Podcasts about Immaterial

Un an après la déferlante Brat, du nom de l'album à la pochette vert fluo sorti en juin 2024 – et qui pourrait se traduire par « sale gosse » –, Charli XCX monte enfin sur une scène française. La chanteuse britannique de 32 ans, tête d'affiche du festival We Love Green, à Paris, samedi 7 juin, semble connaître une ascension irrésistible.Avec son style très particulier et sa communication efficace, Charli XCX est devenue la figure de proue de l'hyperpop. Ce courant musical mêle des sonorités expérimentales électroniques et de la pop sucrée plus classique, pour créer des morceaux courts et percutants.D'où vient l'hyperpop ? Quel est le parcours de la chanteuse Charli XCX ? Pourquoi son sixième album, Brat, a-t-il connu un tel succès ? Dans cet épisode du podcast « L'Heure du Monde », Julie Ackermann, critique et autrice de l'ouvrage Hyperpop. La pop au temps du capitalisme numérique (Façonnage, 2024), répond à ces questions.Un épisode de Garance Muñoz. Réalisation : Amandine Robillard. Présentation et rédaction en chef : Jean-Guillaume Santi. Dans cet épisode : extraits des titres de Charli XCX Break the Rules (2014) ; I Love It - Icona Pop (ft. Charli XCX) (2012) ; Boom Clap (2014) ; Vroom Vroom (2016) ; Speed Drive (2023) ; 360 (2024) ; Mean Girls (2024) ; Von Dutch (2024), et du morceau Immaterial, de Sophie (2018).Cet épisode a été publié le 6 juin 2025.---Pour soutenir "L'Heure du Monde" et notre rédaction, abonnez-vous sur abopodcast.lemonde.fr Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Episode SummaryErin and Rachel travel 700 years into the future to discuss WALL-E (2008), Pixar's robot romance with an unintentionally anti-capitalist message. Fatphobia and misogyny make this dystopian tale unwatchable despite its endearing protagonist, striking animation, and moments of nostalgia. Episode BibliographyThe 81st Academy Awards | 2009. (2009, February 22). Oscars.org. https://www.oscars.org/oscars/ceremonies/2009Akers, D. (2008, June 9). Wall-E: A Movie With a Full Heart, or A Tribute to Justin. Spectrum. https://spectrummagazine.org/news/wall-e-movie-full-heart-or-tribute-justin/Allen, C. (2008, July 13). Wall-E doesn't say anything. Los Angeles Times. https://www.latimes.com/la-op-allen13-2008jul13-story.htmlAnderson, C.T. (2012). Post-apocalyptic nostalgia: WALL-E, garbage, and American ambivalence toward manufactured goods. Literature Interpretation Theory, 23(3), 267-282, DOI: 10.1080/10436928.2012.703598Ball, S. (2009, January 23). Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man. Newsweek. https://web.archive.org/web/20090204034311/http://blog.newsweek.com/blogs/popvox/archive/2009/01/23/breaking-out-of-the-box-wall-e-director-andrew-stanton-on-the-oscars-the-blurring-of-the-line-between-animation-and-film-and-writing-strong-female-characterBandyk, M. (2009, January 22). Academy Awards Controversy: Wall-E Gets Snubbed For Best Picture Oscar. USNews. https://web.archive.org/web/20110717180938/http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscarBarbagallo, R. (2009). Design With a Purpose, an interview with Ralph Eggleston. Animation Art Conservation. https://www.animationartconservation.com/design-with-a-purpose%2c-an-interview-with-ralph-eggleston.htmlBeck, B. (2009). Don't make me laugh: People are funny in WALL-E and Tropic Thunder.  Multicultural Perspectives, 11(2), 90-93. DOI: 10.1080/15210960903028768Bold, K. (2008, July 23). ‘WALL-E' and the professor. Today@UCI. https://web.archive.org/web/20080726230400/http://today.uci.edu/Features/profile_detail.asp?key=369Bose, M. (2017). Immaterial thoughts: Brand value, environmental sustainability, and WALL-E. Criticism, 59(2), 247-277. DOI: 10.13110/criticism.59.2.0247Caraway, K., & Caraway, B.R. (2020). Representing ecological crises in children's media: An analysis of The Lorax and Wall-E. Environmental Communication, 14(5), 686-697, DOI: 10.1080/17524032.2019.1710226Coconut Press. (2022, July 1). The Making of WALL-E: The Imperfect Lens (Disney Pixar video). YouTube. https://www.youtube.com/watch?v=G8tlVs4r7zgDesowitz, B. (2009). Hello, WALL•E!: Pixar Reaches for the Stars. Animation World Magazine. https://web.archive.org/web/20090720073659/http://mag.awn.com/article_view.php?id=3682&page=allDisney Enterprises, Inc./Pixar. (2008, June 12). WALL-E Press Kit. Disney. https://web.archive.org/web/20110711103245/http://adisney.go.com/disneyvideos/animatedfilms/wall-e/media/downloads/WALLEProductionNotes.pdfEbert, R. (2008, June 26). Droid Story. Roger Ebert. https://www.rogerebert.com/reviews/wall-e-2008Film Review: WALL-E. (2008, October 1). BBC. http://news.bbc.co.uk/cbbcnews/hi/newsid_7500000/newsid_7504500/7504559.stmFlaig, P. (2016). Slapstick after Fordism: WALL-E, automatism and Pixar's fun factory. Animation: An Interdisciplinary Journal, 11(1), 59-74. DOI: 10.1177/1746847715625017Frick, A. (2008, July 1). Right-Wing Apoplectic Over Pixar's WALL-E: ‘Malthusian Fear Mongering,' ‘Fascistic Elements'. Think Progress. https://archive.thinkprogress.org/right-wing-apoplectic-over-pixars-wall-e-malthusian-fear-mongering-fascistic-elements-92e1523a8a6e/Gaffey, A.J. (2018). Flip the switch: Virtue, programming, and the prospect of automatic agency in Wall-E. Southern Communication Journal, 83(1), 41-56. DOI: 10.1080/1041794X.2017.1399434Glint, J.M.S., & Bhuvaneswari, G. (2025). Memory, Social Identity and Technology at Odds: The Implication on Physical Well‑Being in Wall‑E. Human Arenas. DOI: 10.1007/s42087-024-00471-wHill, J. (2008, June 17). When it comes to the retail world, Speed Racer whomps WALL-E. Jim Hill Media. https://jimhillmedia.com/when-it-comes-to-the-retail-world-speed-racer-whomps-wall-e/Hobbes, M., & Gordon, A. [Hosts]. (2022, May 31). MP Watch Part: Wall-E and Spy [Audio podcast episode]. In Maintenance Phase. https://www.maintenancephase.com/Horn, S., & Moro, E. (2008, April 7). Wall•E Preview. IGN. https://web.archive.org/web/20080411234805/http://movies.ign.com/articles/865/865021p4.htmlHuxley, T. (2008, November 13). Q&A With WALL•E's Ben Burtt. Pixar Planet. https://pixarplanet.com/blog/qa-with-walles-ben-burtt/Justin Wright. (n.d.). Wikipedia. Retrieved April 13, 2025, from https://en.wikipedia.org/wiki/Justin_WrightKorfiatis, K., Photiou, M., & Petrou, S. (2020). Effects of ecoanimations on nine and twelve year old children's environmental conceptions: How WALL-E changed young spectators' views of earth and environmental protection. The Journal of Environmental Education, 51(5), 381-394. DOI: 10.1080/00958964.2020.1747965 Lloyd, A. (2023, December 1). Counteracting Bone and Muscle Loss in Microgravity. NASA. https://www.nasa.gov/humans-in-space/counteracting-bone-and-muscle-loss-in-microgravity/Mattie, S. (2014). WALL-E on the problem of technology. Perspectives on Political Science, 43(1), 12-20. DOI: 10.1080/10457097.2013.784576Murray, R.L., & Heumann, J.K. (2011). That's all folks? Ecocritical readings of American animated features. University of Nebraska Press. Ness, M. (2017, September 28). Robots in Love: WALL-E. Reactor. https://reactormag.com/robots-in-love-wall-e/Pixar. (2016a, October 16). Robo-Everything | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=gqquKFkH-iI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=9Pixar. (2016b, October 19). Captain's Log | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=PRUoIOkp9AU&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=5Pixar. (2016c, October 19). Live Action | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=FQh4z-j0ScI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=15Pixar. (2016d, October 19). Trash Planet | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=UmnSYmqpIEY&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=14Pixar. (2016e, October 19). WALL•E and EVE | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=m-AYOhIYZlQ&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=12Potokar, S. (2017, March 8). Wall-E Animation Foley and Sound Design. YouTube. https://www.youtube.com/watch?v=0IPxIvbc_csPrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Recording Academy. (2025). 51st Annual GRAMMY Awards. GRAMMY.com. https://www.grammy.com/awards/51st-annual-grammy-awardsRoberts, S. (2008). Andrew Stanton Interview, Wall-E. Movies Online. https://web.archive.org/web/20080626061223/http://www.moviesonline.ca/movienews_14899.htmlRobinson, T. (2008, June 26). Andrew Stanton. A.V. Club. https://web.archive.org/web/20080908045321/http://www.avclub.com/content/interview/andrew_stantonStanton, A. (Director). (2008). WALL-E [Film]. Pixar Animation Studios.Suellentrop, C. (2008, June 30). Another Brick in the ‘WALL-E'. The New York Times. https://archive.nytimes.com/opinionator.blogs.nytimes.com/2008/06/30/another-brick-in-the-wall-e/Tranter, P., & Sharpe, S. (2012). Disney-Pixar to the rescue: Harnessing positive affect for enhancing children's active mobility. Journal of Transport Geography, 20, 34-40. DOI: 10.1016/j.jtrangeo.2011.04.006van Oosterwijk, I., & McCarthy, W. (2023). Once upon a dystopian time: The portrayal and perception of environmentalism in Pixar's Finding Nemo and WALL-E. Quarterly Review of Film and Video, 40(7), 848-873. DOI: 10.1080/10509208.2022.2049181 WALL-E. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/WALL-EWALL-E. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3615065601/Willman, C. (2008, July 14). 'WALL-E': How he found 'Hello, Dolly!' Entertainment Weekly. https://ew.com/article/2008/07/14/wall-e-how-he-found-hello-dolly/Yates, M. (2015). Labor as “nature,” nature as labor. Interdisciplinary Studies in Literature and Environment, 22(3), 525-543.

