her manager Brian Peters and her father Peter.

Has there ever been, or will there ever be, a bigger send-off than the one awaiting Katie Taylor at Croke Park on Saturday night? Buncey is joined by Stacey Copeland in Dublin as Taylor prepares to bring the curtain down on an extraordinary career. He sits down with the Irish sporting icon and also hears from her manager Brian Peters, promoter Eddie Hearn and trainer Ross Enamait.

Stacey Copeland, Assistant Professor of Cultural Heritage and Identity at the Centre for Media and Journalism Studies at the University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠ (University of Michigan Press, 2026) delves into lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Stacey Copeland, Assistant Professor of Cultural Heritage and Identity at the Centre for Media and Journalism Studies at the University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠ (University of Michigan Press, 2026) delves into lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Stacey Copeland, Assistant Professor of Cultural Heritage and Identity at the Centre for Media and Journalism Studies at the University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠ (University of Michigan Press, 2026) delves into lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Stacey Copeland, Assistant Professor of Cultural Heritage and Identity at the Centre for Media and Journalism Studies at the University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠ (University of Michigan Press, 2026) delves into lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Stacey Copeland, Assistant Professor of Cultural Heritage and Identity at the Centre for Media and Journalism Studies at the University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠ (University of Michigan Press, 2026) delves into lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Stacey Copeland, Assistant Professor of Cultural Heritage and Identity at the Centre for Media and Journalism Studies at the University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠ (University of Michigan Press, 2026) delves into lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

From banned to Commonwealth champion.In this episode, Stacey Copeland, the first British woman to win a Commonwealth boxing title, joins Jonny Gray to share her extraordinary journey from exclusion to elite performance, forged against a backdrop of systemic bias and discrimination.Raised in sports that were never designed to include her, Stacey went on to play elite football across three countries before making history in the boxing ring. Since retiring, she has continued to challenge gender stereotypes and drive for inclusion through her charity “Pave The Way”.Her story reveals what it truly takes to pave the way for women's sport and what happens when talent is finally given space to thrive.Don't miss this one! Listen now.

Has there ever been a stranger moment in the ring than Jarrell Miller losing his toupee mid-fight? Stacey Copeland joins Buncey to unpack that bizarre scene, as well as the impressive performances from Josh Kelly and Shakur Stevenson. Kelly claimed his first world title with victory over Bakhram Murtazaliev, while Stevenson made history by becoming a four-weight world champion. Plus, Stacey gives her verdict on Fran Hennessy's narrow win at the Copper Box.

Is enough being done to support boxers once they hang up the gloves? In this special programme, Stacey Copeland examines the realities fighters face when their careers end, from loss of identity to physical and mental challenges. Joined by Steve Bunce, former undisputed world champion Josh Taylor and leading trainer Dom Ingle, the discussion explores whether the sport is doing enough and what more can be done to help boxers prepare for life out of the ring. They also hear from Ricky Hatton's friend and manager, Paul Speak, Robert Smith of the BBBoC, and Queensberry boss Frank Warren.

Is this set to be Katie Taylor's final year in the ring? Can Ellie Scotney take the final step and become undisputed? And will we finally see Lauren Price face Mikaela Mayer? Plenty for Buncey and Stacey Copeland to debate as they look ahead to what could be a huge and defining year for women's boxing.

Time for a cross-over! I had the absolute pleasure on being invited to join the Amplified network and appear on their superb podcast. Here is our episode and Amplified's show notes:"Amplified is an audio blog series about the sounds of scholarship from our team here at the Amplify Podcast Network. This month on Amplified, Stacey Copeland and Hannah McGregor are joined by Lena Mattheis to kick off a brand new series featuring the latest additions to our sustained cohort of podcasters. Lena is the creator and host of Queer Lit, a podcast about LGBTQIA2S+* literature and culture. In this conversation, we reflect on podcasting as a tool for community building and queer scholarly practice, tracing how Queer Lit emerged from Lena's teaching practice and a commitment to accessible feminist and queer knowledge creation."

Welcome back to Part 2 of 'A Girl Power Scrapbook Adventure', where Connie and her customers learn more about local inspirational women... "‘Walk in my shoes, run in my wake"

"Girls are strong, and girls are clever, look out world 'cos here we come!"

