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2 episodes with artist books
2 episodes with artist books
In this episode, Bad at Sports welcomes artist, writer, and thinker Emma Bergman to discuss a range of fascinating topics that blend the personal, the theoretical, and the speculative. We delve into Emma's ideas about utopian conviction and how they intersect with the looming specter of the coming apocalypse, and the games we can play with what is becoming our practical nightmare. From philosophical musings to creative solutions, we explore how different utopian ideologies might intersect and prepare (or fail to prepare) us for the crisis of our future. Personality testing also enters the conversation, as we examine how modern and historical approaches to assessing character and behavior might offer insights—or generate traps—for individuals navigating this new world order and Berman runs the boys of B@S though her system and we learn if they are ready. We also explore the concept of bureaucratic realism, digging into how institutional structures shape our experience and sense of agency in the world, and how to creatively play within these constraints and out side them can establish new paths forward. Throughout this conversation, we playfully touch on ways to solve the future—how art, culture, and speculative thinking offer new ways of envisioning what lies ahead, and how individuals can act within systems and system collapse. Join us for a thought-provoking episode filled with visionary ideas, humor, and practical philosophical discussions. Live for the 21C Chicago!
In this episode, Bad at Sports dives into the world of independent publishing, printmaking, and the intersections of art, academia, and production with two innovative presses pushing the boundaries of their respective fields. Hoof Print Press, based in Pilsen, Chicago, is not just a print shop, but a thriving print publisher that explores multiple media, including ceramics. Known for their dynamic exhibition series, they bring a unique perspective on the art of printmaking, combining tradition with modern experimentation. We talk about how they balance the fine art of print with the hands-on craft of ceramics and what it means to operate as both creators and curators in the community-driven Pilsen neighborhood. - Gabe Hoare on mic. Next, we're joined by Immaterial Books, a quasi-academic press that's redefining the possibilities of academic publishing. Immaterial tests the limits of what it means to produce knowledge and content outside the conventional capitalist distribution and production models. They explore nontraditional forms of publishing that challenge the boundaries between art and academia. In this conversation, we dive into how their radical approach to publishing engages with academia, art practices, and the broader cultural conversation around knowledge production. Phillip Kalantzis-Cope on mic. Together, we discuss how both presses navigate the evolving worlds of independent publishing and art production, and how their work is changing the ways we think about community, art, and knowledge distribution. Tune in for an insightful episode that explores the intersection of artistic practices, publishing, and the role of independent presses in today's creative and academic landscapes. Live from 21C Chicago!
Strap in, print nerds, because this week we're coming to you live from the wild and inky trenches of the Staple and Stitch Artist Book Fair at 21C Chicago! First up, we've got Angee Lennard and Jessica Cochran from Process Process Print Publishers—the dynamic duo that's doing god's work by helping artists get their process-based, experimental prints out into the world (or at least onto some beautiful paper). These two are the real deal: no pretentious art-speak, just raw, creative energy making print magic happen. Then, just when you thought the paper party couldn't get any better, Madeleine Aguilar from Bench Press Publications joins us to lay down some serious knowledge about the Chicago art book scene. Bench Press is the indie press you want to be in the know about—they're cranking limited-run artist books that'll make you want to throw all your digital content in the trash. We recorded this maudlin crew, so enjoy the ambient sounds of over-caffeinated art students and print enthusiasts buzzing around, plus a few awkward microphone mishaps. It's all part of the charm! Episode Highlights: Angie and Jessica talk about the blood, sweat, and squeegees behind Process Process Print Publishers—and why the process is as important as the product. Bench Press Publications: indie publishing that's both scrappy and impossibly cool. Madeleine breaks down the beauty of small-batch, collectible art books and why limited edition is more than just a buzzword. The absolute chaos and joy of recording this episode at Staple and Stitch in the heart of the art scene at 21C Chicago. (Spoiler: You'll want to be there next year.) Process Process Print Publishers: Website Bench Press Publications: Website Staple and Stitch Artist Book Fair: Website