It's Immaterial - Just north of here It's Immaterial - The better idea  It's Immaterial - Space  It's Immaterial - Young man seeks interesting job  It's Immaterial - Driving away from home It's Immaterial - Happy talk It's Immaterial - Life on the hill It's Immaterial - Hang on sleepy town It's Immaterial - Lullaby  It's Immaterial - Fish waltz It's Immaterial - In the neighborhood  It's Immaterial - Downriver

Well, here we are my friends, the 100th and final episode!  We go back to where it all started, the National Gallery of Art, for a look at one of Pieter de Hooch's idealized depictions of what a Dutch household was supposed to be. This cozy home may have been more wishful thinking than reality, though!  We'll find out how an embarrassing meeting helped create the Gallery! And I'll share final thoughts and thank yous and a few podcast recommendations I think you'll really like (listed below). If you want to follow along, you can find it here on the Gallery's site SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music “The Well Tempered Clavier, Book I, BWV 846-869 - Prelude No. 19 in A major, BWV 864” composed by Johann Sebastian Bach. Performed by Kimiko Ishizaka. Courtesy of musopen.org https://musopen.org/music/43466-the-well-tempered-clavier-book-i-bwv-846-869 “Hand in Space” by Quantum Jazz https://archive.org/details/jamendo-046377 Artwork information https://www.nga.gov/artworks/1172-bedroom https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-bedroom-16581660 Pieter de Hooch information “Pieter de Hooch, 1629-1684” by Peter C. Sutton (Archive.org) https://archive.org/details/pieterdehooch16200sutt https://www.theartstory.org/artist/de-hooch-pieter https://en.wikipedia.org/wiki/Pieter_de_Hooch “Public and Private Life in the Art of Pieter de Hooch” by Martha Hollander (JSTOR) Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 51 (2000): 272–93. https://www.jstor.org/stable/24706499 Women in Dutch life “The Embarrassment of Riches” by Simon Schama (Bookshop.org) Gallery history https://www.nga.gov/about-us/our-history https://www.doaks.org/resources/cultural-philanthropy/national-gallery-of-art “America's National Gallery of Art” by Philip Kopper (Internet Archive) https://archive.org/details/americasnational0000kopp/americasnational0000kopp Jazz in the Garden https://www.nga.gov/calendar/jazz-garden “The Mill” by Rembrandt https://www.nga.gov/artworks/1201-mill The Object Podcast--Minneapolis Institute of Art https://new.artsmia.org/the-object-podcast The Modern Art Notes Podcast https://manpodcast.com Tyler Greene presents in-depth discussions with artists about their practice and curators about current shows for a fascinating look at today's art world. Immaterial https://www.metmuseum.org/perspectives/series/immaterial-podcast The Metropolitan of Art's limited series podcast tells us surprising stories about the stuff art is made from. Transcript available at https://alonglookpodcast.com/bedroom-de-hooch

Nous voilà revenus au Royaume-Uni, et plus précisément au nord de l'Angleterre, dans le coin de Liverpool, une ville qu'on a déjà visitée il n'y a pas si longtemps que ça lorsqu'on a abordé le cas du groupe Colonel Bagshot. Retournons cependant un peu moins loin dans le temps par rapport à ce dernier pour nous rendre dans les années 80, période qui a vu l'émergence et la démocratisation d'un nouveau courant musical : la new wave. Comme d'habitude, au milieu de ce bouillonnant mouvement, certains artistes et groupes se sont davantage imposés que d'autres et It's Immaterial, notre sujet du jour, ne fait pas tout à fait partie de ceux-là. Créé au tout début de la décennie, ce groupe a pourtant réussi à marquer les esprits en son temps grâce à un single qui a très bien marché. Malheureusement, et peut-être du fait de son identité musicale un poil étrange, il n'a finalement pas réussi à asseoir sa position. Penchons-nous donc sur le cas de ce groupe indé et new wave pas comme les autres au travers de son premier album sorti en 1986 : Life's Hard and Then You Die. Titres diffusés durant l'émission : Space - It's Immaterial Suffice To Say - Yachts A Gigantic Raft (In The Philippines) - It's Immaterial Rope - It's Immaterial Heaven Knows - It's Immaterial Driving Away From Home (Jim's Tune) - It's Immaterial Festival Time - It's Immaterial The Sweet Life - It's Immaterial Lullaby - It's Immaterial Ed's Funky Diner - It's Immaterial Le Bluesky de l'émission

In this episode, Bad at Sports dives into the world of independent publishing, printmaking, and the intersections of art, academia, and production with two innovative presses pushing the boundaries of their respective fields. Hoof Print Press, based in Pilsen, Chicago, is not just a print shop, but a thriving print publisher that explores multiple media, including ceramics. Known for their dynamic exhibition series, they bring a unique perspective on the art of printmaking, combining tradition with modern experimentation. We talk about how they balance the fine art of print with the hands-on craft of ceramics and what it means to operate as both creators and curators in the community-driven Pilsen neighborhood. - Gabe Hoare on mic. Next, we're joined by Immaterial Books, a quasi-academic press that's redefining the possibilities of academic publishing. Immaterial tests the limits of what it means to produce knowledge and content outside the conventional capitalist distribution and production models. They explore nontraditional forms of publishing that challenge the boundaries between art and academia. In this conversation, we dive into how their radical approach to publishing engages with academia, art practices, and the broader cultural conversation around knowledge production. Phillip Kalantzis-Cope on mic. Together, we discuss how both presses navigate the evolving worlds of independent publishing and art production, and how their work is changing the ways we think about community, art, and knowledge distribution. Tune in for an insightful episode that explores the intersection of artistic practices, publishing, and the role of independent presses in today's creative and academic landscapes. Live from 21C Chicago!