Will Ricky Hatton go down as one of Britain's most beloved fighters? Mark Chapman is joined by Stacey Copeland, Anthony Crolla, and Steve Bunce to answer that question and reminisce the extraordinary career he had both in and out of the ring. They are also joined by Frank Warren who managed and promoted Hatton during his rise through the sport.

Stacey Copeland has represented England at the highest levels in both football and boxing. These day, Stacey is a professional boxer, having gained her professional licence earlier this year.Stacey began training in the boxing gym run by her Granddad when she was 6 or 7. But she was too young to realise that, at the time, boxing was banned as a sport for women. So when the boys in her training squad turned 11 and were allowed to compete, Stacey was left on the sidelines outside the ring, watching.An incredible football career followed. And by the time Stacey retired from football, the ban on women's boxing had been lifted so she returned to the sport she loved.In this episode, we don't discuss boxing so much as Stacey's experience of being a girl and woman involved in two sports that are traditionally seen as “male sports”.Stacey talks openly about how she's struggled with the perceptions and labels given to her by others who think that boxing isn't suitable for women and how that lack of recognition fed a longstanding struggle with the Imposter Complex.We also talk about what it was like growing up in a boxing gym, the impact that having no female role models in her sport had on her, why role models are so critical, the power of language and why it's so important to be aware of the words we use and the labels we give others.Postscript: this interview was recorded in 2017. The following year, Stacey went on to win the gold medal at the 2018 Commonwealth Games and become the first ever British woman to win the Super Welterweight Commonwealth title.

Can Katie Taylor come out on top once again as she takes on Amanda Serrano in their highly anticipated trilogy fight this Friday night in New York? Buncey has touched down in the Big Apple and is joined by Stacey Copeland to break down the main event, reflect on one of boxing's greatest rivalries, and take a closer look at a stacked undercard that includes Ellie Scotney, Chantelle Cameron and Savannah Marshall.