Ty Nathan Clark and Nathan Terborg are taking a moment to reflect and recharge after a whirlwind week filled with residency applications, art making and family milestones—Nathan's oldest daughter just started college! But don't worry, we're gearing up for some incredible new content on Just Make Art. From artist features to Q&A sessions, and even guest co-hosts, there's a ton of exciting stuff on the horizon. We're kicking it off with an in-depth discussion on "Art and Fear" by David Bayliss and Ted Orland, a book so pivotal that it's a staple in our studio practice and teaching. Grab your copy and share your thoughts with us; who knows, your insights might make it into our upcoming episodes!We're not stopping there; we've lined up a series of must-read books that have profoundly impacted our artistic journeys. Titles include Jerry Saltz's "How to Be an Artist," Bianca Bosker's "Get the Picture," Nick Cave's "Faith, Hope, and Carnage," and Rainer Maria Rilke's "Letters to a Young Poet." Plus, don't miss our video podcasts on Spotify and YouTube where we add fun B-rolls and Easter eggs. If you love what we're doing, please leave us a review on Apple Podcasts or Spotify—it really helps us reach new listeners. And as a special treat, I'm sharing a passage from the Pulitzer-winning biography "De Kooning: An American Master," an absolute gem for art lovers. Thanks for tuning in; we can't wait to share more with you soon!Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
Most people's perception of prison life revolves around sensationalized news stories and Hollywood movies depicting drab, inhospitable environments far outside our reach. In today's show, we're challenging that view in a chat with two educators who use photography as a framework for teaching visual literacy and the art of storytelling to incarcerated men. Cameras, computers, and sometimes even books, are prohibited from classrooms inside lock up, which forced our guests to come up with creative workarounds, using the generosity of the photographic medium as a path to engage in dialog with their students. As one of our guests, Nigel Poor, puts it: “With a little bit of ingenuity, there's always a work around to come out with something really beautiful and emotional. And that's one of the pleasures of working in a prison, is that you've got to really rely on your imagination and your ability to hit a road bump and find a way around it.” Don't miss this inspiring discussion with two artists and educators who successfully adapted their teaching to the prison workaround, then connected with students on a human level, ultimately triggering their capability to “see fascination everywhere.” Guests: Chantal Zakari & Nigel Poor For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/pictures-from-the-inside-seeing-fascination-everywhere-with-chantal-zakari Top shot courtesy of Nigel Poor and the San Quentin State Prison Museum, with thanks to former Warden Ron Davis and retired Lieutenant Sam Robinson Stay Connected: Chantal Zakari Website: https://www.thecorner.net/chantal-zakari Chantal Zakari Instagram: https://www.instagram.com/show.n.tll/ Chantal Zakari's Pictures from the Outside book: https://www.thecorner.net/picturesfromtheoutside Tufts University Prison Initiative (TUPIT): https://sites.tufts.edu/tupit/overview/ Nigel Poor Website: https://nigelpoor.com/ Nigel Poor Instagram: https://www.instagram.com/nigelpoor/ Nigel Poor's San Quentin Prison Project: https://nigelpoor.com/project/san-quentin/ Nigel Poor's San Quentin Prison Project book: https://aperture.org/books/the-san-quentin-project/ Ear Hustle Podcast website: https://www.earhustlesq.com/ This is Ear Hustle book: https://sites.prh.com/thisisearhustle Mount Tamalpais College: https://www.mttamcollege.edu/
Jules, Rachel, and Stephanie chat about the best books for artists that inspired their art or art business. If you have a question you'd like us to discuss feel free to email us at hello@artistssoar.com Artist Spotlight Lucia Heffernan - Fabulous animal artist with adorable naming conventions and amazing realistic oil paintings. Key Talking Points Note: the following is a list of books with an amazon affiliate link, so while this costs you nothing, if you choose a link to purchase a book we receive a commission from Amazon. We consider this a tip and thank you for valuable information. Our Top 3 Artist Books (if we had to just pick one) Artists Way by Julia Cameron Art, Money, Success by Maria Brophy Picasso's War: How Modern Art Came To America by Hugh Eakin But other artist books we LOVE War of Art by Steven Pressfield I'd Rather Be In The Studio by Alyson Stanfield The Personal Librarian by Marie Benedict Launching Your Art Career by Alix Sloa Greenlights by Matthew McConaughey The Secret (book or movie) by Rhonda Byrne Profit First by Mike Michalowicz Art Forger by B.A. Shapiro Legal Roadmap for Your Creative Business by Kiffanie Stahle Oil and Marble by Stephanie Storey Letters of Vincent Van Gogh by Mark Roskill The Art Collectors Daughter: A Stylish Historical Thriller by Derville Murphy We'd love to hear from you, what questions do you have for us three girls with the gift for gab? Email us at hello@artistssoar.com Rise with us! On Artists Soar! Our Websites and Shops Are you an avid reader? Then sign up for Rachel's newsletter here: https://bubblybibbly.com/ Love illustrations and bright colors? Then sign up for Jule's newsletter here: https://www.juliemstudios.com/ Want to learn how to paint, or be part of a growing and active community? Or just love painting? Then sign up for Stephanie's newsletter here: https://www.stephanieweaverartist.com/artist-newsletter Got a Listener Question? Email us at: hello@artistssoar.com
Rare Book Librarian Beth Shoemaker talks about books as information rich records that contain a multitude of topics and different voices that invite readers, researchers, and many more to learn about the history of thought.