La consellera de Cultura de la Generalitat, S

In the hours of January 8, my house burned to the ground in the Eaton Fire in Altadena, CA. Here are some thoughts I recorded on January 15.   How to help? Become a paying subscriber to this podcast on Substack. Or leave a donation in any amount in the tip jar.   Housekeeping  Visit The Unspeakable on YouTube.  The Unspeakeasy has new retreats for 2025. Find out where we're going. Join The Unspeakeasy, my community for freethinking women.

Questions about what the laws of the immaterial are if immaterial things exist and how to use the third Columbo question in the Tactics material.   If immaterial things exist, what are the laws of the immaterial, and where are they? How do you use the third Columbo question in the Tactics material?

While our midseason break here at MC continues, we would like to introduce our beloved listeners (that would be you) to something special. It's a podcast called Immaterial: 5,000 Years of Art, One Material at a Time; it's produced by our pals over at The Metropolitan Museum of Art in New York. We dig it. You will, too. For more episodes, or more information, please visit HERE. 

Psychotherapy & Mindful Mentorship for a HAPPIER YOU | Discover the Importance of Mental Hygiene with Deborah Heiser In this episode of Walk in Victory, host Naran Tillman explores the significance of mental hygiene, with applied developmental psychologist Deborah Heiser. The conversation delves into how our minds absorb daily stressors and the importance of employing strategies to maintain mental clarity. Heiser shares insights on the role of emotional development across the lifespan, the power of mentorship, and the shift from valuing material possessions to cherishing meaningful connections. Highlights include real-life analogies and practical advice for nurturing both mental and emotional well-being.Time Line00:00 Introduction to Walk in Victory 00:35 The Importance of Mental Hygiene 03:52 Introducing Our Special Guest: Deborah Heiser 04:16 Deborah Heiser's Background and Work 06:16 Understanding Emotional Trajectories 08:24 The Power of Mentorship and Connection 12:32 Shifting Perspectives on Aging and Purpose 21:02 Material vs. Non-Material Joy 23:47 Shifting from Material to Immaterial 24:50 Modern Mentorship: Social Media and Beyond 25:14 Bridging Generations with Mentorship 26:32 The Mentor's Perspective 27:08 The Value of Connection 28:01 The Joy of Giving 29:31 Mentorship in Everyday Life 32:46 The Recipe for Mentoring 34:16 Lateral and Hierarchical Mentors 36:20 Urban Yogis: Peer-to-Peer Mentorship 38:29 The Power of Acknowledging Mentorship 39:15 Books that Impacted Us 40:35 Final Thoughts and FarewellWant to be a guest on Walk In victory? Send NaRon Tillman a message on PodMatch, here: https://www.joinpodmatch.com/walkinvictoryBecome a supporter of this podcast: https://www.spreaker.com/podcast/walk-in-victory--4078479/support.

Kostas aka AgainstMe is a Berlin-based Greek DJ, producer, and co-founder of SOCIETY 3000, as well as a core member of USM Recordings. His journey into electronic music began at just 17, when he started releasing music under a different alias, experimenting with a variety of electronic genres. However, it wasn't until his first rave and techno parties on his home island of Lesvos in 2017 that he found his true musical identity, and AgainstMe was born. The AgainstMe project draws inspiration from the struggle to align with one's inner voice, a journey Kostas deeply resonates with. Techno, with its hypnotic melodies, heavy drum patterns, and ritualistic energy, provided him with a revolutionary and unifying sound, something that stood in contrast to everything he had experienced before. Since then, his sound has evolved, and his releases have gained international recognition. Notable works include the EP Tension Seeker on Warok Records, the album Synopsis on Subsist Records, and UNCERTAIN on Immaterial.Archives. His music has received support from influential platforms such as 6AM, Hate, Monument, Electronic Groove, and Beater, as well as from respected artists like DVS1, Umwelt, Sev Dah, Rodhad, Kangding Ray, K-Hand, Mikael Delta, Richie Hawtin, and Marco Bailey. As a DJ, Kostas has performed at renowned venues and parties, including Tresor, RSO, Fuchs2, Qreclaim, Astron Bar, Six D.O.G.S, and SMUT Athens. His sets, much like his productions, are a hypnotic blend of driving rhythms and atmospheric depth, captivating audiences around the globe. Looking ahead, Kostas is preparing to release new material on prestigious labels like SOMA Records, 47, Tar Hallow, Malor Records, Renegade Methodz, and Evilgroove Records, ensuring that his future in the techno scene looks exceptionally bright. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

How do you create something both accessible and innovative? What do you draw inspiration from to make authentic and meaningful work? In this episode- animator, illustrator and author Sanjay Patel tells us about his life-changing journey back to his upbringing, we discuss his deep-dive into the well of inspiration he found and how it all came together into a playful preschool show. ------- SHOW NOTES: Writing / Host: Andy J. Pizza Co-Writing / Editing: Sophie Miller sophiemiller.co Audio Editing / Sound Design: Conner Jones pendingbeautiful.co  Soundtrack / Theme Song: Yoni Wolf / WHY? whywithaquestionmark.com   Sanjay Patel https://www.gheehappy.com https://www.instagram.com/gheehappy/ https://www.youtube.com/@gheehappystudio SPONSORS: Immaterial: 5,000 Years of Art, One Material at a Time a podcast by The Met - Each episode examines a material of art, like clay... stone... trash... and what they can reveal about history and humanity. You'll get a sense of the meaningfulness of these materials, and see them in a whole new way. Check out Immaterial here: https://bio.to/ImmaterialPodcast!PScreativepeptalk Riverside - The easiest way for you and your team to record, edit and share professional grade Videos and Podcasts, from anywhere in the world.  https://creators.riverside.fm/creativepeptalk Pixite Apps https://apps.apple.com/redeem?ctx=offercodes&id=1485310935&code=PEPTALK

Do you have a box of treasured momentos, a drawer of unfinished artwork or a notebook of ideas you never quite started and definitely didn't finish? Author and illustrator Carson Ellis tells us how she uncovered a forgotten journal from her 20s and how it informed an entire series of work, with a little help along the way from some other past projects. This interview is creative inspiration for how to tell stories using pictures, capture nostalgia and perhaps even create art today as a time capsule for the future. ------- SHOW NOTES: Co-Writing / Editing: Sophie Miller sophiemiller.co Audio Editing / Sound Design: Conner Jones pendingbeautiful.co  Soundtrack / Theme Song: Yoni Wolf / WHY? whywithaquestionmark.com https://www.carsonellis.com/ https://www.chroniclebooks.com/products/one-week-in-january Picture book mentions: What is Love, Du is Tak and Wildwood TV show mentions: Mad Men Band: https://www.decemberists.com/ Author Kazoo Ishiguro https://www.penguinrandomhouse.com/authors/14137/kazuo-ishiguro/ Julian Glander https://glander.co/ Past episode with Carson Ellis and Mac Barnett: https://creativepeptalk.com/355 SPONSORS: Immaterial: 5,000 Years of Art, One Material at a Time a podcast by The Met - Each episode examines a material of art, like clay... stone... trash... and what they can reveal about history and humanity. You'll get a sense of the meaningfulness of these materials, and see them in a whole new way. Check out Immaterial here: https://bio.to/ImmaterialPodcast!PScreativepeptalk Riverside - The easiest way for you and your team to record, edit and share professional grade Videos and Podcasts, from anywhere in the world.  https://creators.riverside.fm/creativepeptalk Pixite Apps https://apps.apple.com/redeem?ctx=offercodes&id=1485310935&code=PEPTALK