In part two of our three-part series “Voices,” we feature an exciting new voice in the world of sound studies, Stacey Copeland.  In part one last month, we examined the role voices play in professional sports and unpacked some of the understandings of ability and masculinity that inform the sound of the quarterback's voice in the NFL. Copeland's audio documentary, “This is the Sound of My Voice,” examines another group of professionals—women broadcasters and podcasters, who struggle with sonic sexism from male colleagues, audiences, and sometimes, even themselves. The documentary was originally presented on radio in three parts, but Stacey graciously edited a shorter version for this episode of Phantom Power. Stacey Copeland is a media producer and Joseph-Armand Bombardier (CGS) Ph.D. candidate at Simon Fraser University's School of Communication in Vancouver, Canada. She received her Master of Arts from the Ryerson York joint Communication and Culture graduate program where she studied with a focus on radio production, sound studies, media culture and gender studies. She completed her Bachelor of Arts in Radio and Television Arts from Ryerson University with a minor in English and a specialization in audio production for radio, music and film. It was during her Master's work that Copeland co-founded FemRadio, a Toronto, Canada based feminist community radio collective. Currently, she is the supervising producer at Amplify Podcast Network, a collaborative project dedicated to reimagining the sound of scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In part two of our three-part series “Voices,” we feature an exciting new voice in the world of sound studies, Stacey Copeland.  In part one last month, we examined the role voices play in professional sports and unpacked some of the understandings of ability and masculinity that inform the sound of the quarterback's voice in the NFL. Copeland's audio documentary, “This is the Sound of My Voice,” examines another group of professionals—women broadcasters and podcasters, who struggle with sonic sexism from male colleagues, audiences, and sometimes, even themselves. The documentary was originally presented on radio in three parts, but Stacey graciously edited a shorter version for this episode of Phantom Power. Stacey Copeland is a media producer and Joseph-Armand Bombardier (CGS) Ph.D. candidate at Simon Fraser University's School of Communication in Vancouver, Canada. She received her Master of Arts from the Ryerson York joint Communication and Culture graduate program where she studied with a focus on radio production, sound studies, media culture and gender studies. She completed her Bachelor of Arts in Radio and Television Arts from Ryerson University with a minor in English and a specialization in audio production for radio, music and film. It was during her Master's work that Copeland co-founded FemRadio, a Toronto, Canada based feminist community radio collective. Currently, she is the supervising producer at Amplify Podcast Network, a collaborative project dedicated to reimagining the sound of scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In part two of our three-part series “Voices,” we feature an exciting new voice in the world of sound studies, Stacey Copeland.  In part one last month, we examined the role voices play in professional sports and unpacked some of the understandings of ability and masculinity that inform the sound of the quarterback's voice in the NFL. Copeland's audio documentary, “This is the Sound of My Voice,” examines another group of professionals—women broadcasters and podcasters, who struggle with sonic sexism from male colleagues, audiences, and sometimes, even themselves. The documentary was originally presented on radio in three parts, but Stacey graciously edited a shorter version for this episode of Phantom Power. Stacey Copeland is a media producer and Joseph-Armand Bombardier (CGS) Ph.D. candidate at Simon Fraser University's School of Communication in Vancouver, Canada. She received her Master of Arts from the Ryerson York joint Communication and Culture graduate program where she studied with a focus on radio production, sound studies, media culture and gender studies. She completed her Bachelor of Arts in Radio and Television Arts from Ryerson University with a minor in English and a specialization in audio production for radio, music and film. It was during her Master's work that Copeland co-founded FemRadio, a Toronto, Canada based feminist community radio collective. Currently, she is the supervising producer at Amplify Podcast Network, a collaborative project dedicated to reimagining the sound of scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In part two of our three-part series “Voices,” we feature an exciting new voice in the world of sound studies, Stacey Copeland.  In part one last month, we examined the role voices play in professional sports and unpacked some of the understandings of ability and masculinity that inform the sound of the quarterback's voice in the NFL. Copeland's audio documentary, “This is the Sound of My Voice,” examines another group of professionals—women broadcasters and podcasters, who struggle with sonic sexism from male colleagues, audiences, and sometimes, even themselves. The documentary was originally presented on radio in three parts, but Stacey graciously edited a shorter version for this episode of Phantom Power. Stacey Copeland is a media producer and Joseph-Armand Bombardier (CGS) Ph.D. candidate at Simon Fraser University's School of Communication in Vancouver, Canada. She received her Master of Arts from the Ryerson York joint Communication and Culture graduate program where she studied with a focus on radio production, sound studies, media culture and gender studies. She completed her Bachelor of Arts in Radio and Television Arts from Ryerson University with a minor in English and a specialization in audio production for radio, music and film. It was during her Master's work that Copeland co-founded FemRadio, a Toronto, Canada based feminist community radio collective. Currently, she is the supervising producer at Amplify Podcast Network, a collaborative project dedicated to reimagining the sound of scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Stacey Copeland and Buncey look back at the weekend's action. They begin with Terri Harper, who became a three-weight world champion after her points win over Rhiannon Dixon in Sheffield. They also chat about events in New York that saw Sandy Ryan hit by a can of paint just hours before her loss to Mikaela Mayer. Promoter Eddie Hearn has his say on the incident. And, we hear from Terri Harper and Rhiannon Dixon's trainer Anthony Crolla.

ShortCuts as a series on The SpokenWeb Podcast feed is coming to an end.For the past five seasons, ShortCuts producer Katherine McLeod has been bringing you deep dives into the archives. Through this process, ShortCuts has asked the question of what it means to listen closely and carefully to short ‘cuts' of audio. ShortCuts has become a sonic space to practice of feminist listening, and that listening has informed continued audio-based research, performances (including performances based on ShortCuts audio) and publications (such as “Archival Listening” and “The Kitchen Table is Always Where We Are: Podcasting as Feminist Self-Reflexive Practice”).For this final ShortCuts, we listen to Brandon LaBelle in a conversation recorded on-site at Errant Bodies Press in Berlin. Listen to hear a reading from LaBelle's “Poetics of Listening” (as published in ESC “New Sonic Approaches in Literary Studies”), to hear about Errant Bodies Press and what it sounds like to be there, and to hear the open door as a way of listening. That open door listening will continue even after ShortCuts ends.Stay tuned for what is next!*SHOW NOTESMore about Errant Bodies Press and The Listening Biennal. LaBelle, Brandon. "Poetics of Listening." ESC: English Studies in Canada, vol. 46 no. 2, 2020, p. 273-277. Project MUSE, https://doi.org/10.1353/esc.2020.a903562.McLeod, Katherine. "Archival Listening." ESC: English Studies in Canada, vol. 46 no. 2, 2020, p. 325-331. Project MUSE, https://doi.org/10.1353/esc.2020.a903565.Copeland, Stacey, Hannah McGregor and Katherine McLeod. “The Kitchen Table is Always Where We Are: Podcasting as Feminist Self-Reflexive Practice.” Podcast Studies: Theory into Practice, eds. Dario Linares and Lori Beckstead, Wilfrid Laurier UP, forthcoming in December 2024. *APPLAUSEA round of applause for all who have been part of the production-side of ShortCuts, from 2019 to the present: Stacey Copeland, Hannah McGregor, Manami Izawa, Judith Burr, Kate Moffatt, Miranda Eastwood, Ella Jando-Saul, Kelly Cubban, Zoe Mix, Yara Ajeeb, James Healey, Maia Harris, and of course ShortCuts producer Katherine McLeod. 