This week we are joined by the Journal of Artist Books, Brad Freeman, and the Center for Book and Paper, then the Center for Book, Paper, and Print's, Mel Potter. We talk about the closure of these two historic artworld fixtures, the impact on the landscape of Chicago, hole it leaves nationally, And the choice by Columbia College Chicago to close the center and fold it into the department of Art and Art History.
Today's guest on The Print Cast is Karl LaRocca, the owner of Kayrock Screen Printing in Brooklyn, New York. If you've checked out what they do, you would see a huge array of goods that they make including artist editions, artist books, and rad merch. One famous tee Kayrock produced that we discuss briefly was a Bert and Ernie design (Designed by Daniel Davidson) from 2016 for then candidate for President Bernie Sanders. They do a lot of custom work for candidates and political organizations as a result of projects like that.Karl has a very mathematical mind as you'll come to hear in this episode, and we discuss polygons in relation to Karl's personal artist book projects. We nerd out about some technical aspects of pulling prints, and today's Let's Get Technical is not to be missed. If you haven't please check out my Patreon to support the ongoing production of this podcast. Ongoing support helps keep the show online, and will help future needs like trips to print events, travelling interview tours, and more. Every little bit helps!Kayrock WebsiteKayrock InstagramThe Print Cast WebsiteThe Print Cast Instagram
In this special episode we discuss some of the books that have inspired us over the years. Our choices may seem surprising but we hope they are all enlightening. They include a collection of letters from one poet to another, a book on marketing (with a twist), two very different artist-written books, and two diverse guides to living an easier and more joyful life. We could not fit all our recommended books into one podcast, so we've created a special download for you with a total of 14 amazing reads. (see below for links). Even if you think some of these books are not for you, it might be worth trusting us and trying them anyway - each one contains amazing wisdom to enrich our lives and our art-making. We also answer a listener question about how to judge our work. Is there any such thing as a perfect painting? And how do we know if what we are making is good? In fact, who decides what is good? Links: Download your "Ultimate (unusual) Book Recommendations for Artists" HERE. Find further book suggestions on THIS Instagram post Submit a question at bit.ly/artjuicepodcast Follow us on Instagram: @alicesheridanstudio @louisefletcher_art See fuller show notes on our websites: www.alicesheridan.com www.louisefletcherart.com Credits "Monkeys Spinning Monkeys" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License
Nick sits down with artist Enrique Chagoya, in Part 1 of a two-part series. Enrique Chagoya is an artist who inverts cultural appropriation in a manner he calls “Reverse Anthropology”. With a deft wit, his paintings, drawings, prints and codices use “symbols as one would use words in a sentence,” often with hilarious and biting results. At times his art can even arouse misinterpretation, negative press, and even vandalism. Nevertheless he persists and continues to tackle subjects like sexual abuse in the Catholic Church, racism, xenophobia, and pop culture, to name a few. Present in all of his work is humor, thoughtful juxtapositions, and myriad references harkening back to other artists' work, pop icons, figures of government, and his Mexican heritage. It can be disarming to view his work, where you might be laughing and unsettled at the same time. And that is the power of his art; it is intended not to change minds but provoke conversation and dialog.Chagoya is currently Professor of Art at Stanford University. His work has been shown internationally and is represented in the collections of the San Francisco Museum of Modern Art, the LA County Museum of Art, the National Museum of American Art, the Des Moines Art Center, the Whitney, MOMA, and the Metropolitan Museum of Art.Check out his work here.Follow the Print CastSee the show notes here.