Get ready for a wild ride in the studio with ceramic artist Nick Sevigney! In this episode of our new For Flux Sake segment Fluxed Up, we dive into the precarious world of ceramics filled with personal stories, studio mishaps, and the ever-elusive perfect glaze. Join us as Nick shares his journey from porcelain skepticism to newfound appreciation, the impact of the Custer Feldspar shortage, and reveals the trials of handling glaze disasters. Plus, we uncover the joys and frustrations of gallery life and laugh over some truly memorable teaching moments. Tune in for a dose of humor, technical tips, and a behind-the-scenes look at the life of a ceramic artist. Got questions or need advice? Drop us a line at ForFluxSakePodcast@gmail.com   This week's episode features the following topics: Glaze Troubleshooting, DIY, Studio Stories, Ceramics Confessions, Nick Sevigney, Custer Feldspar, Studio Anecdotes, Behind the scenes, Potter, Ceramic Artist   Today's episode is brought to you by Immaterial: 5000 years of Art, One Material at a Time, a podcast from the Met Museum.  

How do art conservators save video art from obsolescence? If a painting on canvas rips or a marble sculpture shatters to pieces, art conservators are trained to respond accordingly and repair it. Artworks that unfold over time – like videos and software based works – are a different thing altogether. These artworks are made using cutting-edge technologies that are constantly being updated. If the “canvas” or medium an artwork is made on keeps shifting, how do art conservators protect these works from obsolescence? Guests: Jonathan Farbowitz, time-based media conservator Jennifer and Kevin McCoy, artists Ho Tzu Nyen, artist Nora Kennedy, Sherman Fairchild Conservator In Charge, Photograph Conservation Featured artworks: Thomas Tompion (clockmaker) Jasper Braem (case), Longcase clock with calendrical, lunar, and tidal indications, also known as the Graves Tompion, ca. 1677–80: https://www.metmuseum.org/art/collection/search/209296 Jennifer and Kevin McCoy, Every Shot, Every Episode, 2001: https://www.metmuseum.org/art/collection/search/284985 Ho Tzu Nyen, The Critical Dictionary of Southeast Asia, 2017–present: https://cdosea.org Cover art: Joseph Knibb (clockmaker), Longcase clock with calendar, ca. 1680–85: https://www.metmuseum.org/art/collection/search/205601 For a transcript of the episode and more information, visit metmuseum.org/immaterialtime #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Mueller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, associate conservator Jonathan Farbowitz, conservator in charge Nora Kennedy, collections technician Sam Winks, Kevin and Jennifer McCoy, Ho Tzu Nyen, associate curator Lesley Ma, and associate curator Lauren Rosati.See omnystudio.com/listener for privacy information.

Camille Dungy is an award-winning poet, writer, and host of the podcast Immaterial: 5,000 Years of Art, One Material at a Time from the Metropolitan Museum of Art. In our interview we talk about Immaterial and their approach to art and story telling. We also talk about her passion for gardening, and her most recent book Soil: The Story of a Black Mother's Garden. This episode also features an excerpt from the Immaterial episode Stone: Making and Breaking Legacies. To hear the rest of that episode follow and subscribe to Immaterial on your favorite podcast app. Many thanks to Metropolitan Museum of Art for sponsoring this episode of the show. My upcoming book The Complete Guide to Low-Fire Glazes for Potters and Sculptors has its official release on September 10 and is now available for pre-order. Get your copy today on Amazon or where ever fine books are sold.   Today's episode is brought to you by the following sponsors: Metropolitan Museum of Art www.metmuseum.org Michiana Pottery Tour www.michianapotterytour.com The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com Cornell Studio Supply www.cornellstudiosupply.com Bray Clay www.archiebrayclay.com  

It's difficult to know where to focus your creative energy. If you don't know whether you should be learning a new skill, diving deep into a new project or marketing something you've already done, this episode is for you! -------- SHOW NOTES: Co-Writing / Editing: Sophie Miller sophiemiller.co Audio Editing / Sound Design: Conner Jones pendingbeautiful.co  Soundtrack / Theme Song: Yoni Wolf / WHY? whywithaquestionmark.com Dan Harmon, Story Circle https://boords.com/blog/storytelling-101-the-dan-harmon-story-circle The Heroine's Journey by Gail Carrier https://gailcarriger.com/books/hj/ Also mentioned the Maureen Murdock book by the same name SPONSORS: Immaterial: 5,000 Years of Art, One Material at a Time a podcast by The Met - Each episode examines a material of art, like clay... stone... trash... and what they can reveal about history and humanity. You'll get a sense of the meaningfulness of these materials, and see them in a whole new way. Check out Immaterial here: https://bio.to/ImmaterialPodcast!PScreativepeptalk Pixite Apps https://apps.apple.com/redeem?ctx=offercodes&id=1485310935&code=PEPTALK

We're kicking off Season 4 of For Flux Sake with a bang—or should we say a "ping"? Matt, Rose, and Kathy are joined by producer Ben to unveil some exciting surprises awaiting you in the new season. We're firing up a conversation about shivering, crazing, and all the unpredictable quirks that come with ceramics. Why is your glaze flaking off? Could your firing cycle or even hand sanitizer be the culprit? And what's the deal with delayed crazing? We're here to get to the bottom of your ceramic problems! If you'd like to be featured on a future episode of the show please send your audio questions to forfluxsakepodcast@gmail.com.   This week's episode features the following topics:Shivering, Crazing, Delayed Crazing, Paint your own pottery, Vitrification, Low-Fire Ceramics, Clay bodies, Thermal expansion   Today's episode is brought to you by Immaterial: 5000 years of Art, One Material at a Time, a podcast from the Met Museum.  

So what does it mean if the work we're making isn't as impermanent as we think? Does it have to be in order to have value? Is there still value when it breaks? Today, I'm thrilled to partner with the one and only Metropolitan Museum of Art to feature an episode from their own podcast - Immaterial: 5,000 Years of Art, One Material at a Time. Each episode examines a material of art - like clay, stone, or even trash and what they can reveal about history and humanity. On today's episode, you're about to hear the story of Stone I recently listened to from their Season 2 launch. The discussion about what happens when the unbreakable not only breaks but shatters had me constantly thinking about every message I've ever sent to someone who's favorite mug has broken. And I wonder how we all might think a little differently about our less than permanent items after listening to this episode of Immaterial: 5,000 Years of Art, One Material at a Time…Find more fascinating stories from Immaterial by clicking here.Love this podcast? Support an episode! Click here to learn more. Follow The Maker's Playbook on Instagram @themakersplaybookHave questions about the show or want to say Hi? Email us at: podcast (at) makers-playbook (dot) com