Stacey Copeland sits in for Buncey and takes the pod to the new Co-op Live arena in Manchester. She's at the launch press conference for the fight between Jack Catterall and Regis Prograis. We hear from both fighters, as well as promoter Eddie Hearn and Jack's trainer Jamie Moore. Rhiannon Dixon is also on the pod as she's defending her world title against fellow Brit Terri Harper.

Stacey Copeland sits in for Buncey as Lauren Price becomes a world champion. She is joined by Barry Jones to reflect on an historic night of boxing in the Welsh capital. We hear from Lauren, as well as her promoter Ben Shalom and her partner Karriss Artingstall.

In which we chat with our new bestie at the Amplify Podcast Network, Stacey Copeland, about podcasting, public scholarship, and why killing joy is the best way to have joy come back bigger, stronger, and more vibrant than ever. Be sure to check out all the other cool conversations Stacey is having with our fellow nerds for the audio blog series Amplified!____Keeping It 101: A Killjoy's Introduction to Religion is proud to be part of the Amplify Podcast Network.

Buncey is with Stacey Copeland to look back at a special night of boxing in Liverpool. After retaining her IBF welterweight title by split decision, we hear from Natasha Jonas about the fight and what she wants to do next. He also chats to a downbeat Mikaela Mayer, promoter Ben Shalom and Jonas' trainer Joe Gallagher.

Welcome back to Part 2 of our 'Girl Power Scrapbook Adventure', where Connie and her customers learn more about local inspirational women and their positive affirmations."‘Walk in my shoes, run in my wake"

"Girls are strong, and girls are clever, look out world 'cos here we come!"

Today Raha meets Stacey. Stacey Copeland has represented England in both football and boxing. In 2018, she made history when she became the first ever British woman to win the commonwealth title. Stacey presents on BBC radio in the UK and runs a charity, ‘Pave the Way'. Produced by Pineapple Audio Production and supported by TRX.https://instagram.com/pavethewayuk?igshid=MzMyNGUyNmU2YQ==https://www.facebook.com/2017PAVETHEWAYhttps://x.com/pavethewayuk?s=21&t=UYzqFa3dqa6SR0NKcW_YSghttps://www.linkedin.com/company/pave-the-way-charity/اليوم تلتقي رها بستيسي.ستيسي كوبلاند مثلت إنجلترا في كرة القدم والملاكمة. في عام 2018، صنعت التاريخ عندما أصبحت أول امرأة بريطانية تفوز بلقب الكومنولث. تقدم ستيسي برامج على راديو بي بي سي في المملكة المتحدة وتدير مؤسسة خيرية باسم "مهد الطريق".إنتاج بينابل أوديو برودكشن وبدعم من TRX. Hosted on Acast. See acast.com/privacy for more information.