This episode features a panel that was broadcast live from San Francisco's The Battery on November 7, 2018. The panel --hosted by Untitled Art's curator of Special Projects and Books & Editions, Juana Berrío-- invites Robin Wright (co-founder, RITE Editions), Margaret Tedesco (founder, 2nd floor projects), and Vee Moran (co-founder, Owl Cave Books) to join in conversation about books that were created within the context of art. The episode also features a reading of Virginia Woolf by artist and bookmaker Brook Hsu.
Kim interviews Rachel Hazell “The Travelling Bookbinder”, who teaches how to make artist books. Get bonus episodes by supporting Art Supply Posse About Rachel Hazell Rachel Hazell travels the world teaching people how to make artist books. She has built a giant two meter tall book for a fashion design exhibit which visitors wrote in, and which travelled the world. Rachel has visited Antarctica three times, teaching sailors to write poetry on a Navy ship, and working as “Postmistress and Penguin Monitor” (her official job title, obviously). Artist Books Artist books vary from regular books in their materials which are often customised with hand drawn or hand printed designs. The materials can be very diverse and even feature found objects. Artist books can be unique one-off books, or handmade by a book bindery in small runs, but are generally not mass produced. Artist books push the boundaries of bookbinding and challenge your expectations of what a book can be. Rachel’s book titled “Bound” has easy to follow projects showing you how to make artist books. It is available from your local bookshop and online. Links Rachel’s website and courses: https://www.thetravellingbookbinder.com/ Instagram: https://www.instagram.com/thetravellingbookbinder/ Vimeo: https://vimeo.com/travellingbookbinder Art Supply Posse Website Discuss art and art supplies in our forum: Artsupia Forum Credits Photography: Susan Bell, Jane Massey.
Kate Conlon is our guest this episode! Chicago in tha house! Rob rubs Buenos Aires the right way. Kate takes all of us on a nefarious and wild ride (or is it a drive?) across Chicago. Taylor yearns to put the urn in turn. You can check out our projects at http://projects.opposablepodcast.com Props to Blondihacks, Nik, Walter, Federico, Kelly, Luke, Mike and Tim! They're our top Patreon supporters! Join 'em at: https://www.patreon.com/opposablethumbs Special Guest: Kate Conlon.
Kathleen Fraser's newest collection, m o v a b l e TYYPE, foregrounds texts from four recently produced Artist Books. Her collected essays, Translating the Unspeakable: Poetry and the Innovative Necessity, is in its second printing. She edited and co-founded the journal HOW(ever) and in 2001, launched its on-line version, How2. While director of The Poetry Center, Fraser founded The American Poetry Archives at San Francisco State University where she taught in the Graduate Writing Program for 20 years. Her honors include a Guggenheim Fellowship and two NEA fellowships. She has published 16 volumes of poetry and seven collaborative Artist Books, recently collected by the Bienecke Library at Yale. Her work has been translated widely in Italian and French. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24346]
Kathleen Fraser’s newest collection, m o v a b l e TYYPE, foregrounds texts from four recently produced Artist Books. Her collected essays, Translating the Unspeakable: Poetry and the Innovative Necessity, is in its second printing. She edited and co-founded the journal HOW(ever) and in 2001, launched its on-line version, How2. While director of The Poetry Center, Fraser founded The American Poetry Archives at San Francisco State University where she taught in the Graduate Writing Program for 20 years. Her honors include a Guggenheim Fellowship and two NEA fellowships. She has published 16 volumes of poetry and seven collaborative Artist Books, recently collected by the Bienecke Library at Yale. Her work has been translated widely in Italian and French. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24346]
Kathleen Fraser's newest collection, m o v a b l e TYYPE, foregrounds texts from four recently produced Artist Books. Her collected essays, Translating the Unspeakable: Poetry and the Innovative Necessity, is in its second printing. She edited and co-founded the journal HOW(ever) and in 2001, launched its on-line version, How2. While director of The Poetry Center, Fraser founded The American Poetry Archives at San Francisco State University where she taught in the Graduate Writing Program for 20 years. Her honors include a Guggenheim Fellowship and two NEA fellowships. She has published 16 volumes of poetry and seven collaborative Artist Books, recently collected by the Bienecke Library at Yale. Her work has been translated widely in Italian and French. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24346]