This episode is for you if: -You keep giving up -You violently swing your focus from money-making, to never mixing money and creativity ever again -You need a method for staying true to your creative core and not getting swept away by all the shiny objects  SHOW NOTES: Co-Writing / Editing: Sophie Miller sophiemiller.co Audio Editing / Sound Design: Conner Jones pendingbeautiful.co  Soundtrack / Theme Song: Yoni Wolf / WHY? whywithaquestionmark.com  Lisa Miller PhD - The Awakened Brain https://www.penguinrandomhouse.com/books/608347/the-awakened-brain-by-lisa-miller-phd/ Jill Bolte Taylor PhD - Whole Brain Living https://www.drjilltaylor.com/whole-brain-living/ Joseph Campbell - The Hero with a Thousand Faces https://www.penguinrandomhouse.com/books/314324/the-hero-with-a-thousand-faces-by-joseph-campbell/ Carl Jung - The Tension of Opposites https://www.amazon.com/Man-His-Symbols-Carl-Jung/dp/0440351839 Christopher Nolan - Inception https://www.imdb.com/title/tt1375666/ The Matrix https://www.imdb.com/title/tt0133093/ Susan Cain - Bittersweet https://susancain.net/book/bittersweet/ Lin-Manuel Miranda - Hamilton https://www.hamiltonmusical.com/ About Time https://www.imdb.com/title/tt2194499/ Charlie Brown Christmas https://www.imdb.com/title/tt0059026/ Joe Hisaishi - Composer for Miyazaki Films https://www.imdb.com/name/nm0386749/ Hayao Miyazaki - Animator and Filmmaker https://www.imdb.com/name/nm0594503/ The PodGlomerate network https://www.podglomerate.com/ Newsletter signup https://andyjpizza.substack.com/ "Invisible Things" project Invisiblethings.co Invisible Things Enamel Pins https://www.etsy.com/shop/CreativePepTalk?ref=shop-header-name&listing_id=1290656010&from_page=listing§ion_id=33163429 SPONSORS: Immaterial: 5,000 Years of Art, One Material at a Time a podcast by The Met - Each episode examines a material of art, like clay... stone... trash... and what they can reveal about history and humanity. You'll get a sense of the meaningfulness of these materials, and see them in a whole new way. Check out Immaterial here: https://bio.to/ImmaterialPodcast!PScreativepeptalk

How did one tree become a world-famous tonewood for guitars? Deep in the forests of Belize, a wood importer from Florida discovered a rare tree that produced a sound unlike anything guitar virtuosos had ever heard before. But why does this material cast such a spell? And at what cost does that come?  Guests: Ellen Ruppel Shell, journalist Ken Parker, luthier Reuben Forsland, luthier Steve Cardenas, guitarist Jennifer Anderson, historian and author of Mahogany: The Cost of Luxury in Early America Althea SullyCole, guitarist and former Fellow in The Met's Department of Musical Instruments Featured artwork: Ken Parker, Archtop guitar, 2016: https://www.metmuseum.org/art/collection/search/677213 For a transcript of the episode and more information, visit metmuseum.org/immaterialwood #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Mueller.Original music by Austin Fisher and Salman Ahad Khan.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. Special thanks to Adwoa Gyimah-Brempong, curator Jayson Dobney, conservator Manu Frederickx, educator David Freeman, Dick Boak, Gabriela Guadalajara, and curator Alyce Englund.See omnystudio.com/listener for privacy information.

This month in the Misadventures in Music podcast, Ian Prowse and Mick Ord throw the spotlight on Henry  Priestman, a founder member of top 80's band, The Christians, who's triple platinum-selling debut album was one of the must-have records of that era. Henry wrote or co-wrote ALL the songs on 'The Christians' but there's much,much more to his musical career as you'll discover.  A founder member of 70's cult Liverpool band Yachts, he went on to work with It's Immaterial and in latter years has forged a successful career as a singer-songwriter.  Henry's a natural storyteller with a sharp wit and an unbridled enthusiasm and love of songwriting. Indeed,he recently discovered 17 unreleased "lost" songs by Yachts on cassettes in his attic which he's cleaned up and digitised and which will be released on album later this year.Sit back, enjoy and be prepared to be entertained

EPISODE DESCRIPTION: Everything changes. Platforms. The Economy. Seasons of Life.  What do you do when these changes block your path in such a way, that no matter how you look at it, you can't seem to find a path forward? You need to get distance to find perspective, but you can't always press pause and escape to a two week vacation anytime you get stuck. In this episode we talk about the research backed power of the journey mentality and how to access its perspective shifting magic. This is episode 1 of our ongoing Creative Journey Series. SHOW NOTES: Co-Writing / Editing: Sophie Miller sophiemiller.co Audio Editing / Sound Design: Conner Jones pendingbeautiful.co  Soundtrack / Theme Song: Yoni Wolf / WHY? whywithaquestionmark.com   Lisa Miller Phd "The Awakened Brain" https://www.lisamillerphd.com/ Joseph Campbell "A Hero with A Thousand Faces" https://bookshop.org/p/books/the-hero-with-a-thousand-faces-joseph-campbell/6894600?ean=9781577315933 Donald Miller "A Million Miles in A Thousand Years" https://bookshop.org/p/books/a-million-miles-in-a-thousand-years-how-i-learned-to-live-a-better-story-donald-miller/228927?ean=9781400202980 The Curse of Oak Island https://www.history.com/shows/the-curse-of-oak-island SPONSORS: Immaterial: 5,000 Years of Art, One Material at a Time a podcast by The Met - Each episode examines a material of art, like clay... stone... trash... and what they can reveal about history and humanity. You'll get a sense of the meaningfulness of these materials, and see them in a whole new way. Check out Immaterial here: https://bio.to/ImmaterialPodcast!PScreativepeptalk

A chat with Yoni Wolf of the band WHY? - I have been a massive fan for YEARS and you've hear their music every week on the show! You also heard more of the the band in our Right Side Out Series. This episode is for you if you are sick and tired of waiting for someone to let you do the creative work you want to be making, if you need inspiration for how to put more of yourself into your work or if you need a fresh helping of that feeling of why we do creative work at all - and stick until the end for a CTIA called NO MIT FOR THESE PITCHES on the mindset shift that helped me go from a place of fruitlessly pitching tons unsuccessful book ideas to publishers and into a place where I've been consistently making books for the past for years! Riverside - The easiest way for you and your team to record, edit and share professional grade Videos and Podcasts, from anywhere in the world.  https://creators.riverside.fm/creativepeptalk SHOW NOTES: Co-Writing / Editing: Sophie Miller sophiemiller.co Audio Editing / Sound Design: Conner Jones pendingbeautiful.co  Soundtrack / Theme Song: Yoni Wolf / WHY? whywithaquestionmark.com   WHY? https://whywithaquestionmark.com/ WHY?'s latest album: The Well that I Fell Into https://lnk.to/twifi Yoni Wolf's Substack https://yoniwolf.substack.com/ ANTICON https://en.wikipedia.org/wiki/Anticon Adam "Doesone" Drucker https://en.wikipedia.org/wiki/Doseone SPONSORS: Immaterial: 5,000 Years of Art, One Material at a Time a podcast by The Met - Each episode examines a material of art, like clay... stone... trash... and what they can reveal about history and humanity. You'll get a sense of the meaningfulness of these materials, and see them in a whole new way. Check out Immaterial here: https://bio.to/ImmaterialPodcast!PScreativepeptalk Riverside - The easiest way for you and your team to record, edit and share professional grade Videos and Podcasts, from anywhere in the world.  https://creators.riverside.fm/creativepeptalk

An archaeologist and an artist walk into a dump…  For most of us, we throw our garbage to the curb, and it disappears from our lives. But to some, that's just the beginning of trash's story. In this episode, we follow two people who seek the truth in trash—an archaeologist who excavates ancient rubbish in Turkmenistan and an artist who spotlights the people responsible for making trash vanish. Guests: Martina Rugiadi, associate curator, Department of Islamic Art, The Met sTo Len, artist Andy Blancero, development officer, Freshkills Park Alliance Featured artworks: Chakaia Booker, Raw Attraction, 2001: https://www.metmuseum.org/art/collection/search/492175 Bowl with Green, Yellow, and Brown Splashed Decoration. Excavated in Iran, Nishapur, 10th century: https://www.metmuseum.org/art/collection/search/449348 Stone Oil Lamp. Excavated in Iran, Nishapur, 9th century: https://www.metmuseum.org/art/collection/search/449328 Painted Dado Panels. Excavated in Iran, Nishapur, 9th century: https://www.metmuseum.org/art/collection/search/449862 James Hampton, The Throne of the Third Heaven of the Nations' Millennium General Assembly, ca. 1950-1964: https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897 Fragment of a Wall Painting with a Fox or a Dog (and Painted Layers). Excavated in Iran, Nishapur, 12th century: https://www.metmuseum.org/art/collection/search/708593 For a transcript of the episode and more information, visit metmuseum.org/immaterialtrash #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Mueller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, Brinda Kumar, Navina Haider.See omnystudio.com/listener for privacy information.