Today Raha meets Stacey. Stacey Copeland has represented England in both football and boxing. In 2018, she made history when she became the first ever British woman to win the commonwealth title. Stacey presents on BBC radio in the UK and runs a charity, ‘Pave the Way'. Produced by Pineapple Audio Production and supported by TRX.https://instagram.com/pavethewayuk?igshid=MzMyNGUyNmU2YQ==https://www.facebook.com/2017PAVETHEWAYhttps://x.com/pavethewayuk?s=21&t=UYzqFa3dqa6SR0NKcW_YSghttps://www.linkedin.com/company/pave-the-way-charity/اليوم تلتقي رها بستيسي.ستيسي كوبلاند مثلت إنجلترا في كرة القدم والملاكمة. في عام 2018، صنعت التاريخ عندما أصبحت أول امرأة بريطانية تفوز بلقب الكومنولث. تقدم ستيسي برامج على راديو بي بي سي في المملكة المتحدة وتدير مؤسسة خيرية باسم "مهد الطريق".إنتاج بينابل أوديو برودكشن وبدعم من TRX. Hosted on Acast. See acast.com/privacy for more information.

Darren Fletcher wrestles presenting duties off Buncey to look ahead to a huge night of boxing. They are joined by Richie Woodhall and Stacey Copeland to debate how this weekend could change how the sport will look in the coming years. Anthony Joshua tells us how he's feeling going into Saturday night, and promoter Frank Warren gives his perspective on the event.

Stacey Copeland joins Buncey from The Kingdom Arena in Riyadh as we get our first glimpse of the fighters. We hear from promoter Frank Warren who has been instrumental in putting the card together. Manchester-based fighter Lyndon Arthur who faces world champion Dmitry Bivol, is also on the pod, as is Jarrell Miller who has been ruffling a few feathers this week. And Joe Gallagher joins us to talk about the work he is doing with the Mike Tyson Boxing Gym based in Riyadh.

Stacey Copeland joins Buncey to look back at a big night in Manchester and look ahead to a huge weekend in Dublin. They begin chatting about Nathan Heaney's shock win over Denzel Bentley for the British middleweight title. We hear from Heaney and his promoter Frank Warren. And Chantelle Cameron and Katie Taylor are on the pod ahead of their rematch in Dublin at the weekend.