Kathleen Fraser’s newest collection, m o v a b l e TYYPE, foregrounds texts from four recently produced Artist Books. Her collected essays, Translating the Unspeakable: Poetry and the Innovative Necessity, is in its second printing. She edited and co-founded the journal HOW(ever) and in 2001, launched its on-line version, How2. While director of The Poetry Center, Fraser founded The American Poetry Archives at San Francisco State University where she taught in the Graduate Writing Program for 20 years. Her honors include a Guggenheim Fellowship and two NEA fellowships. She has published 16 volumes of poetry and seven collaborative Artist Books, recently collected by the Bienecke Library at Yale. Her work has been translated widely in Italian and French. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24346]
Kathleen Fraser’s newest collection, m o v a b l e TYYPE, foregrounds texts from four recently produced Artist Books. Her collected essays, Translating the Unspeakable: Poetry and the Innovative Necessity, is in its second printing. She edited and co-founded the journal HOW(ever) and in 2001, launched its on-line version, How2. While director of The Poetry Center, Fraser founded The American Poetry Archives at San Francisco State University where she taught in the Graduate Writing Program for 20 years. Her honors include a Guggenheim Fellowship and two NEA fellowships. She has published 16 volumes of poetry and seven collaborative Artist Books, recently collected by the Bienecke Library at Yale. Her work has been translated widely in Italian and French. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24346]
Kathleen Fraser’s newest collection, m o v a b l e TYYPE, foregrounds texts from four recently produced Artist Books. Her collected essays, Translating the Unspeakable: Poetry and the Innovative Necessity, is in its second printing. She edited and co-founded the journal HOW(ever) and in 2001, launched its on-line version, How2. While director of The Poetry Center, Fraser founded The American Poetry Archives at San Francisco State University where she taught in the Graduate Writing Program for 20 years. Her honors include a Guggenheim Fellowship and two NEA fellowships. She has published 16 volumes of poetry and seven collaborative Artist Books, recently collected by the Bienecke Library at Yale. Her work has been translated widely in Italian and French. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 24346]
Carnegie Mellon English Professor Jim Daniels talks about how his poetry students created mini artist books.
What's the difference between a First Edition, a Fine Press Edition and an Artists' Book? Joshua and Phyllis Heller work with me to help define the boundaries. The two of them established Joshua Heller Rare Books, Inc. in Washington DC, in 1985. The company specializes in “contemporary fine printing and beautifully illustrated books, the Private Press Movement, modern fine bindings, and books about books. [Their] much admired catalogues, illustrated in full color, are distributed to a national and international list of clients.” Joshua has lectured widely in the United States and Canada on the art of the book. He helped organize the Art of the Contemporary Book Conference at Ohio State University in 1991, and has: contributed articles on the Private Press Movement to journals such as Fine Print and Imprint; and curated exhibitions of South African botanical artist Elise Bodley, both for the Smithsonian Museum of Natural History and the Audubon Society; he also proposed the first Washington Artists' Book Fair – now a biennial event; and organized the first ever exhibition of fine modern bindings at the Corcoran Museum of Art in Washington DC in 2003. I met the Hellers at their home in Washington, D.C. recently.
Rosemary Furtak was the librarian at the Walker Art Center in Minneapolis for more than 25 year. She was co-curator of ‘Text Messages', an exhibit on artist's books shown in 2009 at the Center. We talk here about her early championing of the artist book genre - her definition being: "a book that refuses to behave like a book ("like the 35,000 books that sit in the stacks"), the line between books and art, and words and art, and librarians and curators…and how to go about collecting artist books. We talk too about the challenges of cataloguing artist Ed Ruscha's 26 Gasoline Stations, about the prolific and surprising Dieter Roth, inexpensive materials and Richard Tuttle, and Lawrence Weiner's Statements, and his art making process. The works of these four were highlighted in the exhibition.
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