In Episode 72, the gang discuss using acrylic paints on pottery. You'll learn when it's safe to use acrylics and find out the effects of firing temperature on your cold-finished pieces. Also we'll get into pyrometric cones yet again and break down the difference between cones and temperature readings. Why are those last crucial 100 degrees Celsius so important? And finally, we're discussing the benefits of bisque-firing underglazes. Discover how this step can help prevent color bleeding and other potential glaze flaws. Glazing problems? Kiln meltdown? Send your questions to forfluxsakepodcast@gmail.com - you might hear the answer on the show!   This week's episode features the following topics:             Acrylic paint, painted ceramics, ceramic sculpture, cold finish, pyrometric cones, kiln firing, heatwork, temperature, underglaze, glaze flaws   Today's episode is brought to you by Immaterial: 5000 years of Art, One Material at a Time, a podcast from the Met Museum.

What can the tiny chia seed reveal about the history of oil painting? For centuries, one of the most prized mediums of art at museums like the Met has been oil painting, a European tradition embodied by the so-called "old masters." This is the story of how the oil of the chia seed — yes, the same one that's a staple add-on for smoothies and acai bowls — and its origins in Mexico could help us look at oil painting and our world with fresh eyes.  Guests: Elsa Arroyo, Mexican paintings conservator Ronda Kasl, Curator of Latin American Art, The American Wing, The Met Monica Katz, Conservator, Hispanic Society José Luis Lazarte Luna, Assistant Conservator, Paintings Conservation, The Met Roger Danilo Carmona, General Manager, Kremer Pigments Inc. Julie Arslanoglu, Research Scientist, The Met Mario Gaspar, Lacquerware artist Featured artworks: José Manuel de la Cerda, Turnus Provoked into War by Aeneas, ca. 1764: https://www.metmuseum.org/art/collection/search/841656 Juan Correa, The Virgin of Valvanera, ca. 1710: https://www.denverartmuseum.org/en/object/2008.832 Juan Correa, Allegory of the Holy Sacrament, ca. 1690: https://www.denverartmuseum.org/en/object/2015.570 Juran Correa, Angel Carrying a Cypress (Ángel portando un ciprés), ca. 1680-1690: https://collections.lacma.org/node/1034999 For a transcript of the episode and more information, visit metmuseum.org/immaterialchia #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum,  Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Muller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman.Special thanks to Adwoa Gyimyah-Brempong. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. And special thanks to Aleks Popowich, Alfonso Miranda Marquez, Beatriz Ortega, Marco Leona, and Avery Trufelman. The research presented within has been made possible in part by the National Endowment for the Humanities: Democracy demands wisdom.See omnystudio.com/listener for privacy information.

Today, Frame of Mind is featuring an episode from another podcast from The Met, Immaterial. Each episode tells the stories of artists' materials to explore how and why people make art.  In this episode, we cover stone. Throughout art museums around the world, you'll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time.  In this episode, we examine the many ways that stone breaks. How can a statue's cracks and cavities tell a more complex story of our humanity? Guests: Jack Soultanian, Conservator, Objects Conservation, The Met Carolyn Riccardelli, Conservator, Objects Conservation, The Met Robert Macfarlane, nature writer and mountaineer Erhan Tamur, former Andrew W. Mellon Postdoctoral Curatorial Fellow, The Met Sarah Graff, Curator, Ancient Near Eastern Art, The Met Featured artworks: Tullio Lombardo, Adam, ca. 1490–95: https://www.metmuseum.org/art/collection/search/197822  Statues of Gudea, Neo-Sumerian, ca. 2120–2090 BCE: https://www.metmuseum.org/art/collection/search/329072 https://www.metmuseum.org/art/collection/search/324061 https://collections.louvre.fr/en/ark:/53355/cl010119539 For a transcript of the episode and more information, visit metmuseum.org/immaterialstone #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Muller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.See omnystudio.com/listener for privacy information.

What happens when our most intimate possessions end up in art museums? Blankets comfort and keep us warm. They accompany us through our lives. They are keepers of some of our most intimate stories. We look at a group of artists who harness this power of blankets and quilts as totems for memory, community and cultural survival. Guests: Loretta Pettway Bennett, Gee's Bend quilt maker Marie Watt, artist Ally Barlow, associate conservator, Department of Textile Conservation, The Met Louisiana P. Bendolph, Gee's Bend quilt maker Louise Williams, board president, Freedom Quilting Bee Legacy Featured artworks: Qunnie Pettway, Housetop, ca. 1975: https://www.soulsgrowndeep.org/artist/qunnie-pettway/work/housetop Marie Watt, Untitled (Dream Catcher), 2014: https://www.metmuseum.org/art/collection/search/849042 Louisiana P. Bendolph, Housetop quilt, 2003: https://www.metmuseum.org/art/collection/search/654095 Annie E. Pettway, “Flying Geese” Variation, ca. 1935: https://www.soulsgrowndeep.org/artist/annie-e-pettway/work/flying-geese-variation Willie "Ma Willie" Abrams, Roman Stripes quilt, ca. 1975: https://www.metmuseum.org/art/collection/search/654081 For a transcript of the episode and more information, visit metmuseum.org/immaterialblankets #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Muller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman.Sensitivity listening by Adwoa Gyimyah-Brempong. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. Special thanks to Eva Labson, Scott Browning, Curator Amelia Peck, and Avery Trufelman.See omnystudio.com/listener for privacy information.

Listen to your heart—and this week's podcast—with a celebrated medium and former naval commander, Suzanne Giesemann, with our host and co-founder Steve Farrell. Their discussion, “Love Never Dies,” explores  Giesemann's experiences as a medium and how she has learned to tap into a Universal Consciousness to experience Oneness. In this podcast, you will explore… Connecting with the Afterlife  How to shift your focus between the two hemispheres of your brain Our shared consciousness and its impacts on our lives The Awakened Way and evolving your perspective The BLESS ME method – 7 steps to connect with higher consciousness And a special major announcement… ***Note: this is a special rebroadcast and any websites, links, programs, or events mentioned may no longer be active (or dates may have been changed). Thank you!*** For more of Suzanne Giesemann's teaching and insights, check out her outstanding free course, Communicating With the Spirit World, here. Explore Humanity's Team and the timeless truth that We Are All One.  Check out the Humanity's Team library of Free Educational Programs.  

What is hidden in the 'empty' spaces of an art museum? The Met is more than a museum of art. It is a city unto itself: population 2,000, with a transient population of 5 million. The Met is 21 buildings nested together like puzzle pieces, and it takes 400,000 light bulbs to illuminate all the spaces. But who actually changes those light bulbs? In this episode, peek behind the curtain and meet the people who maintain the hidden ecosystem of The Met. Guests: Marco Leona, David H. Koch Scientist in Charge, The Met Eric Breitung, research scientist, The Met Anna Serotta, conservator, Objects Conservation, The Met Louisa Lam, security officer, The Met Frida Escobedo, architect Featured artworks: Coffin of Irtirutja, 332–250 BCE. Egypt: https://www.metmuseum.org/art/collection/search/551163 Vincent Van Gogh, Cypresses, 1889: https://www.metmuseum.org/art/collection/search/437980 For a transcript of the episode and more information, visit metmuseum.org/immaterialspacepart2 #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Muller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. Special thanks to Maureen Catbagan, Iva Keselicova, Michael Millican, Elizabeth Reyes Moreno, Sarah Freshnock, Avery Trufelman, and Jennie C. Jones.See omnystudio.com/listener for privacy information.