This episode navigates this question using an associative method which links stories and sounds, forming a non-linear audio collage. Listeners are invited to tune in to their affective and embodied responses to end time stories including Lulu Miller's podcast and Kiyoshi Kurosawa's horror film, and stories of endurance, with Kathy Jetñil-Kijiner's poem and Tanya Tagaq's audiobook.Nadège Paquette (she/they) is a white settler living in Tiotià:ke/Montréal, on the lands and waters of the Kanien'kehá:ka Nation, where they are completing a master's degree in English Literature at Concordia University. Their research interests aggregate around the relationship between human and nonhuman forms of life and nonlife. They are drawn to narratives of the future extrapolating present troubles and delving into already-existing Indigenous, decolonial, queer, and non-anthropocentric alternatives to a colonial and capitalist world. For them, some of those alternative worlds take the form of collective gardens where they love to work with plants, soil, water, animal, and human neighbors.*Show NotesMusic:Tom Bonheur https://www.instagram.com/dj.g3ntil/Kovd, Kvelden, Tell What You Know, Ivory Pillow, and Fever Creep by Blue Dot Sessions https://app.sessions.blue/Podcast:“The Wordless Place” Lulu Miller https://radiolab.org/podcast/wordless-place“Why Podcast?” Hannah McGregor and Stacey Copeland https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.htmlShort Film:Anointed, Kathy Jetñil-Kijiner and Dan Lin https://www.kathyjetnilkijiner.com/videos-featuring-kathy/Film:Pulse, Kiyoshi KurosawaAdditional sounds from:“Interview with Tanya Tagaq,” Alicia Atout https://www.youtube.com/watch?v=FupatQbcTeM“Open Dialogues: Daniel Heath Justice,” Centre for Teaching, Learning, and Technology https://www.youtube.com/watch?v=VrBN8_IGuuw“Monster 怪物,” United for Peace Film Festival https://www.youtube.com/watch?v=m8OJulGi1Rg*Works CitedBouich, Abdenour. 2021. “Coeval Worlds, Alter/Native Words.” Transmotion 7 (2). https://doi.org/10.22024/UniKent/03/tm.980.Butler, Judith. 2003. “Violence, Mourning, Politics.” Studies in Gender and Sexuality 4 (1): 9–37. https://doi.org/10.1080/15240650409349213.Chion, Michel. 2017. L'audio-Vision : Son et Image Au Cinéma. 4th Edition. Armand Colin.Copeland, Stacey, and Hannah McGregor. 2022. Why Podcast?: Podcasting as Publishing, Sound-Based Scholarship, and Making Podcasts Count. Vol. 27, no. 1. Kairos: A Journal of Rhetoric, Technology, and Pedagogy. https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.html.Eidsheim, Nina Sun. 2019. “Introduction: The Acousmatic Question: Who Is This?” In The Race of Sound, 1–38. Listening, Timbre, and Vocality in African American Music. Duke University Press. https://doi.org/10.2307/j.ctv11hpntq.4.Goodman, Steve. 2010. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Technologies of lived abstraction. Cambridge, Massachusetts: The MIT Press. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018751433&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene. North Carolina, United States: Duke University Press.Hudson, Seán. 2018. “A Queer Aesthetic: Identity in Kurosawa Kiyoshi's Horror Films.” Film-Philosophy 22 (3): 448–64. https://doi.org/10.3366/film.2018.0089.JLiat. 1954. Bravo. Found Sounds. Bikini Atoll. http://jliat.com/.Justice, Daniel Heath. 2018. Why Indigenous Literatures Matter. Wilfrid Laurier University Press.Kurosawa, Kiyoshi, dir. 2001. Pulse. Toho Co., Ltd.Lamb, David Michael. 2015. “Clyde River, Nunavut, Takes on Oil Indsutry over Seismic Testing.” CBC. March 30, 2015. https://www.cbc.ca/news/canada/north/clyde-river-nunavut-takes-on-oil-industry-over-seismic-testing-1.3014742.Lin, Dan, and Kathy Jetnil-Kijiner, dirs. 2018. Anointed. Pacific Storytellers Cooperative. https://www.youtube.com/watch?v=hEVpExaY2Fs.Madwar, Samia. 2016. “Breaking The Silence.” Text/html. Up Here Publishing. uphere. Https://uphere.ca/articles/breaking-silence. 2016. https://uphere.ca/articles/breaking-silence.Miller, Lulu. 2022. “The Wordless Place.” Radiolab. https://radiolab.org/episodes/wordless-place.Morton, Timothy. 2013. Hyperobjects: Philosophy and Ecology after the End of the World. Posthumanities 27. Minneapolis (Minn.): University of Minnesota Press.Raza Kolb, Anjuli Fatima. 2022. “Meta-Dracula: Contagion and the Colonial Gothic.” Journal of Victorian Culture 27 (2): 292–301. https://doi.org/10.1093/jvcult/vcac017.Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. 1 online resource (319 pages) : illustrations vols. Indigenous Americas. Minneapolis: University of Minnesota Press. http://public.eblib.com/choice/PublicFullRecord.aspx?p=6152353.Sontag, Susan. 1966. Against Interpretation and Other Essays. London: Penguin Classics.Tagaq, Tanya. Split Tooth. Viking, Penguin Random House, 2018.Tasker, John Paul. 2017. “Supreme Court Quashes Plans for Seismic Testing in Nunavut, but Gives Green Light to Enbridge Pipeline.” CBC. July 26, 2017. https://www.cbc.ca/news/politics/supreme-court-ruling-indigenous-rights-1.4221698.Yamada, Marc. 2020. “Visualizing a post-bubble Japan in the films of Kurosawa Kiyoshi.” In Locating Heisei in Japanese Fiction and Film : The Historical Imagination of the Lost Decades, 60–81. Routledge contemporary Japan series. Abingdon, Oxon ; Routledge. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2279077.Yusoff, Kathryn. 2018. A Billion Black Anthropocenes or None. Minneapolis: University of Minnesota Press.

Our guest today is Stacey Copeland, a trailblazer in the world of sports and a champion for gender equality in athletics. Stacey Copeland is not just an accomplished athlete; she's a history-maker. In 2018, she became the first British woman to win a Commonwealth title in boxing, a groundbreaking achievement that showcased her incredible skill and determination. Her victory in the 2018 Commonwealth Games in Australia marked a significant moment in women's boxing and garnered attention and admiration for her achievements in the sport. But Stacey's story goes beyond the boxing ring. As a footballer she represented England U18s, played in an FA cup final and has also played abroad in America and Sweden. She's also a passionate advocate for gender equality in sports, using her platform to challenge stereotypes and empower women and girls to pursue their dreams, no matter the obstacles they face. Stacey is deeply passionate about making a positive impact through sport and in 2017 she founded the Pave The Way project to challenge gender stereotypes, spark social change and make a difference. To learn more go to www.stacey-copeland.co.uk Written and Presented by Jo Baring Produce by Clare Lynch This Podcast is brought to you in partnership with Coca-Cola Europacific Partners.

Kate Cocker (Everyday Positivity podcast) and Anni Hood (Well Intel Daily podcast) return to Flixwatcher to review Kate's choice Game On: The Unstoppable Rise of Women's Sport. Game On: The Unstoppable Rise of Women's Sport (2023) is a Netflix documentary directed by women's sport activist Sue Anstiss MBE and Jack Tompkins. The documentary explores the recent growth and population of women's sport and its impact. It features interviews with some of the biggest names in women's sport including Baroness Tanni Grey-Thompson, Stacey Copeland, Clare Balding CBE, Dame Denise Lewis and Kelly Smith MBE. While Game On celebrates the successes it also highlights the inequality and prejudice that surrounds women's sport. It is optimistic about the future but it is also shocking and extremely sad to hear the challenges some professional women athletes, like the Lionesses, have faced and continue to face. Recommendability scores for Game On were super high, as with all documentaries the repeat viewing was low and the only complaint was it wasn't as in depth as the subject could have been. However, Game On still scores an impressive 3.88 overall.   [supsystic-tables id=324]   Episode #318 Crew Links Thanks to the Episode #318 Crew of Anni Hood (@annihood) and Kate Cocker (@K8Cocker) You can find their website here https://twitter.com/purposefulpods     Please make sure you give them some love   More about Game On: The Unstoppable Rise of Women's Sport with Anni Hood and Kate Cocker For more info on Game On: The Unstoppable Rise of Women's Sport with Anni Hood and Kate Cocker you can visit Game On: The Unstoppable Rise of Women's Sport with Anni Hood and Kate Cocker IMDB page here or Game On: The Unstoppable Rise of Women's Sport with Anni Hood and Kate Cocker Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stacey Copeland sits in for Steve to look back at a busy weekend of boxing. She is joined by Anthony Crolla as they discuss the title winning performances of Savannah Marshall, Natasha Jonas and Dalton Smith. Savannah and Tasha are on the pod, as well as their promoter Ben Shalom. They also hear from Joe Joyce and his promoter Frank Warren as his rematch with Zhilei Zhang is scheduled for September. And they reflect on the Olympic qualifiers in Poland.

Stacey Copeland joins Steve to look ahead to an unprecedented two months of world championship boxing involving British women. And it all begins with the huge fight in Dublin this weekend as Katie Taylor and Chantelle Cameron battle for all the belts in the super-lightweight division. Former world champion Savannah Marshall is also on the pod to chat about her fight against Franchon Crews-Dezurn in July. And they also discuss the upcoming fights involving Terri Harper, Ellie Scotney, Natasha Jonas, Nina Hughes and Shannon Courtney.

Stacey has represented her country at an international level in two sports –  football and boxing. Following a successful football career, where she represented England, played in the FA cup final, and played overseas for six years in the US and Sweden; Stacey then went on to pursue her dreams of a career in boxing. During her six-year amateur boxing career, Stacey became European silver medallist and three-time national champion. She then turned professional and 2018 became the first British woman to win the Commonwealth title. Find out more about The Game Changers podcast here.Hosted by Sue AnstissProduced by Sam Walker, What Goes On MediaA Fearless Women production