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Are humans dualistic beings – two part beings, composed of a material body plus an immaterial soul? The reason some have this idea is the belief that matter cannot be organized to think, and therefore, the thinking ability of humans must be attributed to something immaterial. This is then used as a basis for the belief in the soul's naturally immortality. If it's immaterial, it has no parts, so it can't be destroyed and must endure forever. While that might *seem* to make sense, it depends on the idea that the mind is immaterial. And the apparent necessity for that vanishes if matter can be organized to think. In this study, we continue looking at a pamphlet written by SDA pioneer D. M. Canright called "Matter and Spirit," which was taken from his earlier series of articles called, "Can God Organize Matter to Think?" published in the Signs of the Times by James White. Canright made a second set of arguments in regard to the premise that humans have an immaterial part of them that is responsible for thought. These arguments point out the difficulties involved in coming up with a coherent conception of this supposed immaterial part of humans. On one hand, people claim this part is immaterial, but then, when attempting to say specific things about this immaterial part, they often end up saying things that would logically imply that it is material after all. Join us as we unpack this. For further study see: Part 1 of this 2 part series - "Can Matter be Organized to Think? | Early SDA D.M. Canright" https://directory.libsyn.com/episode/index/id/31758605 "MATTER AND SPIRIT, OR, THE PROBLEM OF HUMAN THOUGHT"  A PHILOSOPHICAL ARGUMENT. BY ELDER D. M. CANRIGHT. https://www.bdsda.com/matter-and-spirit-the-problem-of-human-thought/ "The Early SDA View of the Nature of Man | Are We Dual Beings or Unitary Beings?" https://youtu.be/dVp_VPkjYxw?si=6fEb5S7N-3ueF2HE "What is Materialism? The Seventh-day Adventist Foundation" https://youtu.be/iIEoLnNr71g?si=ruDQlazn6vqLHEKn   2024 Sabbath School, Quarter 2: The Great Controversy – Week 11 A Branch Davidian Seventh-Day Adventist perspective on the Sabbath School lesson.  www.bdsda.com  Email us bdsdalit@gmail.com for comments and study requests

How does an artist give presence to absence? Bronze, wood, paint, and stone—classic materials for art making. But what if you're trying and struggling to convey a vast expanse, a terrible loss or a haunting presence? In this episode we'll look at two artists who turned to the material of space to express what nothing else could. Guests: Rachel Whiteread, sculptor Brinda Kumar, Associate Curator, Modern and Contemporary Art, The Met Shania Hall, photographer Featured artworks: Rachel Whiteread, Untitled (Three Tables), 1995/1996: https://www.metmuseum.org/art/collection/search/816239 Shania Hall, Where the Vast Sky Meets the Flat Earth (unofficial title), ca. 2015: https://www.metmuseum.org/articles/framing-plains-indians For a transcript of the episode and more information, visit metmuseum.org/immaterialspaceart #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Muller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. Special thanks to Exhibition Design Manager Dan Kershaw, Associate Curator Patricia Norby, and Curator Sylvia YountSee omnystudio.com/listener for privacy information.

Arts - The Met

What happens when the unbreakable breaks? Throughout art museums around the world, you'll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time.  In this episode, we examine the many ways that stone breaks. How can a statue's cracks and cavities tell a more complex story of our humanity? Guests: Jack Soultanian, Conservator, Objects Conservation, The Met Carolyn Riccardelli, Conservator, Objects Conservation, The Met Robert Macfarlane, nature writer and mountaineer Erhan Tamur, former Andrew W. Mellon Postdoctoral Curatorial Fellow, The Met Sarah Graff, Curator, Ancient Near Eastern Art, The Met Featured artworks: Tullio Lombardo, Adam, ca. 1490–95: https://www.metmuseum.org/art/collection/search/197822  Statues of Gudea, Neo-Sumerian, ca. 2120–2090 BCE: https://www.metmuseum.org/art/collection/search/329072 https://www.metmuseum.org/art/collection/search/324061 https://collections.louvre.fr/en/ark:/53355/cl010119539 For a transcript of the episode and more information, visit metmuseum.org/immaterialstone #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Muller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.See omnystudio.com/listener for privacy information.

What is hiding in the material choices of artists and makers? Immaterial, The Metropolitan Museum of Art's marquee podcast, is back with eight more episodes that reveal the emotional origins and transformative power of art through the lens of materials. This season we learn from Mexican artisans keeping centuries-old traditions alive; we go to ancient Mesopotamia to understand time travel; and we find a mythical tree in Belize that's been making music for decades. From traditional materials like stone and wood, to more abstract ones like space and time, the podcast explores how these materials shape the inner lives of artworks and the human experiences they reflect. Season 2 of Immaterial drops June 4.See omnystudio.com/listener for privacy information.

A talk by Thanissaro Bhikkhu entitled "Immaterial Gifts"

If mathematical objects are immaterial, does that mean aspects of human beings are too? On this episode, host Pat Flynn concludes his three-part discussion with Dr. Selmer Bringsjord about his provocative chapter in the recent volume Minding the Brain titled “Mathematical Objects are Non-Physical, so we are too.” They summarize the argument that formal thinking is non-physical and extend this reasoning to Read More › Source

Immaterial laws only make sense if there's a logical, orderly God behind the universe who structured the universe in a logical, orderly way.

BashTech Radio 65 with Matthieu Benjamin www.bashtechrecords.com Bio: With a thirst for rare and unconventional sounds, Matthieu Benjamin emerges as a visionary artist, delivering a unique blend of dark, and atmospheric techno that captivates listeners. Honing his auditory sensibilities in the city of Berlin, Matthieu Benjamin's journey took a decisive turn in 2019 when he began entrancing audiences across Swiss clubs and started creating his label, Temporal Variation. Behind the decks, Matthieu Benjamin has meticulously etched his name in the sonic echelons, treating his audiences to a transcendental and refined auditory odyssey. His sets and sounds have graced venues including D! Club, Folklor Club, Le Zoo, La Gravière and Nordstern. Notably, his talent caught the discerning ears at the Zurich-based label Adroit, welcoming him into their audible family as a resident. In the realm of music production, Matthieu Benjamin's artistry has been rigorously honed and refined. His productions have found their home on labels such as Olympian, Newrhythmic, Illegal Alien, Anaøh, Immaterial.Archives, and Eclectic Limited. With an astounding output of nearly 50 tracks in a single year, his compositions reverberate globally, finding resonance in esteemed venues including Awakenings, Berghain, Fabric, and Bassiani. These productions have received accolades from luminaries in the electronic music sphere, including Richie Hawtin, DVS1, Rødhåd, Adriana Lopez and Kr!z. Follow Matthieu Benjamin: https://soundcloud.com/matthieubenjamin https://www.instagram.com/matthieubenjamin_/ https://linktr.ee/matthieubenjamin Tracklist: Sciahri - Purity [Warm Up Recordings] NWHR - Virtus [Warm Up Recordings] Ribé - Ad Infinitum (Oscar Mulero Remix) [Warm Up Recordings] Moddullar - Randomness (Lars Huismann Remix) [INNSIGNN] PWCCA - Surgical Procedure [MORD] Tensal - MTRFV [Metro Black Series] Flaws - Clarity (Kwartz Remix) [Kvalia Records] Lakej - Withdrawal [Solitär Records] Drop-E - Multilateral Approval [Modularz] Roll Dan - In Spain [Mord] Matthieu Benjamin - Lost Sheep [Olympian] Milo Raad - The Hornet [Soma Records] Oscar Mulero - Iris Malicioso [Pole Group] Magna Pia - Mysteria [Temporal Variation] Milo Raad - Solaris [Soma Records] Kike Pravda - Rotational [Mord] Patrick Carrera - Water Overhead [Mord] Joton - United Hearts [Temporal Variation]