Recording provided by Stacey Copeland. This is a recording using my DIY electromagnetic microphone while running a Studer A810 Tape Recorder build in 1982. I recorded this during a part-time job at Number 9 Studio in Toronto back in 2016. I got to know this reel to reel machine well while using it to digitize recordings for clients. Another beautiful machine running itself into obsolescence. There's a great overview of this tech here: https://www.capstan.at/Reel2006/Essay%2009.html This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Recording provided by Stacey Copeland. This is a close mic recording of the fan/motor on the Sony AV3400 Porta Pak circa 1969. Recorded using Schoeps A once state of the art portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. Digital recording has made such devices obsolete. It was once used by the University Nursing School but now lives in the archive. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Recording provided by Stacey Copeland. This is a recording of the Panasonic SV-3700 (DAT) Digital Audio Tape Deck build in 1994. The recording was taken while digitizing a collection of DATs during my part-time production job at Number 9 Studio in Toronto, Canada in 2016. You can hear me press buttons and fastforwarding a DAT. Recorded using a Schoeps Mk4 collette. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Women's football is on an incredible high around the world after a month of five international tournaments with record breaking crowds. Those tournaments have delivered new champions, new interest and new hope. The new champions are Papua New Guinea, South Africa and England. Perhaps more predictably there have also been trophies for the USA and Brazil. The success has created a discussion about how this is a significant moment in the development of the game. Stacey Copeland who was in England Under-18s, former England defender Fern Whelan and BBC World Service Digital and Sport Editor, Anna Doble discuss how Euro 2022 can change the course of women's sports.

A Guide to Academic Podcasting is a practical guidebook introducing scholars to the multiverse of podcasting. It's an open-source publication made by Amplify Podcast Network, written by Stacey Copeland and Hannah McGregor. In this conversation, we talked about embodied knowledge, gendered (and racialized) voices, and how new media publishing is transforming the relationships scholars have with the public(s). We entered into the territory of the vulnerable scholar, examined our discomfort with silence, and the spaces of possibilities academics may discover in podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A Guide to Academic Podcasting is a practical guidebook introducing scholars to the multiverse of podcasting. It's an open-source publication made by Amplify Podcast Network, written by Stacey Copeland and Hannah McGregor. In this conversation, we talked about embodied knowledge, gendered (and racialized) voices, and how new media publishing is transforming the relationships scholars have with the public(s). We entered into the territory of the vulnerable scholar, examined our discomfort with silence, and the spaces of possibilities academics may discover in podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

A Guide to Academic Podcasting is a practical guidebook introducing scholars to the multiverse of podcasting. It's an open-source publication made by Amplify Podcast Network, written by Stacey Copeland and Hannah McGregor. In this conversation, we talked about embodied knowledge, gendered (and racialized) voices, and how new media publishing is transforming the relationships scholars have with the public(s). We entered into the territory of the vulnerable scholar, examined our discomfort with silence, and the spaces of possibilities academics may discover in podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A Guide to Academic Podcasting is a practical guidebook introducing scholars to the multiverse of podcasting. It's an open-source publication made by Amplify Podcast Network, written by Stacey Copeland and Hannah McGregor. In this conversation, we talked about embodied knowledge, gendered (and racialized) voices, and how new media publishing is transforming the relationships scholars have with the public(s). We entered into the territory of the vulnerable scholar, examined our discomfort with silence, and the spaces of possibilities academics may discover in podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices

In part two of our three-part series "Voices," we feature an exciting new voice in the world of sound studies, Stacey Copeland.  In part one last month, we examined the role voices play in professional sports and unpacked some of the understandings of ability and masculinity that inform the sound of the quarterback's voice in the NFL. Copeland's audio documentary, "This is the Sound of My Voice," examines another group of professionals—women broadcasters and podcasters, who struggle with sonic sexism from male colleagues, audiences, and sometimes, even themselves. The documentary was originally presented on radio in three parts, but Stacey graciously edited a shorter version for this episode of Phantom Power. Stacey Copeland is a media producer and Joseph-Armand Bombardier (CGS) Ph.D. candidate at Simon Fraser University's School of Communication in Vancouver, Canada. She received her Master of Arts from the Ryerson York joint Communication and Culture graduate program where she studied with a focus on radio production, sound studies, media culture and gender studies. She completed her Bachelor of Arts in Radio and Television Arts from Ryerson University with a minor in English and a specialization in audio production for radio, music and film. It was during her Master's work that Copeland co-founded FemRadio, a Toronto, Canada based feminist community radio collective. Currently, she is the supervising producer at Amplify Podcast Network, a collaborative project dedicated to reimagining the sound of scholarship.