On this episode, host Pat Flynn is joined by Dr. Selmer Bringsjord, author of a fascinating and provocative chapter in the recent volume Minding the Brain. Dr. Bringsjord argues for the immateriality of mathematical objects as well as the immateriality of the human person. The argument challenges physicalism and raises questions about the nature of consciousness and the human person. The Read More › Source

In this episode, Kyle and Randy discuss the philosophy of the soul and its implications for religious belief, the lived experience of faith, and even ethics. Kyle is a materialist, which means he thinks humans are physical objects, and Randy leans towards dualism, which involves belief in a soul or non-physical part of a human being. Are there any good arguments either way? What do most philosophers think? What are the implications for religion? Does any of it matter? What does it have to do with Donald Trump? This one is definitely on the headier, more philosophical side, so strap in and try to check your assumptions at the door.The bourbon we tasted in this episode is the exquisite cinnamon bomb RD1 Brazilian amburana-finished straight bourbon.To skip to the interview, go to 8:40. You can find the transcript for this episode here.Content note: this episode contains some profanity.=====Want to support us?The best way is to subscribe to our Patreon. Annual memberships are available for a 10% discount.If you'd rather make a one-time donation, you can contribute through our PayPal. Other important info: Rate & review us on Apple & Spotify Follow us on social media at @PPWBPodcast Watch & comment on YouTube Email us at pastorandphilosopher@gmail.com Cheers!

Aristotelian Arguments For Immaterial Powers Actual Problems And Potential Solutions by Angelicum Thomistic Institute

Hailing from Venezuela and now based in Montréal, Canada, Isabel Soto is a techno music producer, DJ, and the visionary behind the record label NYXII. She currently holds a residency with the Montreal-based Arder collective. Her hypnotic and deep approach takes the listener on a journey through both her sets and productions, creating a sonic atmospheric experience enriched by pulsating rhythms and percussive beats. She has quickly left a mark on the music scene with numerous releases on esteemed labels such as Immaterial.Archives, Soma Records, Synergie, 01366, Duplicity, Keyhole Records, DifferentSound, Diffuse Reality, Second State and her own imprint. Her work has garnered recognition and support from artists around the world including names as Kr!z, and DVS1 - who consistently feature her tracks in renowed venues such as Berghain. Isabel made her European/UK debut and first tour in September 2023. This marked a pivotal moment in her career as she played in several countries and at venues such as the legendary Tresor (Berlin), The Garage Of The Bass Valley (Barcelona) and About Blank (Berlin) Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

* Jesus: Fully God and fully man so fully free! Was Jesus able to sin? Of course. Otherwise, He could not be fully man, and He could not be tempted, and His righteousness would not be praiseworthy, and He could not love, because love must be freely given. But He became fully man, and He was tempted, and He is praiseworthy, and He does love. So, the answer is, yes. Bob continues broadcasting the cross examination of Will Duffy during the recent debate Is Open Theism Biblical, and notes that when a Calvinist challenges open theist testimony from Scripture by asking if it would contradict God being "impassible, impeccable, and immutable", one could hear district attorney Hamilton Burger objecting as he did in a 1960s courtroom drama, that this line of questioning was "incompetent, irrelevant, and immaterial." For not the "living God" but a stone idol is impassible, impeccable, and immutable. Also, consider that folks have a difficulty discerning between time and the measurement of time. So too many have difficulty comprehending the difference bewteen the future as a concept and a moment in the future. The concept of the future doesn't change but what may or may not happen in any particular moment in the future is open. So too with truth. The concept of truth doesn't change, whereas whether a particular statement is true or false (like, "breakfast is served") of course can change. Open theists though frequently encounter these kinds of easily avoided misconceptions. * Incompetent, irrelevant, and immaterial; impassible, impeccable, and immutable: When a Calvinist challenges open theist testimony from Scripture by asking if it would contradict God being "impassible, impeccable, and immutable", one could hear district attorney Hamilton Burger objecting as he did in a 1960s courtroom drama, that this line of questioning was "incompetent, irrelevant, and immaterial." For not the "living God" but a stone idol is impassible, impeccable, and immutable. * Clarifying Terms Future & Truth: Just as folks have a difficulty discerning between time and the measurement of time, so too many have difficulty comprehending the difference bewteen the future as a concept and a moment in the future. The concept of the future doesn't change but what may or may not happen in any particular moment in the future is open. So too with truth. The concept of truth doesn't change, whereas whether a particular statement is true or false (like, "breakfast is served") of course can change. Open theists though frequently encounter these kinds of easily avoided misconceptions.  Today's Resource: Open Theism Seminar Open theism seminar with Bob Enyart on three DVDs! (Filmed in Indianapolis) Another fantastic BEL seminar, this time, on the topic of Open Theism, answering the question, is the future settled or open? The Open View teaches that God can change the future. He interacts with the flow of history and changes the outcome of the future as it unfolds by His decisions and actions. * Recovering the Personal God: A BEL goal over the last 28 years has been to recover the personal God. Personhood is not only the right to life of every unborn child because those kids are made in God's likeness, but primarily and through eternity past, God Himself is a personal God, the one God existing in three persons, Father, Son, and Holy Spirit. Yet classical theology has turned God into more of a quantitative mathematical equation. We broadcast in part to correct all that!

Friday returns home, Victoria decides to trust herself, and Mr. Writingdesk breaks protocol. The theme of tonight's episode is Libraries.(To avoid spoilers, content warnings are listed at the end of this episode description).The bonus story that goes with this episode is ‘Forgotten Faces', and is available for Hallowoods patrons on the show's Patreon, along with behind-the-scenes, exclusive merchandise, and more! Because the show runs without ads or sponsors, we rely on support from fans to guarantee the survival of this LGBTQ+ horror podcast.Hello From The Hallowoods is written and produced by William A. Wellman, a queer horror author. You can visit their website for more information! The transcript for this episode is available on the Hello From The Hallowoods Website. Click here to read!You can also find Hello From The Hallowoods on social media! The show is on Facebook, Instagram, and Twitter at @thehallowoods. If you'd like to connect with other fans of the show, there's even a fan-run Discord Server!Music for this episode was used under license from Artlist.com. The soundtracks featured were: ‘Forest Overture', by Yehezkel Raz, ‘Here There', by Yehezkel Raz,‘Currents', by Ardie Son, ‘Odd Numbers', by Curtis Cole,‘Yearning', by ANBR, ‘Dance and Whisper', by ANBR,‘Zircon', by Ottom, ‘Witness - Extended Version', by Oliver Michael,‘Run with the Wolves', by Ardie Son,‘Trapped in my Nightmares', by We Are the Good, ‘Immaterial', by ANBR,‘In Features', by Peter Matri, ‘Ganymede', by Yehezkel Raz,‘Seasons', by ANBR, ‘Omega', by Ardie Son, ‘Bad Friends', by Tamuz Dekel, ‘Exhale', by Salt of the Sound,And ‘Farewell', by Maya Belsitzman and Matan Ephrat Content warnings for this episode include: Al has no skin (as usual), Violence, Kidnapping and abduction, Death + Injury, Blood, Needles, Birds, Gun Mention, Strangulation/suffocation, Static (including sfx), Emotional Manipulation, Body horror, Werewolf related body dysphoria, House fires